#N canvas 300 159 574 541 12;
#X text 237 44 CONTROLLING OUTPUT AMPLITUDE;
#X obj 84 28 osc~ 440;
#X obj 102 59 osc~ 550;
#X obj 102 117 osc~ 660;
#X obj 84 89 +~;
#X obj 84 143 +~;
#X text 178 203 and select "open" to see inside.;
#X text 44 406 The output control automatically starts DSP whenever
you touch the level control. Hitting "mute" toggles between the current
level and zero.;
#X obj 61 179 output~;
#X text 302 482 updated for Pd version 0.36;
#X text 45 255 In this and subsequent patches \, we'll use a subwindow
\, "output" \, to control overall amplitude. The amplitudes are in
decibels \, with 100 being full blast. In this example \, you can't
actually push the output amplitude past 90 or so without clipping.
You'll know you're clipping if \, instead of an A major chord \, you
hear a single \, distorted tone two octaves down. The clipping happens
at Pd's last stage of audio output. Audio signals internal to Pd have
essentially no level limit.;
#X text 171 116 <= Here we make an A major triad as a test signal.
;
#X text 137 183 <= this is a subwindow - right click on it;
#X connect 1 0 4 0;
#X connect 2 0 4 1;
#X connect 3 0 5 1;
#X connect 4 0 5 0;
#X connect 5 0 8 0;
#X connect 5 0 8 1;
