did they tour america ?
Yes
The Beatles
ouring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.
what was u2 song sunday bloody sunday about Its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the 1972 Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters. who wrote the song? "Sunday Bloody Sunday" grew from a guitar riff and lyric written by the Edge when was the band formed? 1976 what album did they have that refers to conflict? "War" what was a famous single from this album? "Sunday Bloody Sunday" and "New Year's Day" when was the latter mentioned song released? January 1983 what were the bands that influenced them? Who, the Clash, Television, Ramones, the Beatles where is the last mentioned band from? Liverpool who is the lead singer of the band? John Lennon and Paul McCartney
wiki:19676364
The Beatles [SEP] 1964 world tour, meeting Bob Dylan, and stand on civil rights
Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York. In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' – kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion.