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Can women have a falsetto voice?

If not, why not? If yes, do they just have a deep enough voice or does it depend on something else? Are there men that don't have a falsetto voice?

Edited to add a question from the discussion in the comments:

Is falsetto the same thing as "head voice"? At least in some usages? My impression was that head voice refers to use of resonance cavities in your skull, while falsetto refers to a certain use of your vocal chords, but wikipedia differs here, so some expert references would be appreciated.

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6 Answers 6

Wikipedia says:

The issue of the female falsetto voice has been met with some controversy, especially among vocal pedagogists. Many books on the art of singing completely ignore this issue, simply gloss over it, or insist that women do not have falsetto. This controversy, however, does not exist within the speech pathology community and arguments against the existence of female falsetto do not align with current physiological evidence. Motion picture and video studies of laryngeal action reveal that women can and do produce falsetto, and electromyographic studies by several leading speech pathologists and vocal pedagogists provide further confirmation.

One possible explanation for this failure to recognize the female falsetto is the fact that the difference in timbre and dynamic level between the modal and falsetto registers often is not as pronounced in female voices as it is in male voices. This is due in part to the difference in the length and mass of the vocal folds and to the difference in frequency ranges. It is an established fact that women have a falsetto register and that many young female singers substitute falsetto for the upper portion of the modal voice.

So there you go. Females can and do achieve falsetto.

The Wikipedia article contains citations, should you wish to follow up.

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I've always heard head voice as the term for falsetto in women. (I've sung in many choirs over the years.) The same Wikipedia article that slim referenced indicates that they do mean the same thing, or at least used to.

I don't know where you're located, but if you're outside of the US, maybe there is a different term instead of "head voice". But here, I think "head voice" is used rather than "female falsetto" - so the answer to your question is yes, it's possible, but it's not often discussed because there's another name for it.

(Also cited in that Wikipedia article: A woman's head voice isn't necessarily the same range as a man's falsetto. My speculation: maybe that's why there are two names for it depending on gender?)

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I'm recently learning how to sing, and where I live "head voice" and "falsetto" don't mean the same thing. As I understood, when a man sings using his falsetto voice, he's only making a fraction of the vocal chords vibrate, resulting in a higher note. This also makes the air rushing escape more easily, resulting in, from what I'm told, some kind of pattern in the sound, which identifies the falsetto and differs it from a man who can reach the same note using his entire vocal chord.

Head voice is to make the sinuses and nasal cavities resonate when performing, and as I stated before, doesn't seem to relate to the concept of falsetto by itself. I really don't know anything about falsetto among women, I will keep in touch with this question, as I really want to know how it turns out. Sorry if I misused any terms, not used to all the nomenclature in English, I hope to be of some help.

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For a person to yodel it is necessary for the voice to achieve falsetto either in men or women. If a woman cannot achieve falsetto then she cannot yodel — that has been proven untrue by women like Suzy Bogguss and Patsy Montana. Could it be they have a lower voice range?

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Isn't yodaling similar to the very common practice in pop music, now, of "flipping" one's voice over their break? I've heard Adele and Sarah McLachlan use this device often. I always thought that the voice over the break was technically falsetto.

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Again, from the wikipedia article referenced by slim:

It is an established fact that women have a falsetto register and that many young female singers substitute falsetto for the upper portion of the modal voice.

This means that many female singers tend to seamlessly switch to falsetto when it becomes too hard to reach the higher registers with their modal voice. The sound for a female modal register, and their falsetto register is quite similar, so it is often not recognized as falsetto even if it is. For men, the modal register and falsetto register are much more different in sound, and is more easily recognized.

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