title: Yeast Nation
text: # Yeast Nation
  
  Yeast Nation (The Triumph of Life) is a musical that premiered in 2007, with music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. It serves as the first part of a musical trilogy, with the middle installment being Hollmann and Kotis' previous Tony Award-winning musical Urinetown and the final installment being Welcome to Space.
  
  ## Productions
  
  Yeast Nation had its debut run from October 5 to November 3, 2007 at the Perseverance Theatre in Juneau, Alaska, under the direction of PJ Paparelli. The musical was next produced in 2009 by the American Theater Company in Chicago, again under the direction of Paparelli.
  
  It was then part of the 2011 New York International Fringe Festival, where it was awarded the FringeNYC Overall Excellence Award for overall production of a musical. The cast included Harriet Harris (as Jan-the-Unnamed), Kimiko Glenn (as The New One), Manu Narayan (as Jan-the-Wise), Joy Suprano (as Jan-the-Sly), and Rick Crom (as Jan-the-Youngest). The musical has since been staged by Ray of Light Theatre in San Francisco in 2014, and New Line Theatre in St. Louis in June 2018.
  
  The European premiere was staged at Southwark Playhouse, London from July 22, 2022 to August 27,2022.
  
  ## History
  
  Hollmann and Kotis had publicly discussed their efforts in working on a Urinetown sequel or prequel as early as 2004. A private industry reading of an early draft of the show was performed at the Manhattan Theatre Club in New York City on October 21, 2005. Urinetown alums Hunter Foster and Nancy Opel were among the cast, and the private performance was directed by John Rando.
  
  ## Characters
  
  * Jan-the-Elder
  * Jan-the-Second-Oldest
  * Jan-the-Famished
  * Jan-the-Sly
  * Jan-the-Sweet
  * Jan-the-Unnamed
  * Jan-the-Wise
  * Jan-the-Wretched
  * Jan-the-Youngest
  * The New One
  
  ## Reception
  
  Variety gave a positive review to the 2009 Chicago production, saying that Hollmann and Kotis "toy with storytelling cliches to make them both function dramatically and seem fresh." The New York Times wrote of the 2011 Fringe Festival production that "The jokes veer from broad to brainy, and Mark Hollmann’s music is rock pastiche, but this is the rare satire that knows precisely what it’s sending up and commits to it." TalkinBroadway.com said of the 2014 San Francisco production that "the concept, execution, cast and design are all well done," but that the show "still looks like a work in progress."
  
  