Notes on the Cinematograph
Robert Bresson
New York Review Books
A key influence on the French New Wave and the director of such iconic works as <i>Pickpocket </i>and <i>A Man Escaped</i>, Robert Bresson is one of the central figures of French cinema. <i>Notes on the Cinematograph </i>is not only his definitive treatise on film&#8212;its inherent peculiarity and potential&#8212;but an ascetic meditation on how art transcends, and is transformed by, the senses. <br> <br> Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds: "No marriage of theater and cinematography without both being exterminated." <br> <br> To this end, Bresson rechristens his actors "models" and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged,...</br></br></br></br>