text:
SA80 (Small Arms for the 80s) je série pušek, které byly v 80. letech zavedeny jako standardní zbraně Britské armády.

Mechanická část byla odvozena z pušky Armalite AR-18, kterou ve Velké Británii v licenci vyráběla firma Sterling Armaments Company. Prvky designu pušky a systém bullpup byly inspirovány dřívější zbraní EM-2. První prototypy byly zkoušeny od roku 1976 a výroba skončila v roce 1994. Očekává se, že zbraně budou ve službě do roku 2025.

Varianta L85 je standardní zbraní britské armády od roku 1987, kdy nahradila pušku L1A1 – variantu pušky FN FAL. Vylepšená verze L85A2 je ve službě dodnes.

Varianty

L85 IW
L85 (Individual Weapon) je standardní zbraní britských jednotek.

L86 LSW
L86 LSW (Light Support Weapon) vznikla za účelem palebné podpory družstva, plnila tedy funkci lehkého kulometu. Vyznačuje se delší hlavní, zkráceným předpažbím a dvojnožkou. Později funkci LSW nahradily zbraně jako FN Minimi a tato zbraň začala plnit převážně úlohu jako "marksman's rifle".

Odkazy

Reference

Externí odkazy

 SA80 A2 L85 Individual Weapon na webu Army.mod.uk
 SA80 A2 L85 Assault Rifle na Army-Technology.com

Útočné pušky
Britské pušky
Bullpup


text:
Aventicum, situat a la plana suïssa, era la ciutat que servia de capital de la província romana d'Helvètia, així com de centre polític, religiós i econòmic. La ciutat romana, actualment situada sobre el municipi d'Avenches, estava al sud del llac de Morat a la planura de la Broye, a una altitud d'aproximadament 445 metres. Es trobava en un indret estratègic sobre la xarxa de camins -en la ruta que connecta les vores del llac Léman a les ciutats romanes de Vindonissa i Augusta Raurica- i la xarxa fluvial, gràcies a un canal d'accés que la connectava al llac de Morat. Dels segles I al III, fou la major ciutat en el territori de la moderna Suïssa i incloïa més de 20.000 habitants. Nombrosos vestigis de les diferents recerques arqueològiques efectuades fins avui són exposats al Museu Romà, situat a la torre de l'amfiteatre romà d'Avenches. Entre aquests, un orgue hidràulic antic més o menys complet i sobretot el famós bust en or de Marc Aureli, realitzat al voltant del 180 dC, descobert a les clavegueres d'un temple el 1939.

La ciutat era el centre de les rutes de l'època, la regió era ja ben colonitzada. El gran eix de comunicacions de Suïssa que passava per Avenches, Morat, Chiètres i Kallnach es dirigia cap a Soleure i Windisch, vorejant la costa est del Seeland. Una segona via romana travessava el Seeland cap a Witzwil, entre els llacs de Neuchâtel i de Morat. Des de Petinesca, una bifurcació, passant pels colls del Taubenloch, travessava el massís del Jura en direcció al nord d'Europa, des dAugusta Raurica.

Història
 El 58 aC, després de la seva temptativa d'èxode i la seva derrota per l'exèrcit de Juli Cèsar, prop de Bibracte, les quatre tribus helvètiques van tornar a la plana suïssa.

 El 15 aC, annexió pels romans de tots els territoris que constitueixen la Suïssa actual; Aventicum va esdevenir la capital dels helvecis.

 Vers el 71/72, sota l'emperador Vespasià, la ciutat va ser elevada al rang de colònia.

 Segles II i III: apogeu de la ciutat.

 Vers el 275/277: els invasors alamans van reduir considerablement el nivell de vida de la ciutat, que malgrat una certa continuïtat, no va aconseguir restablir-se completament. Els vestigis i testimoniatges de l'antiguitat tardana són encara rars.

 En aquestes regions, l'època romana va acabar oficialment el 455.

La ciutat

 Un recinte llarg de 5,5 km, tancant una superfície de 150 hectàrees amb 73 torres.

 Les termes del fòrum.

 El teatre.

 El santuari del Cigognier.

 El temple de la Grange-des-Dîmes.

 L'amfiteatre d'Avenches.

Notes i referències

Enllaços externs

 Diccionari Històric Suís, article Aventicum, per Philippe Bridel, Michel Fuchs.
 Aventicum al lloc web de l'oficina de turisme d'Avenches .
 Fotos lliures (Euratlas).
 Fotos (Història de Suïssa).

Ciutats romanes
Jaciments arqueològics d'Europa
Història de Suïssa
Helvecis

redpajama_set_name: RedPajamaWikipedia


text:
Barbara Gertrude Yates (Dublin,  - ) foi uma matemática irlandesa, que parece ter sido a primeira mulher nascida e criada na Irlanda a obter um doutorado em matemática pura.

