text:
La Vie Electronique 8 (LVE8) is een muziekalbum van Klaus Schulze, dat in 2010 voor de eerste keer als aparte set werd uitgegeven. Het bevat zowel live-opnamen (af en toe valt publiek te horen) als studio-opnamen.

Schulze had in de jaren 70 zoveel inspiratie dat hij lang niet al zijn muziek kwijt kon in de reguliere uitgaven die toen via Virgin Records uitkwamen. Daarbij is zijn stijl in de afgelopen decennia nauwelijks gewijzigd, alhoewel de albums met zangeres Lisa Gerrard, die rond 2008 verschenen, een donkerder geluid laten horen. LVE8 laat live/studio-opnamen horen uit het tijdperk, dat digitale toetsinstrumenten (nog) niet voorhanden waren en er gewerkt moest worden met de voorlopers van de synthesizer en de synthesizers zelf. Klaus Schulze zat tijdens concerten bijna geheel ingebouwd in de elektronische apparatuur. Delen van de opnamen van LVE8 waren eerder uitgegeven in de Jubilee Edition en The Ultimate Collection die in de jaren 90 verschenen, maar inmiddels uitverkocht zijn.

Musici
Klaus Schulze – synthesizers
Arthur Brown – zang op Faster than lightning
Steve Jolliffe – dwarsfluit en saxofoon op I remember Rahsaan
Michael Shrieve – slagwerk op A quick one en Count me in
Rainer Bloss – synthesizers op The martial law

Muziek

Muziekalbum uit 2010
Muziekalbum van Klaus Schulze
Livealbum


text:
Butler hace referencia a:

Personajes
 Samuel Butler

 George Ide Butler (1834–1918), pastor, administrador y autor adventista.
 Nicholas Murray Butler (1862-1947), pedagogo y filósofo estadounidense, premio Nobel de la Paz en 1931.
 William Butler Yeats (1865-1939), poeta irlandés, premio Nobel de Literatura en 1923.
 John Washington Butler (1875-1952), granjero estadounidense, miembro de la Cámara de Representantes de Ténesi.
 W. E. Butler (1898-1978), escritor ocultista británico.
 Basil Christopher Butler (1902–1986), obispo benedictino inglés
 Geezer Butler (1949), bajista británico del grupo de heavy metal Black Sabbath.
 Judith Butler (1956) filósofa post-estructuralista, feminista y teórica queer de Estados Unidos.
 Gerard Butler (1969), actor, cantante y productor de cine británico.
 Yancy Butler (1970) actriz estadounidense
 Jimmy Butler (1989), baloncestista estadounidense.

Lugares
 Universidad Butler, institución académica de enseñanza superior ubicada en Indianápolis, Estados Unidos de América.
 Butler Bulldogs, equipos deportivos de la Universidad Butler.
 Butler (bridge), método suplementario de computar los resultados de las parejas en los torneos de bridge por equipos, para evaluar su rendimiento, consistente en comparar el resultado obtenido en cada mano contra una media o el par de la mano.
 Butler, un pueblo en el estado de Alabama (Estados Unidos).
 Butler, condado del estado de Misuri, Estados Unidos.

redpajama_set_name: RedPajamaWikipedia


text:
The Shelbourne Irish Open was a tennis tournament held in Dublin, Ireland between 2006 and 2008. The event was part of the ''challenger series and was played on outdoor carpet courts.

Past finals

Singles

Doubles

External links

ITF search

ATP Challenger Tour
Tennis tournaments in Ireland
Sports competitions in Dublin (city)
Carpet court tennis tournaments


text:
NGC 4833 (noto anche come C 105) è un notevole ammasso globulare situato nella costellazione australe della Mosca.

Fu avvistato per la prima volta dall'abate Lacaille nel 1752, dal Sudafrica; si individua con facilità poco più di mezzo grado a nord della stella Delta Muscae, di terza magnitudine. È visibile attraverso un binocolo 10x50 come una debole macchia chiara di forma circolare, mentre un telescopio Newtoniano di 200mm già inizia a risolverlo in stelle; appare piuttosto concentrato (classe VII) e dominato a nord da una stellina di nona magnitudine che di certo nulla ha a che fare con l'ammasso. Disterebbe oltre 21.000 anni-luce dal Sole.

Bibliografia

Tirion, Rappaport, Lovi, Uranometria 2000.0, William-Bell inc. ISBN 0-943396-14-X

Voci correlate
Oggetti non stellari nella costellazione della Mosca

Altri progetti

Collegamenti esterni

Ammassi globulari
4833
0105
Corpi celesti scoperti nel 1752
Oggetti nella costellazione della Mosca


text:
K Alexander
(born October 9, 1992) is a Canadian actor, writer, web series creator and YouTube personality, best known as LaFontaine in the popular LGBT web series Carmilla (2014–2016). In 2016, their Kickstarter and Indiegogo-funded web series Couple-ish (2015–2017) was nominated for a Streamy Award.

Early life
Alexander grew up in Ottawa, Ontario. As a child, they were very shy and found that a mandatory acting class led to improved self-confidence.

Alexander attended the University of Toronto Mississauga in conjunction with Sheridan College for Theatre and Drama Studies.

Career
Alexander began a YouTube channel on June 15, 2011. Alexander's videos began to gain traction in 2014, when they became well known for playing LaFontaine in the web series Carmilla. In 2016, Alexander played Max in five episodes of Full Out. In the same year Alexander starred in the music video Melete by Laurence Made Me Cry.

In addition to working as an actor, Alexander is also a musician and a writer  and is also the creator of the web series Couple-ish, in which Alexander acts as a main character, writer, producer and theme song singer. Alexander plays the lead role, Dee Warson, who is a non-binary and pansexual artist. The series was funded through a successful Kickstarter campaign, which raised over $29,000 CAD. In 2016, the series was nominated for a Streamy Award in the Best Indie category, but ultimately lost to Brooklyn Sound.

Another successful Indiegogo campaign was launched in November 2016 to fund a second season, with a fixed goal of $45,000 USD. The second season premiered on April 29, 2017.

Other work
On January 26, 2019, Alexander digitally released a debut EP titled Time Tells, produced by Erik Solarski (aka Soles), the co-writer of the Carmilla theme song "Love Will Have Its Sacrifices".

Alexander was also the co-host of the Orphan Black after-show podcast.

Personal life
Alexander lives in Toronto, Ontario and identifies as queer and non-binary. Alexander prefers singular they/them pronouns. Alexander credited LaFontaine, the non-binary Carmilla character whom they played, with helping them to discover and accept their own identity.

Filmography

References

External links

1992 births
Actors from Ottawa
Canadian web series actors
Canadian television producers
Living people
Writers from Ottawa
Canadian LGBT actors
Canadian non-binary actors
Canadian non-binary writers
21st-century Canadian actors
21st-century Canadian LGBT people


text:
Francisco Javier Asarta Ferraz (Graus, Aragó 1936) és un arquitecte i professor universitari aragonès.

Va néixer el 3 de desembre de 1936 a la població de Graus, situada a la comarca de la Ribagorça (Huesca). Establert a Catalunya va estudiar arquitectura a l'Escola Tècnica Superior d'Arquitectura de Barcelona, que en aquells moments formava part de la Universitat de Barcelona i que avui en dia forma part de la Universitat Politècnica de Catalunya, on es va graduar el 1966 i en la qual fou professor entre 1966 i 1991. Membre fundador de la Comissió de Defensa del Patrimoni Arquitectònic Català, entitat dependent de la Generalitat de Catalunya, és membre del Col·legi d'Arquitectes de Catalunya.

L'any 1997 fou guardonat, juntament amb Robert Brufau i Raquel Lacuesta, amb el Premi Nacional de Patrimoni Cultural concedit per la Generalitat de Catalunya per la restauració de la Casa Milà.

Referències

Enllaços externs
  Informació sobre la restauració de la Fàbrica Casaramona

Arquitectes aragonesos
Premis Nacionals de Patrimoni Cultural
Persones de Graus
Arquitectes de l'àmbit catalanoparlant
Artistes de la Franja de Ponent


text:
Municipis francesos:
 Saint-Agnan (Aisne)
 Saint-Agnan (Nièvre)
 Saint-Agnan (Saona i Loira)
 Saint-Agnan (Tarn)
 Saint-Agnan (Yonne)

amb noms compostos:
 Saint-Agnan-de-Cernières
 Saint-Agnan-en-Vercors
 Saint-Agnan-le-Malherbe
 Saint-Agnan-sur-Erre
 Saint-Agnan-sur-Sarthe

Vegeu també
 Saint-Agnant
 Saint-Aignan


text:
Het Museum voor Schone Kunsten van Calais (Frans: Musée des Beaux Arts de Calais) is een kunstmuseum in de Franse stad Calais, gelegen aan Rue Richelieu 25.

Het museum toont een grote verzameling schilderijen, aquarellen, beeldhouwwerken, ontwerpen en foto's van de 16e tot de 21e eeuw. Uit Vlaanderen zijn er werken van Pieter Pourbus en Peter Paul Rubens. Verder werk van François Clouet, Nicolas de Largillière en Jean-Honoré Fragonard. Een zaal is gewijd aan beeldhouwer Auguste Rodin en zijn werk De Burgers van Calais. Voorts werk van Antoine-Louis Barye, Émile-Antoine Bourdelle, Anthony Caro en Germaine Richier. Uit de streek van Calais is werk te zien van Louis Francia, Henri Lhotellier en Jean Roulland.

Er is ook een verzameling kant en een verzameling Gallo-Romeinse voorwerpen.

