text:
Keynan Anthony Middleton (born September 12, 1993) is an American professional baseball pitcher in the Chicago White Sox organization. He was drafted by the Los Angeles Angels in the third round of the 2013 MLB draft. Middleton made his MLB debut with the Angels in 2017, and has also played in Major League Baseball (MLB) for the Seattle Mariners.

High school and college
Middleton attended Milwaukie High School in Milwaukie, Oregon. He then played college baseball at Lane Community College. He was drafted by the Los Angeles Angels in the third round (95th overall) of the 2013 Major League Baseball draft.

Career

Los Angeles Angels
He made his professional debut with the Arizona League Angels and was promoted to the Orem Owlz during the season. Middleton spent 2014 with Orem and 2015 with the Burlington Bees. He started 2016 with the Inland Empire 66ers and was promoted to the Arkansas Travelers and Salt Lake Bees during the season. Between the three teams he was 1–2 with a 3.41 ERA, and averaged 12.0 strikeouts per 9 innings.

Middleton made his MLB debut on May 5, 2017, allowing a run while striking out one in an inning of work. On June 11, Middleton earned his first career win in an inning of relief against the Houston Astros. Middleton picked up his first career save on August 8, 2017, in a 3–2 victory over Baltimore. After striking out the first two batters he faced, Middleton yielded a solo home run to Baltimore catcher Caleb Joseph and then got outfielder Joey Rickard to pop out on the infield to end the game. He finished the season with a 6–1 record and 3 saves in 64 games, as he averaged 9.7 strikeouts per 9 innings.  His 64 appearances were third-most-ever by an Angels rookie, and he led AL rookies with an average fastball velocity of 97.2 miles per hour.

He began the 2018 season as the Angels closer. On May 14, Middleton was placed on the disabled list for the second time in the year due to suspected damage to the UCL in his right elbow. On May 17, it was announced that Middleton would undergo Tommy John surgery, ending his season. He finished 0–0 with six saves in 16 appearances and a 2.04 ERA and 16 strikeouts in  innings. After rehabbing for the majority of the 2019 season, Middleton made his return in September, appearing in 11 games. On December 2, Middleton was nontendered by the Angels.

In 2020 he was 0–1 with a 5.25 ERA.

Seattle Mariners
On December 16, 2020, Middleton signed an $800K major league contract with the Seattle Mariners. Middleton appeared in 32 games for the Mariners, posting a 4.94 ERA with 24 strikeouts. On August 26, 2021, Middleton was designated for assignment by the Mariners. On August 28, Middleton cleared waivers and was assigned outright to the Triple-A Tacoma Rainers. On October 8, Middleton elected free agency.

Arizona Diamondbacks
On January 13, 2022, Middleton signed a minor league contract with the Arizona Diamondbacks. He was assigned to the Triple-A Reno Aces to begin the year.

On April 29, Middleton had his contract selected to the 40-man and active rosters. He was outrighted off the roster on November 3, 2022, then subsequently elected free agency.

Chicago White Sox
On January 15, 2023, Middleton signed a minor league contract with the Chicago White Sox.

References

External links

1993 births
Living people
African-American baseball players
Sportspeople from Milwaukie, Oregon
Baseball players from Portland, Oregon
Major League Baseball pitchers
Los Angeles Angels players
Seattle Mariners players
Arizona Diamondbacks players
Arizona League Angels players
Orem Owlz players
Burlington Bees players
Inland Empire 66ers of San Bernardino players
Arkansas Travelers players
Salt Lake Bees players
Tacoma Rainiers players
Reno Aces players
Lane Titans baseball players
21st-century African-American sportspeople


text:
Forcepia megachela är en svampdjursart som först beskrevs av Maldonado 1992.  Forcepia megachela ingår i släktet Forcepia och familjen Coelosphaeridae. Inga underarter finns listade i Catalogue of Life.

Källor

Horn- och kiselsvampar
megachela

redpajama_set_name: RedPajamaWikipedia


text:
AmBev (voluit: Companhia de Bebidas das Américas) is een Braziliaanse brouwerijgroep met hoofdzetel in São Paulo. AmBev maakt sinds 2004 deel uit van AB InBev.

Ambev werd oorspronkelijk opgericht als Braziliaanse firma met kapitaal van buitenlandse investeerders. De groep ontstond op 1 juli 1999 door de samengaan van twee grote Braziliaanse brouwerijen Companhia Antarctica Paulista en Companhia Cervejaria Brahma en werd de grootste brouwerijgroep in Zuid-Amerika en de vijfde grootste in de wereld.

In augustus 2004 fuseerde Ambev met de Belgische brouwerijgroep Interbrew waardoor een nieuwe naam ontstond: "InBev". Na de overname van Anheuser-Busch in 2008 veranderde de naam opnieuw, in Anheuser-Busch InBev, of kortweg AB InBev.

Ambev is actief in 14 landen in Amerika en de portfolio aan bieren omvat onder andere Antarctica, Brahma, Bohemia, Skol, Stella Artois en frisdranken zoals Guaraná Antarctica, Soda Antarctica, Sukita, H2OH! en Guarah. Als de grootste PepsiCo-bottelaar buiten de VS verkoopt en distribueert Ambev PepsiCo-producten in Brazilië en andere Zuid-Amerikaanse landen, inclusief Pepsi, Lipton Ice Tea en Gatorade onder licentie.

Zie ook
 Bier in Brazilië

Externe link
  Officiële website

Braziliaanse brouwerij
Anheuser-Busch InBev
Bedrijf genoteerd aan de New York Stock Exchange


text:
"Скалното светилище Таш ялак" се намира на 2 km източно от археологическа база "Камен рид" и на 150 m североизточно от пътя за с.Свещари, (Област Разград) в едноименната местност, където е разположен скален масив с изсечени (издълбани) правоъгълни вдлъбнатини, наподобяващи корита. Тази прилика е причината местното население да нарекат местността "Каменните корита" (Таш ялак).

Описание и особености
Изсечените в скалния масив корита са разположени в две обособени групи – като първата се състои от петнадесет на брой издълбавания, които следват естествения наклон на скалата в посока запад. Повечето от коритата са разположени по-двойки като помежду им е разположен своеобразен праг и при повечето двойки издълбавания, разположеното по-ниско е с по-къса дължина. Ориентацията на издълбаванията е приблизително изток – запад, като при някои от издълбаванията има малки отклонения посока юг – изток. Всички издълбавания са плитко изсечени – ок. 0,15 – 0,25 m, освен едно което е разположено в самия край на скалния масив. Дълбочината на изсичането варира от 1,40 m do 1,95 m. Както и при другите т.нар "корита", така и при това под него се наблюдава друго изсичане, което е по-късо и плитко. Под него в северна посока има издълбан вертикален жлеб, който достига върха на скалата, където пускайки въображаема права линия от неговия горен край в северна посока линията се пресича от изсечен знак във формата на стрелка, сочеща на север. Освен това изсечено изображение върху скалата се наблюдава правоъгълен врязан знак и надписи, като едно от издълбаванията носи белезите на арабска графика.

Втората група скални корита са около десет на брой, като те са издълбани върху неравна скална повърхност наклонена в южна посока. При тази група издълбавания следите от изсичания са най-дълбоки, но същевременно са ерозирали и вече трудно различими. Около и над тях се наблюдават изсичания във формата на малки и големи кръгли вкопавания, понякога свързани помежду си с жлеб.

В основата на скалата е разположена пещера, в която има каменно легло. На север от пещерата е разположена хоризонтална площадка, вероятно използвана при свещенодействия в определени за това дни. От западната страна на тази площадка се наблюдава издълбан жлеб, чиято форма и размери са трудно забележими поради ерозия на скалата.

Всички тези особености на "Таш ялак", карат учените да го характеризират като скално светилище с дълга хронология. Скалните корита са интерпретирани като "жертвеници", но според някои учени формата на някои от коритата позволяват подобни функции като жертвеници, но дълбочината им е прекалено малка за жертвоприношения, както се вижда от тяхната форма. От голямо значение е и отсъствието на улеи за оттичане на събраната в тях течност, а при наличието на толкова много корита би било логично ако са изпълнявали функцията на обредни жертвеници да е имало цяла система от различни ритуално-култови улеи. Следователно трудно може да се допусне, че са играели ролята на жертвеници.

Българският археолог Явор Иванов изказва хипотеза, че т.нар "корита", че издълбаванията, всъщност са места за сядане. Според него по ниските изсичания от двойките корита са вдлъбнатина, в която седящият може да разположи краката си. Иванов изтъква и особеността допълва на разположението на коритата, които са подредени в нещо като редове образувайки амфиално пространството над пещерата.

"Таш ялак" е свещено място за алианското население в Североизточна България. На едно от дърветата, разположено западно до скалата, алианите завързват парцалчета за здраве.

Вижте също
 Сборяново
 Камен рид
 Свещарската гробница
 Демир баба теке
 Хелис

Източници

Мегалити в България
Светилища в България
Област Разград


text:
Eudemão (; ) foi um retor romano do , ativo na Diocese do Oriente. De acordo com as cartas de Libânio, exerceu seu retórica em Antioquia entre 355/356-358 em parceria com seu antigo pupilo Harpocrácio. Em 364, visitou Tarso para consultar o templo de Asclépio sobre o interesse de Libânio.

Bibliografia

Romanos antigos do século IV
Retóricos da Roma Antiga


text:
Hinrich Bitter-Suermann (born March 10, 1940) is a German-Canadian pathologist and Professor of Surgery specialized in organ transplantation.

Education
Bitter-Suermann studied 1959-1965 medicine and sciences at Würzburg University, Göttingen University and Kiel University. In Würzburg he became a member of the German Student Corps Nassovia and in Göttingen he joined the Corps Hannovera (1960). In 1965 he accomplished his studies and summa cum laude graduated Dr. med. in Göttingen.

Career
Bitter-Suermann had his clinical education in Germany and Sweden, i. e. in Kiel, Kiruna and Haparanda. From 1971–1973 he worked at Addenbrooke's Hospital, Cambridge, as Honorary Senior Registrar and Transplant Fellow under Sir  Roy Yorke Calne. His research interests focused on induction of transplantation tolerance by spleen transplants in rats and the preservation of pig liver transplants.

He returned to Sweden and in 1974 joined the Department of Surgery, Sahlgrenska University Hospital, headed by Lars-Erik Gelin. In 1975 the Gothenburg University granted him the Ph.D. and made him "Docent" in transplant surgery.

Funded by the Swedish Cancer Society, Bitter-Suermann in 1976–77 was Visiting Scientist to the Cancer Research Unit, McGill University, Montreal, Quebec, Canada. He performed research in spleen grafts versus  chemically induced tumours in rats.

From 1977 through 1982 he was staff of the Department of Pathology, Georgetown University, Washington, D.C. Supported by the National Institutes of Health  he studied the mechanisms of spleen graft induced transplantation tolerance in guinea pigs, and islet transplantation in rats. At the same time he collaborated with Ethan M.Shevach  as visiting scientist at the National Institute of Allergy and Infectious Diseases (NIAID), Bethesda, Maryland. In 1977 he was appointed Associate Professor and in 1981 Professor of Georgetown University.

He left Georgetown University in 1982 to become Professor of Surgery and Director of the Liver Transplant Program at  Dalhousie University, Halifax, Nova Scotia, Canada. At the Queen Elizabeth II Health Sciences Centre and I.W.K. Hospital for Children he engaged himself for 24 years in kidney, liver and pancreas transplantation. He initiated successfully  the Liver Transplant Program for Atlantic Canada, then Canada's third program.

After forty years abroad he returned to Germany to assume the position of Director of Dialysis Surgery, Department of Surgery, Heidelberg University at Mannheim Medical School. In 2012, Robert-Bosch-Krankenhaus, Stuttgart, appointed him Director of the Shunt-Surgery Center.In 2019 he was appointed Head of the Shunt Surgery Center at the Helios Hospital, Blankenhain,Thuringia.

Political career
In 1998, Bitter-Suermann was elected to the Nova Scotia House of Assembly, defeating Liberal cabinet minister Jim Barkhouse by 110 votes in the Chester-St. Margaret's riding. Elected as a member of the Progressive Conservatives, Bitter-Suermann broke party ranks in June 1998 to vote against the Liberals minority government budget. In October, he quit the Progressive Conservative caucus to sit as an independent member, before crossing the floor in November to join the Nova Scotia New Democratic Party. He ran for re-election in 1999, but was defeated by Progressive Conservative John Chataway.

On March 31, 2000, Bitter-Suermann announced his candidacy for the leadership of the Nova Scotia New Democratic Party. At the July 2000 convention, Bitter-Suermann finished last on the first ballot with 31 votes.

