title: The hand in the dark,
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REES The Shrieking Pit By REES &* WATSON The Mystery of the Downs The Hampstead Mystery NEW YORK: JOHN LANE COMPANY LONDON: JOHN LANE, THE BODLEY HEAD MCMXX V l. • 1 Copyright, 1920, By John Lane Company PRESS OF THE VAIL-BALLOU COMPANY BINGHAMTON, N. Y. , U. S. A. JUL 14 1920 i ©Cl, A5719G2 kt - 20 - THE HAND IN THE DARK oo 4t ¥ ! ,. THE HAND IN THE DARK CHAPTER I Seen in the sad glamour of an English twilight, the old moat-house, emerging from the thin mists which veiled the green flats in which it stood, conveyed the impres- sion of a habitation falling into senility, tired with cen- turies of existence. Houses grow old like the race of men ; the process is not less inevitable, though slower ; in both, decay is hastened by events as well as by the passage of Time. The moat-house was not so old as English country- houses go, but it had aged quickly because of its past. There was a weird and bloody history attached to the place : an historical record of murders and stabbings and quarrels dating back to Saxon days, when a castle had stood on the spot, and every inch of the flat land had been drenched in the blood of serfs fighting under a Saxon tyrant against a Norman tyrant for the sacred catchword of Liberty. The victorious Norman tyrant had killed the Saxon, taken his castle, and tyrannized over the serfs during his little day, until the greater tyrant, Death, had taught him his first — and last — lesson of humility. After his death some fresh usurper had pulled down his stolen castle, and built a moat-house on the site. During the next few hundred years there had been more fighting for restless ambition, invariably connected with the mak- ing and unmaking of tyrants, until an English king lost * 9 10 THE HAND IN THE DARK his head in the cause of Liberty, and the moat-house was destroyed by fire for the same glorious principle. It was rebuilt by the freebooter who had burnt it down ; one Philip Heredith, a descendant of Philip Here- Deith, whose name is inscribed in the Domesday Book as one of the knights of the army of Duke William which had assembled at Dives for the conquest of England. Philip Heredith, who was as great a fighter as his Nor- man ancestor, established his claim to his new estate, and avoided litigation concerning it, by confining the Royal- ist owner and his family within the walls of the moat- house before setting it on fire. He afterwards married and settled down in the new house with his young wife. But the honeymoon was disturbed by the ghost of the cavalier he had incinerated, who warned him that as he had founded his line in horror it would end in horror, and the house he had built would fall to the ground. Philip Heredith, like many other great fighters, was an exceedingly pious man, with a profound belief in the efficacy of prayer. He endeavoured to thwart the ghost’s curse by building a church in the moat-house grounds, where he spent his Sundays praying for the eternal wel- fare of the gentleman he had cut off in the flower of his manhood. Perhaps the prayers were heard, for, when Philip Heredith in the course of time became the first occupant of the brand-new vault he had built for him- self and his successors, he left behind him much wealth, and a catalogue of his virtues in his own handwriting. The wealth he left to his heirs, but he expressly stipulated that the record of his virtues was to be carved in stone and placed as an enduring tablet, for the edification of future generations, inside the church he had built. It was a wise precaution on his part. The dead are dumb as to their own merits, and the living think only of THE HAND IN THE DARK ii themselves. Time sped away, until the first of the Here- diths was forgotten as completely as though he had never existed ; even his dust had been crowded off the shelf of his own vault to make room for the numerous descendants of the prolific and prosperous line he had founded. But the tablet remained, and the old moat- house he had built still stood. It was a wonderful old place and a delight to the eye, this mediaeval moat-house of mellow brick, stone fac- ings, high-pitched roof, with terraced gardens and encircling moat. It had defied Time better than its builder, albeit a little shakily, with signs of decrepitude here and there apparent in the crow’s-feet cracks of the brickwork, and decay only too plainly visible in the crazy angles of the tiled roof. But the ivy which covered portions of the brickwork hid some of the ravages of age, and helped the moat-house to show a brave front to the world, a well-preserved survivor of an ornamental