text:
Anna Zádor (geboren 24. September 1904 in Budapest, Österreich-Ungarn; gestorben 3. März 1995 in ebenda) war eine ungarische Kunsthistorikerin.

Leben
Anna Zádor studierte von 1922 bis 1926 Kunstgeschichte an der Budapester Péter-Pázmány-Universität unter anderem bei Anton Hekler. Die nächsten zehn Jahre arbeitete sie unbezahlt als wissenschaftliche Assistentin. Sie forschte über den Mailänder Architekten  Leopoldo Pollack und dessen Bruder Mihály Pollack, der wesentliche Bauten in Pest und Buda geschaffen hatte. 1939 gewann sie zusammen mit Jenő Rados einen Preis der Ungarischen Akademie der Wissenschaften (MTA).

Sie wurde als Jüdin im Horthy-Regime zunehmend diskriminiert und nach der deutschen Besetzung Ungarns im Oktober 1944 von den Pfeilkreuzlern im Budapester Ghetto inhaftiert. Sie wurde mit anderen Budapester Juden auf einen Gewaltmarsch zum Bau des Südostwalls in den Westen geschickt, wurde auf dem Weg dorthin in Hegyeshalom befreit.

Im Jahr 1951 wurde sie wissenschaftliche Angestellte von Lajos Fülep an der Budapester Universität (ELTE). 1961 wurde sie promoviert. 1974 wurde sie emeritiert, arbeitete aber weiter und veröffentlichte 1976 eine Architekturgeschichte des Klassizismus und der Romantik.

Sie gab mehrere Werke von Ernst Gombrich in ungarischer Übersetzung heraus, so 1972 Kunst und Illusion und 1999 Zur Kunst der Renaissance.

Sie erhielt 1992 den Kossuth-Preis.

Schriften (Auswahl)
 Olasz építészet-elméletek a renaissance és barokk korában. Mit: Italienische Architekturtheorien der Renaissance- und Barockzeit. Kurzer Inhaltsüberblick. Budapest : Athenaeum, 1926
 Leopoldo Pollack és Pollák Mihály. In: Archaeologiai Értesítő Bd. 45, 1931
 mit Jenő Rados: A klasszicizmus és romantika építészete Magyarországon. Budapest : A Magyar Tudományos Akadémia kiadasa, 1943
 Goya y Lucientes: 1746–1828. Budapest, 1953
 Magyar művészet : 1800–1945. Budapest, 1958
 Pollack Mihály 1773–1855. Budapest : Akadémiai Kiadó, 1960
 A magyar nemzeti múzeum. Budapest, 1961
 A magyar reformkor művészete. 1961
 mit István Genthon, Jolán Balogh: Művészeti lexikon. Budapest : Akadémiai Kiadó, 1965–1968
 Pollack Mihály Fejér megyei működése. Székesfehérvár : István Király Múzeum, 1967
 Az esztergomi főszékesegyház. Budapest, 1970
 Die Kathedrale von Esztergom. Fotos von Lajos Dobos. Übersetzung Heribert Thierry. Budapest : Corvina, 1970
 Klasszicizmus és romantika. 1976
 Die Architektur des Klassizismus und der Romantik in Ungarn. Eigene Übersetzung. Budapest : Corvina, 1985
 Der englische Garten in Ungarn. In: Die Gartenkunst 1990, Heft 1, S. 41–52

Weblinks

 Zsolt Zádori: Félek, nem voltunk beszámíthatóak!, in: Heti Világgazdaság (HVG), 3. Dezember 2008

Kunsthistoriker
Hochschullehrer (Eötvös-Loránd-Universität)
Überlebender des Holocaust
Kossuth-Preisträger
Person (Transleithanien)
Ungar
Geboren 1904
Gestorben 1995
Frau


text:
Town Island (, Fo Tau Fan Chau), also known as Dawn Island is an island in the New Territories of Hong Kong. It is located south of the former High Island, in the Sai Kung District of the territory.

A drug rehabilitation centre was established on the island in 1976. It is run by Operation Dawn.

The electricity for the island is supplied from photovoltaic panels by CLP Group.

The island is served by a ferry route from Sai Kung twice a day, except public holidays.

See also

List of islands and peninsulas of Hong Kong

References

External links

 Chan, Tin-kuen, Anthony, "Parade for the queen: safeguarding the intangible heritage of the Tin Hau Sea Ritual in Leung Shuen Wan, Sai Kung", University of Hong Kong dissertation, 2006

Sai Kung District
Islands of Hong Kong
Populated places in Hong Kong

redpajama_set_name: RedPajamaWikipedia


text:
Kali es un municipio de Croacia en el condado de Zadar.

Geografía

Se encuentra a una altitud de 23 msnm a 302 km de la capital nacional, Zagreb.

Demografía

En el censo 2011 el total de población del municipio fue de 1638 habitantes. No tiene localidades dependientes en su ejido.

Referencias

Enlaces externos
 Este artículo contiene datos geográficos extraídos de Google Earth.

Localidades del condado de Zadar
Municipios de Croacia


text:
Coll is an island in the Inner Hebrides of Scotland.

Coll may also refer to:

People
 Antonio Coll (born 1959), Spanish racing cyclist
 Catherine Coll (1856-1932), mother of Irish President Éamon de Valera
 Edna Coll (1906-2002), Puerto Rican educator and author
 Francisco Coll Guitart (1856-1875), Spanish saint
 Francisco Coll (born 1985), Spanish composer
 Ivonne Coll (born 1947), Puerto Rican actress
 Jorge Coll, Spanish art dealer
 Joseph Clement Coll (1881-1921), American illustrator
 Lluís Coll (1937-2008), Spanish footballer
 Marcos Coll (born 1935), Colombian footballer
 Max Coll (1932-2014), American politician
 Mickey Coll (1951-1972), Puerto Rican basketball player
 Owen Coll (born 1976), Irish footballer
 Paul Coll (born 1992), New Zealand squash player
 Steve Coll (born 1958), American journalist and academic
 Tony Coll, New Zealand rugby player and coach

Places
 Coll, Lewis, a village on the island of Lewis and Harris in Scotland
 Cóll, a village in the municipality of Vall de Boí in Catalonia, Spain
 Coll de Nargó, a municipality in the comarca of the Alt Urgell in Catalonia, Spain
 El Coll, a neighbourhood of Barcelona, Catalonia, Spain

Other uses
 Coll (letter), ninth letter of the Ogham alphabet
 Coll (character), character in The Chronicles of Prydain by Lloyd Alexander

See also
 Col (disambiguation)

Surnames from given names


text:
Lívia Rév (5 July 1916 – 28 March 2018) was a Hungarian classical concert pianist.

Career
Rév was born in Budapest as Lili Rauchwerger. She began her studies with Margit Varró and Klára Máthé. Aged nine, she won the Grand Prix des Enfants Prodiges. Aged twelve she performed with an orchestra. She studied with Leó Weiner and Arnold Székely at the Franz Liszt Academy of Music, with Professor Robert Teichmüller at the Leipzig Conservatory, and with Paul Weingarten at the Vienna Conservatory, having left Hungary in 1946.

Among Rév's earliest recordings made around 1947 were a series of sixteen-inch radio transcription discs for the Standard Program Library. These included a virtuosic performance of Francis Poulenc's Toccata. She performed across Europe, in Asia, Africa, and in the United States. She was a soloist with such conductors as Sir Adrian Boult, André Cluytens, Jascha Horenstein, Eugen Jochum, Josef Krips, Rafael Kubelík, Hans Schmidt-Isserstedt, Constantin Silvestri and Walter Susskind.

Her first United States appearance was in 1963 at the invitation of the Rockefeller Institute. Her recordings for Saga and Hyperion vary from complete Debussy Préludes, Chopin Nocturnes and Mendelssohn Songs Without Words.. An early LP for the Ducretet-Thompson label included Chopin's complete waltzes.

Personal life
Rév lived in Paris, with her husband Pierre Aubé, until her death on 28 March 2018, aged 101.

She was awarded the Ferenc Liszt International Record Grand Prix.

References

External links
 Lívia Rév biography at Hyperion Records
 Programme notes
 Lívia Rév official website

1916 births
2018 deaths
Hungarian centenarians
Hungarian classical pianists
Hungarian women pianists
Hungarian expatriates in France
Hungarian expatriates in Germany
Franz Liszt Academy of Music alumni
University of Music and Theatre Leipzig alumni
Women centenarians
Musicians from Budapest


text:
Юрий Григорьевич Апанович (31.07.1928 — 1989) — советский инженер, специалист в области бурения нефтяных скважин, директор ВНИИБТ. Лауреат премии Совета Министров СССР.

Окончил Львовский политехнический институт (1953).
 1953—1961 — бурильщик, начальник участка, начальник отдела, главный инженер конторы бурения трестов «Татбурнефть», «Татнефтеразведка» объединения Татнефть.
 1961—1966 — начальник нефтеразведочной экспедиции Министерства геологии Казахской ССР.
 1967—1987 — начальник отдела, зам. начальника Упрбурнефти, Технического управления Миннефтепрома.
 1987—1989 — директор ВНИИБТ.

Кандидат технических наук (1967).

В 1961—1966 гг. под руководством Апановича в Казахской ССР была пробурена самая глубокая в СССР Аралсорская скважина. Полученные результаты способствовали открытию в Западном Казахстане нескольких крупных нефтяных и газовых месторождений.

Лауреат премии Совета Министров СССР — за создание сверхтвердого композиционного материала «Славутич», комплекса породоразрушающего инструмента, организацию его производства и внедрение в глубокое бурение на нефть и газ.

Заслуженный работник нефтяной и газовой промышленности РСФСР, Почётный нефтяник.

Источники
 Что здесь?
 Фото


text:
A sólyomfélék (Falconidae) a madarak osztályának a sólyomalakúak (Falconiformes) rendjébe tartozó család.

Előfordulásuk
Szinte a világ minden táján előfordulnak, kivéve Afrika egyes távoli kis szigeteit és az Antarktiszt.

Megjelenésük
Testsúlyúk 35–1735 gramm között van. Legörbülő, hegyes csőrük és erőteljes, hegyes karmokat viselő lábuk van, látásuk kitűnő. Tollazatuk színe nem vírító, olyan amivel beleolvadnak a környezetbe. A hím és a tojó tollazata nem különbözik, ám a
hímek majdnem mindig kisebbek a tojóknál.

Életmódjuk
Nappali ragadozók. Táplálékuk kisebb emlősökből, hüllőkből, rovarokból, madarakból és dögökből áll. Gyors repülők.

Szaporodásuk
Fészekaljuk többnyire 2–4 tojásból áll, és általában a tojó költ. A költési idő változó, a kisebb fajoknál általában 28 napig tart, a nagyobb fajoknál 35 napig.

Rendszerezés
A sólyomfélék feltehetően a dél-amerikai kontinensen alakultak ki, legtöbb fajuk ma is ott él. 12 nemükből 7 ma is csak Dél-Amerikában él. A Falco nem képviselői a későbbi korok során kirajzottak Dél-Amerikából és világszerte elterjedtek. A későbbiekben ebből a nemből alakultak ki már az Óvilágban az apró termetű törpesólymok és a verébsólymok.
A sólyomféléken belül a nemek rokonsági foka és az alcsaládrendszer meghatározása nem minden rendszerben egyforma.
Korábban nem különböztettek meg alcsaládokat a családon belül. Később a karakarákat, valamint a kígyászsólymot és az erdeisólymokat elkülönítették alcsaládi szinten is a valódi sólymoktól, vércséktől és törpesólymoktól.

A DNS-szintézisen alapuló vizsgálat kiderítette, hogy a legősibb fajok az erdeisólymok és a kígyászsólyom, ezek annyira eltérnek a többiektől, hogy külön alcsaládba sorolásuk indokolt.
A karakarák csak távolabbi rokonaik, közelebb állnak a valódi sólymokhoz, mint korábban gondolták, így e két csoport együtt alkotja a Falconinae alcsaládot.
Azonban ezen belül kettő nemzetséget (tribusz) különböztetnek meg, melyeknek önálló leszármazási vonaluk van.
Egyik nemzetségbe tartoznak a karakarák, míg a másikba a valódi sólymok. A két nemzetség között összekötő fajként áll a dél-amerikai pettyes törpesólyom (Spiziapteryx circumcinctus), melyet többnyire a valódi sólymok közé sorolnak, de bizonyos tulajdonságaiban a karakarákra is emlékeztet.

A különféle rendszerek azonban elég eltérően értékelik az alcsaládrendszert. Egyes rendszerekben egy alcsaládot sem különítenek el. A legtöbb rendszer azonban tagolja a családot, de nem mind azonos féleképp, az itt feltüntetett változaton kívül, néhol négy alcsaládra bontják a családot – Herpetotherinae a kígyászsólyommal és az erdei sólymokkal, Polyboridae a karakarákkal, Falconinae a sólymokkal és Polyhieracinae a törpesólymokkal és a verébsólymokkal – másutt csak a kígyászsólymot választják le alcsaládi szinten, ismét másutt a karakarákat is.

A család az alábbi 2 alcsalád, 12 nem és 65 faj tartozik:

Kígyászsólyom–formák
A kígyászsólyom–formák (Herpetotherinae) alcsaládjába kettő nem és 8 faj tartozik.

 Herpetotheres  (Vieillot, 1817) – 1 faj.
 kígyászsólyom (Herpetotheres cachinnans)

 Micrastur  (Gray, 1841) – 7 faj
 perui erdeisólyom (Micrastur buckleyi)
 szürkehátú erdeisólyom (Micrastur mirandollei)
 egysávos erdeisólyom (Micrastur plumbeus)
 vörösnyakú erdeisólyom (Micrastur ruficollis)
 örvös erdeisólyom (Micrastur semitorquatus)
 fehérszemű erdeisólyom (Micrastur gilvicollis)
 Minton-erdeisólyom (Micrastur mintoni)

Sólyomformák
A sólyomformák (Falconinae) alcsaládba a következő 2 nemzetség, 9 nem és 57 faj tartozik:

Karakarák nemzetsége
A karakarák nemzetségébe (Caracarini) a következő 5 nem és 10 élő és egy kihalt faj tartozik:

 Ibycter (Vieillot, 1816) – 1 faj
 pirostorkú karakara (Ibycter americanus)  más néven (Daptrius americanus)

 Daptrius  (Vieillot, 1816) – 1 faj
 fekete karakara vagy sárgatorkú karakara (Daptrius ater)

 Phalcoboenus  (d'Orbigny, 1834) – 4 faj
 fehértorkú karakara (Phalcoboenus albogularis)
 tűzföldi karakara (Phalcoboenus australis)
 csíkos karakara (Phalcoboenus carunculatus)
 hegyi karakara (Phalcoboenus megalopterus)

 Caracara  (Merrem, 1826) – 3 faj
 bóbitás karakara (Caracara plancus) más néven (Polyborus plancus)
 Guadalupe-karakara (Caracara lutosus) más néven (Polyborus lutosa) – kihalt
 Caracara cheriway – egyes rendszerekben csak a bóbitás karakara szinonímája.

