None
Market, opening of REAT, 337 MAR^UAND, HENRY G., Carpets as influenced by, 385 Collection, comparison between MUMTAZ MAHAL Carpet and carpet in, 345 High prices realized by sale of, 160, 164, 253-254 Reference to, 213 Illustrated Catalogue of the Art and Literary Property collected by (edited by T. E. K.IRBY), 211, 396 MARRIAGE, ELLEN, The Unknown Masterpiece (BALZAC), translated by, 400 MARTIN, F. R., A History of Oriental Carpets Before iSoo, 183, 281, 397, 400 Mogul Carpet, assigned date of, 281, 282 Mats, TEKKE or BOKHARA, 375 MAUGE, J., Comment Discerner la Styles dtt Vlll' an XIX" Si'ec/es, graves par, 393 Mausoleum of the MEDICI, 72 Maxima de Napoleon (LIANCOURT), 393 (HUMPHREYS), quotation from, 116 Mazarin Bible, references to, 36, 161, 188, 284 MAZARIN, CARDINAL, COLBERT recommended to LOUIS XIV. by, 363 Medailles et Pierres Gravees (Catalogue, Bibliotheqite Nationale], 392. See also Catalogues MEDEA, abandoned by JASON, 22 and JASON, illus. facing 3, 363 As types of the combination of Industry and Art, 24 Reproduction of picture by GUSTAVE MOREAU, 363 Art industries revived by, 21 Assistance rendered to JASON by, 14-19 Depicted by GUSTAVE MOREAU, 23 Return with JASON to his father's kingdom, 21 Mtdee et Jason (GUSTAVE MOREAU), engraving by JEAN PATRICOT, 363 Impression pulled by PAUL MOGLIA, 363 Mediaeval Architecture (FERGUSSON), 187 MEDICI, Mausoleum of the, 72 MICHAELIS, PROFESSOR, A Century of Archaeological Discoveries (translated by K.AHNWEILER), 27 (quotation), 37, 166, 185-186 (quotation), 389, 3.97 Writings of, references to, 51, 168 Michelagniolo (MACKOWSKLY), 391 MILAN CATHEDRAL, 72, 73 MILLAIS, SIR J. E., pictures by, 133 MILLET, JEAN FRANCOIS, prices obtained for pictures by, 148-149 MINERVA and ARACHNE. See Fables Miniatures — Gouaches, Estampes en Couleurs Francoises et Anglaises (Catalogue, Bibliotheque Nationale], 392. See also Catalogues MITCHELL, WILLIAM (and S. HUMPHRIES), Edinburgh Parthenon, The, 395 The Edinburgh Parthenon, Edition de Luxe of, 137, 395 MITCHELL, WILLIAM, The National Monument to be completed for the Scottish National Gallery, on the model of the Parthenon, 136-137, 395 MOGLIA, PAUL, Le Jeune Homme et la Mart (G. MOREAU), impressions pulled by, 363 Medee et Jason, impression pulled by, 363 Mogul Carpet, DR. MARTIN'S, 281, 282 MOLIERE'S (Eu-ures, 1773 Edition, 103, 392 419 27 a Oriental Carpets Monograph on Carfet Making in the Punjab (LATIMER), 399 Monograph on Carpet Weaving in Bengal, A (MUKERJI), 399 Monograph on Oriental Carpets (CLARKE), 252 Monograph on the Carpet Weaving Industry of Southern India (HARRIS), 182, 260-261 (quotation), 263- 264, 373. 38°. 399 Montreal Gazette (Nov. 7, 1885), 163 Ephemerides, 396 Monument du Costume (J. M. MOREAU), 98, 99, loo, IOI, IO2, lOJ MOREAU, GUSTAVE, birth of, 363 Death of, 363 Exhibition of works at galleries of French Amateur Art Society, 363 Incarnation of French Pre-Raphaelites, 363 Inspiration derived from mythological legends by, 363 Le Jeune Homme et la M'jrt, 363 Medea and Jason, 363 MEDEA depicted by, 23 Paintings of, 83 Reproductions in GOBELINS Tapestry of paint- ings by, 363 MOREAU, J. M. (Le Jeune), book illustrations by, value of, 103 Monument du Costume, 98, 99, loo, IOI, IO2, 103 Work of, as designer and engraver, 98, 99, loo, 101, 102, 103, 104, 105, 106 MORGAND, DAMASCENE, Catalogue of, 106 Quotations from, loo, 101, IC2 MORLAND, GEORGE, work of, compared to that of French artists, 127 Morning Post, Development of Painting, The (CLAUSEN), 393 Egyptian Excavation, 390 Path n Paris, The (RUTTER), 392 Quilter Collection, The, 394 Quotations from, 85, 130 MORRIS, WILLIAM, art interests of, 141-144 Art of WAGNER compared with, 143, 144 Carpet Circular of, 297-298 Conjoint work of SIR E. BURNE-JONES and, 142, 143 Early works issued through Kelmscott Press, 189 Furniture produced by, 142 Improvements in dyeing effected by, 142 Kelmscott Press of, 142 Life arid Death of Jason, The, 389 Quotation from, 159 Revival of Tapestry-weaving by SIR E. BURNE- JONES and, 142, 143 Work of, 296 Mosaics, origin of woven fabrics found in, 185 MOSQUE of SHAH ABBAS THE GREAT, 