Kunstmuseum in Frankrijk
Calais
Schone Kunsten


text:
Willem Pijnssen van der Aa (1567 - 1641) was een kolonel in het Staatse leger en gouverneur van Rees. Pijnssen was een Brabander die in 1597 benoemd werd tot kapitein der musketiers in het leger van Maurits van Nassau. In die functie nam hij deel aan de Slag bij Turnhout en Nieuwpoort. Tijdens het Beleg van Groenlo had hij 17 vendels onder zijn hoede in een eigen kwartier. Tijdens het beleg van 's-Hertogenbosch kreeg hij als kolonel de leiding over 24 vaandels voetknechten dat gelijkstaat aan 3.000 man. Zijn taak tijdens de belegering was het verdedigen van een groot fort bij Deuteren.

Literatuur

Staats militair in de Tachtigjarige Oorlog
Persoon in de Nederlanden in de 16e eeuw
Persoon in de Nederlanden in de 17e eeuw
16e-eeuws militair
17e-eeuws militair


text:
Krukken zijn geneeskundige hulpmiddelen die gebruikt worden als iemand gewond is aan zijn been of benen, of als zijn benen geen gewicht mogen of kunnen dragen. Wanneer het om een blessure gaat, die weer overgaat, kunnen mensen gedurende de tijd van hun revalidatie krukken gebruiken. Een wandelstok dient hetzelfde doel als een kruk, is door zijn afmeting eenvoudiger te hanteren, maar kan minder steun bieden dan een kruk. Krukken werden al in de tijd van het oude Egypte gebruikt.

Er bestaan verschillende soorten krukken. De meest voorkomende krukken hebben een steun voor de onderarm, deze heten een elleboogkruk. Elleboogkrukken kunnen altijd in hoogte worden versteld, maar het is met deze krukken tijdens het lopen bijna niet mogelijk iets in de handen te houden. Er zijn ook krukken die tot onder de oksels komen, of krukken waarbij het gewonde been bij de knie op de kruk kan rusten. Deze laatste soort geeft ook meer vrijheid aan de handen. Het nadeel daarvan is een grotere druk op de oksel tijdens het lopen.

Er zijn verschillende manieren zich met krukken voort te bewegen. Met elleboogkrukken worden die eerst naar voor geplaatst en wanneer een van de beide benen niet kan worden belast, beweegt men daarna beide benen naast elkaar naar voren en komt het gewicht op de gezonde voet. Wanneer het gewonde been al enigszins mag worden belast, beweegt men dat been samen met de krukken naar voren. De persoon verlegt zijn gewicht naar de krukken en zet zijn gezonde voet dan naar voren. Dan lijkt het al veel meer op gewoon lopen.

Een kruk is in de iconografie is het symbool van ouderdom of van de kreupelen en als zinnebeeld van degenen die voor hen zorgen. Een kruk is het attribuut van Vadertje Tijd en Saturnus. De manke god Vulcanus wordt soms met een kruk afgebeeld. Een kruk is in de christelijke kunst het attribuut van Antonius van Egypte, Johannes Gualbertus en Romualdus.

Orthopedisch hulpmiddel


text:
Roman Leitner (* 23. září 1976) je bývalý český fotbalista, obránce.

Fotbalová kariéra
V české lize hrál za FC Slovan Liberec. Nastoupil ve 2 ligových utkáních. V nižších soutěžích hrál za FK Mladá Boleslav, SK Spolana Neratovice, PFC Český Dub, FK Varnsdorf, FK Admira Praha a FK Arsenal Česká Lípa.

Ligová bilance

Literatura
 Jindřich Horák, Lubomír Král: Encyklopedie našeho fotbalu – Libri 1997
 Radovan Jelínek, Miloslav Jenšík a kol.: Atlas českého fotbalu – Radovan Jelínek 2006

Externí odkazy
 Fotbal - Počty startů hráčů v I. lize ČR
 Fotbal - Počty startů hráčů v II. lize ČR
 II. liga v sezóně 2000-2001
 ePojisteniliga.cz
 FC Slovan Liberec

 Fotbalista Roman Leitner v Lípě nečekaně skončil!
 Trenéra Vávru střídá asistent Leitner.
 Hrál proti Nedvědovi. Teď zachraňuje Fatru

Čeští fotbalisté
Fotbalisté FC Slovan Liberec
Fotbalisté FK Mladá Boleslav
Narození v roce 1976
Žijící lidé
Muži


text:
ISS Pro Evolution (known as World Soccer: Jikkyou Winning Eleven 4 in Japan) is the third video game in the ISS Pro series, developed exclusively for the PlayStation by Konami Computer Entertainment Tokyo, a division of Konami.

Content
The number of international teams has been increased from the previous release. The teams are still not licensed, although they have their original home, away and goalkeeper kits with emblems and logos resembling their official emblems. However, like in ISS Pro 98, player names are misspelled, but most of them sound right while being pronounced, such as Nigel Martyn being known in the game as "Martin" (the unlicensed name has the same pronunciation as the real name). Nonetheless, some players have their real names. These players include Rafael Márquez, Sol Campbell, David Regis and Maik Taylor. Each team consists of 22 players.

In ISS Pro Evolution, for the very first time in the series club teams have been included (there are 16 clubs featured in the game, such as FC Barcelona) along with national teams; however, they could only be played in the new mode Master League, unless the player has exported the team on the memory card. Club teams are named with their respective city names in reference to their real-life equivalents, such as "London" and "Amsterdam" for Arsenal and Ajax, respectively. Just like national teams, club teams consist of 22 players. The line-ups reflect the actual squads of the 1998/1999 season, as well as the uniforms.

The 10 different stadiums included in ISS Pro Evolution are no longer generic stadiums named in letters order like in previous versions (although there is an imitation of the old Wembley Stadium in ISS Pro 98). The stadiums' fictional names stand for their real-life equivalents; for example, Stamford Bridge is named "Blue Bridge", while Old Trafford appears as "Trad Brick Stadium".

Master League
One of the main new features of ISS Pro Evolution is a new game mode named the Master League. The Master League is an exclusive league consisting of 16 club teams included in the game reflecting the best European clubs of that time. Regardless which team you choose to play its squad will be replaced with generic squad consisting of fictional players. The idea of the Master League, beside winning the whole competition, is to complete a squad with real players on terms of transfers. The transfers are based on exchanging players for points you gain according to your match record, which is calculated accordingly to the results achieved - a victory equals 8 points and a draw gains 4 points. Bonus points depending on the goal difference at the end of the match are added to the total point score as well (the bonus is adjusted to the difficulty of the Master League thus goal difference on the hard difficulty level is multiplied by 2). Upon completion of the Master League, due to the lack of different divisions, clubs are not promoted or relegated, regardless of their finishing position. Instead, the Master League begins from the start, and all players acquired from transfers are kept in the player's squad, and the player can continue playing the Master League to eventually buy more players with their acquired points until the player has finally created their desired squad, since the Master League never actually finishes and always loops after all matches have been played. The player's squad can be exported outside of the Master League for use in other game modes such as the Training Mode and Exhibition matches.

The Master League game mode is present in every subsequent version in the ISS and PES series. In successive versions of the series, throughout many modifications and improvements, the later versions of the Master League differ a lot from the original Master League used in ISS Pro Evolution, since the newer PES games are an emulation of a whole season with promotions and relegations being added due to new divisions, rather than having only one division.

Reception

"The best football game ever made", 5/5, Computer and Video Games Magazine
"Breath-taking in every aspect", 9/10, Official PlayStation Magazine
"The best football game we have ever seen", 97%, Play Magazine
"ISS is an utterly brilliant game!", 98%, PlayStation Power Magazine

Besides many flattering reviews, the game also won the ECTS Interactive Entertainment Award in 1999.

See also
International Superstar Soccer Pro
International Superstar Soccer Pro 98
ISS Series
Winning Eleven

References

External links
ISS Pro Evolution at MobyGames.com
ISS Pro Evolution at Neoseeker.com: reviews, faqs and cheats

1999 video games
Konami games
PlayStation (console) games
PlayStation (console)-only games
International Superstar Soccer
Video games scored by Akira Yamaoka
Video games developed in Japan


text:
Edulji Bujorji 'Eddie' Aibara (25 April 1914 – 7 November 2000) was an Indian first-class cricketer who played for Hyderabad in the Ranji Trophy.

Although most of his first-class games were for Hyderabad (51), Aibara represented several additional sides, the other twenty being divided mostly between the Parsees cricket team and South Zone.

Aibara was a right-handed middle order batsman and often captained Hyderabad. He played a part in both of Hyderabad's two Ranji Trophy wins despite them being 50 years apart, as a player in 1937–38 where he scored the match winning hundred and as coach in 1986–87. His effort in the 1937–38 Final against Nawanagar is what he is best remembered for, his innings of 137 not out came in a game where the next highest score by a player from either team was 67 and it was his maiden first-class hundred. Hyderabad had been dismissed for just 113 in their first innings and were set the task of chasing 310 to win in the fourth innings. Aibara came into bat with his side at 3 for 67 and guided Hyderabad home with just one wicket to spare.

He retired in 1959 after making 2849 runs at 38.50 for Hyderabad with nine hundreds. The highest of those was an unbeaten 144 which he made as captain in a win against Central Provinces and Berar in 1949/50.

Aibara died at the age of 86 in 2000 after he had a fall on the way to a coaching clinic in Vijayawada and his health deteriorated in the following months before he slipped into a coma from which he would never wake.

References

External links

1914 births
2000 deaths
Indian cricketers
Hyderabad cricketers
Parsees cricketers
South Zone cricketers


text:
In molecular biology, the cyanobacterial clock proteins are the main circadian regulator in cyanobacteria. The cyanobacterial clock proteins comprise three proteins: KaiA, KaiB and KaiC. The kaiABC complex may act as a promoter-nonspecific transcription regulator that represses transcription, possibly by acting on the state of chromosome compaction. This complex is expressed from a KaiABC operon.

