text:
Metalworks Studios is a music recording studio in Mississauga, Ontario, Canada. It was established in 1978 by Gil Moore of the Canadian rock group, Triumph. Over a span of 40 years, Metalworks has been the recipient of Canadian Music Week's 'Studio of the Year' 17 times. Since 1978, Metalworks Studios has expanded into a six studio facility offering in-house tracking, mixing and mastering, as well as video editing and DVD authoring.

In 2004, Metalworks Studios launched an adjacent educational facility; Metalworks Institute.

Metalworks Studios has won 17 'Studio of the Year' awards at Canadian Music Week from 1998 to 2015.

Recording Studios

Metalworks has a total of six studios, including four with live rooms for in-house recording and mixing, a mastering suite, and a sixth facility dedicated to video editing.

Studio 1: Record/Mix Neve

The control room in Studio 1 features a vintage 32x8x32 Neve 8036 console that was re-engineered by Stuart Taylor and Dave Dickson. The tracking room features a  solid maple studio floor, combined with a high ceiling surrounded by wood and stone walls.

Studio 2: Record/Mix SSL G+

The control room in Studio 2 features an 80-input Solid State Logic 4080 G+ console with Ultimation and Total Recall. The adjacent  tracking room features an oak floor and high ceiling. Studio 2 also includes a private lounge.

Studio 3: Record/Mix SSL 4040
The control room in Studio 3 features the Solid State Logic 4040 G/E console. The adjoining ISO-Booth is designed for instrumental overdubs as well as voice work, and the studio includes a modern lounge featuring a skylight.

Studio 4: Video/DVD/Blu-ray
Studio 4 is a video editing and DVD/Blu-ray authoring facility specializing in visual production, motion and still menu design, interactive features, post-production, audio/video encoding, and authoring.

Studio 5: Mastering
Studio 5 is a mastering suite featuring: Steinberg WaveLab, Pro Tools HD3, Manley, Avalon, Apogee, Studer A820 1/2" Tape Machine, Weiss, TC System 6000, Waves, Mark Levinson, Duntech, and more.  Online mastering services are also provided by this facility.

Studio 6: Record/Mix 5.1 SSL J
The control room in Studio 6 features an 80 input Solid State Logic 9080 J console with Ultimation, Total Recall & SL959 5.1 Surround Matrix. This large-scale mixing facility is capable of recording and mixing in 5.1 with a Pro Tools 10 HD3 accel system. A 9 ft film screen and Sony video monitors are available for DVD and Film/TV applications, and the room is Dolby authorized. The adjacent  tracking room features a stone fireplace and high ceiling, and is surrounded by an oak paneled private lounge and billiard area.

Services
The recording studios at Metalworks provide tracking, mixing, digital editing, audio post-production, and CD mastering capabilities. Video editing and DVD/Blu-ray authoring services are also made available by a dedicated video editing facility in Studio 4. Metalworks Production Group, a sister company of Metalworks Studios, also provides in-house event options within several of the studios allowing for video, lighting, and staging system services for live events and recordings.

Clients

Music Artists

Christina Aguilera
Mohsen Chavoshi
SOCAN
Doug and the Slugs
Alexisonfire
Kobra and the Lotus
The Bachman-Cummings Band
Barenaked Ladies
Brymo
Drake
John River
David Bowie
Dolores O'Riordan
The Cranberries
Tom Cochrane
Burton Cummings
D12
DMX
Fair to Midland
Fates Warning
Nelly Furtado
Guns N' Roses
K-OS
Katy Perry
Lights
Demi Lovato
Kim Mitchell
Moneen
Anne Murray
Negramaro
The Next Star
'N Sync
Our Lady Peace
Placebo
Platinum Blonde
Prince
Protest The Hero
Rush
Sandbox
Serial Joe
Silverstein
Sisqó
Ashlee Simpson
Starchild
Sum 41
Swami
The Tea Party
Tina Turner
Triumph
Toto
David Usher
Kate Voegele
Voivod
Chance the Rapper

Film Stars
Catherine Zeta-Jones
Renée Zellweger
Steven Seagal
Richard Gere
Denise Richards

Awards
2014 Canadian Music Week Recording Studio of The Year
2013 SME Excellence Award – Ontario Business Achievement Awards (OBAA)
2013 Canadian Music Week Recording Studio of The Year
2012 Canadian Music Week Recording Studio of The Year
2011 Canadian Music Week Recording Studio of The Year
2009 Canadian Music Week Recording Studio of The Year
2008 Canadian Music Week Recording Studio of The Year
2007 Canadian Music Week Recording Studio of The Year
2006 Canadian Music Week Recording Studio of The Year
2005 Canadian Music Week Recording Studio of The Year
2004 Canadian Music Week Recording Studio of The Year
2003 Canadian Music Week Recording Studio of The Year
2002 Mississauga Board of Trade, Business and the Arts Award in recognition of 'Outstanding Contribution to the Arts Community of Mississauga'
2002 Canadian Music Week Recording Studio of The Year
2001 Canadian Music Week Recording Studio of The Year
2000 Canadian Music Week Recording Studio of The Year
1999 Canadian Music Week Recording Studio of The Year
1998 Canadian Music Week Recording Studio of The Year

Gold and platinum awards

Metalworks Institute
Metalworks Institute is a registered private career college and the sister company of Metalworks Studios and Metalworks Production Group. Metalworks Institute offers diploma programs in: Audio Production and Engineering, Entertainment Business Management, Show Production and Event Management and Music Performance and Technology (Drums & Percussion, Bass Guitar, Guitar, Keyboard and Vocals.

Metalworks Institute is an official Digidesign pro school.

References

External links

Recording studios in Canada
Mass media companies established in 1978
1978 establishments in Ontario


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Centrophorus robustus es una especie de elasmobranquio escualiforme de la familia Centrophoridae.

Véase también
 Anexo:Taxonomía de los tiburones

Referencias

Enlaces externos

Centrophoridae

redpajama_set_name: RedPajamaWikipedia


text:
Se conoce como Grito de Jayuya a la insurrección contra el gobierno de los Estados Unidos en Puerto Rico que se produjo el 30 de octubre de 1950 en diversas localidades de la isla, principalmente en el pueblo de Jayuya. En este municipio fue donde Blanca Canales proclamó la República Puertorriqueña y se hizo la bandera de Puerto Rico por primera vez, públicamente, bajo la soberanía de los Estados Unidos en la isla.

El levantamiento

El 26 de octubre de 1950 Pedro Albizu Campos, presidente del Partido Nacionalista de Puerto Rico (PNPR) estaba en una reunión en Fajardo cuando recibió la noticia de que su casa en San Juan estaba rodeada por la policía. Se escapó de allí y ordenó el inicio de la revolución.

La revuelta se tuvo que adelantar, ya que el 27 de octubre un vehículo en el cual viajaban varios miembros del PNPR fue detenido por la policía. En dicho automóvil se encontraron una gran cantidad de armas. Los líderes nacionalistas entendieron que dicha acción policial significaba una persecución a gran escala del movimiento nacionalista.

Al día siguiente algunos nacionalistas causaron un motín en la cárcel estatal de San Juan. En dicho motín escaparon 112 presos y un par de guardias perdieron sus vidas. Dos de los lugares más revolucionarios una vez estallada la revuelta, el 30 de octubre de 1950, fueron Jayuya y San Juan.

El 30 de octubre de 1950 los nacionalistas organizaron levantamientos en las ciudades de Ponce, Mayagüez, Naranjito, Arecibo, Utuado, San Juan, y Jayuya.

Blanca Canales y otros líderes nacionalistas dirigieron a los nacionalistas armados para entrar en Jayuya y atacar la comisaría. Se produjo una batalla campal entre nacionalistas y policías, con el resultado de 6 agentes heridos y 3 nacionalistas abatidos. Estos cortaron las líneas telefónicas y quemaron la oficina de correos tras hacerse con el control del pueblo. Los nacionalistas se dirigieron hacia la plaza del pueblo donde izaron la bandera de Puerto Rico (hecho prohibido entre 1898 al 1952). En la plaza del pueblo, Blanca Canales proclamó la Segunda República de Puerto Rico. El pueblo de Jayuya fue tomado por los nacionalistas durante tres días.

Estados Unidos declaró la ley marcial y envió a Jayuya la Guardia Nacional. El pueblo de Jayuya fue atacado por aire por aviones bombarderos y en tierra por artillería. Aunque parte del pueblo fue destruido, se impidió la difusión de las noticias de esta acción militar fuera de Puerto Rico.

La Fortaleza, casa oficial del gobernador, fue atacada ese mismo día por varios nacionalistas. El ataque fue encabezado por Raimundo Díaz Pacheco, el cual falleció en el ataque junto a Manuel Torres Medina, Roberto Acevedo y Domingo Heraldo Resto.

Los principales dirigentes del PNPR fueron detenidos, entre ellos Albizu Campos y Blanca Canales, y sentenciados a largas penas de prisión. Griselio Torresola y Óscar Collazo se encontraban en los Estados Unidos, donde intentaron asesinar al presidente Harry S. Truman. El 1 de noviembre de 1950 atacaron la Casa Blair, donde perdieron la vida Torresola y un agente policial. Una de las cosas más importantes que se le puede atribuir a dicho ataque fue que ayudó a que el mundo se enterara de la inestabilidad social en la cual se encontraba Puerto Rico. Óscar Collazo fue detenido y condenado a muerte. Su condena fue conmutada a cadena perpetua por el presidente Truman. En el 1979 recibió un indulto presidencial. La casa de Canales fue reconstruida en un museo histórico.

Quizás una de las cosas más controvertidas de todo lo que fue la insurrección nacionalista fue el hecho de que la mayoría de los líderes del movimiento nacionalistas no fueron arrestados ni encarcelados por cometer actos violentos y delictivos. Tampoco lo fueron por las armas encontradas; no se les pudo vincular con nada de esto. Más bien fueron encarcelados por violaciones a la ley de la mordaza. En otras palabras fueron enjuiciados por expresar abiertamente su repudio al Gobierno puertorriqueño en varias ocasiones y por diferentes medios de comunicación.

Líderes de la insurrección
1. Pedro Albizu Campos (Organizador)
2. Guillermo Rafael González Ubildes
3. José A. Ramos
4. Carlos Irizarry Rivera
5. Ismael Díaz Matos
6. Tomas López De Victoria
7. Antonio "Tonito" Colón
8. Blanca Canales Torresola
9. Heriberto Castro
10. Raimundo Díaz Pacheco (Cmte. del Ejército Libertador)
11. José Antonio Negrón
12. Elio Torresola

Véase también
 Partido Nacionalista de Puerto Rico
 Pedro Albizu Campos
 Masacre de Ponce
 Grito de Lares

Referencias

 Encyclopedia of Minorities in American Politics.Greenwood Publishing Group, 2000. ISBN 1-57356-149-5. P. 417
 Let Freedom Ring: A Collection of Documents from the Movements to Free U.S. Political Prisoners. PM Press, 2008. ISBN 1-60486-035-9. P. 129.
 Lewis, Gordon. Notes on the Puerto Rican Revolution: An Essay on American Dominance and Caribbean Resistance.Monthly Review Press, 1974. ISBN 0-85345-341-1.

Historia de Puerto Rico
Puerto Rico en 1950


text:
Homaloptera vulgaris is een straalvinnige vissensoort uit de familie van de steenkruipers (Balitoridae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1988 door Kottelat & Chu.

Steenkruipers


text:
Juan Francisco García de Zúñiga y Lizola (Buenos Aires, Gobernación del Río de la Plata (Argentina), 5 de julio de 1745 - Montevideo, Uruguay 24 de septiembre de 1814) fue un rico comerciante, militar y uno de los principales terratenientes del Virreinato. Luchó contra las Invasiones Inglesas al Río de la Plata, y en las filas realistas en la lucha por la emancipación.

Biografía

Nacido en Buenos Aires. Era hijo del General Alonso García de Zúñiga, alcalde de Buenos Aires, y de Juana Lizola Escobar (descendiente de Alonso de Escobar). Fue bautizado el 8 de julio de 1745 en la Basílica de Nuestra Señora de la Merced, siendo sus padrinos Juan Vicente Vetolaza y Beatriz de Meléndez.

Entre algunos de sus hermanos se encontraban Ana García de Zúñiga -mujer de Manuel Antonio Warnes- y Esteban García de Zúñiga, quien fuera padre del Gobernador de Entre Ríos Mateo García de Zúñiga.