Bitter-Suermann ran again in the 2003 election, but lost to Chataway by 39 votes. Following Chataway's death in December 2004, Bitter-Suermann was nominated as the NDP candidate for the byelection to replace him. On June 21, 2005, Bitter-Suerman finished third in the byelection, losing to Progressive Conservative candidate Judy Streatch.

References

External links

Canadian transplant surgeons
Georgetown University Medical Center faculty
Academic staff of the Dalhousie University
Academic staff of Heidelberg University
Progressive Conservative Association of Nova Scotia MLAs
Nova Scotia New Democratic Party MLAs
German emigrants to Canada
University of Würzburg alumni
University of Göttingen alumni
University of Kiel alumni
University of Gothenburg alumni
1940 births
Living people


text:
The Railway Owner (Italian title:Il padrone delle ferriere) is a 1919 Italian silent drama film directed by Eugenio Perego and starring Luigi Serventi, Maria Caserini and Amleto Novelli. It is based on Georges Ohnet's novel Le Maître de Forges.

Cast
 Maria Caserini as Marchesa di Beaulieu
 Myriam De Gaudi as Sig.na Derblay
 Isabel De Lizaso
 Pina Menichelli as Clara de Beaulieu
 Lina Millefleurs as Athenaide Moulinet
 Amleto Novelli as Filippo Derblay
 Luigi Serventi as Duca di Bligny

References

Bibliography
 Angela Dalle Vacche. Diva: Defiance and Passion in Early Italian Cinema. University of Texas Press, 2008.

External links

1919 films
1919 drama films
Italian drama films
Italian silent feature films
1910s Italian-language films
Films based on works by Georges Ohnet
Films based on French novels
Films directed by Eugenio Perego
Italian black-and-white films
Silent drama films


text:
Nuwukmiut, pleme Eskima s arktičke obale rta Barrow na Aljaski. Ime ovog plemena znači "narod s rta"; nuwuk = rt). Opisani su kao čistolrvni Eskimi, ljudi niskog rasta, crne ravne kose i smeđih očiju. Rani autori nazivali su ih Noowoo Mutes, Nugumut, Núwŭkmūt, Nuwung-më-un, Nuwŭ'ñmiun.

Populacija im nije bila velika 43 (1900). Hodge navodi 5 njihovih sela, a Swanton 4, to su:
 Isutkwa, kod američke signmalne stanice na Point Barrowu.
 Nuwuk, na Point Barrowu.
 Pernyu, na zapadnoj obali Elson Baya
 Ongovehenok, na rijeci Kugrua River blizu Point Barrowa.

Peto selo koje navodi Hodge je Sinaru.

Izvori

Aljaski Eskimi


text:
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s.  In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, Eric Clapton, Fleetwood Mac and Led Zeppelin.

Origins

American blues became known in Britain from the 1930s onwards through a number of routes, including records brought to Britain, particularly by African-American GIs stationed there in the Second World War and Cold War, merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast, and through a trickle of (illegal) imports. Blues music was relatively well known to British jazz musicians and fans, particularly in the works of figures like female singers Ma Rainey and Bessie Smith and the blues-influenced boogie-woogie of Jelly Roll Morton and Fats Waller. From 1955 major British record labels HMV and EMI, the latter, particularly through their subsidiary Decca Records, began to distribute American jazz and increasingly blues records to what was an emerging market. Many encountered blues for the first time through the skiffle craze of the second half of the 1950s, particularly the songs of Lead Belly covered by acts like Lonnie Donegan. As skiffle began to decline in the late 1950s, and British rock and roll began to dominate the charts, a number of skiffle musicians moved towards playing purely blues music.

Among these were guitarist and blues harpist Cyril Davies, who ran the London Skiffle Club at the Roundhouse public house in London's Soho, and guitarist Alexis Korner, both of whom worked for jazz band leader Chris Barber, playing in the R&B segment he introduced to his show. The club served as a focal point for British skiffle acts and Barber was responsible for bringing over American folk and blues performers, who found they were much better known and paid in Europe than America. The first major artist was Big Bill Broonzy, who visited England in the mid-1950s, but who, rather than his electric Chicago blues, played a folk blues set to fit in with British expectations of American blues as a form of folk music. In 1957 Davies and Korner decided that their central interest was the blues and closed the skiffle club, reopening a month later in the Roundhouse pub, Wardour Street, Soho as the London Blues and Barrelhouse Club. To this point British blues was acoustically played emulating Delta blues and Country blues styles and often part of the emerging second British folk revival. Critical in changing this was the visit of Muddy Waters in 1958, who initially shocked British audiences by playing amplified electric blues, but who was soon playing to ecstatic crowds and rave reviews.

Davies and Korner, having already split with Barber, now plugged in and began to play high-powered electric blues that became the model for the subgenre, forming the band Blues Incorporated. In early 1962, having been ejected from the Roundhouse for being too loud, Korner and Davies moved their club to the venue used by Ealing Jazz Club and on 17 March opened the UK's first regular UK blues night.

Blues Incorporated became something of a clearing house for British blues musicians in the later 1950s and early 1960s, with many joining, or sitting in on sessions. These included future Rolling Stones, Keith Richards, Mick Jagger, Charlie Watts and Brian Jones; as well as Cream founders Jack Bruce and Ginger Baker; beside Graham Bond and Long John Baldry. After their success at the Ealing Club, Blues Incorporated were given a residency at the Marquee Club and it was from there that in 1962 they took the name of the first British Blues album, R&B from the Marquee for Decca, but split before its release. The culmination of this first movement of blues came with John Mayall, who moved to London in the early 1960s, eventually forming the Bluesbreakers, whose members at various times included, Jack Bruce, Aynsley Dunbar, Eric Clapton, Peter Green and Mick Taylor.

British rhythm and blues

While some bands focused on blues artists, particularly those of Chicago electric blues, others adopted a wider interest in rhythm and blues, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also rock and roll pioneers Chuck Berry and Bo Diddley. Most successful were the Rolling Stones, who abandoned blues purism before their line-up solidified and they produced their first eponymously titled album in 1964, which largely consisted of rhythm and blues standards. Following in the wake of the Beatles' national and then international success, the Rolling Stones soon established themselves as the second most popular UK band and joined the British Invasion of the American record charts as leaders of a second wave of R&B orientated bands. In addition to Chicago blues numbers, the Rolling Stones covered songs by Chuck Berry and the Valentinos, with the latter's "It's All Over Now" giving them their first UK number one in 1964. Blues songs and influences continued to surface in the Rolling Stones' music, as in their version of "Little Red Rooster", which went to number 1 on the UK singles chart in December 1964.

Other London-based bands included the Yardbirds (whose ranks included three key guitarists in Eric Clapton, Jeff Beck and Jimmy Page), The Kinks (with pioneer  songwriter Ray Davies and rock-guitarist Dave Davies), and Manfred Mann (considered to have one of the most authentic sounding vocalists in the scene in Paul Jones) and the Pretty Things, beside the more jazz-influenced acts like the Graham Bond Organisation, Georgie Fame and Zoot Money. Bands to emerge from other major British cities included the Animals from Newcastle (with the keyboards of Alan Price and vocals of Eric Burdon), the Moody Blues and Spencer Davis Group from Birmingham (the latter largely a vehicle for the young Steve Winwood), and Them from Belfast (with their vocalist Van Morrison). None of these bands played exclusively rhythm and blues, often relying on a variety of sources, including Brill Building and girl group songs for their hit singles, but it remained at the core of their early albums.

The British Mod subculture was musically centred on rhythm and blues and later soul music, performed by artists that were not available in small London clubs around which the scene was based. As a result, a number of mod bands emerged to fill this gap. These included the Small Faces, The Creation, the Action and, most successfully, the Who. The Who's early promotional material tagged them as producing "maximum rhythm and blues", but by about 1966 they moved from attempting to emulate American R&B to producing songs that reflected the Mod lifestyle. Many of these bands were able to enjoy cult and then national success in the UK, but found it difficult to break into the American market. Only the Who managed, after some difficulty, to produce a significant US following, particularly after their appearances at the Monterey Pop Festival (1967) and Woodstock (1969).

Because of the very different circumstances from which they came, and in which they played, the rhythm and blues these bands produced was very different in tone from that of African American artists, often with more emphasis on guitars and sometimes with greater energy. They have been criticised for exploiting the massive catalogue of African American music, but it has also been noted that they both popularised that music, bringing it to British, world and in some cases American audiences, and helping to build the reputation of existing and past rhythm and blues artists. Most of these bands rapidly moved on from recording and performing American standards to writing and recording their own music, often leaving their R&B roots behind, but enabling several to enjoy sustained careers that were not open to most of the more pop-oriented beat groups of the first wave of the invasion, who (with the major exception of the Beatles) were unable to write their own material or adapt to changes in the musical climate.

British blues boom

The blues boom overlapped, both chronologically and in terms of personnel, with the earlier, wider rhythm and blues phase, which had begun to peter out in the mid-1960s leaving a nucleus of instrumentalists with a wide knowledge of blues forms and techniques, which they would carry into the pursuit of more purist blues interests. Blues Incorporated and Mayall's Bluesbreakers were well known in the London jazz and emerging R&B circuits, but the Bluesbreakers began to gain some national and international attention, particularly after the release of Blues Breakers with Eric Clapton album (1966), considered one of the seminal British blues recordings. Produced by Mike Vernon, who later set up the Blue Horizon record label, it was notable for its driving rhythms and Clapton's rapid blues licks with a full distorted sound derived from a Gibson Les Paul and a Marshall amp. This sound became something of a classic combination for British blues (and later rock) guitarists, and also made clear the primacy of the guitar, seen as a distinctive characteristic of the subgenre. Clapton stated, "I spent most of my teens and early twenties studying the blues—the geography of it and the chronology of it, as well as how to play it". Peter Green started what is called "second great epoch of British blues", as he replaced Clapton in the Bluesbreakers after his departure to form Cream. In 1967, after one record with the Bluesbreakers, Green, with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie, formed Peter Green's Fleetwood Mac, produced by Mike Vernon on the Blue Horizon label. One key factor in developing the popularity of the music in the UK and across Europe in the early 1960s was the success of the American Folk Blues Festival tours, organised by German promoters Horst Lippmann and Fritz Rau.

The rise of electric blues, and its eventual mainstream success, meant that British acoustic blues was completely overshadowed. In the early 1960s, folk guitar pioneers Bert Jansch, John Renbourn and particularly Davy Graham (who played and recorded with Korner), played blues, folk and jazz, developing a distinctive guitar style known as folk baroque. British acoustic blues continued to develop as part of the folk scene, with figures like Ian A. Anderson and his Country Blues Band, and Al Jones. Most British acoustic blues players could achieve little commercial success and, with a few exceptions, found it difficult to gain any recognition for their "imitations" of the blues in the US.

In contrast, the next wave of bands, formed from about 1967, like Cream, Fleetwood Mac, Ten Years After, Savoy Brown, and Free, pursued a different route, retaining blues standards in their repertoire and producing original material that often shied away from obvious pop influences, placing an emphasis on individual virtuosity. The result has been characterised as blues rock and arguably marked the beginnings of a separation of pop and rock music that was to be a feature of the record industry for several decades. Cream is often seen as the first supergroup, combining the talents of Clapton, Bruce and Baker; they have also been seen as one of the first groups to exploit the power trio. Although only together for a little over two years in 1966–1969, they were highly influential and it was in this period that Clapton became an international superstar. Fleetwood Mac are often considered to have produced some of the finest work in the subgenre, with inventive interpretations of Chicago blues. They were also the most commercially successful group, with their eponymous début album reaching the UK top five in early 1968 and as the instrumental "Albatross" reached number one in the single charts in early 1969. This was, as Scott Schinder and Andy Schwartz put it, "The commercial apex of the British blues Boom". Free, with the guitar talents of Paul Kossoff, particularly from their self titled second album (1969), produced a stripped down form of blues that would be highly influential on hard rock and later heavy metal. Ten Years After, with guitarist Alvin Lee, formed in 1967, but achieved their breakthrough in 1968 with their live album Undead and in the US with their appearance at Woodstock the next year. Among the last British blues bands to gain mainstream success were Jethro Tull, formed from the amalgamation of two blues bands, the John Evan Band and the Mcgregor's Engine in 1967.  Their second album, Stand Up, reached number one in the UK in 1969.

