None
INDEX A Page Accessory Trees and Shrubs 88 Accuracy in Plans loo, loi Acropolis 84 Aerial Photographs ....._ loo Agents, Pigments as Toning 29, 30 Alcohol, Diluting with 49 Alcohol Spray 49 Alteneder Ruling Pens 20 Alternate Method of Laying a Sky Wash 43 Alum, Use of ,, 23 Aims in Sketching 133 Air Brush 48, 113 " Skies 47 " " Washes, Repairing Defects in 4a " " or Atomizer, Unifying Tone with 113 Analysis of Color Masses and their Modulation 141 " " Subject 141 Antiquarian Paper 4 Appliances 136 Arrangement of Colors, Habitual 138 "Art" Gum 17, 22, 108 Atomizer Skies 47 " or Air Brush, Unifying Tone with 113 Atomizers 48, 113 Author's Palette 126 B "Background" vs. Sky 35 Backgrounds, Warm and Cold 83 Back shades 77 Back Shadows, Drawing 63, 69 " " and Piquage 76 Balance, Reversal for 62, 63 Beginning to Paint 141 "Biting in" a line 18, 75 Black, Use of 139 Blaisdell Pencil 8i Block Plans 113 Blots, Removing 51 Blotters 10, 141 " and their Uses 28, 29 Board, Drawing 3 Board, Tilting the Drawing 50 145 146 INDEX Page Body Color 82, 128 Brangwyn, Frank 140 Brickwork, Piquage of 79 Brilliancy by Contrasts 44, 70 " Preserving 44 Brilliant Poche 104, 105 Bristle Brushes, Flat and Chinese 139 Broad Lines 100, 106 Brown, to make 125 Brush Case 137 " Drawing with the 141 ** Loading the 38 " The Point of the 142 ** The Side of the 14^ " Selecting a 26 Brushes, Air 48 " Camels' Hair 26 " Care of 27 " Chinese Bristle 27 " Flat Hair or Bristle 139 " Red Sable 25 " Winsor & Newton's 25 Building assumed to be rendered, Description of I7» 34 Building up from light to dark 36 " " Gradations 66 " " Plane Values 57 " « Values 96 Camels' Hair Brushes 26 Carbonaceous Pigments 123 " Washes 4». iio Care of Brushes 27 " " Stick of Ink 28 Carrying the Wash Out 54 Case, Brush I37 Casserole, Use of 23 Casting Shadows 24 Ceiling Indication 105 " Solids, Shadows of 93 Character in Furnishing, Expression of 107 Charcoal Paper i39 Charrette 22 Charrette, En 16 Chifflot 21 Chinese Bristle Brushes 27 Ink 27 Choice of Subject and Point of View *35 Circulation, Grey *°S " Tone of i05 " White »05 Clean Hands *i Cleaning, "Dry" 2* Cleaning off ** Cleanliness i x, 108 ** again ^9 INDEX 147 Page Cloth-backed Paper 6 Cloud Shadows 113 Coarsening Freehand Pens 2o Cold Backgrounds, Warm and 83 Cold and Warm Lines loi " " " Tones, Opposing 84 " -Pressed Whatman Paper 4 " to Warm and Vice Versa, Grading from 8? Colonnade Shadows 70 Color, Body 82, 128 " Drawing in Quarter, Half and Three-quarter 83 " Full 133 " Habitual Arrangement of 138 " "Lifting" of 87, 91 " Local , 53 " Manipulation of 142 " Masses and Their Modulation, Analysis of 141 " Piquage in 89 " Powders 128 " Saucer {godet) 29 " Spraying on in Full 144 Colors, Beware of old dry 123 " Fugitive xi8, 119 " Pan 116 " Primary 89, 124 " Secondary 89 " Tertiary 89 " Tube 116 Column Shades and Shadows 73 Combined Gradations 45 Common Sense in Indication 104 Complicated Shadows 24 Composition 136 Compound Tone by Individual Washes 144 Concentration of Interest in Plan 113 " " Light and Dark in Plans iii Conditions, Indoor and Outdoor 137 Construction Lines for Shadows 24 "Consuming" the