None
Kilns, stoving of porcelain, 396. King-fisher glaze. See Tsui-se. Ko Chu, Cheng-hwa era potter, 188. Ko Tan-jm, Cheng-hwa era potter, 188. Ko-yaoy origin, 42 ; distinguished from Lu?ig-chuan-yaOy 42 ; character, 42, 44, 50; identification, 49; trans- mutation ware, 49 ; imitations, 77 ; crackle, 343. See also Lung-chuan- yao, Koh Min-tsiang, potter, 351. Koh Yuan-tsiang, potter, 351. Kuan-yao of Sung dynasty, origin, 37 ; character, 37-41 ; factory trans- ferred, 39 ; transmutation ware, 49 ; imitations, 76, ']']-, of the Ming dynasty, 80-103; distinguishing features, 8 1 ; of the Tsing dynasty, 8 2 ; various wares so-called, 221, 222, 255, 300, 303, 307, 317, 321. Kung-chun, potter, 353, 357. Kwa-pi-lu monochromatic ware, 320, 321. Kwang-tung province, soft-paste por- celains, 260, 261; faience, 313, 350-353- Kwang-yaoy 313, 350-353. Lacquered porcelain, 342. Lamp-shades of enamelled egg-shell porcelain, 215, 229. Lan-yao-fien, 332. Lang family, potters, 287. Lang-yaOy origin, 286—288 ; varieties, 288-290; pate, 290; auxiliary glazes, 290; no marks, 291 ; ces- sation of production, 391; modern imitations, 381. Lapis blue monochromatic ware, 3 1 4. Li Chun-fang, potter, 358. Liang, potter, 357. Lime, use in Chinese glaze, 386, 389, 409. 42 INDEX Lion as a decorative subject, 158. Liu-tsu, 13. Lo, Hsuan-te era potter, 115. Longevity, decorative devices typify- ing, 162—166. Lu-yao-pietty 333, 334- Lung-ching era, blue-and-white ware, 126, 133—135; enamelled ware, 194-201. Lung-chuan-yao, origin, 41 ; dis- tinguished from Ko-yaOy 42 ; char- acter, 42-46, 50; identification, 43, 47-49; date of origin, 46; factories, 46, 48 ; period of manu- facture, 76. Majolica ware, reason for its fine glaze, 391. Mandarin porcelains, 202. Marks. See Identification. Mazarin blue monochromatic porce- lain, 314. Medallion bowls, 213, 244. Medallion style of decoration, 152, 204, 213, 221. Mei-hzua-yao, See Hawthorn pat- tern. Metalic black monochromatic ware, 323* 325- Meyer, A. B., on celadon, 65. Min Lu-shang, potter, 360. Ming dynasty, golden period of ker- amics, 103 ; blue-and-white ware, 104—136; enamelled ware, 182- 201 ; white monochromatic ware, 252-264; redmonochromes, 2 8o- 286; yellow monochromes, 304; potters of boccaro ware, 357—361 ; ware not exported, 376. Mirror black monochromatic ware, 323-325 ; modern imitations, 326. Mo-Ting-yaOy 323. Mohammedan blue, importation and use, 1 01, 1 10, 221 ; exhaustion of supply, 122, 128, 140. Monochromatic wares, potter's first aim, 96, 154; methods of develop- 42 ing the colours, 298, 393, 394; modern imitations, 380. See also Celadons and colours by name. Mustard yellow monochromatic porce- lain, 306 ; modern imitation, 381. Nankin WARE, 1 76-178. Nanwhei province. Pong ware, 90. Ngeu, potter, imitations of Ko and Kuan wares, ']']. Ngeu Ching-chun, potter, 359. Nien Hsi-yao, superintendent of Ching-te-chen factories, 81, 171. Pa sien as decorative subjects, 161. Pai-ting-yaOy 25; See also Ting-yao. Pao-shi-hung monochromatic porce- lain, variety of Chi-hung