Formação e carreira
Nasceu em janeiro de 1919 em Dublin, em uma família com tradição de excelência em matemática no Trinity College (Dublin). Seu pai James Yates (1869-1929), nascido em Offaly, foi pesquisador de matemática em Trinity antes de sua formatura em 1891, e foi inspetor escolar em várias partes da Irlanda até 1922, quando toda a família se mudou para Belfast após a divisão de Irlanda. Seus irmãos mais velhos Henry George Yates (1908-1954) e James Garrett Yates (1917-1957) também foram alunos pesquisadores de matemática em Trinity, em 1927 e 1936, respectivamente. Ela mesma recebeu essa distinção em 1940, graduando-se em matemática em 1941.

Foi membro do corpo docente da Queen's University de Belfast em 1942-1945, e depois na Universidade de Aberdeen em 1945-1948, após o que ela se mudou para o Royal Holloway, onde lecionou até sua aposentadoria aos 65 anos de idade. Em 1952 completou um doutorado, concedido no ano seguinte pela Universidade de Aberdeen, com a tese "A difference-differential equation". Se orientador foi Edward Wright.

Ligações externas

Professores da Queen's University of Belfast
Professores da Universidade de Aberdeen
Matemáticas da Irlanda
Alunos do Trinity College (Dublin)
Alunos da Universidade de Aberdeen
Irlandeses expatriados no Reino Unido
Naturais de Dublin


text:
34731 Ronitjain è un asteroide della fascia principale. Scoperto nel 2001, presenta un'orbita caratterizzata da un semiasse maggiore pari a  e da un'eccentricità di 0,0841168, inclinata di 7,69321° rispetto all'eclittica.

Collegamenti esterni

Ronitjain
Corpi celesti scoperti nel 2001


text:
Holitscher Fülöp (Philipp Holitscher, Buda, 1822. augusztus 19. – Budapest, 1904. október 3.) földbirtokos, író.

Élete

Budán született, ahol apja gyártulajdonos volt. Szülei a kereskedői pályára szánták fiukat, azért Bécsbe küldték, ahol a kereskedelmi iskolában az ahhoz szükséges ismereteket megszerezte; azután egy ottani kereskedőháznál gyakornok lett. 1842-ben atyja üzletébe vette, s utóbb üzlettársa lett, halála után pedig cégvezető; több nagyobb iparvállalat tulajdonosa s részese, ezenkívül a királyi váltótörvényszék ülnöke volt. Az 1870-es években egészsége meggyengülvén, az üzlettől visszavonult birtokára Alagra, ahol mezei gazdálkodással és az irodalommal foglalkozott. Télen általában Budapesten tartózkodott.

Irodalmi működése, míg kereskedő volt, a nemzetgazdászatra szorítkozott és Fidelius álnév alatt írt; állandó levelezője volt a hazai s külföldi szaklapoknak, többi közt tárcákat írt a Pester Lloydnak is.

Munkái

 Die österr. Nationalbank und ihr Einfluss auf die wirthschaftlichen Verhältnisse der Monarchie von Fidelius. Bécs, 1875 (Lónyay Menyhért, Bankügyről, Budapest, 1875 c. munkájában 579. l. elismerőleg nyilatkozik e műről)
 Im Banne Fortuna's. Roman. Budapest, 1882
 Erzählungen. Budapest, 1884
 Gedanken und Gestalten. Dichtungen, Wrocław, 1887
 Krone und Leyer. Drama in fünf Aufzügen. Wrocław, 1888
 Skanderbeg. Drama ín 4 Aufzügen. Wrocław, 1890
 Carols Weltreisen und Abentheuer. Ein Märchen für die reifere Jugend. Illustrirt von H. Strake. Stuttgart (1891, színes képekkel)
 Der letzte König von Polen. Drama in 5 Aufzügen. Stuttgart (1893)
 Splitter und Balken. Dichtungen. Stuttgart, 1895
 Die tolle Martha. Drama in einem Akt. Stuttgart, 1895
 Neues Leben. Traumgebilde, in 3 Akten. Stuttgart, 1895

Megjegyzendő, hogy munkáinak tárgyát részben a magyar életből és történelemből vette s drámáit versben írta.

