NEW HEADY PASTED FLORAL DECORATIONS
ENABLE HOUSEWIVES TO TRANSFORM ROOMS
QUICKLY, EASILY AND INEXPENSIVELY
' This* cheery little attic room
is playing up til its interesting
angle* to the best possible ad
vantage, by artistic use of the
new completely cut - out anj
wady • pasted wallpaper appli
kay#. Packaged in a set of seven
! piece*, they ran be arranged to
i suit any decorating need, and f
1 are suitable for use on plain or
painted wails, as weli as on ac* I
cessorie* in the room such a* £
wastebaskets, screens, lamps, j
painted furniture, etc
1 Before wetting, pin the pieces of
the design in place, in order to be
sure you have them even, and prop
erly spaced. Mark their positions
on the wall with a pencil.
2 1 >ip the piece in cold water for a
second to moisten the adhesive on
the back.
S. Lay the moistened piece on the wall
to match the pencil tracings, and
pat with a clean soft cloth to re- ,
^ move excess moisture.
’* k f*
o m: *>■**'- '
-• 3.
These pay and
versatile decora- $
tions are avail- |
able in six dif
ferent floral pat- £
terns, suitable for
any room in tiie
house. f
,Naming the Baby'
Keeps Movie
Makers Cessing
By ROBBIN COONS
HOLLYWOOD — Just as if
things generally weren't confus
ing enough. Hollywood is having
its own minor wave of perplexity
over one of its perennial, funda
mental problems. Like neweum- j
ers to parenthood, it’s hovering
over a flock of celluloid cradles
muttering: “What'll we name it?"
You might think that naming a
movie is si mole business, like de
ciding what. meat to skip on
“Meatless Tuesday", or how many
'-■T— ■ . .
miles to a gallon you'll get when
you haven’t got it. But all over
town you find evidence to the
contrary You find orphan epics,
bereft of titles.
At RKO you run into a movie
described as the untitled Sinatra.”
At Columbia you are confronted
with an “untitled Kay Kyser”, and
at the same studio that film about
Chopin languished, nameless, for
months although Paul Muni,
Merle Oberon and Cornell Wilde
acted as industriously as though
they knew what they were doing.
♦ • *
There was a time when the set
was closed, perhaps for tear some
visiting scrihe might write a line
—then ahoot himself in frustra-j
tion because he didn’t know what
he was writing about. For a while!
it was “the untitled Chopin," then!
-_ |
- , -■ ,, ^ ,
NEVADA BAR
■ .
* * *
;
Harry Gabrielson, Prop
i=rr-j=rr Trri)
-J
■ DEALERS FOR MINING AND CONTRACTING
I EQUIPMENT!
I * * *
I Nome __ Fairbanks — Anchorage — Juneau
I ^——11
it was just “Chopin” (but only in
private, because people might:
think the picture was really about
Chopin, which <t is, and Chopin
isn’t box-office*. Then they
thought about “The Loves of
Georges Sand,” which obviously
wouldn’t do, though quite box
official, as loves always are. Cur
rently they're tagging it “The
Song That Lives Forever”—but
don't you believe that one, either.
Universal has an untitled num
ber called “San Diego, I Love
You.” That’s a title, but how long
will it last? Though I too love
San Diego, I still say the title
hasn’t a chance—unlss they’re
counting on the war-swollen popu
alt on of our southern neighbor
to foot the bill.
* * *
Titles that went with hit nov
els or plays are about the only
titles that stand a chance of stick
ing, no matter how confusing they
may be to non-readers. “National
Velvet”—which is about a little
g rl named Velvet who races her
horse in the Grand Tational stee
plechase—will remain “National
Velvet” despite the folks who may
think it’s a tale of nation-wide
luxury. And “Lady in the Dark”,
which sounds like a murder mvs-'
try to the uninitiated, never un
derwent re-christening.
Terribly important matter, ti
tles. Probably the worst title pin
ned on a movie in recent years
was “The Human Comedy”—un
til you’d seen the picture. So many
people slipped past that title
through the turnstiles, some of
them probably expecting Mickey
Rooney to do an Andy Hardy, that
it became a top title of its year.
Maybe there’s an un-titled mo
ral in the fact.
In 1943 it took about 1.66 cords
of pulpwood to produce a ton of
pulp. ^
i'rstniri» rrwww vwipviMcvn j
New York 86-Proof
I
Distributed By
NATIONAL GROCERY CO
Seattle. Washington
CAVEY’S
FINEST IN WINES
BEERS AND
l
LIQUORS!
See Us When in Need of
Spirits!
i
| MINERS & MERCHANTS
i BANK OF ALASKA
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% NOME :: ALASKA
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I GEORGE ANDERSON
EXPERT PIANO TUNER — WURLITZER
| AGENT FOR ALASKA ]•
;; WILL BE IN NOME THIS SUMMER !
jj (This Trip Will Be Mad* Depending on the Number ef <
Tuning Ordera Left at Point's Store)
| GEORGE ANDERSON j
a" '' .
WHEN IN NOME . . .
MEET US . .
..JIT THE...
Polar BAR
GEORGE MADSEN KEITH HEDEEEN
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PERSONAL SERVICE IS OUR DESIRE!
Buy War Bonds—Travel the Pioneer Line!
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NOME FAIRBANKS
Office: Main 46—Residence: Black 153 EAST 159
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CLASSIFIED ADS f
LONELY? WRITE BOX 26, VAN
COUVER, WASH.
WANTED TO RENT -Three
room house or cabin.—-Notify
the Nugget.
;||B A] 91« Bs E 1
■MiikiiiSiMSI
NOTICE!
All bills owing the Lin
coln Hotel prior to Aug
ust 1st must be paid on
or before that date, or
>i be placed for
collection.
JOE MULLINS, Prop.
•••* -if '
leaf qy^
Bob* catches the lively, airy
shopes of leaves for their New
"Oak leaf" Button Bows Weor
there on your dress, suit or blouse,
*
and with the Babe Bask Vestee.
• ASIC VtSTIw ' *>qh
N*ck, by •obV. IK whil«
ptqu*.
■' f ^ 1
OAK llAf BUTTON BOWS in »mb'Oid
• red pique, or eyelet embroidered
organdy in white, pink, blue or madeira,
two in tot.
FIRST COME—FIRST SERVED
A.POLET
NOME’S DEPARTMENT STORE
MAIN 103 BOX 39
SERVICE CLEANERS
• •
4th and B Streets—Opposite School House
• •
QUALITY DRY CLEANING A SPECIALTY ;;
. • >
Mr. and Mrs. Carl Mickleson, Props.
* «*
Prompt and Courteous Service
♦♦♦♦♦♦♦♦^♦♦♦♦♦♦♦♦♦♦♦o*aooo»o»*0'»i‘»**ooooooooo#ooo
: RAINBOW SKYWAYS |
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FLIGHT INSTRUCTION t
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Call Black 3 For Information Regarding +
Flight Training) |
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NOME’S OWN
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DRUG STORE
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NOME ELECTRIC SHOP
REPAIRING AND SERVICING jj
HOUSEHOLD APPLIANCES j
See J. E. McAlee or Call Main 129 ii
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