See also: bacterial circadian rhythms

In the complex, KaiA enhances the phosphorylation status of kaiC. In contrast, the presence of kaiB in the complex decreases the phosphorylation status of kaiC, suggesting that kaiB acts by antagonising the interaction between kaiA and kaiC. The activity of KaiA activates kaiBC expression, while KaiC represses it.

Also in the KaiC family is RadA/Sms, a highly conserved eubacterial protein that shares sequence similarity with both RecA strand transferase and lon protease. The RadA/Sms family are probable ATP-dependent proteases involved in both DNA repair and degradation of proteins, peptides, glycopeptides. They are classified in as non-peptidase homologues and unassigned peptidases in MEROPS peptidase family S16 (lon protease family, clan SJ). RadA/Sms is involved in recombination and recombinational repair, most likely involving the stabilisation or processing of branched DNA molecules or blocked replication forks because of its genetic redundancy with RecG and RuvABC.

Structure

The overall fold of the KaiA monomer is that of a four-helix bundle, which forms a dimer in the known structure. KaiA functions as a homodimer. Each monomer is composed of three functional domains: the N-terminal amplitude-amplifier domain, the central period-adjuster domain and the C-terminal clock-oscillator domain. The N-terminal domain of KaiA, from cyanobacteria, acts as a pseudo-receiver domain, but lacks the conserved aspartyl residue required for phosphotransfer in response regulators. The C-terminal domain is responsible for dimer formation, binding to KaiC, enhancing KaiC phosphorylation and generating the circadian oscillations. The KaiA protein from Anabaena sp. (strain PCC 7120) lacks the N-terminal CheY-like domain.

KaiB adopts an alpha-beta meander motif and is found to be a dimer or a tetramer.

KaiC belongs to a larger family of proteins; it performs autophosphorylation and acts as its own transcriptional repressor. It binds ATP.

Alternate arrangements

History of discovery
Due to the lack of a nucleus in these organisms, there was doubt as to whether or not cyanobacteria would be able to express circadian rhythms. Kondo et al. were the first to definitively demonstrate that cyanobacteria do in fact have circadian rhythms.
In a 1993 experiment, they used a luciferase reporter inserted into the genetically tractable Synechococcus sp., which was grown in a 12:12 light-dark cycle to ensure "entrainment". There were two sets of bacteria so that one was in light while the other was in darkness during this entrainment period. Once the bacteria entered the stationary phase, they were transferred into test tubes kept in constant light, except for 5-minute recording periods every 30 minutes, in which the tubes were kept in darkness to measure their levels of bioluminescence.
They found that the level of bioluminescence cycled at a near 24-hour period, and that the two groups oscillated with opposite phases. This led them to conclude that the Synechococcus sp. genome was regulated by a circadian clock. (1)

Function in vitro
The circadian oscillators in eukaryotes that have been studied function using a negative feedback loop in which proteins inhibit their own transcription in a cycle that takes approximately 24 hours. This is known as a transcription-translation-derived oscillator (TTO).(2) Without a nucleus, prokaryotic cells must have a different mechanism of keeping circadian time.
In 1998, Ishiura et al. determined that the KaiABC protein complex was responsible for the circadian negative feedback loop in Synechococcus by mapping 19 clock mutants to the genes for these three proteins.(3)
An experiment by Nakajima et al., in 2005, was able to demonstrate the circadian oscillation of the Synechococcus KaiABC complex in vitro. They did this by adding KaiA, KaiB, KaiC, and ATP into a test tube in the approximate ratio recorded in vivo. They then measured the levels of KaiC phosphorylation and found that it demonstrated circadian rhythmicity for three cycles without damping. This cycle was also temperature compensating.
They also tested incubating mutant KaiC protein with KaiA, KaiB, and ATP. They found that the period of KaiC phosphorylation matched the intrinsic period of the cyanobacterium with the corresponding mutant genome. These results led them to conclude that KaiC phosphorylation is the basis for circadian rhythm generation in Synechococcus. (2)

Cyanobacterial clocks as model systems
Cyanobacteria are the simplest organisms that have been observed demonstrating circadian rhythms.(2)(3) The primitiveness and simplicity make the KaiC phosphorylation model invaluable to circadian rhythm research. While it is much simpler than models for eukaryotic circadian rhythm generators, the principles are largely the same. In both systems the circadian period is dependent on the interactions between proteins within the cell, and when the genes for those proteins are mutated, the expressed period changes. (1)(2)
This model of circadian rhythm generation also has implications for the study of circadian "evolutionary biology". Given the simplicity of cyanobacteria and of this circadian system, it may be safe to assume that eukaryotic circadian oscillators are derived from a system similar to that present in cyanobacterium. (1)

References

Protein domains


text:
The men's 1000 metre sprint was one of seven track cycling events on the Cycling at the 1908 Summer Olympics programme. Its distance was the second shortest of the individual event distances. Each nation could enter up to 12 cyclists.

Background

This was the third appearance of the event, which has been held at every Summer Olympics except 1904 and 1912. None of the finalists from 1900 returned.

Canada, Great Britain, the Netherlands, South Africa, and Sweden each made their debut in the men's sprint. France and Germany made their third appearance, having competed in both previous editions of the event.

Competition format

The 1000 metre sprint race consisted of approximately 1  laps of the 660 yard track. The time limit for the race was 1 minute and 45 seconds. The competition was conducted in three rounds (quarterfinals, semifinals, and a final). The quarterfinals featured 16 heats, with up to 4 cyclists each. The winning cyclist in each heat advanced to the semifinals, provided that the time limit was not exceeded. The semifinal round comprised 4 semifinals, each with 4 cyclists except that 2 were reduced to 3 cyclists because two of the heats had resulted in no winner under the time limit. Again, the winning cyclist in each semifinal advanced to the final.

Records

The records for the sprint are 200 metre flying time trial records, kept for the qualifying round in later Games as well as for the finish of races.

* World records were not tracked by the UCI until 1954.

The 200 metre sprint splits were not tracked for this Games, so no new records were set.

Schedule

Results

Quarterfinals

Quarterfinal 1

Johnson won by two lengths.

Quarterfinal 2

Poulain was a wheel behind Venter.

Quarterfinal 3

Hansson was one length behind Schilles.

Quarterfinal 4

Flynn won by two lengths.

Quarterfinal 5

Nijland trailed Payne by a length and a half.

Quarterfinal 6

Quarterfinal 7

Neumer won by two lengths.

Quarterfinal 8

Cameron won by two lengths.

Quarterfinal 9

Morton was two and a half lengths behind Demangel.

Quarterfinal 10

Auffray was the only starter in the heat.

Quarterfinal 11

Morisetti was the only starter in the heat.

Quarterfinal 12

Marechal was one length behind Jones.

Quarterfinal 13

Summers was nearly two lengths behind Texier.

Quarterfinal 14

Lavery won easily.

Quarterfinal 15

Quarterfinal 16

Semifinals

Semifinal 1

Neumer was inches behind Johnson.

Semifinal 2

Payne was over a length behind Schilles; placement of the three non-qualifiers is unclear.

Semifinal 3

Jones won by half a wheel.

Semifinal 4

Morisetti was two lengths behind Kingsbury.

Final

Johnson suffered a punctured wheel shortly after the start, and retired. The other three riders crawled around the track, jockeying for position. When the final sprint occurred on the last lap, Kingsbury also punctured a tyre when entering the main straight. Jones and Schilles raced to the finish line, with Schilles winning by a couple of inches. However the race took longer than the 1 minute 45 second time limit, and was declared void. Much to the surprise of spectators and the competitors, the National Cyclists Union refused to allow the race to be rerun. According to the Official Report, "the Frenchman apparently won by inches, but the Judge did not officially place the riders."

Notes

Sources

 De Wael, Herman. Herman's Full Olympians: "Cycling 1908". Accessed 7 April 2006. Available electronically at  .

Men's sprint
Track cycling at the 1908 Summer Olympics
Cycling at the Summer Olympics – Men's sprint


text:
George Alexander (22 April 1851 – 6 November 1930) was an Australian cricketer and team manager. He played for Victoria and for Australia. Alexander's place of birth is variously given as Britwell Salome, Oxfordshire, England or Fitzroy, Victoria; the latter appearing in Alexander's obituary in the 1931 edition of Wisden Cricketers' Almanack.

Cricket career
Alexander was a forceful bat and a fast roundarm bowler, who also acted as the manager of the Australian teams that toured England under Billy Murdoch in 1880 and 1884. He also managed the England tour of 1882–83 under Ivo Bligh that went to Australia to retrieve The Ashes.

In 1880, in addition to his management duties, Alexander was one of the leading bowlers of the team that visited other colonies as well as England. On the tour as a whole, he took 109 wickets at an average of nine runs each. He played in the first Test match on English soil at The Oval, took two wickets and with Murdoch added 52 runs for the ninth wicket, which helped avoid an innings defeat. He played a second Test match four years later at the Adelaide Oval, but did not take a wicket.

Later years and death
According to the Preston Leader, Alexander was a keen lawn bowls player as captain of Northcote Bowling Club. In 1922, he had an unexpected reunion with a fellow member of Murdoch's touring team of 1884 in W. H. Cooper. The Victorian Bowling Association final was held at Alphington where Alexander was helping out. The pair had not seen each other for nearly 40 years, but were suddenly reunited when Cooper arrived as the scorer for Middle Park.

The Preston Leader (and Melbourne newspapers) noted the death in a private hospital in Richmond on November 6, 1930 at 78 years of age of George Alexander, describing him as "a resident of Northcote for over 60 years" and living at 'Terracedale', 3 McLachlan Street at the time of his demise. Outside of cricket, he had been co-proprietor of the Preston Abattoirs and before that, as a contractor, he was involved in construction of the cable tramway system along St Kilda Road. Alexander was interred in the Melbourne General Cemetery; Jack Blackham and W. H. Cooper were amongst the pallbearers.

