text:
I Camera Obscura sono un gruppo musicale indie pop scozzese, di Glasgow, formato nel 1996.

Storia del gruppo
Camera Obscura venne formato nel 1996 da Tracyanne Campbell, John Henderson e Gavin Dunbar. Le prime incisioni della band furono i singoli Park and Ride e Your Sound, del 1998. Nel periodo 2000-2001 la formazione del gruppo è cambiata con l'ingresso di Lindsay Boyd e Kenny McKeeve.

Il primo album dei Camera Obscura, Biggest Bluest Hi Fi (Admoresound), venne registrato nel 2000 e pubblicato nel 2001. L'album vide il supporto di John Peel e venne prodotto da Stuart Murdoch dei Belle and Sebastian. Si posizionò in diverse classifiche di musica indipendente.

Il secondo album Underachievers Please Try Harder venne pubblicato nel 2003. Seguirono subito dopo il primo tour della band per tutto il Regno Unito e Irlanda e il primo tour negli Stati Uniti.

Il singolo Suspended From Class è stato scelto da Ol Parker per la colonna sonora del film Imagine Me & You.

Uno dei fondatori del gruppo, John Henderson lasciò i Camera Obscura subito dopo i tour.

I Camera Obscura registrarono il loro terzo album Let's Get Out of This Country nel 2005 e fu pubblicato il 6 giugno 2006. L'album, prodotto da Jari Haapalainen (The Bear Quartet), è stato anticipato dal singolo Lloyd, I'm Ready to Be Heartbroken, una sorta di risposta a Are You Ready to Be Heartbroken?, brano di Lloyd Cole and the Commotions.

Nell'aprile 2009 esce il loro quarto album dal nome My Maudlin Career. Precedentemente il gruppo aveva firmato per la 4AD. Al disco ha partecipato Björn Yttling (Peter Bjorn and John). Nello stesso periodo è stato pubblicato il 7" French Navy.

L'uscita del quinto album Desire Lines è avvenuta il 3 giugno 2013. Il disco, prodotto da Tucker Martine, è stato pubblicato dalla 4AD e vede la partecipazione di Neko Case e di Jim James dei My Morning Jacket.

L'11 ottobre 2015 Carey Lander muore in seguito ad una lunga malattia, a causa della quale la band era già in precedenza stata costretta a cancellare una serie di spettacoli in Nordamerica .

Formazione
Attuale
Tracyanne Campbell – voce, chitarra
Kenny McKeeve – chitarra, mandolino, armonica, voce
Gavin Dunbar – basso
Lee Thomson – batteria
Nigel Baillie – tromba, percussioni

Ex membri
John Henderson (1996-2004) – voce, percussioni
Richard Colburn – batteria
David Skirving – chitarra, voce
Carey Lander – piano, organo, voce

Discografia
2001 - Biggest Bluest Hi Fi
2003 - Underachievers Please Try Harder
2006 - Let's Get Out of This Country
2009 - My Maudlin Career
2013 - Desire Lines

Note

Altri progetti

Collegamenti esterni

Gruppi musicali indie rock


text:
La Avenida Lexington–Calle 63 es una estación ferroviaria compartida con la línea de la Calle 63 BMT y la línea de la Calle 63 IND del metro de la ciudad de Nueva York. Localizada en la intersección de la Avenida Lexington y la Calle 63, es servida todo el tiempo por los trenes de los servicios  y . Los trenes con dirección a Lower Manhattan usan el nivel superior, y los trenes con direcciones a Queens y la línea de la Segunda Avenida usan el nivel inferior. La estación cuenta con un total de 10 escaleras eléctricas, seis escaleras manuales y seis ascensores.

Historia
La construcción de este estación comenzó en el año 1969, pero este estación no abrió hasta el 29 de octubre de 1989. Este estación fue construido para providir una transferencia entre una línea de la Línea de la Avenida Sexta a Queens y una línea de la Línea de la Avenida Segunda a la Línea Broadway. Sin embargo, en el año 1975, la construcción de la Línea de la Segunda Avenida fue cancelado. Cuando la estación abrió, hay sólo 2 vías (un vía en cada nivel) en operación; como resultado, hubo paredes falsas (en el color anaranjado) que apartaron los vías en operación de las vías que no estuvieron en operación. Esos paredes falsas fueron puestos en el centro de todas las plataformas centrales.

En el año 2007, la construcción de la Línea de la Segunda Avenida fue reiniciado. A partir del 13 de enero de 2011, la estación fue renovado para quitar las paredes falsas y modernizar los vías, azulejos de la pared, y andenes en preparación para la inauguración de la Línea de la Segunda Avenida; las paredes falsas fue quitó en el año 2012. Para acomodar un aumento esperado de la cantidad de pasajeros después de la inauguración de ese línea, cuatro entradas nuevas fueron construido a la intersección de la Tercera Avenida y la Calle 63; estos entradas sirven un nuevo entresuelo en el este de la estación que se acceso por cuatro ascensores de alta velocidad.

Plan de la estación

Conexiones de autobuses
 M98
 M101
 M102
 M103

Referencias

Enlaces externos

 Brennan's Guide to Disused Abandoned Stations - Abandoned Stations: Lexington Avenue (63rd Street) north side

 Station Reporter — F Train

Estaciones del Metro de Nueva York
Estaciones de la línea de la Calle 63 IND
Estaciones de la línea de la Calle 63 BMT
Estaciones de Metro de Estados Unidos inauguradas en 1989
Transporte de Manhattan
Upper East Side

redpajama_set_name: RedPajamaWikipedia


text:
Cys-La-Commune är en kommun med 127 invånare i departementet Aisne i regionen Hauts-de-France i norra Frankrike. Den ligger i arrondissementet Soissons och kantonen Braine.

I Cys-la-Commune finns en fin, äldre kyrka.

Här har man också funnit en 5 000 år gammal grav med ett kvinnligt skelett.

Demografi
Antalet invånare i kommunen Cys-la-Commune

Se även
Kommuner i departementet Aisne
 Lista över kommuner i departementet Aisne

Källor

Externa länkar

Musée des Antiquités nationales - med en bild på den 5 000 år gamla graven.

Orter i Hauts-de-France
Kommuner i Aisne


text:
"Captain" James Maclaine (occasionally "Maclean", "MacLean", or "Maclane") (1724 – 3 October 1750) was an Irish man of a respectable presbyterian family who had a brief but notorious career as a mounted highwayman in London with his accomplice William Plunkett. He was known as "The Gentleman Highwayman" as a result of his courteous behaviour during his robberies, and obtained a certain kind of celebrity. Notoriously, he held up and robbed Horace Walpole at gunpoint: eventually he was hanged at Tyburn.

The film Plunkett & Macleane was based loosely on his exploits.

Young life
Maclaine was the younger of two sons of a Scots-Irish presbyterian minister, the Revd. Thomas (?or Lauchlin) Maclaine of 1st Monaghan Presbyterian Church in Ireland. His mother, Elizabeth (née Milling) died when he was five or six years old, and his father when he was sixteen or seventeen. He came of a family of many ministers, his grandfather (a Gaelic-speaking clergyman in the Church of Scotland) having received a calling to Ireland from Argyllshire in 1698. His elder brother Archibald Maclaine (1722-1804) was educated in Glasgow and followed his own vocation as presbyterian minister, scholar and royal preceptor in the Netherlands between 1746 and 1796, famous as the first translator (1765) of Johann Lorenz von Mosheim's Ecclesiastical History (of 1726).

Educated to become a merchant, James Maclaine frittered away his inheritance in Dublin on fine clothes, gambling and prostitutes. Such inheritance as James received had mostly been dissipated by the time he was 20, and his mother's relations soon quarreled with him and refused to give him any assistance. He attached himself to the domestic service of a Mr Howard in order to travel to England, and stayed with him for a while, but got into low company and, leaving without testimonials, returned to Ireland. His mother's kin still refusing to help, his brother sent him subsidies and letters of good advice from The Hague: these proving insufficient, he considered joining the Irish Brigade in the French army, but was told that he would make little progress with them unless he became a Roman Catholic, which he was unwilling to do.

He next persuaded his old master, Colonel T-----n, to take him to England as a domestic servant, planning to acquire his fortune through an advantageous marriage. He borrowed money from the Colonel to purchase a commission, but that went the same way, and he considered enlisting in Lord Albemarle's horse troops. He disgraced himself by having an affair with an officer's wife. His friends in London raised a small subscription to enable him to ship for Jamaica, but he took the money to the Masquerades (i.e. the public gardens) and squandered it at the gaming tables. At length he found himself a wife, the daughter of an innkeeper or horse-dealer in Oxford Road, London, whom he married in about 1746.

With the dowry of five hundred pounds Maclaine set himself up as a grocer in Welbeck Street, Cavendish Square. This was no great success, however, as he did not apply himself very much, though his neighbours could not afterwards point to any real misdemeanour in his behaviour at that time. Two daughters were born to them, one of whom survived, but his wife died within three years. His mother-in-law, who had a good opinion of Maclaine, took charge of the surviving daughter. It was during his wife's illness that he met William Plunkett, an apothecary, who attended her. His business failing, owing (by his own account) to "an unavoidable trust reposed in servants", he sold off his stock and with whatever remained he turned his mind again to a military career.

However, in passing himself off as a young gentleman in search of another wealthy wife, he had neither the funds nor the habitude necessary to rise above the accompanying inducements to profligacy. Plunkett is said to have acted the part of gentleman's assistant as Maclaine, immaculately presented, paid court to a young lady worth more than £10,000 a year; but on one occasion when they had followed her to a spa, Maclaine had an argument with an apothecary in the public rooms. This person employed a military man to kick Maclaine down the stairs, while stating publicly that he knew Maclaine had been a footman only a few years previously. Plunkett and Maclaine were obliged to make a hasty and informal departure.

Highwayman

By his own account, Maclaine embarked on his career of crime about six months after his wife's death. At his interrogation he was encouraged to lay evidence against his accomplices, and at his trial he sought to lay a good deal of the blame for his course of life upon Plunkett (who was never caught or tried), so his narrative may not be entirely accurate. He claimed that Plunkett, a fellow-Irishman, had led him to believe he had travelled abroad, and persuaded Maclaine to employ him in his household and to lend him £100, part of which was paid back sporadically. Maclaine explained his melancholy to Plunkett as his money was running out, and Plunkett replied,"Honey, I thought, Maclean, thou hadst Spirit and Resolution, with some Knowledge of the World. A brave Man cannot want; he has a Right to live, and need not want the Conveniencies of Life, while the dull, plodding, busy Knaves carry Cash in their Pockets. We must draw upon them to supply our Wants, there need only Impudence, and getting the better of a few silly Scruples; there is scarce Courage necessary, all we have to deal with are such mere Poltroons."

Accordingly, Plunkett and Mclaine joined together and went on the road as highwaymen, agreeing to share the spoils equally. They wore Venetian masks to cover their faces. Their first enterprise was on Hounslow Heath, where they held up a grazier coming away from Smithfield Market, and relieved him of £60. This was so successful that they decided to continue, and their next action was to hold up a coach on the road coming into London from St Albans. They approached on horseback from either side with pistols drawn. Maclaine said he was so nervous that it was left to Plunkett to call out the demands. Plunkett began to upbraid him for his lack of courage, and Maclaine cried out "He needs must whom the devil drives. I am over shoes and must over boots."

Afterwards, to prove himself, Maclaine alone held up a gentleman on horseback in Hyde Park and relieved him of his money and his watch. They committed around 20 highway robberies in six months, often in the then-relatively untamed Hyde Park: their victims included Sir Thomas Robinson of Vienna, and Mrs Talbot. Maclaine was only once in fear of being discovered. To allay suspicion he stayed awhile with his brother in Holland, giving him a false account of his means of living, and was introduced to polite dancing assemblies, where various purses and watches went missing.

In November 1749 occurred their most famous exploit, when, in Hyde Park between 9 and 10 o'clock at night, they held up the writer and antiquary Horace Walpole. One pointed a blunderbuss at the coachman, while the other put his pistol through the window of the carriage. Walpole wrote,"One night, in the beginning of November, 1749, as I was returning from Holland House by moonlight, about ten o'clock, I was attacked by two highwaymen in Hyde Park, and the pistol of one of them going off accidentally, raised the skin under my eye, left some marks of shot in my face, and stunned me. The ball went through the top of the chariot, and if I had sat an inch nearer to the left side, must have gone through my head."'Letters nos. 310-314, to Sir Horace Mann', in P. Cunningham (ed.), The Letters of Horace Walpole, Fourth Earl of Orford, 9 Vols (John Grant, Edinburgh 1906), II, pp. 218-230, passim (Internet Archive). They took his watch and purse, his sword, and some money from the footman. Soon afterwards, Maclaine sent Walpole a letter (as from "A.B. and C.D.") offering him first refusal to buy back his stolen possessions, indicating that he should send a servant with the money to a rendezvous at Tyburn, and threatening fatal consequences to Walpole if he betrayed them. He suggested he sent the footman, as he wanted to give the man his money back.

