anything significant about her technique?
Its was related to her jumps, which projected a unselfconscious and spontaneous joy in her own movement that projected a greater air of confidence and command of the space.
Tara Lipinski
Lipinski's skating influences were Kristi Yamaguchi, Scott Hamilton, and Christopher Bowman. Her skating style was often compared to her "rival" Michelle Kwan's; Jere Longman of "The New York Times" called Lipinski "the consistent Energizer bunny of a jumper", but called Kwan "the more sophisticated, complete artist". Frank Carroll, who coached Kwan, called Lipinski's style "wonderful" and said that she was "turning easy, jumping easy". Writer Ellyn Kestnbaum stated that compared to Kwan's "more carefully choreographed expressions of joy", Lipinski projected "unselfconsious and spontaneous joy in her own movement that projected a greater air of confidence and command of the space".
who won the olympic women's hockey match The Americans. which year's olympics was this at? The 1998 Winter Olympics. which country hosted it? Japan. describe the mascot of this event. They are four snowy owls which represent fire (Sukki), air (Nokki), earth (Lekki) and water (Tsukki). who were the sponsors of the event? The Games had 11 Worldwide Olympic Partners, eight Gold Sponsors and 18 Official Supporters and Suppliers. did the country mentioned at first win any other event that year? Yes, figure skating. who won it? Tara Lipinski. which medal did she win? Gold. at what age did she start in this sport? At the age of 3, she began roller skating.
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Tara Lipinski [SEP] Skating technique
Lipinski's skating influences were Kristi Yamaguchi, Scott Hamilton, and Christopher Bowman. Her skating style was often compared to her "rival" Michelle Kwan's; Jere Longman of "The New York Times" called Lipinski "the consistent Energizer bunny of a jumper", but called Kwan "the more sophisticated, complete artist". Frank Carroll, who coached Kwan, called Lipinski's style "wonderful" and said that she was "turning easy, jumping easy". Writer Ellyn Kestnbaum stated that compared to Kwan's "more carefully choreographed expressions of joy", Lipinski projected "unselfconsious and spontaneous joy in her own movement that projected a greater air of confidence and command of the space".