 Milvago  (Spix, 1824) – 2 faj.
 pásztorkarakara (Milvago chimachima)
 füstös karakara (Milvago chimango)

Valódi sólymok

A valódi sólymok (Falconini) nemzetségébe a következő 4 nem és 46 recens (és 1 kihalt) faj tartozik:

 Spiziapteryx  (Kaup, 1852) – 1 faj
 pettyes törpesólyom (Spiziapteryx circumcinctus)

 Polihierax  (Kaup, 1847) – 2 faj
 hosszúfarkú törpesólyom (Polihierax insignis)  más néven  (Neohierax insignis)
 afrikai törpesólyom (Polihierax semitorquatus)

 Microhierax  (Sharpe, 1874) – 5 faj
 indiai verébsólyom  (Microhierax caerulescens)
 Fülöp-szigeteki verébsólyom (Microhierax erythrogenys)
 feketecombú verébsólyom (Microhierax fringillarius)
 borneói verébsólyom (Microhierax latifrons)
 tarka verébsólyom (Microhierax melanoleucus) máshogy  (Microhierax melanoleucos)

 Falco  (Linnaeus, 1758) – 38 faj
 Seychelle-szigeteki vércse  (Falco araea)  más néven  (Falco araeus)
 madagaszkári vércse  (Falco newtoni)
 mauritiusi vércse  (Falco punctatus)
 réunioni vércse (Falco duboisi) – kihalt, 1700 körül
 rókavércse (Falco alopex)
 szürke vércse  (Falco ardosiaceus)
 hamvasfejű vércse (Falco dickinsoni)
 szavannavércse (Falco rupicoloides)
 karvalyvércse (Falco zoniventris)
 amuri vércse (Falco amurensis)
 fehérkarmú vércse (Falco naumanni)
 vörös vércse (Falco tinnunculus)
 tarka vércse (Falco sparverius)
 ausztrál vércse  (Falco cenchroides)
 szunda vércse (Falco moluccensis)
 kék vércse (Falco vespertinus)
 keleti kabasólyom (Falco severus)
 ausztrál kabasólyom (Falco longipennis)
 kabasólyom (Falco subbuteo)
 afrikai kabasólyom  (Falco cuvieri)
 hamvas sólyom (Falco concolor)
 Eleonóra-sólyom (Falco eleonorae)
 vándorsólyom (Falco peregrinus)
 sivatagi sólyom vagy berber sólyom  (Falco pelegrinoides)
 Aplomodo-sólyom (Falco femoralis)
 rozsdásmellű sólyom (Falco deiroleucus)
 Taita-sólyom (Falco fasciinucha)
 denevérsólyom (Falco rufigularis)
 északi sólyom  (Falco rusticolus)
 prérisólyom (Falco mexicanus)
 Feldegg-sólyom  (Falco biarmicus)
 kerecsensólyom (Falco cherrug)
 Altaj sólyom (Falco cherrug altaicus) (?)
 indiai sólyom  (Falco jugger)
 Falco hypoleucos
 fekete sólyom (Falco subniger)
 hosszúlábú sólyom  (Falco berigora)
 új-zélandi sólyom (Falco novaeseelandiae)
 kis sólyom (Falco columbarius)
 vörösnyakú sólyom más néven  vörösfejű sólyom  (Falco chicquera)

Képgaléria

Fordítás

Források
 ITIS szerinti rendszerbesorolása
  – magyar nevek

További információk
 Képek az interneten a családhoz tartozó fajokról
 Solymászat.lap.hu - linkgyűjtemény

1
Madárcsaládok
Ragadozó madarak


text:
La Three Peaks Race (littéralement « course des trois pics ») est une course de fell running reliant le village de Horton in Ribblesdale aux « trois pics du Yorkshire », Whernside, Ingleborough et Pen-y-ghent dans le Yorkshire du Nord en Angleterre. Elle a été créée en 1954.

Histoire
L'origine de la course remonte à la fin du  lorsque des enseignants de l'école de Giggleswick prétendent avoir effectué une randonnée de 10 heures en passant par les trois pics du Yorkshire, en juillet 1887. Il faut attendre 1954 pour que soit officiellement créée la course. Organisée par le club d'athlétisme Preston Harriers, la première édition a lieu le . Seuls six concurrents prennent le départ. Fred Bagley, un athlète des Preston Harriers, remporte la victoire en . Le club Clayton-Le Moors Harriers reprend l'organisation de la course en 1956, puis en 1964, un comité dédié est mis en place.

En 1978, la course se déroule dans des conditions météorologiques difficiles avec un épais brouillard. Plusieurs concurrents se perdent, dont Edward Pepper, un débutant, qui se tue. Les organisateurs prennent par la suite des mesures de sécurité dont notamment un contrôle des inscriptions afin de vérifier l'expérience préalable des concurrents.

La première course féminine a lieu en 1979. La Galloise Jean Lochhead remporte la victoire en .

Traditionnellement organisée en avril, l'édition 1981 est reportée en octobre à cause du blizzard.

La course est annulée en 2001 à cause de l'épidémie de fièvre aphteuse.

L'édition 2008 accueille le challenge mondial de course en montagne longue distance. L'Écossais Jethro Lennox et la Tchèque Anna Pichrtová sont titrés. Cette dernière établit le record féminin du parcours en . Il faut attendre 2017 pour que l'Anglaise Victoria Wilkinson améliore le record à .

La course connaît par la suite un certain succès international avec les victoires d'Anna Frost en 2011 et Marc Lauenstein en 2016 ou encore les deuxièmes places d'Emelie Forsberg en 2012, Oihana Kortazar en 2013 ou Mira Rai en 2016.

L'édition 2015 bat le record de participation avec 802 coureurs au départ dont 702 qui rallient la ligne d'arrivée.

Initialement agendée au , l'édition 2020 est d'abord reportée au  en raison de la pandémie de Covid-19 puis finalement annulée.

Parcours
Le départ du parcours actuel est donné dans le village de Horton in Ribblesdale. Le parcours se dirige vers la plaine d'Horton Moor puis effectue l'ascension du Pen-y-ghent. Il redescend dans la plaine d'Horton Moor puis passe par le hameau de High Birkwith avant de longer le viaduc de Ribblehead. Il monte ensuite sur le Whernside puis redescend sur le village de Chapel-le-Dale. Il effectue finalement l'ascension de l'Ingleborough et la descente sur Horton in Ribblesdale. Le parcours est volontairement peu indiqué avec quelques points de passages aux intersections et sommets, les concurrents devant s'orienter afin de trouver ces derniers. Il mesure  pour un total de  de dénivelé positif et négatif.

Avant 1975, le départ et l'arrivée sont donnés à Chapel-le-Dale. En 1975, ils sont déplacés à Horton in Ribblesdale afin de mieux accueillir les concurrents toujours plus nombreux. Le parcours est légèrement modifié à cette occasion. Il est encore modifié et légèrement rallongé à deux autres reprises, en 1983 et 1987.

Vainqueurs

 Record de l'épreuve

Notes et références

Voir aussi

Articles connexes
 Challenge mondial de course en montagne longue distance 2008

Liens externes
  Site officiel
  Reportage TV sur l'édition 1976

Compétition de course en montagne en Angleterre
Yorkshire du Nord
Compétition fondée en 1954


text:
Komai ist der Familienname folgender Personen:

 Komai Kazuchika (1905–1971), japanischer Archäologe
 Komai Taku (1886–1972), japanischer Zoologe und Genetiker
 Komai Tetsurō (1920–1976), japanischer Graphiker
 Yoshiaki Komai (* 1992), japanischer Fußballspieler


text:
The Winn Road School is a historic school building at the junction of Winn and Range Roads in Cumberland, Maine, United States.  Built in 1846, it is one of only two known surviving brick Greek Revival one-room schoolhouses in the state.  It was listed on the National Register of Historic Places in 1984.

Description and history

The Winn Road School stands amid fields in a rural part of southern Cumberland, on the east side of the junction of Winn and Range Roads.  It is a single-story brick structure, with a gabled roof and granite foundation.   Its main façade faces southwest toward Range Road and has a fully pedimented gable with a date block in the center, and sash windows flanking the door below.  Wall openings for the door and windows have granite lintels.  The side elevations have three sash windows each and the rear has two windows on the ground floor and a third at the attic level, now boarded over.  The interior has had significant alterations over the years, but has retained a sloping floor, an unusual feature for schools of the period.

The school was built in 1846, and was one of two similar schools built by the town at the time.  The other building also survives, but has been extensively altered.  This school served as an educational facility until the early 20th century, and was afterward used for other civic purposes.

See also
National Register of Historic Places listings in Cumberland County, Maine

References

School buildings on the National Register of Historic Places in Maine
Greek Revival architecture in Maine
Buildings and structures completed in 1846
Buildings and structures in Cumberland County, Maine
National Register of Historic Places in Cumberland County, Maine
Former school buildings in the United States


text:
Seznam slovenskih pravnikov:

A
Niko(laj) Abrahamsberg (1947–)
Filip Abram (1835–1903)
Josip Abram (1832–1907)
Josip Abram (1865–1952)
Matej Accetto (1974–)
Zdenka Adamič (1910–1997)
Juro Adlešič (1884–1968)
Sara Ahlin Doljak (1974–)
Matjaž Ambrož (1977–)
Mihael Ambrož (1808–1864)
Borut Ambrožič?
Rudolf Andrejka (1880–1948)
Vilko Androjna (1913–1984)
Lidija Apohal Vučkovič (1954–)
Pavel Apovnik (1935–)
Metka Arah
 France Arhar (1948–)
Andrej Auersperger Matić
Matej Avbelj (1980–)

B

 Janko Babnik (1861–1927)
?? Bajec - zvezni sodnik?
Stojan Albert Bajič (1901–1974)
Vlado Balažic
Vilko Baltič (1878–1959)
Andrej Baraga
Samo Bardutzky
 Lovro Baš (1849–1924)
 Fran Baša (1901–1972)
Milan Baškovič
 Tone Batagelj (1894–1974)
 Ljubo Bavcon (1924–2021)
 Aleš Bebler (1907–1981)
Ivan Bele (1902–1983)
Ivan Bele (1937–2019)
Marjan Bele (1906–?)
Nataša Belopavlovič (1949–)
 Ivo Benkovič (1875–1943)
Jaromir Beran (1909–2002)
Andrej Berden (1949–)
Katarina Bergant
Vesna Bergant Rakočević (1970–)
Jože Bernik (1924–2011)
Katarina Bervar Sternad
Engelbert Besednjak (1884–1968)
Nina Betetto
 Božidar Bežek (1866–1935)
Rupert Bežek (1858–1903)
(Adolf Bibič 1933–1996)
(Aleksander Bilimovič 1876–1963)
 Josip Bitežnik (1891–1960)
Mitja Bitežnik (1924–2008)
Dušan Blaganje?
Matej Blatnik
Ivan Blažir (1820–1866)
Lovro Bogataj (1889–1967)
Maja Bogataj Jančič (1973–)
 Rado Bohinc (1949–)
 Joža Bohinjec (1880–1941)
Jurij Bohinjec (Georg/Jurij Wohiniz) (~1618–1684)
 Borut Bohte (1932–)
Jožica Boljte Brus (1953–)
 Jože Boncelj (1911–1986)
 Rado Bordon (1915–1992)
Marko Bošnjak (1974–)
Ana Božič Penko
 Anton Božič (1876–1933)
 Mirko Božič (1884–?)
 Erika Braniselj (?—2013)
Borut Bratina (1957–)
 Marijan Brecelj (1910–1989)
 Franc Anton Breckerfeld (
Janko Brejc (1869–1934)
Mihael Brejc (1947–)
Zdenka Brejc Perne (1908–1964)
Stana Brezar (1916–1994)
Barbara Brezigar (1953–)
Jaka Brezigar
 Milko Brezigar (1886–1958)
Igor Breznik (1917–1945)
Janez Breznik (1942–)
Borut Brezovar
Nejc Brezovar (1983–)
Boštjan Brezovnik  (1976–)
(Milan Brglez 1967–)
 Arnošt Brilej (1891–1953)
Jože Brilej (1910–1981)
Franci Brinc (1935–)
Maja Brkan
Ivan (Mijo) Brlek (1911–1984)
 Anton Brumen (1857–1930)
Anjuta Bubnov Škoberne (1943–)
(Bojko Bučar 1951–)
 France Bučar (1923–2015)
Janez Bučar (1822–1859)
 Julij Bučar (1857–1919)
 Pavel Budin (1952–2000)
Bojan Bugarič (1965–)

C
Pavle Car
France Casar (1910–1943)
Bernard Cek
Edvard Centrih (1933–1998)
Božo Cerar (1949–)
Miroslav Cerar (1939–)
Miro Cerar ml. (1963–)
Zdenka Cerar (1941–2013)
Matej Cigale (1819–1889)
Stojan Cigoj (1920–1989)
Rafael Cijan (1935–)
 Janez Rudolf Coraduzzi (1663–1717)
Dušan Cotič (1922–2015)
Blaž Crobath (1797–1848)
Josip Cugmus (1884–1960)
Katica Cukjati (1949–2016)
Aleksej Cvetko (1945–2017)

Č
(Tomaž Čas)
Janez Čebulj (1957–)
Aleksander Čeferin (1967–)
Emil Čeferin (1912–1997)
Peter Čeferin (1938–)
Rok Čeferin (1964–)
Darko Černej (1906–1990)
Samo Červek (1969–)
Aleksander Čičerov (1949–2022)
Anton Edvard Čižman/Zhishman (1821–1874)
Josip Čižman/Zhishman (1820–1894)
 Ivan Marija Čok (1886–1948)
 Vida Čok (1931–)
 Anton Čop (1786–1865)
Janez Čop (1810/3–1845)
Uroš Čop