En 1770 siendo un rico estanciero se trasladó de Buenos Aires a Montevideo para extender allí sus negocios. En 1772 adquirió la concesión del abasto de carne a la ciudad y a las embarcaciones que hacían el tráfico con Buenos Aires. En el año 1767 compra la antigua estancia jesuítica Nuestra Señora de los Desamparados (actualmente San Pedro de Timote), para entonces ya era el poseedor de la mayor fortuna de la Banda Oriental.

En 1776 perdió el monopolio del abasto ante el reclamo de los hacendados recogido por el Cabildo que denunciaba al Gobernador que García de Zúñiga había obligado a los hacendados a venderle "algunas reses por el ínfimo precio de cuatro reales, puestas y traídas por los mismos vendedores y a su costa, en el matadero" y que al no poder vender en el matadero, las estancias de que eran propietarios habían sido considerablemente perjudicadas.

Sumó a sus actividades ganaderas y comerciales, participación militar y política.

En 1790 fue elegido alférez real y se incorporó al Batallón de Voluntarios de Infantería de Montevideo con el grado de Coronel.

Ocupada Buenos Aires por las fuerzas británicas en la primera de las Invasiones Inglesas, presidió el 4 de julio de 1806 la junta del gremio de hacendados, saladores y abastecedores que aprobó la donación de 50000 pesos fuertes para la compra de aquella "caballada que [se] estime necesaria" y aumentar el "sueldo de las tropas de Milicias de Caballería e Infantería y demás que se ocupasen en la defensa de esta Plaza".

Al producirse la segunda invasión inglesa al Río de la Plata y atacar los británicos la ciudad de Montevideo, las fuerzas españolas al mando de Bernardo Lecocq enfrentaron sin éxito a los invasores en el Combate del Cordón. En el mismo, estuvo al frente del centro del dispositivo de defensa, compuesto de 650 hombres del batallón de Milicias de Montevideo y 2 cañones.

Luchó luego en el breve sitio impuesto por los británicos al mando del Batallón de Voluntarios de Infantería de Montevideo hasta la rendición de la ciudad.

Derrotados en Buenos Aires y forzados los británicos a abandonar Montevideo según los términos de la capitulación, fue liberado y retorno a su ciudad adoptiva.

Al negar Montevideo autoridad a Santiago de Liniers el 21 de septiembre de 1808 los cabildantes permitieron que 19 personas fueran elegidas por la muchedumbre para participar en el cabildo abierto y por aclamación Juan Francisco García de Zúñiga, "coronel comandante del Regimiento de Voluntarios de Infantería de esta Plaza" encabezó la lista de diputados "todos Vecinos antiguos de esta Ciudad, notoriamente acaudalados, del mejor crédito y concepto".

Constituida la Junta de Montevideo, se opusieron a su formación, entre otros, García de Zúñiga y su hijo Tomás, síndico procurador del Cabildo de Montevideo, quien abandonó la ciudad negándose a reconocer a la Junta.

Su enfrentamiento con el Cabildo rebelde lo obligó a resignar su puesto como Hermano Mayor de la Cofradía de la Caridad, siendo reemplazado por Mateo Magariños, quien estaba a cargo del Santo Hospital de Caridad de Pobres Enfermos, institución que fundada y sostenida por la Cofradía había sido separada por el Cabildo en 1807 motivando un pleito con García de Zúñiga.

Producida la Revolución de Mayo de 1810 en Buenos Aires, se negó a reconocerla jurando al Consejo de Regencia. Durante el primer y segundo sitio de Montevideo continuó luchando con los realistas aunque sus hijos tomaron parte por la revolución.

Revistando como brigadier en junio de 1814 fue tomado prisionero a la caída de Montevideo. No sobrevivió mucho a la suerte de su ciudad adoptiva y falleció en Montevideo el 14 de febrero de 1815.

Se había casado el 10 de enero de 1777 con doña Francisca Warnes (hija de Manuel Antonio Warnes), matrimonio del cual nacieron once hijos, entre ellos el canónigo José Gabriel García de Zúñiga, senador del Uruguay Javier García de Zúñiga, el estanciero Pedro José García de Zúñiga, Tomás García de Zúñiga, presidente de la provincia Cisplatina, Victorio García de Zúñiga (1779-1834), colaborador de Juan Manuel de Rosas, y Martín García de Zúñiga, militar.

Referencias

Bibliografía

Vicente Osvaldo Cutolo, Nuevo diccionario biográfico argentino (1750-1930), Editorial Elche, 1968.
Yaben, Jacinto R., Biografías argentinas y sudamericanas, 1938
Roberts, Carlos, Las invasiones inglesas del Río de la Plata (1806-1807), Emecé Editores, 2000, ISBN 950-04-2021-X, 9789500420211.
Juicio al teniente general Whitelocke, Buenos Aires, Edivión, 2007
Holland, Lancelot (1975).Expedición al Río de la Plata Colección Siglo y Medio. Editorial Universitaria de Buenos Aires.
Comando en Jefe del Ejército, Cronología Militar Argentina, Clío, Buenos Aires, 1983
Isidoro J.Ruiz Moreno, Campañas militares argentinas, Emecé, Buenos Aires, 2005
Melián, José, Apuntes Históricos, en Biblioteca de Mayo.
Reseña Histórica y Orgánica del Ejército Argentino, Círculo Militar, Buenos Aires, 1972
Saguí, Francisco, Los últimos cuatro años de la dominación española, en Biblioteca de Mayo.
Núñez, Ignacio, Noticias históricas de la República Argentina, en Biblioteca de Mayo.
Beruti, Juan Manuel, Memorias Curiosas, Buenos Aires, Emecé, 2001, ISBN 950-04-2208-5.
Mitre, Bartolomé, Obras Completas, Vol. IV, Historia, Congreso de la Nación, Buenos Aires, 1940.
José María Mariluz Urquijo, El Virreinato del Río de la Plata en la época del marqués de Avilés (1799-1801), Plus Ultra, 1987.

Enlaces externos

Las invasiones inglesas, en rs.ejercito.mil.ar.
Invasión, reconquista y defensa de Buenos Aires, en uca.edu.ar.
Invasiones Inglesas al Río de la Plata, en buenosaires.gov.ar.
Invasiones Inglesas, en cema.edu.ar.
,  Brigadier Juan Francisco García de Zúñiga Lizola (genealogía).
Estancia Nuestra Señora de los Desamparados.
Lealtad, riqueza y autonomía en el Montevideo de las invasiones inglesas.

Militares de las Invasiones Inglesas al Río de la Plata (españoles)
Militares realistas de la guerra de la Independencia argentina
Generales de España del siglo XVIII
Militares nacidos en Buenos Aires
García de Zúñiga
Familia García de Zúñiga
Hacendados de Uruguay


text:
A Vérkeringő az Elefánt zenekar első stúdióalbuma. 2013-ban jelent meg a Drum & Monkey kiadásában. A lemez elkészítésében közreműködött Szendrői Csaba, Tóth András, Horváth Bence Ede, Kovács Zoltán, Kunert Péter és Németh Szabolcs.

Számlista

Külső hivatkozások
 Bandcamp
 feol.hu - Vérkeringő az Elefánt zenekartól
 Kritika a langologitarok.hu oldalon

2013 nagylemezei


text:
Quatermass II ist eine britische Science-Fiction-Fernsehserie von 1955 um den fiktiven Professor Bernard Quatermass. Sie wurde live gesendet und war Vorlage für den Spielfilm Feinde aus dem Nichts (Quatermass 2) von 1957. Die Liveausstrahlungen wurden mittels Kinescope aufgenommen, so dass die Serie im Gegensatz zu ihrer Vorläuferin The Quatermass Experiment von 1953 überliefert ist. Das Drehbuch verfasste Nigel Kneale.

Handlung
Professor Bernard Quatermass ist Leiter der British Rocket Group, die in Australien eine nuklear betriebene Weltraumrakete testet. Schockiert erfährt Quatermass, der sich in London aufhält, von dem Fehlstart der Rakete. Bei ihrer Explosion sind hunderte von Menschen ums Leben gekommen. Infolgedessen soll das Projekt einer britischen Mondstation eingestellt werden.

Auf Bitten seiner Tochter Paula, die mit dem Fallschirmjäger-Captain John Dillon befreundet ist, hilft er Dillon bei der Untersuchung eines Meteoritenfalls in der Nähe des (fiktiven) Dorfes Winnerden Flats. Dabei stellt sich heraus, dass das Dorf völlig zerstört ist und dort stattdessen eine gigantische, schwer bewachte Industrieanlage entstanden ist, über die die Bewohner der Umgebung praktisch nichts wissen. Bei der Untersuchung der Kleinstmeteoriten wird Dillon durch eine Säure im Gesicht verletzt, die eine auffällige Narbe hinterlässt.

Bei seinen weiteren Recherchen entdeckt Quatermass, dass die Erde durch eine Invasion außerirdischer Ammoniakatmer bedroht wird, die die Meteoriten als Raumfahrzeuge benutzen. Sie sind in der Lage, Menschen mental zu beeinflussen und haben bereits Regierungsmitglieder übernommen. Die Industrieanlage ist mit Hilfe von beeinflussten Regierungsmitgliedern entstanden und produziert angeblich synthetische Lebensmittel. Durch Luftaufnahmen erfährt Quatermass, dass in Brasilien und Sibirien ebenfalls Anlagen wie in Winnerden Flats entstanden sind.

Obwohl die Industrieanlage schwer bewacht wird, gelingt es Quatermass mit Hilfe des unbeeinflussten Regierungsbeamten Fowler und dem Public Relation-Beamten Ward auf das Gelände vordringen. Die schwer bewaffneten Wächter werden von den Arbeitern "Zombies" genannt, da sie absolut loyal gegenüber der Werkleitung sind. Die gut verdienenden Arbeiter selbst sind nicht beeinflusst, stellen aber auch keine Fragen, sondern sind guten Glaubens, dass die Industrieanlage der Herstellung von Lebensmitteln dient. Ward dringt allein in den zentralen Tank der Anlage ein und kann Fowler und Quatermass noch sterbend berichten, dass darin ein schwarzer Schleim enthalten ist, der den Invasoren als Nahrung dienen soll.

Quatermass kann die Arbeiter davon überzeugen, dass ihr Werk der Vorbereitung der Invasion dient. Sie machen unter Führung des Arbeiters Paddy einen Aufstand und kämpfen mit Quatermass gegen die Zombie-Wächter, wobei sogar eine Bazooka zum Einsatz kommt. Schließlich geht die ganze Anlage im Chaos unter und der zentrale Tank wird zerstört. Quatermass hat inzwischen erfahren, dass die Invasoren von den Monden des Saturn stammen.

Um die Invasion an der Quelle zu bekämpfen, fliegen Quatermass und sein Mitarbeiter Dr. Leo Pugh mit der Atomrakete "Quatermass II" ins All, um den Asteroiden, von dem die Kleinstmeteoriten mit den Invasoren starten, zu vernichten. Doch Pugh ist kurz vor dem Start von den Invasoren mental beeinflusst worden. Als die Rakete auf dem Asteroiden gelandet ist, will Pugh Quatermass mit einer Maschinenpistole erschießen. Da der Asteroid jedoch keine Schwerkraft besitzt, schleudert der Rückstoß der MPi Pugh in den Weltraum hinaus. Quatermass startet mit dem Feststoffraketenteil zurück zur Erde, der Asteroid wird durch den explodierenden Atommotor der zurückgelassenen Rakete zerstört. Die mentale Beeinflussung durch die Außerirdischen ist beendet.

Episoden

1. The Bolts, Erstausstrahlung 22. Oktober 1955, 7,9 Mill. Zuschauer

2. The Mark, Erstausstrahlung 29. Oktober 1955, 7,9 Mill.

3. The Flood, Erstausstrahlung 5. November 1955, 7,9 Mill.

4. The Coming, 12. November, 8,3 Mill.

5. The Frenzy, 19. November, 8,3 Mill.

6. The Destroyers, 26. November, 9,0 Mill.

Kritik

The serial polarised its audience – viewers either loved its "thrilling story and effects", or loathed its "horror comics" plot. (Fulton, S. 354)

Produktionsnotizen
Ursprünglich sollte die Hauptrolle wie schon in The Quatermass Experiment mit Reginald Tate besetzt werden, doch starb Tate wenige Wochen vor Drehbeginn, so dass die Rolle von Robinson übernommen wurde. Hauptdrehort war Shell Haven in Thurrock, Essex, der mit seinen Kuppeln und Türmen seinerzeit eine futuristische Kulisse bot.