period in a commonplace and ugly generation. The place looked as though it belonged to the past and the ghosts of the past. To cross the moat bridge was to step backward from the twentieth century into the seven- teenth. The moss-grown moat walls enclosed an old- world garden, most jealously guarded by high yew hedges trimmed into fantastic shapes of birds and an- imals; a garden of parterres and lawns, where tritons blew stone horns, and naked nymphs bathed in marble fountains; with an ancient sundial on which the gay scapegrace Suckling had once scribbled a sonnet to a pair of blue eyes — a garden full of sequestered walks and hidden nooks where courtly cavaliers and bewitching dames in brocades and silks, patches and powder, had played at the great game of love in their day. That day was long since dead. The tritons and nymphs remained, 12 THE HAND IN THE DARK to remind humanity that stone and marble are more durable than flesh and blood, but the lords and ladies had gone, never to return, unless, indeed, their spirits walked the garden in the white stillness of moonlit nights. They may well have done so. It was easy to imagine such light-hearted beauties visiting again the old garden to revive dead memories of love and laughter: shadowy forms stealing forth to assignations on the blanched, dew-laden lawn, their roguish faces and bright eyes — if ghosts have eyes — peeping out of ghostly hoods at gay ghostly cavaliers ; coquetting and languishing behind ghostly fans ; perhaps even feeding, with ghostly little hands, the peacocks which still kept the terrace walk above the moat. The spectacle of a group of modern ladies laughing and chatting at tea in the cloistered recesses of the terrace garden struck a note as sharply incongruous as a flock of parrots chattering in a cathedral. It was the autumn of 1918, and with one exception the ladies seated at the tea-tables on the lawn represented the new and independent type of womanhood called into existence by the national exigencies of war. The elder of them looked useful rather than beautiful, as befitted patriotic Englishwomen in war-time; the younger ones were pretty and charming, but they were all workers, or pretended workers, in the task of helping England win the war, and several of them wore the khaki or blue of active service abroad. They were all very much at ease, laughing and talking as they drank their tea and threw cake to the peacocks perched on the high terrace walk above their heads. The ladies were the guests of Sir Philip Heredith. Some months before, his only son Philip, then holding a post in the War Office, had fallen in love with the THE HAND IN THE DARK 13 pretty face of a girl employed in one of the departments of Whitehall. He married her soon afterwards, and brought her home to the moat-house. It was the young husband who had suggested that they should liven up the old moat-house by inviting some of their former London friends down to stay with them. Violet Here- dith, who found herself bored with country life after the excitement of London war work, caught eagerly at the idea, and the majority of the ladies at tea were the former Whitehall acquaintances of the young wife, with whom she had shared matinee tickets and afternoon teas in London during the last winter of the war. The hostess of the party, Miss Alethea Heredith, sis- ter of the present baronet, Sir Philip Heredith, and mis- tress of the moat-house since the death of Lady Here- dith, belonged to a bygone and almost extinct type of Englishwoman, the provincial great lady, local society leader, village patroness, sportswoman, and church- woman in one, a type exclusively English, taking several centuries to produce in its finished form. Miss Heredith was an excellent, if somewhat terrific, specimen of the class. She was tall and massive, with a large-boned face, tanned red with country air, shrewd grey eyes looking out beneath thick eyebrows which met across her fore- head in a straight line (the Heredith eyebrows) and a strong, hooked nose (the Heredith falcon nose). But in spite of her massive frame, red face, hooked nose, and countrified attire, she looked more in place with the sur- roundings than the frailer and paler specimens of woman- hood to whom she was dispensing tea. There was a stiff and stately grace in her movements, a slow ceremonious- ness in her politeness to her guests, which seemed to harmonize with the seventeenth-century setting of the moat-house garden. 