D
Mirjan Damaška (1931–) (hrv.?-amer.)
Viktor Damjan (1915–1981)
Janko Debelak (1868–1925)
Slavko Debelak (1947—2013)
Mitja Deisinger (1942–)
 Jože Dekleva (1899–1969)
Drago Demšar (1942–2017)
Jožef Anton Demšar (? –1770)
Franjo Derenčin (1906–1963)
 Josip Dermastia (1879–1952)
 Marijan Dermastia (1911–1971)
Anton Dermota (1876–1914)
Edvard Dev (1834–1917)
Miroslav Dev
 Oskar Dev (1868–1932)
Silvo Devetak (1938–)
Aljoša Dežman
Zlatan Dežman (1951–)
Avgust Dimitz (1827–1886)
Karel Dobida (1896–1964)
Adolf Dobovišek (1907–1977)
(Bojan Dobovšek 1962–)
Albin Dobrajc (1908–1980)
Polonca Dobrajc
Alojz Dobravec (1811–1871)
Tone Dolčič (1954–2022)
Bojan Dolenc (1949–)
Jurij Dolenc (–)
Matija Dolenc (1810–1876)
 Metod Dolenc (1875–1941)
Mile Dolenc
Pavel Dolenc (1942–2018)
Ščitomir Dolenc
Jurij Dolinar (1764–1858)
Tomaž Dolinar (1760–1839)
Josip Doljak (1820–1861)
Janez Gregor Dolničar (1655–1719)
Matej Dolničar (1908–?)
Janko Dolžan (1883–1949)
Silvester Domicelj (1868–1938)
Andrej Nikolaj Dominico (1869–1961)
Fran Dominko (1870–1921)
Andrej Dominkuš (1797–1851)
Ferdinand Dominkuš (1829–1901)
Brigita Domjan Pavlin
Danilo Dougan (1909–1993)
Gašper Dovžan (1976–)
Mojca Drčar Murko (1942–)
Simona Drenik
Anton Drobnič (1928–2018)
Živa Drol Novak
Gregor Dugar
Jana Dular
Marijan Dular (1910–2005)
Milan Dular (1901–1980)
Uroš Dular (1941–)

Đ

 Miodrag Đorđević (1955–)

E
Erik Eberl (1885–1947)
Stevo Eberl (1938–1985)
Andrej Ekart
Fran Eller (1873–1956)
Franc Anton Erberg (1695–1756)
Franc Jakob Erberg (1630–1690)
Janez Adam Erberg (1668–1723)
Janez Benjamin Erberg (1699–1759)
Janez Danijel Erberg (1647–1716)
Jožef Ferdinand Erberg (1795–1847)
Anže Erbežnik (1976–)
Ivan (Janko) Erhartič (1859–?)
Karl Erjavec (1960–)
Silva Exel Škerlak (1906–1987)

F

Mohor Fajdiga
Peter Falatov (1939–2020)
Aleksander Fatur (1878–1946)
Julij Felaher (1895–1969)
Aleš Ferčič
Josip Ferfolja (1880–1958)
Andrej Ferjančič (1848–1927)
Boštjan Ferk (1979–)
Petra Ferk
Andrej Ferlinc
Oton Fettich-Frankheim (1885–1945)
Ludvik Filipič (1850–1911)
Mirko Finderle (1918–2012)
Andrej (Andés) Fink (1947–)
Božidar Fink (1920–2013)
Alojzij Finžgar (1902–1994)
Peter Fister (1759–1800)
 Zvonko Fišer (1949–)
Benjamin Flander
Janvid Flere (1914–1996)
Janez Štefan Florjančič (1663–1709)
Vladimir Foerster (1868–1942)
Tanja Frank Eler
Katja Franko Aas
Anton Gašper Frantar (? –2021)
Franc Friškovec (? –1993)
Anton Furlan (1867 - ?)
Boris Furlan (1894–1957)
Borut Furlan (1921–1973)
Harij Furlan (1965–)

G
Aleš Galič (1968–)
Damjan Gantar
Miroslava Geč Korošec (1939–2002)
Josip Gerdešič (1834–1914)
Adalbert Gertscher (1846–1908)
Anton Gertscher/Grčar (1817–1889)
Lev Geržinič (1916–2012)
Vladimir Glaser (1894–1975)
Franc Glavan (1927–)
Anton Globočnik (1825–1912)
Viktor Globočnik (1852–1898)
Vladimir Globočnik (1860–1939)
Rupko Godec (1925–2022)
Franc Godeša (1934–)
Adolf Golia (1889–1976)
Gustav Golia (1879–1947)
Ludvik Golia (1846–1908)
Vladimir Golia (? –1966)
Matija Golob (1922–1995)
Peter Golob (1964–)
Alojz Goričan (1888–1968)
Jože Goričar (1907–1985)
Anton Gorjup (1812–1883)
Mitja Gorjup (1943–1977)
Miloš Gorkič (1922–2020)
Primož Gorkič
France Goršič (1877–1967)
 Andrej Gosar (1887–1970)
Andrej Gostiša (1821–1875)
Franc Grad (1948–)
Alojz Gradnik (1882–1967)
Božo Grafenauer (1950–)
Mirko Grasselli (1874–1950)
Peter Grasselli (1841–1933)
Mateja Grašek
Alojzij Gregorič (1843–1886)
Florijan Gregorič (1883–1963)
Jože Gregorič (1933–2011)
Matevž Grilc (1946–)
Peter Grilc (1961–)
Roland Grilc
Vatroslav Grill (1899–1976)
Davorin Gros (1897–1989)
Jurij Groznik
Ludvik Gruden (1903–1974)
Ignacij Gruntar (1844–1922)

H
 Miha Hafner
Jurij Hladnik (1799–po 1848)
France Hočevar (1913–1992)
 Janez Jurij Hočevar (1656–1714)
Ivan Hojnik (1884–1939)
Janja Hojnik (1979–)
Danijela Horvat
Mitja Horvat (1961–)
Vladimir Horvat (1958–)
Stane Hribar (1907–2003)?
Jože Hribernik (*1938)
Tone Hribovšek (1935–)
 Aleksander Hudovernik (1861–1931)
Jožko Humar (1914–2008)

I

 Albin Igličar (1947–)
Marko Ilešič (1947–)
Mirko Ilešič (1950–1999)
Charles F. Ipavec (1921–2012)
Larisa Istenič
Blaž Ivanc
Tjaša Ivanc
Šime Ivanjko (1938–)

J
Dunja Jadek Pensa (1959–)
Irena Jager Agius
Matjaž Jager
Klemen Jaklič (1975–)
Avgust Jakopič (1848–1924)
Jožef Jakopič (1841–1894)
Vid Jakulin (1960–)
Peter Jambrek (1940–)
Jernej Jan (1935–2010)
Martin Jančar
Franc Jančigaj (1878–1945)
Breda Janežič (1948–1995)
Alojz Janko (1943–2019)
Frančišek Jarc (1891–1978)
Mihail Jasinski (1862–1935)
Andraž Jeglič (1865–1937)
Celestin Jelenc (1884–1968)
Franc Ksaver Jelenc (1749–1805)
Alenka Jelenc Puklavec (1940–2022)
Dušan Jelušič (1920–1998)
Mihael Jenčič (1946–)
Marjan Jenko (1913–2006)
Hinko Jenull (1952–)
Janko Jeri (1927–2002)
Maks Jerič (1885–1949)
Tone Jerovšek (1941–)
 Miro Jeršič (1902–1981)
Rok Jesenko (1880–?)
Aleksander Jevšek (1961–)
Maksimilijan Jezernik (1922–2015)
Jože Juhart (1906–1967)
Miha Juhart (1963–)
Ilja Jurančič (1929–2006)
Vladimir Jurančič (1927–)
Josip Jurca (1884–1963)
Peter Juren (1930–2021)
Ivan Jurkovič (1952–) (cerkveni pravnik)
 Joso Jurkovič (1888–1940)
Margerita Jurkovič
Franc Jurtela (1853–1926)
Ivan Justin (1930–)
Friderik Juvančič (1873–1947)

K

Leopold Kacijanar (1665–1705)
Zdravko Kalan (1906–1992)
Marko Kambič (1963–)
Miha Kambič (1888–1981)
Mitja Kamušič (1924–1994)
Zoran Kanduč (1962–)
Jakob Kandut (1913–1996)
Franc Samuel Karpe (1747–1806)
Vinko Kastelic (1932–)
Igor Kaučič (1954–)
Andreja Kavar Vidmar (1938–)
Jakob Kavčič (1851–1923)
Jožef Kavčič (1821–1903)
Matija Kavčič (1802–1863)
Ivan Kavčnik (1858–1922)
Janko Kersnik (1852–1897)
Janko Kersnik ml. (1881–1937)
Jožef Kersnik (1823–1877)
Ana Kerševan (1979–)
Erik Kerševan (1974–)
Peter Keršič (1881–1948)
Ciril Keršmanc
Urška Klakočar Zupančič (1977–)
Ksenija Klampfer (1976–)
Marta Klampfer (1953–2016)
Goran Klemenčič (1972–)
Nada Klemenčič (1939–)
Tone Klemenčič (1913–2001)
Josip Klepec (1887?–1938)
Peter Klinar (st./ml.) (1900–1980 in sociolog 1934–1994)
Vera Klopčič (r. Osolnik) (1950–)
(Klemen Klun 1971–)
Bojana Kmetec Rošic
Vladimir Knaflič (1888–1944?)
Rajko Knez (1969–)
Aleš Kobal (1971–)
Miloš Kobal (1926–2018)
 Božo Kobe (1913–1951)
Peter Kobe (1916–1995)
Gorazd Kobler (1949–2022)
Marijan Kocbek (1957–)
Boris Kocijančič (1909–1968)
 Janez Kocijančič (1941–2020)
Rudi Kocijančič (1939–?)
Neža Kogovšek Šalamon (1978–)
Alojzij Kokalj (1869–1931)
Lidija Koman Perenič (1945–)
Milan Komar (1921–2006)
Franc Kočevar pl. Kondenheim (1833–1897)
Polonca Končar (1947–)
Mateja Končina Peternel (1966–)
Kostja Konvalinka (1913–1988)
 Janez Kopač (Kopatch) (1793–1872)
Rok Koren (1962–2021)
 Boštjan Koritnik (1979–)
Damjan Korošec (1968–)
Ivan Korošec (1913–1942)
 Viktor Korošec (1899–1985)
Etelka Korpič - Horvat (1948–)
Albert Kos (1913–1947)
Drago Kos (1961–)
Marjan Kos
 Jovan Vesel Koseski (1798–1884)
 Vida Kosi (1921–2021)
 Alenka Košir (1975–)
 Borut Košir (1954–)
Fedor Košir (1908–1972)
Milan Kosterca (1929–2014)
Mitja Kovač
Polonca Kovač (1971–)
 Stane Kovač (1917–1996)
Blaž Kovačič Mlinar
Maša Kovič Dine
Boris Kovšca (1932–)
Jože Kozina (1960–)
Peter Kozler (1824–1879)
Andreja Krabonja
Dušan Kraigher-Jug (1908–1943)
Vito Kraigher (1911–1945)
Jože Kranjc (1946–)
Jožef Krajnc (1821–1875)
Suzana Kraljič
Jerca Kramberger Škerl
Albert Kramer (1882–1943)
Irena Kranjc
Janez Kranjc (1949–)
Vesna Kranjc (1956–)
Ivan Kranjec
Katarina Krapež
Luka Kravina-Svitko (1891–1978)
Viljem Krejči (1890–1962)
 Gregor Gojmir Krek (1875–1942)
Miha Krek (1897–1969)
Anton Kremžar (1867–1927)
France Kremžar (1883–1954)
Barbara Kresal (1969–)
Katarina Kresal Šoltes
Valentin Krisper (1860–1931)
Marija Krisper Kramberger (1946–)
Andrej Kristan
 Ivan Kristan (1930–)
 Matevž Krivic (1942–)
Rudolf Krivic (1887–1983)
Vladimir Krivic (1914–1996)
Anton Kržišnik (1890–1973)
Ciril Kržišnik (1909–1999)
Milan Kučan (1941–)
Anton Kuder (1870–1944)
Alenka Kuhelj
Angelo Kukanja (1905–1977)
Vladimir Kukman (1902–1982)
Damjan Kukovec
Vekoslav Kukovec (1876–1951)
Janko Kuster (1925–1998)
 Gorazd Kušej (1907–1985)
 Radoslav Kušej (1875–1941)
 Bojana Kvas

L
Peter Laharnar (1858–1932),
Ladi(slav) Lajovic (1896–1977)
Vid Lajovic (1917–1977)
Rok Lampe (1973–)
Ivan Lamut (1879–1937)
Stanko Lapajne (1878–1941)
Štefan Lapajne (1855–1912)
Fran Lasič (1864?–1944)
Henrik Lasič (1868–1944)
Stojan Lasič
Janko Lavrič (1900–1971)
Jože Lavrič (1903–1973)
Karel Lavrič (1818–1876)
Darja Lavtižar Bebler (1950–)
Milan Lemež (1891–1971)
Janez Lenarčič (1967–)
Stane Lenardič (1918–2008)
Nikolaj Lenček (1858–1926)
Tina Lesar
Josip Leskovar (1875–1965)
Jernej Letnar Černič
Vladimir Levec (1877–1904)
Albert Levičnik (1846–1932/34)
Jože Levstik (1908–1987)
Nikolaj Ignacij Lipič (1746–1817)
Martina Lippai
Artur Anton Lokar (1865–1926)
Tomaž Longyka
Martin Lorbar (1922–2004)
Lenard Lotrič (1882–1941)
Ivan Lovrenčič (1878–1952)
Franc Lubej (1898–1985)
Marjana Lubej (1945-2021)
Hinko Lučovnik (1902–1960)
Lenard Lotrič (1882–1941)
Miroslav Lukan (1875–1939)
Ivan Lulik (1888–1947)
Arnold Luschin (1841–1932)
Karmen Lutman

