can you name some of the above person's artworks?
"Christ in the House of His Parents", "Ophelia", and many more.
John Everett Millais
Millais became the most famous exponent of the style, his painting "Christ in the House of His Parents" (1849-50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, "Ophelia", in 1851–52.
when was the first snowfall by james russell lowell written UNANSWERABLE who is this mentioned person? An American Romantic poet, critic, editor, and diplomat. what are some of the poems he has written? "A Fable for Critics". what is the theme of this above work? It made fun of well-known poets and critics of the time. what are some of the names of the characters depicted in this work? Edgar Allan Poe. is the above-mentioned person a poet? Yes, also a writer, editor and a literary critic. when was that work first published? 1848. who was the publisher? UNANSWERABLE what were the feedback and comments received after readers went through the poem? John Ruskin labeled the poem "in animal spirit and power... almost beyond anything I know". who is this above-mentioned person? He was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, philosopher, prominent social thinker and philanthropist. what is the name of the artist or art organizations he supported? John Everett Millais.
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John Everett Millais [SEP] Introduction
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting "Christ in the House of His Parents" (1849-50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, "Ophelia", in 1851–52.