Im Gegensatz zur Vorgängerserie waren mehr Szenen im Voraus auf 35-mm-Film gedreht worden, was zu einer Vereinfachung der Liveausstrahlung und einer besseren Bildqualität beitrug. Die Spezialeffekte stammten von Bernard Wilkie und Jack Kine.

Überlieferung
Eine DVD-Edition mit allen Episoden erschien 2005 bei BBC Worldwide Ltd. in der Quatermass Collection. Die Edition enthält ein von Andrew Pixley verfasstes 47-seitiges Beiheft (Viewing notes) mit ausführlichen Hintergrundinformationen zur Serie.

Literatur
 Roger Fulton: The Encyclopedia of TV Science Fiction. London (Boxtree Limited) 1997, ISBN 0-7522-1150-1.
 John Wade: The Golden Age of Science Fiction. A Journey into Space with 1950s Radio, TV, Film, Comics and Books. Yorkshire/Philadelphia (Pen & Sword Books Ltd) 2019, ISBN 978-1-5267-2925-5, ISBN 978-1-5267-5159-1.
 Andrew Pixley: The Quatermass Experiment, Quatermass II, Quatermass and the Pit. Viewing Notes. BBC 2005 (47seitiges Beiheft zur DVD-Edition).

Weblinks

 Die Serie vollständig auf youtube.com

Fernsehserie der 1950er Jahre
Fernsehserie (Vereinigtes Königreich)
Science-Fiction-Fernsehserie
Thriller
Außerirdische im Film
Kernenergie im Film
Schwarzweißfilm


text:
Lo stemma di Andorra esiste da secoli ed è anche uno degli elementi della bandiera nazionale.

Consiste in uno scudo diviso in quattro quadranti e rappresentante il primo  il vescovado di La Seu d'Urgell, il secondo la vecchia contea di Foix (i conti in questione governavano insieme al vescovo lo Stato andorrano dal 1278), il terzo la Catalogna e l'ultimo la regione francese di Béarn, nella parte inferiore è presente il motto Virtus Unita Fortior (che in latino significa "la virtù unita è più forte" ma può essere anche reso come "l'unità fa la forza").

Sebbene sia uno stemma molto antico, è stato adottato ufficialmente soltanto dal 1969 e mantenuto dopo l'adozione della Costituzione nel 1993. L'attuale costituzione di Andorra stabilisce che l'inno, la bandiera e lo stemma sono quelli tradizionali. In precedenza al 1969, c'erano due versioni dello stemma, una francese (durata fino agli anni quaranta) e una spagnola.

Stemmi all'interno della bandiera andorrana

Voci correlate
 Bandiera di Andorra
 Araldica
 Andorra
 Armoriale degli stemmi degli stati monarchici

Altri progetti

Andorra
Andorra


text:
Закадровый исполнитель — певец, чьё предварительно записанное пение используется в кино. Закадровые исполнители записывают песни для саундтреков, а актёры или актрисы изображают пение на камеру, в то время как фактический исполнитель не появляется на экране.

Закадровое исполнение в Южной Азии
Наибольшую известность закадровое исполнение получило в фильмах Южной Азии, особенно индийского субконтинента. Большинство фильмов Индии, а также фильмы Пакистана, как правило включают в себя 5-7 музыкальных номеров. Первое время после появления в индийском кино звука песни исполняли сами актёры, однако после освоения технологии дубляжа исполнение доверили профессионалам. В настоящий момент популярные закадровые исполнители Индии имеют такой же статус, как и популярные актёры.
Песни в индийских фильмах — совместный продукт творчества поэтов-песенников, композиторов и певцов — часто определяют степень успеха отдельных кинолент. Саундтреки, как правило, выходят до самих фильмов. Закадровые исполнители являются важной частью индийской киноиндустрии.

Большинство закадровых исполнителей первоначально обучались классической музыке, но позже расширили свой репертуар. В качестве наиболее влиятельных исполнителей Южной Азии рассматриваются Мохаммед Рафи и . Сестры Лата Мангешкар и Аша Бхосле, работавшие в основном в фильмах на хинди, часто называются в качестве двух самых известных и самых плодовитых закадровых исполнительниц Индии. В 1974 году Лата Мангешкар была внесена в Книгу рекордов за исполнение максимального количества песен, которое оценивалось в 25 тысяч, что однако позднее ставилось под сомнение. В 1991 году после более тщательного подсчёта песен эти цифры были признаны ошибочными, а звание самого плодовитого вокалиста перешло к Аше Бхосле за участие в записи более 11 тысяч соло, дуэтов и композиций, сопровождаемых хоровым пением, на 20 индийских языках. Ещё один закадровый исполнитель —  — никогда не регистрировался Книгой Гиннесса в качестве рекордсмена этой категории, хотя ему приписывается исполнение 50 тысяч песен.

В число других популярных закадровых исполнителей входят , Мукеш, Манна Дей, , , Кишор Кумар, Гита Датт, , С. П. Баласубраманьям, К. Ш. Читра, , , , , Алка Ягник, Кавита Кришнамурти, Удит Нараян, , Сону Нигам, КК, , , Шрея Гхошал, Сунидхи Чаухан.

Среди известных закадровых исполнителей Пакистана: , , , , , , , , . Современные певцы, такие как Рахат Фатех Али Хан и  довольно популярны среди любителей музыки и зарабатывают огромные суммы, выступая на концертах, проводимых по всему миру, в то время как певцы прошлых лет, , Мунир Хуссейн и Муджиб Алам, стоящие у истоков закадрового исполнения в пакистанских фильмах в 1950-х и 1960-х годов, жили и умерли в нищете.

Некоторые закадровые исполнители не ограничиваются только этим видом деятельности. Так, например, Кишор Кумар, переехавший с Бомбей с целью стать певцом, вынужден был начать работу в кино как актёр из-за отсутствия музыкального образования. После того как его певческий талант был признан, он начал записывать песни для своих персонажей сам. Сону Нигам, Химеш Решаммия и Сукхвиндер Сингх дебютировали в кино в главных ролях, уже став известными в качестве закадровых вокалистов. Пакистанский певец Али Зафар начал карьеру в Болливуде одновременно как актёр и как закадровый исполнитель.
В то же время в последние годы наблюдается и обратная тенденция: актёры начинают исполнять песни в фильмах самостоятельно. Так в 2014 году Шраддха Капур исполнила песню «Galliyan» в фильме Ek Villain, а Алия Бхат — песню «Sooha Saaha» в фильме «Шоссе». Среди известных индийских актёров, хотя бы раз певших в фильмах собственными голосами: Амитабх Баччан, Шахрух Хан, Салман Хан, Аамир Хан, Акшай Кумар, Ритик Рошан, Фархан Ахтар и .

В меньшем развитии, но достаточно широко труд закадровых вокалистов использовался в кинематографе и других стран Юго-Восточной Азии, в частности, в музыкальном кино Гонконга 1950—1960-х годов, где вокал персонажей ряда известных актрис озвучивался Цзин Тин, актёров — Хун Кёном.

Закадровое исполнение в Голливуде
Закадровое исполнение не имеет широкого распространения в современном Голливуде, так как музыкальные фильмы там снимают не часто. Однако, оно широко использовалось в прошлом. Известные примеры закадрового исполнения: Марни Никсон спела в «Вестсайдской истории» за персонажа Натали Вуд,  — за персонажа Кристофера Пламмера в «Звуках музыки»,  — в анимационном фильме «Коты не танцуют»,  обеспечила певческий голос Эльзе Лихтман, героине компьютерной игры L.A. Noire, а  пела за Дебби Рейнольдс в «Поющих под дождём» — фильме, где закадровое исполнение является важной частью сюжета.

Закадровое исполнение в советском кино
Известно применение закадрового исполнения и в советских музыкальных кино- и телефильмах.

К нему относятся, в частности, многочисленные случаи озвучивания юных актёров, не обладающих поставленным голосом или проходящих через стадию «ломки голоса». Одной из известных исполнительниц в этой области до 1983 года была юная Ольга Рождественская, исполнившая вокал ряда персонажей в фильмах «Про Красную Шапочку», «В одно прекрасное детство», «Там, на неведомых дорожках…», «Чародеи», «Приключения Петрова и Васечкина». Многие персонажи-мальчики и подростки озвучиваются певицами — включая ту же Рождественскую, спевшую за Тима Талера в фильме «Проданный смех», Елену Шуенкову и Елену Камбурову, певших соответственно за Электроника и Сыроежкина в «Приключениях Электроника» и т. д.

В то же время, известен и ряд случаев закадрового озвучивания вокала взрослых актёров; один из таких — фильм «Труффальдино из Бергамо», в котором вокал заглавного героя в исполнении Константина Райкина был исполнен Михаилом Боярским, а большинство женских партий — игравшей одну из ролей Еленой Дриацкой (певшей за собственную героиню Клариче, её служанку Смеральдину и частично — за Беатриче). Наиболее известным примером закадрового исполнения в советском кино можно назвать фильм «Ирония судьбы…», в котором песни за героев Андрея Мягкова и Барбары Брыльской исполняли Сергей Никитин и Алла Пугачёва.

Награды
Наиболее престижные индийские кинопремии за закадровое исполнение:
 Национальная кинопремия (Индия) за лучший мужской закадровый вокал
 Национальная кинопремия (Индия) за лучший женский закадровый вокал
 Filmfare Award за лучший мужской закадровый вокал
 Filmfare Award за лучший женский закадровый вокал

См. также
 Исполнение под фонограмму
 Дублирование

Примечания

Кинематограф Индии


text:
Keizer is a Dutch surname, meaning "emperor". It is cognate to German Kaiser. Notable people with the surname include:

Bert Keizer (born 1947), Dutch writer and physician
Cees Keizer (born 1986), Dutch football midfielder
Garret Keizer (born 1953), American author
Gerrit Keizer (1910–1980), Dutch sportsman
Henry Keizer (born 1960), Dutch businessman and corporate director
Ilja Keizer (born 1944), Dutch middle-distance runner
Jan Keizer (referee) (born 1940), Dutch sports referee
Jan Keizer (singer) (born 1949), Dutch singer
Jolanda Keizer (born 1985), Dutch heptathlete
Joris Keizer (born 1979), Dutch swimmer
Marcel Keizer (born 1969), Dutch football manager
Martijn Keizer (born 1988), Dutch racing cyclist
Nick Keizer (born 1995), American football player
Piet Keizer (1943–2017), Dutch football left winger
Sanne Keizer (born 1985), Dutch volleyball player
Simon Keizer (born 1984), Dutch singer
Teddy Keizer (born c.1971), American speed hiker

See also
Keizer (disambiguation)
Keijzer
Keyser

References

Dutch-language surnames


text:
Scelolyperus bimarginatus es una especie de insecto coleóptero de la familia Chrysomelidae.

Fue descrita científicamente en 1928 por Blake.

Referencias

Scelolyperus


text:
Glen Tetley (February 3, 1926 – January 26, 2007) was an American ballet and modern dancer as well as a choreographer who mixed ballet and modern dance to create a new way of looking at dance, and is best known for his piece Pierrot Lunaire.

Biography
Glenford Andrew Tetley, Jr. was born on February 3, 1926, in Cleveland, Ohio.  While in medical school, Tetley found a passion for dance.  After graduating from Franklin and Marshall College in 1946, Tetley moved to New York City to study dance.

He began his career as a dancer, dancing in Hanya Holm's Broadway production of Kiss Me, Kate in 1948 and Juno in 1959, as well as with the New York City Opera Ballet, John Butler's American  Dance Theatre, and the Joffrey Ballet where he was an original member. Later he danced with American Ballet Theatre and Jerome Robbins's Ballets: USA. Tetley's choreographic style rises from his experiences with modern dance teachers like Holm and Martha Graham as well as his time with ballet teachers such as Antony Tudor and Margaret Craske. Because of this mix in dance education, Tetley's choreography is a distinct blend between ballet and modern dance. Tetley wanted to achieve a mix of "modern dance's visceral earthiness with the ethereal lyricism of classical ballet".
Mary Hinkson, a former dancer from the original Martha Graham company, has assisted Tetley all over the world. Her knowledge of the Graham technique helped shaping ballet dancers into Tetley's choreography.