14 THE HAND IN THE DARK At the moment the ladies were discussing an event which had been arranged for that night : a country drive, to be followed by a musical evening and dance. The invitations had been issued by the Weynes, a young couple who had recently made their home in the county. The husband was a popular novelist, who had left the distractions of London in order to win fame in peace and quietness in the country. Mrs. Weyne, who had been slightly acquainted with Mrs. Heredith before her marriage, was delighted to learn she was to have her for a neighbour. She had arranged the evening on her behalf, and had asked Miss Heredith to bring all her guests. The event was to mark the close of the house party, which was to break up on the following day. Un- fortunately, Mrs. Heredith had fallen ill a few hours previously, and it was doubtful whether she would be able to join in the festivity. “ I hope you will all remember that dinner is to be a quarter of an hour earlier to-night,” said Miss Heredith, as she handed a cup of tea to one of her guests. “ It is a long drive to the Weynes’ place, so I shall order the cars for half-past seven.” The guests glanced at their hostess and murmured polite assent. “ I am looking forward to the visit so much,” said the lady to whom Miss Heredith had handed the cup. “ It will be so romantic — a country dance in a lonely house on a hill. What an adorable cup, dear Miss Heredith! I love Chinese egg-shell porcelain, but this is simply be- yond anything! It’s — ” ” Whatever induced Dolly Weyne to bury herself in the country ? ” abruptly exclaimed a young woman with cropped hair and khaki uniform. *' She loathed the •country before she was married.” THE HAND IN THE DARK 15 “ Mrs. Weyne is a wife, and it is her duty to like her husband’s home,” said Miss Heredith a little primly. She disapproved of the speaker, whose khaki uniform, close-cropped hair, crossed legs, and arms a-kimbo struck her as everything that was modern and unwomanly. “ Then what induced Teddy Weyne to bury himself alive in the wilds? I’m sure it must be terrible living up there alone, with nothing but earwigs and owls for company.” “ Mr. Weyne is a writer,” rejoined Miss Heredith. “ He needs seclusion.” “ My husband doesn’t,” said a little fair-haired woman. “ He says newspaper men can write anywhere. And we know another writer, a Mr. Harland, I think his name is, who writes long articles in the Sunday newspapers — ” “ I don’t think his name is Harland, dear,” interrupted another lady. “ Something like it, but not Harland. Dear me, what is it ? ” “ Oh, the name doesn’t matter,” retorted her friend. “ The point is that he writes long articles in his London office. Why can’t Mr. Weyne do the same?” “Mr. Weyne is a novelist — not a journalist. It’s quite a different thing.” “ Is it ? ” responded the other doubtfully. “ All writ- ing is the same, isn’t it? Harry says Mr. Harland’s articles are dreadfully clever. He sometimes reads bits of them to me.” “ Mrs. Weyne feels a little lonely sometimes,” said Miss Heredith. “ She has been looking forward to meet- ing Violet again. It will be pleasant for both of them to renew their acquaintance.” “ I should think she and Violet would get on well to- gether,” remarked the young lady with the short hair. “ They both have a good many tastes in common. i6 THE HAND IN THE DARK Neither likes the country, for one thing.” The other ladies looked at one another, and the speaker, realizing that she had been tactless, stopped abruptly. “ How is Violet ? ” she added lamely. “ Do you think she will be well enough to go to-night ? ” “ I still hope she may be well enough to go,” replied Miss Heredith. “ I will ask her presently. Will any- one have another cup of tea ? ” Nobody wanted any more tea. The meal was fin- ished; but the groups of ladies at the little tables sat placidly talking, enjoying the peaceful surroundings and the afternoon sun. Some of the girls produced cigarette- cases, and lit cigarettes. There was a sound of footsteps on the gravel walk. A tall good-looking young officer was seen walking across the garden from the house. As he neared the tea-tables he smilingly raised a finger to his forehead in salute. “ I’ve come to say good-bye,” he announced. The ladies clustered around him. It was evident from their manner that he was a popular figure among them. Several of the younger girls addressed him as “ Dick,” and asked him to send them trophies from the front. The young officer held his own amongst them with laughing self-possession. When he had taken his farewell of them he approached Miss Heredith, and held out his hand with a deferential politeness which con- trasted rather noticeably with the easy familiarity of his previous leave-taking. “ I am sorry you are compelled to leave us, Captain Nepcote,” said Miss Heredith, rising with dignity to ac- cept