The thieves were often restrained and courteous, earning Maclaine the sobriquet "The Gentleman Highwayman". Living in St James's Street (next door to White's), he was now passing himself off as an Irish gentleman worth £700 a year, and he and Plunkett (who had lodgings in Jermyn Street) were said to be well-known figures about St James's. Maclaine kept company with some noted "Ladies of the Town", and also with certain "Women of Fortune and Reputation" who were so unguarded as to admit him to their society. He worked his way into the affections of a Lady who deserved better, but she was saved from ruin when a gentleman revealed to her Maclaine's character. He had a sufficiently low opinion of Maclaine's respectability that he was able to decline the duel which Maclaine consequently offered him. This may have been a different challenge to that which Maclaine offered to a British officer at Putney Bowling Green in the spring of 1750. The officer, who had disparaged him, declined to fight him until he should give proof of his respectable origins. Maclaine had recently obtained a certificate attesting to his descent from the nobility.

Arrest and examinations
On 26 June 1750, Plunkett and Maclaine held up the coach of the Earl of Eglinton on Hounslow Heath. Plunkett went forward of the carriage and took hold of the postilion, so that Lord Eglinton, who was carrying his famous blunderbuss, could not fire at him without killing his own servant. Maclaine, who was behind, commanded his Lordship to throw his blunderbuss out of the chaise, or he would "blow his brains through his face". They took the blunderbuss, together with a portmanteau and 50 guineas.

Between one and two o'clock in the morning of the same day, they held up the flying coach at Chiswick, between Turnham Green and Brentford, which was carrying six passengers on its way to Salisbury going westward out of London. Wearing masks and carrying pistols, they demanded money from the passengers. When one, Josiah Higden, gave them a few shillings, he was told this was not enough. They ordered him out of the carriage, took more money out of his pockets, and threatened to blow his brains out for concealing it. They then obliged the coachman to help them to take two clothes trunks out of the coach boot, and rode off with them. One belonged to Mr Higden, and was later found empty in Kensington Gravel Pits. (This Josiah Higden was possibly the apothecary of Sackville Street who in May 1750 was involved in the will of Walter Chetwynd of Old Grendon, and in 1763 was elected Master of the Society of Apothecaries of London.)

After this robbery, information on the stolen items was circulated and led to Maclaine's arrest. He stripped the lace from a waistcoat taken in the robbery and attempted to sell it to a pawnbroker in Monmouth Street, who by chance took it to the same man who had just sold the lace and recognised it. Rather than returning home to fetch the money to pay for the lace, the man alerted a constable and Maclaine was arrested. When the premises were searched many of the other things the men had stolen, including Lord Eglington's blunderbuss and coat, were uncovered. They also found a frock coat with a pair of loaded pistols in the pockets. Walpole wrote, "...there were a wardrobe of clothes, three-and-twenty purses, and the celebrated blunderbuss found at his lodgings, besides a famous kept mistress." The latter distinction was claimed by, or for, Fanny Murray.

Josiah Higden, "whose word and honour are too well known to doubt the truth", decided to press charges, saying he went through with it "in duty to my country". At his arrest (which was on 27 July 1750), Maclaine was first taken for examination before Mr Justice Lediard. He began by denying the charges, and was committed to the Newgate, but very soon afterwards sent a message that he wished to make a confession. He was willing to implicate Plunkett, but the judge advised him that he would need to give them more names if he hoped for leniency, and gave him time to think about it. At his second Examination, on 1 August 1750, Maclaine declared himself to be guilty and wept piteously before the justices, but could still name only Plunkett as his confederate in crime. He brought with him a written confession, unsigned, which Mr Justice Lediard left in his hands.

A well-known print (an "Exact Representation"), showing Maclaine and "his accomplice" holding up Lord Eglinton's carriage, was published on 13 August 1750, about a month before his trial. The trial at the Old Bailey was held on 12 September, and related specifically to the robbery of Josiah Higden. The indictment was that Maclean had made an assault on Higden on the King's Highway, putting him in corporal fear and danger of his life. (This was the capital offence.) It enumerated the goods taken, including a cloth coat, a pair of cloth breeches, a periwig, a pair of pumps, five holland shirts, three linen stocks, two pairs of stockings, one silk and one worsted, a pair of gloves, a pair of silver spurs and a pair of silver shoe-buckles, a pair of knee buckles, half a pound of tea and other necessaries, including two guineas which Mr Higden had about his person.

Trial and execution

At Maclaine's trial at the Old Bailey, on 12 September 1750, he changed his plea again to Not Guilty, claiming that his former confession under examination had been the product of shock and mental derangement arising from the suddenness and unexpectedness of his arrest. He claimed that he had Mr Higden's coat and other belongings because Plunkett had given them to him in lieu of the remaining money that he owed him, and he (Maclaine) had no idea that they were stolen. The jury did not believe him.

The trial became a fashionable society occasion. A contemporary broadside includes an illustration: a Lady (perhaps Lady Caroline Petersham) is shown appearing as a character witness. One of the justices is saying, "What has your Ladyship to say in favour of the Prisoner at the Bar?", and she replies, "My Lord, I have had the Pleasure to know him well, he has often been about my House and I never lost anything." Lord Eglinton declined to testify against him, and Walpole, reporting Maclaine's condemnation in a letter dated 20 September, added, "I am honourably mentioned in a Grub Street ballad for not having contributed to his sentence."

His romantic circumstances touched many hearts: a print entitled "Newgates Lamentation, or the Ladys Last Farewell of Macleane" illustrates visitors to his cell. He reputedly received nearly 3,000 guests while imprisoned at the Newgate, including a visitation en masse from White's, and his room became so hot that he fainted more than once. While under sentence his portrait was drawn from the life and afterwards engraved by Louis Peter Boitard.

His brother Archibald, the minister and translator, though he was revolted and heartbroken by his brother's crimes and had often warned him of the consequences of his dissolute behaviour, wrote a letter from Utrecht to intercede with the court for mercy for his brother, and also wrote to James himself and to Dr Allen, the minister who attended him. Archibald expressed deep conflict between his compassion for the sinful man, his duty to uphold the path of righteousness, and his uncertainty of the true nature of his brother's repentance. The letter written by Archibald Maclaine to his "Unhappy Brother" on 22 September 1750 was a call to absolute repentance before God in knowledge of the coming Judgement. Dr Allen recorded his eventual narrative of confession.

He was convicted: the jury brought him in Guilty without going out of court. No remission was forthcoming, despite various signs of penitence shown by the prisoner. When the judge asked him why he should not be sentenced, Maclaine, who had prepared a short speech expressing his contrition and pleading for mercy, was unable to say more than one or two words, "My lord, I cannot speak," and stood in silence. The poet Thomas Gray, in his poem "A Long Story", referred to this when he wrote,"A sudden fit of ague shook him,He stood as mute as poor McLean."

He was hanged at Tyburn on 3 October 1750. Dr Allen reported that a young fellow-prisoner who had kept him company sat up with Maclaine through his last night in prayer and devotion, and as Maclaine got into the cart to take him to Tyburn he was heard to say, "Oh my God! I have forsaken thee! But I will trust in thee!" A great crowd attended the execution, before whom he maintained a steady composure, and his last words to them were, "O God, forgive my enemies, bless my friends and receive my soul!" A later publication tells that, as the cart was about to be drawn from under him, a witness heard him say, "I must never more behold this beauteous sun! Do thou, O sun of righteousness, shine on my departing soul."

In popular culture

Maclaine could not have been the model for Captain Macheath, antihero of John Gay's The Beggar's Opera (reinvented by Berthold Brecht as "Mack the Knife"), because The Beggar's Opera was written in 1728, when Maclaine was only four. (The preferred claimant for that distinction is Jack Sheppard.) Rather, Maclaine's romantic image owed something to the popular example of Macheath, the chivalrous highwayman, reinforced by the fact that Macheath's character in some measure satirized Sir Robert Walpole (1st Earl of Orford, died 1745), Horace Walpole's father.

Horace Walpole alluded to this when he wrote, in 1750, that Lady Caroline Petersham and Miss Ashe were the chief personages visiting and weeping over Maclaine, and referred to them as "Polly" and "Lucy" (meaning Polly Peachum and Lucy Lockit, characters in the drama). He asked them if Maclaine did not sing "Thus I stand like the Turk with his doxies around", which was one of Macheath's songs. After Maclaine was hanged, he earned a mention in the poem The Modern Fine Lady by Soame Jenyns: as an aside after the line "She weeps if but a handsome thief is hung" the following note was added: "Some of the brightest eyes were at this time in tears for one McLean, condemned for robbery on the highway."

After his death his body was dissected and his skeleton was suspended for display in a niche in the Surgeons' Hall in London. William Hogarth included a representation of Maclaine's skeleton in the final plate of his series The Four Stages of Cruelty. Maclaine's execution was the subject of a Cheap Repository Tract of 1795, which went through several editions.

A modern fictionalised portrayal of Maclaine's life appears in the 1999 film Plunkett & Macleane, in which he was played by Jonny Lee Miller.

References

1724 births
1750 deaths
1749 crimes
Irish highwaymen
People executed by the Kingdom of Great Britain
People executed for robbery
People executed by England and Wales by hanging
18th-century British criminals


text:
Vilacirca (possibly from Aymara wila blood, blood-red, sirka vein of the body or a mine, "red vein") is mountain in the northern extensions of the Vilcanota mountain range in the Andes of Peru, about  high. It is located in the Cusco Region, Quispicanchi Province,  Ocongate District. Vilacirca lies south of Jolljepunco where the annual Quyllur Rit'i festival takes place.

References

Mountains of Cusco Region
Mountains of Peru


text:
The Solids je americká hudební skupina hrající power pop. Kapela byla založena v roce 1996 z Middletownu v Connecticutu. Členy skupiny jsou Carter Bays, Craig Thomas, Patrick Butler a C.C. DePhil.

Mezi hlavní hity kapely patří písně The Future Is Now a Hey, Beautiful, které se staly hlavními skladbami sitcomu Oliver Beene, respektive Jak jsem poznal vaši matku.

Reference

Americké popové skupiny
Hudební skupiny založené v roce 1996


text:
Carl Henry Vogt (født 19. februar 1895, død 12. maj 1956), kendt professionelt som Louis Calhern, var en amerikansk teater- og filmskuespiller.

Louis Calhern medvirkede i over 70 film, oftere i de større biroller. I 1951 blev han nomineret til en Oscar for bedste mandlige hovedrolle for filmen The Magnificent Yankee. I 1953 spillede han titelrollen som Julius Caesar.

I 1956 var Calhern i Japan for at spille i filmen Det lille tehus, da han led et hjerteanfald og døde.

Eksterne henvisninger

Skuespillere fra USA
Personer fra New York City
Amerikanere i 1800-tallet
Amerikanere i 1900-tallet
Pseudonymer


text:
A segunda Liga Real Escandinava ocorreu no final de 2005 e no início de 2006.

Clubes Participantes

Fórmula de Disputa
As doze equipes participantes são distribuídas em três grupos. Os membros disputam em turno e returno "todos contra todos". Os dois melhores de cada grupo e os dois melhores terceiros lugares passam para as quartas de finais. As quartas de finais são realizados em "ida e volta", os vencedores vão para as semifinais, que é disputada da mesma maneira. Os dois times vencedores se enfrentam em um jogo único na final, o vencedor é declarado campeão escandinavo.