Decline

British blues entered a rapid decline at the end of 1960s. Surviving bands and musicians tended to move into other expanding areas of rock music. Some, like Jethro Tull, followed bands like the Moody Blues away from 12-bar structures and harmonicas into complex, classical-influenced progressive rock. Some played a loud version of blues rock that became the foundation for hard rock and heavy metal. Led Zeppelin, formed by Yardbirds guitarist Jimmy Page, on their first two albums, both released in 1969, fused heavy blues and amplified rock to create what has been seen as a watershed in the development of hard rock and nascent heavy metal. Later recordings would mix in elements of folk and mysticism, which would also be a major influence on heavy metal music. Deep Purple developed a sound based on "squeezing and stretching" the blues, and achieved their commercial breakthrough with their fourth and distinctively heavier album, Deep Purple in Rock (1970), which has been seen as one of heavy metal's defining albums. Black Sabbath was the third incarnation of a group that started as the Polka Tulk Blues Band in 1968. Their early work included blues standards, but by the time of their second album Paranoid (1970), they had added elements of modality and the occult that would largely define modern heavy metal. Some, like Korner and Mayall, continued to play a "pure" form of the blues, but largely outside of mainstream notice. The structure of clubs, venues and festivals that had grown up in the early 1950s in Britain virtually disappeared in the 1970s.

Survival and resurgence

Although overshadowed by the growth of rock music the blues did not disappear in Britain, with American bluesmen like John Lee Hooker, Eddie Taylor, and Freddie King continuing to be well received in the UK and an active home scene led by figures including Dave Kelly and his sister Jo Ann Kelly, who helped keep the acoustic blues alive on the British folk circuit. Dave Kelly was also a founder of The Blues Band with former Manfred Mann members Paul Jones and Tom McGuinness, Hughie Flint and Gary Fletcher. The Blues Band was credited with kicking off a second blues boom in Britain, which by the 90s led to festivals all around the country, including The Swanage Blues Festival, The Burnley National Blues Festival, The Gloucester Blues and Heritage Festival and The Great British Rhythm and Blues Festival at Colne. The twenty-first century has seen an upsurge in interest in the blues in Britain that can be seen in the success of previously unknown acts like Seasick Steve, in the return to the blues by major figures who began in the first boom, including Peter Green, Mick Fleetwood, Chris Rea and Eric Clapton, as well as the arrival of new artists like British Blues Awards Winner and I-Tunes Blues chart topper Dani Wilde as well as Matt Schofield, Aynsley Lister and most recently in 2017 the Starlite Campbell Band.
The British blues tradition lives on, as a style, outside of Britain as well.  American guitarist Joe Bonamassa describes his main influences as the 1960s era British blues players, and considers himself a part of that tradition rather than the earlier American blues styles.

Significance
Beside giving a start to many important blues, pop and rock musicians, in spawning blues rock British blues also ultimately gave rise to a host of subgenres of rock, including particularly psychedelic rock, progressive rock, hard rock and ultimately heavy metal. Perhaps the most important contribution of British blues was the surprising re-exportation of American blues back to America, where, in the wake of the success of bands like the Rolling Stones and Fleetwood Mac, white audiences began to look again at black blues musicians like Muddy Waters, Howlin' Wolf and John Lee Hooker, who suddenly began to appeal to middle class white Americans. The result was a re-evaluation of the blues in America which enabled white Americans much more easily to become blues musicians, opening the door to Southern rock and the development of Texas blues musicians like Stevie Ray Vaughan.

See also
List of British blues musicians

Notes

References
 Bane, M., (1982) White Boy Singin' the Blues, London: Penguin, 1982,  .
 Bob Brunning, Blues: The British Connection, Helter Skelter Publishing,  London 2002,  - First edition 1986 - Second edition  1995 Blues in Britain
 Bob Brunning, The Fleetwood Mac Story: Rumours and Lies, Omnibus Press London, 1990 and 1998,
 Martin Celmins, Peter Green - Founder of Fleetwood Mac, Sanctuary London, 1995, foreword by B.B.King,
 Fancourt, L., (1989) British blues on record (1957–1970), Retrack Books.

 Dick Heckstall-Smith, The safest place in the world: A personal history of British Rhythm and blues, 1989 Quartet Books Limited,   - Second Edition : Blowing The Blues - Fifty Years Playing The British Blues, 2004, Clear Books,
 Christopher Hjort, Strange brew: Eric Clapton and the British blues boom, 1965-1970, foreword by John Mayall, Jawbone 2007,
 Paul Myers, Long John Baldry and the Birth of the British Blues, Vancouver 2007, GreyStone Books,
 Harry Shapiro Alexis Korner: The Biography, Bloomsbury Publishing PLC, London 1997, Discography by Mark Troster,
 Schwartz, R. F., (2007) How Britain got the blues : The transmission and reception of American blues style in the United Kingdom Ashgate, .
 Mike Vernon, The Blue Horizon story 1965-1970 vol.1, notes of the booklet of the Box Set (60 pages)

External links
British Blues Awards

British styles of music
Blues music genres


text:
Kerley Liana Lehnen Becker (* 20. September 1986 in Porto Alegre) ist eine brasilianische Volleyballspielerin.

Karriere
Becker begann ihre Karriere am Iowa Western Community College in Council Bluffs. 2008 wechselte sie zum Schweizer Verein Volleyball Franches Montagnes. In der Saison 2009/10 war sie in ihrer Heimat bei Gremio Nautico União aktiv. Danach kehrte sie in die Schweiz zurück. Mit Sm'Aesch Pfeffingen wurde die Mittelblockerin 2016 Schweizer Vizemeisterin. Außerdem erreichte sie mit dem Verein das Viertelfinale im Challenge Cup und wurde in diesem europäischen Wettbewerb als beste Blockerin ausgezeichnet. Anschließend wechselte sie zum deutschen Bundesligisten Rote Raben Vilsbiburg. Seit 2017 spielt sie für TS Volley Düdingen Powercats.

Weblinks

 Profil bei den Roten Raben Vilsbiburg
 Profil bei Eltee Volley (englisch)

Einzelnachweise

Volleyballspieler (Brasilien)
Volleyballspieler (Rote Raben Vilsbiburg)
Brasilianer
Geboren 1986
Frau


text:
Die Liste der Monuments historiques in Gosné führt die Monuments historiques in der französischen Gemeinde Gosné auf.

Liste der Objekte

|}

Literatur
 Le Patrimoine des Communes d'Ille-et-Vilaine. Flohic Editions, Band 2, Paris 2000, ISBN 2-84234-072-8, S. 1413–1415.

Weblinks

 Monuments historiques (Objekte) in Gosné in der Base Palissy des französischen Kultusministeriums

Gosne


text:
Манзано-Спрінгс () — переписна місцевість (CDP) в США, в округах Торренс і Берналільйо штату Нью-Мексико. Населення — 137 осіб (2010).

Географія
Манзано-Спрінгс розташоване за координатами  (34.961370, -106.232735).  За даними Бюро перепису населення США в 2010 році переписна місцевість мала площу 5,90 км², уся площа — суходіл.

Демографія
Згідно з переписом 2010 року, у переписній місцевості мешкало 137 осіб у 67 домогосподарствах у складі 36 родин. Густота населення становила 23 особи/км².  Було 91 помешкання (15/км²).

Расовий склад населення:

До двох чи більше рас належало 5,8 %. Частка іспаномовних становила 20,4 % від усіх жителів.

За віковим діапазоном населення розподілялося таким чином: 19,0 % — особи молодші 18 років, 64,9 % — особи у віці 18—64 років, 16,1 % — особи у віці 65 років та старші. Медіана віку мешканця становила 50,1 року. На 100 осіб жіночої статі у переписній місцевості припадало 93,0 чоловіків;  на 100 жінок у віці від 18 років та старших — 85,0 чоловіків також старших 18 років.
За межею бідності перебувало 18,8 % осіб, у тому числі 0,0 % дітей у віці до 18 років та 0,0 % осіб у віці 65 років та старших.

Цивільне працевлаштоване населення становило 74 особи. Основні галузі зайнятості: освіта, охорона здоров'я та соціальна допомога — 51,4 %, науковці, спеціалісти, менеджери — 18,9 %, оптова торгівля — 16,2 %.

Джерела

Переписні місцевості Нью-Мексико
Населені пункти округу Берналільйо (Нью-Мексико)
Населені пункти округу Торренс (Нью-Мексико)


text:
El coronament són aquells els elements arquitectònics que es posen sobre la construcció per coronar o adornar la seva part superior. Entre els més habituals es distingeixen:

 Àtic o cos superior d'una façana amb la finalitat de dissimular el naixement de la coberta. Dins d'aquests, es troba l'àtic escalonat o flamenc, que pren forma escalonada.
 Cuculla, coronament en forma piramidal o cònica d'una torre.
 Fletxa, coronament molt elevat i agut en les torres gòtiques.
 Acroteri, és un pedestal curt a la part alta dels edificis per sostenir un objecte; per derivació també es coneix amb aquest nom l'objecte sostingut.
 Pinacle, torrella massissa que se situa sobre els boterells i altres estreps per donar-los més pes.
 Agulla, pinacle molt agut, que s'usa amb freqüència per a finalitats decoratives.
 Cresteria o sèrie de coronaments calats propis de l'arquitectura gòtica.
 Merlets, espècie de grans dents en què acaben els murs de les fortaleses, moltes vegades perforats en forma de tronera sobre una espitllera.
 troneres, o grans merlets per a l'artilleria.
 Cimaci
 D'altres com ara pinyes, gerros, peveters, avantfixes o peces decorades que tanquen l'extrem del ràfec.

Elements arquitectònics


text:
Stortjärnen är en sjö i Jokkmokks kommun i Lappland och ingår i . Sjön har en area på  kvadratkilometer och ligger  meter över havet.

Delavrinningsområde
Stortjärnen ingår i det delavrinningsområde (737952-169263) som SMHI kallar för Mynnar i Görjeån. Medelhöjden är  meter över havet och ytan är  kvadratkilometer. Det finns ett avrinningsområde uppströms, och räknas det in blir den ackumulerade arean  kvadratkilometer. Vattendraget som avvattnar avrinningsområdet har biflödesordning 3, vilket innebär att vattnet flödar genom totalt 3 vattendrag innan det når havet efter  kilometer. Avrinningsområdet består mestadels av skog (81 procent) och sankmarker (18 procent). Avrinningsområdet har  kvadratkilometer vattenytor vilket ger det en sjöprocent på  procent.

Se även
 Lista över insjöar i Jokkmokks kommun

Källor

Externa länkar

Insjöar i Luleälvens avrinningsområde
Insjöar i Lappland
Insjöar i Jokkmokks kommun


text:
La Sinagoga de Yusefabad (en persa: کنیسه یوسف‌آباد) es una de las sinagogas más grandes de Teherán (Irán), en el barrio del mismo nombre. El nombre oficial de la sinagoga de Yusefabad es sukat Shalom. El edificio original que albergaba la sinagoga se completó a principios de 1950. Con el crecimiento de la población judía de la capital, especialmente en el barrio de Yusefabad, se decidió que un edificio nuevo era necesario. Con la ayuda de los líderes locales de la comunidad encabezados por Avraham Yusian, la construcción de la nueva fachada se terminó en octubre de 1965. Las puertas de la nueva sinagoga se abrieron al público en Rosh Hashaná 5726 (calendario hebreo).

El 8 de febrero de 2003, el presidente Mohammad Jatamí visitó la sinagoga, convirtiéndose así en el primer presidente de Irán en visitar una sinagoga desde la Revolución Islámica.

Véase también
Judíos persas
 Sinagoga
Torá
Religión abrahámica

Referencias

Yusefabad
Edificios y estructuras de Teherán
Arquitectura de Irán del siglo XX
Religión en Teherán
Edificios religiosos terminados en 1965


text:
Die Sulfonierung ist eine Reaktion, bei der eine Sulfonsäuregruppe (–SO2-OH-Gruppe, auch –SO3H-Gruppe), oder auch Sulfogruppe, in eine organische Verbindung eingeführt wird. Die Reaktionsprodukte werden als Sulfonsäuren bezeichnet, Zwischenprodukte können Sultone oder Anhydride sein.

Sulfonierungen können an Alkanen, Alkenen oder Aromaten erfolgen.

Im Gegensatz zu Schwefelsäureestern ist bei den Sulfonsäuren das Schwefelatom direkt an ein Kohlenstoffatom gebunden.

Im Allgemeinen verwendet man zur Sulfonierung:

Oleum bei der Sulfonierung von Aromaten, wie Benzol und Toluol in der Flüssigphase
Schwefeltrioxid bei der Sulfonierung von Alkylbenzolen und Olefinen in der Gas-/Flüssigphase

Indirekt lässt sich eine Sulfogruppe einführen mit

Chlorsulfonsäure bei der Chlorsulfonierung von Aromaten
Schwefeldioxid/Chlorgas-Gemische bei der radikalisch verlaufenden Sulfonierung von Alkanen, der sogenannten Sulfochlorierung

Die im technischen Prozess hergestellten Produkte finden nach Hydrolyse und Neutralisation mit Ammoniak oder Natronlauge vor allem als Tenside in Wasch- und Reinigungsmitteln Verwendung.