his outstretched hand. “ Do you return immed- iately to the front ? ” “ To-night, I expect.” THE HAND IN THE DARK 1 7 “ I trust you will return safely to your native land be- fore long, crowned with victory and glory.” Captain Nepcote bowed in some embarrassment. Like the rest of his generation, he was easily discomposed by fine words or any display of the finer feelings. He was about twenty-eight, of medium height, clean-shaven, with clear-cut features, brown hair, and blue eyes. At the first glance he conveyed nothing more than an impression of a handsome young English officer of the familiar type turned out in thousands during the war; but as he stood there talking, a sudden ray of sunlight falling on his bared head revealed vague lines in the face and a sus- picion of silver in the closely cropped hair, suggesting something not altogether in keeping with his debonair appearance — secret trouble or dissipation, it was im- possible to say which. “Will you say good-bye to Mrs. Heredith for me?” he said, after a slight pause. “ I hope she will soon be better. I have said good-bye to Sir Philip and Phil. Sir Philip wanted to drive me to the station, but I know something of the difficulties of getting petrol just now, and I wouldn’t allow him. Awfully kind of him! Phil suggested walking down with me, but I thought it would be too much for him.” They had walked away from the tea-tables towards the bridge which spanned the entrance to the moat-house. Miss Heredith paused by two brass cannon, which stood on the lawn in a clump of ornamental foliage, with an inscription stating that they had been taken from the Passe-partout , a French vessel captured by Admiral Heredith in the Indian Seas in 1804. “ It is hard for Phil, a Heredith, to remain behind when all young Englishmen are fighting for their beloved land,” i8 THE HAND IN THE DARK she said softly, her eyes fixed upon these obsolete pieces of ordnance. “ He comes of a line of great war- riors. However,” she went on, in a more resolute tone, “ Phil has his duties to fulfil, in spite of his infirmity. We all have our duties, thank God. Good-bye, Captain Nepcote. I am keeping you, and you may miss your train.” “ Good-bye, Miss Heredith. Thank you so much for your kindness during a very pleasant visit. I've en- joyed myself awfully.” “ I am glad that you have enjoyed your stay. I hope you will come and see us again when your military duties permit.” 44 Er — yes. Thank you awfully. Thank you once more for your kindness.” The young officer uttered these polite platitudes of a guest's farewell with some abruptness, bowed once more, and turned away across the old stone bridge which spanned the moat. CHAPTER II Miss Heredith turned her steps towards the house. The guests had dispersed while she was saying fare- well to Captain Nepcote, and nothing further was ex- pected of her as a hostess until dinner-time. It was her daily custom to devote a portion of the time between tea and dinner to superintending the arrangements for the latter meal. The moat-house possessed a competent housekeeper and an excellent staff of servants, but Miss Heredith believed in seeing to things herself. On her way to the house she caught sight of an under gardener clipping one of the ornamental terrace hedges on the south side of the house, and she crossed over to him. The man suspended his work as the great lady ap- proached, and respectfully waited for her to speak. “ Thomas,” said Miss Heredith, ** go and tell Linton to have both motors and the carriage at the door by half- past seven this evening. And tell him, Thomas, that Platt had better drive the carriage.” The under gardener touched his cap and hastened away on his errand. Miss Heredith leisurely resumed her walk to the house, stopping occasionally to pluck up any weed which had the temerity to show its head in the trim flower-beds which dotted the wide expanse of lawn between the moat and the house. She entered the house through the porch door, and proceeded to the housekeeper’s apartments. Her knock at the door was answered by a very pretty girl, tall and dark, who flushed at the sight of Miss Heredith, and stood aside for her to enter. A middle- 19 20 THE HAND IN THE DARK aged woman, with a careworn face and large grey eyes, dressed in black silk, was seated by the window sewing. She rose and came forward when she saw her visitor. She was Mrs. Rath, the housekeeper, and the pretty girl was her daughter. “How are you, Hazel?” said Miss Heredith, offering her hand to the girl. “ It is a long time since I saw you. Why have you not been to see us lately ? ” The girl appeared embarrassed by the question. She hesitated, and