368, illus. back cover MOSQUES, ARDEBIL, 204, 205, 207, 209, 210, 244 Humanity typified in architectural form of, 342, 343 ISPAHAN, building and cost of, 48, 368, 369 Ideal symbol of Persian Art, 368 KUM, 208 MECCA, 255, 256 Mr. Robert Browning's latest Words on Music (Musical Times], 395 Ml. TARAWERA, eruption of, 151, 152 MUKERJI, N. See MUMTAZ MAHAL Carpet MUSEE DES ARTS DECORATIFS (PARIS), example of Prayer Rug in, 383 MUSEES ROYAUX DES ARTS DECORATIFS DE BRUXELLES, 191, 398 MUSEUMS, BOMBAY, reference to, 330 BRITISH, 112 Acquisition of ELGIN Marbles by, 166-167 A Guide to the Exhibition in the King's Library, 390, 400 Library Catalogue of, 269, 304 l.OUVRE, Popular Guide to the, 392 MUSEES ROTAUX DES ARTS DECORATIFS DE BRUXELLES, 191, 398 SOUTH KENSINGTON, 347 Acquisition of ARDEBIL Carpet by, 166 VICTORIA AND ALBERT, alliance of re- presentative names in British and Ancient Art in, 113 Architectural features of, 113 Carpets in National Collection at, 201 Colour reproductions of " Illuminations from a Manuscript copy of the ' Akbar-Namah,' " 249 Coloured reproduction of GIRDLERS' COMPANY Carpet, 247 Persian carpets, 249, 250 Examples of Indian (Mogul) Carpets, 249- 250 Made in YERROWDA JAIL, 250- 251, 261 Inadequate accommodation for display of ARDEBIL Carpet, 127 " Niches of fame " in, 113 Opening of, 112 Reproduction of portrait of JACQUARD in woven silk, 317 Museums and Ruins of Rome, The (AMELUNG and HOLTZINGER), 391 Music, GERMANY the home of, 145 Value of tone to artists, 58 Musical Times, Mr. Robert Broivnings latest Words on Music, 395 Nicola Paganini and Us Guarnerius (HERON- ALLEN), 392 MUSJID-I-SHAH or Royal Mosque of ISPAHAN, illus. front cover, 368 420 Index MUTHER, RICHARD, History of Modern Pointing, The, 148, 395 Mythology, Trojan War in relation to, 6 Myths of Greece and Rome, The (GUERBER), 389 NANTEUIL, ROBERT, work of, 364 NAPOLEON, career of, 225 Death of, 314 JAC£>UARD'S career as affected by influence of. 3", 3'3, 3»4» 3'5 meetings with, 308-310, 314 JASON compared with, 23 NATIONAL GALLERY. See GALLERIES National Loan Exhibition. See Exhibitions National Monument, The, to he completed for the Scottish National Gallery, on the model of the Parthenon (MITCHELL), 136-137, 395 Nations, Eastern, tenacity in adhering to old customs, 39 Rise and fall affected by predominance of particular individuals, 30 Nature, the Carpet an ideal Hieroglyph of, 386 NAVILLE, EDOUARD, The Funeral Papyrus of louiya (DAVIS), with introduction by, 34, 390 Needlework, connection between arts of Weaving, Plait- ing, and, 174 Inclusion with Carpets of Tapestry and, 174 NEUGEBAUER, RUDOLPH (and J. ORENDI) Hand- buck der Orientalischer Teppichkunde (introduction by R. GRAUL), 399 NEVILL, RALPH, French Prints of the Eighteenth Century, 393 New Dictionary of the French and English Languages, A (CLIFTON and GRIMAUX), 401 Newspapers, first printed by steam power, 286 Improvements in Printing Machines by WILLIAM NICHOLSON as affecting, 285, 286 NEW ZEALAND, Greenstone of, uses made by Maoris, 150 NICHOLAS V., POPE, VATICAN LIBRARrfoumkd by, 67 NICHOLSON, WILLIAM, 289 Effect upon Newspapers of improvements in Printing Machines made by, 285, 286 Patent taken out for Printing Machine by, 285 NICOLL, W. ROBERTSON (and T. J. WISE), Literary Anecdotes oj the Nineteenth Century, edited by, 395 Nicolo Paganiiii and his Guarnerim (HERON-ALLEN), 392 Nicomachean Ethics of Aristotle, The (translated by CANON J. E. C. WELLDON), 395 NORGATE, MISS KATE, A Short History of the English People (GREEN), edited by, 400 Norman invasion, influences of, 173 v Notice Chronologique de la Perse (LANGLES), 220, 240- 241 (quotation) Nouvel Armorial du Bibliophile (GUIGUARD), 393 Novels, Tales and Poems of, The (KIPLING), 397 Novum Organum (BACON), 117, 389, 394 Oceana (FROUDE), 396 O'CONOR, DAVID, Styles of Ornament (SPELTZ), translated by, 390, 398 Odyssey of HOMER, The, drawings illustrating, 168 POPE'S translation of, 172-173 (quotations) References to, 174, 397 (Euvres, 1773 Edition (MOLIERE), 103 One Hundred Carpet Designs (ANDREWS), 247, 399 OOGE, MARTIN D', The Acropolis of Athens, 52, 390 ORENDI, JULIUS (and R. NEUGEBAUER), Handbuch der Orientalischer Teppichkunde (introduction by GRAUL), 399 Oriental Carpet (Plate V), illus. facing 60, 372 (Plate VII), illus. facing 88, 373 Oriental Carpet (continued] (Plate VIII), illus. facing 120, 374 (Plate IX), illus, facing 132, 374 Oriental Carpets — also referred to as the Vienna Carpet Book— (English Edition edited by PURDON CLARKE), Introductory Article by SIR GEORGE BIRDWOOD to, 43 (quotation) References to, 167, 182, 208, 211, 252, 348, 373, 396, 398 OrjVM/yj/CV/>c«(STRZYGOWSKI), 183, 184 (quotation), 2°9. 385. 397 Oriental Enamelled Glass (SCHMORANZ), 254, 399 Oriental Inscription Rug (Plate XXIV), illus. facing 304, 384 King Rug (Plate I), Frontispiece, 370 Knot both Warp and Weft, 386 Prayer Rug (Plate XXII), illus. facing 256, 382 Rug (Plate XVII), illus. facing, 220, 378 (Plate XVIII), illus. facing 228, 379 (Plate XIX), illus. facing 236, 381 (Plate XX), illus. facing 244, 381 (Plate XXI), illus. facing 252, 382 Oriental Rug Book, The (RIPLEY), 399 Oriental Rugs. See also Rugs Oriental Rugs (MARgUAND Sale), 160, 253, 396 (MUMFORD), 167 (quotation), 374, 379, 397 Oriental Runner (Plate XII), iilus. 394. Ostracism, Existence ot Maori race accounted for by hypotheses of banishment or, 151 Utilization by democratic States, 10 Out of India (KIPLING), 398, 400 Oxford and Cambridge Magazine, The (August 1856), 390 Oxford Students' History of India, The (SMITH), 31 (quotation), 389 PAGANINI. See GENOA, Nicolo Paganini, and Violins Painters, British, references to, 126-135 Painting, frequent use of, in decoration of Persian houses, 46 Photography and reproduction in monotone and colour as influencing, 135, 136 Travelling facilities as influencing, 135, 136 Palace Carpet, history and principal features of, 211-213 PALACES, ALHAMBRA, description and date of, 1 1 1 BUCKINGHAM, improvements of, 128 Indian, secret chambers and dungeons in, 332- 333. 34°, 352 JAHANGIR, description of, 333-334 PITTI, ideal home for Art treasures, 71, 72 VERSAILLES, amount expended upon grounds and palaces, 94 Architects entrusted with extensions, 93, 94 Artists employed in laying out grounds, 94, 95 Extensions of, 93 Fetes given by LOUIS XIV., 93 GOBELINS Tapestry made for, 94 Large number of work-people employed in and about, 94 Used as seat of government, 93, 94 World -renowned magnificence of, 94 Palaeography (QUARITCH), 280, 396, 399 Pall Mall Gazette, 396 PANAMA CANAL. See CANALS 42I Oriental Carpets Paris and Environs (BAEDEKER), 392 PARIS Exhibition. See Exhibitions PARKINSON, WILLIAM, The City of Genoa, illus- trated by, 391 PARLIAMENT, HOUSES OF, architects of, 124 PARTHENON, EDINBURGH, establishment of School of Architecture and Sculpture in connection with, 138 PARTHENON, The, humanity typified in architectural form of, 342-343 Scheme for reproduction at EDINBURGH, 136- 139 Pat/i to Paris, The (RUTTER), 392 PATRICOT, JEAN, Le Jeune Hcmme et la Mart, engraved by, 363 Medee et Jason, engraved by, 363 PELIAS, injustice to JASON, 6 Murder of, 21 PENELOPE surprised by the Suitors, illus. facing 173, 365 Penelope surprised by the Suitors (FLAXMAN), 168 PENNELL, E. R. and J., The Life of James McNeil! Whistler, 394 People of India, Tht (RISLEY), 233 (quotation), 397 PEPYS, SAMUELt The Diary of, excerpt from, 226, 398 PERATE, ANDRE (et P. DE NOLHAC), Le Muse'c National de Versailles, 392 Percy Anecdotes, The (R. and S. Poetry, allegorical, deficiencies of, 4 Uses of, 3, 4 Policy of the Government in China, The (Times], 394 Politics of Aristotle, The, 389 POLLARD, ALFRED, Hesperides and Noble Numbers, The (HERRICK), edited by, 401 Poona Directory and Guide, 354. 