what was this work about?
It included the revelatory tale told by a civilization's art and artifacts—these, if we look closely, tell us their own story of cultural factors, such as climate, freedom, and craft. He presents a glowing picture of the political, social, and intellectual conditions which he believed tended to foster creative activity in ancient Greece.
Johann Joachim Winckelmann
Here, it included the revelatory tale told by a civilization's art and artifacts—these, if we look closely, tell us their own story of cultural factors, such as climate, freedom, and craft. Winckelmann sets forth both the history of Greek art "and of Greece". He presents a glowing picture of the political, social, and intellectual conditions which he believed tended to foster creative activity in ancient Greece.
when did leonardo da vinci start painting at what age UNANSWERABLE who is leonardo da vinci? He was an Italian polymath of the High Renaissance who is widely considered one of the greatest painters of all time. when did this aforesaid historical period start? Most art historians state that the period started around 1495 or 1500. how did the term originate? The term was first used by Jacob Burckhardt in German "Hochrenaissance" in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. who was the former mentioned person that used the term before? He was a Swiss historian of art and culture and an influential figure in the historiography of both fields. who is the latter mentioned person? He was a German art historian and archaeologist. what was his main work? The "Geschichte der Kunst des Alterthums", published in 1764.
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Johann Joachim Winckelmann [SEP] Masterwork
Winckelmann sets forth both the history of Greek art "and of Greece". He presents a glowing picture of the political, social, and intellectual conditions which he believed tended to foster creative activity in ancient Greece. The fundamental idea of Winckelmann's artistic theories are that the goal of art is beauty, and that this goal can be attained only when individual and characteristic features are strictly subordinated to an artist's general scheme. The true artist, selecting from nature the phenomena suited to his purpose and combining them through the exercise of his imagination, creates an ideal type in which normal proportions are maintained, and particular parts, such as muscles and veins, are not permitted to break the harmony of the general outlines.