Fase de Grupos
Os clubes são distribuídos com o seguinte critério:

 1º e 2º Colocados de um país
 3º Colocado de outro
 4º Colocado do país que sobrou

Grupo A

Jogos

Nov 24, 05: Start 2 - 4 Hammarby

Nov 24, 05: Midtjylland 4 - 0 Valerenga

Nov 27, 05: Valerenga 3 - 1 Start

Dez 8, 05: Hammarby 0 - 0 Valerenga

Dez 8, 05: Start 1 - 1 Midtjylland

Dez 11, 05: Start 3 - 3 Valerenga

Dez 12, 05: Hammarby 2 - 2 Midtjylland

Fev 9, 06: Midtjylland 4 - 1 Hammarby

Fev 12, 06: Valerenga 0 - 1 Midtjylland

Fev 12, 06: Hammarby 4 - 0 Start

Fev 16, 06: Valerenga 2 - 1 Hammarby

Fev 16, 06: Midtjylland 1 - 1 Start

Grupo B

Jogos

Nov 10, 05: Kalmar 1 - 1 Brondby

Nov 24, 05: Lillestrom 0 - 0 FC Kobenhavn

Nov 27, 05: Lillestrom 0 - 0 Kalmar

Dez 8, 05: FC Kobenhavn 1 - 1 Brondby

Dez 8, 05: Kalmar 0 - 2 Lillestrom

Dez 11, 05: Brondby 0 - 1 Lillestrom

Dez 11, 05: Kalmar 1 - 0 FC Kobenhavn

Fev 9, 06: Brondby 1 - 2 FC Kobenhavn

Fev 12, 06: Brondby 2 - 0 Kalmar

Fev 12, 06: FC Kobenhavn 1 - 1 Lillestrom

Fev 16, 06: FC Kobenhavn 1 - 1 Kalmar

Fev 16, 06: Lillestrom 2 - 2 Brondby

Grupo C

Jogos

Nov 24, 05: AaB Aalborg 1 - 3 Djurgarden

Nov 24, 05: Lyn 1 - 0 IFK Goteborg

Nov 27, 05: Djurgarden 0 - 1 IFK Goteborg

Dez 8, 05: Lyn 1 - 2 Djurgarden

Dez 8, 05: IFK Goteborg 3 - 3 AaB Aalborg

Dez 11, 05: IFK Goteborg 1 - 3 Lyn

Dez 13, 05: Djurgarden 2 - 1 AaB Aalborg

Fev 9, 06: AaB Aalborg 2 - 1 Lyn

Fev 12, 06: Lyn 0 - 0 AaB Aalborg

Fev 12, 06: IFK Goteborg 2 - 0 Djurgarden

Feb 16, 06: Djurgarden 1 - 1 Lyn i

Feb 16, 06: AaB Aalborg 0 - 0 IFK Goteborg

Quartas de Finais

*Os times citados primeiros tiveram a primeira partida jogada em casa.

Semi-Finais

*Os times citados primeiros tiveram a primeira partida jogada em casa.

Final
A final ocorreu na Dinamarca, em Copenhague com a vitória de 1 a 0 do time da casa, o gol foi no final da partida aos 90 minutos, evitando a prorrogação.

Estatísticas

Jogadores
Copenhague

 Jesper Christiansen
 Urmas Rooba
 Dan Thomassen
 Brede Hangeland
 Lars Jacobsen
 Martin Bergvold (Substituído por Morten Bertolt aos 90 minutos)
 Tobias Linderoth
 Atiba Hutchinson
 Michael Silberbauer (Substituído por William Kvist Jørgensen aos 89 minutos)
 Alvaro Santos
 Peter Ijeh (Substituído por Razak Pimpong aos 69 minutos)

Lillestrom

 Heinz Müller
 Anders Rambekk
 Shane Stefanutto
 Pål Steffen Andresen (Substituído por Frode Kippe aos 3 minutos)
 Christoffer Andersson
 Khaled Mouehli
 Robert Koren
 Espen Søgård
 Bjørn Helge Riise (Substituído por Petter Winsnes aos 68 minutos)
 Olivier Occean
 Magnus Myklebust (Substituído por Michael Mifsud aos 61 minutos)

Artilharia
6 gols: Klaus Kærgård (Midtjylland), Tobias Hysén (Djurgården)4 gols: Petter Andersson (Hammarby), Morten Berre (Vålerenga), Dennis Sørensen (Midtjylland)
3 gols: Olivier Occean (Lillestrøm), Todi Jónsson (Start), David Johansson (Hammarby), Jeffrey Aubynn (Hammarby), Stefan Selakovic (Göteborg), Jo Tessem (Lyn), Peter Ijeh (København)

Campeão

Ver também
 Liga Real Escandinava
 Campeonato Dinamarquês
 Campeonato Norueguês
 Campeonato Sueco

Ligações externas
 Tabela dos jogos
 Classificação e Jogos

Liga Real Escandinava
2005 no futebol
2006 no futebol


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Biografia

Giovanni Pietro Pinamonti nacque nel 1632 a Pistoia, in Toscana, figlio di Caterina Campanelli e Giovanni Pinamonti del Terchio. Nel 1647, a Roma vestiva l'abito della Compagnia di Gesù, compiendo gli studi di Rettorica e di Filosofia, completando il corso scolastico di Teologia. Dal 1664, insieme a Paolo Segneri, iniziava l'attività nelle missioni, dedicandosi particolarmente alle confessioni. Sulla sua attività di missionario scrive il Segneri, in Il Cristiano Istruito nella sua legge, Venezia, Paolo Baglioni, 1687:  Padre Pinamonti ricoprì l'incarico di Superiore alle Case dei Novizi di Roma e Firenze. Fu sepolto nella Cappella dell'Immacolata Concezione di Orta.
Padre Pinamonti per il suo carattere umile e pacifico lasciò a Padre Paolo Segneri l'onore di pubblicare i suoi scritti. Esso seguì la traccia del correligionario Alfonzo Rodriguez, spagnolo (1526_1646) che lasciò Esercizio di Perfezione, tradotto in italiano da Tiberio Putignano.
Certamente fu presente ai voti solenni di Daniello Bartoli, emessi a Pistoia il 31 luglio 1643 storiografo della Compagnia di Gesù. Le opere letterarie del Pinamonti seguono la traccia del correligionario Alfonso Rodriguez (1526-1646) con il suo Esercizio di Perfezione, in lingua spagnola, tradotto in italiano nel 1646 da Tiberio Putignano.

Opere

 L'inferno aperto a cristiano perché non v'entri, Pazzoni & Monti, Parma, 1693
 La sinagoga disingannata, Longhi, Bologna, 1694
 Esercizj spirituali di S. Ignazio, Pier Marria Miccioni, Firenze, 1700

 La vocazione vittoriosa, Leonardo Pittoni, Venezia, 1702
 Il Direttore, Stampe degli Agnelli, Firenze e Milano, 1705
 La religiosa in solitudine, Giacomo Tommasini, Venezia, 1707
 Causa divitum, seu obligationes et fructus eleemosynae, Immel, Freising, 1720
 Via Coeli complanata, seu detecta salutis impedimenta, et methodus eadem superandi, Joseph Anton Köß, Fulda, 1730
 Opere. Con breve ragguaglio della sua vita, Pezzana, Venezia, 1733
 I alithini sofia, ex typographia Carattoniana, Veronae 1791 (edizione seconda in greco)
 La causa de' ricchi: ovvero il debito ed il frutto della limosina, Garisenda, Bologna 1836

Bibliografia
Bibliotheque de la Compagnie de Jesus, 6° vol., Bruxelles, Schepers, 1895

Collegamenti esterni


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Puerto Caicedo är en kommun i Colombia.   Den ligger i departementet Putumayo, i den sydvästra delen av landet,  km sydväst om huvudstaden Bogotá. Antalet invånare är .

Årsmedeltemperaturen i trakten är  °C. Den varmaste månaden är september, då medeltemperaturen är  °C, och den kallaste är juni, med  °C. Genomsnittlig årsnederbörd är  millimeter. Den regnigaste månaden är maj, med i genomsnitt  mm nederbörd, och den torraste är januari, med  mm nederbörd.

Källor

Indelningar i Putumayo (departement)

Kontrollbehov inkommande wikilänkar


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Dudu Georgescu, ex calciatore rumeno
 Nicholas Georgescu-Roegen, economista rumeno


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Agresta ist der Familienname folgender Personen:

 Maria Agresta (* 1978), italienische Opern- und Konzertsängerin (Sopran)
 Nelson Agresta (* 1955), uruguayischer Fußballspieler und -trainer

Siehe auch:
 Weintraube#Agresta


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Staszki () – wieś (ros. деревня, trb. dieriewnia) w zachodniej Rosji, w osiedlu wiejskim Czistikowskoje rejonu rudniańskiego w obwodzie smoleńskim.

Geografia
Miejscowość położona jest nad Olszanką, 23 km od granicy z Białorusią, 3 km od najbliższego przystanku kolejowego (Płoskaja), 3 km od drogi federalnej R120 (Orzeł – Briańsk – Smoleńsk – granica z Białorusią), 16 km od drogi magistralnej M1 «Białoruś», 2 km od drogi regionalnej 66K-31 (R120 / Płoskoje – Priwolje – Ordowka – Komissarowo / M1), przy drodze regionalnej 66N-1636 (66K-31 – Staszki), 10 km od centrum administracyjnego osiedla wiejskiego (Czistik), 15 km od centrum administracyjnego rejonu (Rudnia), 51 km od Smoleńska.

W granicach miejscowości znajdują się ulice: Mołodiożnaja, Dacznaja, Mira, Polewaja, Sadowaja, Stroitielej.

Demografia
W 2010 r. miejscowość zamieszkiwało 209 osób.

Historia
W czasie II wojny światowej od lipca 1941 roku wieś była okupowana przez hitlerowców. Wyzwolenie nastąpiło w październiku 1943 roku.

Uchwałą z dnia 20 grudnia 2018 roku w skład jednostki administracyjnej Czistikowskoje weszły wszystkie miejscowości (w tym Staszki) osiedla wiejskiego Smoligowskoje.

Przypisy

Wsie w obwodzie smoleńskim
Miejscowości rejonu rudniańskiego w obwodzie smoleńskim


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Les transports en Équateur sont marqués par la présence de la cordillère des Andes, qui structure le pays, avec une extension de 700km du nord au sud et de nombreux sommets de plus de 5000m. Historiquement, la région andine, dite Sierra était à la fois la zone la plus peuplée d'Équateur et le principal axe de transport (et ce depuis l'époque des incas, qui avaient tracé le Qhapaq Ñan du nord au sud de ce qui est maintenant l'Équateur), mais aujourd'hui la région côtière, dite Costa joue un rôle croissant voire dominant dans les réseaux de transport du pays, traduisant son expansion démographique et économique. Les transports en Équateur sont routiers, mais aussi fluviaux (en particulier en Amazonie), aériens (plusieurs compagnies relient les principales villes et desservent les îles Galápagos), et maritimes (pour le commerce international et le transport de passagers entre les différentes îles de l'archipel des Galápagos).

Transport ferroviaire

Historiquement, le premier moyen de transport moderne qui a parcouru l'Équateur a été le train, qui a relié Quito à Guayaquil via Riobamba et Alausí, inauguré en 1908. Cette ligne a été considérée comme la plus difficile du monde, de par la topographie andine et la descente abrupte vers la côte. Un tronçon nord reliant Quito à Ibarra est inauguré en 1929<ref>[http://www.banrepcultural.org/blaavirtual/historia/equinoccial_3_transportes/cap8c2.htm Historia de la cultura material en la América equinoccial], Tomo III,
Vías, transportes, comunicaciones, Victor Manuel Patiño, Bogotá, Instituto Caro y Cuervo. 1990-1993. </ref>, puis prolongé en 1957 jusqu'à . La dernière ligne importante, celle atteignant Cuenca, est terminée en 1965 mais ne sera jamais desservie par un service fiable. En 1994, la plupart de ces tronçons sont abandonnés car non rentables face à la concurrence de la route, seul étant maintenu le trajet entre Ibarra et San Lorenzo pour lequel il n'existait pas de solution routière. Depuis l'achèvement de la route entre Ibarra et San Lorenzo, le chemin de fer en Équateur n'est plus exploité à des fins de transport de passager, mais certains tronçons sont maintenus à des fins touristiques, par exemple entre Ibarra et Lita ou entre Riobamba et la Nariz del Diablo, passage spectaculaire où la ligne la plus difficile du monde'' perd rapidement de l'altitude grâce à une descente en lacets.

Transport routier

La Sierra continue de jouer un rôle important dans les transports routiers en Équateur, en particulier dans le nord du pays. La Route panaméricaine parcourt la sierra sur toute sa longueur, mais se divise en deux branches au sud de Cuenca. L'une descend vers la côte, franchissant la frontière péruvienne près de Huaquillas, l'autre reste dans la sierra et franchit la frontière péruvienne à Macará. Dans la partie centre et sud du pays, l'importance de l'axe andin tend toutefois à s'estomper au profit de l'itinéraire passant par Guayaquil, dans la zone côtière. C'est en Équateur que les axes routiers reliant les Andes à l'Amazonie sont les plus développés, avec dix routes carrossables toute l'année (seulement quatre existaient déjà en 1970). L'existence de ces axes plus nombreux qu'en Colombie ou au Pérou (pays qui disposent pourtant de régions amazoniennes plus vastes et avec une étendue nord-sud plus importante) peut s'expliquer par la forte densité de population du couloir interandin en Équateur et l'étroitesse de la cordillère orientale qui le sépare du piémont amazonien.

