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Il ne s’agit pas d’une critique des armes nucléaires… Plutôt d’une incarnation des forces de la nature.

De nombreux remakes de classiques japonais ont été produits aux États-Unis : « Les Sept Samouraïs » est devenu « Les Sept Magnifiques », « Ringu » est devenu « Le Cerceau », mais Tinseltown n'a jamais réussi à percer l'histoire du lézard géant qui écrase les villes.

Le réalisateur Gareth Edwards espère changer cela avec son Godzilla, un film sorti en mai aux États-Unis, à l'occasion du 60e anniversaire des débuts du monstre très prisé né dans les studios Toho de Tokyo.

Le film original, intitulé "Gojira" - qui est une combinaison des mots "gorille" et "baleine" (kujira) - est apparu au milieu du boom économique d'après-guerre au Japon, lorsque les essais de la bombe à hydrogène effectués dans le Pacifique avait généré un climat de peur concernant les radiations.

La nouvelle version hollywoodienne d'Edwards est basée sur l'éruption de...

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A Japanese nuclear plant, rekindling memories of the Fukushima disaster and the specter of the nuclear catastrophe that engulfed the country in 2011
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But for some, the idea that Godzilla equals disaster
 nuclear suggests that Western directors have forgotten the true meaning of the "kaiju eiga" (monster movie) genre.

More natural than nuclear

"The original Godzilla movie and other monster movies in the Toho franchise are not necessarily about nuclear threats," explains Hidetoshi Chiba, a professor at Digital Hollywood University in Tokyo and an expert on kaiju films.

The overdeveloped lizard has had his star in Hollywood since 2012. But he doesn't necessarily feel understood.

Chiba agrees that the story of a scaly demon that emerges from a nuclear test site, destroying cities and their populations, can be read as a parable of the nuclear age. But he maintains that the kaiju is more related to the wrath of nature, human arrogance, and immutable dark forces.

"As for apocalyptic scenes, they are more likely to be linked to causes that existed before the war," he says.

"Clearly, many of the (other) monsters in kaiju (also) arose from natural disasters, such as volcanic eruptions, typhoons or earthquakes. For most Japanese viewers, (monster films) do not remind them of the dangers of nuclear energy or nuclear weapons," he says.

The first settlers of the Japanese islands, arriving there thousands of years ago, must have felt that they had arrived in an angry land.

Japan is the most volcanically active area on Earth, resulting in frequent earthquakes and killer roving waves.

Kaiju resemble the children of the "mother of Japan," who appears in the country's creation myth. She consumed by fire when she gave birth to her children Kagutsuchi (incarnation...<end_of_turn><eos>