Sulfonierung von Aromaten

Bei der Sulfonierung von Aromaten ist das Elektrophil Schwefeltrioxid (SO3) in Schwefelsäure, Pyridin oder Dioxan oder das durch Protonierung in Schwefelsäure gebildete Kation HSO3+:

Die Reaktion lässt sich beschleunigen, wenn man Schwefeltrioxid in konzentrierter Schwefelsäure löst (Oleum). Für die Reaktion ist das Schwefeltrioxid von maßgeblicher Bedeutung, die Schwefelsäure dient als Trägermedium für das Schwefeltrioxid. Schwefeltrioxid erweist sich als starkes Elektrophil, da das Schwefelatom durch den starken Elektronenzug der Sauerstoffatome (Elektronegativitätsdifferenz: 1,2) sehr stark positiv polarisiert ist.

 Mesomere Grenzstrukturen von Schwefeltrioxid.

Die Reaktion der Sulfonierung von Aromaten ist eine elektrophile aromatische Substitution.

Alle Zwischenschritte sind reversibel. Die Reaktion mit Schwefeltrioxid führt zu der Ausbildung eines π- und dann eines σ-Komplexes, bei dem die Aromatizität aufgehoben ist. Die nachfolgende Abstraktion eines Protons regeneriert das aromatische System wieder. Das entstandene Produkt, die Benzolsulfonsäure, kann mit verdünnter Schwefelsäure behandelt werden, so dass die Sulfonsäuregruppe wieder abgespalten wird. Dieser Mechanismus reagiert dann nach dem Prinzip der ipso-Substitution; die Sulfonsäuregruppe ist wegen ihrer hohen Elektrophilie auch eine gute Abgangsgruppe. Bei der Sulfonierung mit SO3 können in einer Nebenreaktion auch Sulfonsäure-Anhydride entstehen, die vor der Weiterverarbeitung der Produkte zu Tensiden hydrolysiert werden müssen. Als weitere Nebenprodukte können Sulfone entstehen.

Sulfonierung von Alkenen
Die Sulfonierung von Alkenen liefert eine breite Produktpalette von Alkensulfonsäuren [α-Alkensulfonate (AOS)], über 1,3- und 1,4-Sultone, Alkendisulfonsäuren sowie Sulton-Sulfonsäuren.

Bei der Bildung der Sultone wird als erster Reaktionsschritt eine [2+2]-Cycloaddition der S=O-Doppelbindung des SO3 mit der C=C-Doppelbindung des Alkens vermutet, die dann durch Umlagerung die 1,3- und 1,4-Sultone bildet. Die Sultone müssen vor der Weiterverarbeitung der AOS zu Tensiden hydrolysiert werden.

Chlorsulfonierung von Aromaten
Über eine Chlorsulfonierung lässt sich indirekt ebenfalls eine Sulfogruppe einführen. Siehe dort.

Sulfochlorierung von Alkanen

Als Sulfochlorierung bezeichnet man den Austausch (Substitution) von Wasserstoff durch die Sulfonylchloridgruppe (SO2Cl) in Alkanen. Diese Reaktion ist eine radikalische Substitution und wird auch als Reed-Reaktion bezeichnet.

Siehe auch
 Sulfierung
 Sulfatierung

Einzelnachweise

Literatur
 Peter Sykes: Wie funktionieren organische Reaktionen? 2. Auflage, Wiley-VCH 2001, ISBN 3-527-30305-7
 Marye Anne Fox/James K. Whitesell: Organische Chemie, Grundlagen, Mechanismen, bioorganische Anwendungen, Spektrum, Akad. Verl., 1995, ISBN 3-86025249-6
Industrielle Organische Chemie: Bedeutende Vor- und Zwischenprodukte, von Hans-Jürgen Arpe, 552 Seiten, Wiley-VCH; Auflage: 6., vollst. überarb. A. (Januar 2007), ISBN 3527315403, ISBN 978-3527315406 (als Google-Book)

Elektrophile Substitution


text:
Phostria carusalis is een vlinder uit de familie van de grasmotten (Crambidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1920 door Schaus.

carusalis


text:
és un violista francès, pertanyent a la nissaga Pasquier.

Després d'un primer premi al Conservatori de París el 1961, Pasquier va guanyar el Concurs Internacional de Música ARD el 1965. Del 1965 al 1985 va ser el primer solista de l'orquestra de l'Òpera de París i posteriorment, de 1985 a 1990 a l'Orchestre nacional de França.

Des de 1970, ha estat professor al Conservatori de París, primer com a ajudant de Serge Collot, després com a viola i professor de música de cambra (des de 1983). Amb el seu germà Régis (violinista i director d'orquestra) i el violoncel·lista Roland Pidoux, va ser durant un temps membre d'un trio buscat.

Bruno Pasquier toca una viola de Giovanni Paolo Maggini (principis del ).

Referències

Violistes francesos
Persones de Neuilly-sur-Seine
Alumnes del Conservatoire de Paris
Músics de l'Illa de França


text:
Fernando Sanz Durán (Madrid, España, 4 de enero de 1974), es un exfutbolista español y expresidente del Málaga Club de Fútbol. Es hermano de Paco Sanz (futbolista y presidente del Granada CF) y de Lorenzo Sanz Durán (baloncestista y directivo del Real Madrid de Baloncesto) e hijo de Lorenzo Sanz (presidente del Real Madrid durante cinco años).

Carrera
Siendo su posición natural en el terreno de juego la de defensa central, inició su andadura futbolística en la cantera del Real Madrid, pasando por todos los escalafones de las categorías inferiores hasta llegar al primer equipo. Sin embargo, antes de llegar a la élite, tuvo un breve paso, en forma de cesión, por la Unión Española, con sede en la capital chilena de Santiago, coincidiendo así, con el futbolista profesional con el que guarda gran relación de parentesco, su hermano Paco. Una vez finalizado este préstamo, estuvo cuatro temporadas en el cuadro madridista. La causa detonante de su marcha del equipo de la capital española fue la presión que le supuso el hecho de que se le juzgara simplemente por ser hijo de Lorenzo Sanz, quien fuera presidente del Real Madrid en ese momento.

El Real Madrid decide prescindir de los servicios del jugador, viendo factible su traspaso al Málaga Club de Fútbol. En la ''Costa del Sol''  permaneció siete temporadas consecutivas en Primera División, disputando 228 encuentros, marcando 5 goles en total y llegando a alcanzar la capitanía del equipo malaguista. Es en el cuadro boquerón donde demuestra ser un jugador de garantías, rindiendo a un gran nivel.

En julio de 2006, el jugador decide poner el punto y final a su carrera como jugador profesional y decide hacerse con las riendas del club que le permitió demostrar su valía más allá del apellido que figuraba en su espalda. A pesar de que no se hace con su totalidad, es el asociado con más porcentaje de acciones con un  97% del Málaga Club de Fútbol, convirtiéndose en el máximo mandatario del club. Durante su trayectoria en el club, Fernando Sanz muestra, esta vez desde la oficina, su amor incondicional hacia un club y una ciudad que le vio madurar como futbolista. Su trabajo constante, honradez por vestir y sentir la camiseta y, por supuesto, anteponer el interés del club, le hicieron ganarse un lugar en la historia del cuadro malacitano. Debido a la dura situación económica que estaba atravesando el club, en situación de procedimiento concursal, provoca que en junio de 2010  se decida proceder a la venta del club al jeque catarí Abdullah ben Nasser Al Thani, miembro de la familia real de Catar. Tras un breve periodo como asesor del nuevo propietario, Fernando Sanz se desvincularía del Málaga la temporada siguiente.

Actualmente, Sanz trabaja para la Liga de Fútbol Profesional como director de su proyecto de Oriente Medio. Además, fue comentarista para ''Tiempo de Juego'' en Cadena COPE, ''Punto Pelota'' en Intereconomía TV o ''El Chiringuito de Jugones'' en MEGA.

Clubes

Palmarés

Campeonatos nacionales

Copas internacionales

Enlaces externos
  Ficha de Fernando Sanz en El Mundo

Futbolistas de Madrid
Hermanos futbolistas
Futbolistas de Unión Española en los años 1990
Futbolistas del Real Madrid Castilla Club de Fútbol en los años 1990
Futbolistas del Real Madrid Club de Fútbol en los años 1990
Futbolistas del Málaga Club de Fútbol
Presidentes del Málaga Club de Fútbol
Nacidos en Madrid


text:
The Women's 400 Freestyle swimming event at the 25th SEA Games was held on December 11, 2009.

Results

Final

Preliminary heats

References

Swimming at the 2009 Southeast Asian Games
2009 in women's swimming


text:
«Голос Армении» () — армянское музыкальное реалити-шоу, созданное на основе франшизы The Voice, показ которого проходит на телеканале Armenia TV. Было снято всего пять сезона с 2012 по наст.вр. Правила шоу основаны на правилах оригинального голландского телешоу The Voice of Holland и его американской версии The Voice. Шоу проходит в четыре этапа: слепые прослушивания, раунд «уайлд-кард», вокальные битвы и живые выступления.

В шоу принимают участие как жители Армении, так и представители армянской диаспоры. Особое внимание уделяется армянским певцам и певицам из России.

Наставники

В первом сезоне наставниками стали:

 Сона
 Тата Симонян
 Софи Мхеян
 Арто Тунчбояджян

Во втором сезоне состав наставников обновился полностью. Теперь они:

 Шушан Петросян
 Айко
 Кристине Пепелян
 Микаэл Погосян

В третьем сезоне остался Айко. Вернулась Сона. Также добавились:

 Армен Мартиросян
 Ева Ривас

В четвёртом сезоне состав наставников был полностью изменён.В него вернулась Софи Мхеян. Остальные три кресла заняли:

 Араме
 Нуне Есаян
 Севак Ханагян

Обзор участников

Сезон 1
Жюри первого сезона (2012—2013): Сона, Тата Симонян, Софи Мхеян и Арто Тунчбояджян.

Таблица участников
 – Победитель
 – 2-е место
 – 3-е место
 – 4-е место
 – Выбыли

Победительницей стала Мэри (Маша) Мнджоян. В финале первого сезона выступили участники первого сезона российского шоу «Голос» Артём Качарян, Эдвард Хачарян, Гаяне Захарова, Лия Саркисян и Маргарита Позоян, исполнив гимн Армении.

Сезон 2
Жюри второго сезона (2013—2014): Шушан Петросян, Айко, Кристине Пепелян и Микаэл Погосян.

Таблица участников
 – Победитель
 – 2-е место
 – 3-е место
 – 4-е место
 – Выбыли

Победительницей второго сезона стала Анна Ханчалян. В финале Шушан Петросян не находилась в студии, поскольку попала в аварию на неделе, поэтому принимала участие в онлайн-варианте.

Сезон 3
Жюри третьего сезона (2014—2015) стали Сона, Армен Мартиросян, Ева Ривас и Айко.

 1 место: Раиса Аванесян (команда Соны)
 2 место: Мелине Галоян (команда Айко)
 3 место: Эрна Мирзоян (команда Армена)
 4 место: Ваге Алексанян (команда Евы)

Сезон 4
Формат вернулся в Армению после двухлетнего перерыва. Жюри четвёртого сезона (2017) являлись Араме, Нуне Есаян, Севак Ханагян и Софи Мхеян.

Таблица участников
 – Победитель
 – 2-е место
 – 3-е место
 – 4-е место
 – Выбыли

Примечания

Телевизионные музыкальные конкурсы
Телепередачи Армении
Голос
Интернациональные телепроекты
Телепередачи, запущенные в 2012 году


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David Nash (ur. 15 lipca 1939 w Monmouth, zm. 30 października 2016) – walijski rugbysta i trener, sześciokrotny reprezentant Walii. Pierwszy selekcjoner reprezentacji Walii.

Kariera reprezentacyjna
David Nash wystąpił w reprezentacji Walii sześć razy, nie zdobywając żadnych punktów. Zadebiutował w wyjazdowym meczu z Republiką Południowej Afryki 3 grudnia 1960. Pierwsze reprezentacyjne zwycięstwo odniósł 21 stycznia 1961 w meczu z Anglią podczas Pucharu Pięciu Narodów. Ostatni mecz w reprezentacji zagrał 24 marca 1962 przeciwko Francji. Był to jedyny mecz na pozycji wspieracza, gdyż w pozostałych był wiązaczem.

Z zespołem British and Irish Lions uczestniczył w tournée do południowej Afryki w 1962, gdzie zagrał w dwóch spotkaniach z regionalnymi drużynami. W meczu z zespołem Rodezji zdobył trzy punkty, natomiast grając przeciw Zachodniemu Transwalowi doznał kontuzji karku, która wyeliminowała go z dalszych spotkań.

