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Dream Pre-Vues!
-—-.-,i
“Pirates on Horseback,”
Tonight
William Boyd and Russel
Hayden are feature in the west
ern epic, “Pirates on Horseback,”
which comes to the Dream Thea
tre screen for a one-night show
ing tonight. ‘‘Changed Identity,”
and MGM miniature, and “Help
ing Hand," an Our Gang com
edy are also included on the pro
gram.
“Woman of the Year"
Saturday Night
For another one-night showing,
for Saturday night, Katherine
Hepbrun is co-starred with Spen
cer Tracy in “Woman of the
Year.” Included on this program
with be a feature, “Jap Reloca
tation.”
‘‘Honolulu Lu” Sunday
Lupe Velez and Leo Carillo,
doing their stuff on the same
sound stage offer as much en
tertainment as a three-ring cir
cus.
They were at it hammer and
tongs recently for Columbia s
j “Honolulu Lu,” hectic new ro
mance comedy at the Dream
Theatre Sunday.
In the scene, Lupe has just
: discovered that her scalawag un
cle, Carillo, has cashed another
phony check with the manager
of their swank Honolulu hotel.
Lupe erupts in protest. She
reaches for a telephone.
“Listen, my little pigeon,” Car
rillo purrs menacingly, “If you
call the manager, I keel you on
j the spot.”
He makes a wild grab for
the fiery star. She sidesteps him
and races around the low table.
Carrillo pursues. She throws the
telephone, just missing his head.
: Screaming and jabbering a tor
rent of Spanih, they dash across
I the room. ..
j Lupe hurdles a ten-gallon can
of milk she has ordered for a
j bath. Carillo slams into the can
and upsets it. Milk spills on
! the floor and over Carillo’s
| clothes. He is a mess. The crew
: can’t restrain their laughter and
| Lupe is laughing loudest of all.
Director Charles Garton caHs
j “cut!”
I ‘‘Oh, Leo, mio, you look so
| funnee. Milk baths is for la
i dees,” the torrid Lupe chortles.
| “But I luff you, I luff every
| body.”
While makeup men with spon
ges dry Leo, Lupe amuses her
: self (and the crew) by doing
' an improptu hula dance that has
a slight Spanish accent. It’s
something- She hums an Ha
waiian melody and waves her
hips and arms in rhythm. As she
sways across the set, she watches
herself in tall mirror off-stage
and casually tucks loose strands
of hair into place as she dances
Forrest Tucker, Bruce Bennett,
and Carillo, who is dry by this
time, start keeping time with
Lupe by clapping their hands.
With unexpected self-conscious
ness, the girl becomes aware of
the spectators and stops sudden
ly.
“Hokay, boy,” she says, an
important sequence of “Hono
lulu Lu,” wliosme comedy-wise
'cast includes Roger Clark, Mar
jorie Gateson, Don Beddoe and
George McKay.
LITERARY
GUIDEPOST
By JOHN SELBY
By JOHN SELBY
“LOG BOOK ", by Frank Laskier
I (Scribners; $1.25).
Fram’^ Laskier’s “Log Book”
! ^ a typical British combination
of reserve* and sentiment, and
; one of the best personal stories
the war, so far, has given us.
The reserve shows in many ways,
not the least of these being the
transparent ruse of calling the
story “fiction.” The sentiment
shows too, especially in the way
the author’s bitterness always
washes away in the sure know
ledge that what he and his mates
have done is truly done in de
fense of home and loved ones and
the strange idea of liberty. That
sort of sentiment has been elim
inated from German lives, these
days. Hitler quite honestly is
fighting for power and in defense
of the ‘‘dynamic lie.’’ He says so. I
No so the Jack of “Log Book,” j
Jack was a kid born near Liver- j
pool. He was a choir boy, his |
people did not want him to go to ,
sea, he went anyway. He ran
away, and in a short while he 1
turned in the innocence of youth, ;
and received in exchange a kind !
of cheap cynicism and a tendency !
toward liquor, fisticuffs, and
isoreheadedness. Then he met a
girl in England, and quit the
[ sea.
He had hard luck with his i
shore job. It was selling vacuum |
cleaners, and there were two dif- j
ficulties about it: the women |
used him to clean up a room and
would not buy, and it took him
into houses where there were
loose articles he could pick up.
He went to jail. In fact he went
twice before he was finished ;
with it.
The things that happened after j
Jack went back to sea are much |
better told by Laskier than by :
me. Jack saw an old woman hys
terical from job over a string of
refuse fat from a sheep’s back in
fascist Spain, and he found a life
boat in which were the scarred
bodies of 16 children. The guns
of a German^ raider sent his ship
to the bottom and shot off one
of Jack’s two strong legs. Death
coquetted with him for months,
but he came back.
That is perhaps the whole
story of Britain in this war, and
there is a strange power in the
honesty of Laskier’s telling. It is
personal and deeply felt, and it
has an epic quality as well.
NOTICE
I. O. O. F. members are ur
gently requested to attend the
regular meeting tonight at 8:00
p. m. Special business, espe
cially arrangements for the
funeral of Brother Ed Hoven.
THBaTRI
FRIDAY, NOVEMBER 26th—TWO SHOWS |
| “Pirates On
J Horseback” t
With WM. BOYD and RUSSELL HALDEN 22
* And CHANGED IDENTITY”—MGM Miniature V.
| Also—“HELPINGHAND”, Our Gang Comedy
+ 21
+ - %
I SATURDAY, NOVEMBER 27th—ONE SHOW
| ‘ Woman of the Year” §
With KATHENINE HEPBURN, and 22
| SPENCER TRACY 22
| And “JAP RELOCATATION” 21
t ••
I SUNDAY, NOVEMBER 28th—TWO SHOWS £
1 “Honolulu Lu”
With LUPE VELEZ and BRUCE BENNETT :
And “DIVING THRILLS”—A Sport Reel
1 Also “COMMUNITY SING”
4* 11
£ 1. ^
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