Line 19 Conte Crayon 81 Contrast Law of in '* Reversing Values for 53 Contrasts, Brilliancy by 44, 70 Convention xv " vs. Realism 46 Conventional Indications 109 Cooling Ink 17 Copying 140 Cornice Shadow, Sharp Gradation in 68 " Shadows 66, 86 " " Minor Planes in (Diagram) 55, 67 Crayon Paper, English and Tinted 139 Cret, Paul Philippe 84, 98 " " " Working Palette of 129 Crossing Lines 103 Crow-quill Pens 80 Curved Surfaces, Illumination of 57 Cyma Shades, Gradation of 96 148 INDEX Page D Damp Weather ..v.......... 50 Dampening the Drawing 37 Dark Horizons 45 " Lines 19 Darkening up .^ 81 Darks and Lights, Principal 65 Defects in Airbrush Washes, Repairing 42 " Repairing 41 Demi-poche xoi Deposing Pigments 116 Description of Building assumed to be rendered ^ 17, 34 " " Monotone and Monochrome 31 D'Espouy 18, 20, 64, 94, 95 Details, Light Edges in 97 " Rendering of 94 " Textures in 99 Diluting Ink 17 " with Alcohol 49 Diminishing Glass 69 Discipline xvi Distances 45 Division of Washes 33 Drawing at Small Scale, Simplification of 13 " Back Shadows 69 " Dampening the 37 " of Plan, Freedom in loi " with the Brush X41 " Rendering Detail 94 " Board 3 « " Tilting the 50 Drawings in Quarter, Half and Three-quarter Color 83 Shade-line 21 "Dry-cleaning" 22 Dull Poche 103 B Easels 137 Edges in Details, Light 97 " Mending 40 " of a Wash, Freshening up the 38 Edifices de Rome Moderne — Letarouilly 107 Eggers, Otto R., Working Palette of 129 Eggshell Paper 4 Electric Fan, Use of 10, 23 Eliminating Spots and Streaks 41, 42 En Charrette i6 English Crayon Paper 139 Ensemble loz Entourage 100 " and Tree Masses Generally 108 Envois of the Grand Prix Men 18 Erasures • • • ^4 Erechtheion 84 Evaporation of Ink, Preventing the 28 Experimenting 87 INDEX 149 Page Expression of Character in Furnishing 107 Extra Rough Whatman Paper 139 F Fan, Use of Electric 10, 23 "Fans" or "run-backs" 5, 29, 50, 143 Field, Sponge for the 141, 142 Final Paper, Transferring Studies to 12 Flat Hair and Bristle Brushes 139 Floor Indication 105 Foliage 82 " Use of Sponge for 1 12 Following a Line 38 Foregrounds, Perspective 46 Fortuny 140 Free Sketching 133 Freedom in Drawing of Plan 101 Free-hand Pens 20 " " " Coarsening and Sharpening of 2d Freshening up Edges of a Wash 38 "Frothing" 15 Frotter 15 Fugitive Colors 118, 119 Full Color 133 " " Spraying on in 144 Furnishing a Plan 105, 106 " " Use of Washes in. 107 " Expression of Character in 107 Furniture 105 Q Gamier, Tony zoa Gillott's Pens 20 Glass, Diminishing 69 " Painting on 137, 138 Glazing Method, The 90 Godef roy 65 Godet ( Color Saucer) 29 Goodhue, Bertram G 47, 104 Gouache 128 Gradation in Plans no " of Cyma Shades $6 " " Steps 70 " " Windows 71 Gradations, Building up 66 " Combined 45 " Reversing 62 Grading a Wash from Light to Dark and Vice Versa 37 " from Cold to Warm and Vice Versa 88 " Modillion Shadows 69 " of Plane Washes 6a " Plane Washes Upwards 62 " Small Washes 71 Grand Prix Men 94, 95, 96 " Envois of the 18 Graphite 11, 15 150 INDEX Page Green Rubber ,. 