what are the other works of the artist?
"The Enraged Musician", the six prints of "Marriage à-la-mode",  "Satire on False Perspective"
William Hogarth
Notable Hogarth engravings in the 1740s include "The Enraged Musician" (1741), the six prints of "Marriage à-la-mode" (1745; executed by French artists under Hogarth's inspection), and "The Stage Coach or The Country Inn Yard" (1747).

In 1745 Hogarth painted a self-portrait with his pug dog Trump (now also in Tate Britain), which shows him as a learned artist supported by volumes of Shakespeare, Milton and Swift. I
what is ''the four stages of cruelty''? is a series of four printed engravings that depicts a different stage in the life of the fictional Tom Nero. whose work is it? English artist William Hogarth what is the first stage of cruelty? He is shown being assisted by other boys to insert an arrow into a dog's rectum what about the second? Tom Nero  has turned into the professional cruelty of a man at work. Mistreatment of his horse and overloading, has collapsed, breaking its leg and upsetting the carriage. what was the critical reception it received? Immanuel Kant refers to the engravings as an example of how cruelty towards animals leads indirectly to failing duties towards humans. Others found the series less to their liking. can you tell me more about the critic? He was a German philosopher and one of the central Enlightenment thinkers. what can you tell me about the theory of perception? He distinguishes between analytic and synthetic propositions
wiki:25233830
William Hogarth [SEP] Other later works
Notable Hogarth engravings in the 1740s include "The Enraged Musician" (1741), the six prints of "Marriage à-la-mode" (1745; executed by French artists under Hogarth's inspection), and "The Stage Coach or The Country Inn Yard" (1747). In 1745 Hogarth painted a self-portrait with his pug dog Trump (now also in Tate Britain), which shows him as a learned artist supported by volumes of Shakespeare, Milton and Swift. In 1749, he represented the somewhat disorderly English troops on their "March of the Guards to Finchley" (formerly located in Thomas Coram Foundation for Children, now Foundling Museum). Others works included his ingenious "Satire on False Perspective" (1754); his satire on canvassing in his "Election" series (1755–1758; now in Sir John Soane's Museum); his ridicule of the English passion for cockfighting in "The Cockpit" (1759); his attack on Methodism in "Credulity, Superstition, and Fanaticism" (1762); his political anti-war satire in "The Times", plate I (1762); and his pessimistic view of all things in "Tailpiece, or The Bathos" (1764).