which musical instrument have they used for their albums?
Guitars
U2
guitars
what is no line on the horizon? It is the twelfth studio album by Irish rock band U2. when was it released? On 27 February 2009 who was the producer? Rick Rubin has it done any commercial performance? Debuted at number one in thirty countries, including Australia, Belgium, Canada, France, Ireland, Japan, the Netherlands, Portugal, the United Kingdom, and the United States. when was the band formed? Formed in 1976. who were the members of it? Bono, the Edge, Adam Clayton, and Larry Mullen Jr. what role did the first one do in it? Lead vocals and rhythm guitar what style of music did they follow? Rooted in post-punk which was their debut album? "Boy" why was it named like that? Bono's lyrics reflected on adolescence, innocence, and the passage into adulthood, themes represented on the album cover through the photo of a young boy's face. what issues did the album deal with? It was unpolished was the band involved in any sort of activism? Since the early 1980s, they have collaborated with other musicians, artists, celebrities, and politicians to address issues concerning poverty, disease, and social injustice. name a few awards they have received? U2 have sold an estimated 150–170 million records worldwide, placing them among the best-selling music artists in history.
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U2 [SEP] Musical style
"Boy" and "War" were labelled "muscular and assertive" by "Rolling Stone", influenced in large part by Lillywhite's producing. "The Unforgettable Fire", which began with the Edge playing more keyboards than guitars, as well as follow-up "The Joshua Tree", had Brian Eno and Daniel Lanois at the production helm. With their influence, both albums achieved a "diverse texture". The songs from "The Joshua Tree" and "Rattle and Hum" placed more emphasis on Lanois-inspired rhythm as they mixed distinct and varied styles of gospel and blues music, which stemmed from the band's burgeoning fascination with America's culture, people and places. In the 1990s, U2 reinvented themselves as they began using synthesisers, distortion, and electronic beats derived from noise music, dance, and hip-hop on "Achtung Baby", "Zooropa", and "Pop".