then, as if reassured by Miss Heredith’s gracious smile, murmured that she had been so busy that she had very little time to herself. “ I thought they gave you an afternoon off every week at your place of employment,” pursued Miss Heredith, seating herself in a chair which the housekeeper placed for her. “ Not always,” replied Hazel. “ At least, not lately. We have had such a lot of orders in.” “ Do you like the millinery business, Hazel ? ” “ Very much indeed, Miss Heredith.” “ Hazel is getting on nicely now,” said her mother. “ I am very glad to hear it,” responded Miss Heredith, in the same gracious manner. “You must come and see us oftener. I take a great interest in your welfare, Hazel. Now, Mrs. Rath.” There are faces which attract attention by the ex- pression of the eyes, and the housekeeper’s was one of them. Her face was thin, almost meagre, with sunken temples on which her greying hair was braided, but her large eyes were unnaturally bright, and had a strange look, at once timid and watchful. She now turned them on Miss Heredith as though she feared a rebuke. “ Mrs. Rath,” said Miss Heredith, “ I hope dinner will be served punctually at a quarter to seven this evening, THE HAND IN THE DARK 21 as I arranged. And did you speak to cook about the poultry? She certainly should get more variety into her cooking. ,, “ It is rather difficult for her just now, with the food controller allowing such a small quantity of butcher’s meat,” observed Mrs. Rath. “ She really does her best.” " She manages very well on the whole, but she has many resources, such as poultry and game, which are denied to most households.” When Miss Heredith emerged from the housekeeper’s room a little later she was quite satisfied that the dinner was likely to be as good as an arbitrary food controller would permit, and she ascended to her room to dress. In less than half an hour she reappeared, a rustling and dignified figure in black silk. She walked slowly along the passage from her room, and knocked at Mrs. Here- dith’s door. “ Come in ! ” cried a faint feminine voice within. Miss Heredith opened the door gently, and entered the room. It was a spacious and ancient bedroom, with panelled walls and moulded ceiling. The Jacobean furni- ture, antique mirrors, and bedstead with silken drapings were in keeping with the room. A girl of delicate outline and slender frame was lying on the bed. She was wearing a fashionable rest gown of soft silk trimmed with gold embroidery, her fair hair partly covered by a silk boudoir cap. By her side stood a small table, on which were bottles of eau-de-Cologne and lavender water, smelling salts in cut glass and silver, a gold cigarette case, and an open novel. The girl sat up as Miss Heredith entered, and put her hands mechanically to her hair. Her fingers were loaded with jewels, too numerous for good taste, and amongst the masses of rings on her left hand the dull gold of the 22 THE HAND IN THE DARK wedding ring gleamed in sobej* contrast. Her face was pretty, but too insignificant to be beautiful. She had large blue eyes under arching dark brows, small, regular features, and a small mouth with a petulant droop of the under lip. Her face was of the type which instantly attracts masculine attention. There was the lure of sex in the depths of the blue eyes, and provocativeness in the drooping lines of the petulant, slightly parted lips. There was a suggestion of meretriciousness in the tinted lips and the pretence of colour on the charming face. The close air of the room was drenched with the heavy atmosphere of perfumes, mingled with the pungent smell of cigarette smoke. Miss Heredith took a seat by the bedside. The two women formed a striking contrast in types: the strong, rugged, practical country lady, and the fragile feminine devotee of beauty and personal adornment, who, in the course of time, was to succeed the other as the mistress of the moat-house. The difference went far beyond ex- ternals; there was a wide psychological gulf between them — the difference between a woman of healthy mind and calm, equable temperament, who had probably never bothered her head about the opposite sex, and a woman who was the neurotic product of a modern, nerve-ridden city; sexual in type, a prey to morbid introspection and restless desires. The younger woman regarded Miss Heredith with a rather peevish glance of her large eyes. It was plain from the expression of her face that she disliked Miss Heredith and resented her intrusion, but it would have needed a shrewd observer to have deduced from Miss Heredith’s face that her feeling towards her nephew’s wife was one of dislike. There was nothing but con- strained politeness in her voice as she spoke. THE HAND IN THE DARK 23 How is your head now, Violet? Are you feeling any better ? ” 44 No. My head is perfectly rotten.” As she spoke, the girl pushed off her boudoir cap, and smoothed back the thick, fair hair from her forehead, with an impatient gesture, as though she found the weight intolerable. 