355, 400 POPE, ALEXANDER, HOMER'S Iliad translated by, 389 Odyssey translated by, 397 Popular Guide to the Louvre Museum (TRAWINSKl and GALBRUN), 392 Porcelain, art of, countries famous for, 146 Chinese, exhibition of, 146, 395 Refinement of, 146 Enamelled, reason for beauty of Persian, 47 WEDGWOOD, artistic spirit of FLAXMAN as affecting, 365 PORTALIS, BARON ROGER, book-collecting know- ledge of COHEN and, 364 Le s Dessinateurs d'lllumations au Dix-Huitieme Siecle, Les Graveurs du Dix-Huitieme Siecle, 393 POTTER, MARY KNIGHT, Art of the Vatican, The, 391 Pottery, Art, use in textile fabrics of ancient Greek designs from, 58 PRADO GALLERY, in. See also MADRID, and GALLERIES PRIESTMAN, HOWARD, Principles of Woollen Spin- »'"g, '75 (quotation), 397 Principles of Worsted Spinning, 175, 179 (quotation), 397 Writings of, 177 Principal Navigations Voyages Traffiques and Discoveries of the English Nation Made by Sea or Over-land, The (HAKLUYT), 396 Principles of Woollen Spinning (PRIESTMAN), 175 (quotation), 397 Principles of Worsted Spinning (PRIESTMAN), 175, 179 (quotation), 397 Printers, notable German, 269, 271 Printing, Block, invention by Chinese, 283 and Carpet-weaving (comparative table of), 282, 286 Book, analogy between JACQUARD Weaving and, 286-295 422 Index Printing (continued) Book, comparative table of JACQUARD Weaving and, 289-29; From Movable Types and by Hand-press (table of), 284-286 Wood-blocks by Hand-rubbing and by Hand- press (table of), 283-284 GERMANY home of modern, 145 JACQUARD Weaving and, comparison between, 269-272, 277, 278 Machines, earliest inventors of, 284-285 Improvements by WILLIAM NICHOL- SON, 286 Movable Types, first documents printed from 36, 284 Invention of printing from, 269, 284 Origin of, 284 Newspaper, first use of steam-power in, 285, 286 Perfection of earliest, 36, 188 Pictures from Wood-blocks, earliest date assigned, 188, 283 Presses, modern machine work compared with ancient, 376 References to, 283, 284 Processes used in, 272 Prints, "Happer Japanese," sensational sales of, 98, 148 PRIOR, EDWARD S., The Cathedral Builders in Eng- land-, 122 (quotation), 123, 394 Private Palaces of London, The (CHANCELLOR), 40, 1 14, 39° PROTHERO, G. W., THE CAMBRIDGE MODERN BISTORT, vols. V., IX., and X. CORNWALLIS-WEST), 57, 391 RENI, GUIDO, pictures by, 70 Revue de I' Art Ancien et Moderne, La, 393 REYNOLDS-BALL, EUSTACE, Rome, 391 RHODES, CECIL JOHN, 138 RICHELIEU, CARDINAL, French Art and, 86 RICHTER, DR. HANS, 58 Riding and Hunting (HAYES), 206, 398 RIEGL, DR. ALOIS, Analysis of Oriental Carpets, 182, 208-214, 236 Ein Orienlalischer Teppich vom Jakrc T2O2 ti. C/it'. und die altesten Orientalischen Teppicht:, 281, 400 RIPLEY, MARY CHURCHILL, Oriental Rug Book, The, 399 Rising Sun, emblem of THE BRITISH EMPIRE, 386 RISLEY, SIR HERBERT, The People of India, 233, 397 Tribes and Castes of Bengal, 1 1 8, 119 ROBINSON, VINCENT J., Eastern Carpets, descriptive notices by, 167, 397 Indian Carpets, 252 (quotation), 280 WARANGOL Carpet, property of, 259 RODIN, AUGUSTS, sculptures by, i 34 ROGER-MILES, L., Comment Discerner les Styles du VII!" au XIX" Siecles (graves par J. MAUGE), 393 Romance, 321-360 Works relating to, 400-401 Romance of a Mad King (MACK.AY-SMITH), 395 ROMANO, GIULIO, work of, 69 Rome (BERTAUX) (1904-5), 67, 391 (E. REYNOLDS-BALL), 391 (FIELD), 39. ROME, BORGHESE GALLERY, pictures in, 70 VILLA, fittings and decorations of, 69 BORGIA apartments, decorations of, 67 Buildings of ancient, wonderful preservation of, 65 CHURCH OF ST. PETER, art treasures in, 65, 66 COLOSSEUM, compared with Hall at KAR- NAC, 63 DORIA GALLERY, pictures in, 112 GREECE and, comparison between artistic ten- dencies of, 62 LEONINE LIBRARY, created by POPE LEO XIII., 67 PANTHEON, wonderful preservation of, 64 Persecution of Christians by NERO, 62 Picture Galleries, 69-71 ROSPIGL10SI GALLERY, 70 VATICAN, educational value of lavish decora- tions, 68 LIBRARY,mtent\ons of POPE NICHOLAS V. in founding, 67 World renown of treasures contained in, . 