M
 Danilo Majaron (1859–1931)
Ferdinand Majaron (1903–1996)
Stanko Majcen (1888–1970)
Aleksander Maklecov (1884–1948)
Matija Malešič (1891–1940)
Matija Malešič (1933–)
Tadeja Marinič
(Boštjan Markič 1934–1994)
Stane Markič (1928–2013)
Rudolf Marn (1875–1947)
Robert Marolt (1969–)
Ivan Martelanc (1902–1945)
Ivan Martelanc (1938)
Benjamin Marušič (1914–1981)
 Drago Marušič (1884–1964)
Tomaž Marušič (1932–2011)
Kornelija Marzel
Branko Masleša
Martin Matek (1860–1930)
Arne Marjan Mavčič (1948–)
Anton Mažgon (1812–1849)
Ervin Mejak (1899–1989)
Karel Mejak (1910–1994)
Vera Mejak (1943–)
Jelka Melik (1951–)
Maja Menard
 Jože Mencinger (1941–2022)
Arne Mavčič (1948–)
Božidar Merc (1951–)
Peter Merc
Špelca Mežnar (1976–)
Franc Miklavčič (1921–2008)
Tomaž Miklavčič
(Franc Miklošič)
Anton Milavec
Fran Milčinski (1867–1932)
 Janez Milčinski (1913–1993)
 Henrik Mislej (1801–1863)
Jernej Mlakar (1924–1982)
(Zdravko Mlinar 1933–)
Heli Modic (1906–1985)
Milojka Modrijan (1945–)
Fran Mohorič (1866–1928)
Jakob Mohorič (1888–1976)
Alfonz Mosche`(1839–1901)
Miroslav Mozetič (1950–)
Damjan Možina
Anton Mrak (1883–1961)
Miroslav Muha (1878– ?)
Breda Mulec (1975–)
 Avgust Munda (1886–1971)
Franc Munda (1831–1914)
Jakob Munda (1849–1926)
Jasna Murgel (1970–)
Ivo Murko (1909–1984)
Vladimir Murko (1906–1986)
Viktor Murnik (1874–1964)
Aleksij Mužina

N

 Ivan Nabernik (1842–1915)
 Andrej Naglič (1978–)
Matjaž Nahtigal (1968–)
Matjaž Nanut (1969–)
Marko Natlačen (1886–1942)
Janez Nemec (1912–2001)
Sebastian Nerad (197?–)
Aleš Novak (1974–)
Anton Novak (1956–)
Barbara Novak (1969–)
Bogdan Ciril Novak (1919–2011)
Darja Novak Krajšek
Fran Novak (1877–1944)
Janez Novak (1939–)
Janže Novak (1893–1934)
Marko Novak (1967–)
Mitja Novak (1947–)
Vlasta Nussdorfer (1954–)

O

France Oblak (1845–po?1917)
Janez Nepomuk Oblak (1780–1858)
Josip Oblak (1883–1956)
Marjan Oblak (1926–2008)
 Josip Ciril Oblak (1877–1951)
 Janez Obreza
Miran Ocepek (1950–)
Fran Ogrin (1880–1958)
Albin Ogris (1885–1959)
Viljem Ogrinc (1845–1883)
Stanko Ojnik (1932–2012)
Ivan Okretič (1860–1931)
Jožef Orel (1797–1874)
Vladimir Orel (1886–1973)
Stanko Osterc (1909–1983)
Matej Oštir
Kristina Ožbolt

 Anton Pace (1851–1923)
Josip Pajk
Anton Panjan
Franc Papež (1838–1929)
Oton Papež (1867–1940)
Viktor Papež (1943–)
Marko Engelbert Paradeiser
Andrej Parma (1973-)
Ingo Paš (1941–2021)
 Marijan Pavčnik (1946–)
Tomaž Pavčnik
Miloš Pavlica (1950–)
Miroslav Pavlica (1910–1995)
Martin Pavlič (1894–1979)
Peter Pavlič (1912–1991) ?
Stane Pavlič (1914–1996)
Jože Pavličič (1916–2001)
 Marko Pavliha (1962–)
Ciril Pavlin (1888–1964)
Janez Pečar (1924–2021)
Mirko Pečarič
Vladislav Pegan (1878–1955)
Martin Pegius (~1523–1592)
Igo Pehani (1886–1942)
F. A. Pelzhoffer
Jerneja Penca
Boštjan Penko
Anton Perenič (1941–)
Ljudevit Perič (1884–1926)
 Ivan Perne (1889–1933)
Franc Pernek (1938–)
Jože Pernuš (1916–1997)
Milan Peroci (1922–2006)
Nina Peršak
Stanko Peterin (1913–1998)
Ernest Petrič (1936–)
Dragan Petrovec (1952–)
Nataša Pirc Musar (1968–)
Jakob Pirnat (1847–1924)
Janez Pirnat (1909?–1996)
Rajko Pirnat (1951–)
Andrej Pirš (1941–)
Lojze Piškur (1908–1982)
 Leonid Pitamic (1885–1971)
 Karel Pivk (1916 - 1967) ?
Hilda Marija Pivka (1943–2000)
Konrad Plauštajner (1941–2022)
Nina Plavšak
Leopold Plenčič (1749–1830)
Ivan Ples (1886–1958)
Mojca M. Plesničar (-Mihelj)
Karel Pleško (1834–1899)
Senko Pličanič (1963–)
Jakob Ploj (1830–1899)
 Miroslav Ploj (1862–1944)
 Oton Ploj (1861–1947)
Tanja Poberžnik
Peter Podgorelec
Karel Podgornik (1878–1962)
Jernej Podlipnik
Klemen Podobnik
Jasna Pogačar (1953–)
Peter Pogačar (1973–)
Feodor Maria Pogačnik (1908–1991)
Ferdinand Pogačnik (1839–1888)
Lovro Pogačnik (1880–1919)
Marjan Pogačnik (sodnik)
Neda Pogačnik (Žirovnik) (1914–1979)
Miha Pogačnik (1970–)
Neža Pogorelčnik Vogrinc
Janez Pogorelec
Klemen Pohar
Ada Polajnar Pavčnik (1947–)
Ana Polak Petrič (1978–)
Zora Polak Tominšek (1904–1975)
 Janko Polec (1880–1956)
Julij Polec (1852–1941)
Svetozar Polič (1916–2011)
Vasilij Polič (1940–)
 Zoran Polič (1912–1997)
 Andra Pollak (vrhovna sodnica v Kanadi)
 Carlo Porenta (1814–1898)
Jernej Potočar
Jožef Potočnik (1753–1808)
Miha Potočnik (1907–1995)
Ivo Potokar (1899–1945)
Miran Potrč (1938–)
Anton Požar (1861–1933)
Danilo Požar (1914–2005)
Dušan Požar (1928–?)
Saša Prelič
Janez Premk (1939–2017)
Dragan Premrov (1912–1989)
Branko Premrou (1909–1986)
Miroslav Premrou (1871–1944)
Ferdinand Prenj (1876–1957)
Ljuba Prenner (1906–1977)
Ivan Presker (1857–?)
France Prešeren (1800–1849)
Janez Krstnik Prešeren
Jakob Prešern (1888–1975)
Stojan Pretnar (1909–1999)
Matej Pretner (1858–1944)
Valentin Prevec (19.stol.)
Janez Prijatelj  (1947 -)
Marko Prijatelj (1952–)
Karlo Primožič (1939–2020)
Alojz (Lojze) Prinčič (1909–1976)
Jerneja Prostor
Boris Puc (1907–1975)
Dinko Puc (1879–1945)
Janko Pučnik (1957–)
Vitodrag Pukl (1930–2001)
August B. Pust (1938–)
Vladimir Pušenjak (1882–1936)
Mirko Ploj (1956-)

R
Zvezdan Radonjić (1961–)
Aleksander Radovan (1926–1993)
David Raišp
Barbara Rajgelj (1975–)
Anton Rak (1803–1864)
Iztok Rakar (1974–)
Janez Lotar Rakovec (pl. Raigersfeld) (1729–1758)
Marko Rakovec
Mojca Ramšak Pešec
Marko Rančigaj
Andraž Rangus
Franc Rapoc (1842–1882)
Franc Rapotec (1887–1976)
Evgenij Ravnihar (1912–1949)
Nikomed Ravnihar (1840–1928)
Vladimir Ravnihar (1871–1954)
Aleksander Ravnikar (1951–2009)
Ludvik Ravnikar (1827–1901)
Andrej Razdrih (1952–)
Anton Rebek (1857–1934)
Josip Regali (1880–1960)
 Fran(c) Regally (1870–1924)
 Matevž Reiser (1830–1895)
 Otmar Reiser (1792–1868)
 Albert Rejec (1899–1976)
 Katja Rejec Longar
Franc Rekar (1866–1950)
Alojzij Remec (1886–1952)
Peter Pavel Remec (1925–2020)
Anton Remic (1748–1801)
Anton Rems (1932–2019)
Martina Repas
Franc Repič (1758–1812)
Borut Režek (1922–1971)
Josip Režek (1883–1966)
Miha Ribarič (1934–)
Josip Viktor Ribič (1846–1874)
 Ciril Ribičič (1947–)
Nevenka Rihar
Vesna Rijavec (1958–)
Jurij (Jorge) Rode (1937–)
Anton Rogina (1862–1944)
Anton Rojc (1820–1876)
Aleš Rosina (1937–2010)
Franjo Rosina (1863–1924)
Igor Rosina (1900–1969)
Jožef Rosina (1810–1889)
Anton Rous (1939–)
Jože Rovan (1923–2009)
Jernej Rovšek (1951–)
Andrej Rozman (1956–)
Janez Nepomuk Rozman/Rosmann (1774–1837)
Vilko Rozman (1912–2006)
Hugo (Franc) Rožnik (1891–1970)
Matija Rulitz (1805–1880)
Aljoša (Aleš) Rupel (1947?)
Slavko Rupel (1921–2002)
Janko (Ivan) Rupnik (1931–2003)
Vlado Rupnik (1899–1970)
Josip Rus (1893–1985)
Luka Rus (1767–1836)
Matija Rutar (1856–1941)
Miloš Rybář (1928–1995)
Otokar Rybář (1865–1927)
Vladimir Rybář (1894–1946)

S
Štefan Sagadin (1878–1947)
Andrej Saje (1966–)
Bogomir Sajovic (1925–2008)
Ivan Sajovic (1884–1954)
Rudolf Sajovic (1888–1961)
Nataša Samec Berghaus
Ana Samobor
Vasilka Sancin (1979–)
Jožef Savinšek (1831–1920)
Franc Schaubach (1881–1954)
Dolfe Schauer (1902–1953)
Jožef (Josef) Schneid-Treuenfeld (1839–1884)
Nina Scortegagna Kavčnik
Josip Sedej (1899–1977)
Jernej Sekolec (1948–)
Jernej Selak (1789–1866)
Polona Selič Zupančič
Liljana Selinšek
Simon Seljak (1815–?)
Darja Senčur Peček (1965–)
B. Senekovič
Davorin Senjor (1882–1960)
Janko Sernec (1834–1909)
Josip Sernec (1844–1925)
France Sever (1897–1985)
Tina Sever
Teofil Simčič (1902–1997)
Ivan Simič (1959–)
Vladimir Simič (1950–)
(Iztok Simoniti 1948–)
Bronislav Skaberne (1913–1977)
Franc Skaberne (1877–1951)
Artur Skedl (1860–1923)
Jožef Mihael Skedl (1811–1868)
Anton Skobir (1923–)
Dušan Skok (1940–2005)
Stajka Skrbinšek (1959–)
 Anton Skumovič (1864–1952)
Franc Slabe (1931–2005)
Leon Slak
Karel Slanc (1851–1916)
 Stanislav Slatinek (1958–)
Edvard Slavik (1865–1931)
Slavoj Slavik (1896–1945)
Ivan Slokar (1884–1970)
Rudolf Smersu (1905–1998)
Albin Smole (1883–1968)
Alojz Snoj (1946–)
Janez Snoj (1934–2005)
Franc Sok (1905–1978)
Guido Soklič (1894–1970)
Janez Nepomuk Sorčan (1737–1804)
Jadranka Sovdat (1960–)
Evgen Spektorski (1875–1951)
Ana Srovin Coralli
Ana Stanič
Aleš Stanovnik (1901–1942)
Ivan Stanovnik (1891–1978)
Jože Stanovnik (1898–1983)
Jernej Stante (1900–1966)
Egon Stare (1882–1959)
(Bruno) Hugo Stare (1886–1969)
Josip Stare (1847–1922)
Miloš Stare (1905–1984)
Marko Starman (1969–)
Franc Stegenšek (1889–1969)
Henrik Stepančič (1864–1940)
Rudolf Sterle (1873–1948)
Henrik Steska (1880–1960)
 Anton Jožef Edvard Strahl (1817–1884)
 Karel Friderik Jožef Strahl (1850–1929)
Jože (Joseph) Straus (1938–)
Grega Strban (1972?–)
Francka Strmole(-Hlastec) (1934–)
Majda Strobl (1920–1997)
Boris Strohsack (1929–1997)
Anton (Tone) Strojin (1938–2016)
Anja Strojin Štampar (1973–)
Gregor Strojin
Josip Suchy (1869–1941)
Jože Suhadolc (1914–1987)
Vinko Suhadolc (1916–1999)
Josef Suppan (Jožef Supan) (1828–1902)
Andrej Ferdinand Suppantschitsch (1806–1873)
Pavle Svete (1933–2021)
Luka Svetec (1826–1921)
 Lev Svetek (1914–2005)
 Matej Svetel (1934–2009)
Anton Svetina (ml.) (1891–1987)
Rok Svetlič (1973–)
Andrej Svetličič (1974–)