Transport aérien, maritime et fluvial
Les principaux aéroports internationaux en Équateur sont l'aéroport international Maréchal Sucre de Quito et l'Aéroport international José Joaquín de Olmedo de Guayaquil. Ces deux aéroports sont desservis par des vols directs en provenance de plusieurs pays d'Amérique latine, des États-Unis et d'Europe. Les principales villes du pays, ainsi que les îles Galápagos, sont desservies par des vols réguliers en provenance de Quito et de Guayaquil. Les vols intérieurs sont assurés par plusieurs compagnies dont TAME, la compagnie nationale, Icaro Air et AeroGal. La plupart des vols internationaux sont opérés par des compagnies étrangères, mais TAME et AeroGal assurent des vols pour Bogota, et cette dernière compagnie assure également des vols vers les États-Unis (Miami et New York). Le transport aérien par avionettes est utilisé dans la partie amazonienne du pays (Oriente) pour desservir des villages reculés.

Dans l'Oriente, le transport fluvial en pirogues ou en bateaux plus importants est utilisé en particulier sur les rivières Napo, Pastaza, Putumayo et Aguarico pour le commerce et le transport de passagers. Le passage de la frontière péruvienne à Nuevo Rocafuerte se fait par voie fluviale sur le Napo. Il permet la communication fluviale avec le Pérou et le Brésil, en aval.

Annexes

Voir aussi
 Liste de ponts d'Équateur

Notes et références


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Der Peabody Picture Vocabulary Test ist ein internationales Standardverfahren zur Erfassung des rezeptiven Wortschatzes und dient als Indikator für akademische Leistungen und kristalline Intelligenz. Die Originalfassung erschien 2007 in der vierten Auflage (PPVT-IV) für die englische Sprache. Der Test hat kein Zeitlimit, umfasst 228 Aufgaben und weist altersspezifische Ein- und Ausstiegskriterien auf. Eine deutschsprachige Adaption wird voraussichtlich Ende 2014 erscheinen. Das Verfahren selbst verfügt über eine lange Tradition. Die erste Fassung wurde von Lloyd M. Dunn und Leota M. Dunn 1959 publiziert.

Ablauf
Die Aufgaben bestehen aus Bildkarten, auf denen vier Bilder zu sehen sind. Der Testleiter bzw. die Testleiterin fordert die Testperson auf, einen Begriff zu zeigen, indem das richtige Bild ausgewählt wird. Die Aufgaben bilden dabei Aufgabenblöcke à 12 Aufgaben und die Blöcke sind in aufsteigender Schwierigkeit gereiht. Je nach Alter der Testperson wird ein Einstiegsblock gewählt und es werden immer ganze Blöcke dargeboten. Unterschreitet die Anzahl an gelösten Aufgaben das Minimum von 5 richtigen Aufgaben pro Block, so wird die Darbietung beendet. Der Test selbst nimmt lediglich ca. 15 Minuten in Anspruch. Der erzielte Rohwert kann in T-Werte oder Prozentränge umgewandelt werden. Für die Durchführung und Auswertung des Tests sind Vorerfahrungen in der Anwendung und Auswertung psychologischer Testverfahren notwendig.

Anwendung
Der PPVT-IV wird als Indikator für die verbale Intelligenz genutzt und wurde bei einer großen Anzahl unterschiedlicher Gruppen angewandt, unter anderem bei Menschen mit schriftsprachlichen Problemen, Lern- oder geistiger Behinderung, Sprachentwicklungsstörung oder -verzögerung, Hörbehinderungen und Gehörlosigkeit, Hochbegabung, demenzielle Syndrome und in der Rehabilitation.

Deutschsprachige Adaption
Die deutschsprachige Adaption wurde so nah wie möglich an die englische Originalfassung angelehnt. Das Bildmaterial wurde vollständig erhalten und es wurde versucht, die Originalaufgaben ins Deutsche zu übertragen und dabei die Schwierigkeit zu erhalten. Dort wo keine parallelen Begriffe verfügbar waren, wurde entweder die Wortart geändert oder auf einen der Distraktoren zurückgegriffen.

Testgüte
Die Normwerte der deutschsprachigen Fassung basieren auf den Daten von 4880 Kindern und Jugendlichen im Alter zwischen 2 Jahre und 6 Monate und 17 Jahre und 6 Monate. Das Verfahren verfügt mit Reliabilitätskennwerten um 0,97 über eine sehr große Verlässlichkeit.

Literatur

Psychologisches Testverfahren


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This is a list of operational geothermal power stations with a current installed capacity of at least 10 MW.

The Geysers in California, United States is the largest geothermal power station in the world with a nameplate capacity of 1,590 MW and an annual generation of 6,516 GWh in 2018.

Geothermal power stations

Notes

Proposed

See also
 Geothermal power
 List of largest geothermal power stations in the world

References

External links

Geothermal

Geothermal
Geothermal power stations


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Secretin est le patronyme de:
 Jacques Secrétin (1949-2020), pongiste français ;
 Jacques Secretin (1907-1978), footballeur belge.


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The Department of Rural Development and Land Reform was, from 2009 to 2019, one of the departments of the South African government. It was responsible for topographic mapping, cadastral surveying, deeds registration, and land reform. The department fell under the responsibility of the Minister of Rural Development and Land Reform, which for most of the department's existence was Gugile Nkwinti (2010 to 2018). The department's name was commonly abbreviated DRDLR.

Significant components of the department included the Deeds Registries, the office of the Chief Surveyor-General, the Chief Directorate: National Geo-spatial Information (South Africa's national mapping agency), and the Land Claims Commission.

In June 2019, the DRDLR merged with the Department of Agriculture, Forestry and Fisheries (DAFF) to become the Department of Agriculture, Land Reform and Rural Development (DALRRD).

See also
 Minister of Rural Development and Land Reform (South Africa)
 Examiners of Rural Development and Land Reform (South Africa)

References

External links
 Department of Rural Development and Land Reform

Rural Development and Land Reform
South Africa
Rural development in Africa


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Lysva () is a river in Perm Krai, Russia. It is a left tributary of the Chusovaya, and is  long, with a drainage basin of . By the river lies the town of Lysva.

References

Rivers of Perm Krai


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Василий Николаевич Колесников (1857 — после 1917) — вяземский городской голова в 1904—1906 годах, член IV Государственной думы от Смоленской губернии.

Биография
Сын купца, личный дворянин. Вяземский домовладелец. Окончил Александровскую гимназию Смоленского земства в Вязьме (1876) и медицинский факультет Московского университета (1882).

По окончании университета занялся частной врачебной практикой в Вязьме. Вскоре был избран гласным Вяземской городской думы, а затем директором городского общественного банка, почетным мировым судьей и гласным Вяземского уездного земского собрания. В 1888 году стал одним из основателей городского Общества взаимного страхования, где безвозмездно состоял членом правления, а затем и председателем вплоть до 1906 года. В 1904 году, вследствие несостоявшихся выборов, был назначен городским головой, от каковой должности отказался в 1906 году. Был старшиной Вяземского клуба. Помимо общественной деятельности занимался торговлей, унаследованной от отца.

В 1912 году был избран членом IV Государственной думы от 1-го съезда городских избирателей Смоленской губернии. Примыкал к фракции прогрессистов, входил в Прогрессивный блок до 31 октября 1916 года, когда фракция вышла из его состава. Состоял членом комиссий: бюджетной, финансовой, по городским делам, по народному образованию и по делам православной церкви.

Судьба после 1917 года неизвестна. Был вдовцом, имел четверо детей.

Источники
 Справочные и памятные книжки Смоленской губернии на 1889—1915 годы. — Смоленск, 1889—1914.
 4-й созыв Государственной думы: Художественный фототип. альбом с портретами и биографиями. — СПб.: издание Н. Н. Ольшанского, 1913.
 Государственная дума Российской империи: 1906—1917. — М.: РОССПЭН, 2008.

Выпускники медицинского факультета Московского университета
Вяземские городские головы
Члены Государственной думы Российской империи IV созыва


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Гаузен-ам-Альбіс () — громада  в Швейцарії в кантоні Цюрих, округ Аффольтерн.

Географія
Громада розташована на відстані близько 90 км на схід від Берна, 15 км на південь від Цюриха.
Гаузен-ам-Альбіс має площу 13,6 км², з яких на 12,7% дозволяється будівництво (житлове та будівництво доріг), 55,9% використовуються в сільськогосподарських цілях, 28,8% зайнято лісами, 2,6% не є продуктивними (річки, льодовики або гори).

Демографія
2019 року в громаді мешкало 3751 особа (+11,6% порівняно з 2010 роком), іноземців було 16%. Густота населення становила 276 осіб/км².
За віковим діапазоном населення розподілялося таким чином: 22,2% — особи молодші 20 років, 59,8% — особи у віці 20—64 років, 18% — особи у віці 65 років та старші. Було 1552 помешкань (у середньому 2,4 особи в помешканні).
Із загальної кількості 1021 працюючого 93 було зайнятих в первинному секторі, 136 — в обробній промисловості, 792 — в галузі послуг.

Примітки

Громади Цюриху


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Puchar Islandii w piłce siatkowej mężczyzn 2021/2022 (oficjalnie Kjörísbikar karla 2021/2022) – 48. sezon rozgrywek o siatkarski Puchar Islandii zorganizowany przez Islandzki Związek Piłki Siatkowej (Blaksamband Íslands, BLÍ). Zainaugurowany został 28 listopada 2021 roku. W walce o Puchar Islandii uczestniczyły kluby z Úrvalsdeild oraz 1. deild.

Rozgrywki składały się z I rundy, ćwierćfinałów oraz turnieju finałowego, w ramach którego rozegrane zostały półfinały i finał. We wszystkich rundach rywalizacja toczyła się w systemie pucharowym, a o awansie decydowało jedno spotkanie.

Turniej finałowy odbył się w dniach 1-3 kwietnia 2022 roku w Íþróttahúsið Digranes w Kópavogurze. Po raz drugi Puchar Islandii zdobył klub , który w finale pokonał . MVP finału wybrany został Radosław Rybak.

System rozgrywek
W Pucharze Islandii w sezonie 2021/2022 uczestniczyło dziewięć drużyn. Rozgrywki składały się z I rundy, ćwierćfinałów, półfinałów i finału. Przed poszczególnymi rundami odbywało się losowanie, które wyłaniało pary meczowe. We wszystkich rundach rywalizacja toczyła się systemem pucharowym, a o awansie decydowało jedno spotkanie.

Drużyny uczestniczące

Rozgrywki

I runda

Ćwierćfinały

Półfinały

Finał

Przypisy

Bibliografia

Puchar Islandii w piłce siatkowej mężczyzn
2021 w Islandii
2022 w Islandii
2021 w piłce siatkowej
2022 w piłce siatkowej


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Bip est un nom qui peut faire référence à :
 Bip, une onomatopée décrivant un son généré artificiellement ;
 Bip, personnage joué par le mime Marceau ;
 Bip Bip, un personnage de cartoons créé par Chuck Jones ;
 Bip TV, une chaîne de télévision locale située aux alentours d'Issoudun ;
 Bip ou bipeur, un récepteur de radiomessagerie ;
 un proxy (ou bouncer) IRC.
Bip, une application de messagerie et d'appel développée par Turkcell

BIP est un sigle qui peut signifier :
 Bateau d'intérêt patrimonial, un bateau labellisé par l'Association patrimoine maritime et fluvial (PMF) ;
 Boulevard intercommunal du Parisis, un projet routier concernant les communes du sud du département du Val-d'Oise ;
 Bureau international de la paix, une organisation internationale pour la paix fondée en 1891 sous le nom Bureau international permanent de la paix ;
 Bulletin de l'industrie pétrolière, une lettre française d'information quotidienne de l'industrie pétrolière et gazière ;
 Bonneau International Poney, une compétition de saut d'obstacles internationale pour les poneys, qui se déroule depuis 2001, le troisième week-end d'avril, à Fontainebleau - le Grand Parquet ; des épreuves nationales sont parallèlement organisées pour permettre aux cavaliers moins expérimentés de concourir sur le plus beau site équestre de France ;
 BIP 40 ou « baromètre des inégalités et de la pauvreté » ;
 , une protéine de la famille des HSP70.

BIP est un code qui peut signifier :
 .

BIP est une abréviation qui peut signifier :
 BIP! (BIcyclette + Perpignan), le système de vélos en libre service de la ville de Perpignan.


