title: Prudence Punderson Rossiter
text: # Prudence Punderson Rossiter
  
  Prudence Punderson Rossiter (July 28, 1758 – September 16, 1784) was an American artist known for her needlework pictures.
  
  ## Birth and family
  
  Originally from Preston, Connecticut, Rossiter was the first of eight children of Ebenezer Punderson and Prudence Geer Punderson; her father was a Loyalist during the American Revolutionary War, and as a result the family's goods were confiscated in 1778. The Pundersons fled to Long Island, where they lived in reduced circumstances for the duration of the war.
  
  ## Work and illness
  
  Prudence turned to domestic work to earn money. In 1780 she overcame a severe illness that threatened her artistic ability; a letter to her sister from this time survives, speaking of a "gathering" on her breast that required lancing.
  
  ## Marriage and death
  
  On October 20, 1783, she married Timothy Wells Rossiter; their daughter Sophia was born on July 18, 1784, and Prudence died on September 16 of the same year. She was interred in the Maple Cemetery in Berlin, Connecticut.
  
  ## Art
  
  Rossiter produced a number of needlework pictures, including twelve depictions of the twelve apostles inspired by print sources. She is best known, however, for the self-portrait The First, Second, and Last Scene of Morality, completed around 1775. This work portrays a young woman, the artist herself, seated at a table in a finely-furnished parlor. To one side is a baby in a cradle, being cared for by a black servant. To the other is a coffin, marked "PP", sitting on a table.
  
  The piece is owned by the Connecticut Historical Society. The same organization owns her other needlework pieces as well as her letters, poetry, drawings, and diary. They provide a rare glimpse into the life of a young woman of the period. Rossiter's embroidery is the most-reproduced piece in the Society's collection.
  
  Elements of Rossiter's art have been incorporated into the work of artist Kiki Smith. Her needlework has been discussed by Laurel Thatcher Ulrich.
  
  