<bos><start_of_turn>system
You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["fr", "en"].<end_of_turn>
<start_of_turn>user
Quelle est l'histoire du cinéma?<end_of_turn>
<start_of_turn>model
Cinema, said Robert Bresson, “is writing with moving images and sounds”. It is also an audiovisual technique, the oldest of all, whose essential links could only be assembled after more than a century of research.
First emerged the idea of ​​reconstructing movement through images by exploiting a physiological phenomenon, the persistence of light impressions on the retina of the eye, a phenomenon which gave birth to the thaumatrope in 1825: by rotating rapidly on its diameter a disc comprising the drawing of a bird on one side and that of a cage on the other, we saw the bird in the cage, because, on the retina, each image persisted for a fraction of a second, ensuring the continuity of visual sensations. In 1832, it was on this basis that the Belgian physicist Joseph Plateau reconstructed the movement with his Phénakistiscope.
In 1816, Nicéphore Niépce invented photography, which, in 1895, would form the second link in cinema. Photography allowed the Lumière brothers to create the cinematograph, a device recording on film around fifteen images per second of a moving subject, therefore breaking down this movement. This same device was then used to project the images at the same frequency. The eye perceived a moving subject on the screen and not a succession of fixed views.<end_of_turn><eos>