title: Ed Summerlin
text: # Ed Summerlin
  
  Edgar Eugene Summerlin (September 1, 1928 – October 10, 2006) was an American jazz saxophonist, composer, and educator known for pioneering Liturgical jazz, avant-garde jazz, and free jazz.
  
  ## Professional career
  
  While a graduate student at the University of North Texas College of Music, Summerlin, in 1959, composed Requiem for Mary Jo, which is widely believed to be one of the first significant uses of jazz in a liturgical service. He and his wife, Mary Elizabeth (nee Bouknight), had a daughter, Mary Jo (b. April 2, 1958, Denton), who died of heart disease at age nine months on January 27, 1959, in Denton.
  
  He performed Requiem for Mary Jo May 20, 1959, during a service in the chapel at the Perkins School of Theology, Southern Methodist University. Bill Slack, Jr., Assistant Pastor of the First Methodist Church of Denton, who had visited the Summerlins while Mary Jo was near death in the hospital, had encouraged Summerlin to compose Requiem. Dr. Roger Ellwood Ortmayer (1916–1984), then of the Perkins School, commissioned the work.
  
  That same year, still studying and teaching at North Texas, Summerlin recorded his debut LP, Liturgical Jazz, on which "Requiem for Mary Jo," was the heartbreaking centerpiece.
  
  Saturday night, February 13, 1960, NBC's World Wide 60 (hosted by Chet Huntley) visited Denton to air the story of Ed Summerlin's liturgical jazz (national broadcast, NBC, Friday, February 19, 1960).
  
  Summerlin's grieving and spiritual creativity inspired him to compose other liturgical jazz pieces, including
  
  * Episcopal Evensong
  * Jazz Vespers Service
  * Liturgy of the Holy Spirit Summerlin Music Co. (1965), piano-vocal score, 13 pgs
  
  As the sixties progressed, Summerlin gradually established himself as an avant-garde tenor saxophonist, composer and arranger.
  
  At the same time, his well-publicized prime time television debut was followed by several Sunday morning appearances throughout the 1960s on the long-running CBS series, Look Up and Live, collaborating with musicians such as Freddie Hubbard, Eric Dolphy, Don Ellis, Slide Hampton, and Ron Carter, as well as choreographer Anna Sokolow. During this decade, Summerlin also scored two feature films, the little-known 1963 Bay of Pigs-inspired drama, We Shall Return (which, coincidentally, featured the first and only original screenplay by oft-adapted novelist Pat Frank) and the even lesser known 1967 film Ciao (written and directed by the earlier film's editor, David Tucker), which, after becoming the only U.S. feature film to be entered in that year's Venice Film Festival, failed to find a distributor and quickly disappeared from view.
  
  ## Education
  
  Summerlin received a Bachelor of Music in Education, with a Major in Music, Central Missouri State University in 1951, and a Master of Music from the Eastman School of Music the following year. In 1958, after learning about the University of North Texas College of Music while performing with the Johnny Long Band, Summerlin enrolled as a graduate student and became a member of Lab Band and also assisted Gene Hall in teaching jazz composition, theory, and saxophone.
  
  ## New York
  
  Summerlin relocated to New York in the early 1960s, where he freelanced with Eric Dolphy, Pete LaRoca, Don Ellis, and Sheila Jordan. He also composed and arranged for Ron Carter, Kuhn, Freddie Hubbard, Dave Liebman, Toshiko Akiyoshi, and Lee Konitz. In 1969 collaborated with saxophonist and journalist Don Heckman to co-lead the Improvisational Jazz Workshop.
  
  * 1971 to 1989 — Summerlin founded and directed the jazz program at City College of New York.
  * Oct 10, 2006 — Summerlin died in Rhinebeck, NY after a long battle with cancer.
  
  ## Family
  
  * Former wife (married August 27, 1948 and Oct 15, 1949) — Summerlin married Virginia Lee Allen, in Lexington, MO.
  * Former wife, Mary Elizabeth (nee, Bouknight) Hyde Park, NY
  * Surviving wife, Karen Jones Summerlin (married December 15, 1974, New York City), currently resides in Staatsburg, New York
  
         son — Jeff Summerlin, Dutchess County, NY
         son — Sean Wright, De Soto, KS
  
  ## Selected discography
  
  ### As leader
  
  * Liturgical Jazz (Ecclesia Records) (1959)
  * The Don Heckman-Ed Summerlin Improvisational Jazz Workshop (Ictus, 1967), co-led with Don Heckman, featuring Steve Kuhn and Ron Carter
  * Ring Out Joy (Avant-Garde Records) (1968)
  * Still At It (Ictus 1994)
  
      Recorded at Make Believe Ballroom in West Shokan, New York, Ed Summerlin - Bob Norden Quartet, December 27 & 28, 1993, released 1998
      Ed Summerlin (tenor sax), Bob Norden (trombone), Charlie Kniceley (bass), Chris Starpoli (percussion)
  * Sum of the Parts (Ictus, 1998)
  
      Recorded at Make Believe Ballroom in West Shokan, New York, released February, 1998
      Ed Summerlin (tenor sax), Bruce Ahrens (trumpet), Joe Chambers (drums), Ron Finck (alto sax), Tony Marino (bass)
  * Eye on the Future (Ictus, 1999)
  
      Recorded at Make Believe Ballroom in West Shokan, New York, December 14 & 15, 1998; released 1999
      Ed Summerlin (tenor sax), Bruce Ahrens (trumpet), Bob Norden (trombone), Ron Finck (alto sax), Tony Marino (bass), Adam Nussbaum (drums)
  
  ### As arranger / composer
  
  With Freddie Hubbard
  
  * Hub Cap (Blue Note, 1961)
  
  With Steve Kuhn and Toshiko Akiyoshi
  
  * The Country and Western Sound of Jazz Pianos (Dauntless, 1963)
  
  With Caedmon Records
  
  * Winnie the Pooh: Told and Sung (Caedmon, TC 1408; 1972) – words and music by A. A. Milne, Fraser-Simson and Julian Slade, read and sung by Carol Channing; additional music, arrangements and conducting by Ed Summerlin.
  * Many Moons (Caedmon, TC-1410; 1972) – James Thurber story read by Peter Ustinov; background music composed and conducted by Edgar Summerlin.
  * The Great Quillow (Caedmon, TC 1411; 1972) – James Thurber story read by Peter Ustinov; background music composed and conducted by Ed Summerlin.
  * 'Curious George,' and other stories about Curious George (Caedmon, TC 1420; 1973) – read by Julie Harris; background music composed and conducted by Ed Summerlin.
  * 'Curious George Reads the Alphabet,' and other stories about Curious George (Caedmon, TC 1421; 1973) – read by Julie Harris; music composed and conducted by Ed Summerlin.
  * Whoever heard of a Fird? (Caedmon, TC 1735; 1984) – Othello Bach story performed by Joel Grey; arranged and conducted by Ed Summerlin.
  
  With The Rock Generation
  
  * Saturday in the Park and Other Songs Made Famous by Chicago (RCA Camden, 1973)
  
  ### As sideman or combo member
  
  * The Contemporary Jazz Ensemble: New Sounds From Rochester, Prestige Records (PRLP 163) (1953) OCLC 56923930
  
      Bob Norden (trombone), Bob Silberstein (alto sax), Ed Summerlin (tenor sax), Jim Straney (piano), Neil Courtney (bass), Bill Porter (drums)
      Recorded in Rochester, New York, June 1953
  * All the Things You Are
  * Fantasia and Fugue on Poinciana
  * Prelude : Go Forth
  * Prelude and Jazz
  * Variation
  