One of Argentina’s and Latin America’s pre-eminent filmmakers begins a 16-day residency at Cambridge’s Centre for Film and Screen from tomorrow (May 5).

Lucrecia is a crucially important figure in the unfolding history of contemporary cinema.

John David Rhodes

Lucrecia Martel comes to the Centre as this year’s Filmmaker in Residence from 5-20 May, following in the footsteps of Gianfranco Rosi (2017) and Joanna Hogg (2016).

A retrospective of her feature films — the first to be held in the UK—has been jointly organised between the Centre for Film and Screen and the Arts Picturehouse. Martel will be present following each screening for conversation and Q&A. 

Martel, who lives and works in Argentina, is one of international cinema’s major stylists. Her provocative films treat questions of family, childhood, sexuality, belonging, nation, class, historical memory, and colonialism. In a cinema that is both sensually immersive and politically attuned, Martel looks at the world in a way that acknowledges mystery and prompts criticism.

Dr John David Rhodes, Director of the Centre for Film and Screen said: “The residencies offer our students, staff and our community both inside and outside the University the opportunity to engage with serious filmmakers of the highest order, all of them crucially important figures in the unfolding history of contemporary cinema.

“The residencies also offer the filmmakers the opportunity to develop and reconsider their practices in the context of the vibrant scholarly and intellectual ecology that is unique to Cambridge.”

Described by Vogue as ‘the greatest director in the world right now’, Martel is the director of four acclaimed films and a number of award-winning shorts. After almost a decade after her last full-length feature film, Martel returned as director of the critically-lauded Zama in 2017.

Based on the 1956 novel by Antonio Di Benedetto, the film is a period drama relating the story of a 17th century Spanish officer, separated from his wife and family, and awaiting a transfer from a remote area of Paraguay to Buenos Aires.

Shining a light on colonialism and class dynamics, the film won almost universal acclaim from film critics in South America, and was chosen as Argentina’s nomination for Best Foreign Film at the 2018 Academy Awards.

Martel will be resident at the University’s Centre for Film and Screen for more than two weeks, during which she will be offering a sequence of seminars on her filmmaking practice.

 

Symposium

18 May, 10am-4pm, McCrum Lecture Theatre, Corpus Christi College.

Speakers: Lucy Bollington (Cambridge), Catherine Grant (Birkbeck), Rosalind Galt (KCL), Debbie Martin (UCL). 

Full details - TBC

 

Screenings

The screenings will all be held at the Cambridge Arts Picturehouse

Tuesday 8 May at 6pm - The Swamp (La Ciénaga)

Thursday 10 May ay 6pm - The Holy Girl (La niña santa)

Tuesday 15 May at 6:30pm - The Headless Woman (La mujer sin cabeza)

Thursday 17 May at 6pm - Zama

 



The text in this work is licensed under a Creative Commons Attribution 4.0 International License. For image use please see separate credits above.
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