References

1851 births
1930 deaths
Australia Test cricketers
Victoria cricketers
Melbourne Cricket Club cricketers
Australian cricketers
English emigrants to colonial Australia
People from South Oxfordshire District


text:
Samuel Wolcott (1813–1886) was an American Congregationalist minister, missionary, and writer of hymns. During the American Civil War, he regularly gave public speeches about the war.

Early life and education
Wolcott was born in South Windsor, Connecticut on July 2, 1813. He was a descendant of Oliver Wolcott, signer of the United States Declaration of Independence. He graduated from Yale College in 1833 and Andover Theological Seminary in 1837.

Career
Wolcot was with the American Board of Commissioners for Foreign Missions at Boston for two years. He was ordained in November 1839. The following April he went to Beirut, which was then in the Ottoman Empire, where he was a missionary. During that time, he saw the bombardment of Beirut by English and allied forces and Syria retaken from Mehemet Ali of Egypt. Wolcott's experiences in the Middle East–including his work at Jerusalem, Damascus, and other areas in the Palestine–were published in several theological books.

His first wife died in Syria in 1841 and his health began to decline,
so he returned to the United States in 1843. He then began his work as a pastor, which extended over 30 years. He had pastorates in Longfellow and Belchertown, Massachusetts, Providence, Rhode Island; Chicago, and Cleveland. He began writing hymns in 1869, when he developed a hymn while on a walk. Each stanza began, "Christ for the world we sing, The world to Christ we bring." He composed more than 200 hymns, not all of which were published.

He was a public speaker, and during the American Civil War, he regularly gave speeches about the latest news of the war. His sons had enlisted in the war, including 16-year-old Edward.

In 1874, he was made secretary of the Ohio Home Missionary Society and served in that position until 1882. During that time, he wrote Memorial of Henry Wolcott, one of the first settlers of Windsor, Connecticut, and of some of his descendants.

Personal life
Wolcott was married first to Caroline Elizabeth Wood on September 5, 1839. She went with him to the Middle East and died in Syria on October 26, 1841. He then married Harriet Amanda (Pope) Wolcott on November 1, 1843. They had eleven children. As of 1889, ten of the children were: Samuel Adams raised stock near San Antonio, Texas. Henry Roger was a capitalist living in Denver. Edward Oliver a United States senator from Denver. William Edgar was a Congregationalist minister in Lawrence, Massachusetts. Herbert Walker was a lawyer in Denver. Agnes Vaile lived with her husband at Lexington, Massachusetts. Mrs. Charles H. Toll of Colorado, who was the mother of mountaineer Roger Wolcott Toll. At that time, three daughters lived at home with their mother, Anna, Clara, and Charlotte. His daughter, Anna Louisa, established the elite Wolcott School for Girls in Denver.

He returned to Longmeadow in 1882, living there until his death on February 24, 1886.

See also
 Johann Friedrich Röhr, who published Wolcott's accounts of the Palestine

References

1813 births
1886 deaths
People from South Windsor, Connecticut
People from Longmeadow, Massachusetts
19th-century Congregationalist ministers
Congregationalist hymnwriters
American Congregationalist missionaries
American Congregationalist ministers
American expatriates in the Ottoman Empire
19th-century American clergy


text:
The Darkseid Recital is an album by American jazz saxophonist Darius Jones and pianist Matthew Shipp, which was recorded live between 2011 and 2013 and released on the AUM Fidelity label. It was their second duo following Cosmic Lieder. The record is named for the character Darkseid created by comic artist Jack Kirby, and song titles reference concepts and characters from Kirby's New Gods series and other DC Comics.

Reception

In his review for AllMusic, Thom Jurek states "The Darkseid Recital is the sound of peers who use improvisation to inquire about the nature of sound and song, but also as a form of discovery that confidently communicates by delivering a welcoming music with uncompromising sophistication, rigorous discipline and passion."

The Down Beat review by Bill Meyer notes that "Shipp has found in Jones a musician whose facility with classical forms, dynamic range and inventiveness in the moment match his own.. But part of what makes these two musicians so compatible is Jones' singularity."

In his review for JazzTimes Mike Shanley says "This music does not go down easily. Jones possesses a mastery of his horn's entire range, which means he can potentially shatter glass with his altissimo shrieks. Shipp's love of his instrument's low end nearly drowns Jones out during one track."

The Point of Departure review by Jason Bivins states "With deep experience and a shared improvisational milieu, the pair's contrasting styles but deep commitment to exploration make this release as buoyantly expressive as it is pensive."

Track listing
All compositions by Darius Jones & Matthew Shipp
 "Celestial Fountain" - 2:36
 "2,327,694,748" - 6:42
 "Granny Goodness" - 4:30
 "Gardens of Yivaroth" - 6:28
 "Lord of Woe" - 6:03
 "Life Equation" - 4:05
 "Sepulchre of Mandrakk" - 5:01
 "Divine Engine" - 4:09
 "Novus' Final Gift" - 5:48

Personnel
 Darius Jones - alto sax
 Matthew Shipp – piano

References

2014 live albums
Darius Jones (saxophonist) live albums
Matthew Shipp live albums
AUM Fidelity live albums


text:
The Blues Is Alive and Well je osmnácté studiové album amerického bluesového zpěváka a kytaristy Buddyho Guye. Vydáno bylo 15. června roku 2018 společnostmi Silvertone Records a RCA Records. Desku produkoval hudebníkův dlouholetý spolupracovník Tom Hambridge. Na albu se podílelo několik hostů, včetně Micka Jaggera, Keitha Richardse a Jamese Baye.

Seznam skladeb
 A Few Good Years
 Guilty as Charged
 Cognac
 The Blues Is Alive and Well
 Bad Day
 Blue No More
 Whiskey for Sale
 You Did the Crime
 Old Fashioned
 When My Day Comes
 Nine Below Zero
 Ooh Daddy
 Somebody Up There
 End of the Line

Obsazení
 Buddy Guy – zpěv, kytara
 Tom Hambridge – bicí, smyčka, perkuse, doprovodné vokály
 Rob McNelley – kytara
 Tommy MacDonald – basa
 Willie Weeks – basa
 Kevin McKendree – mellotron, varhany, klavír, clavinet
 Jim Hoke – barytonsaxofon
 Doug Moffet – tenorsaxofon
 Steve Herrman – trubka
 Muscle Shoals Horns
 Charles Rose – aranžmá pozounu
 The McCrary Sisters (Ann McCrary, Regina McCrary) – doprovodné vokály
 Rachel Hambridge – doprovodné vokály
 Jeff Beck – kytara
 Keith Richards – kytara
 James Bay – kytara, zpěv
 Mick Jagger – harmonika

Reference

Alba Buddyho Guye
Alba z roku 2018
Alba Silvertone Records
Alba RCA Records
Alba v angličtině
Alba, která produkoval Tom Hambridge


text:
Moacyr Jaime Scliar (Porto Alegre, 23 de març de 1937 - 27 de febrer de 2011) va ser un escriptor i metge brasiler, la literatura del qual es va caracteritzar per tractar temes de la identitat jueva de la Diàspora, especialment sobre el fet de ser jueu al seu país, Brasil.

Biografia
Descendent d'una família jueva que havia immigrat al Brasil des de Besaràbia l'any 1919, Moacyr Scliar va nàixer en el barri de Bom Fim, on es concentra la comunitat jueva de Porto Alegre. Era fill de José i Sara Scliar. Va estudiar al Colégio Iídiche i al Colégio Nossa Senhora do Rosário (catòlic) de la seua ciutat.

El 1962 es va graduar en Medicina per la Universitat Federal de Rio Grande do Sul i a l'any següent comença la seua carrera en aquesta disciplina. Es va especialitzar en el camp de la Sanitat Pública. L'any 1970 realitza un curs de postgraduat en medicina a Israel, i finalment, va ser nomenat Doctor en Ciències per l'Escola Nacional de Saúde Pública. Va impartir classe de Medicina i Comunitat en la Universitat Federal de Ciències de la Salut de Porto Alegre.

Es va casar amb Judith Vivien Oliven el 1965. El seu fill, Roberto, va nàixer el 1979. Scliar era seguidor de l'equip de futbol Cruzeiro de Porto Alegre. A la seua mort, els jugadors del Cruzeiro van tindre un gest d'homenatge cap a l'escriptor.

Carrera literària
Scliar va ser un autor prolífic que va publicar al voltant d'un centenar d'obres en portugués. Al llarg de la seua carrera va tocar diversos gèneres literaris, tals com les històries curtes, la novel·la, el llibre infantil i juvenil, o l'assaig.

Comptava amb un estil irònic i senzill, la qual cosa li va aportar un públic ampli de lectors. L'any 2003 va entrar a l'Academia Brasileira de Letras, després d'haver aconseguit importants guardons literaris com el Premi Jabuti (1988, 1993 i 2009), el de l'Associació Paulista de Crítics d'Art (1989) o el de la Casa de las Américas (1989).

Les seues obres es caracteritzaven per recurrent tema de la immigració jueva a Brasil, junt a altres qüestions com ara el socialisme, la medicina o la vida de la classe mitjana. Ha estat traduït a dotze idiomes.

La seua novel·la més coneguda fora de Brasil va ser Max e os Felinos (Max i els gats), publicada l'any 1981. Narra la història d'un jove alemany qui abandona Berlín després d'atraure l'atenció dels nazis per haver tingut un afer amb una dona casada. En la seua fugida cap al Brasil, el seu vaixell s'enfonsa i es troba a soles en una barca junt a un jaguar transportat a la bodega de l'embarcació.