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John Lee "Johnny" Stallworth (* 15. Juli 1952 in Tuscaloosa, Alabama) ist ein ehemaliger US-amerikanischer American-Football-Spieler. Er spielte als Wide Receiver in der National Football League (NFL) bei den Pittsburgh Steelers.

Herkunft
Stallworth wuchs in seiner Geburtsstadt zusammen mit zwei Brüdern und einer Schwester auf. In seiner Jugend litt er an Kinderlähmung und es wurde erwartet, dass er nie richtig wird laufen können. Stallworth besuchte die High School in Tuscaloosa drei Jahre nachdem die Rassenschranken dort aufgehoben worden waren. Trotzdem gelang es eine gemischtrassige Footballmannschaft zu formieren. Ein Jahr vor dem Schulabschluss wurde Stallworth Mannschaftskapitän. Auf der High School musste Stallworth allerdings entgegen seinem Willen als Runningback auflaufen.

College
Wie viele Schüler aus Tuscaloosa, die Ambitionen zum Footballspielen hatten, besuchte Stallworth zunächst die University of Alabama fand aber bei deren Trainer Bear Bryant keine Unterstützung und schloss sich daher nach einem Jahr der Alabama Agricultural and Mechanical University an, die allerdings nur über ein zweitklassiges Footballteam verfügten. Er machte dort einen Abschluss in Betriebswirtschaft und lernte seine spätere Ehefrau kennen. Nebenbei gelang es ihm durch gute Leistungen in der Footballmannschaft, dort konnte er wunschgemäß als Wide Receiver auflaufen und die Scouts der NFL auf sich aufmerksam zu machen.

Profilaufbahn
Stallworth wurde 1974 in der vierten Runde der Draft durch die Steelers an 82 Stelle gezogen. 1974 konnten die Steelers zahlreiche Spieler verpflichten, die später in die Pro Football Hall of Fame aufgenommen wurden. Neben Stallworth konnten der Wide Receiver Lynn Swann, der Linebacker Jack Lambert, sowie der Center Mike Webster verpflichtet werden. Weitere spätere Mitglieder in der Pro Football Hall of Fame, wie der Runningback Franco Harris und der Quarterback Terry Bradshaw spielten bereits für die Mannschaft aus Pittsburgh. Die Steelers konnten sich als Spitzenteam der NFL etablieren.

Bereits in Stallworths erstem Jahr gelang den Steelers unter Head Coach Chuck Noll der Einzug in den Super Bowl. In dem Super Bowl IX wurden die Minnesota Vikings mit 16:6 besiegt. Im darauf folgenden Jahr wurden die Dallas Cowboys in dem Super Bowl X mit 21:17 geschlagen werden. Im Super Bowl XIII konnte dann Stallworth besonders auf sich aufmerksam machen. In dem Spiel gegen die Cowboys konnte er drei Pässe von Bradshaw fangen und dadurch 115 Yards Raumgewinn und zwei Touchdowns erzielen. Alleine durch einen Passfang konnte er 75 Yard Raumgewinn und einen Touchdown erzielen. Die Steelers gelang es das Spiel mit 35:31 zu gewinnen. Auch im darauf folgenden Jahr konnte Stallworth im Super Bowl XIV nochmals überzeugen. Kurz nach Beginn des vierten Spieldrittels konnte er einen Pass über 73 Yards von Bradshaw fangen und zum vorentscheidenden Touchdown zum 23:19 der Steelers gegen die Los Angeles Rams in die Endzone tragen. Das Spiel wurde letztendlich mit 31:19 gewonnen.

Insgesamt scheiterten die Steelers mit Stallworth noch zweimal im AFC Championship Game und konnten dadurch nicht in den Super Bowl einziehen.

Nachdem Stallworth 1983 aufgrund einer Verletzung kein gutes Jahr hatte, konnte er 1984 nochmals voll überzeugen. Ihm gelangen 80 Passfänge mit einem Raumgewinn von 1395 Yards und 11 Touchdowns. Stallworth beendete 1987 seine Laufbahn. Sein vereinsinternen Touchdownrekord wurde erst 2005 durch Hines Ward gebrochen.

Ehrungen
Stallworth wurde zweimal zum Most Valuable Player (MVP) seiner Mannschaft gewählt. Er spielte in vier Pro Bowls, wurde zweimal zum All Pro gewählt und ist seit 2002 Mitglied in der Pro Football Hall of Fame.

Abseits des Spielfelds
Bereits 1986 gründete Stallworth seine eigene Firma. Zwischenzeitlich hatte sein Unternehmen 650 Mitarbeiter. 2006 zog er sich aus der Geschäftsführung zurück. Stallworth ist seit 2009 Mitbesitzer der Steelers. Neben seinen geschäftlichen Aktivitäten hat er eine Stiftung und fördert begabte Kinder. John Stallworth ist verheiratet und hat zwei Kinder.

Weblinks
Lebenslauf von John Stallworth
Stiftung von John Stallworth
(ehemalige) Firma von John Stallworth
Profil in der Alabama Sports Hall of Fame

Quelle
 Jens Plassmann: NFL – American Football. Das Spiel, die Stars, die Stories (= Rororo 9445 rororo Sport). Rowohlt, Reinbek bei Hamburg 1995, ISBN 3-499-19445-7.

Einzelnachweise

Unternehmer (Vereinigte Staaten)
US-Amerikaner
Geboren 1952
Mann
American-Football-Spieler (Pittsburgh Steelers)


text:
Eiconaxius andamanensis är en kräftdjursart som först beskrevs av Alcock 1901.  Eiconaxius andamanensis ingår i släktet Eiconaxius och familjen Axiidae. Inga underarter finns listade i Catalogue of Life.

Bildgalleri

Källor

Externa länkar

Tiofotade kräftdjur
andamanensis


text:
Njai Dasima (; Perfected Spelling: Nyai Dasima) is a 1932 film from the Dutch East Indies (now Indonesia) which was directed by Bachtiar Effendi for Tan's Film. It was the second film adapted from G. Francis' 1896 novel Tjerita Njai Dasima, following a silent version in 1929. Starring Momo and Oesman, it followed a young Sundanese njai (concubine) who is tricked into marrying a man who does not love her and ultimately killed for her money. The film, the first talkie produced by its company, was also the first directed by a native Indonesian. The now-lost work received mixed critical reception.

Plot
Dasima is a njai (concubine) for the Englishman Edward William. Together with their daughter, Nancy, the couple live in a home near Gambir Square in Batavia (modern day Jakarta). Their happy life is disturbed after the delman driver Samioen falls in love with Dasima, despite already being married to Hajati. He attempts to use magic (goena-goena) to win her heart, and asks an egg merchant, Mak Boejoeng, to frighten Dasima by telling the young woman that she has committed the sin of zina (extramarital sex).

Samioen eventually succeeds, and Dasima goes to live with him and Hajati, taking along her gold and jewels. Hajati has agreed to let Samioen take a second wife as she wants Dasima's money, which she will use for gambling. When Dasima realises that she has been tricked, she begins to keep a close eye on her remaining wealth. So that he can take all of her remaining funds, Samioen calls the thug Poeasa and together they plan to kill Dasima. One night, as Dasima goes to hear a story-telling, the two accost her, kill her, and throw her body off a bridge. Samioen and Poeasa are later caught and sentenced to hang for their crime.

Production

Njai Dasima was directed by Bachtiar Effendi for Tan's Film, a production company owned by the Tan brothers. With this he became the first native Indonesian film director in the Indies. It starred Momo and Oesman. The story was adapted from G. Francis' 1896 novel Tjerita Njai Dasima, which Tan's had already adapted in 1929 with the same name for their first release. The story was already well known in Batavia (now Jakarta), in part because it was a popular part of stage performers' repertoires. To ensure the quality of the story, Effendi worked with a scenario and, later, shooting script – two items which had, until then, never been used for a domestic production.

This was the first sound film released by Tan's, but far from the first in the Indies. The earliest sound films released in the Indies, Fox Movietone Follies of 1929 and The Rainbow Man, were both shown in 1929. The following year, a domestic part-talkie, G. Krugers' Karnadi Anemer Bangkong, was also released, becoming the first domestic sound film. Two other directors had followed with full-talkies in 1931: The Teng Chun with Boenga Roos dari Tjikembang and the Wong brothers with Indonesia Malaise. In order to ensure the quality of the sound, Tan's hired Krugers and his single-system camera to do the cinematography and sound direction for this black-and-white film.

Release and reception
Njai Dasima was released by January 1932 and advertised as a "speaking, singing, dancing, and music talkie". It was open to audiences of all ages, including children. Critical reviews were mixed. One newspaper editorial, noting that the pamphlets described the film as "a hundred times better than [the contemporary film] Huwen op Bevel", was scornful, stating that such a claim had very little validity as "the quality of the native films so far are rubbish". The review then indicated numerous shortcomings in the selection of music, the cinematography, before concluding that the film did, overall, represent progress, praising the actor who played Puasa and noting a distinct lack of scenes unrelated to the plot. However, Armijn Pane, in a 1950 reflective review, wrote that the quality of the work was overall quite good.

Effendi did not direct another film until 1951, with Djiwa Pemuda, and the first subsequent native film director, Andjar Asmara, only began his career in 1940, with Kartinah. Tan's shut down production soon after Njai Dasima release, although it was eventually reestablished in 1938. After releasing several commercial successes, particularly Fatima (1938), it was permanently shut down in 1942, with the Japanese occupation of the Indies.

The film is likely lost. The American visual anthropologist Karl G. Heider writes that all Indonesian films from before 1950 are lost. However, JB Kristanto's Katalog Film Indonesia (Indonesian Film Catalogue) records several as having survived at Sinematek Indonesia's archives, and Indonesian film historian Misbach Yusa Biran writes that several Japanese propaganda films have survived at the Netherlands Government Information Service.

Explanatory notes

References

Works cited

Tan's Film films
Indonesian black-and-white films
Dutch black-and-white films
Films based on Indonesian novels


text:
René Alejandro Pontoni (ur. 18 maja 1920 w Santa Fe, zm. 14 maja 1983 tamże) – piłkarz argentyński, napastnik ligi i reprezentacji Argentyny lat 40. (najlepszy okres futbolu argentyńskiego).

Pontoni swoje pierwsze kroki stawiał w klubie Gimnasia de Santa Fe, ale rozgłos zdobył grając od 1940 roku w barwach Newell's Old Boys Rosario. Dlatego w wieku 25 lat za sumę 100 tys. pesos przeszedł do San Lorenzo de Almagro Buenos Aires. Trzy lata później, 13 czerwca 1948 roku, podczas meczu z Boca Juniors, doszło do tragicznego w skutkach wydarzenia – w 10 minucie spotkania na La Bombonera obrońca Rodolfo De Zorzi tak brutalnie wszedł wślizgiem w nogi Pontoniego, że doprowadził do skomplikowanego złamania. Uraz udało się wyleczyć, ale Pontoni nigdy już nie wrócił do swej poprzedniej dyspozycji, kończąc karierę w lidze kolumbijskiej (w latach 1949–1952 występował w klubie Independiente Santa Fe Bogotá).

Łącznie w lidze argentyńskiej Pontoni zdobył w 212 meczach 132 bramki (w tym dla San Lorenzo w 102 meczach 66 bramek). W reprezentacji Argentyny grał w okresie 1941-1947. Rozegrał w niej 20 meczów i zdobył 19 goli. Trzykrotnie wygrał Copa América – w roku 1945, 1946 i 1947. Posiadał silny strzał, a do tego znakomitą technikę i zmysł do gry kombinacyjnej.

Przypisy

Bibliografia
 Tomasz Wołek, Encyklopedia piłkarska FUJI: Copa America. Historia mistrzostw Ameryki Południowej 1910-1995, Wydawnictwo GiA, Katowice 1995, , s. 74

Reprezentanci Argentyny w piłce nożnej
Piłkarze CA Newell's Old Boys
Piłkarze Independiente Santa Fe
Piłkarze CA San Lorenzo de Almagro
Piłkarze Associação Portuguesa de Desportos
Uczestnicy Copa América 1945
Uczestnicy Copa América 1946
Uczestnicy Copa América 1947
Urodzeni w 1920
Zmarli w 1983
Zdobywcy Copa América
Ludzie urodzeni w Santa Fe (mieście w Argentynie)


text:
Bussotti ist der Familienname folgender Personen:

 Asfò Bussotti (* 1925), italienischer Marathonläufer
 Joao Bussotti (* 1993), italienischer Mittelstreckenläufer
 Sylvano Bussotti (1931–2021), italienischer Komponist und Künstler


text:
Ву́лиця Іва́на Кавалері́дзе — вулиця в Подільському районі міста Києва, місцевості Біличе поле, Липинка. Пролягає від Полкової вулиці до вулиці Сергія Данченка.