2» Greenley, Howard 140 Grey Circulation 105 " To make 125 Greys of Plan 105 Grinding or Rubbing up India Ink 28 Grinding Saucer, Slate 28, 104 Gu^rin, Jules 81, 115, 116, 120, 122, 135, 140 ** " Working Palette of 129 H Habitual Arrangement of Colors 138 Hair Line 103 Handling in Plans, Subtlety of 108 Hands, Clean 11 Harding Paper 139 Harmony 83, loi Harpignies 140 Hatching 41 Hatfield's Colors 116 Hazell, Frank 140 •* " Working Palette of 131 Heavy Pigments 116 ** " Settling out of 118 Hedges 108 Higgins' Ink 17, 103, 104 " Paste 5 High and Low Key or Pitch 136 Hopeless Stage, The 51 Horizons, Dark 45 Horizontal Working 143 Hot Pressed Whatman Paper -. 4 Hlumination of Curved Surfaces. 57 " " Planes, Relative 55 Importance of Program xiii India Ink 22, 28, 32 '* " "Rubbing up" or "Grinding" of 28 " " Rendering and Pure Color, Intermediate step between 83 Indication, Ceiling and Floor 105 " Common Sense in 104 Indications, Conventional 109 Individual vs. Mixed Washes ; 143 " Washes, Compound Tone by 144 Indoor Conditions 137 Indoor and Outdoor Scale in Plan 107 Ink, Care of Stick of 28 " Chinese 27 " Cooling or Warming 17, 18 " Diluting 17 ** Higgins' 17, 103, 104 " India 27, 28, 32 " Keeping 28 •* Preventing the Evaporation of 28 " Straining 28 INDEX 151 Page Ink, Toning the , 17 Inking in of Plan 103 " " Shadows 24 Inner Vision 24 Interest concentrated in Plan 113 Intermediate or Subordinate Planes 58 " Step between India Ink Rendering and Pure Color 83 Israels 136 J Joining Sheets (of paper) 5 Joint Lines 21 Juxtaposition of Varied Tones 89 K Keeping Ink 28 Keeping the Wash evenly wet 38, 73 Key 136 " High and Low 136 " Preservation of 83, 84 L Larger Scale, Studies at 13 Law of Contrast iit Laying Sky Washes 36, 37 "Legitimate" Methods 142 Letarouilly's Edifices de Rome Moderne 107 "Lifting" of Color 87, 91 Light and Dark in Plans, Concentration of m " Edges in Details 97 " Lines 100 " Reflected 58 " (Color), Quality of 31, 136 " (Value), Quantity of 31, 136 " to Dark, Building up from 36 " " " or Vice Versa, Grading a Wash from 37 Lightening up ._ 17 Lights and Darks, Principal 65 Lightweight Pigments ii6 Line and its Quality, The 18 " "Biting in" a 18, 75 " "Consuming" the 19 " Following a 38 " Hair 103 " Drawings, Shade- 21 " Watertable no " Working i2 Lines, Broad and Soft 20, 100, 106 " Cold and Warm loi " Crossing 103 " Dark 19 " for shadows, Construction 24 " Joint 21 " Light 19, 100 " Piquage by 79 " Speed in Drawing 18 152 INDEX Page Lines, Thick i8 " Thin ,8 " Window (in plans) 103, 104 " Wiry 18, 106 " vs. Planes 19 Loading the Brush 38 Local Color 52 Long, Birch Burdette, Working Palette of 130 Low Key or Pitch 136 Luminosity 41 Luminous Washes •. 41 M McGoodwin's Shades and Shadows 25 McKnight, Dodge 140 Main Cornice Shadows 86 Manipulation of Color 143 " Speed of 84 Maris 140 Meagreness 105, 109 Medaille des Concours 100 Mending Edges 40 Method of Laying a Sky Wash, Alternate 43 " The Glazing 90 Methods, "Legitimate'' 143 " in Sketching 140 " of Grading Small Washes 71 Metal Work and Windows, Piquage of 79 Minor Plane Values 65 " Planes in Cornice Shadows (Diagram) 55, 67 Mixed vs. Individual Washes 143 ModilHon Shadows, Grading 69 Monochrome and Monotone, Definition of 31 Monotone 31, 83 " and Monochrome, Definitions of 31 Mounted Paper 137 Mounting of Paper 5, 7 Mother Wash, The 33, 85 Murphy, Herman 140 o Old dry colors, Beware of 133 " seasoned paper best 27 Opaque Pigments , 116 Openings, Warm or Cold Tones in 87, 88 Opposing Cold and Warm Tones 84 Ornament, Shadows of 75 Outdoor and Indoor Scale in Plan 107 " Conditions 137 Outlining Poche 103, 104 P Pace in Running Washes 123 Paint, Beginning to H^ INDEX 153 Page Painting on Glass 137. 