what relation does this vocal range have with opera?
True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them.
Contralto
True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them.
britney spears do you want a piece of me "Piece of Me" is a song recorded by American singer Britney Spears for her fifth studio album, "Blackout" was it performed live anywhere? Yes, at 2009's The Circus Starring Britney Spears as the second song of the show. is the international version of it has any difference from the original one? It is almost exactly the same as the original. who were influenced by the singer? UNANSWERABLE how is her public image? Upon launching her music career with "...Baby One More Time", Spears was labeled a teen idol, and "Rolling Stone" described her as "the latest model of a classic product: the unneurotic pop star who performs her duties with vaudevillian pluck and spokesmodel charm what style of music does she follow? Spears has explored and heavily incorporated the genres of electropop, trip hop in her earlier albums as well as dance music in her records, as well as influences of urban and hip hop which are most present on "In the Zone" and "Blackout" can you name some of the products she endorses? Spears's range of commercial deals and products includes beauty care products and perfumes. can you name some from the former products that involves beauty? "Curious", "Fantasy", "Radiance", etc. how was the song mentioned above received by the audience? The music video received mixed reviews. when was it released? November 27, 2007 how unique is the voice of the singer discussed above? She possesses a contralto vocal range. what range is that? It is a type of classical female singing voice whose vocal range is the lowest female voice type.
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Contralto [SEP] Subtypes and roles in opera
Within the contralto voice type category are three generally recognized subcategories: coloratura contralto, an agile voice specializing in florid passages; lyric contralto, a voice lighter in timbre; and dramatic contralto, the deepest, darkest, and most powerful contralto voice. These subtypes do not always apply with precision to individual singers. True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them. Contraltos sometimes are assigned feminine roles like Teodata in "Flavio", Angelina in "La Cenerentola", Rosina in "The Barber of Seville", Isabella in "L'italiana in Algeri", and Olga in "Eugene Onegin", but more frequently they play female villains or trouser roles.