who did the effects for the movie?
Willis O'Brien and his assistant animator, Buzz Gibson.
King Kong (1933 film)
The numerous prehistoric creatures inhabiting Skull Island were brought to life through the use of stop-motion animation by Willis O'Brien and his assistant animator, Buzz Gibson. The stop-motion animation scenes were painstaking and difficult to achieve and complete after the special effects crew realized that they could not stop, because it would make the movements of the creatures seem inconsistent and the lighting would not have the same intensity over the many days it took to fully animate a finished sequence. A device called the surface gauge was used in order to keep track of the stop-motion animation performance. The iconic fight between Kong and the "Tyrannosaurus" took seven weeks to be completed. O'Brien's protegé, Ray Harryhausen, who later worked with him on several films, stated that O'Brien's second wife noticed that there was so much of her husband in Kong.
rko was the first studio to sell off its film library Yes, It was sold in an auction. what kind of a company was it? It was an American film production and distribution company. who founded it? It was formed after the Keith-Albee-Orpheum (KAO) theater chain and Joseph P. Kennedy's Film Booking Offices of America (FBO). can you name any works that brought them success? Selznick backed several major successes like  "A Bill of Divorcement", "King Kong" . who is the aforesaid person? He was an American film producer, screenwriter and film studio executive. where was he born? He was born in Pittsburgh, Pennsylvania. what is its estimated population? UNANSWERABLE when was the aforesaid latter movie released? In 1933. what is the storyline? The film portrays the story of a huge, gorilla-like creature dubbed Kong who perishes in an attempt to possess a beautiful young woman (Wray). where did the filming take place? Skull Island.
wiki:7678963
King Kong (1933 film) [SEP] Special effects
"King Kong" is well known for its groundbreaking use of special effects, such as stop-motion animation, matte painting, rear projection and miniatures, all of which were conceived decades before the digital age. The numerous prehistoric creatures inhabiting Skull Island were brought to life through the use of stop-motion animation by Willis O'Brien and his assistant animator, Buzz Gibson. The stop-motion animation scenes were painstaking and difficult to achieve and complete after the special effects crew realized that they could not stop, because it would make the movements of the creatures seem inconsistent and the lighting would not have the same intensity over the many days it took to fully animate a finished sequence.