67 Magnificence of interior decorations, 66 Rome in the Nineteenth Century (EATON), 39 l ROPES, JOHN CODMAN, First Napoleon, The (English Historical Re-view}, 225, 397 ROSE, JOHN HOLLAND, Life of Napoleon /., The, 396 ROSPIGLIOSl GALLERY, ROME, 70 ROSSE, J. WILLOUGHBY, BLAIR'S Chronological Tables revised by, 401 ROSSETTI, DANTE GABRIEL, association of, with regard to revival of Tapestry-weaving, 142 Collected Works of, The (edited by W. M. ROSSETTI), 400 The Burden of Nineveh, 40, 390 Troy Town, 342 ROSSETTI, HELEN M. M., The Life and Work of 'Dante Gabriel Rossetti, 395 Royal Academy from Reynolds to Millai*, The (Studio], 397 423 Oriental Carpets Royal Academy of Arts Exhibition. See Exhibitions Amateur Art Society Exhibition. See Exhibitions Carpet, history and principal features of, 211 Royal Phraseological English-French, French-English Diction- ary, TV^(TARVER), 401 Rtibaiyat of Omar Khayyam, rendered into English by E. FITZGERALD, 396 RUBENS, PETERPAUL,MEDICI pictures mLOUfRE by, 112 Rugs, Finger, method of forming pile, 181, 182 Survival of industry, 180 Oriental and JACQUARD, method of taking warp and weft measurements, 370 Oriental, commercial side in manufacture of, 82 Increasing production of, 152 Manufacture of " Antique " in, 82 Translation of inscription on, 384 Persian Prayer, description as to method of using, 256-257 Materials used for, 255 Origin of, 254 Sum realized in MAR^UAND Sale for old, i 60, 253-254 Various types of, 253-254 Prayer, example in MUS&E DES ARTS DECO- RATIFS at PARIS, 383 Rugs, Oriental and Occidental, Antique and Modern (HOLT), 399 Runners, definition of term, 251 JACQUARD, special notes referring to illustration of,' 385 Oriental and JACOUARD, method of taking warp and weft measurements, 370 Oriental, increasing production of, 152 Special notes referring to illustration of, 385 Uses and special reasons which led to production of, 251-252 RUSCONI, JAHN, Art, La Villa, il Museo e la Galleria Borghese, 391 RUTTER, FRANK, The Path to Paris, 392 SAINTSBURY, GEORGE, '[he Poems oj John Donne, introduction by, 401 The Unknown Masterpiece (BALZAC), preface by, 401 Sariianapatus, BYRON'S tragedy of, 41, 42 SARDANAPALUS, Central Palace, date assigned to, 41 SARRE, DR. FRIEDRICH, Ancient Oriental Carpels, 398, 401 SAVONNERIE Carpet. See Carpets SAXONT Pile Carpet. See Carpets Scapegoat, The (HOLMAN HUNT), purchase of, 130 SCHMORANZ, GUSTAV, Oriental Enamelled Glass, 254. 399 Schools, Art, advance in prices obtained for examples of BARBIZON, 148-149 Comparison between work of Old Masters and that of Pre-Raphaelite, Impressionist, and Art Nouveau, 135 Architecture and Sculpture, suggested establish- ment of, 138 Science, Genius as affecting advance in, 30 SCOTT-MONCRIEFF, DAVID, W.S., EDINBURGH PARTHENON, suggestion with regard to com- pletion of, 139 Sculptors, British, references to, 126, 133 Sculpture, Architecture and, suggestion for establishment of School of, in connection with completion of EDINBURGH PARTHENON, 138 Arts of Photography and Reproduction in mono- tone and colour as influencing, 135, 136 Increased travelling facilities, influence upon, 135, '36 Sculpture (continued} In ornamentation of Persian houses, rare use of, 46 of MICHAEL ANGELO, 65 of THORWALDSEN, 146 Sculptures, ELEPHANTA, 329 ELGIN Marbles, acquisition of, 166-167 in Hindu Temples, 328-329 Sculptures of the Parthenon, The (MACGILLIVRAY), '37, 395 SEAFORD HOUSE Exhibition. See Exhibitions Sealed <with Blood {Evening Standard and St. James's Gazette), 33, 389 Secret of French Cookery, The (St. 260-261 SOUTH KENSINGTON MUSEUM. See MUSEUMS SPAIN, ALHAMBRA, description of Palace, 1 1 1 Arts of, 111-112 Spanish Art, ornamentation and colouring of ALHAM- BRA characteristic of, 1 1 1 SPEAIGHT, F. W., Marble Arch Improvement: its Conception and Realization, 394 SPELTZ, ARCHIBALD, Styles of Ornament, 41, 187, 390, 398 Sphere, The, The dearest Mezzotint on record, 392 SPIELMANN, M. H., The Wallace Collection in Hertford House, 83 (quotation), 392 SPIERS, R. PHENfi, A History of Architecture (FERGUSSON), edited by, 389, 398 (and W. J. ANDERSON), The Architecture of Greece and Rome, 390 Spinning and weaving, derivation of Egyptian arts of, >79 Spinning of the Wool (CHATTERTON), 261-262 STAINER, C., Dictionary of Violin-Makers, A, 164, 392, 396 STALKER, COLIN, Article on Violins by, 159 States, Democratic, utilization of ostracism by, 10 STEBBING, EDWARD, Holy Carpet of the Mosque at Ardcbil, The, 167, 397 STEEL, FLORA ANNIE, India through the Ages, 323 (quotation), 400 STEEVENS, G. W., In India, 119, 327 (quotation), 355. 