Š

Karel Šavnik (1874–1928)
Jasna Šegan
Jože Šegedin (1911–1973)
Alenka Šelih (1933–)
Vladimir Baltazar Šenk (1902–1969)
Miha Šepec (1955?/1974–)
Marija Šeruga Trplan
Vida Šibenik (1944–2020)
Senka Šifkovič Vrbica
Ivan Vanek Šiftar (1919–1999)
Janez Šinkovec (1928–2016)
Ludvik Šivic (1859–1939)
Silvo Šivic (1909–1982)
Ivan Škarja (1879–1941)
Vladimir Škerlak (1909–2002)
Franc Škerlj (1914–1998)
Ivan Škerlj (1848–1932)
Milan Škerlj (1875–1947)
Drago Šketa (1969–)
Bojan Škof (1958–)
Bojan Škrk (1924–2003)
Mirjam Škrk (1947–)
Boštjan Škrlec (1971–)
Katja Škrubej (1971–)
Albin Šmajd (1904–1946)
Konrad Šmid (1886–1954)
Lojze Šmid (1902–1969)
Janez Šmidovnik (1921–2016)
Boris Šnuderl (1926–2020)
 Makso Šnuderl (1895–1979)
Štefan Šoba (1913–?)
Igor Šoltes (1964–)
Ivan Šorli (1853–1932)
Ivo Šorli (1877–1958)
Marko Šorli (1946–)
Tomo Šorli (1881–1923)
Bojan Špicar (1914–2008)
Tilen Štajnpihler Božič
Boris Štefanec (1954–)
Katja Štemberger
Ivo Štempihar (1898–1955)
Juri Štempihar (1891–1978)
Franjo Štiblar (1947–)
Stanko Štor (1890–1967)
Rudi Štravs (1953–)
Miha Štrukelj (1935–2023)
Milan Štrukelj
Dušan Štrus (1979–)
Anton Štuhec (1884–1948)
Ivan Štuhec (1820–1885)
Leon Štukelj (1898–1999)
Lovro Šturm (1938–2021)
Milica Šturm (1939–)
Rado Šturm (1920–2016)
Katja Šugman Stubbs (1966–)
Vladimir Šuklje (1907–1984)
Staša Šuster (1920—2021)
Ivan Šušteršič (1863–1925)
Dominika Švarc Pipan (1978–)
Anton Švigelj (1868–1954)

T
Vlado Tance
Tjaša Tanko
Đorđe Tasić (1892–1943)
Ivan Tavčar (1851–1923)
Maruša Tekavčič Veber
Aleksander Ternovec (1935–2012)
(Bogdan) Matej Ternovec (1842–1913)
Damijan Terpin (1963–)
Andraž Teršek (1975–)
Franc Testen (1948–)
Bojan Tičar (1965–)
Luka Tičar
Luka Martin Tomažič
Matej Tominc (1790–1832)
Janez Tominec (1914–1980)
Anka Tominšek (1935–)
Fran Tominšek (1868–1943)
Stanko Tominšek (1895–1961)
Teodor Tominšek (1902–1996)
Anton Tomšič (1842–1871)
Ivan Tomšič (1902–1976)
Stanko Tomšič (1901–1945)
(Tone Tomšič 1910–1942)
Vida Tomšič (1913–1998)
Frane Tončič (1893–1978)
Jurij Toplak (1977–)
Ludvik Toplak (1942–)
Janez Toplišek (1941–2019)
Albin Torelli (1898–1973)
(Niko Toš 1934–)
Peter Toš (1939–2022)
Miha Trampuž (1950–)
 Boštjan Tratar (1973–)
Jože Tratnik (1941–)
Maja Tratnik
Matjaž Tratnik (1957–)
Vladimir Travner (1886–1940)
Drago Tribnik (1912–2009)
Duša Trobec Bučan (1958–)
Rudolf Trofenik (1911–1991)
Gorazd Trpin (1951–)
Alojzij Trstenjak (1887–1964)
Verica Trstenjak (1962–)
Boris Tuma (1909–1945)
Ferdinand Lev Tuma (1883–1961)
 Henrik Tuma (1858–1935)
Boštjan J. Turk (1967–)
Robert Turk
Danilo Türk (1952–)
Mirko Tušek (1918–2007)

U

 Lojze Ude (1896–1982)
Lojze Ude (1936–)
Marija Ude Marinček (1932–2012)
Karel Ulepič (Karel Aleksander Adam Ullepitsch) (1811–1862)
Matija Urankar
Janez Ulrich (prof. v Innsbrucku)
Anton Urbanc (1895–1956)
Peter Urbanc (1924–2016)
Franc Uršič (1855–1926)

V
Boštjan Valenčič
Vlado Valenčič (1903–1999)
Luigi Varanelli
Ivan Vasič (1882–1967)
Lado Vavpetič (1902–1982)
Bojan Vavtar (1958–)
Andrej Veble (1887–1979)
Urška Velikonja (1978–)
Gregor Velkaverh (1952–)
Ivan Vencajz (1844–1913)
Roman Vertovec (1934–)
Janez (Jovan) Vesel - Koseski (1798–1884)
Meta Vesel Valentinčič (1951–)
Roman Vertovec (1934–)
Tomaž Vesel (1967–)
Oton Vidic (1867–1944)
Cvetko Vidmar (1932–2021)
Jure Vidmar - Maastricht - prof. medn. prava
Vladimir Vidmar (1936–1996)
Fran Vidovič (1879–1951)
Josip Vilfan (1878–1955)
Joža Vilfan (1908–1987)
Sergij Vilfan (1919–1996)
Gregor Virant (1969–)
Franc Višnikar (1848–1914)
Ana Vlahek
Patrick Vlačič (1970–)
Janez Vlaj
Stane Vlaj (1946–2014)
Fran Vodopivec (1879–1930)
Hilarij Vodopivec (1868–1930)
 Katja Vodopivec (1917–2012)
 Vlado Vodopivec (1916–1982)
Zvone Vodovnik (1952–)
Valens Vodušek (1912–1989)
Žiga Vodušek (1913–2014)
Lojze Vogrič (1902–1987)
Andrej Vojska (1828–1903)
Edvard Volčič (1858–1911)
Andrej Volkar "Hrabroslav" (1847–1930)
Rudi Vouk (1965–)
Viktor Vovk (1893–1968)
Helena U. Vrabec
Edvard Vračko (1898–1984)
Janko Vrančič (1889–1959)
 Branko Vrčon (1907–1990)
Renato Vrenčur
Ivan Vrtačnik (?–1947)
Mirko Vrtačnik (1950–2018)
Vinko Vrhunec (1895–1981)
Martina Vuk (1979–)

W

 Nana Weber
Dragica Wedam Lukić (1949–)
 Petra Weingerl
Jurij Kornelij Weinzerle (16./17.stol.)
Fran Windischer (1877–1955)
Andrej Winkler (1825–1916)
Janez Winkler (1927–)
Georg/Jurij Wohiniz/Jurij Bohinjec (~1618–1684)
Miha Wohinz (1930–2011)

Z
Bojan Zabel (1930–)
Mojca Zadravec
Dean Zagorac?
Saša Zagorc (1977–)
Drago Zajc (star.) (1912–1944)
Drago Zajc ml. (1938–2023)
Katarina (Katra) Zajc (1967–)
Janez Zajec ?
Marjan Zajec (1905–1985)
Aleš Zalar (1961–)
Boštjan Zalar
Drago Zalar (1909–2000)
Valentin Zarnik (1837–1888)
Roman Završek
Aleš Završnik
Fran Zbašnik (1855–1935)
Josip Zdolšek (1876–1932)
Ksenija Zeilhofer Orehek
Sabina Zgaga Markelj
Miša Zgonec Rožej
Anton Edvard Zhishman (Čižman)
Andraž Zidar  (197#–)
Barbara Zobec (1955–)
Ivan Zobec (1890–1979)
Jan Zobec (195#–)
Živko Zobec (1926–1988)
Vinko Zorc (1893–1971)
Anton-Nino Zupan (1906–1986)
Boštjan M. Zupančič (1947–)
Ferdinand Zupančič (?–1873)
 Karel Zupančič (1934–)
 Mihael Zupančič (197#–)
 Jernej Zupanec (1810–1898)

Ž
Jože Žabkar (pravnik)
Mitja Žagar (1961–)
Ciril Žakelj (1914–1979)
Martin Žalik (1914–1969)
Vesna Žalik
Ciril Žebot (1914–1989)
Vid Žepič
Gregor Žerjav (1882–1929)
Mirko Žgur (1912–1983)
Jožko (Josip) Žiberna (1910–2002)
Franc Žibert (1949–)
Danijel Žibret (1967–)
Alojz Žigon (?–1964), predsednik SNČ
Anton Žigon (1828–1882)
Janko Žirovnik mlajši (1880–1960)
Neda Žirovnik (Neda Pogačnik)? (1914–1979)
 Stanislav Žitko (1896–1970)
Gašper Žitnik (~1535~1585)
Ignacij Žitnik (1857–1913)
Ciril Žižek (1890–1974)
Franc Žižek (1876–1938)
Mirko Žlender (1924–2005)
Otokar Žlindra (?–1977)
Josip Žmavec (1874–?)
Boris Žnidarič (1948–)
Viktorija Žnidaršič Skubic (1972–)
Ivan Žolger (1867–1925)
Josip Žontar (1895–1982)
Danila Žorž (1979–)
Bruna Žuber (1989–)
Anton Žun (1907–1978)
Uroš Žun (1903–1977)
Valentin Žun (1873–1918)
Franc Župnek (1860–1938)
Jurij Žurej
Ivan Žužek (1924–2004)
Ivan Žužek (1938–1995)
Leopold Žužek (1877–1927)

Glej tudi
 seznam slovenskih odvetnikov
 seznam slovenskih politikov

Pravniki


text:
The Dubbo rail bridge over Macquarie River - Wambuul is a heritage-listed railway bridge on the Main Western line across the Macquarie River, located west of the Dubbo central business district in New South Wales, Australia. It was designed by John Whitton as the Engineer-in-Chief for the New South Wales Government Railways. The bridge was built during 1884 by Benjamin Barnes, with ironwork by Cochrane & Co, , England. The railway bridge is also known as the Dubbo Lattice Railway Bridge. The property is owned by RailCorp, an agency of the Government of New South Wales. The bridge was added to the New South Wales State Heritage Register on 2 April 1999 and was listed on the (now defunct) Register of the National Estate on 18 April 1989.

The bridge is sited  from Sydney Central station.

History
During the 20-year period 1873-1893 there was a massive programme of public works in New South Wales, particularly in expanding the road and rail networks. It was a boom period that ended with a severe economic depression.

Despite the boom conditions, the respective Chief Engineers, for Roads, William C. Bennett, and for Railways, John Whitton, were constrained to economise by using as much local material as possible, consequently an enormous amount of hardwood timber was used for bridgeworks, mostly timber beam and timber truss bridges. However, there were many major rivers to be crossed, requiring long span bridges, for which no form of timber bridge was suitable. These large bridges had to be metal and supplied from England, a very expensive import cost to the successive colonial governments.

Both Chief Engineers were British so they chose the widely used wrought iron lattice truss bridge in the half-through form. Twelve of these were built for the railways and 24 for roads. These two sets of iron lattice bridges are the most significant group of bridges of the colonial period. A high percentage are extant and still in use, 11 on railways and 18 on roads. The current railway lattice bridges are:
1876Bathurst Rail Bridge over Macquarie River - still standing but not in use
1881Macquarie River at Wellington
1882Peel River railway bridge at Tamworth
1882Macdonald River railway bridge at Woolbrook
1884Albury-Wodonga Railway Bridge
1884Macquarie River at Dubbo
1885Murrumbidgee River railway bridge at Narrandera
1887Lachlan River railway bridge at Cowra.

Two former railway lattice bridges (1885 Georges River at Como and 1886 Parramatta River at Meadowbank) were converted for use by pedestrian/cycle ways.

The 1871 lattice railway bridge over the Hunter River at Aberdeen was replaced by steel girders and demolished. The 1881 Murrumbidgee River at Wagga Wagga was demolished in 2004 and replaced with a concrete structure.

Description
A three-span continuous iron lattice bridge. The spans are  to centres of piers and the lattice work has four triangulations. The piers of pairs of cast iron cylinders (supplied by Cochrane & Co, England). The bridge has wrought iron plate web girders at each end of the lattice bridge.

The bridge carries a single  railway with transomes on metal cross girders resting on the lower chords. The main trusses are through type lattice trusses, continuous over three  spans. They are of constant depth with four triangulations and are connected together above the track by characteristic arched, latticed braces. They are supported on twin, cast iron cylinder piers. The bridge as a whole has spans as follows: eighteen at , two at , three at , two at , twenty one at . The  spans are metal girders. The thirty nine  spans are timber girders with transomes, squared girders and corbels, a single squared headstock on each pier and round timber piles. The superstructure was fabricated by Cochrane and Company, Middlesbrough, England; A. and R. Amos were the principal contractors. It was load tested on 23 April and placed in service in May 1884.

The bridge and approaches are significant technical accomplishments. Completed in 1884, it has three main lattice truss spans, each of . It is one of a series of twelve related bridges all with  lattice trusses, built between 1871 and 1887, of which eleven remain. The bridge at Dubbo is the first of the second group of six, all of which incorporated some design changes compared with the first six. Of the series of twelve, three earlier bridges had three spans, one had four and another two were single span. The span of  was considerable for a bridge of this age and type. The approaches include thirty nine  timber girder spans and these are significant in their own right. The sum of spans of  was probably exceeded previously by only one or two bridges; the approach viaduct to the rail bridge across the Murrumbidgee River at Wagga Wagga (1881,  total) and possibly the original road bridge across the Helena River at Guildford, Western Australia (1865, ), neither of which remain in their original form. Although it may be expected that members of the Dubbo approaches have been replaced, they remain a good example of the Whitton-type timber viaduct with squared girders and single solid headstocks. As with all others in the series, the bridge was designed by Sir John Fowler (co-designer of the World Heritage-listed Firth of Forth Bridge) for Whitton.

Condition

As at 10 August 2006, the physical condition was good.

Heritage listing
As at 10 August 2006, the bridge at the end of the yard is one of John Whitton's single track lattice bridges which were typical of the period of construction and is of high significance to the state system. The viaduct in leading to the actual bridge was originally timber but has been replaced by PWG steel.

This bridge is a member of the most significant group of colonial bridges in New South Wales. Collectively, as items of railway infrastructure, they contributed significantly to the history and development of New South Wales. Each bridge is an imposing structure at its site. In terms of contemporary bridge technology the wrought iron lattice bridge was among the best for major bridgeworks.

Dubbo rail bridge over Macquarie River was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.

The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.

Twelve wrought iron lattice railway bridges were built in New South Wales during the boom period for railway construction 1871-1887, starting at Aberdeen and ending at Cowra.
Nine of the survivors are owned and managed by the Rail Access Corporation.

The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.

All nine iron lattice railway bridges are imposing structures.

The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.

Every iron lattice railway bridge crossed a major river which made it possible for the railway extension to develop the districts reached, socially and commercially.

The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales.

The iron lattice bridge was a technically sound structure for the bridge technology of the late colonial period. Its strength and durability have shown it to have been a very cost-effective form of bridge.

