name a few colonial arts over there?
Portrait of prisoner Atahualpa
Peru
Painting of this time reflected a synthesis of European and indigenous influences, as is evident in the portrait of prisoner Atahualpa, by D. de Mora or in the canvases of the Italians Mateo Pérez de Alesio and Angelino Medoro, the Spaniards Francisco Bejarano and J. de Illescas and the Creole J. Rodriguez.
what is the average winter temperature in pensacola florida Great Freeze of 1894-5* when did a recent thunderstorm happen? UNANSWERABLE what are the effects of climate cycles? El Niño brings above average rainfall in the spring and is followed by wildfire threat when rain dries up. what is the meaning of the first term? It is the warm phase of the El Niño–Southern Oscillation (ENSO) and is associated with a band of warm ocean water. what is the concept behind it? Originally, the term "El Niño" applied to an annual weak warm ocean current that ran southwards along the coast of Peru and Ecuador at about Christmas time. from where did the former place mentioned above get its name? It may be derived from "Birú", the name of a local ruler who lived near the Bay of San Miguel, Panama City. describe in few words about the geographical aspects of this place? It is located on the central western coast of South America facing the Pacific Ocean. how is the politics over there? It is a unitary presidential representative democratic republic with a multi-party system. give one example reflecting its foreign relationship? It has been dominated by close ties with the United States and Asia, particularly through the Asia-Pacific Economic Cooperation (APEC), the World Trade Organization, and a few others.
wiki:5263869
Peru [SEP] Colonial art
Peruvian sculpture and painting began to define themselves from the ateliers founded by monks, who were strongly influenced by the Sevillian Baroque School. In this context, the stalls of the Cathedral choir, the fountain of the Main Square of Lima both by Pedro de Noguera, and a great part of the colonial production were registered. The first center of art established by the Spanish was the Cuzco School that taught Quechua artists European painting styles. Diego Quispe Tito (1611–1681) was one of the first members of the Cuzco school and Marcos Zapata (1710–1773) was one of the last. Painting of this time reflected a synthesis of European and indigenous influences, as is evident in the portrait of prisoner Atahualpa, by D.