Choreography
What made Tetley stand out among other choreographers was his ability to seamlessly mix ballet and modern dance.  Tetley choreographed over 50 ballets for some of the world's most famous dance companies. Tetley made his choreographic premier in 1962 with Pierrot Lunaire which he choreographed for his newly formed chamber company. Tetley based this piece on music of the same name by composer Arnold Schoenberg. Though this piece was one of his first choreographic ventures, it is heralded by many as one of his best and most iconic. It is also here where audiences first saw his iconic mix of ballet and modern dance. Other works choreographed by Tetley include: Contredances, Gemini, Odalisque, Ricercare, Le Sacre du Printemps, Sargasso, Sphinx, and Voluntaries. Tetley moved to Europe and became the Artistic Director for the Netherlands Dance Theatre in 1969 and the Stuttgart Ballet where he also danced from 1974–1976, before returning to North America to work with the National Ballet of Canada. While in Europe and Canada, Tetley choreographed many new pieces such as Alice in 1986 for the National Ballet of Canada.  At the time of his departure, many in the American dance community would either train in ballet or modern dance, but never both. Some believe that because of this rigidity and inability to accept the fusion of modern dance and ballet, Tetley moved to Europe where the atmosphere was more artistically free.

Style
Throughout his choreography Tetley displayed "fervid intensity, sinuous nonstop propulsion, and voluptuous physicality". While Tetley does not intentionally create abstract pieces, he uses his movement in order to "convey his meditations on themes from myth, music, theater, and literature".

Personal life
His long term partner of 40 years was Scott Douglas. On January 26, 2007, Tetley died in Florida, aged 80, following a battle with skin cancer. Dancers, such as Karen Kain, a member of the National Ballet of Canada, remember Tetley as a choreographer who had a "ferocious demand for total artistic commitment", while David Allan recalls that Tetley "fired up your imagination and made you look at yourself differently". Among the members of his chamber company was Christopher Bruce, the lead in his signature work, Pierrot Lunaire who cites Tetley as one of his inspirations.

Works

 1977: ballet "Mythical Hunters"

References

External links
The New York Times obituary for Tetley
The Guardian obituary for Tetley

1926 births
2007 deaths
American choreographers
American male ballet dancers
American expatriates in Canada
American expatriates in the United Kingdom
Franklin & Marshall College alumni
Artists from Cleveland
Artists from New York City
Deaths from skin cancer
Deaths from cancer in Florida
Modern dancers
Stuttgart Ballet
20th-century American ballet dancers


text:
Clytia pacificum är en nässeldjursart som först beskrevs av Clarke 1907.  Clytia pacificum ingår i släktet Clytia och familjen Campanulariidae. Inga underarter finns listade i Catalogue of Life.

Källor

Hydrozoer
pacificum


text:
The Faculty Council of Community Colleges (FCCC) is the official agency through which State University of New York community college faculty engage in university governance.

History

The first meeting of the Faculty Council of Community Colleges was held on May 12, 1967, in Albany. Developed in parallel to the SUNY Faculty Senate, the FCCC originally represented faculty at all New York community colleges. When the City University of New York (CUNY) and SUNY were legislatively separated in 1975, the FCCC no longer included the CUNY Community Colleges in its membership. Today, the FCCC represents faculty at SUNY's 30 community colleges.

Aims

The FCCC focuses on matters relating to community college faculty and system-wide educational policies and other professional matters of the State University of New York, and in those areas the FCCC :

 Studies, advises, and makes recommendations regarding academic concerns, issues, policies and programs;
 Provides opportunity and structure for the faculties of the community colleges to formulate positions on policy matters of common interest to the community colleges for transmittal to community college presidents, trustees and sponsors;
 Provides an opportunity for the faculties of the community colleges to act in an advisory, consultative and planning capacity to the Chancellor of the University;
 Provides a forum for the consideration of matters of common interest to the faculties of the community colleges;
 Provides a means for the interchange of ideas among the faculties of the community colleges and between the faculties and the administration of the University; and
 Provides an additional channel of communication between the university administration and local governing boards of the community colleges.

In addition, the Faculty Council of Community Colleges works with the University Faculty Senate (UFS) on matters of common concern in the conduct of university affairs.

Membership

The voting members of the FCCC include one faculty delegate from each of the 30 community colleges, the Vice Chancellor for Community Colleges, the Associate Provost for Community colleges, the President and the immediate Past President of the FCCC. An alternate delegate is designated by each college to attend the meetings when the delegate cannot.

Meetings

FCCC plenary meetings are held twice a year - once in the fall semester and once in the spring semester. Community college delegates, and their colleges, volunteer to host the meetings.

References

External links

 SUNY FCCC Bylaws
 SUNY FCCC Twitter page
 SUNY FCCC Facebook page

State University of New York
Community colleges in New York (state)
University governance
SUNY shared governance organizations


text:
Ibrahim Rafeeq was the Minister of Housing and Urban Development of the Maldives from 2005 to 2008. A native of Fuvahmulah, Rafeeq is the managing director of the Rainbow group consisting of Rainbow Enterprises Pvt. Ltd., Rainbow Construction Pvt. Ltd. and Rainland Developers Pvt. Ltd. in the Maldives.

References

Government ministers of the Maldives
Living people
Year of birth missing (living people)


text:
Internetpartei ist der Name bzw. die deutsche Übersetzung des Namens folgender politischer Parteien:

 Partido de Internet (Spanien)
 Internet Party (Neuseeland)
  Інтернет Партія України (Ukrainische Internetpartei)


text:
Mkomazi steht für
 einen Fluss in Südafrika, siehe Mkomazi River
 einen Fluss in Tansania, siehe Mkomazi (Pangani)
 eine Ortschaft in Tansania, siehe Mkomazi (Stadt)
 einen Nationalpark in Tansania, siehe Mkomazi-Nationalpark


text:
El tapacul de matollar (Scytalopus griseicollis) és una espècie d'ocell de la família dels rinocríptids (Rhinocryptidae).

Hàbitat i distribució
Habita el sotabosc de la selva humida de muntanya i zones de matolls als Andes del nord de Colòmbia i nord-oest de Veneçuela.

Referències

matollar


text:
Deux navires de la Kaiserliche Marine et un de la Reichsmarine ont porté le nom dEmden, d'après la ville du même nom :
le , un croiseur léger de la classe du même nom lancé en 1905 ;
le , un croiseur léger de  lancé en 1915 ;
l', un croiseur léger lancé en 1925.

Emden


text:
A caboclo () is a person of mixed Indigenous Brazilian and European ancestry, or, less commonly, a culturally assimilated or detribalized person of full Amerindian descent. In Brazil, a caboclo generally refers to this specific type of mestiço.

The term, also pronounced "caboco", is from Brazilian Portuguese, and perhaps ultimately from the Tupi kaa'boc. It means a "person having copper-coloured skin" A person of mixed Indigenous Brazilian and sub-Saharan black ancestry is known as a "cafuzo."

In the 1872 and 1890 censuses, 3.90% and 9.04% of the population self-identified as caboclos, respectively. Since then, caboclos are counted as pardos, along with mulattoes (mixed Black-White) and cafuzos (mixed Amerindian-Black).

A survey performed in Rio de Janeiro showed that 14% of Whites and 6% of Pardos reported a mixed Amerindian and White ancestry.

According to the Mexican researcher Lizcano, based on a non-genetic based estimation, caboclos (mestizos) would be 12% of Brazilian population.

Etymology
The term caboclo (which in the Amazon Basin and in Candomblé is usually pronounced without the l, as caboco) is said to come from the Tupi word kari'boka, meaning "deriving from the white". Its primary meaning is mestizo, "a person of part Amerindian and part European descent." But it may also be used to refer to any Indigenous Brazilian who is assimilated. The term Indian should not be confused with people originating from India in South Asia.

The king of Portugal, D. Joseph I, encouraged marriages between European colonists and Indians in the 18th century; this enabled the European men to settle into families, and resulted in the birth of the first caboclo children. Similarly, in the 19th century during the time of rubber soldiers, the government kidnapped young, primarily white and mestiço Brazilian men from Northeastern Brazil and transported them into the Amazonian interior to harvest rubber. The men were never granted permission to leave, and married local native women, fathering more generations of mestiços.

The caboclo populations in the Amazon region of Brazil are noted as voracious eaters of the açaí palm fruit, which is basic to the traditional diet of the natives. In one study, açaí palm was described as the most important plant species because the fruit makes up such a major component of diet (up to 42% of the total food intake by weight) and is economically valuable in the region (Murrieta et al., 1999).

The term caboco is also used as an alternate term for the Orishas of the Candomblé religion. The caboclo is also an Orisha.

Days celebrating racial groups in Brazil
In Brazil, the "Day of the Caboclo" (Dia do Caboclo), observed annually on June 24, in celebration of the contributions and identity of the original caboclos and their descendants. This date is an official public holiday in the State of Amazonas.
"Mixed Race Day" (Dia do Mestiço) is observed annually on June 27, three days after the Day of the Caboclo, in celebration of all mixed-race Brazilians, including the caboclos. The date is an official public holiday in three Brazilian states.
"Indian Day" (Dia do Índio), observed annually on April 19, recognizes and honours the indigenous peoples of Brazil.
"Black Awareness Day" (Dia da Consciência Negra) is observed annually on November 20 as a day "to celebrate a regained awareness by the black community about their great worth and contribution to the country". The date is an official public holiday in five Brazilian states.

See also
Mameluco
Race and ethnicity in Brazil

References

Citations

Books
 Adams, C., Murrieta, R., & Neves, W. A. (2006). Sociedades caboclas amazônicas: modernidade e invisibilidade (1a ed.). Sâo Paulo: Annablume.  and
 Nugent, S. (1993). Amazonian Caboclo Society: An Essay on Invisibility and Peasant Economy. Providence, RI: Berg.

Journal articles
 Murrieta, R. S. S., Dufour, D. L., & Siqueira, A. D. (1999). "Food consumption and subsistence in three Caboclo populations on Marajo Island, Amazonia, Brazil," Human Ecology, 27(3), 455–475.

External links
http://www.iht.com/articles/2006/11/13/news/brazil.php

Multiracial affairs in Brazil
Métis
Race in Brazil


text:
Clarissa Cristina dos Santos (born March 10, 1988) is a Brazilian professional basketball player previously played for the Chicago Sky of the Women's National Basketball Association (WNBA).. Most recently she has played for Basket Landes in the Euroleague Women.

Early life and career
She began practicing sports at 13 on the Miécimo da Silva Sports Complex, and one day, as the basketball court was right along the athletics field where she practiced discus throw Santos was invited to play that sport. Eventually it became her priority. In 2005, she joined the young teams of the club, and one year later was already in the adult team of Fluminense.

Player profile
Clarissa excelled at rebounds, a statistic she topped in the Brazilian championship for two straight years. She was champion in 2012 with the Americana team. She is  tall.

National Team and international competition
For the Brazil women's national basketball team, Clarissa won a bronze medal at the 2011 Pan American Games, and was champion of the 2011 FIBA Americas Championship for Women which qualified Brazil for the 2012 Summer Olympics. In the women's event, Brazil fell at the group stage with only one win, but Santos lead the rebounds statistic.  She was also part of the Brazilian team that played at the Rio Olympics.

References

1988 births
Living people
Basketball players at the 2011 Pan American Games
Basketball players at the 2012 Summer Olympics
Basketball players at the 2016 Summer Olympics
Basketball players at the 2019 Pan American Games
Brazilian expatriate basketball people in the United States
Brazilian women's basketball players
Chicago Sky players
Olympic basketball players of Brazil
Pan American Games bronze medalists for Brazil
Pan American Games medalists in basketball
Power forwards (basketball)
Basketball players from Rio de Janeiro (city)
Medalists at the 2019 Pan American Games
Medalists at the 2011 Pan American Games


text:
Een rondbodemkolf of rondkolf is een stuk laboratoriumglaswerk bestaand uit een bolvormig lichaam waarop een cilindrische hals is gezet. De opening van de hals kan wijd of nauw, geslepen of ongeslepen zijn.

Kolven worden meestal als reactievat gebruikt of als reservoir bij destillaties en extracties. De ronde vorm maakt dat ze vrij goed bestand zijn tegen verwarming en vacuümzuigen. Dit brengt echter het nadeel met zich mee dat de kolf niet goed kan worden neergezet. In de praktijk zitten ze dan ook meestal in een installatie vast door middel van klemmen of staan ze op een kurken ring.

Er zijn ook kolven met twee of drie halzen (respectievelijk tweenekkolf en drienekkolf genoemd), waar bijvoorbeeld een aanvoerbuis, een damp-afvoerbuis en een thermometer in kunnen worden gestoken. Er bestaan ook platbodemkolven waarbij een klein deel van de bodem wel vlak is zodat ze kunnen worden neergezet. Het is echter niet veilig deze te gebruiken in een filmverdamper vanwege implosiegevaar.