138 " Scrubbing the Paper in Sketching or 142 Pale Lines 19 Palette, Establishing a Working 126 " Folding X36 " of Author 26 " " Paul P. Cret 129 " " Otto R. Eggers 129, 130 " " Jules Guerin 129 " " Frank Hazell 131 " " Birch Burdette Long 130 " " Hubert G. Ripley 131 " Setting the 138 Pan Colors n6 Paper, Antiquarian 4 " Blotting 28 " Charcoal 139 " Cloth-backed 6 " Eggshell 4 " English Crayon 139 " for Sketches 139 " Harding 139 " Joining Sheets of 5 " Lightweight 4 " Mounted 137 " Mounting of 5, 7 " Old seasoned, Best 7 " Preserving the Surface of 14 " Protecting the 14 " Roll 4, 5 " Selection of 7 " Steinbach 4 « Thin 4 " Tinted Crayon 139 " Torchon 139 '• Transfer 16 " Use of Alum for re-calendering the 23 " Whatman Cold Pressed 4 ♦• " Hot " 4 " " Extra Rough 139 « " Roll 4 " " Rough 139 " " Smooth 139 Parrish, Maxfield 115, 140 Parthenon , 84 Passing Plane Washes 54 Paste, Higgins' 5 Pattern 102 Pen Shadows, Ruling- 75 Pencil, Blaisdell 81 Penciling in 14 " a Plan 103 Pens, Alteneder's Ruling 20 " Coarsening and Sharpening Freehand 20 " Crow-quill 20 " Freehand 20 " Gillot's 20 " Ruling 20, 75 154 INDEX Page Penumbra 98 Permanence of Pigments 117 Perspective Foregrounds 46 Perspective in Plan, Trees in 1 1 1 Perspectives 90 Photographs, Aerial (footnote) 100 Pigments as Toning Agents 29 " Carbonaceous 123 " Deposing 116 " Heavy 116 " Lightweight 116 " Opaque 116 " Permanence of 117 " Properties of 84, 116 " Settling out of heavy 118 " Transparent 89, 116 Piquage 17, 32, 62, 70, 78, 97 " and Back Shadows 76 " by Lines 79 " in Color 89 " of Brickwork 79 " " Stonework 78 " " Windows and Metal Work 79 " Texture by 79 " Use of the Rubber in 80 Piquer 17, 89 Pitch 138 Pitches of Platforms, etc., Whites in 12 Plan, Concentration of Interest in a 113 " Crossing Lines in 103 " Freedom in Drawing of lOi " Furnishing a 106 " Indoor and Outdoor Scale in 107 " Inking in of a 103 " in Rendering, Simplification of 109 " Penciling in of a 103 " Preliminary Study of Values in a 109 " Shadows 112 " Subtlety of Handling in 108 " The Greys of a. 105 '* Third Dimension in 102 " Trees in Perspective in a 1 1 1 " Use of Washes in Furnishing a 107 " Washes in no Plans, Accuracy in icx>, loi " Block 113 " Concentration of Light and Dark in 1 1 1 " Gradation of no " Meagreness in 105 " Rendering of 100 " Window Lines in 104 Plane Values 52, 57 " " Minor 65 " Washes, Grading of 62 " " Passing 54 Planes in Line, Value of 17 " Intermediate or Subordinate 58 " Minor, in Cornice Shadows (Diagram) 55i ^7 INDEX 155 Page Planes, Relative Illumination of SS " vs. Lines 19 Planning out Washes 33 Plantations in Plans 108, 109 Platforms, etc., Whites in Pitches of iz Poche loi, I02 " Brilliant or