of Hsuan- te era, 281 ; oi Kang ^jz era, 297. Peach as an emblem of longevity, 1 66. Peach-bloom. See Pin-kwo-ts* ing. Peacock green monochromatic ware, 320; polychromatic ware, 338. Pechili province, ware of the Tang dynasty, 1 5 ; Ting ware of the Sung dynasty, 24, 29. Peng Chiian-pao, potter, imitates Ting ware, 27, 259. Petuntse, functions in porcelain, 384, Phoenix as a decorative subject, 156. Pi-seh-yaOy secret-colour ware, 17. Pin-kwo-tsUng monochromatic porce- lain, character, 294; varieties, 295, 320; scarcity and shapes, 296; decoration, z<^6-ypatey 296; mark. Pine as an emblem of longevity, 165. Plum as an emblem of longevity, 165. Polo, Marco, on Chinese porcelain, 367- Polychromatic wares, transmutation or Jlambey 28, 329-334, 342; possi- ble varieties classed as mono- chromes, 329; wide range, 334; in which red predominates, 336. blue and green, 338; Fang-chun^ INDEX 338; grained, 339; checkered, 340; tortoise-shell, 341; tiger-skin, 341 ; Kwang faience, 350-352. Pomegranate tree as a decorative sub- ject, 167. Pong Chun-pao, potter, 90. Porcelain, Chinese, question of earliest manufacture, 6—12, 99 ; gradations, 99, 250, 348; celadonsy 82; method of repairing, 143; mono- chromes the ideal, 154; original meaning of term, 366 ; rise of pres- ent use of name and earliest speci- mens in Europe, 366-372; rise of European trade in, 372; Occi- dental confusion of, with Japan- ese, 373 ; Occidental influences, 374; character of early exported, 374 ; first exportation of high-grade enamelled, 375, 376; composition, 383—385; care in manufacture, 388; present supply and demand of old, 377; modern imitations, 377—382; process in egg-shell, 395 ; stoving, 396. See also Blue- and-white ware. Enamelled ware. Faience, Polychromatic wares. Pottery, Red under the glaze, and also monochromes under the names of colours. Porcelain Tower of Nanking, 349. Pottery, extent of the term, 348; boccaro, 353-365. See also Faience, Keramics, Porcelain. Purple monochromatic wares, 24, 26, 51, 309. See also Colours. Red monochromatic wares, Hung- tingy 27 ; esteem, 278 ; first, 278- 280; Chi-hungy 280—286, 292— 294, 297; Fan-hungy 284, 297; Sang de bceuf or Lang, of Kang-hsi era, 286—291 ; Chiang-tou-hung of Kang-hsi era, 294; Pin-kwo- ts'ing or Peach-bloom, 294-297 ; Hung-mieTiy 298 ; classification ac- cording to method of development of colour, 298; Jujube, 299; Rouge, 300; Coral, 301; West- ern, 301 ; ruby-backed, 302. See also Colours, Polychromatic wares. Red-under-the-glaze decoration, use in Hsuan-te era, 127; Court orders for, in Wan-li era, 128, 1 3 i ; Tsing dynasty ware, 168; criteria, 168- 170; in combination with blue, 170. Repairing porcelain, Chinese method, 143. Reserved style of decoration, 193. Robin' s-egg glaze, 333. ^ Rouge-red monochromatic porcelain, 300. Rouge-vif. See Chi-hung. Ruby-back porcelains, 212, 302. Salvetat, Alphonse, on manufacture of glaze, 388-390; on colour ma- terials and methods, 399-410. San-tsai-kiy porcelain, 245, 247 ; faience, 246—249. Sang de bceuf monochromatic