which places has he traveled to?
Italy, France, Paris, Dijon, Milan, Florence, and finally reached Rome.
William Etty
Despite warnings that Italy would be uncomfortably hot, the two men set out on 23 June 1822 with the aim of reaching Rome. Crossing to France by means of the recently developed steamboat, they arrived in Paris on 26 June. They stayed in Paris for two weeks, visiting Versailles and the city's public art galleries; they also visited the much-reduced remaining exhibits of the Louvre. The Louvre was hosting an exhibition of modern French painting at the time, at which Etty felt a great dislike for the quality of portraiture in France, but he was nonetheless greatly impressed by the permanent collections, in particular Rubens's Marie de' Medici cycle, elements of which he later reused in many of his own works.

Travelling onwards through Dijon and Switzerland, Etty and Evans passed over the Simplon Pass and on to Milan, where they viewed Leonardo's "The Last Supper" and visited the Brera Gallery. After a sixteen-day cabriolet ride through the gruelling heat of an unusually hot summer, the t
what is 'the destroying angel and daemons of evil interrupting the orgies of the vicious and intemperate'? An oil painting on canvas. what does its composition consist of? An ornate imaginary classical temple is under attack from a destroying angel and a group of daemons. why are they called destroying? Having destroyed one side, it is poised to hurl a thunderbolt. who is the artist of the painting? William Etty what is the connected between him and lawrence? Etty studied under him.
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William Etty [SEP] Travels in Europe
Recalling his homesickness and loneliness the last time he had ventured abroad, for his next foreign trip Etty travelled in the company of Richard Evans, who had been a fellow student of Thomas Lawrence. Despite warnings that Italy would be uncomfortably hot, the two men set out on 23 June 1822 with the aim of reaching Rome. Crossing to France by means of the recently developed steamboat, they arrived in Paris on 26 June. They stayed in Paris for two weeks, visiting Versailles and the city's public art galleries; they also visited the much-reduced remaining exhibits of the Louvre. The Louvre was hosting an exhibition of modern French painting at the time, at which Etty felt a great dislike for the quality of portraiture in France, but he was nonetheless greatly impressed by the permanent collections, in particular Rubens's Marie de' Medici cycle, elements of which he later reused in many of his own works.