356- 394, 400 Writings of, 321 (quotation) STEP, EDWARD, Wayside and Woodland Blossoms, 397 STEP, MABEL E., Wayside and Woodland Blossoms, illustrated by, 398 STEPHENS, F. G., Dante Gabriel Rossetti, 395 St. James's Gazette, report of meeting of Library Congress at NEWCASTLE, 90 Sealed -with Blood, 33, 389 Secret of French Cookery, The, 392 Sir William Bailey on Oxford and Cambridge, 392 Stone Age, science opposed to poets' dreams of, 3 i Story of the White House, The (SINGLETON), 229 (quota- tion), 394, 398 St. Paul's Cathedral (GILBERTSON), 394 St. Peter in Rome (BARNES), 63, 66, 391 STRADIVARI, ANTONIO, CREMONA Violin as influenced by, 163 Violins and violoncellos of, fabulous prices commanded by, 77 Violins of AMATI and, comparison between, 75, 76 GUARNERI and, differences between, 77, 7«. Violins, prices realized by, 163, 164 Violoncellos, prices realized by, 163, 164 STRONG, MRS. S. ARTHUR, Museums and Ruins of Rome, The (AMELUNG and HOLT- ZINGER), revised by, 391 STRZYGOWSKI, PROFESSOR JOSEPH, Oriental Carpets, 183, 184 (quotation), 281, 385 (quota- tion), 397 Studio, The, Royal Academy from Reynolds to Millais, The, 397 Sketch of JOHN FLAXMAN, 366 STURGIS, RUSSELL, A History of Architecture, 34 (quotation), 186, 390, 398 Styles of Ornament (SPELTZ), 41, 187, 390, 398 SUEZ CANAL. See CANALS SULLY, MAXIMILIAN DE BETHUNE, DUKE OF, 86, 87 Supplement a la 5"'* edition du Guide tie V Amateur de Litres a Figures du XVIII' Siicle (CROTTET), 393 Supplemental Nights to the Book of a Thousand Nights and a Night, The (BURTON), 390, 398 SWIFT, JONATHAN, Travels into several remote Nations of the World by LEMUEL GULLIVER, 398 Writings of, 196 SWINBURNE, ALGERNON CHARLES, The Hes- perides and Noble Numbers (HERRICK), preface by, 401 Under the Microscope, 136 (quotation), 394 Symbolism, Horseshoe and Cloud forms, 195, 196, 244 Rising Sun emblematical of BRITISH EMPIRE, 386 " Tree of Life " or Cypress, 201 Symbolism of the Oriental Carpet (HARRIS), 263, 380 Tailpiece, illus. facing 360, 367 TAJ Carpet. See MUMTAZ MAHAL Carpet TAJ MAHAL, AGRA, architectural form of, humanity typified in, 342-343 Beauty of, 321, 323, 327 Building of, inspired by Mosque of SHAH ABBAS at ISPAHAN, 368 Circumstances attending conception and building of, 322-327 Commencement, date of, 368, 369 Comparison between methods used in construction of Pyramids and, 34 Construction of, indifference to human life in, 325, 326 Cost of, 368, 369 Cypress trees in garden of, 200 Description of, by SIR W. W. HUNTER, 34 Dome, origin of, 342 Ideal symbol of Indian Art, 368 Inscription on various parts of, 325, 369 Period of construction and workmen employed in building, 325, 326 Photographs by BOURNE and SHEPHERD, 367 References to, 354, 359 Romance associated with building of, 321, 325 Time occupied in construction of, 369 View of, from corner of Quadrangle, illus. facing .342, 367 View of, from Entrance Gate, illus. facing 321, .367 View of TAJ and Garden from Fountain, illus. facing 353, 367 Weavers and materials for carpet brought from PERSIA by SHAH JAHAN, 343, 344 Workmen employed in construction of, 325, 369 TAMERLANE, foundation of Mogul dynasty, 202, 322 TANNERY, J., Dictionnaire Uni-versel des Sciences, des Lettres et des Arts revised by, 401 Tapestries, AUBUSSON, manufacture re-established, 89 BATEUX, historical importance of, 173 BEAUVAIS factory, establishment of, 89 BEAUVAIS, State control of manufacture, 88 Feminine character of, 297 FLEMISH, superseded by GOBELINS, 87 GOBELINS and BEAUVAIS, durability of colours, 83 GOBELINS, artistic merits of, 117 Average value of, 88 Characteristics of, 88 Death of SHAH ABBAS coincident with decadence of, 224 Designed by JULES ROMAIN, 95 Division of national factory, 88 Factory, foundation of, 88 Hand-looms employed in manufacture of, 88 Introduction into FRANCE, 88 Made for PALACE OF VERSAILLES, 94 425 Oriental Carpets Tapestries (continued) GOBELINS (continued) Manufacture of Carpets added to, 88 Reproductions from paintings of GUSTAVE MOREAU, 363 Slow production of, 88 State control of manufacture of, 88 Work directed by leading painters of the day, 87 MORRISand BURNE-JONES,exhibitionsof, 143 Needlework and, reason for inclusion with Carpets, 174 RAPHAEL, dates assigned to, 68 Importance of specimens in VATICAN, 69 References to, 