Kariera trenerska
David Nash został wybrany w 1967 na pierwszego selekcjonera reprezentacji Walii w rugby union. Reprezentacja pod jego wodzą wygrała jeden testmecz, jeden zremisowała oraz trzy przegrała.

Przypisy

Walijscy zawodnicy rugby union
Rugbyści British and Irish Lions
Walijscy trenerzy rugby union
Urodzeni w 1939
Zmarli w 2016


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Il doppio del WTA Austrian Open 1995 è stato un torneo di tennis facente parte del WTA Tour 1995.

Sandra Cecchini e Patricia Tarabini erano le detentrici del titolo, ma solo la Cecchini ha partecipato in coppia con Laura Garrone.

La Cecchini e la Garrone hanno perso nei quarti di finale contro Virág Csurgó e Flora Perfetti.

Silvia Farina e Andrea Temesvári hanno battuto in finale 6–2, 6–2 Alexandra Fusai e Wiltrud Probst.

Teste di serie
 Alexandra Fusai /  Wiltrud Probst (finale)
 Silvia Farina /  Andrea Temesvári (campionesse)
 Petra Schwarz /  Katarína Studeníková (semifinali)
 Sandra Cecchini /  Laura Garrone (quarti di finale)

Tabellone

Collegamenti esterni

WTA Austrian Open 1995


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Дискографія Леони Льюїс включає в себе п'ять студійних альбоми, 16 синглів та 20 відеокліпів. Її дебютний альбом «Spirit» став одним із найуспішніших альбомів у музичній індустрії. Пісня «Bleeding Love» стала найуспішнішим синглом співачки. У 2009 вона записала пісню «I See You (Theme from Avatar)», яка була створена спеціально для фільму Аватар. Також у 2009 Льюїс випустила свій другий студійний альбом Echo. Першим офіційний синглом стала пісня «Happy», другим — композиція «I Got You».

Альбоми

Студійні альбоми

Мініальбоми

Відеоальбоми

Сингли

Провідні сингли

Як співвиконавець

Промо-сингли

Інші чартовані пісні

Музичні відео

Різне

Примітки

Леона Льюїс
Леона Льюїс


text:
Biografia
Anna Christine Marie Mardein Christl Mardayn ha studiato all'Università per la musica e le arti interpretative di Vienna.
Al Raimundtheater di Vienna nel dicembre 1919 canta nella prima assoluta dell'operetta Was Mädchen träumen di Leo Ascher e nel 1920 canta nel successo di Der Tanz ins Glück di Robert Stolz.
Nel 1921 è Odette Darimonde nella prima assoluta di Die Bajadere di Emmerich Kálmán con Louis Treumann al Carltheater.

Nel 1935 è Josepha Voglhuber nel film Im weißen Rößl (Al cavallino bianco) di Karel Lamač con Hermann Thimig, Fritz Odemar e Joseph Egger.

Nel 1947 per il Wiener Staatsoper è Aphrodite in Orphée aux Enfers con Max Lorenz (cantante) ed Esther Réthy al Wiener Volksoper in 73 recite fino al 1948.

Nel 1957 riceve l'Ordine al merito della Repubblica austriaca.

È sepolta al Zentralfriedhof.

Film parziale
 1938 Il dramma di Shanghai
 1939 Cuori in burrasca (film 1939)
 1954 L'amore di una grande regina

CD parziale
 Dostal: So macht man karriere - Großes Wiener Rundfunkorchester/Marcel Prawy/Albin Skoda/Hannelore Cremer/Kurt Heintel/Christl Mardayn/Hedy Fassler/Guggi Löwinger, The Art Of Singing

Altri progetti

Collegamenti esterni


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The Milk-Eyed Mender is the debut studio album by American singer-songwriter Joanna Newsom, released on March 23, 2004, by Drag City.

Background
Newsom wrote all the songs on the album except for "Three Little Babes", a traditional Appalachian song by Texas Gladden. According to the liner notes, Newsom plays "a Lyon & Healy style 15 harp, a wurlitzer electric piano, a harpsichord, and piano."

A bandmate in San Francisco band The Pleased, Noah Georgeson, produced and recorded the album, as well as contributing guitar to two tracks and backing vocals to one. Cover art embroidery is by Emily Prince and photographs are by Alissa Anderson. Newsom thanks former touring partners Will Oldham, Devendra Banhart, and Vetiver, along with many others.

The song "Swansea" was covered by the band Bombay Bicycle Club and featured on their sophomore album Flaws in 2010.
The song "The Book of Right-On" was both sampled from and reprised by Newsom on The Roots' 2010 release How I Got Over, the refrain forming the backbone of 'Right On', the album's ninth track, and covered by bluegrass musician Sarah Jarosz on her 2013's album Build Me Up from Bones.

Critical reception

The Milk-Eyed Mender received widespread critical acclaim from contemporary music critics, earning Newsom several accolades that same year and by the end of the decade.

MacKenzie Wilson of AllMusic gave the album a favorable review, stating, "Newsom's childlike voice brings an unstudied grace to an innocent setting of songs, and such quirkiness is hard to find among most guitar-driven indie acts. Delicate harp arrangements are nicely sprinkled among specks of pianos, organs, and a harpsichord, only adding to the fascination that is Milk-Eyed Mender. Newsom exists in several musical spheres, one being a member of The Pleased, while not forgetting how wonderful it is to live in a warm place that leaves you bright-eyed and hopeful for only what is good in life."

The Sunday Times ranked it at #28 on its best albums of the decade list, and in 2009, Pitchfork named The Milk-Eyed Mender the 47th greatest album of the 2000s. The website also named "Peach, Plum, Pear" the 197th Greatest Song of the 2000s (decade) and "Sprout & The Bean" the 229th. Slant Magazine named the album the 83rd best album of its decade. The Milk-Eyed Mender was also ranked number 76 inside Tiny Mix Tapes's greatest records of the 2000s (decade) list.

According to The New York Times, The Milk-Eyed Mender has sold more than 200,000 copies in the U.S., despite not charting.

Accolades
End of year

#1 – Dusted End of the Year: 2004
#5 – The A.V. Club's Best Albums of 2004
#5 – College Music Journal  Top Albums of 2004
#8 – Sonic's  Top Albums of 2004
#8 – Gaffa's  Top Albums of 2004
#10 – Pitchfork Media's Top 50 Albums of 2004
#11 – Les Inrockuptibles's  Top Albums of 2004
#12 – Blitz's  Top Albums of 2004
#17 - Stylus Magazine's Top 40 Albums of 2004

#20 – Village Voice's 2004 Pazz & Jop Critics Poll
#20 – PopMatters's  Top Albums of 2004
#20 – Rough Trade's  Top Albums of 2004
#21 – No Ripcord's Top  Albums of 2004
#25 – BOOMKAT's Top  Albums of 2004
#28 – Dagsavisen's  Top Albums of 2004
#37 – Americana UK's Top  Albums of 2004
#40 - Spin's Top 40 Best Albums of the 2004
#45 – Rock de Lux's  Top Albums of 2004
#48 – NME's Top  Albums of 2004
No Order - Rolling Stone's Top 50 Records of 2004
No Order - Allmusic's Top Albums of 2004

End of decade
#28 - The Sunday Times's Best Albums of the '00s
#35 - Q's Best Albums of the '00s
#47 - Pitchfork Media's Top 200 Albums of the '00s
#83 - Slant Magazine's Best of the Aughts
#88 - Treble's Best Albums of the '00s
#162 - Under the Radar's Best Albums of the '00s

Other
#54 – Porcy's Top 100 Albums of 2000-04
#54 – Pitchfork Media's Top 100 Albums of 2000-04
#89 - Amazon.com's Top 100 Indie Albums of All Time Amazon.com's 100 Best Indie Rock Albums of All Time.

Track listing

Personnel
 Joanna Newsom – vocals, harp, harpsichord, acoustic piano, wurlitzer electric piano
 Noah Georgeson – producer
 Emily Prince – artwork
 Alissa Anderson – photography

References

External links
Drag City, album entry in label catalog
Lyrics, from review site

2004 debut albums
Joanna Newsom albums
New Weird America albums
Drag City (record label) albums
Albums produced by Noah Georgeson


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Na Vápenici je přírodní památka v chráněné krajinné oblasti Český ráj mezi městem Železný Brod a obcí Koberovy, v těsné blízkosti osady Propastný v okrese Jablonec nad Nisou. Oblast spravuje AOPK ČR – Regionální pracoviště Liberecko.

Předmět ochrany
Důvodem ochrany jsou regionálně významné porosty vápnomilných a květnatých bučin na vápenatém podkladu, jediná populace kriticky ohrožené kapradiny hrálovité a stratigraficky významné paleontologické naleziště.

Odkazy

Reference

Související články
 Seznam chráněných území v okrese Jablonec nad Nisou

Externí odkazy

Přírodní památky v okrese Jablonec nad Nisou
Chráněná území v Ještědsko-kozákovském hřbetu
Chráněná území vyhlášená roku 2008
Lesy v Ještědsko-kozákovském hřbetu
Lesy v okrese Jablonec nad Nisou
Paleontologické lokality v Libereckém kraji
CHKO Český ráj
Koberovy
Železný Brod


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Георгій Вікторович Мовсесян (2 серпня 1945, Харків — 7 листопада 2011, Москва) — радянський і російський композитор вірменського походження. Заслужений діяч мистецтв Російської Федерації (1995). Народний артист Росії (2001).

Біографія
Георгій Мовсесян народився 2 серпня 1945 року у Харкові в акторській родині. Жив у Харкові по вулиці Свердлова 51, (зараз Полтавський шлях, будинок № 51). Навчався в школі № 13, яка знаходилася по вулиці Карла Маркса (зараз гімназія № 13 по вул. Благовіщенська № 36).

Рано почав грати на акордеоні, займався у гуртку Харківського Будинку вчителя.

У 1964 році закінчив училище імені Гнесіних по класу акордеона. Під час служби в Радянській армії грав на акордеоні в армійському ансамблі. У цей період спільно з Давидом Тухмановим, який теж служив у ансамблі, почав писати оркестровки.

У 1960-ті роки Мовсесян почав співпрацювати з радіостанцією «Юність»: робив оркестровки п'єс для естрадно-симфонічного оркестру, бардівських мелодій.

Свою першу пісню «Дороги» написав в 1965 році.

З 1969 року був актором Москонцерту, солістом і концертмейстером інструментальної майстерні.

Популярність Георгію Мовсесяну принесли пісні «Береза» на вірші Пятруся Бровки, яку заспівала Ганна Герман, і «Мені довірена пісня» на вірші Льва Ошаніна, уперше пролунала на ТВ-конкурсі «Пісня-77». В 1970 році композитор працював у жанрі комсомольсько-молодіжних, публіцистичних, громадянських пісень «Це говоримо ми», вірші Льва Ошаніна, 1978; «Ласкаво просимо до Москви», «Олімпіада», вірші Роберта Рождественського, 1979), писав солдатські пісні, пісні про моряків, рибалок, шоферів, геологів.

У 1980-ті роки залунали ліричні пісні Мовсесяна. Першою з цієї серії «сентиментальних новел» стала пісня «Проводи любові» (вірші Михайла Танича, 1980), виконана Вахтангом Кікабідзе. Потім з'явилася балада «Мої роки» (вірші Роберта Рождественського, 1981), виконавцем якої також став Кікабідзе. Потім пішов ряд ліричних пісень, кращі з них — «Поговоримо» і «Ви мені подобаєтесь» (обидві на вірші Ігоря Шаферана, 1982). Композитор експериментував із синтезатором, електрогітарами — пісні для ВІА «Полум'я» «За поворотом» (вірші Анатолія Поперечного, 1980), «І кличе нас в дорогу "Супутник"» (вірші Ігоря Шаферана, 1982). Георгій Мовсесян пробував сили і як виконавець власних пісень (пісенний цикл на вірші Роберта Рождественського «Поговоримо», 1984).

Пісні Мовсесяна виконували відомі співаки: Йосип Кобзон, Майя Кристалинська, Едуард Хіль, Лев Лещенко, Муслім Магомаєв, Анне Вєскі та ін. Композитор створив п'ять пісень до п'яти новел фільму «Чоловіки і всі інші» (1986), де режисером і виконавцем головної ролі співака — коментатора подій став Вахтанг Кікабідзе.

Георгій Мовсесян також був автором музики і пісень до кінофільмів. У 1994 році він був автором пісень до фільму С. Никоненко «Не хочу одружуватися!», а також знявся в епізоді цього фільму (роль виконавця пісень на сцені). «Залишся, молодість!» — пісня стала улюбленою слухачами буквально з першого ж показу на концерті. Виконували її різні артисти, в тому числі і сам композитор.

