how is the latter work criticised and interpreted?
Lytton Strachey found it "difficult to resist the conclusion that was getting bored himself.
Criticism and interpretation
By the early twentieth century, the play had lost favour. Lytton Strachey found it "difficult to resist the conclusion that [Shakespeare] was getting bored himself. Bored with people, bored with real life, bored with drama, bored, in fact, with everything except poetry and poetical dreams." 
who directed the first friday the 13th movie Sean S. Cunningham where was he born? New York City how did he start his career? Cunningham's first jobs after graduating from Stanford included managing theater companies such as New York's Lincoln Center as well as the Oregon Shakespeare Festival. where did this latter mentioned festival originate? Ashland, Oregon. who are some directors associated with this festival? Angus L. Bowmer, Jerry Turner and Henry Woronicz. who is the first mentioned director? He was the founder of the theatre mentioned. where is he from? Bellingham, Washington. what are some of his works? "Love's Labor's Lost" and "Cymbeline".
Lytton Strachey found it "difficult to resist the conclusion that was getting bored himself. Bored with people, bored with real life, bored with drama, bored, in fact, with everything except poetry and poetical dreams." Lytton Strachey found it "difficult to resist the conclusion that [Shakespeare] was getting bored himself. It  was one of Shakespeare's more popular plays during the eighteenth century, though critics including Samuel Johnson took issue with its complex plot.
Cymbeline Cymbeline Cymbeline
Criticism and interpretation Criticism and interpretation Criticism and interpretation
Lytton Strachey found it "difficult to resist the conclusion that [Shakespeare] was getting bored himself. Bored with people, bored with real life, bored with drama, bored, in fact, with everything except poetry and poetical dreams."  Lytton Strachey found it "difficult to resist the conclusion that [Shakespeare] was getting bored himself.  "Cymbeline" was one of Shakespeare's more popular plays during the eighteenth century, though critics including Samuel Johnson took issue with its complex plot
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Cymbeline [SEP] Criticism and interpretation
"Cymbeline" was one of Shakespeare's more popular plays during the eighteenth century, though critics including Samuel Johnson took issue with its complex plot: William Hazlitt and John Keats, however, numbered it among their favourite plays. By the early twentieth century, the play had lost favour. Lytton Strachey found it "difficult to resist the conclusion that [Shakespeare] was getting bored himself. Bored with people, bored with real life, bored with drama, bored, in fact, with everything except poetry and poetical dreams." Harley Granville-Barker had similar views, saying that the play shows that Shakespeare was becoming a "wearied artist".