Історія
Вулиця виникла у 2011–2012 роках під назвою Проектна 2. Сучасна назва — з 2012 року, на честь українського скульптора і кінорежисера Івана Кавалерідзе.

Примітки

Джерела

Вулиці Подільського району Києва
Вулиці Києва, названі на честь людей


text:
José Guilherme Baldocchi, mais conhecido como Baldocchi (Batatais, 14 de março de 1946) é um ex-futebolista brasileiro que atuava como zagueiro.

Carreira
Em sua carreira profissional (1964–1976) jogou pelo Batatais, Botafogo-SP, Palmeiras, Corinthians e Fortaleza. Foi campeão brasileiro pelo Palmeiras em 1967 (Robertão), 1967 (Taça Brasil) e 1969. Pela seleção brasileira disputou a Copa de 1970 onde foram campeões e Baldocchi não atuou.

Títulos
Palmeiras
 Campeonato Brasileiro: 1967 (Robertão), 1967 (Taça Brasil) e 1969
 Troféu Ramón de Carranza: 1969

Seleção Brasileira
 Copa do Mundo: 1970

Futebolistas do Batatais Futebol Clube
Futebolistas do Sport Club Corinthians Paulista
Futebolistas da Sociedade Esportiva Palmeiras
Futebolistas do Fortaleza Esporte Clube
Naturais de Batatais
Jogadores da Copa do Mundo FIFA de 1970
Jogadores da Seleção Brasileira de Futebol
Jogadores campeões da Copa do Mundo FIFA
Brasileiros de ascendência italiana


text:
Camilla Martin Nygaard (født Camilla Martin 23. marts 1974), tidligere dansk badmintonspiller. Hun har været den altdominerende kvindelige danske badmintonspiller gennem 90'erne og ind i det nye årtusinde. Hun har som den eneste vundet 13 danske singlemesterskaber i træk siden 1991. Derudover har hun vundet VM i 1999, All England i 2002, sølv ved OL i Sydney 2000 og har vundet Danish Open seks gange (1994,1997-99, 2001-02). Hun sluttede karrieren med udgangen af 2004.

Camilla Martin var en periode kæreste med kollegaen Peter Gade, men blev 21. maj 2005 gift med økonom Lars Nygaard, og tilføjede i den anledning hans efternavn til sit navn, således at hun nu lyder navnet Camilla Martin Nygaard.

I 2013 blev Camilla Martin desuden optaget i sportens Hall of Fame ved Sport 2012.

Camilla har været vært på fodboldprogrammet Onside på TV3 Sport, og har fungeret på flere af tv-stationens produktioner gennem tiden.. Er fra 2021 rykket over på TV 2 Sport.

Eksterne henvisninger

 Camilla Martins profil – Badmintondenmark.com

Badmintonspillere fra Danmark
Personer fra Aarhus
Olympiske sølvmedaljevindere fra Danmark
Medaljevindere fra Danmark ved sommer-OL 2000
Olympiske medaljevindere i badminton
Årets Sportsnavn
Medlemmer af dansk idræts Hall of Fame


text:
Il suo stile è fortemente influenzato dal Gangsta rap americano. Il nome d'arte "Bushido" è stato preso dal giapponese e significa La via del guerriero. È il proprietario della Label indipendente ersguterjunge.

Gioventù
Anis, figlio di padre tunisino, che ha conosciuto solo all'età di 26 anni, e madre tedesca, con la quale è cresciuto a Berlino nel distretto di Tempelhof. Anis ha frequentato il Ginnasio di Berlino, che però abbandona dopo l'undicesima classe. Dopo aver lasciato la scuola si dà alla strada e accumula molte accuse per possesso di droga e vandalismo. Un giudice gli impone di scontare una pena eseguendo i servizi sociali, o alternativamente scontando la pena in un carcere minorile. Durante i servizi sociali come imbianchino conosce, quello che poi avrebbe fatto parte del suo gruppo Aggro Berlin, Fler. Attraverso i Graffiti (visibili anche in diversi video musicali) il rapper berlinese si avvicina all'Hip hop. Disegnando sotto lo pseudonimo di "Fuchs (volpe)" con diverse crew gli SCC (South Central Cartel), ES (Esoterics) e DMK (Dark Mindz Klique). Vader degli DMK lo porta poi definitivamente nel mondo del Rap.

Dopo essersi fatto strada tra i migliori rapper della Germania lo diventa lui stesso e anche tra i più ricchi.

Carriera musicale
Nel 1999 inizia la sua carriera musicale. Il suo primo lavoro è con Frauenarzt e King Orgasmus per l'etichetta I Luv Money Records. Bushido durante la sua carriera collabora più volte con Frauenarzt dei Die Atzen suo amico di sempre. L'ultima collaborazione risale al 2012 nell'album AMYF nella canzone "Sudrapstarz 2".È un continuo della canzone "Sudrapstars" uscita nel 1999 nel primo mixtape di Bushido sempre insieme a Frauenarzt. Poco tempo dopo registra il suo primo album King of KingZ che viene pubblicato in musicassetta. Questo lo spinge a produrre qualcosa con gli Aggro Berlin, dove ha lavorato con Sido, B-Tight e Fler. L'album viene rimesso in commercio su CD nel 2003 col nome King of KingZ (Digital Remastered) e nel 2004 come King of KingZ 2004 Edition con la presenza di alcuni remix. Nel 2002 ha lanciato l'album Carlo, Cokxxx, Nutten sotto lo pseudonimo di Sonny Black, in esso Anis lavora con Fler. Il nome dimostra la sua influenza da parte degli Stati Uniti, infatti nel paese Sonny Black era il soprannome del noto capo della famiglia mafiosa Bonanno, Dominick Napolitano.

Nel 2003 lancia il suo album da solista Vom Bordstein bis zur Skyline. Quest'album ha un enorme successo tanto che ancora oggi è considerato un album portante per l'underground.

A causa della differenza artistica riguardante il suo futuro da solista, lascia gli Aggro Berlin nell'estate del 2004 e firma un contratto con la Urban/Universal. Nel 2004, insieme a DJ Ilan, produce un remix di una canzone del gruppo metal Rammstein, "Amerika". Nell'ottobre 2004 rilascia il suo quarto album Electro Ghetto che giunge sesto nella classifica tedesca. Il 4 aprile 2005 rilascia il suo terzo Collabo album in due anni e mezzo, Carlo, Cokxxx, Nutten II, usando ancora l'alter ego Sonny Black e lavorando con Baba Saad (suo cugino) per rimpiazzare Fler.

Il 30 luglio 2005 durante un party a Linz in Austria dopo che aveva scoperto che gli pneumatici della sua auto erano stati squarciati, lui e due dei bodyguard ebbero un diverbio con un ragazzo austriaco di 19 anni, il quale andò via con una grave ferita alla testa. Bushido accusò il ragazzo di avergli tagliato gli pneumatici della sua BMW serie 7. Bushido passò 15 giorni in prigione prima di pagare la cauzione di 100.000 €. Egli concluse la cosa pagando al governo austriaco 20.000 € e altri 1.000 € al ragazzo. È durante questo periodo che divenne molto conosciuto a causa di altri problemi legali.

Verso la fine del 2005 esce il suo nuovo album da solista Staatsfeind Nr. 1 che fu premiato per la seconda volta consecutiva in Germania col disco d'oro. Agli inizi di settembre del 2006 viene lanciato il suo nuovo lavoro discografico, Von der Skyline zum Bordstein zurück che fu premiato in Germania con un disco di platino avendo venduto oltre 200.000, copie rendendolo il miglior rapper tedesco di tutti i tempi. L'album venne premiato in Austria con il disco d´oro.

Gli ammiratori di Bushido includono sia gli immigrati che i tedeschi. Egli è spesso criticato per i suoi testi a sfondo sessuale, razzista e nazionalista. Le controversie sono ingrandite dal verso: "salutiert, steht stramm, ich bin der Leader wie A" (Salute, prestate attenzione, Io sono il leader come A). La A è stata interpretata da molti come un riferimento ad Adolf Hitler. Secondo Bushido "salutiert, steht stramm, ich bin der Leader wie A" è una citazione da una canzone di Azad e la A sta per Azad.

Il 31 agosto 2007 è uscito il suo album 7 vendendo oltre 200.000+ copie in Germania, dove ha vinto il disco di platino. Anche in Austria venne premiato l'album con un disco d´oro. Heavy Metal Payback apparve nell'ottobre del 2008. Anche questo album raggiunse il 1º Posto nella Media Control Charts in Germania. Così, raggiunse Bushido per la seconda volta nella sua carriera il salto al 1º Posto. L'album fu premiato in Germania e in Austria con un disco d'oro.

A partire dal 4 febbraio 2010 in tutte le sale cinematografiche della Germania, è uscito il film biografico che racconta la sua vita Zeiten ändern Dich. L'album Zeiten Ändern Dich che fu pubblicato 2 settimane dopo, fu premiato con un disco d´oro. Il 13 maggio del 2011 è uscito il decimo album da solista Jenseits von Gut und Böse. L'album raggiunse il 1º Posto nella Media Control Charts in Germania, Austria e Svizzera. Un traguardo raggiunto per la prima volta nella sua carriera.

Il 15 agosto del 2011 viene annunciato in un sito internet Hip Hop tedesco che Sido e Bushido pubblicheranno il 14 ottobre 2011 un Collabo album. Per molti fans già viene visto come l'album del´anno. Il 6 agosto del 2012 Bushido stesso ha annunciato, tramite il suo sito ufficiale, che il 12 ottobre verrà pubblicato il suo nono album da studio dal titolo AMYF.

Violazioni dei diritti d'autore
Ai primi di Novembre 2007 fu reso noto che Bushido - per la sua track "Mittelfingah", registrata nel 2001 con King Orgasmus e Bass Sultan Hengzt - aveva copiato un "sample" della canzone "Mourning Palace" della Dark-Metal-Band norvegese "Dimmu Borgir", senza informare i membri del gruppo. In seguito al Processo, Bushido venne condannato al risarcimento danni per violazione dei diritti d'autore.
http://www.netzeitung.de/entertainment/music/796991.html

La band "Nox Arcana" ha intrapreso azioni legali contro Bushido per un caso simile. Si tratta delle canzone "Blaues Licht", "Kurt CObain" e "Weißt du?" (album "Von der Skyline zum Bordstein zurück"). Bushido avrebbe attinto musica dai pezzi originali "Beyond Midnight", No Restfor the Wicked" e "Cthulhu Rising" senza autorizzazione.

la Gothic-Band francese Dark Sanctuary ha fatto causa a Bushido, di aver usato musica loro in otto tracce dell'album "Von der Skyline zum Bordstein zurück". Il 23 marzo 2010 il tribunale regionale di Amburgo ha riconosciuto copie in 13 canzoni di Bushido e lo ha condannato a un primo risarcimento di 63.000 Euro. la somma complessiva si sarà computata sulla base delle copie vendute. Tutti i CD e file musicali, contenenti i pezzi incriminati, non possono essere più veduti (in quanto illegali) e devono essere ritirati dal mercato, sempre secondo la sentenza del tribunale.
http://www.tagesspiegel.de/berlin/Bushido-Urheberrecht;art270,3064732
http://www.spiegel.de/kultur/musik/0,1518,685251,00.html
https://www.taz.de/1/leben/musik/artikel/1/die-hegemann-des-hip-hop/

Discografia

Demo

Album studio

Album in collaborazione

Sampler

Mixtapes
 2003: New Kidz on the Block (con Fler)

Raccolte

Live / DVD

Singoli

Altre Pubblicazioni

Freetracks
2002: Jungzz im Viertel (Bushido & F.A.T. Crew)
2004: Out for Fame  (Bushido & Mr. Flipstar)
2004: Gegensätze ziehen sich an (Bushido & Eko Fresh)
2004: Mitten ins Gesicht
2005: FlerRäter (Bushido & Eko Fresh) (Dissing verso Fler)
2006: Es ist ok (Bushido & Nyze)
2006: Kein Ausweg (Bushido, Chakuza & Bizzy Montana)
2006: 11. September
2006: H.E.N.GZT (Dissing verso Bass Sultan Hengzt)
2008: S.I.D.O. (Bushido & Kay One (Dissing verso Sido)
2010: Für immer Jung (Versione 2010)
2012: Double Dragon (Bushido & Eko Fresh)

Filmografia
 Zeiten ändern Dich (2010)

Premi e riconoscimenti
Comet:

 2007: nella categoria "Miglior Artista"
 2008: nella categoria "Miglior Artista"

Echo:

