<bos><start_of_turn>system
You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["es", "en"].<end_of_turn>
<start_of_turn>user
Describir parte de la historia del cine brasileño.<end_of_turn>
<start_of_turn>model
The worldwide success of O Cangaceiro (1953), by Lima Barreto (1906-1982), gave a new dimension to Brazilian cinema, then confined to musicals, melodrama and farces. However, it was only during the 1960s that filmmakers marked by neorealism took new, poetic-political paths to film the reality of their country. They launched Cinema Novo, whose emblematic figure was Glaúber Rocha (Barravento, 1962; The Black God and the Blonde Devil, 1964; Earth in Trance, 1967; Antonio das Mortes, 1969; The Age of the Earth, 1980). Among the other films representative of this movement, we can cite Ganga Zumba (C. Diegues, 1963), the Drought (N. Pereira Dos Santos, 1963), O Desafio (P.C. Saraceni, 1965), the Rifles (R. Guerra, 1968), Macunaïma (J.P. De Andrade, 1969), O Bravo Guerreiro (G. Dahl, 1969), São Bernardo (L. Hirszman, 1972).
Over the following decades, the vitality of Brazilian cinema would be attested, among others, by the works of Bruno Barreto, Héctor Babenco, Sérgio Rezende. The film Central Do Brasil (W. Sales Jr., 1998) will have a great international career.<end_of_turn><eos>