У 2001 році композитору було присвоєно звання Народного артиста Росії.

Він був одружений із Марією Михайлівною Мовсесян. У композитора залишилися дочка Наталія і онук.

Георгій Мовсесян помер 7 листопада 2011 року від інфаркту. Похований на Троєкурівському цвинтарі.

Пісні
 «Береза», на слова П. Бровки, ісп. Гана Герман
 «Байкальська балада»
 «Безсоння», на слова Р. І. Рождественського
 «Б'ється серце» (Радмила Караклаїч; текст — Олександр Ковальов)
 «Гастрольне танго»
 «Гімн податкової поліції», на слова Фелікса Лаубе [6]
 «Давай поговоримо» (Лев Лещенко; текст — Ігор Шаферан)
 «Ласкаво просимо до Москви, Олімпіада!», На слова Р. І. Рождественського
 «Дороги» на слова Б. Вахнюк та А. Землянського
 «Як улюблену зробити щасливою» (Йосип Кобзон; текст — Євген Євтушенко)
 «Куба далеко — Куба поруч» (ВІА «Полум'я»; текст — Лев Ошанін)
 «Канадець» (Вахтанг Кікабідзе; текст — Лев Ошанін)
 «Крим і Росія», на слова Петра Синявського
 «Легенди розкажуть» на слова Віктора Гина
 «Марш Бойового Братства», на слова Петра Синявського, ісп. Лев Лещенко
 «Мої роки — моє багатство», на слова Р. І. Рождественського, ісп. Вахтанг Кікабідзе
 «Мені довірено пісню»
 «Монолог шофера», на слова Р. І. Рождественського
 «Місяць грошикам блисне», на слова Р. І. Рождественського (з кінофільму «За даними карного розшуку», виконує А. Хочинський)
 «Ми — армія народу»
 «Наші діти», з телефільму «Чоловіки і всі інші»
 «Початок», Роберт Рождественський слова, ісп. Лев Лещенко
 «Не хочу одружуватися»
 «Залишся, молодість», на слова Ф. Лаубе, виконує Урмас Отт
 «Батьківська пісня», на слова І. Д. Шаферана
 «Поговоримо» (Майя Кристалинська; текст — Ігор Шаферан)
 «Пам'ять, пам'ять» (з кінофільму «За даними карного розшуку», виконує І. Кобзон)
 «Проводи любові», на слова М. І. Таніча, ісп. Вахтанг Кікабідзе
 «Рідна земле»
 «Серенада»
 «Склянка води»
 «Стара адреса», на слова Ф. Лаубе
 «Світло вічного вогню» (Едуард Хіль; текст — Роберт Рождественський)
 «Це говоримо ми», на слова Л. Ошанина
 «Це море»
 «Телефонна розмова» (виконання актриси Ніни Маслової)
 «Твоє весілля»
 «Я сам по собі» (Любов Успенська; текст — Ігор Шаферан)
 «Я вважаю, мені щастить» (Вахтанг Кікабідзе; текст — Роберт Рождественський)

Фільмографія
 1976 — «Майстер»
 1979 — «За даними карного розшуку...»
 1985 — «Чоловіки і всі інші» (кіноальманах)
 1990 — «Аферисти»
 1991 — «Лінія смерті»
 1992 — «А спати з чужою дружиною добре?!»
 1992 — «Міняйли»
 1993 — «Падіння»
 1993 — «Хочу до Америки»
 1993 — «Не хочу одружуватися!»
 1993 — «Російський бізнес»
 1994 — «Російський рахунок»
 1994 — «Російське диво»
 1999 — «Шанувальник» та ін.

Нагороди і премії
 Премія Ленінського комсомолу (1983) — за пісні про комсомол і молодь
 Заслужений діяч мистецтв Російської Федерації (1995)
 Народний артист Російської Федерації (2001)
 Орден Пошани (Російська Федерація) (2006)

Цікаві факти
Про Георгія Вікторовича у музичних колах ходив такий анекдот. Коли композитор був на гастролях, у його готельному номері пролунав телефонний дзвінок:— Ви Мовсесян, автор пісні «Мої роки — моє багатство»?

— Так.

— Коли повернетеся до Москви, не турбуйтеся — вашу квартиру пограбовано. — І поклали трубку. Музикант подумав, що це жарт. Але повернувся додому — дійсно, обібрали до нитки і залишили записку:

— Не переймайся. Твої роки — моє багатство.Піснею Георгія Мовсесяна «Ми армія народу» завершувалися військові паради на Червоній площі у Москві на честь 70-ї, 71-ї, 72-ї і 73-ї річниці Перемоги у Великій Вітчизняній війні.

Примітки

Посилання
 Пісні, на сайті «ККРЕ», mp3
 Проводи композитора
 МУЗЕЙ ЗНАМЕНИТИХ ХАРКіВ`ЯН: ГеоргІй МОВСЕСЯН
 газета Вірменський час № 25 (2013)

Джерела
 Мовсесян Г. В. // Энциклопедія циркового та эстрадного мистецтва
 Мовсесян Георгій Вікторович (1945—2011)  «Ruspekh.ru»
 Композитор Георгій Мовсеян и Стіна Пам`яті  «Голос Вірменії»
 Новини САР — Союз Вірмен Росії  golosarmenii.am

Радянські композитори
Радянські кінокомпозитори
Російські композитори
Російські кінокомпозитори
Композитори XX століття
Композитори XXI століття
Композитори-піснярі
Почесні громадяни Буденівська
Артисти Москонцерту


text:
Ernst Werndl (* 2. November 1886 in Steyr; † 7. Dezember 1962 in Wartberg ob der Aist) war ein österreichischer Ingenieur und Erfinder. Seine Erfindungen betrafen sowohl technische Vorgänge als auch die Aufzeichnung von Ton und Tonfilmen. Während seines mehrjährigen USA-Aufenthalts nach seinem Studium war er unter anderem Assistent von Thomas Alva Edison. Bei Siemens in Berlin war er bei der Entwicklung eines der ersten Tonfilmapparate beteiligt. Ernst Werndl war ein Neffe des Steyrer Industriellen Josef Werndl.

Leben
Er absolvierte das Stiftsgymnasium Kremsmünster und die Realschule in Steyr, wo er 1904 maturierte. Anschließend studierte er drei Jahre Maschinenbau und Elektrotechnik an der Technischen Universität Wien (TU) und unternahm 1907 eine Studienreise nach Nordamerika. Guten Beziehungen und Fachkenntnissen verdankte er die Möglichkeit, Assistent von Thomas Alva Edison sowie Ernest Fox Nichols an der Columbia University zu werden. Des Weiteren arbeitete er für die Professoren Pierce und Mihajlo Pupin sowie für Lee de Forest. 1910 kehrte Werndl nach Wien zurück, wo er an der TU als Dozent für Elektrotechnik tätig war.

Bei einer Explosion verlor Werndl bereits vor dem Ersten Weltkrieg ein Auge. In besagtem Krieg schließlich war er unter anderem als Kommandant der Großradiostation Brusarci in Bulgarien eingesetzt. Werndl versuchte auch zwei Mal in den Steyr-Werken seines Onkels Fuß zu fassen, stellte sich aber als ungeeignet für einen geregelten Arbeitsbetrieb heraus.

1938 ging Werndl zu Telefunken, wo er als Entwicklungsingenieur tätig war. 1946 wurde er Produktionsleiter beim US-amerikanischen Besatzungsradiosender Rot-Weiß-Rot in Salzburg. Zu Beginn der 1950er Jahre ging Werndl erneut in die Vereinigten Staaten, wo er bis kurz vor seinem Lebensende bei Atomversuchen in New Mexico tätig gewesen sein soll.

Ernst Werndl starb am 7. Dezember 1962 im Altersheim Schloss Haus in Wartberg ob der Aist. Sein Nachlass, der unter anderem Tagebücher – von 1908 bis 1954 in 36 Bänden – enthält, wird im oberösterreichischen Landesarchiv aufbewahrt.

Wirken
Ernst Werndl widmete sein Leben dem Erfindertum. Manche Jahre ging er keiner geregelten Beschäftigung nach – in den Steyr-Werken wiederum wollte er sich keinem geregelten Arbeitsablauf unterordnen. Seinen Lebensunterhalt bestritt er zeitweise nur von dem, was seine Erfindungen einbrachten. Manche konnte er bereits früh bei den Unternehmen anbringen, die ihn beschäftigten.

Sein erstes Patent meldete Ernst Werndl 1910 beim Patentamt in Wien an: ein "elektrisch gesteuertes Ventil". Unter den folgenden Erfindungen befand sich eines zur Flugzeugsteuerung, das von der US-amerikanischen Regierung angekauft wurde. Mehrere Erfindungen betreffen auch den Film oder verwandte Gebiete. Am 16. Februar 1914, einige Monate nachdem er in Berlin bei einem Vortrag von Eugen Reisz auf die "Lieben-Röhre" aufmerksam wurde, notierte er in seinem Tagebuch das Prinzip der Lichttonaufzeichnung, die "mittels Lichtstrahlen auf einem Kinematographenfilm" erfolgen könne. Wie in weiteren Tagebucheinträgen zu erkennen ist, verfolgte er diesen Gedanken weiter und brachte auch die Selenzelle ins Spiel. Schließlich arbeitete er bei Siemens an der Entwicklung eines der ersten Tonfilmapparate mit.

Weitere Erfindungen Ernst Werndls zum Tonfilm waren 1919 ein "Mikrophonograph" zur Aufzeichnung von langen Phonographenaufnahmen, ein Gerät zur Verhinderung des Flimmerns (1920), eine Idee zum Stereokino (1921), ein epidiaskopisch projizierbarer Papiertonfilm für den Hausgebrauch (1932) und Ideen zum Farbfilm (1933). In Österreich patentieren ließ er 1932 einen "Kontaktapparat für Musikinstrumente mit magnetelektronischer Tonerzeugung" sowie 1936 gemeinsam mit Robert Pollak-Rudin ein "Verfahren zur Erzeugung von Tönen oder Klängen auf lichtelektrischem Wege" und ein "Verfahren zur Tonerzeugung, insbesondere bei elektrischen Musikinstrumenten". Werndl arbeitete von 1932 bis ca. 1934 in Wien bei dem Klavierfabrikanten Rudolf Stelzhammer an dessen elektromechanischer Orgel "Magneton", von der aber nur ein einziges Versuchsexemplar gebaut wurde. Das Instrument erhielt 1935 den ersten Preis bei der elften "international exhibition of inventors" in London.

Literatur
 Wilhelm Formann: Österreichische Pioniere der Kinematographie. Bergland, Wien 1966, S. 54–57.
 Richard Kutschera: Ernst Werndl, Universalgenie aus Steyr. Linz 1969.
 Richard Kutschera: Techniker – Dichter – Philosoph. Ein Oberösterreicher war Edisons Assistent – Ernst Werndl. in: Linzer Volksblatt. Linz 1964, Nr. 118.
 Peter Donhauser: Von Forschergeist und Alt=Wiener Werkmannsarbeit. In: Blätter für Technikgeschichte, Band 71, Wien 2009, S. 151ff.

Anmerkungen

Filmtechnikpionier
Erfinder
Österreicher
Geboren 1886
Gestorben 1962
Mann


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Luis Martínez (born September 26, 1982) is an American professional wrestler of Puerto Rican descent. He is currently signed to WWE, where he performs on the Raw brand under the ring name Damian Priest, and is a member of the stable The Judgment Day.

He is also known for his work in Ring of Honor (ROH) under the ring name Punishment Martinez, where he is a former one-time ROH World Television Champion. Through ROH's working relationship with New Japan Pro-Wrestling (NJPW), he has also worked in Japan as Punisher Martinez.

Early life
Martínez was born in New York City to Newyorican parents, but raised in the municipality of Dorado, Puerto Rico. While living in Dorado he saw the World Wrestling Council on television and got the interest to become a pro wrestler. He learned Japanese Gōjū-ryū karate from his martial artist father. After winning two national championships in full-contact martial arts, Martínez decided to embark on a career in professional wrestling. When he returned to the States, Spanish was still his first language and he underwent a period of cultural adaptation.

Professional wrestling career

Early career
Martínez trained at the Monster Factory and went on to win several titles in Monster Factory Pro Wrestling. In 2014, Martínez attended a Ring of Honor (ROH) training camp and went on to train at the ROH dojo.

Ring of Honor (2015–2018)
His first appearance at a ROH show was in 2015 under his real name, Luis Martínez, where he competed in two dark matches, losing the first to The Romantic Touch and winning the second alongside Shaheem Ali against Hellcat and Mattick.