Zie ook
 Erlenmeyer

Laboratoriumglaswerk


text:
Cette liste a pour but de recenser les monastères créés en Europe occidentale pendant le  :

Monastère Sainte-Catherine du Sinaï fondé probablement entre 548 et 562 dans la péninsule de Sinaï.

L'abbaye Saint-Aubin fondée à la fin du siècle à Angers.
 L'abbaye Saint-Césaire fondée en 512 à Arles.

 Abbaye de Saint-Gildas de Rhuys, fondée en 536 par Gildas (Gweltas), moine venu d'Angleterre. Il l'a construite en bois sur les restes d'un oppidum romain.
 Abbaye de Baume, fondée au  par saint Colomban, blottie au creux d'une « reculée ». Elle constituait un modèle de vie monastique : c'est de Baume que sont issus les moines qui, en 910, fondèrent l'abbaye de Cluny.
Abbaye de Luxeuil, fondée en 590 par Saint Colomban.
 Abbaye Saint-Étienne de Marmoutier, fondée vers 589 par Saint Léobard.
 Abbaye Saint-Vincent de Laon
 Abbaye Saint-Médard de Soissons, fondée vers 560
 Monastère des Saints-Apôtres, fondé en 548 (ou 547) par l'archevêque d'Arles, Aurélien, à la demande du roi Childebert I. Ce monastère intra-muros, est à l'origine de l'église Sainte-Croix dans le Bourg-Vieux. Son premier abbé s'appelle Florentinus († 553).
 Abbaye de Saint-Julien à Tours, fondée vers 575 par Grégoire de Tours, alors évêque de la ville. Il a apporté d'Auvergne des reliques de saint Julien de Brioude qu'il confie à des moines bénédictins.

Monastère de Clonmacnoise (en irlandais Cluain Mhic Nóis), situé dans le Comté d'Offaly, au bord de la rivière Shannon au sud de la ville d'Athlone, fondé en 545 par Saint Ciarán à l'endroit où la route majeure reliant l'est à l'ouest de l'île d'Irlande.

Abbaye de Subiaco, fondée par Saint Benoît au début du
 Abbaye du Mont-Cassin, fondée par Saint Benoît vers l'an 529, de l'ère chrétienne, fut élevée sur la base d'une fortification romaine préexistante du municipium de Casinum.

Abbaye de Saint-Maurice d'Agaune, fondée en 515 par le roi burgonde Saint Sigismond à l'emplacement d'un sanctuaire plus ancien abritant les restes de Maurice, martyr du .

Notes et références

Abbayes et monasteres crees au VIe siecle
Histoire du christianisme


text:
Michael Kress (* 1964 in München) ist ein deutscher Neo-Konzept-Künstler. Er lebt in Hamburg.

Werk
Kress greift in der Tradition der Konzept-Kunst auf deren bekannte Ordnungssysteme zurück, wie Schrift, Namensgebung, Bildzeichen oder sprachlogische Attribute. Seine Motive gewinnt er hingegen aus populären Kontexten, indem er aus einem isolierten Muster reproduzierbare Varianten entwickelt, z. B. mit einer Rollschrift der Namen von Filmstars (La Video) oder für Schönschriftlinien in Schulheften (Lineatur Nr.1 - Normerweiterung, 1991). In der Beziehung einzelner Elemente zueinander ergibt sich eine Struktur, die durch Wiederholung Normen entwickelt und Orientierung verspricht. Kress macht auf diese Strukturen immer wieder aufmerksam und findet durch neue Zusammenstellungen verblüffend einfache Bildlösungen, die Normen variieren ohne sie gänzlich aufzugeben, was naiv wäre. Die Herausbildung von Identität und Ordnung, wie sie beispielsweise in der oftmals krampfauslösenden Einübung des Schreibens immer und immer wiederholt wird,
stellt er buchstäblich auf den Kopf durch Rückwärtsschriften (Links-Rück-Schreibung, 1990) oder die Umformung von Schönschriftlineaturen zu Zeichenzeilen (Normerweiterung). Die pädagogische Nötigung zur Schönschrift mutiert bei Kress zur Variation des Zeilenmusters, zu einem schönen, aber bedeutungslos verbleibenden Ornament. Regeln, die zur Norm erstarren und abgelöst vom sinnvollen Zusammenhang oder Gebrauch der Dinge eine eigene befremdende Existenz entwickeln, werden in Frage gestellt.

Michael Kress ist Mitglied im Deutschen Künstlerbund.

Ausstellungen (Auswahl)
"DIS YOUR SELF", Core Project Space, Lamar Dodd School of Art, Athens, GA/USA, Oktober 2018
"ADORE / Fans are Artists - Artists are Fans", Zounohana Terrace, Yokohama, Japan, September 2014
Nishinomiya Funasaka Biennale 2012, Japan, 2012
Konversationskunst, ZKM, Karlsruhe, November 2010
Yo Aqaba - Mit Lawrence und Lennon und den Drei Musketieren durch die Wüste in Kino, Stiftung Landdrostei, Pinneberg, Oktober 2009
Künstler fressen Weltbanken, Kunstverein Loitz, Vorpommern, Mai 2009
Wir nennen es Hamburg, Kunstverein, Hamburg, Oktober 2008
Quasi Pinneberg, privat, Drostei, Pinneberg, November 2007
Freizeitanzug für Soloszenen, Trottoir und Golden Pudel Club, Hamburg, April 2007
Stile der Stadt, Internationales Videoforum, Hamburg, 2006
Galerie der Gegenwart, Hamburg, 2004
halle_für_kunst e.V., Lüneburg, 2002
VideoClub 99, Galerie der Gegenwart, Hamburg, 1999
AVE-Videofestival /Anrnheim, Niederlande, 1995,
Scharfer Blick, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 1995,

Auszeichnungen
Willson Center Fellowship, Lamar Dodd School of Art, Athens, GA/USA, Oktober 2018
Elbkulturfonds Hamburg 2016, für HyperCulturalPassengers
Arbeitsstipendium des Landes Schleswig-Holstein, 2009
Kulturpreis des Kreises Pinneberg, 2007
Deutscher Video Preis 1993 des ZKM (nom.)
Marler Videokunst-Preis, Skulpturenmuseum Glaskasten, Marl 1992 (nom.)

Einzelnachweise

Weblinks
 Internetauftritt von Michael Kress

Konzeptkünstler (Deutschland)
Mitglied im Deutschen Künstlerbund
Deutscher
Geboren 1964
Mann


text:
Une minoterie ou meunerie (de « minotier ») est un grand établissement où se préparent les farines de céréales qui doivent être livrées au commerce.

Au , mais surtout au , les minoteries industrielles ont remplacé les moulins à farine (moulins à eau ou moulins à vent d'autrefois, ou les moulins artisanaux utilisant la force animale).

Présentation
Le travail des minotiers (ou meunier) consiste à éliminer les parties périphériques du grain des céréales (les sons et remoulages), riches en cellulose et à transformer la partie centrale amidonneuse (l'amande) en particules assez fines (moins de ) et assez pures pour composer la farine.

On distingue plusieurs types de farine en rapport avec la pureté (évaluée par le biais du taux de matières minérales, ce qui du reste structure la réglementation) ou au regard des protéines et de quelques autres caractéristiques en ce qui concerne les aptitudes technologiques (aptitude aux différents types de panifications, etc.).

L'étuvage des farines est une pratique onéreuse et assez rare, réservée à des cas très particuliers dont l'impact est dérisoire en tonnage relatif.

Technique
On étend la farine sur des surfaces placées dans des locaux ouverts et chauffés à une température ne devant pas dépasser , au moyen de demi-cylindres ou gouttières doubles, dans lesquels on introduit de la vapeur ou de l'air chaud. La farine est agitée dans la gouttière extérieure au moyen de vis dont les filets sont garnis de poils de sanglier et, lorsqu'elle a parcouru sept ou huit de ces gouttières, elle passe sur des appareils semblables dans lesquels, au lieu de vapeur ou d'air chaud, on fait circuler de l'eau froide. La farine se refroidit ainsi, puis elle tombe dans des sacs ou barils destinés à cet effet.

Histoire

Avec l'apparition de la minoterie industrielle au  liée à la généralisation de l'électricité, le terme s'est appliqué aux établissements de production de la farine remplaçant les anciens moulins.

La baisse de la consommation quotidienne du pain dans les ménages fait que les minoteries industrielles essaient de réactiver le marché avec une gamme de produits plus large fournie à la boulangerie (contenu en céréales diversifié, méthodes d'extraction différentes ou ajout de fibres à la farine).

Énergies utilisées historiquement
Une des sources d'énergie fréquemment utilisée est l'eau, par l'intermédiaire d'une roue à aubes ou d'une turbine. Au début du , de nombreuses minoteries utilisaient en plus de l'eau des machines à vapeur. Il n'était pas rare alors que ces minoteries produisent aussi de l'électricité pour alimenter une partie du village ou les entreprises voisines.

Bibliographie

 Huss Valérie,  "De la farine et du sucre en Nord-Isère", in Industries en Dauphiné d'hier à aujourd'hui (revue de l'Association pour le Patrimoine et l'Histoire de l'Industrie en Dauphiné-APHID), n°20, 2022, pp. 5-7.

Notes et références

Voir aussi

Articles connexes
 Blutage
 Cylindre de minoterie
 Meule à grains
 Meunerie
 Moulin
 Moulin du Ruisseau des Rochers (Corrèze)
 Plansichter

Liens externes
 Fédération des moulins de France, revue Monde des Moulins (consulté le  2019).
 Fédération française des associations de sauvegarde des moulins, revue Moulins de France, www.moulinsdefrance.org (consulté le  2019).

ar:طاحونة#طاحونة حجرية
arc:ܪܚܝܐ#ܪܚܝܐ ܟܐܦܝܬܐ


text:
Waterperry Wood is a  biological Site of Special Scientific Interest (SSSI) east of Oxford in Oxfordshire. It is a Nature Conservation Review site, Grade I, and is owned and managed by the Forestry Commission.

This wood has been designated an SSSI because it contains a diverse and important insect fauna, with many nationally uncommon and rare species. There are nineteen species of nationally uncommon hoverflies, including five which are listed in the British Red Data Book of Insects, many nationally uncommon beetles, thirty butterfly species and several rare moths.

References

Sites of Special Scientific Interest in Oxfordshire


text:
Križe je naselje u slovenskoj Općini Tržiču. Križe se nalazi u pokrajini Gorenjskoj i statističkoj regiji Gorenjskoj.

Stanovništvo
Prema popisu stanovništva iz 2002. godine naselje je imalo 859 stanovnika.

Izvor

Naselja u Općini Tržič

sl:Križe


text:
Малые Лызки — бывшая деревня в Хиславичском районе Смоленской области России. Входила в состав Корзовского сельсовета.

География
Малые Лызки находились к юго-западу от современной деревни Большие Лызки на другом (правом) берегу речки Лызка. Вблизи северной стороны начинается зоологический заказник «Хиславичский».

История
По данным справочников 1981, 1993 годов деревня Корзовского сельсовета Хиславичского района.

В 2010 году деревня уже не существовало, на карте на её месте обозначалось урочище Малые Лызки.

Транспорт
К северу проходит дорога третьего класса Хиславичи — Лобановка — Осиновка 66Н-2209.

Примечания

Населённые пункты на реке Лызка
Упразднённые населённые пункты Хиславичского района


text:
Joseph Battell (April 17, 1806July 8, 1874) was a businessman and benefactor of Yale University.

Battell was born to Joseph Battell (1774–1841) and Sarah Robbins. He graduated from Middlebury College in 1824 before moving to New York City.

Battell's sister, Irene Battell, married Yale professor William Augustus Larned. Battell was an enthusiast of sacred music and established a fund at Yale for it in 1854. This gift was the first towards an eventual School of Music, officially founded in 1890. He later gave $30,000 to fund the construction of Battell Chapel, completed in 1876, and willed Yale an additional $50,000 to ensure its completion. Battell died in Brooklyn, New York on July 8, 1874.

References

1806 births
1876 deaths
Middlebury College alumni
People from Norfolk, Connecticut
Yale University people
19th-century American businesspeople


text:
Требесин () е село в Черна гора, разположено в община Херцег Нови. Населението му според преброяването през 2011 г. е 196 души, от тях: 105 (53,57 %) сърби, 69 (35,20 %) черногорци, 11 (5,61 %) неизвестни.