The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.

Collectively, the iron lattice railway bridges represent a significant class of bridge structure.

See also

List of railway bridges in New South Wales

References

Bibliography

Attribution

New South Wales State Heritage Register
Dubbo
Railway bridges in New South Wales
Articles incorporating text from the New South Wales State Heritage Register
Dubbo
Bridges completed in 1884
1884 establishments in Australia
Main Western railway line, New South Wales
Wrought iron bridges
New South Wales places listed on the defunct Register of the National Estate


text:
Нижняя Щелина — река в России, течёт по территории Усть-Цилемского района Республики Коми. Левая составляющая реки Щелина. Длина реки составляет 20 км.

Данные водного реестра
По данным государственного водного реестра России относится к Двинско-Печорскому бассейновому округу, водохозяйственный участок реки — Печора от водомерного поста Усть-Цильма и до устья, речной подбассейн реки — бассейны притоков Печоры ниже впадения Усы. Речной бассейн реки — Печора.

Код объекта в государственном водном реестре — 03050300212103000080864.

Примечания

Бассейн Печоры
Реки Усть-Цилемского района


text:
Der Bet-at-home Cup Kitzbühel 2012 war ein Tennisturnier, welches vom 22. bis zum 27. Juli 2012 in Kitzbühel stattfand. Es war Teil der ATP World Tour 2012 und wurde auf Sandplatz ausgetragen. In der gleichen Woche wurden in Los Angeles die Farmers Classic gespielt, die genau wie der Bet-at-home Cup Kitzbühel zur Kategorie ATP World Tour 250 zählten.

Titelverteidiger im Einzel war Robin Haase, der den Titel auch im Finale gegen den topgesetzten Philipp Kohlschreiber verteidigen konnte. Im Doppel verzichteten Santiago González und Daniele Bracciali auf die Teilnahme. González nahm stattdessen an den Farmers Classic teil. Eine Besonderheit in der Doppelkonkurrenz war die Verlosung der Wildcard an der Seite von Philipp Kohlschreiber: Der Veranstalter verloste unter über 4.000 Interessenten diesen Platz in der Aktion Spiel deines Lebens; Gewinner war der Österreicher Stephan Tumphart, der als Hobbyspieler in einer unterklassigen Liga in Österreich aktiv ist. Entgegen allen Erwartungen gewannen Kohlschreiber und Tumphart überraschend ihr Auftaktspiel gegen Lukáš Rosol und Horacio Zeballos in drei Sätzen. Das Doppel gewannen František Čermák und Julian Knowle gegen Dustin Brown und Paul Hanley.

Das Teilnehmerfeld der Einzelkonkurrenz bestand aus 28 Spielern, jenes der Doppelkonkurrenz aus 16 Paaren. Die vier topgesetzten Spieler im Einzel bekamen jeweils ein Freilos in die zweite Runde.

Qualifikation
Die Qualifikation fand vom 20. bis 22. Juli 2012 statt. Ausgespielt wurden vier Qualifikantenplätze, die zur Teilnahme am Hauptfeld des Turniers berechtigten.

Folgende Spieler hatten die Qualifikation überstanden und spielten im Hauptfeld des Turniers:

Einzel

Setzliste

Ergebnisse

Doppel

Setzliste

Ergebnisse

Einzelnachweise

Weblinks und Quellen
 Offizielle Homepage des Turniers
 Turnierplan Einzel auf der ATP-Homepage (PDF; 31 kB)
 Turnierplan Doppel auf der ATP-Homepage (PDF; 31 kB)
 Turnierplan Einzel-Qualifikation auf der ATP-Homepage (PDF; 35 kB)

ATP World Tour 2012
2012


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Die Hafenbahn Salem (auch Salem Harbor Branch) ist eine Eisenbahnstrecke in der Stadt Salem in Massachusetts (Vereinigte Staaten). Sie ist 1,74 Kilometer lang und band die Hafenanlagen in der Stadt an das Eisenbahnnetz an. Die normalspurige Strecke ist stillgelegt.

Geschichte

Die Salem and Lowell Railroad, deren wichtigster Geldgeber der Industrielle Stephen C. Philips aus Salem war, baute die Bahnstrecke Peabody–Tewksbury Junction, die in Peabody an die 1847 eröffnete Strecke von Salem anschloss. Gleichzeitig wollte Philips seine Industrieanlagen im Hafen von Salem anschließen, um seine Güter mit der Eisenbahn transportieren zu können. Er beauftragte die Essex Railroad, die die Strecke von Salem nach Peabody besaß, eine Zweigstrecke zu bauen, die in den Hafen führte. Sie wurde gleichzeitig mit der Salem&Lowell-Strecke im August 1850 eröffnet.

Den Betrieb führten die Eastern Railroad, von deren Hauptstrecke die Hafenbahn und die Strecke nach Peabody und Lowell abzweigten und die auch den Betrieb auf der Essex Railroad führte, und die Lawrence and Lowell Railroad, die den Betrieb auf der Strecke nach Tewksbury Junction führte, gemeinsam. 1858 ging die Betriebsführung vollständig auf die Eastern über, jedoch erwarb die Boston and Lowell Railroad ein Mitbenutzungsrecht für die Hafenbahn, da sie gleichzeitig sowohl die Salem&Lowell als auch die Lawrence&Lowell gepachtet hatte. Der Hafen wurde in den folgenden Jahren vor allem durch die Boston&Lowell zu einem wichtigen Kohleumschlagplatz ausgebaut und zahlreiche Kohlezüge fuhren von hier über Tewksbury in Richtung Lowell und nach New Hampshire. Die Boston and Maine Railroad hatte 1884 die Eastern und 1887 die Boston&Lowell gepachtet und war ab dieser Zeit alleiniger Betriebsführer der Hafenbahn Salem. Sie betrieb die Strecke noch bis etwa 1970 und legte sie dann still.

Streckenbeschreibung

Die Strecke zweigt nördlich des Gleisdreiecks, das die Anbindung der Strecke in Richtung Peabody und Lowell darstellt, aus der Hauptstrecke Boston–Portsmouth ab. Sie vollführt eine 90°-Kurve in Richtung Südosten und verläuft dann nahezu geradlinig parallel zur Webb Street auf die Küste zu, um sich im Hafengebiet zu verzweigen. An der Bridge Street und der Fort Avenue kreuzten Straßenbahnstrecken die Gleise der ebenerdig verlaufenden Hafenbahn. Noch heute sind an einigen Bahnübergängen Gleisreste der Hafenbahn im Asphalt zu finden.

Quellen und weiterführende Literatur
Literatur
 Ronald D. Karr: The Rail Lines of Southern New England. A Handbook of Railroad History. Branch Line Press, Pepperell, MA 1995. ISBN 0-942147-02-2
 Mike Walker: Comprehensive Railroad Atlas of North America. New England&Maritime Canada. (2. Auflage) SPV-Verlag, Dunkirk (GB), 2010. ISBN 1-874745-12-9
Weblinks
 B&M Corporate History, 1914, Seite 42 (PDF; 11,1 MB) (englisch)

Salem Hafenbahn
Salem (Massachusetts)
Salem
Verkehrsbauwerk im Essex County (Massachusetts)
Wirtschaft (Essex County, Massachusetts)


text:
Babeni is a town and union council of Mardan District in the Khyber Pakhtunkhwa province of Pakistan.

it is about 6–7 km away from the main city of mardan
on swabi road there is a way towards north-west that leads to babini
on the way to babeni there are many villages as ijara kalay, shaamelaat and many others.

References

.

Union councils of Mardan District
Populated places in Mardan District


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Un albero di Natale in alluminio è un tipo di albero di Natale artificiale che fu popolare negli Stati Uniti d'America dal 1958 fino a circa la metà degli anni 1960. Come suggerisce il suo nome, l'albero è fatto di alluminio, dotato di aghi di carta stagnola e illuminazione dal basso attraverso una ruota a colori rotante. L'albero di Natale in alluminio fu usato come simbolo della commercializzazione del Natale nell'acclamatissimo e fortunatissimo speciale televisivo del 1965, Un Natale da Charlie Brown, che screditava la sua adeguatezza come decorazione natalizia. Verso la metà degli anni 2000 gli alberi in alluminio hanno trovato un mercato secondario sul web, spesso raggiungendo considerevoli quotazioni nelle aste online e iniziando ad apparire anche in collezioni di musei.

Storia

Fabbricazione
Si è detto che gli alberi in alluminio siano stati i primi alberi di natale artificiali che non fossero di colore verde. È più accurato dire che gli alberi di Natale in alluminio furono i primi alberi di Natale non verdi ad avere successo commerciale su vasta scala. Molto prima che gli alberi di Natale in alluminio fossero disponibili commercialmente almeno entro la fine dell'Ottocento, "alberi di Natale" bianchi erano fatti in casa avvolgendo strisce di imbottitura di cotone intorno ai rami senza foglie, facendo quelli che sembravano essere alberi carichi di neve che rimanevano bianchi dentro casa. Questi alberi non verdi facevano figure perfette per gli addobbi e non facevano cadere aghi. Dopo Natale, il cotone veniva srotolato e riposto con gli addobbi per l'anno successivo mentre i rami erano bruciati o altrimenti scartati. Gli alberi imbottiti di bioccoli, veri o artificiali, ai quali si applicava l'imbottitura, diventarono di moda tra i ricchi durante gli anni 1930 e sono disponibili commercialmente da allora. Un numero di Popular Science del 1937 raccomandava di spruzzare vernice di alluminio usando una pistola a spruzzo per ricoprire gli alberi di Natale facendo sembrare come se fossero "forgiati con argento fuso".

Gli alberi di Natale in alluminio furono fabbricati per la prima volta a un certo punto intorno al 1955, rimasero popolari durante gli anni 1960 e furono fabbricati durante gli anni 1970. Gli alberi furono fabbricati per la prima volta dalla Modern Coatings, Inc. di Chicago. Tra il 1959 e il 1969, il grosso degli alberi di Natale in alluminio furono prodotti a Manitowoc (Wisconsin), dall'Aluminum Specialty Company; in quel decennio l'azienda produsse più di un milione di alberi in alluminio. Al tempo in cui erano prodotti a Manitowoc gli alberi, incluso l'"Evergleam", il prodotto di punta dell'azienda, erano venduti al dettaglio per 25 dollari e all'ingrosso per 11,25 dollari.

Popolarità

Durante gli anni 1960, l'albero di Natale in alluminio godette del suo periodo più popolare di uso. Quando passò la metà degli anni 1960, l'albero di Natale in alluminio cominciò a perdere di favore, con molti che venivano buttati via o relegati nelle cantine e nelle soffitte. Si è attribuito alla messa in onda di Un Natale da Charlie Brown nel 1965 il merito di aver posto fine all'era dell'albero in alluminio, ed entro il 1967 il loro tempo era quasi completamente passato.

Al culmine della popolarità dell'albero di alluminio, gli alberi erano venduti nel catalogo postale della Sears. L'annuncio di vendita della Sears osservava:

Ritorno alla ribalta

Sino al 1989, non era raro trovare alberi di Natale in alluminio in vendita nelle vendite in garage o nelle vendite all'asta per appena 25 centesimi. Negli anni recenti l'albero di Natale in alluminio ha visto un ritorno di popolarità. I collezionisti hanno cominciato a comprare e a vendere gli alberi, specialmente sui siti di aste online. Un raro albero di Natale in alluminio rosa alto 7 piedi (2,10 metri) fu venduto su Internet per 3.600 dollari nel 2005.

Progettazione

Gli alberi di Natale in alluminio erano costituiti da rami in alluminio fissati a un palo centrale in legno o alluminio. Il palo centrale aveva fori praticati agli angoli, così quando i rami di fogli di alluminio erano fissati creavano una forma ad albero. I rami di fogli di alluminio avevano cuciti anche degli "aghi" di alluminio. Ogni albero richiedeva circa 15 minuti per essere assemblato.

I primi alberi in alluminio non potevano essere illuminati nel modo tradizionale per gli alberi di Natale naturali o altri alberi artificiali. I problemi di sicurezza antincendio impedivano di infilare le luci attraverso i rami dell'albero; avvolgere luci elettriche attraverso un albero di alluminio poteva infatti causare un cortocircuito. Il metodo comune di illuminazione era una "ruota a colori" appoggiata sul pavimento che era posta sotto l'albero. Si trattava di una ruota di plastica trasparente con vari segmenti colorati; quando ruotava, una luce brillava attraverso la plastica trasparente proiettando una serie di colori attraverso i rami metallici dell'albero. A volte questo spettacolo veniva arricchito da un supporto rotante dell'albero di Natale.

Gli alberi di Natale in alluminio sono stati variamente descritti come futuristici o fusi in uno stile che evocava il luccichio dell'era spaziale. Un articolo della rivista Money pubblicato sul sito web della CNN nel 2004 definiva "intelligente" la progettazione di alberi di Natale in alluminio. Lo stesso articolo affermava che una volta superato il loro peso culturale come icone di cattivo gusto, quegli alberi di Natale in alluminio erano in realtà un bell'arredamento. L'atmosfera da era spaziale degli alberi li rendeva particolarmente adatti all'arredamento domestico semplificato del periodo.

Significato culturale

L'albero di Natale in alluminio fu utilizzato come simbolo della eccessiva commercializzazione del Natale nello speciale delle vacanze dei Peanuts del 1965, Un Natale da Charlie Brown. Il programma è considerato un classico degli speciali natalizi, e la sua menzione dell'albero in alluminio consolidò lo status leggendario dell'albero mentre ne faceva la satira. Nello speciale, Lucy van Pelt implorava Charlie Brown di procurarsi un "grosso, scintillante albero di alluminio... magari dipinto di rosa" per il presepe vivente del gruppo. Charlie Brown lamentava la commercializzazione del Natale e, in un assortimento circondato da molti enormi alberi di alluminio (molto più grandi della maggior parte degli alberi di alluminio dell'epoca), acquistava invece per capriccio un piccolo albero scarno e naturale.

