what is the name of the artist or art organizations he supported?
John Everett Millais.
John Ruskin
John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti had established the Pre-Raphaelite Brotherhood in 1848. The Pre-Raphaelite commitment to 'naturalism' – "paint[ing] from nature only", depicting nature in fine detail, had been influenced by Ruskin.

Ruskin came into contact with Millais after the artists made an approach to Ruskin through their mutual friend Coventry Patmore. Initially, Ruskin had not been impressed by Millais's "Christ in the House of His Parents" (1849–50), a painting that was considered blasphemous at the time, but Ruskin wrote letters defending the Pre-Raphaelite Brotherhood to "The Times" in May 1851. Providing Millais with artistic patronage and encouragement,
when was the first snowfall by james russell lowell written UNANSWERABLE who is this mentioned person? An American Romantic poet, critic, editor, and diplomat. what are some of the poems he has written? "A Fable for Critics". what is the theme of this above work? It made fun of well-known poets and critics of the time. what are some of the names of the characters depicted in this work? Edgar Allan Poe. is the above-mentioned person a poet? Yes, also a writer, editor and a literary critic. when was that work first published? 1848. who was the publisher? UNANSWERABLE what were the feedback and comments received after readers went through the poem? John Ruskin labeled the poem "in animal spirit and power... almost beyond anything I know". who is this above-mentioned person? He was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, philosopher, prominent social thinker and philanthropist.
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John Ruskin [SEP] Pre-Raphaelites
John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti had established the Pre-Raphaelite Brotherhood in 1848. The Pre-Raphaelite commitment to 'naturalism' – "paint[ing] from nature only", depicting nature in fine detail, had been influenced by Ruskin. Ruskin came into contact with Millais after the artists made an approach to Ruskin through their mutual friend Coventry Patmore. Initially, Ruskin had not been impressed by Millais's "Christ in the House of His Parents" (1849–50), a painting that was considered blasphemous at the time, but Ruskin wrote letters defending the Pre-Raphaelite Brotherhood to "The Times" in May 1851. Providing Millais with artistic patronage and encouragement, in the summer of 1853 the artist (and his brother) travelled to Scotland with Ruskin and Effie where, at Glenfinlas, he painted the closely observed landscape background of gneiss rock to which, as had always been intended, he later added Ruskin's portrait.