what was the response received for the third work?
Gene Siskel of the "Chicago Tribune" gave the film 2.5 stars out of four, calling it "excellent in the first half hour," but found "the concluding action sequences run on too long without any original slashing, maiming, or setting on fire.
Conquest of the Planet of the Apes
Gene Siskel of the "Chicago Tribune" gave the film 2.5 stars out of four, calling it "excellent in the first half hour," but found "the concluding action sequences run on too long without any original slashing, maiming, or setting on fire.
all the planet of the apes in order "Beneath the Planet of the Apes", "Escape from the Planet of the Apes", "Conquest of the Planet of the Apes" and "Battle for the Planet of the Apes". what kind of a work is it? It is an American science fiction media franchise consisting of films, books, television series, comics, and other media about a world in which humans and intelligent apes clash for control. who wrote the script for the aforesaid former work? Paul Dehn where did the filming take place? The sets of the mutants' council chamber and the temple of the bomb were redresses of the Grand Central – 42nd Street station and hotel lobby sets from the film "Hello, Dolly!" who did the soundtrack? Leonard Rosenman who produced the second work? Arthur P. Jacobs how did it fare in the box office? $5,560,000 in rentals at the North American box office
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Conquest of the Planet of the Apes [SEP] Reception
Howard Thompson of "The New York Times" wrote that "J. Lee Thompson's direction furiously propels the action in a compact chromium-and-glass setting—and wait till you see that last battle royal." Arthur Murphy of "Variety" wrote, "McDowall is extremely good as usual in simian character, and Thompson's staging keeps the pace very lively." Gene Siskel of the "Chicago Tribune" gave the film 2.5 stars out of four, calling it "excellent in the first half hour," but found "the concluding action sequences run on too long without any original slashing, maiming, or setting on fire." Kevin Thomas of the "Los Angeles Times" wrote that the film "may be the best since No.