68, 173 Silk, decline of manufactory at NtMES, 88 Tapestry, Loom-weaving, difficulties and characteristics °f> 35 Weaving, association of DANTE GABRIEL ROSSETTI in revival of, 142 Tapis cF Orient (A. R.), (quotation) 209 Tariffs, prohibitive, SYMPLEGADES' loss of power to harm compared to Free Trade supplanting old system of, 13 TARSOT, LOUIS (et MAURICE CHARLOT), Le Chateau de Fontainebleau, 392 TARVER, J. CH., Royal Phrasaeological Eriglist-Frtncli, French-English Dictionary, The, 40 I Tattooing. See also Indians, American Art of, by American Indians, 149 By Maoris, 149, 150 TECHENER Pere et Fils, Histoire de la Bibliophile, 393 TEMPLES, Hindu, sculptures in, 328-329 Indian, PARV ATI HILL, 341 Textile Arts. See Arts, Textile Textiles, fugitive nature of, possibility of preservation as affected by, 279 THAMASP I., SHAH, death of, 203 References to, 204, 208 Succession to throne, date of, 203 THOMPSON, SIR EDWARD MAUNDE, Handbook of Greek and Latin Palaeography, 280, 396, 399 THORWALDSEN, work of, 146 THRACE, KING OF, visit of JASON to, 10 TIMES, JOHN, The Percy Anecdotes (PERCY), preface by, 391 Times, The (Jan. 10, 1893), extracts from, 88, 89 French and English Portraits in Paris, 392 Gobelins Tapestry, 392 Policy of the Government in China, The, 394 Times of India, The, Poona Directory and Guide, 400 TITIAN, pictures by, 70 Pre-eminence as colourist, ill Work of, 61, 71 Tomb of louiya and Touiyou, The (DAVIS), 35, 390 Illustrations contained in, 35, 36, 367 Tomb of IOUIYA and TOUIYOU, date of discovery, 34, 167 Reference to, 149 Trade. See Free Trade TRAILL, H. D. (and MANN), Social England, edited by, 400 Travels into several remote Nations of the World by LEMUEL GULLIVER (SWIFT), 398 TRAWINSKI, F. (and CH. GALBRUN), Popular Guide to the Louvre Museum, 392 " Tree of Life," or Cypress, symbolism of, 201 Tribes and Castes of Bengal (RISLEY), 1 1 8, 1 19 Trojan War, mythological romance in relation to, 6 TROY, discovery of, 168 Siege and fall of, 1 68 Turks, religion of, 255 UFFIZI GALLERT, FLORENCE, 71. See also GALLERIES Under the Microscope (SWINBURNE), 136 (quotation), 394 Une your nee a Versailles, 392 Unique Copy of the First Edition of Shakespeare' s Earliest Tragedy, A (Athenaeum), 396 Unique First Quarto Edition of Titus Andror.icus, The (Illustrated London News), 396 UNITED STATES, position attained among older nations bX> '53 WHITE HOUSE, visit of author to, 230-231 Unknown Masterpiece, The (BALZAC), 359-360 (quota- tion), 401 UZANNE, OCTAVE, I.' Art dans la De'coration Exterieure des Livres, les Couvertures illustrees, les Carton- nages d'Editeurs, la Reliure a' Art, 393 VALLANCE, AYMER, The Art of William Morris, Hi. 395 The Decorative Art of Sir Edivard Burne-Jones, 395 VAN DYCK., pictures in National Loan Exhibition, 156 VAPERAU, G., Dicticnnaire Universel des Contemporains, by, 401 VATICAN. See ROME LIBRARY. See ROME, and LIBRARIES VAUCANSON, JACQUES DE, model of, discovered by JACQUARD, 285, 309 Vedas, writing of, date assigned to, 330 VELASQUEZ, notoriety of, as affected by NATIONAL GALLERY'S purchase of Venus and Cupid, ill Pictures in NATIONAL GALLERY, in Realism in painting of, Art as influenced by, in Work of, references to, 61, in Velazquez (BREAL), 393 (WILLIAMSON), 393 Venetian Republic, The (HAZLITT), 73 (quotation), 391 VENICE, historical importance of, 73 Venus and Cupid (VELASQUEZ), purchase by NATIONAL GALLERY, in VERONESE, PAUL, birth of, 244 Work of, references to, 71, 243-244 VERSAILLES CHATEAU. See VERSAILLES, and CHATEAUX VERSAILLES, CHATEAU OF, original, 93 PALACE and grounds of, amount expended upon, 94 Architects entrusted with extensions of, 93, 94 Fetes given by LOUIS XIV. at, 93 GOBELINS Tapestry made for, 94 Grounds of, artists employed in laying out, 94, 95 Use of, as seat of government, 93, 94 Various extensions of, 93, 94 Vast number of work-people employed in and about, 94 World-renowned magnificence of, 94 See also PALACES VICTORIA AND ALBERT MUSEUM. See MUSEUMS Vienna Carpet Book. See Oriental Carpets VIENNA, Carpet Exhibition at. See Exhibitions Vignette from CHARDIN'S Voyage en Perse, 386 VINCENT, BENJAMIN, HAYDN'S