La riemergente popolarità degli alberi di Natale in alluminio ha permesso loro di farsi strada nelle collezioni dei musei. Un esempio è il Museo degli alberi di Natale in alluminio (ufficialmente noto come Museo e centro di ricerca degli alberi di alluminio e degli addobbi stagionali esteticamente svantaggiati). Il museo, situato variamente a Brevard o Asheville, nella Carolina del Nord, è stato definito "pacchiano" da Fodor's nel 2009. Il Museo dei bambini di Indianapolis racchiude un albero di Natale d'epoca e una ruota a colori nelle sue collezioni. Il Museo storico del Wisconsin ha tenuto la mostra Tis the Season almeno due volte, presentando una collezione di alberi di Natale d'epoca in alluminio.

Note

Bibliografia
Brown, Darren. "Aluminum Christmas Trees Making a Comeback", (includes video and photos), News9.com, December 18, 2008, updated December 22, 2008, accessed September 23, 2012.
"How to Decorate Your New Aluminum Christmas Tree" (pdf, Brochure), ALCOA, 1959, accessed September 23, 2012. http://aluminumchristmastrees.net/how-to-decorate-your-aluminum-christmas-tree/
J. Shimon & J. Lindemann. Season's Gleamings: The Art of the Aluminum Christmas Tree, (Google Books), Melcher Media, 2004, ()
McKee, Bradford. "Dumpster, Spare That Tree", The New York Times, November 25, 2004, accessed September 23, 2012.

Altri progetti

Collegamenti esterni
Hansen, Liane. "Aluminum Christmas Tree Museum", Weekend Edition Sunday, (audio), National Public Radio, December 3, 2000, accessed December 12, 2008.
Martin, Emma. "Vintage Aluminum Christmas Trees - Caring for Your Aluminum Christmas Tree ", American Chronicle, November 29, 2007, accessed December 12, 2008.
Murray, Patty. "Aluminum Trees Make a Comeback", (audio), NPR, "All Things Considered", December 8, 2004, accessed September 23, 2012.
Robinson, Tom, "Aluminum Christmas Trees Come to Canada",  On This Day, (Audio/Visual), CBC Radio, December 22, 1960, accessed December 13, 2008.
Wisconsin Historical Society. "Pink Evergleam Aluminum Christmas Tree " (Museum object #2005.174.1.1), Wisconsin Historical Society - Curators' Favorites, December 15, 2005. Retrieved September 22, 2012.

Natale
Alberi
Alluminio


text:
La persistance d'un nombre est, en mathématiques, le nombre d'étapes nécessaires pour atteindre un point fixe, lorsqu'on effectue par itérations successives une série d'opérations à ce nombre.

Exemples

Pour obtenir la persistance additive d'un nombre, le principe consiste à additionner les chiffres de ce nombre, puis à recommencer avec le résultat obtenu jusqu'à obtenir un nombre à un seul chiffre.
Par exemple, pour le nombre 2718, on obtient : 2718 → 18 → 9. Comme il faut 2 étapes pour obtenir un nombre à un chiffre, la persistance additive de 2718 est égale à 2.
Le résultat final, 9 pour cet exemple, s'appelle la racine numérique additive (ou résidu) de 2718.

De même, on obtient la persistance multiplicative d'un nombre en multipliant ses chiffres entre eux, puis en recommençant avec le résultat obtenu jusqu'à obtenir un nombre à un seul chiffre.
Par exemple, la persistance multiplicative de 39 est égale à 3, car il faut 3 étapes pour le réduire à un nombre à un chiffre : 39 → 27 → 14 → 4. Le résultat obtenu, ici 4, s'appelle la racine numérique multiplicative du nombre 39.

Plus petits nombres de persistance donnée

Persistance multiplicative
Actuellement, en base 10, on conjecture qu'il n'existe pas de nombre dont la persistance multiplicative est supérieure à 11. La plus ancienne mention connue de ce problème est un article de Neil Sloane publié en 1973. En 2013, Francesco De Comité a vérifié par ordinateur tous les nombres jusqu'à 10500.

Le tableau suivant donne les plus petits nombres de persistance multiplicative donnée.

Il a été démontré qu'aucun nombre jusque 1020585 ne pouvait avoir de persistance multiplicative supérieure à 11.
Dans son article Sloane mentionne une conjecture plus générale : pour toute base de numérotation b, il existe une constante M(b) telle qu'aucun entier exprimé dans cette base b n'a une persistance multiplicative supérieure à M(b).

Persistance additive
Pour la persistance additive, il n'existe pas de limite, elle peut être aussi grande qu'on le souhaite.
Le tableau suivant donne les plus petits nombres pour les premières persistances additives ().

Références

Voir aussi

Bibliographie
 .
 .
 .

Liens externes

Arithmétique élémentaire


text:
Das 18. Deutsche Kinder-Medien-Festival "Goldener Spatz" fand vom 25. April bis 1. Mai 2010 in Gera und Erfurt statt.

Wie im Vorjahr wurden auch 2010 wieder 11.000 Festivalbesucher verzeichnet.

Zudem wurde zum fünften Mal der SPiXEL-Preis für Fernsehproduktionen von Kindern vergeben.

Preisträger

Preise der Kinderjury
 Kino-/Fernsehfilm: Wickie und die starken Männer (Buch: Michael Herbig, Alfons Biedermann; Regie: Michael Herbig)
 Kurzspielfilm, Serie/Reihe: Schloss Einstein: Folge 581 (Buch: Monika Weng; Regie: Irina Popow)
 Information/Dokumentation: neuneinhalb: Welttoilettentag (Buch und Regie: Torsten Lang)
 Minis: Armut kennt viele Geschichten  (Buch und Regie: Isabel Prahl)
 Unterhaltung: Die Jungs-WG: Ein Monat ohne Eltern: Folge 3 (Buch und Regie: Georg Bussek)
 Animation: mobile (Buch und Regie: Verena Fels)
 Bester Darsteller/-in: Timon Wloka (für seine Rolle als Ben in Allein gegen die Zeit)
 Regisseur zum besten Kino-/Fernsehfilm (Sonderpreis der Thüringer Staatskanzlei): Michael Herbig

Online Spatzen
 TV-Webseite: tivi.de
 Webseite: blinde-kuh.de
 Onlinespiel: Jump Jupiter

Preise der Fachjury
 Bestes Vorschulprogramm: Die kleinen Bankräuber
 Preis des MDR-Rundfunkrates (für das beste Drehbuch): Marcus Sauermann für Der Kleine und das Biest
 Sonderpreis Goldener Spatz für Innovation: Allein gegen die Zeit

SPiXEL-Preise
 Kategorie Information/Dokumentation: Die Jubiläumssendung – Ein Jahr triki-magazin! (Kinderredaktion des Triki-Magazins, Trier)
 Kategorie Animation: Es klopft bei Wanja in der Nacht (Schüler der Klasse 2b der Korczak-Schule aus Gießen)
 Kategorie Spielfilm: Das Räubervolk (Videoprojekt KUHLisse – Filme vom Acker aus Gera)

Weblinks
 Preisträger auf spatzwiki.de

Einzelnachweise

2010
Preisverleihung 2010
Filmjahr 2010
Kultur (Erfurt)
Preisverleihung in Gera
Preisverleihung in Erfurt


text:
Byrrhinus niger är en skalbaggsart som beskrevs av Maurice Pic 1922. Byrrhinus niger ingår i släktet Byrrhinus och familjen lerstrandbaggar. Inga underarter finns listade i Catalogue of Life.

Källor

Lerstrandbaggar
niger


text:
Clarissa Minnie Thompson Allen (XIX wiek) – prozaiczka i poetka amerykańska. Pochodziła z rodziny afroamerykańskiej. Była najstarszym z dziewięciorga dzieci. Jej rodzicami byli Samuel Benjamin Thompson i Eliza Henrietta Montgomery. Ojciec był delegatem na South Carolina Constitutional Convention. Uczyła się w Howard Junior High School i South Carolina's State Normal School. Została nauczycielką. Pracowała krótko w Howard, a potem w Poplar Grove School w Abbeville i na Allen University. Wydała zbiór opowiadań Treading the Winepress; or, A Mountain of Misfortune.

Przypisy

Amerykańscy poeci XIX wieku
Amerykańscy prozaicy
Amerykańscy nauczyciele


text:
Комплексно-спортивная база Львовского государственного университета физической культуры «Скиф» () — спортивная база во Львове. Старейший среди современных стадионов Львова, построенный в 1897 году. Расположен по адресу: ул. Черемшины, 17; граничит с Лычаковским парком. Вместимость стадиона составляет 3742 места.

История
Землю под стадион для польского гимнастического общества «Сокол» городские власти выделили в 1895 году. Спортивный комплекс построен возле Лычаковского парка в 1897 году — футбольное поле стандартных размеров с беговыми дорожками вокруг и трибунами для зрителей, крытый конный манеж, залы для занятий гимнастикой и фехтованием. Авторы проекта: Иван Левинский и Е. Ковач. Трибуны были рассчитаны на 30 000 зрителей. В 1898 году по проекту Левинского построено служебное помещение в закопанском стиле.

В то время это был лучший спортивный объект Львова и один из лучших в Австро-Венгрии. В 1910—1930-х годах на стадионе проводили футбольные матчи, «гипичные упражнения», различные спортивные соревнования и съезды польского «Сокола». Стадион был известен как «боиско "Сокола-Мацежа" при улице Центнеровской». Это была домашняя арена футбольных команд «Легия» (Львов) и «Второй Сокол» ().

После создания во Львове Института физкультуры (1946) стадион стал легкоатлетической базой для учебно-тренировочного процесса его студентов.

Перед чемпионатом Европы по футболу 2012 года стадион реконструировали, он должен был быть одной из тренировочных баз турнира. Во время перестройки построен четырехэтажный корпус общего назначения, в нём расположены помещения для спортсменов, тренеров, судей, медицинские кабинеты, конференц-зал на 100 человек и учебные классы ЛГУФК. Часть трибун расположена под навесом, часть — под открытым небом. Все 3742 места оборудованы индивидуальными пластиковыми сиденьями. Освещенность поля и легкоатлетических секторов увеличена до 500 люксов. Также, на стадионе оборудовали 9 легкоатлетических дорожек для проведения соревнований (8 и одна дополнительная для марафонского бега). Стоимость реконструкции: 80 млн грн.

В сезоне 2017/18 «Скиф» был домашним стадионом футбольного клуба «Львов», который выступал во Второй лиге. Также здесь проходили матчи команды в Кубке Украины, в частности четвертьфинал против «Днепра-1».

С апреля 2019 года на стадионе свои домашние матчи играет винниковский «Рух».

Галерея

Примечания

Литература
 Нога О. П. Світ львівського спорту 1900—1939 рр. Спортдосягнення, товариства, архітектура, вбрання, мистецтво. — Львів: НВФ «Українські технології», 2004. — С. 474—476
 Яремко І. 100 футболістів Львова (персони львівського спорту). — Львів: Тріада плюс, 2012. — С. 8—9
 Pamiętnik IV. Zlotu Sokolstwa Polskiego we Lwowie w dniach 27-29 czerwca 1903. 1903, s. 50, 59–64, 75.

Ссылки
 Boisko "Sokoła" na Cetnerówce, Interaktywny Lwów

Футбольные стадионы Львова
ФК «Львов»
ФК «Рух» Львов
ФК «Лехия» Львов


text:
Lamponusa gleneagle is een spinnensoort uit de familie Lamponidae. De soort komt voor in West-Australië.

Lamponidae
Endemisch dier uit West-Australië


text:
Луизиания ()  —  муниципалитет в Бразилии, входит в штат Сан-Паулу. Составная часть мезорегиона Арасатуба. Входит в экономико-статистический  микрорегион Биригуи. Население составляет 4360 человек на 2006 год. Занимает площадь 167,008 км². Плотность населения — 26,1 чел./км².

Статистика
 Валовой внутренний продукт на 2003 составляет 35.310.094,00 реалов (данные: Бразильский институт географии и статистики).
 Валовой внутренний продукт на душу населения на 2003 составляет 8.171,74 реалов (данные: Бразильский институт географии и статистики).
 Индекс развития человеческого потенциала на 2000 составляет 0,762 (данные: Программа развития ООН).

Муниципалитеты штата Сан-Паулу


text:
The qualification for the 2014 UEFA Women's Under-19 Championship were a series of association football matches between national teams to determine the participants of the 2014 Final Tournament held in Norway.

All times are CEST (UTC+02:00).

Qualifying round
The 48 teams were divided into 11 groups of four teams, with each group being contested as a mini-tournament, hosted by one of the group's teams. After all matches have been played, the 11 group winners and 10 best runners-up will advance to the Second qualifying round.

The draw was made on 20 November 2012 at UEFA headquarters in Nyon.

Norway qualified as hosts, while England, Spain and Germany received byes to the second round as the sides with the highest coefficients.

The first round matches were played between 21 and 26 September 2013.

Seeding
Seeding for the pots of the draw was based on the qualifying matches of the past three seasons with some bonus points for final tournament results. The hosts of the eleven mini-tournament groups are annotated with an H.

Tiebreakers
Tie-breakers between teams with the same number of points are:
 Higher number of points obtained in the matches played between the teams in question
 Superior goal difference resulting from the matches played between the teams in question
 Higher number of goals scored in the matches played between the teams in question
If now two teams still are tied, reapply tie-breakers 1–3, if this does not break the tie, go on.
 Superior goal difference in all group matches
 Higher number of goals scored in all group matches
 Drawing of lots

Group 1

Group 2

Group 3

Group 4

Group 5

Group 6

Group 7

Group 8

Group 9

Group 10

Group 11

Ranking of second-placed teams
To determine the ten best second-placed teams from the qualifying round, only the results of the second-placed teams against the winners and the third-placed in each group are taken into account.

The following criteria are applied to determine the rankings:
higher number of points obtained in these matches
superior goal difference from these matches
higher number of goals scored in these matches
fair play conduct of the teams in all group matches in the second qualifying round
drawing of lots

Elite round
England, Spain and Germany received byes to the second round as the sides with the highest coefficients. Defending champions France were narrowly eliminated in the second round.

Format
24 team are drawn into six groups of four. The teams then play each other once. After that the group winners and the best runner-up advance to the final tournament.

The draw was held on 20 November 2013 in Nyon.  Teams were seeded based on their first round performances. The hosts of the six mini-tournament groups are indicated below in italics.