 2006: nella categoria "Live-Act Nazionale"
 2007: nella categoria "Hip-Hop/R&B Nazionale"
 2008: nella categoria "Hip-Hop/R&B Nazionale"
 2008: nella categoria "Live-Act Nazionale"
 2012: nella categoria "Miglior Video" (So mach ich es) ---> (Singolo)

Europe Music Award:

 2006: nella categoria "Best German Act"
 2007: nella categoria "Best German Act"

BRAVO Otto:

 2005: Argento nella categoriae "HipHop Nazionale"
 2007: Oro nella categoriae "HipHop Nazionale"
 2009: Oro nella categoriae "Supersänger international"

Tape d´oro:

 2007: 20 volte al primo posto col video "Von der Skyline zum Bordstein zurück" nella MTV-Show TRL ---> (Singolo)

Juice-Awards:

 2005: 1º posto nella categoria "Album National" (Staatsfeind Nr. 1) ---> (Album)
 2005: 1º posto nella categoria "Miglior Website" (www.kingbushido.de) ---> (Website)
 2006: 1º posto nella categoria "Live Performance Nazionale"
 2006: 1º posto nella categoria "Rap Solokünstler Nazionale"
 2006: 1º posto nella categoria "Video Nazionale" (Sonnenbank Flavour) ---> (Singolo)
 2006: 1º posto nella categoria "Singolo Nazionale" (Von der Skyline zum Bordstein zurück) ---> (Singolo)
 2008: 1º posto nella categoria "Solokünstler National"
 2008: 1º posto nella categoria "Produttore Nazionale"
 2008: 1º posto nella categoria "Live Performance National"
 2008: 1º posto nella categoria "Miglior Cover" (Heavy Metal Payback) ---> (Album)
 2008: 1º posto nella categoria "Album Nazionale" (Heavy Metal Payback) ---> (Album)
 2008: 1º posto nella categoria "Video Nazionale" (Für immer jung, feat. Karel Gott) ---> (Singolo)
 2008: 1º posto nella categoria "Singolo Nazionale" (Für immer jung, feat. Karel Gott) ---> (Singolo)

Xpress-Awards:

 2006: Pinguino d´oro nella categoria "Miglior rapper dell´anno"

GQ-Awards:

 2010: Man of the Year 2010 nella categoria "Musik national"

Bambi-Awards:

 2011: "Premio d´integrazione"

Disco d´oro in Germania:

2004: Electro Ghetto ---> (Album)
2005: Staatsfeind Nr. 1 ---> (Album)
2006: Deutschland, gib mir ein Mic! ---> (DVD)
2006: Von der Skyline zum Bordstein zurück ---> (Album)
2006: Vendetta - ersguterjunge Sampler 2 ---> (Sampler)
2007: 7 ---> (Album)
2008: Heavy Metal Payback ---> (Album)
2010: Zeiten Ändern Dich ---> (Album)
2011: 23 ---> (Album)

Disco d´oro in Austria:

2006: Von der Skyline zum Bordstein zurück ---> (Album)
2007: 7 ---> (Album)
2008: Heavy Metal Payback ---> (Album)
2011: 23 ---> (Album)

Disco di platino in Germania:

2006: Von der Skyline zum Bordstein zurück ---> (Album)
2007: 7 ---> (Album)

Note

Altri progetti

Collegamenti esterni


text:
Agatha est une pièce de théâtre de Marguerite Duras publiée en 1981 aux éditions de Minuit, et adaptée au cinéma la même année sous le titre Agatha et les Lectures illimitées.

Argument
Un frère et une sœur se retrouvent avant le départ définitif de cette dernière. De retour dans leur maison d'enfance, ils évoquent leurs souvenirs liés à la naissance d'un amour incestueux.

Éditions
 Marguerite Duras, Agatha, pièce de théâtre, Minuit, 1981.

Notes et références

Pièce de théâtre de 1981
Pièce de théâtre française
Pièce de théâtre de Marguerite Duras
Inceste dans la fiction
Pièce de théâtre adaptée au cinéma


text:
Golden age hip hop is a name given to mainstream hip hop music created from the mid-1980s to early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. An outgrowth of the new school hip hop movement, it is characterized by its diversity, quality, innovation and influence on hip hop after the genre's emergence and establishment in the old-school era, and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic.

The artists most often associated with the period are LL Cool J, Slick Rick, Ultramagnetic MC's, the Jungle Brothers, Run-D.M.C., Public Enemy, Beastie Boys, KRS-One, Eric B. & Rakim, De La Soul, Big Daddy Kane, EPMD, Biz Markie, Salt-N-Pepa, Queen Latifah, Gang Starr, and A Tribe Called Quest. Releases by these acts co-existed in this period with, and were as commercially viable as, those of early gangsta rap artists such as Schoolly D, Ice-T, Geto Boys, N.W.A, the sex raps of 2 Live Crew and Too Short, and party-oriented music by acts such as the Fat Boys, DJ Jazzy Jeff & the Fresh Prince, MC Hammer, and Vanilla Ice.

Description

The golden age is noted for its innovation – a time "when it seemed that every new single reinvented the genre," according to Rolling Stone. Referring to "hip-hop in its golden age", Spin's editor-in-chief Sia Michel said, "there were so many important, groundbreaking albums coming out right about that time",
and MTV's Sway Calloway added: "The thing that made that era so great is that nothing was contrived. Everything was still being discovered and everything was still innovative and new". Writer William Jelani Cobb said, "what made the era they inaugurated worthy of the term golden was the sheer number of stylistic innovations that came into existence... in these golden years, a critical mass of mic prodigies were literally creating themselves and their art form at the same time".

The term "Golden age hip hop" frames the late 1980s in mainstream hip hop, said to be characterized by its diversity, quality, innovation and influence, and associated with Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, Ultramagnetic MCs, De La Soul, A Tribe Called Quest, and the Jungle Brothers due to their themes of Afrocentricity and political militancy, their experimental music, and their eclectic sampling. This same period is sometimes referred to as "mid-school" or a "middle school" in hip hop, the phrase covering acts such as Gang Starr, the UMC's, Main Source, Lord Finesse, EPMD, Just Ice, Stetsasonic, True Mathematics, and Mantronix.

The innovations of Run-D.M.C., LL Cool J, and new school producers such as Larry Smith, and Rick Rubin of Def Jam Recordings, were quickly advanced on by the Beastie Boys, Marley Marl and his Juice Crew MCs, Boogie Down Productions, Public Enemy, and Eric B. & Rakim. Hip hop production became denser, rhymes and beats faster, as the drum machine was augmented with the sampler technology. Rakim took lyrics about the art of rapping to new heights, while KRS-One and Chuck D pushed "message rap" towards black activism. Native Tongues artists' inclusive, sample-crowded music accompanied their positivity, Afrocentricity and playful energy.

During the golden age of hip hop, samples were heavily used. The ability to sample different beats, riffs and patterns from a wide variety of sources gave birth to a new breed of producers and DJs who did not necessarily need formal musical training or instruments, just a good ear for sound collages. These samples were derived from a number of genres, ranging from jazz, funk and soul to rock and roll. For example, Paul's Boutique, the Beastie Boys' second studio album, drew from over 200 individual samples, 24 of which were featured on the last track of the album. Samples and sound bites were not limited to just music. RZA of the Wu-Tang Clan, a hip hop collective formed in the 1990s, sampled sound clips from his own collection of 1970s kung-fu films to bolster and frame the group's gritty lyrical content. Many of the sample-laden albums released during this time would not be able to receive legal clearance today.

The era also provided some of the greatest advances in rapping technique. Kool G Rap, referring to the golden age in the book How to Rap said, "that era bred rappers like a Big Daddy Kane, a KRS-One, a Rakim, a Chuck D... their rapping capability and ability – these dudes were phenomenal". Many of hip hop's biggest artists were also at their creative peak. Allmusic said the golden age "witnessed the best recordings from some of the biggest rappers in the genre's history... overwhelmingly based in New York City, golden age rap is characterized by skeletal beats, samples cribbed from hard rock or soul tracks, and tough dis raps... rhymers like PE's Chuck D, Big Daddy Kane, KRS-One, Rakim, and LL Cool J basically invented the complex wordplay and lyrical kung-fu of later hip-hop".

In addition to lyrical self-glorification, hip hop was also used as a form of social protest. Lyrical content from the era often drew attention to a variety of social issues including Afrocentric living, drug use, crime and violence, religion, culture, the state of the American economy, and the modern man's struggle. Conscious and political hip hop tracks of the time were a response to the effects of American capitalism and former President Reagan's conservative political economy. According to Rose Tricia, "In rap, relationships between black cultural practice, social and economic conditions, technology, sexual and racial politics, and the institution policing of the popular terrain are complex and in constant motion. Even though hip hop was used as a mechanism for different social issues it was still very complex with issues within the movement itself.

There was also often an emphasis on black nationalism. Hip hop scholar Michael Eric Dyson stated, "during the golden age of hip hop, from 1987 to 1993, Afrocentric and black nationalist rap were prominent", and critic Scott Thill described the time as "the golden age of hip hop, the late '80s and early '90s when the form most capably fused the militancy of its Black Panther and Watts Prophets forebears with the wide-open cultural experimentalism of De La Soul and others". Stylistic variety was also prominent; MSNBC said that in the golden age, "rappers had an individual sound that was dictated by their region and their communities, not by a marketing strategist," the Village Voice referred to the golden age's "eclecticism", and Ben Duinker and Denis Martin of Empirical Musicology Review wrote that "The constant flow of new, boundary-pushing Golden Age album releases exemplifies this era's unprecedented stylistic fluidity."

Time period

AllMusic writes, "Hip-hop's golden age is bookended by the commercial breakthrough of Run-D.M.C. in 1986 and the explosion of gangsta rap with NWA in the late 80s and Dr. Dre and Snoop Doggy Dogg in 1993." However, the specific time period that the golden age covers varies among different sources. The New York Times also defines hip-hop's golden age as the "late 1980s and early 90s". Ed Simons of the Chemical Brothers said, "there was that golden age of hip-hop in the early 90s when the Jungle Brothers made Straight Out the Jungle and De La Soul made Three Feet High and Rising" (though these records were in fact made in 1988 and 1989 respectively). MSNBC called the 1980s the "Golden Age" of hip-hop music. The Guardian states, "The golden age of hip-hop, from 1986 to 1993, gave the world an amazing number of great records," and also describes the period in November 1993, when A Tribe Called Quest and Wu-Tang Clan released albums, as "The Next Golden age."

The golden age is described by scholar Mickey Hess as "circa 1986-1994." Carl Stoffers of New York Daily News describes the golden age as "spanning from approximately 1986 to 1997." Brad Callas of Medium.com writes that "Hip-Hop's Golden Age is loosely bookended by the genre's commercial breakthrough in the late 1980s and the back-to-back deaths of 2Pac and Biggie in the late 1990s." In their article "In Search of the Golden Age Hip-Hop Sound", music theorists Ben Duinker and Denis Martin of Empirical Musicology Review use "the 11 years between and including 1986 and 1996 as chronological boundaries" to define the golden age, bookended by the releases of Raising Hell and License to Ill and the deaths of Tupac Shakur and the Notorious B.I.G. Will Lavin of uDiscover Music states "It's generally accepted that the Golden Age occurred from the mid '80s and mid '90s; it was then that all the elements of the culture – breaking, graffiti art and DJing – broke cover to enter the mainstream." Music critic Tony Green, in the book Classic Material, refers to the two-year period 1993–1994 as "a second Golden Age" that saw influential, high-quality albums using elements of past classicism – drum machines (Roland TR-808), drum samplers (Akai MPC60, E-mu SP-1200), turntable scratches, references to old school hip hop hits, and "tongue-twisting triplet verbalisms" – while making clear that new directions were being taken. Green lists as examples the Wu-Tang Clan's Enter the Wu-Tang (36 Chambers), Nas's Illmatic, De La Soul's 1993 release Buhloone Mindstate, Snoop Doggy Dogg's Doggystyle, A Tribe Called Quest's third album Midnight Marauders and the Outkast debut Southernplayalisticadillacmuzik. Dart Adams of Festival Peak described this "2nd Golden Era" as spanning 1992 to 1996, and cites the release of Puff Daddy and Mase's "Can't Nobody Hold Me Down" in 1997 as being the start of mainstream rap's "Jiggy Era".

According to copyright, music, and pop culture scholars Kembrew Mcleod and Peter DiCola, the golden age of hip-hop sampling spans from 1987 to 1992. Artists and record labels were not yet aware of the permanence of hip-hop culture in mainstream media, and did not yet accept it as a legitimate institution. They believe the ruling made in Grand Upright Music, Ltd. v. Warner Bros. Records Inc. marked the end of the golden age of hip hop and its sampling practices.