44 1 am sorry you are still suffering. Will you be well enough to go to the Weynes’ to-night?” 44 1 wouldn’t dream of it. I wonder you can suggest it. It would only make me worse.” 44 Of course I shall explain to Mrs. Weyne. That is, unless you would like me to stay and sit with you. I do not like you to be left alone.” 44 There is not the slightest necessity for that,” said Mrs. Heredith decisively. 44 Do go. I can ring for Lisette to sit with me if I feel lonely.” 44 Perhaps you would like Phil to remain with you ? ” suggested Miss Heredith. 44 Oh, no ! It would be foolish of him to stay away on my account. I want you all to go and enjoy your- selves, and not to fuss about me. At present I desire nothing so much as to be left alone.” 44 Very well, then.” Miss Heredith rose at this hint. 44 Shall I send you up some dinner ? ” 44 No, thank you. The housekeeper has just sent me some strong tea and dry toast. If I feel hungry later on I’ll ring. But I shall try and sleep now.” 44 Then I will leave you. I have ordered dinner a little earlier than usual.” 44 What time is it now? ” Violet listlessly looked at her jewelled wrist- watch as she spoke. 44 A quarter-past six — is that the right time ? ” Miss Heredith consulted her own watch, suspended round her neck by a long thin chain. 24 THE HAND IN THE DARK “ Yes, that is right.” 44 What time are you having dinner ? ” “ A quarter to seven.” “ What’s the idea of having it earlier? ” asked the girl, propping herself up on her pillow with a bare white arm, and looking curiously at Miss Heredith. “ I have arranged for us to leave for the Weynes’ at half-past seven. It is a long drive.” “ I see.” The girl nodded indifferently, as though her curiosity on the subject had subsided as quickly as it had arisen. 14 Well, I hope you will all have a good time.” She yawned, and let her fair head fall back on the pillow. “ Now I shall try and have a sleep. Please tell Phil not to disturb me. Tell him I’ve got one of my worst headaches. You are sure to be back late, and I don’t want to be awakened.” She closed her eyes, and Miss Heredith turned to leave the room. As she passed the dressing-table her eyes fell upon a handsome jewel-case. As if struck by a sud- den thought, she turned back to the bedside again. 44 Violet,” she said. The girl half opened her eyes, and looked up at the elder woman from veiled lids. 44 Yes?” she murmured. 44 Your necklace — I had almost forgotten. Mr. Musard goes back to town early in the morning, and he wishes ‘to take it with him.” 44 Oh, it will have to wait until the morning. I don’t know where the keys are, and I can’t be bothered looking for them now.” The girl turned her face determinedly away, and buried her head in the pillow, like a spoilt child. Miss Heredith flushed slightly at the deliberate rude- ness of the action, but did not press the request. She left the room, softly closing the door behind her. She THE HAND IN THE DARK 25 walked slowly along the wide passage, hung with bugle tapestry, and paused for a while at a narrow window at the end of the gallery, looking out on the terrace gar- dens and soft green landscape beyond. The interview with her nephew’s wife had tried her, and her reflections were rather bitter. For the twentieth time she asked her- self why her nephew had fallen in love with this unknown girl from London, who loathed the country. From Miss Heredith’s point of view, a girl who smoked and talked slang lacked all sense of the dignity of the high position to which she had been called, and was in every way un- fitted to become the mother of the next male Heredith, if, indeed, she consented to bear an heir at all. It was Miss Heredith’s constant regret that Phil had not married some nice girl of the county, in his own station of life, instead of a London girl. Miss Heredith terminated her reflections with a sigh, and turned away from the window. She was above all things practical, and fully realized the folly of brooding over the inevitable, but the marriage of her nephew was a sore point with her. She proceeded in her stately way down the broad and shallow steps of the old staircase, hung with armour and trophies and family portraits. At the bottom of the stairs she encountered a manservant bearing a tray with sherry decanters and biscuits across the hall. “Where is