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No es una crítica a las armas nucleares... Más bien una encarnación de las fuerzas de la naturaleza.

Numerosos remakes de los clásicos japoneses han sido producidos en Estados Unidos: "Los Siete Samuráis" se convirtió en "Los Siete Magníficos", "Ringu" se convirtió en "El Aro", pero Tinseltown nunca logró descifrar la historia del lagarto gigante que aplasta ciudades.

El director Gareth Edwards espera poder cambiar eso con su Godzilla, película estrenada este mes de mayo en Estados Unidos, en la fecha del 60 aniversario del debut del tan preciado monstruo que se originó en los estudios Toho de Tokio.

La película original, titulada "Gojira" -que resulta de la combinación de las palabras "gorila" y "ballena" (kujira)-, surgió en el medio del boom económico de la posguerra en Japón, cuando las pruebas de la bomba de hidrógeno llevadas a cabo en el Pacífico habían generado un clima de temor con respecto a la radiación.

La nueva versión hollywoodense de Edwards se basa en la erupción de...

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A Japanese nuclear plant, rekindling memories of the Fukushima disaster and the specter of the nuclear catastrophe that engulfed the country in 2011
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But for some, the idea that Godzilla equals disaster
 nuclear suggests that Western directors have forgotten the true meaning of the "kaiju eiga" (monster movie) genre.

More natural than nuclear

"The original Godzilla movie and other monster movies in the Toho franchise are not necessarily about nuclear threats," explains Hidetoshi Chiba, a professor at Digital Hollywood University in Tokyo and an expert on kaiju films.

The overdeveloped lizard has had his star in Hollywood since 2012. But he doesn't necessarily feel understood.

Chiba agrees that the story of a scaly demon that emerges from a nuclear test site, destroying cities and their populations, can be read as a parable of the nuclear age. But he maintains that the kaiju is more related to the wrath of nature, human arrogance, and immutable dark forces.

"As for apocalyptic scenes, they are more likely to be linked to causes that existed before the war," he says.

"Clearly, many of the (other) monsters in kaiju (also) arose from natural disasters, such as volcanic eruptions, typhoons or earthquakes. For most Japanese viewers, (monster films) do not remind them of the dangers of nuclear energy or nuclear weapons," he says.

The first settlers of the Japanese islands, arriving there thousands of years ago, must have felt that they had arrived in an angry land.

Japan is the most volcanically active area on Earth, resulting in frequent earthquakes and killer roving waves.

Kaiju resemble the children of the "mother of Japan," who appears in the country's creation myth. She consumed by fire when she gave birth to her children Kagutsuchi (incarnation...<end_of_turn><eos>