Források

 Petőfi Irodalmi Múzeum
 Magyar zsidó lexikon, 1929

További információk

 Magyar Színművészeti Lexikon. Szerk. Erődi Jenő és Kürthy Emil összegyűjtött anyagának felhasználásával… Schöpflin Aladár [Bp.], Országos Színészegyesület és Nyugdíjintézete, [1929]

Magyar írók
Budaiak
Magyar kereskedők, bankárok, iparosok
1822-ben született személyek
1904-ben elhunyt személyek


text:
1271 Avenue of the Americas  is a 48-story skyscraper on Sixth Avenue (Avenue of the Americas), between 50th and 51st Streets, in the Midtown Manhattan neighborhood of New York City. Designed by architect Wallace Harrison of Harrison, Abramovitz, and Harris, the building was developed between 1956 and 1960 as part of Rockefeller Center. It was originally known as the Time & Life Building for its main tenant, Time Inc., which also published Life magazine.

1271 Avenue of the Americas contains an eight-story base that partially wraps around the main shaft, as well as a plaza with white-and-gray serpentine pavement and water fountains. The facade consists of glass panels between limestone columns. The lobby contains serpentine floors; white-marble and stainless-steel walls; reddish-burgundy glass ceilings; and artwork by Josef Albers, Fritz Glarner, and Francis Brennan. The ground floor also includes storefronts and originally also housed La Fonda del Sol, a Latin American-themed restaurant. Each of the upper floors measures  and consists of a column-free space around a mechanical core. The 48th floor originally contained the Hemisphere Club, a members-only restaurant during the day.

After Time Inc. expressed its intention to move from 1 Rockefeller Plaza in the 1950s, Rockefeller Center's owners proposed the skyscraper to meet the company's needs while retaining it as a tenant. Construction started in May 1957, the building was topped out during November 1958, and occupants began moving into their offices in late 1959. The New York City Landmarks Preservation Commission designated the Time-Life Building's lobby as a city landmark in 2002. Time Inc. vacated the building in 2015, and the building was subsequently renovated between 2015 and 2019.

Site

1271 Avenue of the Americas is on the western side of Sixth Avenue (officially Avenue of the Americas), between 50th and 51st Streets, in the Midtown Manhattan neighborhood of New York City. The land lot is rectangular and covers . The site has a frontage of  on 50th and 51st Streets and a frontage of  on Sixth Avenue. Nearby buildings include The Michelangelo to the west, the Axa Equitable Center to the northwest, 75 Rockefeller Plaza to the northeast, Radio City Music Hall to the east, 30 Rockefeller Plaza to the southeast, and 1251 Avenue of the Americas to the south.

Just prior to the development of 1271 Avenue of the Americas, most of the site was occupied by a parking lot, which had previously served as a New York Railways Company trolley barn. There was also a four-story building facing Sixth Avenue and a collection of single-story shops on 50th Street. Rockefeller Center Inc. bought the plots on 50th and 51st Streets in the first week of August 1953, followed by those on Sixth Avenue the next week. One building on the site reportedly cost $2 million after its owner had held out. Rockefeller Center's managers originally wanted to build an NBC studio or a Ford vehicle showroom on the site.

Architecture
The building was designed by Harrison & Abramovitz, a firm composed of Wallace Harrison and Max Abramovitz. It was constructed by John Lowry and the George A. Fuller Company. In addition, Syska Hennessy was hired as the mechanical engineer and Edwards & Hjorth was hired as the structural engineer.

1271 Avenue of the Americas was planned as a 48-story slab, measuring around . The slab is flanked by shorter segments with setbacks at the third and eighth stories. The north and west edges of the tower are flanked by a seven-story section of the base. An auditorium designed by Gio Ponti, with colored triangles, was installed on the eighth-floor setback. The neighboring Roxy Theater was acquired as part of the building's development, allowing the building's floor area to be increased under the limits set by the 1916 Zoning Resolution. Furthermore, a provision under the 1916 Zoning Resolution had allowed structures to rise without setbacks above a given level if all subsequent stories covered no more than 25 percent of the land lot.

Facade
1271 Avenue of the Americas' facade is made mostly of glass, which at the time of the building's construction cost the same as a wall made mostly of limestone. The use of a glass facade permitted a higher degree of flexibility on each story compared to a limestone wall of the same size. Before the current facade design was selected, several alternatives were considered. Time Inc. wanted a flush exterior wall, but this was rejected because exterior columns would protrude into the floor area. Another alternative entailed an "accordion wall" with windows that sloped inward toward their tops, juxtaposed with spandrels that sloped outward. The accordion wall, which would have been framed by flat columns, was unfeasible because it reduced floor area, required modifications to drapes and air-conditioning, and was not aesthetically desirable to the architects.

At ground level, there is a canopy over the 51st Street entrance. The glass curtain wall covers either  or  in total. On all stories, the facade includes structural columns with limestone cladding. The limestone columns frame the glass curtain wall and also serve as an architectural allusion to the other buildings at Rockefeller Center. In addition, more than  of stainless-steel flashing was placed on the facade. The stainless-steel flashing was meant to last for as long as the building existed; on the setbacks at the base, the flashing was buried inside corners along the roof deck.

