who is the latter?
Polish-born American actor, director and theatre practitioner
Introduction
Lee Strasberg (born Israel Lee Strassberg; November 17, 1901 – February 17, 1982) was a Polish-born American actor, director, and theatre practitioner. 
what is the man trap? The first episode of of the American science fiction television series who are the characters? Professor Robert Crater, his wife Nancy, Captain Kirk, Chief Medical Officer Dr. Leonard McCoy, and Crewman Darnell what is the name of the series? Star Trek who wrote the script of this episode? Gene Roddenberry who is the director? Marc Daniels when was it aired? September 8, 1966 what was its critical response? "The Daily Reporter" said that "Star Trek" had the "usual far-fetched suppositions" present in other science fiction works, but praise was given to the acting skills of Shatner and the plots of the initial episodes who plays the protagonist ? Alfred Ryder what is his role? The only known inhabitants of the planet M-113, Professor Robert Crater what can you tell me about his personal life? He began to act aged eight and later studied with Robert Lewis and Lee Strasberg
He was a Polish-born American actor, director, and theatre practitioner. A Polish-born American actor, director, and theatre practitioner. Lee Strasberg was a Polish-born American actor, director, and theatre practitioner.
Lee Strasberg Lee Strasberg Lee Strasberg
Introduction Introduction Introduction
Lee Strasberg (born Israel Lee Strassberg; November 17, 1901 – February 17, 1982) was a Polish-born American actor, director, and theatre practitioner. Lee Strasberg (born Israel Lee Strassberg; November 17, 1901 – February 17, 1982) was a Polish-born American actor, director, and theatre practitioner.  ee Strasberg (born Israel Lee Strassberg; November 17, 1901 – February 17, 1982) was a Polish-born American actor, director, and theatre practitioner. He co-founded, wit
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Lee Strasberg [SEP] Introduction
By 1970, Strasberg had become less involved with the Actors Studio and, with his third wife, Anna, opened the Lee Strasberg Theatre and Film Institute with branches in New York City and in Hollywood, to continue teaching the 'system' of Konstantin Stanislavski, which he had interpreted and developed, particularly in light of the ideas of Yevgeny Vakhtangov, for contemporary actors. The institute's primary stated goal was "to reach a larger audience of eager and emerging talent" than was served by the Actors Studio's notoriously selective admission process, and as teachers of the method introduced their own personal interpretations of the discipline, "to dispel growing confusion and misrepresentation of the method, preserving what had by now become fundamental discoveries in actor training." The Lee Strasberg Theatre and Film Institute has its own rigorous sets of entrance criteria required for admission into their program.