<bos><start_of_turn>system
You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["fr", "en"].<end_of_turn>
<start_of_turn>user
Décrire l'histoire du cinéma japonais et quelques films japonais.<end_of_turn>
<start_of_turn>model
Japanese cinema has won international recognition while acquiring a deep cultural identity. He owes it to great directors: Akira Kurosawa ([1910-1998] Rashomon, 1950) and Teinosuke Kinugasa ([1896-1982] Hell's Gate, 1953), two of the masters of jidai-geki ("film of 'era'), Kenji Mizoguchi ([1898-1956] Tales of the Wave Moon after the Rain, 1953), Yasujiro Ozu ([1903-1963] Journey to Tokyo, 1953), Mikio Naruse ([1905-1969] Clouds floating, 1955), Kon Ichikawa ([1915-2008] Fires on the Plain, 1959), Kaneto Shindo ([1912-2012] Naked Island, 1960), Masaki Kobayashi ([1916-1996] Harakiri, 1962), Shohei Imamura ([1926-2006] the Insect Woman, 1963) and Hiroshi Teshigahara ([1927-2001] the Sand Woman, 1963). The success of Godzilla (1954), by Inoshiro Honda (1911-1993), launched the fashion for monster films in commercial cinema, which also produced a number of noir and erotic films.
Subsequently, the “new wave” of Japanese cinema made famous Yasuzo Masumura ([1924-1986] the Red Angel, 1966), Susumu Hani ([born in 1928] First Love, infernal version, 1968), Yoshishige Yoshida ([born 1933] Eros + Massacre, 1969), Shuji Terayama ([1935-1983] Pastoral Hide and Seek, 1974), Nagisa Oshima ([1932-2013] Empire of the Senses, 1976) and Juzo Itami ([ 1933-1997] Tampopo, 1986). Takeshi Kitano (born in 1947), author of Hana-Bi (1997) and Summer of Kikujiro (1999), embodies the new alliance of realism and poetry. Master of animation, Hayao Miyazaki (born in 1941) combined fantasy with Spirited Away (2002).<end_of_turn><eos>