<bos><start_of_turn>system
You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["en", "en"].<end_of_turn>
<start_of_turn>user
Describe the history of cinema during the Second World War.<end_of_turn>
<start_of_turn>model
Between 1939 and 1945, cinema played an important role in the war effort throughout the world, thanks to newsreels and documentaries such as those in the series Why We Fight (1942-1945), directed by Frank Capra (1897-1991) and Anatole Litvak (1902-1974).
Feature-length fiction films play a similar role. British war films like Those Who Serve at Sea (1942), by Noel Coward (1899-1973) and David Lean (1908-1991), or Went the Day Well (1942), by Alberto Cavalcanti (1897-1982) , are fictions shot like documentaries. For his part, Marcel Carné resorted to allegory and fantasy to thwart Nazi censorship (Evening Visitors, 1942; Children of Paradise, 1945).
The first war films to come out of Hollywood studios were still imbued with lyricism, like Casablanca (1943) by Michael Curtiz (1888-1962). But works like Bataan (1943) by Tay Garnett (1894-1977), The Executioners Also Die (1943) by Fritz Lang and The Sacrificed (1945) by John Ford (1895-1973) and Robert Montgomery (1904-1981) are much closer to the harsh realities of the conflict.
In Germany, all cinema is nothing more than a propaganda activity. This is also the case in Italy, but we can already see the beginnings of a major post-war movement, neorealism.<end_of_turn><eos>