Dull 104, 105 " Demi- 101 " Outlining 103, 104 Pocher 105 " Proper Time to 105 Point of the Brush 142 " " View and Choice of Subject 135 Powders, Color 128 Preliminary Steps 3 " Study of Values in Plans 109 Preservation of Key 83, 84 Preserving Brilliancy 44 " the Surface of Paper 14 Preventing the Evaporation of Ink 28 Primary Colors 89, 124 Principal Darks and Lights 65 Problem in Reflected Light, etc., Sections as 93 Program, Importance of xiii Properties of Pigments 84, n 6 Propylaea 84 Protect Drawing, Shield to , 14 Protecting the Paper 14 Puddles 10 Pure Monotone 31 Q Quality of Light (Color) 31, 136 Quantity of Light (Value) 31, 136 Quality of Tone 85 " The Line and its 18 Quarter Color, Half and Three-quarter Color, Drawings in 83 R Rays, Spectrum 124 Realism vs. Convention 46 Re-calendering the Paper 23, 24 Red Sable Brushes 25, 26 Reflected Light 58 " Lights, Sections a problem in 93 " Shades 77 " Shadows 63 Relative Illumination of Planes 55 Removing Blots 51 Rendering Details 94 " Plans 100 " Sections 93 " Simplification of plan in 109 Repairing Defects 41 Reversal of gradations for balance 62 Reversing Values for Contrast 53 1S6 INDEX Page Ripley, Hubert G 8i, 84, 135 " Working Palette of 131 Roll Paper 4, 5 Ross, Denman 31, 85 Rough Whatman Paper 139 Rubber Cement 47 Rubber, Use of the 80 Rubbers, Green and Ruby 22 Rubbing on 15 Rubbing up or Grinding India Ink 28 Ruby Rubber >^ 22 Ruling-Pen Shadows 75 " Pens 20 Runbacks or Fans 5, 6, 29, 30, 50, 143 Running Washes containing much Color 87 " " Pace in 123 " " too wet .- 39 S Sanguine 16 Sargent, John S X33. 140 "Sauce" 108 Saucer, Color {godet) 29 " Slate Grinding 28, 104 Scale, Indoor and Outdoor, in Plan 107 " in Treatment 103 " Simplification of Drawing at Small 13 " Studies at Larger 13 " Treatment in Relation to 103 Scrubbing the Paper in Sketching or Painting 142 Seats or Stools, Sketching 137 Secondary Colors 89 Sections, Problem in Reflected Light 89 " Rendering of , 93 Selecting a Brush 26 Selection of Paper 7 Sequence, Spectrum 126, 138 Setting the Palette 138 Settling-out of Heavy Pigments 118 Shade-line Drawings , 21 Shades and Shadows ^ 65 " " " Column 73 " " " McGoodwin's 25 " Back 77 " Gradation of Cyraa 96 " Reflected 77 Shadows, Back 63, 69 " " and Piquage 7^ " Casting 24 " Cloud "3 " Colonnade 7° " Complicated H " Construction Lines for 24 " Cornice 66 " Grading Modillion 69 " Inking in 24 " Main Cornice 86 " Minor Planes in Cornice SSt 67 INDEX 157 Page Shadows of Ceiling Solids 93 " " Ornament 75 " Plan 113 " Reflected 63 " Ruling Pen ., 75 " Sharp Gradation in Cornice 68 " Small 75 Sharp Gradation in Cornice Shadow 68 Sharpening Freehand Pens 20 Sheets (of paper), Joining 5 Shield to Protect Drawing 14 Shrubs and Trees, Accessory 88 Side of the Brush 142 Silhouettes 22 Simplification of Drawing at Small Scale 13 " " Plan in Rendering , 109 Sketches, Paper for 139 Sketching, Aims in 133 " Free 133 " Methods in ; 140 " or Painting, Scrubbing the Paper in 142 " Textures in 142 Skies, Air Brush 47 " Atomizer 47 " Sprayed 47 Sky Tones 35 " vs. "Background" 35 " Wash, Alternate Method of Laying a 43 " Washes 85, 86 " " Laying 