who worked on the music?
Reznor and Ross.
The Girl with the Dragon Tattoo (2011 film)
Fincher recruited Reznor and Ross to produce the score; aside from their successful collaboration on "The Social Network", the duo had worked together on albums from Nine Inch Nails' later discography. They dedicated much of the year to work on the film, as they felt it would appeal to a broad audience. Akin to his efforts in "The Social Network", Reznor experiments with acoustics and blends them with elements of electronic music, resulting in a forbidding atmosphere.
who plays in the girl with the dragon tattoo Daniel Craig as journalist Mikael Blomkvist and Rooney Mara as Lisbeth Salander. when was it released? 2011. did it win any awards or was nominated for any? The film was chosen as one of the top ten films of 2011 and was a candidate for numerous awards, winning, among others, the Academy Award for Best Film Editing, while Mara's performance earned her an Academy Award nomination for Best Actress. what is the storyline? In Stockholm, disgraced journalist Mikael Blomkvist is recovering from the legal and professional fallout of a libel suit brought against him by businessman Hans-Erik Wennerström, straining Blomkvist's relationship with his business partner and married lover, Erika Berger. Lisbeth Salander, a young, brilliant but antisocial investigator and hacker, compiles an extensive background check on Blomkvist for the wealthy Henrik Vanger, who offers Blomkvist evidence against Wennerström in exchange for an unusual task: investigate the 40-year-old disappearance and presumed murder of Henrik's grandniece, Harriet. Blomkvist agrees, and moves into a cottage on the Vanger family estate on Hedestad Island.
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The Girl with the Dragon Tattoo (2011 film) [SEP] Soundtrack
Fincher recruited Reznor and Ross to produce the score; aside from their successful collaboration on "The Social Network", the duo had worked together on albums from Nine Inch Nails' later discography. They dedicated much of the year to work on the film, as they felt it would appeal to a broad audience. Akin to his efforts in "The Social Network", Reznor experiments with acoustics and blends them with elements of electronic music, resulting in a forbidding atmosphere. "We wanted to create the sound of coldness—emotionally and also physically," he asserted, "We wanted to take lots of acoustic instruments [...] and transplant them into a very inorganic setting, and dress the set around them with electronics." Even before viewing the script, Reznor and Ross opted to use a redolent approach to creating the film's score.