Beyond Lacan
James M. Mellard
State University of New York Press
<i>Traces the  development of Lacanian theory, and its possible future.</i><br><br>In <i>Beyond Lacan,</i> James M. Mellard traces  psychoanalytic literary theory and practice from Freud to Lacan to Zizek.  While Freud effectively presupposes an unconscious that is textual, it is Lacan  whose theory all but articulates a textual unconscious as he offers the epoch a  cutting-edge psychoanalytic ideology. Mellard considers this and then asks,  “Which Lacan? Is there one or many? Early or late?” As Zizek counters the  notion of a single, unitary Lacan, Lacanians are asked to choose. Through  Lacanian readings of various texts, from novels like Ellison’s <i>Invisible Man</i> and O’Connor’s <i>Wise Blood</i> to short stories by Glaspell  and Fitzgerald, Mellard shows that in critical practice Lacanians produce a  middle Lacan, between early and late.<br><br>Mellard concludes by examining  why Zizek has perhaps transcended Lacan. More than any other, it is  Zizek  who has constructed early and late Lacan, making possible that middle Lacan of  praxis, but in the process he has also claimed an independent authority.  Ultimately, Mellard explains how Zizek offers a <i>post</i>-Lacanian critique—one built on a pervasive philosophy of  paradox—that opens new avenues of analysis of contested cultural and literary  issues such as subjectivity, political economy, multiculturalism, and religious  belief.<br><br>“Mellard is  courageous in applying French and Freudian concepts to a literature that openly  disavows the psychoanalytical, making his approach the kind of eye-opening  exercise that makes teaching criticism so important and worthwhile. As Mellard  integrates advances in criticism with specific readings of the texts he treats,  we must recognize that this is no small task, and others have found it more than  daunting and done it less thoroughly.” — Juliet Flower MacCannell, author of <i>Figuring Lacan: Criticism and the Cultural Unconscious</i>