Juice Crew

Notable hip hop producer and innovator, Marley Marl, formed the Juice Crew hip hop collective. Marl also founded Cold Chillin' Records and assembled various hip hop acts, including MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shanté, Kool G Rap & DJ Polo, and Masta Ace. His Juice Crew collective was an important force in ushering the "golden age" era of hip hop, with advances in lyrical technique, distinctive personalities of emerging artists like Biz Markie and Big Daddy Kane, and attaining crossover commercial success for hip hop music. Marley Marl's first production was an "answer record" to "Sucker MCs" in 1983 entitled "Sucker DJs" by Dimples D. Soon after came 14-year-old Roxanne Shanté's answer to UTFO's "Roxanne Roxanne", "Roxanne's Revenge" (1985), sparking off the huge wave of answer records known as the Roxanne Wars. More disses (insults intended to show disrespect) from Shanté followed: "Bite This" (1985), "Queen of Rox" (1985), introducing Biz Markie on "Def Fresh Crew" (1986), "Payback" (1987), and "Have a Nice Day" (1987).

Boogie Down Productions
Shante's "Have a Nice Day" had aimed some barbs at the principal two members of a new group from the Bronx called Boogie Down Productions (BDP): "Now KRS-ONE you should go on vacation with that name soundin' like a wack radio station, and as for Scott La Rock, you should be ashamed, when T La Rock said "It's Yours", he didn't mean his name". Boogie Down Productions had manufactured a disagreement with the Juice Crew's MC Shan, releasing "South Bronx" and "The Bridge is Over" in reply to his "The Bridge" and "Kill That Noise" respectively. KRS-One considered Run-D.M.C. the epitome of rap music in 1984 and had begun to rap following their lead. He has also said that BDP's approach reflected a feeling that the early innovators like Run-D.M.C. and LL Cool J were by 1986 tainted by commercial success and out of touch with the streets.

Boogie Down's first album Criminal Minded (1987) admitted a reggae influence and had KRS-One imitating the Beatles' "Hey Jude" on the title track. It also contained two tales of grim street life, yet played for callous laughs: "The P Is Free", in which KRS speaks of throwing out his girl who wants crack cocaine in exchange for sex, and "9mm Goes Bang", in which he shoots a drug dealer then cheerfully sings "la la la la la la". Songs like these presaged the rise of an underground that matched violent lyrics to the hardcore drum machine tracks of the new school. The cover of Criminal Minded was a further reflection of a move towards this sort of radical image, depicting the group in a half-light, holding firearms. The next album By All Means Necessary (1988) left that element behind for political radicalism following the murder of Scott La Rock, with its title and cover alluding to Malcolm X. KRS-One became involved with the Stop the Violence Movement at this time. Boogie Down Productions, along with Run-D.M.C. and Public Enemy, associated the new school as rap music with a strong message.

Eric B. and Rakim
Eric B. & Rakim appeared with the Marley Marl produced "Eric B. Is President" and "My Melody" on Zakia Records in 1986. Both tracks appeared on Paid in Full (1987). Just as Boogie Down Productions had, the pair reflected changes in street life on their debut's cover, which depicted the two wearing large gold chains and surrounded by money. Like Criminal Minded, the sampling prevalent in the album cemented James Brown's status as a hip hop source, while Rakim's allusions showed the growing influence of mystic Islam-offshoot The Nation of Gods and Earths in hip-hop. The music was minimalist, austerely so, with many writers noting that coupled with Rakim's precise, logical style, the effect was almost one of scientific rigour. The group followed Paid in Full with Follow the Leader (1988) (on which they were open-minded enough to sample the Eagles), Let the Rhythm Hit 'Em (1990) and Don't Sweat the Technique (1992).

Rakim is generally regarded as the most cutting-edge of the MCs of the new school era.
Jess Harvell in Pitchfork in 2005 wrote that "Rakim's innovation was applying a patina of intellectual detachment to rap's most sacred cause: talking shit about how you're a better rapper than everyone else." Christgau in the Village Voice in 1990 wrote of Rakim's style as "calm, confident, clear. On their third album, as on their phase-shifting 1986 debut," he continues, "Eric B.'s samples truly are beats, designed to accentuate the natural music of an idealized black man's voice." Looking back at the late eighties in Rolling Stone in 1997, Ed Moralez describes Rakim as "the new-school MC of the moment, using a smooth baritone to become the jazz soloist of mystic Afrocentric rap."

Public Enemy
Public Enemy, having been reluctantly convinced to sign to a record label, released Yo! Bum Rush the Show on Def Jam in 1987. It debuted the Public Enemy logo, a circle of hatted b-boy in a sniper's cross-hairs, was replete with battle rhymes ("Miuzi Weighs a Ton", "Public Enemy #1"), social-political fare ("Rightstarter (Message to a Black Man)") and anti-crack messages ("Megablast"). The album was a critical and commercial success, particularly in Europe, unusually so for a hip hop album at that time. Bumrush the Show had been recorded on the heels of Run-D.M.C.'s Raising Hell, but was held back by Def Jam in order for them to concentrate on releasing and promoting the Beastie Boys' License to Ill. Chuck D of Public Enemy felt that by the time their first record was released, Boogie Down Productions and Rakim had already changed the landscape for how an MC could rap. Public Enemy were already recording their second album It Takes a Nation of Millions to Hold Us Back (Def Jam, 1988) when Bumrush hit stores.

Gangsta rap

The underground sound, centered on urban violence, that was to become gangsta rap, existed on the East Coast soon after Run-D.M.C. had inaugurated the new school of hip hop. Philadelphia's Schoolly D self-released "Gangsta Boogie" in 1984, and "P.S.K. What Does It Mean?"/"Gucci Time" in 1985, leading to Saturday Night (Schoolly D, 1986, Jive, 1987). The West Coast, which became the home of gangsta rap, had Toddy Tee's influential Batteram mixtape in 1985, and Ice-T's "Six in the Morning" in 1986 before N.W.A's first records, leading to the hugely successful Straight Outta Compton in 1988.

Native Tongues
Developments in the New York new school continuum in this climate were represented by the Native Tongues groups—The Jungle Brothers, De La Soul, A Tribe Called Quest, Queen Latifah, Chi-Ali, and Monie Love—along with fellow travellers like Leaders of the New School, KMD and Brand Nubian. They moved away from aggressive, macho posturing, towards ambiguity, fun and Afrocentricity. Their music was sample-crowded, more open and accessible than their new school predecessors. De La Soul's debut sampled everyone from the Turtles to Steely Dan, while A Tribe Called Quest matched tough beats to mellow jazz samples and playful, thoughtful raps.

Legal cases

Grand Upright Music, Ltd. v. Warner Bros. Records Inc.
This lawsuit was known for effectively ending the "Wild West" period for sampling during the golden age of hip hop. In 1991, Gilbert O'Sullivan's song publisher sued Warner Brothers Records over the use of the original in Biz Markie's song "Alone Again." No copyright case precedents were cited in the ruling of the final verdict, and the presiding judge's opinion was prefaced with the words "Thou Shalt not Steal."

The Turtles v. De La Soul
The sixties pop band The Turtles filed a lawsuit in 1989 against hip hop group De La Soul for the uncleared use of a sampled element derived from their original 1968 track "You Showed Me." The lawsuit was settled out of court for a reported $1.7 million, though group members later claimed that the actual payout was significantly less.

See also
 Album era
 Progressive rap

References

1980s in music
1990s in music
African-American culture
African-American music
hip hop
Nostalgia in the United States
History of hip hop
American hip hop


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Мабри () — английская фамилия. Известные носители:

 Мабри, Марина (род. 1996) — американская баскетболистка.
 Мабри, Санни (род. 1975) — американская актриса и модель.


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Lakly (; , Laqlı) is a rural locality (a selo) and the administrative centre of Laklinsky Selsoviet, Salavatsky District, Bashkortostan, Russia. The population was 925 as of 2010. There are 10 streets.

Geography
Lakly is located 31 km east of Maloyaz (the district's administrative centre) by road. Yelanlino is the nearest rural locality.

References

Rural localities in Salavatsky District


text:
Biografia

Bruno Grossi inizia lo studio del flauto con Andrè Jaunet, perfezionandosi in seguito con Maxence Larrieu, Peter-Lukas Graf e Aurèle Nicolet.
Vincitore di numerosi concorsi internazionali, tra cui l'Interart di Budapest.
Inizia la carriera internazionale in seguito alla vincita del primo premio al prestigioso concorso "Jean-Pierre Rampal" di Parigi nel 1993.
In qualità di solista si esibisce regolarmente nell'ambito di importanti rassegne e orchestre (Festival Martha Argerich, Les amis de Mozart, Julliard School, Flautissimo).
La sua discografia comprende due cd in duo con il pianista Bruno Robilliard e i quartetti di Mozart.
Attualmente è primo flauto solista dell'orchestra della Svizzera italiana.

Collegamenti esterni
Bruno Grossi


text:
Bloomberg L.P. ist ein von Michael Bloomberg im Jahre 1981 gegründetes Informationsdienstleistungs-, Nachrichten- und Medienunternehmen mit Hauptsitz im Bloomberg Tower, New York City. Die bpb stufte das Unternehmen auf Rang 22 der weltweit größten Medienunternehmen (Stand 2011).

Geschichte
Michael Bloomberg gründete 1981 das Unternehmen. Ein erstes Produkt war ein Datenmonitor – das Bloomberg Terminal – für Investmentbanken. Heute ist Bloomberg eine Mischung aus Datenlieferant und Finanznachrichtenagentur, die sich insbesondere im Anleihenmarkt auszeichnet. Nachdem Unternehmensgründer Bloomberg 2001 zum Bürgermeister von New York City gewählt wurde, zog er sich aus der Unternehmensführung zurück.

Unternehmensstruktur, Wettbewerb und Produkte
Michael Bloomberg ist mit einem Anteil von 88 Prozent Haupteigner seines Unternehmens; der Rest ist Streubesitz. Das Unternehmen beschäftigt rund 15.000 Mitarbeiter in 72 Ländern. Insgesamt sind 2.300 Reporter für Bloomberg tätig.

Bloomberg umfasst unter anderem die Produktbereiche Bloomberg Professional, Bloomberg.com, Bloomberg News, Bloomberg Radio und Bloomberg Television.
Im Jahr 2009 übernahm Bloomberg BusinessWeek, ein populäres US-Wirtschafts-Print- und Online-Magazin, von McGraw-Hill.

Hauptkonkurrent von Bloomberg im Bereich Informationsprodukte und Finanzdienstleistungen ist das Unternehmen Thomson Reuters. Weitere Konkurrenten sind SIX Financial Information, FactSet Research Systems oder Morningstar.

Bloomberg Professional
Unter dem Produktbereich Bloomberg Professional wurden die originären Finanzdienstleistungen von Bloomberg zusammengefasst. Dies sind die Bestands- und Echtzeit-Bereitstellung von Daten aus den verschiedensten Finanzbereichen, vor allem für institutionelle Kunden und Investmentbanken. Das kostenpflichtige Angebot umfasst unter anderem die Abfrage von Börsendaten, Charts und Nachrichten. Neben den internationalen Kürzeln wie WKN- und ISIN-Codes verfügt Bloomberg auch über ein eigenes Identifikationssystem zum Aufruf der verschiedenen Finanztitel (Bloomberg-Ticker). Entsprechend hat z. B. jede aktive Börse auch ein eigenes Bloomberg-Börsen-Kürzel.

2011 hatte Bloomberg Professional Service rund 310.000 professionelle Nutzer weltweit.

Literatur
 Gregor Brunner: Fenster zur Finanzwelt. Wer mit der Börse zu tun hat, kennt Bloomberg. Wie der Datenanbieter mit der zunehmenden Geschwindigkeit der Finanzmärkte mithalten möchte, weiß Produktchef Vlad Kliatchko. In: Frankfurter Allgemeine Zeitung. 3. August 2022, Seite 25. Online-Version (kostenpflichtig).

Weblinks

 Bloomberg (englisch)
 Konzernportrait auf mediadb.eu

Einzelnachweise

Nachrichtenagentur (Vereinigte Staaten)
Wirtschaftsinformationsdienst
Medienunternehmen (New York City)
Gegründet 1981
Bloomberg
Börsenportal


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Adavigollarahalli  is a village in the southern state of Karnataka, India. It is located in the Chitradurga taluk of Chitradurga district in Karnataka.

See also
 Chitradurga
 Districts of Karnataka

References

External links
 http://Chitradurga.nic.in/

Villages in Chitradurga district