36, 37 Slate Grinding Saucer 28, 104 Small Scale, Simplification of Drawing at 13 " Shadows 75 " Washes, Methods of Grading 71 Smith, F. Hopkinson 140 Smooth Whatman Paper 139 Soft Lines 20, icx), 106 Solids, Shadows of Ceiling 93 Spectrum Raj^s 124 " Sequence 126, 138 Speed in Drawing Lines 18 " (or Pace) in Running Washes 123. " of Manipulation 84 Sponge, Face 23 " for the Field 141, 142 " " Foliage, Use of 112 Sponging down Washes 96, 99 off 23 Spots, Eliminating 41, 42 Spray, Alcohol 49 " Washes, Templates for 47 Sprayed Skies 47 Spraying on in Full Color 144 Steinbach Paper 4 Steps, Gradation of 70 Stevenson, Robert Louis 140 Stick of Ink, Care of 28 Stippling 42 is8 INDEX Page Stone, Weathering of 97 Stonework, Piquage of 78 Straight-edge, Use of 5 Straining Ink 28 Streaks, Eliminating 41, 42 Strips, Tick 12 Studies at Larger Scale 13 " to final paper, Transferring 12 Study of Plan Values, Preliminary 108, 109 Subject and Point of View, Choice of 135 " Analysis of 141 Subtlety of Handling in Plan 108 Subordinate or Intermediate Planes 58 Surface of Paper, Preserving the 14 Surfaces, Illumination of Curved 57 T Temperament 114 Templates for Spray Washes 47 Tertiary Colors 89 Texture by Piquage 79 Textures 81,113 " in Details 99 " " Sketching 142 Thick Lines 18 Thin Lines 18 Thin and Lightweight Paper 4 Third Dimension in Plan 102 Tick Strips 12 Tilting the Drawing Board 50 Time to Pocher, Proper 105 Tinted Crayon Paper 139 Tone, Quality of 85 " of Circulation 105 " Unified with Air Brush or Atomizer 113 " Value of 85 Tones in Openings, Warm or Cold 87, 88 " Juxtaposition of Varied 89 " Opposing Cold and Warm 84 «' Sky 35 Toning Agents, Pigments as 29 " the Ink 17 Torchon Paper « 139 Transfer Paper 1^ Transferring Studies to Final Paper 12 Transparent Pigments 89, 116 " Washes 41 Treatment in Relation to Scale 103 Tree Forms in Plan, Use of Sponge in "2 Tree Masses and Entourage Generally 108 Trees 103 " and Shrubs, Accessory 88 " in Perspective in Plan m Tube Colors xi6 U Uniformity 34 Unifying Tone with Air Brush or Atomizer "3 INDEX 159 Page Unifying Washes vi .v ••••.......... .^.t..^. 89 Use of Alum 23 " " Black 131 " " Blotters a8, 29 ** " Casserole 23 " " Electric Fan i(^ 23 " " the Rubber in Piquage 80 " " Sponge for Foliage 113 " " Straight-edge 5 *' " Washes in Furnishing Plan 107 V Valley Forge Memorial 98 Value of Tone 85 Values 31 " Building up 96 «' " " Plane 57 " for contrast, Reversing 53 " of Minor Planes 65 " " Planes 52 " " Planes in Line 17 " Preliminary Study of Plan 109 Varied Tones, Juxtaposition of 89 View and Choice of Subject, Point of 135 Villa Medici 94 VioUet-le-Duc ig W Walcott, William .f. 133, 140 Ware, Professor William R 8 Warm and Cold Lines loi " " " Tones, Opposing 84 " " " Backgrounds 83 " " Vice Versa, Grading from Cold to 88 Warming Ink 17, 18 Wash, Alternate Method of Laying a Sky 43 " cut to the end, Carrying the 54 " evenly wet. Keeping the 38, 73 " Freshening up the Edges of a 38 " from Light to Dark and Vice Versa, Grading a 37 " Laying the Sky 36, 37 " The Mother 32 Washes, Carbonaceous 41, 110 " Compound Tone by Individual 144 " containing much pigment. 