porce- lain, 286. See also Lang-yao. Sartel, O. du, error on Chinese porce- lain, 9 ; on secret-coloured ware, 17; on antiquity of enamelled porcelain, 185; on European imi- tations of Chinese porcelain, 238- 243; on crackle, 346; on European collections of Chinese porcelain, 377- Satow, Ernest, investigation into Si- amese celadons y 65. Sceptre, Buddhist, as a decorative subject, 166. Se-liang, potter, 360. Sevres painted ware, Chinese imita- tion, 216. Shan-hu-hung monochromatic porce- lain, 301. Shan-si province, faience, 349. Shan-yu-hzvang monochromatic ware, 307. Shao Erh-sun, potter, 361. 423 INDEX Shao Wan-kin, potter, 359. Shao Wan-yin, potter, 359. Shao-kai, potter, 361. Shao-shan, potter, 358. Shapes, in blue-and-white porcelain, 113, 123-125, 129-134, 146, 147; in Hawthorn pattern ware, 142 ; in enamelled porcelain, 187 ; lamp-shades, 215; copies from bronzes, 251; boccaro tea-pots, 362, 363. She-pi-lii monochromatic ware, 321. Sheu-yaOy 15, 303. Shi Ming, potter, 358. Shi Ta-pin, potter, 358. Shi Ying, potter, 359. Shi-hang, potter, 358. Shin-tin-kiy 90. Sh6s6-in collection, specimens of early Chinese wares, 2 1. Shu Chiao, potter, 28, 260. Shu Hung, potter, 28, 260. Shu-fu-yao, 93, 251. Shu-yaOy 16. Shun-chih era, blue-and-white ware, 136. Siam ware, 64; celadoTty 64. Siao-nan-yaOy 136. Siao-yaOy 260. SnuiF-bottles, Chinese, in Egyptian tombs, 228. Solyman on early Chinese porcelain, i o. Souffle Yi^x^y 1 51-153* 3»i> 395- Spotted-yellow ware, 307. Starred-ice crackle, 345. Steatite, use in soft-paste porcelain, 107, 267, 269. Stippling in blue-and-white ware, 174. Su Ts'z-ching, potter, 362. Sii Yiu-chiien, potter, 358. Su-chou-yaOy 85. Subjects for decoration. See Decora- tion. Sui dynasty, wares, 13-15. Sui-kiy 343. Sung dynasty wares. Ting, 24-28, 31, 250, 259, 260; Kichou, 28; Tu-Tingy 29; Ju, 32-37; Kuatiy 3 7-4 J ; J^ngy 41 ; Lung-chuan, 41-50; Koy 42-45, 50; Chun, 50-57; Chien, 57-60; Su-chou imitation of Tmg, 85 ; of Ching-te- chen, 89, 90; blue-and-white, 98; Tsu-chou, 276; green tiles, 319- Symbols, Chinese, as decorative sub- jects, I 58-1 61. Szechuen province, ware of the Tang dynasty, 16. ZL^-zt/ monochromatic ware, 319. Ta-sin, caligraphist, 361. Tang, superintendent of Ching-te- chen potteries, 81, 137, 172, 201, 298; his yellow glaze, 307, 308. Tang dynasty, wares, 15-17, 21. Tao-luy keramic history, 3. Tao-shuy keramic annals, 3. Tao Yu, potter, 14. Taou-kwang era, blue-and-white ware, 175. Te-hwa-yaOy 271. Tea, properties ascribed to, 57. Tea ceremonial, Japanese art tenden- cies, 98. Tea-pots. See Boccaro ware. Three-coloured ware, porcelain, 245, 247 ; faience, 246—249. Tieh-siu-hwa ware, 339. Tien- Ian monochromatic porcelain, 312. Tiger as a decorative subject, 157. Tiger-skin glaze, 341. Tiles, ancient green, 319. Ting-yaOy original or Sung, date of origin, 23 ; character, 24-27, 250- 252; scarcity, 2 7 ; imitations and later wares called, 27, 83, 85, 93; coarser varieties, 28, 29; fac- tory transferred to Nan-chang, 3 i ; character of the Nan-chang ware, 