<bos><start_of_turn>system
You are a helpful AI assistant.
lista de codigos linguisticos disponibles: ["fr", "en"].<end_of_turn>
<start_of_turn>user
Que devient le ballet à l’époque romantique ?<end_of_turn>
<start_of_turn>model
In the Romantic era, ballet became the expression of a soul, of the imagination. To give the impression of immateriality, the dancer uses pointe shoes, which make her dance “airy”, and the long white muslin tutu. The romantic ballet, or white ballet, was born. Thanks to Carlo Blasis, virtuosity, formerly disavowed by Noverre, acquired primordial importance. In 1832, La Sylphide, by Filippo Taglioni, was created by his daughter Maria (or Marie). Then Giselle (1841) introduced Carlotta Grisi. A third “grace” is embodied by the Austrian Fanny Elssler.

The success of the romantic ballet was short-lived... In Saint Petersburg, Marius Petipa, assisted by Enrico Cecchetti, revived the classical tradition from 1869 and trained the future stars of the Marie theater and the Ballets Russes of Serge de Diaghilev. It is the beginning of a new era. Traveling troops are created. The ballet company is now one of the great vectors of modernity in artistic matters. At the same time, at the beginning of the 20th century, with Isadora Duncan and her free dance, with German expressionism, with the “pioneers” of modern dance in America, the modern dance movement was developing.<end_of_turn><eos>