what is this play about?
Based on the French play, "Zelmire" by de Belloy, it was the last of the composer's Neapolitan operas.
Zelmira
Zelmira () is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, "Zelmire" by de Belloy, it was the last of the composer's Neapolitan operas. Stendhal called its music Teutonic, comparing it with "La clemenza di Tito" but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!"
how many times have chelsea won the premier league title UNANSWERABLE what is chelsea f.c.? Chelsea Football Club are an English professional football club based in Fulham, London. where is this city located? Fulham is an area of the London Borough of Hammersmith and Fulham in southwest London, England, southwest of Charing Cross. what happened here during the 20th century? With rapid demographic changes there was poverty, an so it had its Poorhouses, and attracted several benefactors. what is its heritage in terms of music? Many well known musicians belonged here who were part of a musical dynasty of Belgian descent, such as William Crathern, Edward Elgar, the composers and The notorious Italian tenor Giovanni Matteo Mario de Candia and his wife opera singer Giulia Grisi, made Fulham their home. who is the first mentioned musician? William Crathern was an organist and composer of sacred and secular music. where is this aforesaid opera singer from? St Leonard’s, Shoreditch. how was her early days like? Grisi was trained for a musical career, making her stage debut as Emma in Rossini's "Zelmira" in Bologna in 1828.
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Zelmira [SEP] Introduction
Zelmira () is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, "Zelmire" by de Belloy, it was the last of the composer's Neapolitan operas. Stendhal called its music Teutonic, comparing it with "La clemenza di Tito" but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!"