Quan l'any 2002 l'escriptor canadenc Yann Martel va reeixir amb la novel·la La vida de Pi (guanyador del Premi Man Booker), va ser acusat d'haver plagiat Max i els gats per la simil·litud entre els plantejaments. Però, Sclair va comentar que els mèdia havien extrapolat al tractar el cas i que ell mai no va tindre la intenció de polemitzar amb Martel.

Altres obres ressenyables de Moacyr Sclair són, entre d'altres O ciclo das águas, A estranha nação de Rafael Mendes, O exército de um homem só o O centauro no jardim, la qual va ser inclosa en la llista del National Yiddish Book Center com un dels 100 millors llibres de temàtica jueva dels darrers dos segles.

Adaptacions al cinema
La seua obra Um Sonho no Caroço do Abacate va ser duta a la pantalla gran el 1998 per Lucas Amberg. El film, titulat "Caminho dos Sonhos", parla de la història de Mardo, el fill d'una nissaga de jueus lituans que s'estableixen en el barri del Bom Retiro de São Paulo, a la dècada dels 60. Mardo (Edward Boggiss) s'apassiona per Ana, una estudiant negra; ambdós es topeten amb la discriminació a l'escola on estudien els prejudicis de les seues famílies.

El 2002, André Sturm va adaptar Sonhos Tropicais, la història d'un metge de Rio de Janeiro que combat la febre groga davant la resistència de la població a vacunar-se, i d'una jove jueva polonesa emigrada al Brasil en busca d'una vida millor que s'acaba prostituint per sobreviure.

Obra literària

Contes
 O carnaval dos animais. Porto Alegre, Movimento, 1968
 A balada do falso Messias. São Paulo, Ática, 1976
 Histórias da terra trêmula. São Paulo, Escrita, 1976
 O anão no televisor. Porto Alegre, Globo, 1979
 Os melhores contos de Moacyr Scliar. São Paulo, Global, 1984
 Dez contos escolhidos. Brasília, Horizonte, 1984
 O olho enigmático. Rio, Guanabara, 1986
 Contos reunidos. São Paulo, Companhia das Letras, 1995
 O amante da Madonna. Porto Alegre, Mercado Aberto, 1997
 Os contistas. Rio, Ediouro, 1997
 Histórias para (quase) todos os gostos. Porto Alegre, L&PM, 1998
 Pai e filho, filho e pai. Porto Alegre, L&PM, 2002
 . Rio de Janeiro, Agir, 2009.

Novel·la
 A guerra no Bom Fim. Rio, Expressão e Cultura, 1972. Porto Alegre, L&PM,
 O exército de um homem só. Rio, Expressão e Cultura, 1973. Porto Alegre, L&PM,
 Os deuses de Raquel. Rio, Expressão e Cultura, 1975. Porto Alegre, L&PM,
 O ciclo das águas. Porto Alegre, Globo, 1975; Porto Alegre, L&PM, 1996,
 Mês de cães danados. Porto Alegre, L&PM, 1977,
 Doutor Miragem. Porto Alegre, L&PM, 1979,
 Os voluntários. Porto Alegre, L&PM, 1979,
 O Centauro no Jardim. Rio, Nova Fronteira, 1980. Porto Alegre, L&PM (Tradução francesa:"Le centaure dans le jardin" ),Presses de la Renaissance, Paris, , 1985
 Max e os felinos. Porto Alegre, L&PM, 1981,
 A estranha nação de Rafael Mendes. Porto Alegre, L&PM, 1983,
 Cenas da vida minúscula. Porto Alegre, L&PM, 1991,
 Sonhos tropicais. São Paulo, Companhia das Letras, 1992,
 A majestade do Xingu. São Paulo, Companhia das Letras, 1997,
 A mulher que escreveu a Bíblia. São Paulo, Companhia das Letras, 1999,
 Os leopardos de Kafka. São Paulo, Companhia das Letras, 2000,
 Uma história farroupilha. Porto Alegre, L&PM, 2004,
 Na noite do ventre, o diamante. Rio de Janeiro: Ed. Objetiva, 2005,
 Ciumento de carteirinha Editora Ática, 2006,
 Os vendilhões do templo Companhia das Letras, 2006,
 Manual da paixão solitária. São Paulo: Companhia das Letras, , 2008
 Eu vos abraço, milhões. São Paulo: Companhia das Letras, . 2010

Llibres infantils i juvenils
 Cavalos e obeliscos. Porto Alegre, Mercado Aberto, 1981; São Paulo, Ática, 2001,
 A festa no castelo. Porto Alegre, L&PM, 1982,
 Memórias de um aprendiz de escritor. São Paulo, Cia. Editora Nacional, 1984*,
 No caminho dos sonhos. São Paulo, FTD, 1988,
 O tio que flutuava. São Paulo, Ática, 1988,
 Os cavalos da República. São Paulo, FTD, 1989,
 Pra você eu conto. São Paulo, Atual, 1991,
 Uma história só pra mim. São Paulo, Atual, 1994,
 Um sonho no caroço do abacate. São Paulo, Global, 1995,
 O Rio Grande farroupilha. São Paulo, Ática, 1995,
 Câmera na mão, o guarani no coração. São Paulo, Ática, 1998,
 A colina dos suspiros. São Paulo, Moderna, 1999,
 O livro da medicina. São Paulo, Companhia das Letrinhas, 2000,
 O mistério da casa verde. São Paulo, Ática, 2000,
 O ataque do comando P.Q. São Paulo, Ática, 2001,
 O sertão vai virar mar. São Paulo, Ática, 2002,
 Aquele estranho colega, o meu pai. São Paulo, Atual, 2002,
 Éden-Brasil. São Paulo, Companhia das Letras, 2002,
 O irmão que veio de longe. Idem, idem,
 Nem uma coisa, nem outra. Rio, Rocco, 2003,
 Aprendendo a amar - e a curar. São Paulo, Scipione, 2003,
 Navio das cores. São Paulo, Berlendis & Vertecchia, 2003,
 Livro de Todos - O Mistério do Texto Roubado. São Paulo, Imprensa Oficial do Estado de São Paulo, 2008. Obra coletiva (Moacyr Scliar e vários autores),

Cròniques
 A massagista japonesa. Porto Alegre, L&PM, 1984
 Um país chamado infância. Porto Alegre, Sulina, 1989
 Dicionário do viajante insólito. Porto Alegre, L&PM, 1995
 Minha mãe não dorme enquanto eu não chegar. Porto Alegre, L&PM, 1996. Artes e Ofícios, 2001
 O imaginário cotidiano. São Paulo, Global, 2001
 A língua de três pontas: crônicas e citações sobre a arte de falar mal. Porto Alegre

Assajos
 A condição judaica. Porto Alegre, L&PM, 1987
 Do mágico ao social: a trajetória da saúde pública. Porto Alegre, L&PM, 1987; SP, Senac, 2002
 Cenas médicas. Porto Alegre, Editora da Ufrgs, 1988. Artes&Ofícios, 2002
 Enígmas da culpa. São Paulo, Objetiva, 2007

Traduccions al Català

Premis
 Prêmio Jabuti de Literatura, 1988, Crônicas e Novelas
 Prêmio APCA, 1989
 Prêmio Casa de las Americas, 1989, O olho enigmático
 Prêmio Jabuti de Literatura, 1993, Sonhos tropicais
 Prêmio Jabuti de Literatura, 2000, A mulher que escreveu a Bíblia
 Prêmio Jabuti de Literatura, 2009, Manual da paixão solitária

Referències

Enllaços externs
 Florina Florescu, "Of Genes, Mutations, and Desires in Franz Kafka's The Metamorphosis and Moacyr Scliar's The Centaur in the Garden Catalina," in Elizabeth Klaver (ed), The Body in Medical Culture (Albany (NY), SUNY Press, 2010),

Escriptors de Porto Alegre
Escriptors brasilers del segle XX
Assagistes brasilers
Novel·listes brasilers
Cronistes brasilers
Contistes brasilers
Escriptors brasilers de literatura infantil i juvenil
Jueus brasilers
Alumnes de la Universitat Federal de Rio Grande do Sul
Morts a Porto Alegre
Escriptors brasilers del segle XXI
Escriptors jueus


text:
Ann Van Gysel is a Belgian scientist and businesswoman. In 2011 she started Turnstone Communications, offering communications and business development services to biotech and pharma industry. She teaches science communications at the University of Antwerp and University of Ghent and is a director to the board of the Institute of Tropical Medicine Antwerp.

Education
She started at the University of Antwerp (Antwerp, Belgium) in biology after which she graduated as a zoologist at the University of Ghent  and obtained a PhD in Molecular Genetics in the laboratory of Professor Marc Van Montagu. In addition she obtained a degree in Marketing and Communication in 1998 with a paper on biotech
communications.

Career
Ann Van Gysel started her career at the University of Ghent, where she headed her own research team in the Department of Plant Genetics for 4 years. In 1997, she continued her career at the Flanders Interuniversity Institute for Biotechnology in science communications. She became communications manager. She was responsible for the public outreach and educational programs and its public relations and internal communications. On 1 June 2008, Ann Van Gysel became Managing Director of FlandersBio (until December 2011).

References

Sources
 New General Manager of FlandersBio
 Ann Van Gysel gaat FlandersBio leiden (Dutch)
 Flandersbio Topvrouw Ann Van Gysel stapt op

Living people
Academic staff of the Université catholique de Louvain
Belgian biologists
Belgian businesspeople
Ghent University alumni
Year of birth missing (living people)
Academic staff of Ghent University


text:
James L. D. Morrison was an American football player and coach. He served as the first part-time head coach at the University of Notre Dame and Hillsdale College in 1894.

