title: Eden and After
text: # Eden and After
  
  Eden and After (French: L'Eden et après, Slovak: Eden a potom...) is a 1970 French-Czechoslovak drama art film directed by French novelist and filmmaker Alain Robbe-Grillet. It was entered into the 20th Berlin International Film Festival.
  
  ## Plot
  
  The film opens with words such as "object", "game", "blood" and "rape" shown intercut with the credits. A group of university students meet after class at a bar called Eden, where, amidst reproductions of Piet Mondrian's abstract paintings, they play various games—a simulated Russian roulette or pretending that one of them is poisoned, for example. Among these young people is Violette, who is the film's protagonist.
  
  One evening a stranger named Duchemin enters the bar and engages the students in games of magic tricks: he asks one of them to pick up broken glass pieces, then "heals" their bloody cut wounds—a trick he learned in Africa, he says. Violette takes a drug called "fear powder" offered by him and hallucinates, frightened at first but soon bursts out laughing. She agrees to meet Duchemin later at night in an abandoned factory, where she gets lost upon arrival. After going through a series of hallucinatory visions, which includes a semen-like substance oozing from a factory pipe, she manages to escape the factory next morning. Duchemin is found dead at the foot of a staircase overlooking the nearby canal. She finds a postcard from Tunisia in his pocket.
  
  Returning home, she discovers that she has been robbed of a valuable painting. She leaves for Tunisia, where she meets a sculptor named Dutchman, who has the same appearance as Duchemin, and she becomes his lover. She is then kidnapped by a gang of young men wearing turbans, played by some of her fellow students she befriended at Eden. Imprisoned and subjected to torture, she manages to free herself with the help of a girl who resembles her—perhaps her doppelgänger—and recovers the painting. Soon afterward Violette finds Dutchman dead at the foot of a staircase by the sea, which reminds her of the place where she found Duchemin's body earlier.
  
  Back home, Violette narrates that nothing has happened yet or perhaps everything was just a fantasy, hallucination, or premonitory dream of hers.
  
  ## Cast
  
  * Catherine Jourdan as Violette
  * Pierre Zimmer as Duchemin/Dutchman
  * Richard Leduc as Marc-Antoine
  * Lorraine Rainer as Marie-Eve
  * Sylvain Corthay as Jean-Pierre
  * Juraj Kukura as Boris
  * Jarmila Koleničová (credited as Jarmila Kolenicová) as Sona
  * Catherine Robbe-Grillet as Foolish woman
  * François Gervai
  * Ľudovít Kroner (credited as Ludwik Kroner) as Franc
  
  ### Voice actors for the Slovak release
  
  * Ida Rapaičová as Violette/Viola
  * Slavo Drozd as Duchemin/Durman
  * Božidara Turzonovová as Marie-Eve/Mária
  * Ivan Krajíček as Marc-Antoine/Mikuláš
  * Peter Mikulík as Jean-Pierre/Róbert
  
  ## Production
  
  Robbe-Grillet's 1968 film The Man Who Lies, which was shot in black-and-white like all the previous films he had directed, performed poorly at the box office. Robbe-Grillet told an acquaintance that he was considering to quit filmmaking because making films in black-and-white was, he felt, no longer possible.
  
  There was no detailed script for the film. Instead, Robbe-Grillet came up with the idea that he could create a story using the system Austrian-American composer Arnold Schoenberg used in his twelve-tone music, constructing the film's plot with ten sets of twelve themes arranged in a different order for each set. The result was, according to Robbe-Grillet, a mixture of Marquis de Sade's Justine and Lewis Carroll's Alice's Adventures in Wonderland, with certain elements taken from the chivalric romance. With no written details to rely on, Robbe-Grillet had to discuss the film's each shot and scene at depth with the cinematographer, Igor Luther [fr; de], which granted Luther significant creative control over the film.
  
  Robbe-Grillet hired mostly unknown actors since well-established ones would not work for a film without a proper script. The actors were informed very little about the film beforehand; only that it was to be shot in Czechoslovakia and Djerba, Tunisia.
  
  