who were involved in the visual effects?
Stuart Lashley and Shailendra Swarnkar from London-based studio DNEG
Baby Driver
Few visual effects were used in "Baby Driver" as a result of Wright's emphasis on practical filmmaking. The London-based studio DNEG created most of the visual effects, under the supervision of Stuart Lashley and Shailendra Swarnkar. Their work for the film comprised 430 shots, created with a workforce of 120 specialized artists. The team's work began while viewing early animatics of "Baby Driver", which they used as a reference to help conceive the film's audiovisual repertoire. DNEG used Nuke to animate car chase scenes that could not be rendered with in-camera effects. As these scenes were routinely updated with reshoots, the team was tasked with maintaining the software's control tools so artists would be readily equipped to work with the latest audio. Molinare also produced effects shots for "Baby Driver".

According to Lashley, key scenes that highlight the film's audiovisual repertoire were "Harlem Shuffle", the single tracking shot of Baby's coffee run through town, and "Tequil
who does baby take care of in baby driver Baby takes care of his deaf foster father Joseph. is it a film/series? Action film who are the artists starring in this film? Ansel Elgort, Lily James, Kevin Spacey, Jon Hamm, Eiza González what is the character played by the first person mentioned above? Baby how did the fourth mentioned person start his acting career? He returned to his high school to teach eighth-grade acting how did he gain international recognition? He was cast as the protagonist character Don Draper in the drama series "Mad Men". He won several awards for his work and developed a loyal audience. who is the director of the film mentioned at the beginning? Edgar Wright. where did the filming take place? Atlanta, Georgia, United States who did the choreography? Ryan Heffington
wiki:20009211
Baby Driver [SEP] Visual effects
Few visual effects were used in "Baby Driver" as a result of Wright's emphasis on practical filmmaking. The London-based studio DNEG created most of the visual effects, under the supervision of Stuart Lashley and Shailendra Swarnkar. Their work for the film comprised 430 shots, created with a workforce of 120 specialized artists. The team's work began while viewing early animatics of "Baby Driver", which they used as a reference to help conceive the film's audiovisual repertoire. DNEG used Nuke to animate car chase scenes that could not be rendered with in-camera effects. As these scenes were routinely updated with reshoots, the team was tasked with maintaining the software's control tools so artists would be readily equipped to work with the latest audio.