Notre Dame took a significant step toward respectability, prominence, and stability when they hired a part-time coach, bearded James L. Morrison. He wrote an acquaintance after his first day on the job: "I arrived here [Notre Dame] this morning and found about as green a set of football players that ever donned a uniform…They want to smoke, and when I told them that they would have to run and get up some wind, they thought I was rubbing it in on them. "One big, strong cuss remarked that it was too much like work. Well, maybe you think I didn't give him hell! I bet you a hundred no one ever makes a remark like that again." ... Morrison had been hired for $40 plus expenses for two weeks.

Morrison had played tackle at the University of Michigan. He stressed conditioning, speed, and an abundance of end runs and convinced his players that conditioning and speed would lead them to victory. Such tactics led to an opening 14–0 win over Hillsdale. Next came Albion, fresh from a 26–12 loss to Michigan, who proved to be tough. The game ended in a 6–6 tie when substitute fullback John Studebaker fell on a fumble for the only Fighting Irish touchdown.

At the conclusion of the two-week contract Morrison left campus to take the head coaching job at Hillsdale College. His Irish charges finished the year 3–1–1, losing only to Albion in the season finale. At Hillsdale, Morrison spent just one week. His Hillsdale team was shut out 12–0 on the road at Albion.

In the spring of 1895, Morrison received his law degree from the University of Michigan. In 1896 he was the head football coach at Illinois College in Jacksonville, Illinois.

Head coaching record

References

Additional sources
 "Fighting Irish: Legends, Lists, and Lore" by Karen Croake Heisler
 The Fighting Irish Football Encyclopedia by Michael R. Steele
 "Olivet vs. Hillsdale" Hillsdale Herald, October 25, 1894
 Notre Dame Scholastic, October 20, 1894
 Notre Dame Scholastic, October 27, 1894
 Notre Dame Scholastic, November 3, 1894

Year of birth missing
Year of death missing
19th-century players of American football
American football tackles
Illinois College Blueboys football coaches
Hillsdale Chargers football coaches
Knox Prairie Fire football coaches
Michigan Wolverines football players
Notre Dame Fighting Irish football coaches
People from Christian County, Illinois
Players of American football from Illinois


text:
Der dritte Grand Prix der Volksmusik fand am 9. Juli 1988 in Zürich (Schweiz) statt. Teilnehmerländer waren wie in den Vorjahren Deutschland, Österreich und die Schweiz. In jedem Land wurde zuvor bei verschiedenen Rundfunkstationen eine Vorentscheidung durchgeführt. Dabei wurden jeweils fünf Titel für das Finale ermittelt. Die 15 Titel der deutschen Vorentscheidung erschienen auch auf einer CD.

Das Finale wurde von der SRG im Rahmen einer Eurovisionssendung aus Zürich übertragen und vom ZDF und ORF übernommen. Moderatoren waren wieder Carolin Reiber (Deutschland), Karl Moik (Österreich) und Sepp Trütsch (Schweiz). Die Startfolge der Titel und Länder war zuvor ausgelost worden. Nach Vorstellung der Titel ermittelten mehrere Jurys aus den Teilnehmerländern ihren Favorit, wobei die Titel des eigenen Landes nicht bewertet werden durften.

Am Ende der Wertung stand das Original Naabtal Duo als Sieger des Grand Prix der Volksmusik 1988 fest. Ihr Lied Patrona Bavariae hatte Günther Behrle komponiert und getextet. Damit hatte Deutschland zum ersten Mal den Wettbewerb gewonnen.

Als Austragungsort des nächsten Grand Prix der Volksmusik 1989 wurde unabhängig vom Land des Siegers Linz festgelegt.

Die Platzierung des Grand Prix der Volksmusik 1988

Die Titel erschienen auch auf einer CD.

Die zehn Titel aus Deutschland, die nicht das Finale erreichten, waren:
 Die Liebe zur Heimat, Hans und Ellen Kollmannsberger
 Es war Frühling in der Heide, Pat und Paul
 Im Musikantenhimmel, Moldau-Mädel
 Ja, ja die Volksmusik, Winfried Stark und seine Original Steigerwälder
 Musikanten auf Tournee, Ralf Willing und der Isar-Express
 Mutter, i sag dankschön, D'Sandler (Musik:  Rüdiger Helbig, Text: Claus Dittmar)
 Telefon vom Titisee, Die 3 Z'widern
 Wenn Böhmen träumen, Erika und Florian
 Wenn Windjammer zieh'n, Speelwark
 Wir soll'n euch aus München schön grüßen, Lydia Huber und Andreas Hauff

1988
Musikwettbewerb 1988
Volksmusik (Schweiz)
Kulturpreis (Schweiz)
Musikveranstaltung in Zürich
Carolin Reiber
Karl Moik
Sepp Trütsch


text:
Piletocera analytodes is een vlinder uit de familie van de grasmotten (Crambidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1917 door Hampson.

analytodes


text:
Rybaxis conjuncta är en skalbaggsart som först beskrevs av Leconte 1849.  Rybaxis conjuncta ingår i släktet Rybaxis och familjen kortvingar. Inga underarter finns listade i Catalogue of Life.

Källor

Kortvingar
conjuncta


text:
Sagrada is an unincorporated community in Camden County, in the U.S. state of Missouri.  It is located in the far northwestern corner of the county, in Adair Township, just south of the Lake of the Ozarks.

History
A post office called Sagrada was established in 1886, and remained in operation until 1933. The source of the name Sagrada is obscure.

Before completion of the Lake of the Ozarks in 1931, an Osage River crossing north of the post office was known as Sagrada Bridge, a swinging bridge built around 1908.  On the north shore of the lake today (in Benton County) is a lake development known as Sagrada Beach.

One perhaps over-extensive list of communities flooded by the building of the lake (such as Linn Creek) includes Sagrada.  However, while land along the river was inundated and the bridge had to be removed, the rural community was not flooded out of existence.

References

Unincorporated communities in Camden County, Missouri
Unincorporated communities in Missouri


text:
Теки́ла () — крепкий алкогольный напиток, вид мескаля, полученный путём дистилляции ферментированного сока голубой агавы (, ) строго на территории 5 штатов Мексики: Халиско, Гуанахуато, Мичоакан, Наярит и Тамаулипас. Соблюдение этого правила регулируется сводом стандартов Совета по надзору за производством текилы.

История

Возникновение мескаля
История текилы фактически начинается в 1530 году, когда капитан испанского судна Христофор де Окате прибыл в Мексику и основал поселение Текила (статус посёлка Текила получила 27 марта 1824 года, а городом стала в 9 января 1874 года; с 1823 года — штат Халиско). Конкистадоры потребляли уже полюбившийся им бренди, а такие слабоалкогольные агавовые ферментированные напитки, как октли, пришлись им не по вкусу. Тогда они решили использовать известный им метод перегонки при помощи медного куба, что повысило крепость исходного продукта и понравилось конкистадорам. Продукт дистилляции ферментированного сока агавы получил название «мескаль». Его название пришло из языка науатль (язык ацтеков) и состояло из слов «melt» и «ixcalli», что переводится как «агава» и «приготовленный».

Первоначально мескаль предназначался для потребления внутри страны, поэтому купить текилу в других странах было невозможно. Однако постепенно производство расширялось, и увеличивались его масштабы. Одновременно повышались и качественные характеристики напитка. Впервые такой качественный мескаль был получен доном Педро Санчесом де Тагли, носившим титул маркиза Альтамира, который в 1600 году основал первую фабрику, занимавшуюся промышленным производством этого напитка. После этого популярность мескаля стала быстро расти. Уже спустя восемь лет после открытия фабрики власти ввели даже специальный налог на торговлю этим алкогольным напитком. В XVII веке мескаль стал важным экспортным мексиканским продуктом.

Возникновение текилы
В 1758 году земли в окрестностях поселения Текила приобретает семейство Куэрво. На этой территории они начинают промышленное производство алкогольного напитка из голубой агавы. В 1795 году Куэрво построили первую фабрику, а сам напиток позднее получил название в честь города. В том же году Хосе Мария Гваделупа де Куэрво получает от правительства разрешение, разрешающее ему производить напиток под названием Mezcal Vino de Tequila. Со временем первая часть названия была опущена, и осталось лишь лаконичное «текила».

С начала XIX века для текилы наступает золотое время. Известно, что на границе с Мексикой постоянно происходили вооруженные стычки. В тот период многие американские солдаты получили возможность впервые попробовать этот спиртной напиток. Однако этим дело и кончилось: напиток был слишком яркого и непривычного вкуса и не понравился американцам. Лишь спустя 37 лет в США отправилась первая пробная партия текилы, впрочем, встреченная американцами без особого энтузиазма. Время традиционного мексиканского напитка пришло в 1836 году, когда на Чикагской всемирной выставке ему присудили специальный приз. Отношение американцев к текиле оставалось довольно сдержанным, однако купить её стало гораздо проще.

Маркетинг мескаля и текилы
В середине XX века популярность агавовых спиртов была невелика, и производители придумали оригинальное решение для того, чтобы поднять продажи. В 1940-х годах в бутылках с этим напитком стал появляться червяк. Мескаль с гусеницей — экзотический для европейцев напиток. Это насекомое живёт в стеблях агавы. Таким образом, собирая и раскладывая этих гусениц по бутылкам, текильеро избавлялись от паразитов и привлекали внимание Запада. С другой стороны это служило проверкой крепости алкогольного продукта: если насекомое не растворялось — это являлось показателем высокой крепости напитка.

С 1964 года текильеро начинают активно раскручивать в Штатах марку «Jose Cuervo». Не прошло и десяти лет, как этот бренд обрел значительный успех и популярность у американцев. На волне успеха в Мексике возникает множество компаний, занимающихся массовым производством текилы, в результате чего резко ухудшилось её качество. Чтобы исправить ситуацию, правительство выпустило свод законов в 1978 году, гарантирующий, что любой напиток, называемый текилой, производится в соответствии с исторически сложившимися традициями. Кроме того, само название стало интеллектуальной собственностью Мексики.