Dictionary of Dates, 401 Violin bow-makers, notable, 81, 82 Industry, practical assistance to Art rendered by MESSRS. HILL in carrying on, 81 PAGANINI'S favourite Guarnerius, description by E. HERON-MAXWELL, 74 Honour accorded by GENOA to, 74 426 Index Violins, AMATI, ARDEBIl. Carpet compared to, 79 Art of making, various countries in which practised, So, Si, 82 Classification and dating of, difficulty as to, 79 Correspondence between Sixteenth Century Persian Carpets and, 75 CREMONA, influence of STRADIVARI upon, i«3 Varnish for, 74, 76, 78, 80, 107 DA SALO first maker of, in present form, 75 English makers of, 80-8 1, 82 French makers of, 80 German makers of, So Italian, comparison between Persian Carpets and, 79 " King Joseph," notes on GUARNERI, 78 MAGGINI, advance towards perfected CRE- MONA in, 75 Manufacture of " Antique " in, 82 Manufacture of, artistic considerations as affected by commercial side in, 82 Origin of, belief of Persians as to, 75 Date assigned as, 75 Perfection attained within same period by Persian Carpets and, 75, 79 STRADIVARI, ANTONIO, prices realized by, 163, 164 STRADIVARI and AMATI, comparison between, 75. Practice carried on in ancient times in all great houses, 179 Practice carried on in houses of weavers previous to introduction ot power-loom, '79 Process necessitated by mistake in, 131 Reasons for prominence of Persians in, 14.7 By Hand -loom and the old Fin«er-rui< process, 283-284. Comparative table of Printing and, 282-286 Connection between arts of Plaiting, Needlework, and, 174 Early origin claimed for, 278 Early use of lotus flower in, reasons for, 165 Egyptian arts of Spinning and, derived from earlier civilizations, 179 Feminine mind symbolized by interweaving of warp and weft, 171-172 Finger-rug, method of distinguishing between Persian and Indian weaves and, I 80 Old English process, probably derived from the Chinese, 283 Origin of name, 180 Style and appearance of, 181 Hand-loom and old Fineer-rug process (table of), 283.284 Hand-loom, without and with harness (table of), 284-286 Indian, influx of cheap machine-made goods as affecting, 1 18, 119 Interweaving of Warp and Weft symbolical of woman's mind, 171-172 JACQUARD, analogy between Book Printing and, 286-29^5 Comparative table of Book Printing and, 289-295 Comparison between Printing and, 269-272, 277, 278 Comparison between printing from Movable Types ant! system of, 285 JASON employed by PELIAS to obtain materials for, 7 Loom, difficulties and characteristics of, 35 Machines, inventors of, 174 Maori, curious forms of, 150 Oriental, perfection of machine - weaving com- pared with irregularities of hand, 376 Revival of ancient art of Tapestry, by WILLIAM MORRIS and SIR E. BURNE-JONES, 142, 143 Silk, establishment of SPITALFIELDS, 180 Importance of L YONS as a centre of, 318 Simplicity of methods used in knotting or, 178 427 Oriental Carpets Weaving (continued) Woman attributed with invention of, 168, 169, 171. "74 Wool, process described, 175, 177, 178 WEBSTER, Collegiate Dictionary, 401 Weft and Warp, mysteries of, 386 WELLDON, CANON J. E. C., The Politics of Aris- totle, translated by, 389 The Nicomachean Ethics of Aristotle, translated by, 395 WESTERN INDIA Fine Arts Exhibition. See Exhibi- tions WESTMACOTT, SIR RICHARD, lecture delivered at ROYAL ACADEMY, 366 (quotation) WESTMINSTER ABBEY. See ABBEYS Westminster Abbey and the King's Craftsmen (LETHABY), 394 Westminster Gazette (March 24, 1900), An Uninspected Treasure, 246, 399 WHEATLEY, HENRY B., The Diary of Samuel Pefys, edited by, 398 WHISTLER, J. A. McNEILL, portrait of the painter, 134 £j/S of (PENNELL), 394 WHITE 'HOUSE. See UNITED STATES and Story of the White House WILK.INS, W., Australasia, 396 WILKINS, W. J., Hindu Mythology, Vedic ar.d Puranic, 165, 397. 400 William Morris and his Art (DAY), 141-142, 395 WILLIAMSON, GEORGE C., Dictionary of Painters and Engravers (BRYAN), revised by, 401 Velasquez, 393 W//,«W Carpet. See Carpets WINDSOR CASTLE, 124 WISE, THOMAS J. (and W. R. University of Toronto DO NOT REMOVE THE CARD FROM THIS POCKET Acme Library Card Pocket Under Pat. "Ref. Index File" Made by LIBRARY BUREAU. 