Martínez made his return in Ring of Honor, billed as "Punisher Martinez", at the ROH Top Prospect Tournament where he defeated Colby Corino in the first round. Martinez lost to Lio Rush in the semifinals; however, in spite of the loss, Martinez was signed to a contract by Ring of Honor. He subsequently established himself as a villain when he aligned himself with B. J. Whitmer and Kevin Sullivan, entering a rivalry with their adversary Steve Corino. On September 16, 2016, Martinez took part in the 2016 Honor Rumble, where he had an impressive showing before ultimately being eliminated. In early November he participated in the 2016 Survival of the Fittest, where he ended up being eliminated in the final Six Man Mayhem match. Martinez and Whitmer went on to briefly feud with the former ROH World Tag Team Champions War Machine (Hanson and Raymond Rowe), first wrestling them to a no contest and then defeating them in an anything goes match.

Through ROH's working relationship with New Japan Pro-Wrestling (NJPW), Martinez appeared at the two-day Honor Rising: Japan 2017 event. On the first night, Martinez teamed up with Los Ingobernables de Japón members Hiromu Takahashi and Tetsuya Naito to defeat Dalton Castle, Hiroshi Tanahashi and Ryusuke Taguchi, with Martinez picking up the win for his team. On the second night, Martinez unsuccessfully challenged Hirooki Goto for the NEVER Openweight Championship. Using the name Damian Martinez, he returned to ROH to unsuccessfully compete in a Manhattan Mayhem Battle Royal for the #1 Contendership to the ROH World Championship. Martinez also entered a Battle Royal for the #1 Contendership to the ROH World Television Championship, which he also lost. On February 11, Martinez and B. J. Whitmer defeated War Machine, but after the match Martinez turned on Whitmer by hitting him with his South of Heaven finishing maneuver.

Martinez won his first championship in ROH on June 16, 2018, defeating Silas Young for the World Television Championship at night two of the Promotion's "State of the Art" event in Dallas, Texas. Martinez had qualified for an opportunity at said championship earlier that same evening by pinning Cheeseburger in a six-way Proving Ground match. Martinez would make another successful title defense at Best in the World 2018 against "Hangman" Adam Page in a Baltimore Street Fight. At Death Before Dishonor XVI, he successfully defended the title against Chris Sabin. After the match, he attacked Sabin, until Jeff Cobb made the save. On September 29, his contract with Ring of Honor expired and he opted out of a contract offer. In his final appearance for the promotion, Martinez dropped the Television Championship against Cobb.

WWE

Early beginnings (2018–2020)
On October 12, 2018, it was reported that Martinez had signed a contract with WWE; six days later he was formally introduced among other new members to the NXT brand. At an NXT taping on December 5, he made his debut as a heel, losing to Matt Riddle. On April 15, 2019, it was reported that Martinez would be repackaged as "Damian Priest", although he still used the "Punishment Martinez" name in house shows. Vignettes soon began airing which reintroduced Martinez as Damian Priest. On the June 19, 2019 episode of NXT, he made his debut under the character, defeating Raul Mendoza. On the July 24 episode of NXT, he defeated Keith Lee in his second appearance.

On the October 2 episode of NXT, Priest started a feud with Pete Dunne and Killian Dain, culminating in a triple threat match at NXT TakeOver: WarGames on November 23 for #1 contendership to the NXT Championship, in which Dunne was victorious. Priest was also a part of the 5-on-5-on-5 Survivor Series pay-per-view match the following day, representing Team NXT in a losing effort to Team SmackDown and Team Raw, where he was eliminated by Randy Orton. In January 2020, Priest was included in a storyline around the NXT North American Championship with Keith Lee and Dominik Dijajkovic. Priest would have an opportunity for the title against Lee and Dijakovic on April 1, and a singles match against Lee on April 22, but lost both times.

NXT North American Champion (2020–2021)
On the April 22 episode of NXT, Finn Bálor was attacked backstage by an unknown attacker. Priest was revealed as the unknown attacker on the May 13 episode of NXT, culminating in a match between the two at TakeOver: In Your House on June 7, where Priest lost to Bálor. Despite losing the match, his performance was highly praised by Triple H, and on the June 10 episode of NXT, he praised Bálor during a backstage segment, turning face in the process.

On the August 5 episode of NXT, Priest defeated Oney Lorcan and Ridge Holland to qualify for the NXT North American Championship ladder match at NXT TakeOver: XXX on August 22. At the event, Priest won the title, earning his first championship in WWE. He made his first title defense on the September 16 episode of NXT, defeating Timothy Thatcher. The following week, NXT General Manager William Regal announced that Priest would defend the title against Johnny Gargano at NXT: TakeOver 31 on October 4, in which he successfully retained the title. However, Priest lost the title to Gargano at Halloween Havoc on October 28 in a Devil's Playground match, ending his reign at 65 days.

On the November 11 episode of NXT, Priest distracted Gargano during his title defense against Leon Ruff, which caused Gargano to lose the title to Ruff. The following week, Ruff retained the title against Gargano by disqualification after Priest punched Ruff during the match, disabling Gargano to win the title. This soon transitioned into a triple threat match for the NXT North American Championship, which took place at NXT TakeOver: WarGames on December 6. During the match, Priest was attacked by a masked character and its gang that attacked him previously at Halloween Havoc, who was soon revealed to be Austin Theory; as a result, Priest lost the match with Gargano winning the title by pinning Ruff.

On the December 9 episode of NXT, Priest looked forward for revenge against Theory, but was viciously attacked by a returning Karrion Kross from behind. The following week, Kross challenged Priest to a match at New Year's Evil, which Priest accepted. At New Year's Evil on January 6, Priest lost to Kross in his final match in NXT.

Main roster debut and United States Champion (2021–2022)
At the Royal Rumble pay-per-view on January 31, 2021, he entered at #14, eliminating John Morrison, The Miz, Elias and Kane before being eliminated by Bobby Lashley. A day later, Priest made his debut on Raw after being introduced by Bad Bunny during a Miz TV segment, while defeating Miz later that night. On the February 15 episode of Raw, Priest helped Bad Bunny win the 24/7 Championship by knocking out Akira Tozawa, who pinned R-Truth moments ago. Over the following weeks, Priest began a winning streak, defeating the likes of Angel Garza, Elias, and Jaxson Ryker. On the April 5 episode of Raw, Priest and Bad Bunny challenged The Miz and John Morrison to a tag team match at WrestleMania 37, which they accepted. On the first night of the event on April 10, Priest and Bad Bunny defeated The Miz and Morrison. On the Raw after WrestleMania, The Miz and Morrison challenged Damian Priest to a 2-on-1 handicap match, but despite dominating most of the match, Priest lost due to outside interference by Maryse, marking his first loss on the main roster. They continued their feud, which set up a lumberjack match between The Miz and Priest at WrestleMania Backlash on May 16 that Priest won. Briefly after, he took time off due to a back injury.

On the July 12 episode of Raw, Priest returned to save Humberto Carrillo from attack by Sheamus, the reigning United States Champion after their title match, thus starting a rivalry between Priest and Sheamus. Priest challenged Sheamus to a match at SummerSlam for the title on the August 9 episode of Raw, which Sheamus accepted. At SummerSlam on August 21, Priest defeated Sheamus to win the United States Championship for the first time in his career. On the August 30 episode of Raw, he retained the title against Sheamus and Drew McIntyre in a triple threat match. On the September 6 episode of Raw, Sheamus defeated McIntyre to earn his rematch against Priest at Extreme Rules. Priest retained the title against Jeff Hardy on the September 13 episode of Raw. At Extreme Rules on September 26, Priest retained the title in a triple threat match against Sheamus and Hardy. On the following episode of Raw, Priest retained the title against Sheamus in a no disqualification, no countout match, ending their feud.

On the October 25 episode of Raw, with a new, revamped character, he defeated T-Bar when the latter threw a chair at the former outside the ring; as a result, Priest viciously attacked T-Bar, turning himself into a tweener. At Survivor Series on November 21, Priest lost to Intercontinental Champion Shinsuke Nakamura by disqualification in a champion vs. champion match after his ally Rick Boogs repeatedly distracted Priest, despite the latter warning the former not to do it. After another distraction, Priest attacked both Nakamura and Boogs, thus losing the match by disqualification, making it his second loss on the main roster. On the following episode of Raw, he retained the title against Sami Zayn, and against Apollo Crews, Robert Roode, and Dolph Ziggler in the following weeks.

On the February 14 episode of Raw, he retained the title against AJ Styles. The following week, he retained against Shelton Benjamin, before getting challenged by Finn Bálor after the match. On the February 28 episode of Raw, Priest lost the United States Championship to Balor, ending his reign at 191 days. After the match, Priest attacked Bálor, fully turning heel for the first time since May 2020 and the first time on the main roster.

The Judgment Day (2022–present)

On the second night of WrestleMania 38 on April 3, Priest distracted AJ Styles during his match against Edge, causing Styles to lose the match. After the match, Edge celebrated his victory with Priest, starting an alliance between the two. On the April 25 edition of Raw, Edge and Priest were dubbed The Judgment Day after which Priest defeated Bálor in a singles match. At Hell in a Cell on June 5, The Judgment Day (Edge, Priest and Rhea Ripley) defeated Styles, Finn Bálor and Liv Morgan in a six-person mixed tag team match. The next night on Raw, Edge introduced Bálor as the newest member of The Judgment Day. However, Bálor, Priest and Ripley suddenly attacked Edge, kicking him out of the stable. The Judgment Day then began a feud with the Mysterios (Rey and Dominik) in an attempt to recruit Dominik into their ranks. At SummerSlam on July 30, Priest and Bálor were defeated by the Mysterios following interference from a returning Edge. At Clash at the Castle, Priest and Bálor lost to Edge and Rey Mysterio in a tag team match, where Dominik turned heel on both of them to join The Judgment Day. On November 5, at Crown Jewel, Priest, Bálor, and Dominik defeated The O.C. (Styles, Luke Gallows, and Karl Anderson) in a six-man tag team match after interference from Ripley. On the November 28 episode of Raw, The Judgment Day defeated The O.C in an eight-person mixed tag team match to end their feud.

On the January 9, 2023 episode of Raw, Priest, Bálor and Dominik won a tag team turmoil match for a Raw Tag Team Championship opportunity against The Usos. At Raw is XXX on January 23, The Usos successfully defended the championship against Priest and Dominik despite Jimmy Uso's injury, with Sami Zayn taking Jimmy's place. At the Royal Rumble on January 28, Priest entered the Royal Rumble match at #22 and although he and Balor were eliminated by the returning Edge, they eliminated him as a result with help from Dominik afterwards. On the February 6 episode of Raw, Priest defeated Angelo Dawkins to qualify for the Elimination Chamber match for the United States Championship. At Elimination Chamber on February 18, Priest failed to win the title inside the namesake structure.

Professional wrestling style and persona
Martinez is known to have a deep voice, which has helped him in his promos to maintain the menacing, dark character while working as Punishment Martinez in ROH Wrestling. In WWE, "Damian Priest" was previously intended to be a similar, but darker, more intense character than the characters that Martinez has represented previously in other promotions, however, his character gradually evolved and developed a more machismo, rockstar-like attitude that pursues more fame, recognition and success, and the character is further emphasized by portraying bars, parties and women frequently with him in backstage segments. Therefore, he has been referred to as "The Archer of Infamy".

On the October 25 episode of Raw, Martinez debuted a new theme song, new mannerisms, and a slightly changed appearance, suggesting a character change. The new character and the theme song culminates two sides of Priest: one side is the calm, composed side known as "The Priest", similar to his previous character, and the other is a new darker, fiercer side known as "The Damian", which would be seen if Priest would get provoked or disrespected.

His wrestling style involves various power moves as well as high flying moves, and his striking is heavily influenced by his background in martial arts. He uses the Razor's Edge (a crucifix powerbomb, inherited from Razor Ramon, his childhood wrestling idol) and also a release suplex slam which has been dubbed Broken Arrow. His finisher is a rolling cutter called The Reckoning. After debuting on the main roster, it was renamed Hit The Lights since the 2021 Royal Rumble, potentially due to sharing the name with Mia Yim, also known as "Reckoning" at the time, as a member of Retribution. The name was reverted back to The Reckoning on July 26, 2021 episode of Raw. He also used a sitout chokeslam called the South of Heaven as his finisher, when he was working with ROH, which he still uses in the WWE as one of his signature moves, but not as a finisher.

Personal life
Martinez is a melophile, being heavily influenced by rock and heavy metal. He and his family has known and interacted with various music bands and personalities, like Bad Bunny, Dee Snider, and Eddie Ojeda.

Martinez is also a big fan and a collector of hand-to-hand combat weapons.