В городе Текила каждый год с 29 ноября по 13 декабря проводится открывающийся крупной ярмаркой Национальный праздник текилы, привлекающий значительное количество туристов из соседних регионов и зарубежья. В 2018 году сенат Мексики одобрил предложение объявить ежегодным Национальным днём текилы третью субботу марта.

Новейшая история

В конце 1990-х и начале 2000-х годов возрастающая по всему миру популярность текилы увеличила интерес крупных корпораций к индустрии напитков. В число наиболее примечательных достижений можно включить:

 Приобретение бренда Cabo Wabo музыкантом Сэмми Хагаром.
 Приобретение бренда El Tesoro крупной холдинговой компанией Fortune Brands.
 Производство El Tesoro's Paradiso, смешанной текилы, выдержанной во французских дубовых бочках, которые использовались для коньяка A. de Fussigny.

Истинную популярность напиток снискал на Олимпийских играх в Мехико в 1968 году. В 1974 году мексиканские производители получили эксклюзивное право на использование бренда «текила» во всем мире.

Этапы производства текилы

 Сбор. Химадоры (сборщики агавы) отсекают листья агавы при помощи специального инструмента, заточенного на одном из концов, который называется «коа». Полученные сердцевины агав (они же «пиньи») разрубаются на несколько частей для удобства транспортировки и отправляются в печи, где пройдут тепловую обработку.
 Запекание. Этот этап необходим для того, чтобы запустить последующий процесс брожения, в котором принимают участие лишь простые сахара. В агаве же содержатся сложные, температурное воздействие на которые расщепляет их на простые. (Brick oven, oven, horno — название печи для запекания.)
 Измельчение необходимо для извлечения сока агавы, который будет участвовать в процессе ферментации. Существует 4 наиболее распространённых метода измельчения агавы:
 ручной,
 тахона (Eguptian mill, Chilean mill, millstone),
 шредор (mechanical mill, molina),
 конвейер (hammers).
 Брожение и ферментация. Брожение происходит в чанах. Процесс направлен на превращение сахаров в спирты. Крепость полученного напитка невысока (менее 18 %). Используются:
 деревянные чаны,
 каменные (кирпичные) резервуары,
 металлические (стальные) чаны,
 глиняные чаны.
 Дистилляция увеличивает крепость напитка. Обычно используют медный перегонный куб. Количество циклов дистилляции зависит от предпочтения производителя. Обычно — 2 цикла дистилляции с последующим разбавлением водой до необходимой крепости.
 copper still / clay pots,
 column still.
 Розлив.
 Выдержка.

Типы текилы
Согласно времени выдержки различают следующие типы текилы:
 plata (silver) или blanco («серебряная» или «белая» — выдержанная не более двух месяцев);
 oro (golden) («золотая») или joven abocado («разлитая молодой») — текила mixto, ароматизированная и подцвеченная карамелью для сходства с выдержанной текилой);
 reposado («отдохнувшая») — выдержанная от 2 до 11 месяцев в деревянных бочках (обычно дубовых) для придания дополнительного аромата и цвета, самый популярный сорт текилы в самой Мексике;
 añejo («выдержанная» или «старинная» — выдержанная от 1 до 3 лет);
 extra añejo («экстра-выдержанная» — текила, произведенная 100 % из голубой агавы, срок выдержки которой превышает три года).

Крепость классической текилы blanca — 50 градусов. Прежде чем разлить её по бутылкам, текилу разбавляют водой до 38 градусов.

Вся текила делится на две группы, различающиеся процентным содержанием сока агавы.

 Tequila 100 % agave. К этой группе относится текила, изготовленная исключительно из сока голубой агавы. Она может быть бутилирована только внутри региона. На этикетке таких напитков обязательно указано: «agave» или «100 % puro de agave».
 Mixta (миксто). Сюда входят напитки из смешанных сахаров. Согласно мексиканскому законодательству, в их состав должно входить не менее 51 % сахаров, полученных из сока голубой агавы. Оставшаяся часть восполняется за счет других сахаросодержащих продуктов, например, тростникового сахара или кукурузного сиропа.

Законодательство о защите текилы

DOT В 1974 году мексиканское правительство опубликовало «Декларацию о защите названия "Tequila"» (Declaración General de Protección a la Denominación de origen «Tequila», сокр. DOT). Это означает, что Мексика будет претендовать на исключительное право использования слова «tequila», и что только алкогольные напитки, сделанные из голубой агавы (разновидность agave azul или agave tequiliana weber blue), выращенной в официально закрепленных районах Мексики, в соответствии со стандартами NOM (см. далее), могут быть маркированы как «tequila».

Будучи членом Всемирной торговой организации (ВТО), Парижской конвенции по охране промышленной собственности и других международных договоров (NAFTA, Европейское торговое соглашение и т. п.), Мексика обеспечила защиту «tequila» как эксклюзивный продукт Мексики. «Tequila» принадлежит только Мексике.

Мексиканское правительство является фактическим владельцем названия «tequila». Каждый, кто захочет заниматься производством текилы, должен получить разрешение или лицензию от правительства Мексики через мексиканский институт промышленной собственности (IMPI).

Официально закрепленные области для производства текилы, предусмотренные DOT, включают в себя весь штат Халиско (Jalisco, административный центр Гвадалахара), три прилегающих штата — Гуанахуато (Guanajuato), Мичоакан (Michoacan), Найярит (Nayarit), а также штат Тамаулипас (Tamaulipas) на восточном побережье. Только эти районы обладают климатическими и почвенными условиями, пригодными для созревания голубой агавы.

NOM Norma Oficial Mexicana de Calidad (Государственный стандарт качества Мексики) регламентирует производство, розлив и маркировку текилы. Он известен как «NOM-006-SCF1-1994 Alcoholik Beverages Tequila Specification». NOM устанавливает официальный стандарт для «Tequila», «Tequila 100 % agave» и для всех четырёх типов текилы: Blanco, Joven (Oro), Reposado, Anejo. Он устанавливает физические и химические характеристики текилы, а также характеристики агавы, используемой в производстве. Этот закон также содержит правила, регулирующие её розлив и маркировку. На этикетке каждой бутылки текилы должен стоять NOM — номер, присвоенный правительством Мексики каждому производителю и определяет, кто действительно произвел эту текилу.

Интересным фактом является то, что многие текилы, даже конкурирующих марок имеют одинаковые NOM. Это означает, что сделаны они были на одном заводе, независимо от реальной или вымышленной легенды их происхождения. Фактически в Мексике существует примерно 110 лицензированных производителей, выпускающих в общей сложности около 1000 различных марок текилы.

Иногда компании меняют дистилляторов, поэтому NOM на этикетке также меняется.

CRT Consejo Regulador del Tequila (Совет по надзору за производством текилы) — организация, созданная правительством Мексики для надзора за производством, розливом и маркировкой в соответствии с NOM. CRT был основан в 1994 году по инициативе Палаты производителей текилы, как частная некоммерческая организация для контроля и сертификации процесса изготовления текилы. Он интегрирован в сферы производства текилы, производства агавы, бутилирования и маркетинга. Структуры CRT организованы в пяти различных отраслях: контроля, сертификации, сельском хозяйстве, контроля качества и административной. В целях обеспечения целостности текилы и соблюдения NOM, в CRT работает команда хорошо подготовленных профессионалов, осуществляющих постоянный надзор над каждым шагом производства текилы. По инициативе CRT было закрыто немало производств, отступающих от стандартов — временно, а иногда и навсегда, но все же много продолжили работать нелегально.

Напитки на основе текилы
 Маргарита
 Batanga
 Tequila Sunrise
 Текила бум
 Paloma

Примечания

Литература

Ссылки


text:
Руди Фьолер () е германски футболист и треньор роден на 13 април 1960 г. в Ханау, Германия.

Биография
Той е немски нападател прекарал по-голямата част от живота си в отбори като Байер Леверкузен и Рома. Носител е на Световната купа през 1990 г. в Италия с националния отбор в Германия. Руди Фьолер е и най-добрият футболист в Бундеслигата през 1983 година. От 2 юли 2000 г. до 24 юни 2004 работи като треньор на националния отбор Германия. Подава оставка след провала на националния отбор на европейското първенство в 2004 г., а на 18 януари 2005 е назначен за спортен директор на Байер (Леверкузен).

Факти
 през 1986 г. – Вице световен шампион
 през 1990 г. – Световен шампион
 през 1992 г. – Вице шампион на Европа с националния отбор
 през 2002 г. – Вице шампион на света, като треньор на Германия

Външни препратки
 Видео и кариера

Германски треньори по футбол
Германски футболисти
Футболисти на Мюнхен 1860
Футболисти на Вердер Бремен
Футболисти на АС Рома
Футболисти на Байер Леверкузен
Футболисти на Олимпик Марсилия
Родени в Ханау


text:
Anno
 936 o 936 a.C.

Codici
 936 (astronomia) – Codice che designa l'Osservatorio astronomico Ibis Observatory, a Manhattan, nella Contea di Riley, del Texas

Matematica
 936 – numero


text:
Klub borilnih veščin Slovenske vojske je klub, ki deluje v Slovenski vojski z namenom rekrutacije perspektivnega kadra SV in omogočiti pripadnikom SV vadbo borilnih veščin v primernem okolju in s sposobnim vodstvom.

Predsednik kluba in asistent glavnega trenerja je Matjaž Dermastja, glavni trener pa mojster karateja Miha Lavrič.

Borilne veščine
 karate
 jiu jitsu
 aikido
 vojaške borilne veščine

Glej tudi
 Društvo klubskih dejavnosti Slovenske vojske

Slovenska vojska
Borilne veščine v Sloveniji
Slovenska športna društva


text:
Hypopta nana is een vlinder uit de familie van de houtboorders (Cossidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1876 door Strecker.

