title: The Life of Reilly
text: # The Life of Reilly
  
      See also The Life of Riley (disambiguation).
  
  The Life of Reilly is a 2006 American film adaptation of actor Charles Nelson Reilly's one-man play Save It For the Stage: The Life of Reilly. Written by Reilly and Paul Linke, and directed by Frank L. Anderson and Barry Poltermann, the film is an edited version of Reilly's stage show, filmed live before audiences at the El Portal Theater in North Hollywood, California in October 2004. The final film is compiled from Reilly's final two performances, interspersed with clips, images and music.
  
  The Life of Reilly premiered at the South by Southwest Film Festival in March 2006 to positive reviews and proceeded to play for over a year on the festival circuit, including the Seattle International Film Festival and Newfest. A limited theatrical release began in November 2007.
  
  ## Original stage performance
  
  The Life of Reilly was originally a theatre piece called Save It For the Stage: The Life of Reilly, which was first performed in Los Angeles in July 2000. The play was based upon lectures that Reilly, a Tony Award-winning Broadway actor, had been giving to college theater students. The stage play was written by Reilly and Paul Linke, and directed by Linke.
  
  Reilly took the play around the country, including the New Conservatory Theatre Center, San Francisco and the Irish Repertory Theatre, New York City, both in 2001.
  
  The New York Times hailed the play as "a homey, entertaining evening, what one imagines it might be like to meet Mr. Reilly through mutual friends, have a couple of drinks and listen to a series of his anecdotes..." San Francisco's SF Weekly called Reilly's performance "nebbishy, cranky, excitable, grouchy, Bronx-accented, eccentric, and fey: He's like a loudmouthed, American Quentin Crisp." The running time of the performance often ranged over three hours, a point cited in some critics' reviews. For example, Variety said, "If there's something exasperating about the show's expansiveness, there's something endearing, too, about Reilly's insistence on his two full acts of stage time. His celebrity has been peculiar and peripheral -- he's far better known to most for his high-camp guffaw on Match Game than for directing Julie Harris in The Belle of Amherst or appearing on Broadway in Bye Bye Birdie and How to Succeed in Business. So why not let him run a little amok? At 70, he's earned it. And with his sharp wit and scruffily friendly, eccentric stage presence, he's wonderful company."
  
  For his work in Save it For the Stage: The Life of Reilly, Reilly was nominated for a Drama Desk Award in 2001 and an Outer Critics Circle Award in 2002, both for Outstanding Solo Performance.
  
  ## Plot
  
  The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his family—an institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene O'Neill would never get near this family," Reilly declares.
  
  Prior to being put into an institution, Reilly's father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reilly's life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
  
  After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reilly's family.
  
  While in Connecticut, he and a childhood friend narrowly escape the Hartford circus fire.
  
  When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something that's really unheard of today… you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they did not have the money to pay.
  
  Reilly's class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list… couldn't act for shit."
  
  It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They don't let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
  
  Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the week's TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on television—but now Reilly wondered, "Who do I have to fuck to get off?!"
  
  Success came to Reilly's professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see.
  
  ## Production
  
  The Life of Reilly was filmed on HD video live in front of an audience. Reilly was ill at the time with chronic asthma and was forced to cancel one of the three performances. The bulk of the final film was shot on the final night's performance, which would turn out to be the last time Reilly performed in front of an audience. Additional material was filmed during rehearsals, and the final film is an edited version of his full three-hour-plus live performance, interspersed with short film clips, animation and re-enactments.
  
  ## Theatrical release
  
  The Life of Reilly received a regional theatrical release primarily in Landmark Theatres in the United States and Canada in late 2007 and throughout 2008 to very positive reviews but limited box office and did not receive an immediate DVD release.
  
  ## Home media release
  
  In early 2009 the filmmakers announced that the film had been slated for release by New Yorker Films but was indefinitely delayed due to the bankruptcy of the distributor. In October 2010 the filmmakers made a 2-disc DVD and 2-disc Blu-ray available on Amazon.
  
  The sets include the theatrical release, a 3-hour length staged version of the play, a "making of" featurette, and a feature-length commentary with Burt Reynolds, Anne Meara, Jerry Stiller, and Dom DeLuise.
  
  ## Critical reception
  
  After its release, The Life of Reilly garnered a "100% Fresh" rating from critics at Rotten Tomatoes and was listed as the best reviewed film of 2007.
  
  John Simon (critic) reviewed The Life of Reilly saying that "(Reilly's) life provided the blueprint, but Reilly's literary artistry had to construct it into a fabulous narrative full of sharply observed detail, irresistible humor, unmilked melancholy and humanely observed humanity. Much of it is worthy of Balzac, Dickens or Mark Twain."
  
  The Village Voice wrote that "Rambling, blithe, nostalgic, and out for revenge, Reilly presents a witty anecdotal timeline of his life, and the bittersweet milestones play like a Spalding Gray monologue loosened up with a few shots of tequila."
  
  The film appeared on several critics' and reader top ten lists of the best films of 2007 including: The Village Voice/LA Weekly Film Poll of Best Films of 2007, which featured The Life of Reilly in its top ten "Best Documentary" list; Nerve.com's 2007 Reader's Poll, which listed The Life of Reilly as the 3rd Funniest Film of 2007; and Ed Gonzalez of Slant Magazine, who picked The Life of Reilly as the year's 10th best film overall.
  
  