{| class="wikitable"
|-
! width=170|Pot A
! width=170|Pot B
! width=170|Pot C
! width=170|Pot D
|-
|
|
|
|

Tiebreakers
Tie-breakers between teams with the same number of points are:
 Higher number of points obtained in the matches played between the teams in question
 Superior goal difference resulting from the matches played between the teams in question
 Higher number of goals scored in the matches played between the teams in question
If now two teams still are tied, reapply tie-breakers 1–3, if this does not break the tie, go on.
 Superior goal difference in all group matches
 Higher number of goals scored in all group matches
 Drawing of lots

Group 1

Group 2

Group 3

Group 4

Group 5

Group 6

Ranking of second-placed teams
To determine the best second-placed team from the qualifying round, only the results of the second-placed teams against the winners and the third-placed in each group are taken into account.

The following criteria are applied to determine the rankings:
higher number of points obtained in these matches
superior goal difference from these matches
higher number of goals scored in these matches
fair play conduct of the teams in all group matches in the second qualifying round
drawing of lots

Ireland advanced as best runners-up to the final tournament. Defending champions France and top seeded Germany were eliminated in this stage.

References

External links
UEFA.com

Qualification
2014
Women's Under-19 Championship qualification
2013 in women's association football
2014 in women's association football
2014 in youth sport


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Rushbrooke – wieś w Anglii, w Suffolk, w dystrykcie West Suffolk, w civil parish Rushbrooke with Rougham. W 1961 roku civil parish liczyła 58 mieszkańców. Rushbrooke jest wspomniana w Domesday Book (1086) jako Rycebroc.

Przypisy

Linki zewnętrzne
 http://www.geograph.org.uk/gridref/TL8961
 http://www.suffolkchurches.co.uk/rushbrooke.htm

Wsie w hrabstwie Suffolk
Dawne civil parishes w hrabstwie Suffolk


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Gamini Kulawansa Lokuge (born 8 May 1943 in Piliyandala) is a Sri Lankan politician and a former Cabinet Minister.

Early life
Lokuge was born on 8 May 1943 in Piliyandala to middle-class parents. He received his primary education in Piliyandala and completed his higher education at Piliyandala Central College.

Political career
Lokuge entered politics in 1960 as a member of the United National Party (UNP). His first national campaign was in 1983, when he was elected by a clear majority to represent the Kesbewa Electoral District.

He served as Minister of Tourism in the UNP governments of 1989 and 2002. In 2006, he joined the government of President Mahinda Rajapaksa after having personal issues with Ranil Wickremesinghe.

In January 2007, Lokuge was appointed to the Ministry of Sports and Public Recreation. He was re-elected in 2010 and 2015.

On 27 November 2019 he was appointed as State Minister for Urban Development.

On 12 August 2020, he was appointed as the Cabinet Minister of Transport

Lokuge was appointed to the Legislative Standing Committee in February 2020.

Notes

References

Living people
Members of the 8th Parliament of Sri Lanka
Members of the 9th Parliament of Sri Lanka
Members of the 10th Parliament of Sri Lanka
Members of the 11th Parliament of Sri Lanka
Members of the 12th Parliament of Sri Lanka
Members of the 13th Parliament of Sri Lanka
Members of the 14th Parliament of Sri Lanka
Members of the 15th Parliament of Sri Lanka
Members of the 16th Parliament of Sri Lanka
Sri Lanka Podujana Peramuna politicians
1943 births
Labour ministers of Sri Lanka
United National Party politicians
United People's Freedom Alliance politicians
Sports ministers of Sri Lanka
Ministers of state of Sri Lanka
Alumni of Ananda Sastralaya, Kotte


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Szabeni ókori egyiptomi hivatalnok volt a VI. dinasztia idején, II. Pepi uralkodása alatt; több núbiai expedíció vezetője. Főleg sziklasírjából ismert, amely Kubbet el-Hawában épült, Asszuán mellett.

A sír két részből áll: a felszínen díszes kápolna épült az elhunyt halotti kultusza számára, a föld alatt pedig öt akna található, kamrákkal, melybe Szabenit és családja tagjait temették. A sír homlokzatán hosszú életrajzi felirat számol be Szabeni núbiai expedícióiról, többek közt arról, hogy elment hazahozni apja, Mehu testét, aki egy korábbi expedíció során Núbiában halt meg. A felirat mára nagyrészt elpusztult. A bejárat mögött tizennégy oszlopos, nagy csarnok nyílik, melyet a sziklába vájtak. Ennek hátuljában található az álajtó. A falakon és oszlopokon a faragott képek Szabenit, családját és a halotti kultusz papjait ábrázolják; egy nagyobb képen Szabeni és apja, Mehu a mocsárban vadászik. Mehut szintén idetemették, a két sírt egymás mellé faragták a sziklába, halotti kultuszuk kápolnáinak fontosabb helyiségei közösek. Szabeni felesége, Szetka a "királyi ékszer" címet viselte; egy fiuk, Antef és egy lányuk, Iteti ismert.

Szabeni számos fontos címet viselt: nemesember, királyi pecséthordozó, Felső-Egyiptom felügyelője, egyetlen barát, az idegen földek felügyelője, felolvasópap.

Szabeni neve egy Elephantinéban talált levélben is fennmaradt, ebben lopással vádolják.

Jegyzetek

Fordítás

Ókori egyiptomi tisztviselők
VI. dinasztia


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Češi v Omaze v americkém státě Nebraska významně přispěli k politickému, společenskému a kulturnímu rozvoji města. První čeští imigranti přišli do Omahy v roce 1868.

Historie
V 60. letech 19. století se mnoho Čechů, hlavně z Čech a Moravy, přistěhovalo do Nebrasky. Edward Rosewater a John Rosicky, omažští novináři původem z Čech, povzbuzovali krajany k přistěhování se do Ameriky. Vychvalovali a slibovali, že je půda v Omaze, hraniční zemi, zdarma. V roce 1880 už byli Češi nejčetnější etnickou skupinou ve městě.

V roce 1893 světově proslulý český skladatel, Antonín Dvořák, navštívil město a vystoupil zde. Toto vystoupení přilákalo návštěvníky z okruhu mnoha mil. Jeho návštěva Spojených států ho inspirovala k napsání 9. symfonie "Z Nového světa", zkráceně známé jako "Novosvětská symfonie". V ní vychází ze svých dojmů z tohoto místa a byla inspirována jeho zalíbením v ptačím zpěvu, ragtime hudbě od africkoamerického hudebníka a skladatele Scotta Joplina, kapelové hudbě a lidové písni.

Komenský Clubs (Komenského kluby) byly založeny v Nebrasce, včetně Omahy, Lincolnu a dalších měst, kde bylo mnoho českých imigrantů. Když byla v roce 1914 založena organizace Bohemian National Alliance, její řídící pobočka pro středozápad byla ustanovena v Omaze. Češi ve městě pomohli propagovat českou nezávislost po první světové válce. K roku 1920 v české čtvrti Bohemian Town bydlelo asi 3 500 imigrantů.

Významní Češi z Omahy
Jedním z nejznámějších Čechů z omažské čtvrti Little Bohemia byl Roman Hruska, který byl zvolen senátorem za stát Nebraska v polovině 20. století. Na svůj český původ by řádně hrdý. Dalším významným Čechem pocházejícím z Omahy, který dosáhl politického úřadu, byl Thomas Capek, právník a člen zákonodárné moci státu Nebraska na počátku 20. století.

Výzmnamými sportovci byli Tom "Train Wreck" Novak, výborný hráč amerického fotbalu na univerzitě University of Nebraska a rodina Dusků, kteří byli známí v počátcích profesionálního zápasu.

Edward Rosewter, rodným jménem Edward Rosenwasser (28. ledna 1841 Bukovany, Čechy – 30. srpna 1906 Omaha, Nebraska, USA) byl český imigrant židovského původu, který přišel do Omahy v roce 1863. V roce 1871 založil noviny Omaha Bee (Omažská včela). V tom samém roce založil první české noviny v Omaze, Pokrok západu. S českou komunitou v Omaze ho spojovala politika. Rosewater byl republikánským politikem a jedním z lídrů Republikánské strany v Nebrasce. Rosewater měl pověst vždy "agresivního a kontroverzního" člověka.

Jan Rosický (1845 – 1910) založil a vydával noviny v českém jazyce Západní Česko-Bratrská Jednota (ZČBJ), které byly tištěny v Omaze, ale šířily se jak po celých Spojených státech, tak i v Čechách. Rosickému je připisováno povzbuzení tisíců Čechů k přestěhování se do USA. Na hřbitově Czech National Cemetery v Omaze je k vidění Rosického památník s následujícím nápisem v českém jazyce:

"Nezapomenutelnému bratru svému českému, vlastenci a vůdci svého lidu. Postavila Západní česko-bratrská jednota a vděční krajané. Kdo žije v srdcích těch, jež opustil, nezemřel."

Význam
Češi z Omahy v roce 1907 napomohli zřízení českého studijního programu Czech Language Program na univerzitě University of Nebraska v Lincolnu tím, že pomohli získat legislativní souhlas pro tento program. Dodatečně byl ještě zřízen program o českém dědictví na univerzitě College of St. Mary v Omaze. Tyto programy se staly centry pro výuku českého jazyka, literatury a kultury na téměř celé století.

Jeptišky českého původu získaly prostředky a zajistily personál pro klášter a školu Notre Dame Academy and Convent na adrese State Street 3501, který pomáhal v oblasti, kde žila česká komunita. Čeští imigranti a jejich potomci také založili skupinu sokolů Sokol South Omaha, muzeum Czechoslovak Museum na adrese U Street 2021 v jižní Omaze a hřbitov Bohemian National Cemetery na adrese Center Street 5201. Další hřbitovy, kde je většina českých hrobů nebo velkými sekcemi vyhrazenými pro Čechy jsou hřbitovy Calvary Cemetery, Holy Sepulchar Cemetery a Saint Mary Catholic Cemetery.

Little Bohemia
Čtvrť Little Bohemia (Malé Čechy) je významnou českou památkou v Omaze. Tato čtvrť byla etnickou enklávou založenou Čechy a nacházela se v obchodní oblasti kolem ulic South 13th Street a South 14th Street a William Street. Tuto čtvrť ohraničovala ulice South 10th Street z jihu, ulice South 16th Street ze západu, ulice Pierce Street ze severu a ulice Martha Street z jihu. Nacházel se zde hotel Prague Hotel, sál Sokol Auditorium, kavárna Bohemian Cafe, což byla všechno významná místa pro českou komunitu.

Další významná česká čtvrť se nacházela v okolí parku Brown Park.

Odkazy

Reference

Externí odkazy

Čechoameričané

Lidé z Nebrasky
Omaha


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Thadou (Thado, Thaadou, Thado-Pao, Thadou-Kuki) is a Sino-Tibetan language of the Northern Kuki-Chin-Mizo linguistic sub branch. It is spoken in the northeastern part of India (specifically in Manipur and Assam). It is spoken by the Thadou people. The Thadou language is known by many names, including Thado, Thado-Pao, Thādo, Thadou-kuki, Thado-Ubiphei, Chin and Thādo-pao. There are several dialects of this language : Hangshing, Khongsai, Kipgen, Saimar, Langiung, Sairang, Thangngeo, Haokip, Sitlhou, Singson (Shingsol). The Saimar dialect was reported in the Indian press in 2012 to be spoken by only four people in one village in the state of Tripura. The variety spoken in Manipur has partial mutual intelligibility with the other Mizo-Kuki-Chin languages varieties of the area including Paite, Hmar, Vaiphei, Simte, Kom and Gangte languages.

Geographical distribution

Thadou is spoken in the following locations (Ethnologue).

Northeast India
Manipur
Chandel district
Churachandpur district
Senapati district
Kangpokpi district
Tengnoupal district
Pherzawl district
Assam
Karbi Anglong (Mikil Hills)
NC hills (Dima Hasoa)

Dialects
Ethnologue lists the following dialects of Thadou, the names of which mostly correspond to clan names. There is high mutual intelligibility among dialects.

Lupho
Lupheng
Misao
Hangsing
Chongloi
Khongsai
Kipgen
Langiung
Sairang
Thangngeo
Haokip
Sitlhou
Touthang
Haolai
Singson (Shingsol)
Hanghal
Lhouvum
Mate
Lhungdim
Baite

Phonology

Consonants

 /p t k/ are heard unreleased as [p̚ t̚ k̚] in word-final position.
  is heard as more apical  when occurring before front and central vowels.
  can have a cognate of an aspirated velar plosive  in the dialect spoken in Burma.
  can have an allophone of  in word-medial position.

Vowels

Comparison between Thadou Dialects
The Saimar dialect is only spoken by 4 people in one village, which is located in Tripura.

References

Further reading

Did you know Thado Chin is severely endangered? (n.d.). Retrieved 10 March 2017, from http://www.endangeredlanguages.com/lang/5702
Haokip, P. (2011). Linguistics of the Tibeto-Burman Area. THE LANGUAGES OF MANIPUR: A CASE STUDY OF THE KUKI-CHIN-MIZO LANGUAGES*, 34.1 (April), 85-118. Retrieved 9 March 2017, from https://dx.doi.org/10.15144/LTBA-34.1.85
History. (n.d.). Retrieved 9 March 2017, from http://thethadou.webs.com/history.htm
MultiTree: A Digital Library of Language RelationshipsMultiTree: A Digital Library of Language Relationships. (n.d.). Retrieved 8 March 2017, from http://multitree.org/codes/tcz.html
"Thadou." Encyclopedia of World Cultures. . Retrieved 3 May 2017 from Encyclopedia.com: http://www.encyclopedia.com/humanities/encyclopedias-almanacs-transcripts-and-maps/thadou
Thado Chin. (n.d.). Retrieved 10 March 2017, from http://glottolog.org/resource/languoid/id/thad1238
Thado Chin Rosary Prayers. (n.d.). Retrieved 7 March 2017, from http://www.marysrosaries.com/Chin_Thado_prayers.html
Thadou Kuki language. (n.d.). Retrieved 10 March 2017, from https://globalrecordings.net/en/language/759
The Thadou (or Thado). (n.d.). Retrieved 9 March 2017, from http://www.myanmarburma.com/attraction/174/the-thadou-or-thado
Where on earth do they speak Chin, Thado? (n.d.). Retrieved 10 March 2017, from http://www.verbix.com/maps/language/ChinThado.html
St George International Ltd. (n.d.). Retrieved 4 May 2017, from http://www.stgeorges.co.uk/blog/learn-english/how-many-people-in-the-world-speak-english

Languages of Manipur
Languages of Tripura
Endangered languages of India