Население
Численост на населението според преброяванията през годините:
 1948 – 112 души
 1953 – 123 души
 1961 – 105 души
 1971 – 85 души
 1981 – 91 души
 1991 – 91 души
 2003 – 224 души
 2011 – 196 души

Източници

Села в община Херцег Нови


text:
LAnsa de Cervera és una cala del terme comunal de Cervera de la Marenda, a la comarca del Rosselló.

És a la costa, al davant de la població de Cervera de la Marenda, a llevant seu. En aquesta ansa, o cala, hi ha el port esportiu de Cervera de la Marenda.

La seva platja fa uns 250 metres de longitud, amb una amplada màxima d'uns 22 metres.

Bibliografia

Referències

Geografia de Cervera de la Marenda
Platges de la Catalunya del Nord


text:
Barbara Angela Parker (born 8 November 1982) is an English track and field athlete who competes for Great Britain. She has competed in two Olympic Games and is the former UK record holder in the 3000 metres steeplechase.

Personal life
Parker was born in King's Lynn, Norfolk, England and lives in Alabama. She studied a BTEC National Diploma in Sport and Exercise Science at the College of West Anglia from 1999-2001.

Career
At the 2008 Summer Olympics, Parker represented Great Britain in the 3000 metres steeplechase. She was eliminated in the heats, running 9:51.93. She reached the final of the 3000 m steeplechase at the 2011 World Championships in Daegu after running 9:38.12 in her heat. In the final, she finished 14th with 9:56.66.

In June 2012, Parker broke the UK record in the 3000 m steeplechase with 9:24.24, which was unsurpassed until 2021. She competed at the London 2012 Olympic Games and was eliminated in the heats of both the 3000 m steeplechase and 5000 metres. In the 3000 m steeplechase, she ran 9:32.07, while in the 5000 m, she ran a personal best of 15.12.81.

References

External links

1982 births
Living people
Sportspeople from King's Lynn
British female long-distance runners
English female long-distance runners
British female steeplechase runners
English female steeplechase runners
Olympic female steeplechase runners
Olympic athletes of Great Britain
Athletes (track and field) at the 2008 Summer Olympics
Athletes (track and field) at the 2012 Summer Olympics
World Athletics Championships athletes for Great Britain
British Athletics Championships winners


text:
Scissirostrum is een geslacht van zangvogels uit de familie  spreeuwen (Sturnidae). Er is één soort:
Scissirostrum dubium  –  roodstuitspreeuw

Spreeuwachtigen


text:
Эрнст Теодор Бааш (; 1861—1947) — немецкий  и .

Биография
Эрнст Теодор Бааш родился 19 ноября 1861 года на севере Германии в городе Гамбурге в весьма уважаемой купеческой семье.

По окончании средней школы учился истории, географии и экономике в Берлине, Тюбингене и Марбурге. Одним из его учителей был Георг фон Белов, с которым его на протяжении всей жизни связывала дружба. В 1888 году он был одним из добровольцев, которые работали в городском архиве Гамбурга. В том же году он стал сотрудником библиотеки, а после смерти Германа Отто Матсена в 1889 году торговая палата избрала его на должность главного библиотекаря (в то время весьма уважаемый пост).

Библиография
 «Die Steuer im Herzogthum Baiern bis zum 1. landständischen Freiheitsbrief (1311)» (Гамбург, 1888);
 «Beiträge zur Geschichte der Handelsbeziehungen Hamburgs und Amerika» (Гамбург, 1892);
 «Hamburgsseeschiffahrt u. Ware nhandel» (Гамбург, 1893);
 «Hamburgs Convoyschiffahrt und Convoywesen. Ein Beitrag zur Geschichte der Schiffahrt und Schiffahrtseinrichtungen im 17. und 18. Jahrhundert» (Гамбург, 1896);
 «Hansestädte und Barbaresken» (1897);
 «Beiträ ge zur Geschichte des deutschen Schiffbaues und der Schiffbaupolitik» (Гамбург, 1899);
 «Hamburgs Handel und Verkehr im XIX Jahrhundert» (Гамбург, 1901).
 «Quellen zur Geschichte von Hamburgs Handel und Schiffahrt im 17., 18. und 19. Jahrhundert» (Гамбург, 1908—1910),
 «Die Handelskammer zu Hamburg 1665—1915» (Гамбург, 1915).
 История экономического развития Голландии в XVI—XVIII веках = Holländische Wirtschaftsgeschichte. / Пер. с нем. Н. М. Сергаль и О. К. Рыковской. Под ред. [и со вступ. статьей, с. 5-27] проф. Я. Я. Зутиса. — М. :Издательство иностранной литературы, 1949. — 395 с., 3 л. карт. : карт.

Примечания

Члены Немецкой национальной народной партии
Историки экономики


text:
#Philo (Merlí), est une série télévisée catalane en quarante épisodes de 50 minutes créée par Héctor Lozano, réalisée par Eduard Cortés, diffusée du  au  sur TV3

Elle a été achetée par Netflix aux États-Unis pour être diffusée en Amérique en catalan et espagnol. En France, elle est diffusée à partir du  sur Ciné+ Famiz.

Elle fait l'objet d'une série dérivée intitulée Sapere aude.

Synopsis
La série suivant la vie d'un professeur de philosophie nommé Merlí Bergeron qui tente d'enseigner à ses élèves de lycée de manière non conventionnelle.

Chaque épisode de la série a pour thème et porte le nom d'un philosophe connu, le premier épisode étant par exception nommé pour les péripatéticiens.

Distribution

Enseignants
 Francesc Orella  : Merlí Bergeron, professeur de philosophie.
  * : Eugeni Bosc, professeur de littérature.
   : Toni (saison 1), directeur du Àngel Guimerà Institute.
  : Santi (saison 1), professeur d'espagnol.
 Assun Planas : Glòria, épouse de Santi et professeure d'arts plastiques.
   : Gina Castells, coordinatrice
  : Mireia, professeur de latin
  : Laia (saison 1), professeure d'anglais.
 Rubén de Eguía : Albert (saison 1), professeur de sport.
  : Coralina (S. 2)
  : Manuel Millán (S. 2)
 Sandra Monclús : Elisenda (s. 2–3)
 Manel Barceló : Quima (S. 2–3)
 Carlota Olcina : Silvana (S. 3)
 Pau Vinyals : Gabriel « Gabi » Morales (S. 3)

Élèves
 David Solans  : Bruno Bergeron, fils de Merlí.
 Carlos Cuevas * : Pol Rubio
 Candela Antón de Vez : Berta Prats
  * : Joan Capdevila
  * : Marc Vilaseca
   : Gerard Piguillem
  * : Ivan Blasco, qui a été victime de harcèlement scolaire et souffre d'agoraphobie
  : Mònica de Villamore
  : Oliver Grau
  : Oksana Casanoves
 Cristina Colom : Diana
 Albert Bufill : Enric
 Clàudia Puntí : Laura
 Pol Hermoso : Uri
 Marc Arias : Xavi
 Rick Baster : Student

 Version française
 Direction artistique : Jay Walker
 Adaptation : Lisa Rosier
version française (VF) selon le carton de doublage sur france.tv
 L'astérisque indique l'utilisation d'un pseudonyme pour le comédien de doublage en question.

Adaptation en France
En France, la série La Faute à Rousseau est librement adaptée de la série #Philo. Elle est disponible sur France 2 depuis le 17 février 2021.

Notes et références

Liens externes

Série télévisée créée en 2015
Série télévisée disparue en 2018
Série télévisée espagnole des années 2010
Émission de télévision produite en Catalogne
Série télévisée sur l'enseignement secondaire
Enseignement de la philosophie dans la fiction


text:
Epeletia palustris is found in a few marshy areas of páramo, and is endemic to the Venezuelan Andes. Páramo can refer to a variety of alpine tundra ecosystems, and is often described with its geographical confinements in the Andes. It is the ecosystem of the regions above the continuous forest line, yet below the permanent snowline.

It is closely related to E. moritziana, but is different from it in ways like a reduced number of florets in the capitula, much larger ray flowers with longer, more consistent ligulae and also longer linguiform appendages. Its smaller pollen grains, larger cypselae, ebracteate scapes differentiate it from E. moritziana, also its leaves and inflorescences have a more whitish indumentum, it has larger leaf sheaths, and is found in a more marshy habitat than E. moritziana.

The species epithet palustris is Latin for "of the marsh" and indicates its common habitat.

References

Millerieae
Páramo flora


text:
Eketorp er et rundt borganlæg fra folkevandringstiden (ca. 400 e.Kr.) på Alvaret på den sydlige del af Öland (Mörbylånga kommun i Kalmar län i Sverige). Borganlægget var en stor landsbyborg og var befæstet i tre perioder (Eketorp I-III) til og med 1300 e.Kr. undtagen omkring 700-1000 e.Kr.

De tre bebyggelsesfaser var:
 Eketorp I (300–400 e.Kr.)
 Eketorp II (400–700 e.Kr.)
 Eketorp III (1000–1300 e.Kr.).

Det første anlæg havde en omkreds på omkring 57 m, som i 500-tallet blev udvidet til 80 m og omkring 50 bygninger eller rum indenfor murene. I 1000-tallet blev der rejst en ny forsvarsmur og huse i træ. Anlægget havde brønd og den var formentlig en vigtig grund til placeringen.

Borgen er genopbygget i 1970'erne og har rekonstruerede huse fra både folkevandringstiden og middelalderen for at genskabe et autentisk miljø. Eketorp har også et museum inde i borgen med fund fra stedet og en omfattende litteraturbutik.

Se også
Gråborg
Ismantorp

Eksterne henvisninger

 Ulf Näsman: "Undersökningen av Eketorps borg på södra Öland" (Fornvännen, 1971, s. 186-201)
 Mårten Stenberger: "Fästningsbyn vid Eketorp"  (Fornvännen, 1964, s. 212-216)
 Mårten Stenberger: "Nytt från Eketorp" (Fornvännen, 1965, s. 154-157)
 Artikel om rekonstruktionen af Eketorp.

Öland
Oldtidsminder i Sverige
Fæstningsanlæg i Sverige
Seværdigheder i Kalmar län


text:
L'Inde participe aux Jeux olympiques d'été de 2004 à Athènes.

Délégation
Sa délégation est composée de 73 athlètes répartis dans 14 sports et son porte-drapeau est l'athlète Anju Bobby George.

Liste des médaillés indiens

Médailles d'or
Aucun athlète indien ne remporte de médaille d'or durant ces JO.

Médailles d'argent

Médailles de bronze
Aucun athlète indien ne remporte de médaille de bronze durant ces JO.

Notes et références

Inde
Inde aux Jeux olympiques
Jeux


text:
Servicios Industriales de la Marina S.A. (Shipyard Marine Industrial Services), well known as SIMA or SIMA PERU S.A., is a Peruvian shipyard that operates as a state owned company established under private law in 1950 pursuing the activities of the former Naval Factory founded in 1845, and continually extending its operational capacity, first to the shipbuilding which SIMA pioneered in South America and then to the greatest metalworking structures manufacture, contributing to the defense and socio-economic development of Peru. The SIMA mainly serve the Navy of Peru as well as domestic and foreign private clients through a wide range of products.

History
On 22 May 1845 during the first government of President Ramón Castilla, the State Factory in the city of Callao was established. Then named Naval Factory, this facility would become a leading establishment of its kind in South America. Such decision to establish this factory was due to the fact that Peru had taken steps to acquire the steamship Rimac, first steam warship of the national navy at that time in the year of 1844, making it necessary to have an establishment where maintenance and repair could be provided.

On 7 August 1861 by orders of the President of the Republic, General Juan Antonio Pezet, the Naval Factory was entirely taken over by the Navy, arranging the creation of the Naval Factory Superintendence, thus achieving performance optimization. Years later the Naval Factory made history participating in the construction of the first South American armored ship monitor Victoria and the conversion of steamship Loa into an armored vehicle; installing machinery, artillery and hull armor. Both ships were part of the national fleet that confronted the Spanish fleet during the naval Battle of Callao in 1866.

During the Pacific War the Naval Factory was actively engaged in the national efforts to confront the military conflict meeting the requirements of both the Navy and the Army. At the end of the war, its facilities were destroyed.

In the post war years, few of the ships possessed by the Navy were repaired in the state-owned floating dock of the "Compañía Peruana de Vapores y Dique del Callao" until 1930, date on winch it sank, forcing the Navy to send its ships to the Panama Canal zone, among other foreign shipyards.