Mr. Philip?” she asked. “ I think he is in the billiard room, ma’am,” the man replied. Miss Heredith proceeded with rustling dignity to the billiard room. The click of billiard balls was audible be- fore she reached it. The door was open, and inside the room several young men, mostly in khaki, were watch- ing a game between a dark-haired man of middle age and 26 THE HAND IN THE DARK a young officer. One or two of the men looked up as Miss Heredith entered, but the young officer went on stringing his break together with the mechanical skill of a billiard marker. Miss Heredith mentally character- ized his action as another instance of the modern decay of manners. In her young days gentlemen always ceased playing when a lady entered the billiard room. The middle-aged player came forward, cue in hand, and asked her if she wanted anything. “ I am looking for Phil,” she said. “ I thought he was here.” “ He was, but he has just gone to the library. He said he had some letters to write before dinner.” “ Thank you.” Miss Heredith turned away and walked to the library which, like the billiard room, was on the ground floor. She opened the door, and stepped into a large room with an interior which belonged to the middle ages. There was no intrusion of the twentieth- century in the great gloomy apartment with its faded arabesques and friezes, bronze candelabras, mediaeval fit- tings, and heavy time-worn furniture. The young man who sat writing at an ancient writing- table in the room was not out of harmony with the ancient setting. His face was of antique type — long, and nar- row, and his long straight dark hair, brushed back from his brow, was in curious contrast to the close crop of a military generation of young men. His eyes were dark, and set rather deeply beneath a narrow high white fore- head. He had the Heredith eyebrows and high-bridged nose; but, apart from those traditional features of his line, his rather intellectual face and slight frame had little in common with the portraits of the massive war- like Herediths which hung on the walls around him. He ceased writing and looked up as his aunt entered. THE HAND IN THE DARK 27 “ I have just been to see Violet,” Miss Heredith ex- plained. “ She says she is no better, and will not be able to accompany us to the Weynes’ to-night. I sug- gested remaining with her, but she would not hear of it. She says she prefers to be alone. Do you think it is right to leave her? I should like to have your opinion. You understand her best, of course.” “ I think if Violet desires to be alone we cannot do better than study her wishes,” replied Phil. “ I know she likes to be left quite to herself when she has a nervous headache.” “ In that case we will go,” responded Miss Heredith. “ I have decided to have dinner a quarter of an hour earlier to enable us to leave here at half-past seven.” “ I see,” said the young man. “ Is Violet having any dinner ? ” “ No. She has just had some tea and toast, and now she is trying to sleep. She does not wish to be disturbed — she asked me to tell you so.” Miss Heredith glanced at her watch. “ Dear me, it is nearly half-past six ! I must go. Tufnell is so dilatory when quickness is requisite.” “Did you remind Violet about the necklace?” asked Phil, as his aunt turned to leave the library. “Yes. She said she would send it down in the morn- ing, before Vincent leaves.” Phil nodded, and returned to his letters. Miss Here- dith left the room, and proceeded along the corridor to the big dining-room. An elderly man servant, grey and clean-shaven, permitted a faint deferential smile to ap- pear on his features as she entered. “Is everything quite right, Tufnell?” she asked. Tufnell, the staid old butler, who had inherited his 28 THE HAND IN THE DARK place from his father, bowed gravely, and answered decorously : “ Everything is quite right, ma’am.” Miss Heredith walked slowly round the spacious table, adjusting a knife here, a fork there, and giving an added touch to the table decorations. There was not the slight- est necessity for her to do so, because the appointments were as perfect as they could be made by the hands of old servants who knew their mistress and her ways thor- oughly. But it was Miss Heredith’s nightly custom, and Tufnell, standing by the carved buffet, watched her with an indulgent smile, as he had done every evening during the last ten years. While Miss Heredith was thus engaged, the door opened and Sir Philip Heredith entered the room in com- pany with an old family friend, Vincent Musard. / CHAPTER III Sir Philip Heredith was a dignified figure of an English country gentleman of the old type. He was tall and thin, aristocratic of