name a few of his mythical paintings
“Primavera”, "The Birth of Venus”, "Venus and Mars" and "Pallas and the Centaur” are some of them.
Sandro Botticelli
The masterpieces "Primavera" (c. 1482) and "The Birth of Venus" (c. 1485) are not a pair, but are inevitably discussed together; both are in the Uffizi. They are among the most famous paintings in the world, and icons of the Italian Renaissance. As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity. Together with the smaller and less celebrated "Venus and Mars" and "Pallas and the Centaur", they have been endlessly analysed by art historians, with the main themes being: the emulation of ancient painters and the context of wedding celebrations, the influence of Renaissance Neo-Platonism, and the identity of the commissioners and possible models for the figures. 
where did the first olympic games take place It was held in Athens, Greece, from 6 to 15 April 1896. what are some of the locations it took place? "Panathenaic Stadium", "The City of Marathon” “The Bay of Zea", “Kallithea” and "Athens Lawn Tennis Club” were some of them. where is this first mentioned place located? Athens, Greece. what is the historical account behind this stadium? Originally, since the 6th century BC, a racecourse existed at the site of the stadium. It hosted the Panathenaic Games, a religious and athletic festival celebrated every 4 years in honour of the goddess Athena. where is the origin of this aforesaid goddess? She was the palace goddess of "Aegean". where did her name originate from? The name is likely of Pre-Greek origin because it contains the presumably Pre-Greek morpheme "*-ān-". where was she born? UNANSWERABLE was she part of any war? Yes, the "Trojan War". what was her role in this war? Paris had to give his decision on who was the fairest amongst Aphrodite, Hera and Athena. Since he selected Aphrodite, the other two goddesses were enraged and, as a direct result, sided with the Greeks in the war. who is this first mentioned goddess? She is an ancient Greek goddess associated with love, beauty, pleasure, passion and procreation. who did she marry? Hephaestus what is her role in the classical art? She is the central figure in Sandro Botticelli's painting "Primavera". where was this aforesaid artist from? Florence did he paint any chapel? Yes, at the "Sistine Chapel". what are some famous portrait paintings he did? There are a number of idealized portrait-like paintings of women which probably do not represent a specific person. Traditional gossip links these to the famous beauty Simonetta Vespucci, who died aged twenty-two in 1476, but this seems unlikely. These figures represent a secular link to his "Madonnas". what happened in relation to his sexual experiences? Opinion remains divided on whether this is evidence of bisexuality or homosexuality. how did he spend his early days? He was being trained as a goldsmith. how was his later years? He was a follower of Savonarola's, and this was why he gave up painting and then fell into considerable distress as he had no other source of income. None the less, he remained an obstinate member of the sect. As an old man, he found himself so poor that if Lorenzo de’ Medici and then his friends had not come to his assistance, he would have almost died of hunger.
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Sandro Botticelli [SEP] Mythological subjects of the 1480s
The masterpieces "Primavera" (c. 1482) and "The Birth of Venus" (c. 1485) are not a pair, but are inevitably discussed together; both are in the Uffizi. They are among the most famous paintings in the world, and icons of the Italian Renaissance. As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity. Together with the smaller and less celebrated "Venus and Mars" and "Pallas and the Centaur", they have been endlessly analysed by art historians, with the main themes being: the emulation of ancient painters and the context of wedding celebrations, the influence of Renaissance Neo-Platonism, and the identity of the commissioners and possible models for the figures.