is it used in painting as well?
It was the nemesis of many artists during the 19th century as it proved unstable for use in oil painting, especially when mixed with the most common diluents.
Asphalt
was the nemesis of many artists during the 19th century. 
when did the saber toothed cat become extinct It became extinct 10,000 years ago in the Quaternary extinction event. what is smilodon? is a genus of the extinct machairodont subfamily of the felids. how does it look like? It is well-developed forelimbs and exceptionally long upper canine teeth and its jaw has a bigger gape than that of modern cats. how did it get its name? Lund named it Smilodon populator which the Ancient Greek meaning of "Smilodon" as ("smilē"), "scalpel" or "two-edged knife", and "οδόντος" ("odontús"), "tooth". how friendly is their behavior with humans? UNANSWERABLE where can these creatures be widely found? Fossils were found in parts of North America, South America and as far as north Alberta, Canada. what do they feed on? They fed on peccary "Platygonus" and the llama-like "Hemiauchenia", bison, tapirs, deer etc were there any natural traps that acted as its threat? Yes, asphalt seeps and the Talara Tar Seeps what does the first one mean? They are naturally occurring deposits of bitumen are formed from the remains of ancient, microscopic algae (diatoms) and other once-living things. what are its other uses? Roofing shingles, roll roofing, cattle sprays, fence-post treatments, and waterproofing for fabrics. what was its purpose in ancient times? Waterproofing, adhesive, used for mortar between bricks and stones, to cement parts of carvings etc what is its part in photography? It was used in early photographic technology by thinly coating bitumen onto a pewter plate which was then exposed in a camera.
wiki:1608816
Asphalt [SEP] Photography and art
Bitumen was the nemesis of many artists during the 19th century. Although widely used for a time, it ultimately proved unstable for use in oil painting, especially when mixed with the most common diluents, such as linseed oil, varnish and turpentine. Unless thoroughly diluted, bitumen never fully solidifies and will in time corrupt the other pigments with which it comes into contact. The use of bitumen as a glaze to set in shadow or mixed with other colors to render a darker tone resulted in the eventual deterioration of many paintings, for instance those of Delacroix. Perhaps the most famous example of the destructiveness of bitumen is Théodore Géricault's Raft of the Medusa (1818–1819), where his use of bitumen caused the brilliant colors to degenerate into dark greens and blacks and the paint and canvas to buckle.