mien, with white hair and faded blue eyes. His face was not impressive. At first sight it seemed merely that of a tired old man, weary of the paltry exactions of life, and longing for rest; but, at odd moments, one caught a passing resemblance to a caged eagle in a swift turn of the falcon profile, or in a sudden flash of the old eyes beneath the straight Heredith brows. At such times the Heredith face — the warrior face of a long line of fierce fighters and freebooting ancestors — leaped alive in the ageing features of the last but one of the race. His companion was a man of about fifty-five. His face was brown, as though from hot suns, his close- cropped hair was silver-grey, and he had the bold, clear- cut features of a 'man quick to make up his mind and ac- customed to command. His eyes were the strangest fea- ture of his dominating personality. They were small and black, and appeared almost lidless, with something in their dark direct gaze like the unwinking glare of a snake. His apparel was unconventional, even for war- time, consisting of a worn brown suit with big pockets in the jacket, and a soft collar, with a carelessly arranged tie. On the little finger of his left hand he wore a ruby ring of noticeable size and lustre. Vincent Musard was a remarkable personality. He came of a good county family, which had settled in Sus- sex about the same time that the first Philip Heredith had burnt down the moat-house, but his family tree ex- 29 30 THE HAND IN THE DARK tended considerably beyond that period. If the name of Here-Deith was inscribed in the various versions of the Roll of Battle Abbey to be seen in the British Museum, the name of Musard was to be found in the French roll of “ Les Compagnons de Guillaume a la Conquete de l’Angleterre en 1066,” the one genuine and authentic list, which has received the stamp of the French Archaeological Society, and is carved in stone and erected in the Church of Dives on the coast of Normandy. Vin- cent Musard was the last survivor of an illustrious line, a bachelor, explorer, man of science, and connoisseur in jewels. He had been intended for the Church in his youth, but had quarrelled with it on a question of doc- trine. Since then he had led a roving existence in the four corners of the earth, exploring, botanizing, shooting big game, and searching for big diamonds and rubies. He had written books on all sorts of out-of-the-way sub- jects, such as “ The Flora of Chatham Islands,” “Poison- ous Spiders (genus Latrodectua) of Sardinia,” “ Fossil Reptilia and Moa Remains of New Zealand,” and “ Seals of the Antarctic.” But his chief and greatest hobby was precious stones, of which he was a recognized expert. His father had left him a comfortable fortune, but he had made another on his own account by his dealings in gems, which he collected in remote corners of the world and sold with great advantage to London dealers. He was intimately acquainted with all the known mines and pearl fisheries of the world, but his success as a dealer in jewels was largely due to the fact that he searched for them off the beaten track. He had ex- plored Cooper’s Creek for white sapphires, the Northern Territory for opals, and had once led an expedition into German New Guinea in search of diamonds, where he had narrowly escaped being eaten by cannibals. THE HAND IN THE DARK 3i The passage of time had not tamed the fierce restless- ness of his disposition. Although he was not quite such a rover as of yore, the discovery of a new diamond field in Brazil, or the news of a new pearl bed in southern seas, was sufficient to set him packing for another jaunt half round the world. He was the oldest friend of the Herediths, and Miss Heredith, in particular, had a high opinion of his qualities. Musard, on his part, made no secret of the fact that he regarded Miss Heredith as the best of living women. It had, indeed, been rumoured in the county a quarter of a century before that Vincent Musard and Alethea Heredith were “ going to make a match of it.” It was, perhaps, well for both that the match was never made. Musard had departed for one of his tours into the wilds of the world, not to return to England until five years had elapsed. Their mutual attraction was the attraction of opposites. There was nothing in common except mutual esteem between a wild, tempestuous being like Musard, who rushed through life like a whirl- wind, for ever seeking new scenes in primitive parts of the earth, and the tranquil mistress of the moat-house, who had rarely been outside her native county, and re- volved in the same little circle year after year, happy in her artless country pursuits and simple pleasures. 