Definition: In this task, five ordered key facts are given. All the given facts are expressed in natural language. Your job is to generate a story 100 to 1000 words long, that includes all the facts given as input in their order of appearance while expanding upon them to produce a broader, yet coherent, narrative.
Input: Fact1: close childhood friend Noel Coward provides witty commentary on Gertie 's actions, Fact2: stage manager Jack Roper intercedes her hired as general understudy to leads, Fact3: subsequent courtship with Sir Anthony Spencer transforms her into lady, Fact4: Gertie is supposed to be on chic supper club sick day, Fact5: American theatre producer Richard Aldrich Among people insulted at is party

The film opens in 1940, with Lawrence in a screening room watching a documentary film chronicling her life, then flashes back to Clapham in 1915, when she leaves home to join her vaudevillian father in a dilapidated Brixton music hall. Eventually she joins the chorus in Andre Charlots West End revue. She reunites with close childhood friend Noel Coward who provides witty commentary on Gerties actions. Charlot becomes annoyed with Gerties efforts to stand out, literally, from the chorus. He threatens to fire her, but stage manager Jack Roper intercedes and gets her hired as a general understudy to the leads. She marries Jack, but it becomes clear she is more inclined to perform onstage than stay home and play wife. While pregnant, she insists on going on for an absent star, and captivates the audience with her own starmaking performance of Burlington Bertie. Charlot and Roper witness the audiences warm approval, and both realize, Charlot grudgingly and Roper wistfully, that Gertie belongs on the stage. After their daughter Pamela is born, Gertrude is angered when Roper takes the baby on a pub crawl, and leaves him. A subsequent courtship with Sir Anthony Spencer, an English nobleman, polishes Gerties rough edges and transforms her into a lady. Caught at a chic supper club when she is supposed to be on a sick day, she is fired from the Charlot Revue. Squired by Spencer, she becomes asociety darling. Coward then convinces Charlot to feature her in his new production, and she is finally recognized as a star. When the revue opens in New York City, she dallies with an actor and a banker, bringing the number of her suitors to three. Gertrude faces financial ruin after spending all her considerable earnings, but ultimately manages to pay back her debtors and retain her glamour. As her career soars, her longdistance relationship with her daughter deteriorates. When Pamela cancels an anticipated holiday with Gertie, she gets extremely drunk and insults a roomful of people at a surprise birthday party thrown by Coward. Among the people insulted at the party is American theatre producer Richard Aldrich. When he returns to escort the hungover star home, he gives an honest appraisal of her. She is insulted, then intrigued by him, making an unannounced visit to his Cape Playhouse where she proposes to play the lead. They argue at rehearsal. He proposes marriage; she throws him out. Back on Broadway, she has trouble getting a handle on a crucial The Saga of Jenny number in Lady in the Dark. Aldrich turns up at a daunting rehearsal where he observes her frustration and takes her, with Coward, out to a nightclub. She protests, then realizes the kind of performance they are watching is the key to her dilemma in the show. Coward pronounces him a very clever man. After a rousing performance of Jenny, the film ends with her marriage to Aldrich, eight years before her triumph in The King and I and untimely death from liver cancer at the age of 54.