In a situation of dependence on foreign shipyards, the Navy of Peru took up again naval repair activities to serve their small-sized vessels, creating the Naval Station of San Lorenzo in 1921. In 1925, with the arrival of submarines Type "R", the Naval Station of San Lorenzo was modernized installing machinery at the workshops and a modern shipyard with capacity of 800 tns bollard pull, inaugurated with the entry of torpedo-boat destroyer Rodriguez.

On 14 February 1950 during the government of Manuel A. Odría, Servicios Industriales de la Marina (Marine Industrial Services) known as SIMA was created over the base of the Industrial Department of the Navy Dockyard, assigning the dry dock administration and workshops in order to serve the Peruvian Navy, the National Merchant Marine and private entities successfully. With creation of SIMA under administration of the Navy, the decision to get into the shipbuilding activity was made. Preparation of the shipyard for that purpose began. Berth number one, mould-loft, shipbuilding workshop among others were constructed.

On 25 March 1999 Law N° 27073 was enacted, regulating activities of the company within the scope of the defense sector and paying particular attention to the Navy of Peru as well as individuals customers in order to generate profits to self-finance its own development and fulfill its role in society.

Products

Ships built

Ships built at the SIMA yard include:

 BAP Zorritos, Oil tanker, launched in 1960
 BIC Humboldt, Oceanographic research ship, launched in 1978
 , guided missile frigate, launched in 1982
 , guided missile frigate, launched in 1984
 , Sail training ship launched in 2014
 two balsawood rafts, for the Kon-Tiki2 Expedition, 2015
, patrol boat, launched in 2016
 , patrol boat, launched in 2016
 , patrol boat, launched in 2017
 , patrol boat, launched in 2017
 , patrol boat, launched in 2020
 , patrol boat, launched in 2020
 , multipurpose ship, launched in 2017

Firearms
 MGP-84

References

External links

Manufacturing companies established in 1950
Shipyards of South America
Peruvian shipbuilders
Government-owned companies of Peru
Manufacturing companies of Peru
Military vehicle manufacturers
Defence companies of Peru
1950 establishments in Peru


text:
27895 Yeduzheng è un asteroide della fascia principale. Scoperto nel 1996, presenta un'orbita caratterizzata da un semiasse maggiore pari a 2,5897504 UA e da un'eccentricità di 0,1036292, inclinata di 14,41714° rispetto all'eclittica.

Collegamenti esterni

Corpi celesti scoperti nel 1996
Yeduzheng


text:
Opal ist eine Sorte von niedrigaromatischem Benzin (ROZ 91), das 2005 von BP Australia entwickelt wurde, um die unter Aborigines in ländlichen Gebieten verbreitete missbräuchliche Verwendung von Benzin als Schnüffelstoff zu bekämpfen.

Vor der Einführung von Opal war von BP bereits die Marke Comgas, ein Flugkraftstoff der Sorte AvGas, in vielen australischen Gemeinden vertrieben worden, um die Verwendung von Kraftstoff als Suchtmittel zu unterbinden. Aufgrund des giftigen Inhaltsstoffes Tetraethylblei wurde dieses Vorgehen aber wieder eingestellt.

Die Rauschwirkung beim Schnüffeln entsteht durch Aromaten wie Toluol und Xylol. Typisches bleifreies Benzin enthält bis zu 25 Prozent Aromaten. Im Gegensatz dazu enthält Opal nur 5 Prozent Aromaten. Es eignet sich daher weitaus schlechter als Schnüffelstoff. Da die Herstellungskosten von Opal-Benzin höher sind als die Herstellungskosten von Normalbenzin, wird dieser Kraftstoff mit einem Bundeszuschuss in Höhe von 0,33 AUD pro Liter durch den australischen Staat subventioniert.

Eine Untersuchung aus dem Jahr 2006 ergab, dass unter Berücksichtigung der sozialen und gesundheitlichen Kosten des Benzin-Schnüffelns durch die Einführung von Opal-Benzin mindestens 27 Mio. AUD pro Jahr eingespart würden. Ein Bericht des australischen Senats von 2010 zeigte, dass die Einführung von Opal in 106 australischen Gemeinden zu einem Rückgang des Benzin-Schnüffelns in diesen Gemeinden um 70 Prozent geführt hatte. Jedoch werde immer noch viel normales, von außerhalb der Gemeinden stammendes Benzin geschnüffelt. Ein flächenhafter regionaler Einsatz solle dies weiter reduzieren. Laut Angaben von BP wurden in der Zeit von der Einführung dieses Kraftstoffes bis zum Jahr 2012 insgesamt 132 Mio. Liter Opal getankt.

Im Jahr 2017 wurde berichtet, dass einige Jugendliche aus Arnhemland das Opal-Benzin trotz geringerem Aromatenanteil als Schnüffelstoff verwendet hatten.

Weblinks
 Find answers to all your Opal fuel questions here Webseite der BP Australia (englisch)
 Can new non-toxic products eliminate petrol sniffing behaviours in remote Indigenous communities? (PDF; 1,5 MB) Masterarbeit Brett Badger, BA, RMIT University, Juni 2005 (englisch)

Einzelnachweise

Erdölprodukt
Kraftstoff
Stoffgemisch


text:
Ока — река в России, протекает в Торопецком районе Тверской области. Устье реки находится в 91 км по правому берегу реки Кунья. Длина реки составляет 66 км, площадь водосборного бассейна 325 км². У деревни Клыпино ширина реки — 15 метров, глубина — 1 метр.

Система водного объекта: Кунья → Ловать → Волхов → Нева → Балтийское море.

Исток реки находится на территории Подгородненского сельского поселения, здесь по берегам реки стоят деревни Пчелино, Дубинино, Нишевицы, Полибино, Задний Брод, Митрохино. Ниже по течению на территории Пожинского сельского поселения на реке стоят деревни Пожня и Шейно. Далее вплоть до устья река протекает по территории Плоскошского сельского поселения. На берегах реки расположены деревни Полибино, Клыпино, Мигачёво, Большие Изори, Малые Изори, Зайково, Коварное и Борок, Бучино, Маслово и Бабино.

Притоки: Ольховый (слева), Тершинка (справа), Любешь (справа), Воробьёвка (справа), Веенка (слева в 21 км от устья).

Данные водного реестра
По данным государственного водного реестра России относится к Балтийскому бассейновому округу, водохозяйственный участок реки — Ловать и Пола, речной подбассейн реки — Волхов. Относится к речному бассейну реки Нева (включая бассейны рек Онежского и Ладожского озера).

Код объекта в государственном водном реестре — 01040200312102000023384.

Примечания

Притоки Куньи (притока Ловати)
Реки Торопецкого района


text:
Stora torget är ett torg i centrala Motala. Det ligger mellan Stadshotellet, Baltzarhuset och två gallerior. I övre delen av torget står en staty av stadens grundare Baltzar von Platen.

Referenser

Motala


text:
Manolo Morán (30 December 1905, in Madrid – 27 April 1967, in Alicante) was a Spanish film actor.

Selected filmography

 Carmen fra i rossi (1939) - Il capitano Salmeron
 El huésped del sevillano (1940)
 The Unloved Woman (1940) - Pascual
 El crucero Baleares (1941) - Zafarrancho
 Madrid Carnival (1941, Short, by Edgar Neville)
 Escuadrilla (1941) - Director de la cárcel
 Sarasate (1941)
 Whirlwind (1941) - Juan Barea
 Boda en el infierno (1942) - Julián Suárez
 Goyescas (1942, by Benito Perojo) - Mesonero
 La famosa Luz María (1942, by Fernando Mignoni)
 Intrigue (1942) - Inspector Ferrer
 House of Cards (1943) - Paco
 El abanderado  (1943, by Eusebio Fernández Ardavín) - Sargento Marchena
 A Palace for Sale (1943) - Señor Ventura
 Lessons in Good Love (1944) - Eugenio
 Yo no me caso (1944)
 Paraíso sin Eva (1944) - Don Jesús
 El testamento del virrey (1944) - Quintín
 El destino se disculpa (1945, by José Luis Sáenz de Heredia) - Rufino Quintana
 The Road to Babel (1945) - Brandolet
 Noche decisiva (1945) - Perucho
 Last Stand in the Philippines (1945, by Antonio Román) - Cabo Pedro Vila
 La mantilla de Beatriz (1946)
 El emigrado (1946) - Josechu
 Por el gran premio (1947)
 Barrio (1947) - Detective Castro
 Don Quixote (1947) - Barber
 Extraño amanecer (1948)
 The Sunless Street (1948) - Manolo
 A Toast for Manolete (1948, by Florián Rey) - Antonio
 ¡Olé torero! (1949) - Pepito
 El hombre de mundo (1949)
 ¡Fuego! (1949) - Ramón
 Just Any Woman (1949) - Taxista
 Adventures of Juan Lucas (1949) - Chano
 A punta de látigo (1949)
 El duende y el rey (1950)
 Don Juan (1950) - Arturo
 Balarrasa (1950, by José Antonio Nieves Conde) - Desiderio
 I Want to Marry You (1951) - Roberto
 Black Sky (1951, by Manuel Mur Oti)
 A Tale of Two Villages (1951)
 Séptima página (1951) - Sereno
 Captain Poison (1951) - Marqués de Tomillares
 Spanish Serenade (1951) - Morgan
 From Madrid to Heaven (1952, by Rafael Gil) - Cayetano
 Persecution in Madrid (1952) - El Málaga
 Estrella de Sierra Morena (1952) - Ladeao
 Amaya (1952) - Saturnino Aizcur
 Doña Francisquita (1952) - Lorenzo
 Hermano menor (1953)
 Welcome Mr. Marshall! (1953, by Luis García Berlanga) - Manolo
 The Devil Plays the Flute (1953, by José María Forqué) - Don Cosme
 Airport (1953) - Santiago Beltrán
 Such is Madrid (1953) - Julián
 Plot on the Stage (1953) - Paco
 Nuits andalouses (1954) - Don Pedro Aragonés
 Como la tierra (1954) - Don Nicanor
 Once pares de botas (1954, by Francisco Rovira Beleta) - Ernesto
 La ciudad de los sueños (1954)
 Three are Three (1955) - Announcer (segments "Una de monstruos" and "Una de pandereta")
 The Lost City (1955) - Eliseo
 Congress in Seville (1955, by Antonio Román) - Paco Domínguez
 Good Bye, Sevilla (1955)
 Recluta con niño (1956, by Pedro Luis Ramirez) - Sargento Luis Palomares
 Afternoon of the Bulls (1956) - Jiménez
 The Big Lie (1956) - Representante de César
 ¡Aquí hay petróleo! (1956) - Zoilo Mendoza de Montesinos
 Manolo, guardia urbano (1956, by Rafael J. Salvia) - Manolo Martínez, el guardia urbano
 The Singer from Mexico (1956) - Martínez
 Un abrigo a cuadros (1957) - Doctor Dualte
 Flame Over Vietnam (1957) - Hermano Bartolomé
 Los ángeles del volante (1957) - Pepe
 El bandido generoso (1957)
 Las últimas banderas (1957)
 Historias de la feria (1958) - Gomis
 Amore a prima vista (1958) - Pedro Suárez
 Let's Make the Impossible! (1958, by Rafael Gil) - Don Sabino López
 El puente de la paz (1958) - Benito
 Luxury Cabin (1959) - Don Armando
 College Boarding House (1959, by Rafael Gil) - Minguiños
 La vida alrededor (1959) - Ceferino López Gallego 'El Agujetas'
 Litri and His Shadow (1960) - Naranjito
 Amor bajo cero (1960) - Jaime - el Camarón
 Labios rojos (1960) - Comisario Fernández
 La moglie di mio marito (1961) - Emilio
 Patricia mía (1961)
 Don José, Pepe y Pepito (1961) - Pepe Quiroga
 Alerta en el cielo (1961) - Pepe
 Darling (1961) - Don Ricardo Gravina
 El pobre García (1961) - Himself
 Vamos a contar mentiras (1962) - Bombero
 Las travesuras de Morucha (1962) - Don Claudio
 La pandilla de los once (1963) - El Zampa
 The Blackmailers (1963) - Don Fulgencio, apoderado de Juan
 A Nearly Decent Girl (1963) - Álvarez
 Como dos gotas de agua (1964) - Gregorio 'El Chopín'
 The Pleasure Seekers (1964) - Guardia Urbano (uncredited)
 Destino: Barajas (1965)
 Currito of the Cross (1965) - Copita
 Operation Delilah (1967) - Don Rémulo (final film role)

External links

1905 births
1967 deaths
Spanish male film actors
Male actors from Madrid
20th-century Spanish male actors


text:
(Résurrection au Québec) est une série télévisée américaine en 21 épisodes de 42 minutes basée sur le roman de Jason Mott et développée par Aaron Zelman, diffusée entre le  et le  sur le réseau ABC et en simultané au Canada sur Citytv pour la première saison, puis sur le réseau CTV.

