what is the background of this work?
Hogarth advertised his intention to issue a three-image set: "The Provok'd Musician", "The Distrest Poet", and a third image on the subject of "Painting". The engraving appears to be based on an oil sketch held in the Ashmolean Museum in Oxford
The Enraged Musician
n November 1740, Hogarth advertised his intention to issue a three-image set: "The Provok'd Musician", "The Distrest Poet", and a third image on the subject of "Painting" . The third image was never completed, and the two other prints were issued together in November 1741. The engraving appears to be based on an oil sketch held in the Ashmolean Museum in Oxford, though there are some differences between the monochrome sketch and the engraving.
what is ''the four stages of cruelty''? is a series of four printed engravings that depicts a different stage in the life of the fictional Tom Nero. whose work is it? English artist William Hogarth what is the first stage of cruelty? He is shown being assisted by other boys to insert an arrow into a dog's rectum what about the second? Tom Nero  has turned into the professional cruelty of a man at work. Mistreatment of his horse and overloading, has collapsed, breaking its leg and upsetting the carriage. what was the critical reception it received? Immanuel Kant refers to the engravings as an example of how cruelty towards animals leads indirectly to failing duties towards humans. Others found the series less to their liking. can you tell me more about the critic? He was a German philosopher and one of the central Enlightenment thinkers. what can you tell me about the theory of perception? He distinguishes between analytic and synthetic propositions what are the other works of the artist? "The Enraged Musician", the six prints of "Marriage à-la-mode",  "Satire on False Perspective" when did he do his aforesaid initial work? 1741
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The Enraged Musician [SEP] Background
In November 1740, Hogarth advertised his intention to issue a three-image set: "The Provok'd Musician", "The Distrest Poet", and a third image on the subject of "Painting" . The third image was never completed, and the two other prints were issued together in November 1741. The engraving appears to be based on an oil sketch held in the Ashmolean Museum in Oxford, though there are some differences between the monochrome sketch and the engraving.