Martinez' inspirations in wrestling are Pedro Morales, Scott Hall and The Undertaker. He is friends with Keith Lee, Matt Riddle and Rhea Ripley.

Championships and accomplishments
Keystone Pro Wrestling
KPW Tag Team Championship (1 time) – with Matthew Riddle
Monster Factory Pro Wrestling
MFPW Heavyweight Championship (3 times)
MFPW Tag Team Championship (2 times) – with Brolly (1) and Q. T. Marshall (1)
MFPW Invitational (2016)
Pro Wrestling Illustrated
Ranked No. 85 of the top 500 singles wrestlers in the PWI 500 in 2021
Ring of Honor
ROH World Television Championship (1 time)
Survival of the Fittest (2017)
WWE
 WWE United States Championship (1 time)
 NXT North American Championship (1 time)
 Wrestling Observer Newsletter
 Worst Match of the Year (2021)

References

External links

1982 births
American male professional wrestlers
American sportspeople of Puerto Rican descent
Entertainers from the Bronx
Gōjū-ryū practitioners
American male karateka
Living people
NXT North American Champions
NWA/WCW/WWE United States Heavyweight Champions
Professional wrestlers from New York (state)
Puerto Rican male professional wrestlers
ROH World Television Champions
Sportspeople from the Bronx
21st-century professional wrestlers
Professional wrestlers from New York City


text:
Winden kan syfta på:

Geografi

Tyskland

 Winden, Rhein-Lahn – kommun i Rhein-Lahn-Kreis, Rheinland-Pfalz,
 Winden, Germersheim – kommun i Landkreis Germersheim, Rheinland-Pfalz,

Österrike

 Winden am See (kommunhuvudort), Burgenland, Politischer Bezirk Neusiedl am See,
 Winden am See (kommun), Burgenland, Politischer Bezirk Neusiedl am See,

Personer
 Christer Windén (1944–), en svensk före detta politiker (nydemokrat) och riksdagsledamot

Robotskapade Österrikeförgreningar


text:
Portunov hram je hram na Forumu Boariumu u Rimu, koji je izvorno bio posvećen rimskom bogu Portunu, zaštitniku luka. Jedan je od najbolje sačuvanih hramova klasične antike.

Po svojoj konstrukciji, riječ je o jonskom pseudoperipteru s tetrastilnim portikom i celom, izgređaneom po etruščanskom običaju na visokom podiju, što učinjeno zbog blizine Tibera i česte opasnosti od poplava.

Hram se u rimsko doba nalazio blizu luke Portus Tiberianus, malo izvan rimskih gradskih vrata Porta Flumentana, te je moguće da je izvorno bio izgrađen još u vrijeme kada su Rimom vladali kraljevi.

Obnavljan je više puta, a sadašnje prostilno zdanje iz 1. stoljeća pr. K. ima pronaos tj. trijem pred svetištem širok četiri, a dubok dva stupa, dok ja sama cela smještena u prostoru između pet uzdužnih i četiri poprečna jonska polustupa.

Visoki podij od nabijenog kamena obložen je pločama od travertina, dok su zidovi zdanja od tufa. Stupovi, te njihove baze i kapiteli također su od travertina.

Hram je bio ukrašen dekoracijom od štuka, koja nažalost nije sačuvana.

Sačuvan je međutim izvorni kameni oluk – sima, kojeg ukrašavaju brojne vodorige u obliku lavljih protoma.

Hram se nalazio na Forumu Boariumu, nekadašnjoj stočnoj tržnici grada Rima na koju je stoka stizala rijekom iz pravca Ostije.

Dobru očuvanost ovoga hrama dugujemo činjenici da je u 9. st. bio pretvoren u kapelu sv. Marije Egipatske.

Ljubitelji starina ovaj su hram još davno nazvali hramom Fortune virilis (tj. hramom muževne sreće), te ga se i danas često spominje pod tim pogrešnim imenom.

Arhitekti renesanse i kasnijih stilskih razdoblja često su se divili skladnom jonskom redu ovoga hrama čijim su prikazima stoga često bile ilustrirane knjige, te je na razne načine bio izravno i neizravno imitiran.

U svojoj glasovitoj "Povijesti umjetnosti", H. W. Janson je o ovome hramu napisao sljedeće:

Prekrasan mali "Hram Fortune virilis" (ime je čista izmišljotina jer bi se reklo da je hram bio posvećen rimskom bogu luka Portunu) je najstariji dobro očuvan primjer svoje vrste. sagrađen u posljednjim godinama 2. stoljeća pr. K., on podsjeća, elegantnim proporcijama svojih jonskih stupova i glavnog vijenca, na val grčkog utjecaja, koji je naišao poslije rimskog osvajanja Grčke. Pa ipak, on nije puka kopija grčkog hrama, jer u njemu raspoznajemo i određen broj etruščanskih elemenata: visok podij, dubok trijem i široku celu, koja je zahvatila i stupove peristila. S druge strane, cela više nije podijeljena na tri prostorijekao što je bila pod Etruščanima: ona sada zatvara jedan jedini i jedinstven prostor. Rimljanima su bile potrebne prostrane unutrašnjosti hramova, jer ih nisu koristili samo za smještaj kipa božanstva, već i za izlaganje trofeja (statua, oružja, itd) koje je donosila kući njihova osvajačka vojska. Tako je "Hram Fortune virilis" predstavljao dobro integriran tip hrama namijenjen rimskim potrebama, a ne slučajno križanje grčkih i etruščanskih elemenata. Predstojao mu je dug život; mnogi primjeri tog tipa, obično veći i s korintskim stupovima, nači će se još u s. st. poslije Krista, kako u Italiji, tako i u prijestolnicama provincija rimskoga carstva.

Literatura
All of Ancient Rome, Firenca, 1988., str. 94
Ezra Nahmad: The archaeological Center of Rome, Firenca, 1982., str. 27
H. W. Janson: Istorija umetnosti, Beograd, 1965., str. 131

Vidi također

 Umjetnost starog Rima
 Rimski hram

Rimska arhitektura
Građevine u Rimu
Rimski spomenici
Rimski arheološki lokaliteti u Italiji


text:
Bekzat Sattarkhanov, född 4 april 1980 i Türkistan, Kazakstan, död 31 december 2000 i Shymkent, Kazakstan, var en kazakisk boxare som tog OS-guld i fjäderviktsboxning 2000 i Sydney. På nyårsafton 2000 dog Sattarkhanov i en bilolycka, medan två av de andra i bilen överlevde.

Externa länkar
Olympisk profil

Kazakiska boxare
Olympiska guldmedaljörer 2000
Tävlande vid olympiska sommarspelen 2000 från Kazakstan
Tävlande i boxning vid olympiska sommarspelen 2000
Män
Födda 1980
Avlidna 2000
Kazakiska olympiska guldmedaljörer
Personer från Türkistan


text:
Commatica cryptina is a moth in the family Gelechiidae. It was described by Walsingham in 1911. It is found in Mexico (Tabasco).

The wingspan is 8–9 mm. The forewings are dark tawny brownish fuscous, slightly bestrewn with steely grey scales and with a slender pale steel-grey streak running obliquely outward from the commencement of the costal cilia to a little below the apex, where it is angulated and continued indistinctly to the tornus. The hindwings are dark bronzy brownish.

References

Commatica
Moths described in 1911


text:
Rogożówka – strumień we Wrocławiu, prawostronny dopływ Bystrzycy, długości ok. 4,5 km. Wypływa z łąk na zachód od Maślic Wielkich (w okolicach ul. Królewieckiej i Narzędziowej), skąd kieruje się na północ przecinając ul. Maślicką, biegnie wzdłuż ul. Brodzkiej, a potem wzdłuż Karczemnej omijając od wschodu Pracze Odrzańskie, po czym przepływa przez stawy powstałe po odcięciu starorzecza Odry przez Groblę Pilczycko-Pracką, a następnie wpada do Bystrzycy w rejonie Szańca Pandurów w Nowej Karczmie, niespełna pół kilometra przed ujściem Bystrzycy do Odry.

Strumień ten do 1945 r. nosił nazwę Keul Graben.

Bibliografia
 Encyklopedia Wrocławia
 plan Wrocławia, wyd. Städtische Vermessungamt Breslau, 1939
 plan Wrocławia, wyd. Eko-Graf, 1999

Rzeki Wrocławia
Pracze Odrzańskie


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Ponthir är en community i Storbritannien.   Den ligger i kommunen Torfaen och riksdelen Wales, i den södra delen av landet,  km väster om huvudstaden London.

Förutom samhället Ponthir ingår även samhället Llanfrechfa i communityn.

Källor

Communities i Torfaen


text:
La comunità amministrativa di Maikammer (Verbandsgemeinde Maikammer) si trova nel circondario della Weinstraße Meridionale nella Renania-Palatinato, in Germania.

Comuni
Fanno parte della comunità amministrativa i seguenti comuni:

(Abitanti al )

Note

Altri progetti

Collegamenti esterni

Maikammer


text:
Liguriska republiken var en kortlivad fransk lydstat bildad av Napoleon den 14 juni 1797. Republiken bestod av den gamla Republiken Genua som täckte den större delen av den liguriska regionen i nordvästra Italien, och Tysk-romerska rikets förläningar som ägdes av Huset Savojen. Den första konstitutionen utfärdades den 22 december 1797 om ett upprättande av en republik.

Republiken var kort ockuperad av österrikiska styrkor år 1800, men Napoleon återvände snart med sin armé. En ny konstitution utfärdades 1801 som mer liknade den som Republiken Genua hade, då en doge var ordförande i senaten.

I juni 1805 annekterades området av det Första franska kejsardömet som departementen Apennins, Gênes och Montenotte. Efter Napoleons nederlag 1814 återställdes republiken kort mellan den 28 april och den 28 juli. Efter Wienkongressen tilldelades republiken till Kungariket Sardinien som annekterade området den 3 januari 1815. Liguriska republiken använde den traditionella genuesiska flaggan med ett rött kors mot en vit bakgrund.

Källor

Historiska italienska stater
Historiska republiker
Stater och territorier bildade 1797
Stater och territorier upplösta 1805
Ligurien


text:
Lars Andersson (i riksdagen kallad Andersson i Klostergården Valla), född 18 december 1784 i Fägre socken, död där 19 augusti 1833, var en svensk riksdagsman i bondeståndet.

Andersson företrädde Vadsbo härad av Skaraborgs län vid riksdagarna 1823 och 1828–1830.

Vid sin första riksdag 1823 var han ledamot i bevillningsutskottet, i förstärkta allmänna besvärs- och ekonomiutskottet och i förstärkta bankoutskottet. Under sin nästa riksdag 1828–1830 var han fiskal inom bondeståndet, elektor för ståndets utskottsval och ledamot i bankoutskottet, ur vilket han avgick.

Referenser

Noter

Män
Bondeståndets riksdagsledamöter
Svenska politiker under 1800-talet
Födda 1784
Avlidna 1833
Personer från Fägre socken


text:
Karl Elis Axel Bratt, född 5 januari 1907 i Umeå landsförsamling, Västerbottens län, död 31 januari 1998 i Hudiksvall, var en svensk präst. Han var far till Ingvar Bratt.

Bratt, som var son till slottspastor Elis Bratt och Elvina Rinman, blev efter studentexamen i Stockholm 1926 teologie kandidat i Uppsala 1932. Han var pastor och lärare vid skyddshemmet Hall 1933–1935, blev stiftsadjunkt i Uppsala ärkestift 1935, komminister i Hudiksvall 1939, var pastor vid Sophiahemmets sjukhus och assistent vid Sankt Lukasstiftelsen i Stockholm 1953–1955 och kyrkoherde i Hudiksvall 1955–1967. Han var ledamot av Sveriges scoutförbunds högkvarter 1938–1942 och tilldelades nämnda förbunds förtjänsttecken i guld.

Bibliografi
Vandrarscoutboken (1942, andra upplagan 1944)
Det enda nödvändiga (1952)
Om själavård (1959, andra upplagan 1961, ny utgåva 1984)
För hjälp i nöd: studieplan i själavård (1960)
Människan inför sorgen (1963)
Guds orimliga bud (1969)

Källor

Präster i Svenska kyrkan
Präster verksamma i Hudiksvalls församling
Födda 1907
Avlidna 1998
Män
Präster från Umeå
Svenska präster under 1900-talet


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Tomáš Košický (Bratislava, 11 de março de 1986) é um futebolista eslovaco que atualmente joga pelo Novara.

Ligações externas

Naturais de Bratislava
Futebolistas da Eslováquia
Futebolistas do FK Inter Bratislava
Futebolistas do Calcio Catania
Futebolistas do Novara Calcio
Futebolistas do Asteras Tripolis FC
Jogadores da Seleção Eslovaca de Futebol