En Belgique, la série a été diffusée du  au  sur RTL-TVI et au Québec depuis le  sur MAX. Cependant elle reste inédite dans les autres pays francophones.

Synopsis
La série porte sur le retour à la vie d'individus décédés. Ces ressuscités n'ont subi aucun dommage corporel consécutif à leur mort.

Distribution

Acteurs principaux
 Omar Epps  : J. Martin Bellamy
 Frances Fisher  : Lucille Langston
 Matt Craven  : Fred Langston
 Devin Kelley  : Maggie Langston
   : Pasteur Tom Hale
 Samaire Armstrong  : Elaine Richards
 Sam Hazeldine  : Caleb Richards (saison 1)
 Landon Gimenez  : Jacob Langston
 Kurtwood Smith  : Henry Langston

Acteurs récurrents et invités
 Nicholas Gonzalez : Député Connor Cuesta (épisode 1)
 Veronica Cartwright : Helen Edgerton
 Kathleen Munroe : Rachael Braidwood, ex-petite amie de Tom
 James Tupper :
 Tamlyn Tomita  :
 Lori Beth Sikes : Janine Hale
 Ned Bellamy : Samuel Catlin
 Michelle Fairley  : Margaret Langston (saison 2)
 Donna Murphy : Angela Forrester, agente du gouvernement (saison 2)
 Version française
 Société de doublage : Dubbing Brothers
 Direction artistique : Bruno Mullenaerts
 Adaptation des dialogues : Cyrielle Roussy
 Source  : Doublage Séries Database

Fiche technique
 Scripteur du pilote : Aaron Zelman
 Réalisateur du pilote : Charles McDougall
 Producteurs exécutifs : Aaron Zelman, JoAnn Alfano, Dede Gardner, Jeremy Kleiner, Jon Liebman et Brad Pitt
 Société de production : Brillstein Entertainment, Plan B et ABC Studios

Développement

Production
En , le projet été présenté à ABC, et le pilote a été commandé le  sous le titre .

Le , ABC commande la série sous le titre actuel et annonce quatre jours plus tard qu'elle sera diffusée à la mi-saison.

Le , la série est officiellement annulée.

Casting
Les rôles ont été attribués dans cet ordre : Matt Craven, Devin Kelley, Frances Fisher, Samaire Armstrong et Sam Hazeldine, Nicholas Gonzalez, Mark Hildreth, Omar Epps, Kurtwood Smith et Landon Gimenez.

Parmi les acteurs récurrents : Kathleen Munroe, James Tupper, Michelle Fairley et Donna Murphy.

Épisodes

Première saison (2014)

 Seconde vie ()
 Déterrer le passé ()
 La Rivière ()
 Seuls contre le reste du monde ()
 Insomnies ()
 Chez soi ()
 Les Ruses du diable ()
 Séparés ()

Deuxième saison (2014-2015)

Le , la série a été renouvelée pour une deuxième saison de treize épisodes diffusée du  au .

 Le Choc ()
 Retour de flammes (Echoes)
 Découverte macabre (Multiple)
 De vieilles blessures ()
 Vivre ou mourir ()
 Chagrin ()
 Miracles (Miracles)
 Un vent de terreur ()
 La Suite logique ()
 Prophétie ()
 Le Vrai croyant ()
 Évasion ()
 L'Amour en héritage ()

Accueil
Le pilote a attiré 13,9 millions de téléspectateurs, soit une cote de 3.8 parmi les 18 à 49 ans, la plus haute de la soirée. Cette cote est identique à la diffusion du pilote de  en .

Références

Voir aussi

Liens externes

Série télévisée créée en 2014
Série télévisée américaine des années 2010
Série télévisée d'American Broadcasting Company
Série télévisée d'ABC Signature
Série télévisée fantastique


text:
Cette page montre le parcours de l'USM Blida en Coupe de la Ligue.

Parcours en Coupe de la Ligue

Coupe de la Ligue d'Algérie 1995-1996

Coupe de la Ligue d'Algérie 1997-1998

Coupe de la Ligue d'Algérie 1999-2000

Notes et références

Sources
 RSSSF, base de données sur le football dans le monde
 Archives du site du football algérien, DZFoot

Football
USM Blida


text:
La microrregión de Uberlândia es una de las  microrregiones del estado brasileño de Minas Gerais perteneciente a la Mesorregión del Triángulo Minero y Alto Paranaíba. Su población fue estimada en 2009 por el IBGE en 853.762 habitantes y está dividida en diez municipios. Posee un área total de 18.790 km².

Municipios

 Fuente: IBGE/2009

Microrregiones de Minas Gerais


text:
Linia kolejowa Nowozybkow – Klimow – linia kolejowa w Rosji łącząca stację Nowozybkow ze ślepą stacją Klimow. Zarządzana jest przez Kolej Moskiewską (część Kolei Rosyjskich).

Linia położona jest w obwodzie briańskim. Na całej długości jest niezelektryfikowana i jednotorowa.

Historia
Linia powstała jako część linii Nowozybkow - Nowogród Siewierski. Początkowo leżała w Imperium Rosyjskim, następnie do 1991 w Związku Sowieckim. Od 1991 położona jest w Rosji.

Jeszcze na przełomie XX i XXI w. linia biegła dalej do leżącego na Ukrainie Nowogrodu Siewierskiego, w późniejszych latach linię na południe od Klimowa rozebrano, czyniąc Klimow stacją krańcową.

Przypisy

Bibliografia

 Google Maps

Nowozybkow – Klimow
Transport w obwodzie briańskim


text:
Racek krátkozobý (Rissa brevirostris) je středně velkým druhem racka z rodu Rissa.

Popis
Dospělí ptáci mají bílou hlavu, tělo a ocas, šedý hřbet a šedá křídla s černými špičkami; zobák je žlutý. Od blízce příbuzného racka tříprstého (Rissa tridactyla) se liší červeným zbarvením nohou (černé u racka tříprstého). Mladí ptáci jsou mezi všemi druhy racků unikátní absencí tmavé ocasní pásky (ocas je čistě bílý).

Výskyt
Racci krátkozobí hnízdí v oblasti Beringova moře a Aleut, v zimě se rozptyluje jižně od arktického ledu v severním Tichém oceánu. Zatoulaní ptáci byli zjištění ve vnitrozemí Aljašky a na jih po Oregon a Nevadu ve Spojených státech.

Galerie

Odkazy

Reference

Externí odkazy

 Informace o racku krátkozobém na Alaska Seabird Information Series (anglicky)

Rackovití


text:
Falsoterinaeopsis rondoni är en skalbaggsart som beskrevs av Stefan von Breuning 1965. Falsoterinaeopsis rondoni ingår i släktet Falsoterinaeopsis och familjen långhorningar.

Artens utbredningsområde är Laos. Inga underarter finns listade i Catalogue of Life.

Källor

Långhorningar
rondoni


text:
Elsa Rehmann (April 11, 1886May 30, 1946) was an American landscape architect best known for her pioneering ecological approach to garden design. She and Edith A. Roberts promoted seeking inspiration in plant communities, which Rehmann considered to be the basis for design criteria and translated them into artistic composition.

Education

Elsa Rehmann was born in Forest Hill, Newark, New Jersey, on April 11, 1886. Her parents were German-born architect Carl F. and Marie Rehmann. Elsa may have attended the Public Drawing School; her older sister, Antoinette, was a graduate, and her father was principal of the school from 1882 until his death in 1906.

Rehmann originally intended to become a professional writer, and enrolled in Wells College in 1904. In 1906, she transferred to Barnard College, where she studied medieval architecture and geology in addition to the usual liberal arts. Having graduated from Barnard College in 1908, Rehmann studied at the Lowthorpe School of Landscape Architecture, Gardening, and Horticulture for Women. She left the school in 1911 as probably one of the first eight graduates.

Gardenesque style

In 1911, Rehmann began working as an apprentice in landscape architecture firms. Her first employers were Charles N. Lowrie, who headed the system of parks of Hudson County, and Marian Cruger Coffin, who specialized in stately gardens. While working as an apprentice, Rehmann published magazine articles in the Garden Magazine, Country Life in America, House Beautiful, and Better Homes and Gardens. Her first book, The Small Place: Its Landscape Architecture, published in 1918, illustrated a diversity of residential designs made by contemporary American landscape architects. These publications reflected the common gardenesque ideas of the time.

From 1919, Rehmann had her own practice at her home. Most of her clients were in Essex County but she also designed gardens in other parts of New Jersey, as well as in Delaware, New England, New York, and Pennsylvania. Rehmann's second book, Garden-Making, came out in 1926 and included her own designs, also in the gardenesque style. It was praised both for its scholarly value, poetic prose, and comprehensibility.

Ecological approach

Association with the Botany Department of the Vassar College in the 1920s changed Rehmann's landscape philosophy. She taught landscape gardening there from 1923 to 1924 and landscape architecture from 1925 to 1927. The head of the department was Edith A. Roberts, a pioneer in plant ecology. Roberts was developing an outdoor botanical laboratory for the study of plant communities of the Dutchess County, New York, and their biotopes. Rehmann was asked to interpret the information gathered there from the point of view of an artist, with the intention to show that native plants could be "blended into an attractive landscape picture."

Rehmann and Roberts published a series of articles titled Plant Ecology in House Beautiful in 1927, stating their aim to emphasize the role of plants as an integral part of the landscape and to outline the compositions that they had made. Striving to demonstrate how understanding plant communities could transfer to grounds and gardens, they stressed the role of ecology in naturalistic planting.  Their findings were assembled into American Plants for American Gardens, a book published in 1929. Rehmann came to consider plant communities to be the basis for design criteria and translated them into artistic composition. In addition to natural planting compositions, Rehmann also suggested the siting and characteristics of the building. Thus, both her exposure to architecture in childhood and her early inclinations for writing figured prominently in her books. Despite being very well received by reviewers and experts, American Plants for American Gardens never achieved any lasting visibility.

Later life

Elsa Rehmann probably retired from her practice in 1929, when she moved to live with her sister in Rockport, Massachusetts, but may have been involved in the Rockport Summer School of Drawing and Painting. While living in Rockport, Rehmann dedicated her time to writing poetry. A volume called First Poems was published in 1933. The mood of some of her poems suggests personal tragedies, while others reflect an ecological spirit.

Rehmann died in Rockport on May 30, 1946.

References

Bibliography

1886 births
1946 deaths
American landscape and garden designers
American gardeners
People from Newark, New Jersey
People from Rockport, Massachusetts
Architects from New Jersey
Writers from New Jersey
Women landscape architects
American women architects
Vassar College faculty
Wells College alumni
Barnard College alumni
20th-century American women writers
American women academics


text:
Hoogeveen, è una stazione ferroviaria secondaria passante di superficie sulla linea ferroviaria Meppel-Groninga nella città di Hoogeveen, Paesi Bassi.

Altri progetti

Collegamenti esterni

Hoogeveen


text:
Chytridiaceae är en familj av svampar. Chytridiaceae ingår i ordningen Chytridiales, klassen Chytridiomycetes, divisionen pisksvampar och riket svampar.

Källor

Pisksvampar
Chytridiaceae


text:
Irnfritz-Messern is a town in the district of Horn in Lower Austria, Austria.

Population

Tourism
Irnfritz-Messern is perhaps best known for its Eislaufplatz where people come to ice skate during the winter months. It is also home of the Schloss Wildberg.

References

External links

Cities and towns in Horn District


text:
Return to the Valley of the Go-Go's è la seconda raccolta di successi del gruppo femminile pop rock/new wave statunitense delle Go-Go's. La raccolta è uscita in versione doppio CD in USA e versione singolo CD in Europa

Tracce

Versione CD singolo

Versione doppio CD
CD 1

CD 2

Collegamenti esterni


text:
Denominazione di alcune località:

Bosanska Gradiška nella Bosnia ed Erzegovina
Nova Gradiška in Croazia nella regione storica della Slavonia
Stara Gradiška in Croazia – Regione di Brod e della Posavina