Houtboorders


text:
Operation Panther may refer to:

 Operation Panther (2013), a French military operation in Mali launched in February 2013
Operation Panther (1940), German attack on Greece
 Operation Panther (1943, Yugoslavia),  German anti-partisan operation at Mesovan Pass in Southeastern Croatia, Yugoslavia
 Operation Panther (1943, Greece),  German anti-partisan operation in Greece
 Operation Panther (1943, USSR), German anti-partisan operation near Kursk, USSR


text:
Ádeni csata (2015)
 Ádeni Nemzetközi Repülőtér-i csata
Ádeni csata (2018)


text:
Euproctis  mayottensis is a moth of the family Erebidae first described by Cyril Leslie Collenette in 1956. It is found in Mayotte.

References
Collenette, C. L. (1956). "Further new and little-known African Lymantriidae". Annals and Magazine of Natural History. (12) 8 (93), 1955: 644, pl. 16, fig. 6.

Lymantriinae
Moths described in 1856


text:
Diego de Velasco le Jeune, ou Diego de Velasco de Ávila le Jeune, en espagnol Diego de Velasco el Mozo, est un sculpteur et architecte de retable (retablista) espagnol, né à Tolède à une date inconnue, et mort à Séville en 1592.

Il est le fils de Diego de Velasco de Ávila, sculpteur espagnol habitant à Tolède, et de Cristina Vélez.

Biographie

Il a étudié la sculpture dans l'atelier de son père. Ses premiers travaux ont été réalisés dans la cathédrale de Tolède.

En 1566, il obtient avec Luis de Velasco la réalisation du retable de San Yuste de Tolède. En 1567, ils sont ensemble pour le retable de Quismondo.

En 1570, Juan Bautista Vázquez el Viejo avait été chargé de réaliser les sculptures du tombeau de don Francisco Martínez de Silíceo dans l'église de Villagarcía (Badajoz) qu'il n'a pas terminé, mais que s'engage à achever Diego de Velasco le Jeune en 1572.

En 1575 et 1576 il occupe la charge de maître principal (maestro mayor) de la cité de Tolède.

Depuis 1579 il est le maître sculpteur de la cathédrale de Séville. Il habite alors la ville où il s'est marié deux fois. En 1582 il réside dans la paroisse (collación) de San Miguel mais il s'installe à la fin de l'année dans celle de Santa María à la fin de l'année.

En 1587, il apparaît comme sculpteur et maître d'œuvre principal de la cathédrale et habite dans la paroisse de Santa Cruz. Il réalise les stalles de chœur de l'église de la ville de Sanlúcar la Mayor conformément au plan et conditions acceptés par Pedro Díaz de Palacios.

En 1593, Diego de Velasco le Jeune étant mort, les stalles de Sanlúcar la Mayor ont été réalisées par les frères Juan de Oviedo le Jeune et Martín de Oviedo.

Notes et références

Voir aussi

Bibliographie
 Fernando Marías, La arquitectura del Renacimiento en Toledo (1541-1631) - II, , C.S.I.C., 1985  (aperçu)
 Margarita Estella Marcos, Juan Bautista Vázquez el Viejo en Castilla y America, , C.S.I.C., Madrid, 1990  (aperçu)
 Isabel Mateo Gómez, Amelia López-Yarto Elizalde, Pintura toledana de la segunda mitad del siglo XVI, , Consejo Superior de Investigaciones Científicas, Madrid, 2003  (aperçu)

Liens externes

Sculpteur espagnol
Sculpteur de la Renaissance
Date de naissance incertaine (XVIe siècle)
Naissance à Tolède
Décès en 1592
Décès à Séville


text:
Guttural speech sounds are those with a primary place of articulation near the back of the oral cavity, especially where it is difficult to distinguish a sound's place of articulation and its phonation. In popular usage it is an imprecise term for sounds produced relatively far back in the vocal tract, such as German ch or the Arabic ayin, but not simple glottal sounds like h. The term 'guttural language' is used for languages that have such sounds.

As a technical term used by phoneticians and phonologists, guttural has had various definitions. The concept always includes pharyngeal consonants, but may include velar, uvular or laryngeal consonants as well.
Guttural sounds are typically consonants, but murmured, pharyngealized, glottalized and strident vowels may be also considered guttural in nature.
Some phonologists argue that all post-velar sounds constitute a natural class.

Meaning and etymology

The word guttural literally means 'of the throat' (from Latin guttur, meaning throat), and was first used by phoneticians to describe the Hebrew glottal  (א) and  (ה), uvular  (ח), and pharyngeal  (ע).

The term is commonly used non-technically by English speakers to refer to sounds that subjectively appear harsh or grating. This definition usually includes a number of consonants that are not used in English, such as epiglottal  and , uvular ,  and , and velar fricatives  and . However, it usually excludes sounds used in English, such as the velar stops  and , the velar nasal , and the glottal consonants  and .

Guttural languages

In popular consciousness, languages that make extensive use of guttural consonants are often considered to be guttural languages. English-speakers sometimes find such languages strange and even hard on the ear.

Examples of significant usage

Languages that extensively use [x], [χ], [ʁ], [ɣ] and/or [q] include:

Afrikaans
Arabic
Armenian
Assamese
Assyrian Neo-Aramaic
Azerbaijani
Crimean Tatar
Dutch
French
German
Greek
Hebrew
Hindustani (Hindi, Urdu)
Irish
Lakota
Manx
Mongolian language
Kartvelian languages (i.e. Georgian, Mingrelian, Laz, Svan)
Kurdish
Pashto
Persian
Scottish Gaelic
Spanish
Tajik Persian
Tswana
Welsh
In addition to their usage of [q], [x], [χ], [ʁ] and [ɣ], these languages also have the pharyngeal consonants of [ʕ] and [ħ]:

Berber languages (i.e. Kabyle, Tamasheq)
Cushitic languages (i.e. Somali and Oromo)
Some Kurdish dialects (as a result of borrowings from Arabic)
Northeast Caucasian languages (i.e. Chechen, Lezgian, Avar)
Northwest Caucasian (i.e. Abkhaz, Adyghe, Kabardian).
Salishan and Wakashan language families in British Columbia
Semitic languages (i.e. Arabic, Chaldean Neo-Aramaic, Amharic, Tigrinya, Turoyo, Hebrew, Ge'ez)

Examples of partial usage
In French, the only truly guttural sound is (usually) a uvular fricative (or the guttural R). In Portuguese,  is becoming dominant in urban areas. There is also a realization as a , and the original pronunciation as an  also remains very common in various dialects.

In Russian,  is assimilated to the palatalization of the following velar consonant: лёгких . It also has a voiced allophone , which occurs before voiced obstruents. In Romanian,  becomes the velar  in word-final positions (duh 'spirit') and before consonants (hrean 'horseradish'). In Czech, the phoneme  followed by a voiced obstruent can be realized as either  or , e.g. abych byl .

In Kyrgyz, the consonant phoneme  has a uvular realisation () in back vowel contexts. In front-vowel environments,  is fricativised between continuants to , and in back vowel environments both  and  fricativise to  and  respectively. In Uyghur, the phoneme  occurs with a back vowel. In the Mongolian language,  is usually followed by .

The Tuu and Juu (Khoisan) languages of southern Africa have large numbers of guttural vowels. These sounds share certain phonological behaviors that warrant the use of a term specifically for them. There are scattered reports of pharyngeals elsewhere, such as in the Nilo-Saharan, Tama language.

In Swabian German, a pharyngeal approximant  is an allophone of  in nucleus and coda positions. In onsets, it is pronounced as a uvular approximant. In Danish,  may have slight frication, and, according to , it may be a pharyngeal approximant . In Finnish, a weak pharyngeal fricative is the realization of  after the vowels  or  in syllable-coda position, e.g. tähti  'star'.

See also
 Guttural R
 Laryngeal consonant

References

Bibliography
Bauer, Michael Blas na Gàidhlig - The Practical Guide to Gaelic Pronunciation (2011), Akerbeltz.
Beyer, Klaus (1986). The Aramaic language: its distribution and subdivisions. Göttingen: Vandenhoeck und Ruprecht. .
An Introduction to Syriac Studies. Piscataway, NJ: Gorgias Press. .
Kyzlasov I.L. Runic scripts of Eurasian steppes, Восточная литература (Eastern Literature), Moscow, 1994, pp. 80 on,

Place of articulation
Guttural consonants


text:
The Visitors je osmi i zadnji studijski album švedskog sastava ABBA. Singlovi s albuma bili su: "One of Us", "Slipping Through My Fingers", "When All Is Said and Done", "Head Over Heels" i "The Visitors".

Popis pjesama

 Strana A
"The Visitors" – 5:47
"Head Over Heels" – 3:48
"When All Is Said and Done"  – 3:17
"Soldiers" – 4:41

 Strana B
 "I Let the Music Speak" – 5:23
"One of Us" – 3:57
"Two for the Price of One" – 3:38
"Slipping Through My Fingers" – 3:53
"Like An Angel Passing Through My Room" – 3:40

Osoblje
Abba
 Benny Andersson – sintesajzer, klavijature, vokal
 Agnetha Fältskog – vokal
 Anni-Frid Lyngstad – vokal
 Björn Ulvaeus – akustična gitara, električna gitara, mandolina, vokal
Ostali izvođači
Ola Brunkert – bubnjevi
Rutger Gunnarsson – bas-gitara, udaraljke
Janne Kling – puhački instrumenti
Per Lindvall – bubnjevi
Åke Sundqvist – udaraljke
Three Boys (R. Gunnarsson, B. Ulvaeus, L. Wellander) – mandolina
Lasse Wellander – akustična i električna gitara

Albumi iz 1981.
Albumi sastava ABBA