3 1 ; Ming, 257; later, made at Ching-te-chen, 262-264; question 424 INDEX of red glaze, 278; purple, 309; black, 323. To-tai-kiy 253-257. Tortoise as a decorative subject, 157, 164. Tortoise-shell glaze, 341. Trade, keramic, with Japan, 29, 73 ; depots for early Eastern export, 66, 95 ; channels for early export, 68, 72; with Borneo, 68; European, 372-377- Transmutation ware, process, 330— 332; varieties, 3 3 2—3 3 4 ; wide range, 334; modern, 342. Tsao-hung monochromatic porce- lain, 299; use in combination, 299. Tsiang Poh-Kwa, potter, 359. Tsin dynasty, ware, 13. Tsin-yaOy 16. Tsing dynasty, blue-and-white ware, 136-175; modern decline of keramic art, 175, 380-382; enamelled porcelain, 201-217 J white monochromes, 266—271; red monochromes, 286-303 ; yel- low monochromes, 305—309. Tau-chou-yaOy 276, 350. Tsui, potter, 135, 200. Tsui-se monochromatic ware, 316; varieties, 317. Tu-Ting-yaOy 29, 251, 350. Tui-hwa-kiy 269. Tung- Han, potter, 357. Tung-ngeu-taOy 13. Tung-siu-hwa ware, 339. Turquoise blue, monochromatic ware, 316; varieties, 317; polychromatic ware, 338. Tzu-chin monochromatic ware, 326- 328. U—CHIN monochromatic ware, 323, 325. V-ching monochromatic ware, 323- 325; modern imitations, 326. U-ni-yaOy 59, 323. Unicorn, or Ki-lifty as a decorative subject, 157, 164. Wan-li era, blue-and-white ware, 126, 133-135; red-under-the- glaze ware, 128, 131 ; enamelled ware, 194—201. Watered-blue monochromatic porce- lain, 315. Wei-tsii. See Kai-pien, Western reds, 301. White monochromatic wares. Ting soft-paste, and its successors, 24— 32, 83, 85, 93, 250-252, 257- 264; hard-paste egg-shell, 252— 257, 264-266; revival of hard- paste, in Kang-hsi era, 266; decorations in early Tsing eras, 267—270; criteria of hard-paste, 267, 271 ; Ivory-white, 271—275 ; marks, 275; Tsu-chou, 276. White slip decoration, 230. Wu-tsai-kiy 191. TAO-PiENy process, 330-332; va- rieties, 332-334; wide range, 335- Yellow monochromatic wares, first, 303 ; transparent, 304—306 ; opaque, 306; mustard, 306; eel, 307 ; spotted, 307. Yen-chi-hung monochromatic porce- lain, 300. Ten-ching-tou-hwa ware, 230. Ti-hsing-yao. See Boccaro. Tu-li-hungy Tsing dynasty red- under-the-glaze ware, 168. Yuan Chang, potter, 358. Tueh-pai monochromatic ware, 313. Yueh-yaOy 15, 17. Yuan dynasty, keramic conditions, 90, 94, 95 ; its so-called porcelain, 91, 312; wares of Ching-te-chen, 92-94; enamelled ware, 180— 182. Yung-ching era, blue-and-white ware, T 7 1 ; identity with ware of Kang- 425 INDEX hsi era, 1 7 1 ; keramic reproduction of bronze surface, 226. Yung-lo era, blue-and-white ware, 105; enamelled ware, 182; egg- shell porcelain, 2 5 2-2 5 5. Yuriaku, Japanese emperor, edict on keramic ware, 7. Zaitun, depot for foreign trade, 66 ; identity, 66. 426 ^^^ Iffir I*/ Vr^^'^Mwl^lE^^B^^ 1 \>^*'*'W^^ ^f' ^^E ^^S iKS^s A l\y\ Jrifcc^w ^^ffl DS 735 BS5 1902 v.l Brinkley, Frank China, its history, arts, ^ and literature. ^Library ed.jT PLEASE DO NOT REMOVE CARDS OR SLIPS FROM THIS POCKET UNIVERSITY OF TORONTO LIBRARY rf\ 1 /A l^^tifclM VM /. 