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You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["de", "en"].<end_of_turn>
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Beschreiben Sie die Geschichte der Musikkomödie in Frankreich.<end_of_turn>
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Cinema in songs established itself in France with filmmakers like René Clair (Sous les Toits de Paris, 1930) or Julien Duvivier (La Belle Équipe, 1936), and with singers who became actors (Joséphine Baker, Mistinguett, Édith Piaf, Charles Trenet, Tino Rossi). The tradition continued after the Second World War (Maurice Chevalier, Gilbert Bécaud, Charles Aznavour), while the operetta adapted for the cinema had its hour of glory especially with Luis Mariano, and that Jean Renoir himself gave in the musical comedy with French Cancan (1955).
The new wave does not ignore the genre, to which the director Jacques Demy and the composer M. Legrand give real originality (the Umbrellas of Cherbourg, 1964). Demy's entire cinematographic universe, even in his non-musical films like Lola (1961) or The Bay of Angels (1963), is bathed in a dreamlike atmosphere which is in fact that of the American comedy of the golden age of studios: it is therefore very logical that the twin sisters of Rochefort (les Demoiselles de Rochefort, 1967), Catherine Deneuve and Françoise Dorléac, meet in the streets of their small French town Gene Kelly himself, like a living quote. Later, Jacques Rivette (Haut bas fragile, 1995), Olivier Ducastel and Jacques Martineau (Jeanne and the wonderful boy, 1998), then Alain Resnais (We know the song, 1997; Pas sur la bouche [taken from an operetta] , 2003), bring the sung film up to date.
Witness to the revival of the genre, Dancer in the Dark, by Danish director Lars von Trier, received the award for best film at the 53rd Cannes International Film Festival in 2000. This dramatic musical fairy tale, in which a worker suffering from progressive blindness, fights to offer her son the operation which will prevent him from being affected by the same disastrous fate, is performed by the Icelandic singer, Björk, also author of the band original version of the film, which also received the prize for best female role.
The musical comedy in the theater has also enjoyed great international success, notably rock operas such as Starmania (1979) by Luc Plamondon, Cats (1981) and The Phantom of the Opera (1987) by Andrew Lloyd Webber and since the years 2000, saw a renewed interest among the public, illustrated by the enormous success achieved by Notre-Dame de Paris by Plamondon and Richard Cocciante.<end_of_turn><eos>