The limestone columns are spaced at intervals of . There are five vertical bays of windows between each set of limestone columns, each separated by two narrow aluminum mullions flanking the center pane and two larger air-conditioning risers between the outer panes. Originally, each glass pane measured  wide and  tall. The spandrels between the windows on different stories consist of a  plate, behind which is a screen made of aluminum mesh. Mechanical pipes and ducts, as well as the floor plates, are hidden behind the spandrels. The windows had initially been planned as square panes, but the windowsills were lowered so they were only  above each floor slab. This also allowed each spandrel to be covered by a standard glass pane. In the late 2010s, new low-emissivity glazed panels with thermal breaks were installed. The new glass panes retain the original width but measure  high.

Plaza

The eastern part of the site was planned with a plaza. The plaza measures  long and  wide and is flanked by the eight-story base. The southern part of the site also has a promenade that is about  wide. The plaza is paved with serpentine pavers similar to those found on the sidewalks of Rio de Janeiro's Copacabana Beach, a tribute to its location along Avenue of the Americas. Harrison had believed the pavers would bring variety to the building's design. The original pavers, designed by Port Morris Tile & Marble Corporation, were removed in 2001 because they were too slippery; the same company reproduced the pattern in rougher terrazzo. In the late 2010s, the sidewalk pattern was extended from the lot line to the curb line.

A seating parapet in the plaza surrounded a pool with four jets, measuring about . Another six pools, measuring  each, were placed within the plaza. Each pool had a mat made of lead for waterproofing, which in turn was covered by cement and terrazzo. After the late-2010s renovation, the 50th Street pools were removed and a fountain was installed at the corner of 50th Street and Sixth Avenue. Trees and shrubs were originally also planted on the 50th Street side, while three flagpoles were placed on the section of the plaza facing Sixth Avenue. Also within the plaza is an entrance to the New York City Subway's 47th–50th Streets–Rockefeller Center station, serving the .

In 1972, the Association for a Better New York hired William Crovello to create a sculpture called Cubed Curve. The sculpture was supposedly inspired by a fluid brush stroke. According to The New York Times, the sculpture marked Time Inc.'s "presence at the center of the media universe". It was moved in 2018 to Ursinus College in Collegeville, Pennsylvania, because the building was being renovated.

Interior

1271 Avenue of the Americas was built with about  of rentable space. According to the New York City Department of City Planning, the building has a gross floor area of . The interior design was contracted to a variety of architects such as Alexander Girard, Gio Ponti, Charles Eames, William Tabler, and George Nelson & Company. Thirty elevators serve the building within the mechanical core.

Internally, 1271 Avenue of the Americas was divided into eight zones for air-conditioning. Floors 8, 9, and 16 through 34 were occupied by Time Inc. and contained their own thermostats to accommodate the nonstandard working hours of Time Inc. employees. In conjunction with the building's construction, Rockefeller Center's central air-conditioning system was upgraded in 1957 to provide 6,000 tons of cooling capacity to the building every hour. The cooling systems had to operate all year because Time Inc.'s equipment generated large amounts of heat. The original cooling system was powered by steam, but electric and natural gas cooling systems had been added by 2000. The mechanical spaces are concealed by partial-width windows on the facade.

There are three basement stories. The first basement has a passageway leading to Rockefeller Center's underground concourse and the 47th–50th Streets–Rockefeller Center station. The two other basements are not accessible to the public and are used for storage, maintenance, and service functions.

Ground floor

Lobby
1271 Avenue of the Americas' lobby is surrounded by commercial spaces on all sides; with the superstructure incorporated in the core and exterior, Harrison could design the lobby with more flexibility. Originally, the lobby was planned to include a covered shopping and exhibit hall on 50th Street and a north–south passage between 50th and 51st Streets. These details were changed significantly in the final plan. The lobby has two entrances to the south on 50th Street, one on either side of the core, as well as an entrance to the north on 51st Street, along the east side of the core. The core itself has two west–east passages connected by elevator banks. The more northerly of the east–west passages has stairs and escalators to the second story and the basement. Until the 1990s, the southern passage had been a narrow hallway because there were two storefronts next to it. A "breezeway" led east to Sixth Avenue, but this had been closed by 2002. Time Inc.'s reception area was within the lobby behind the fountain.

The lobby has the same pavement as the plaza outside the building. This pavement consists of white serpentine terrazzo tiles bordered with stainless steel and aligned from west to east. The pavement, installed by the American Mosaic & Tile Company, was meant to relate with the plaza. The floors had originally been made of cementitious terrazzo. The southern section of the lobby had been expanded in the 1990s, over the site of the storefronts there, but the extended floor did not match the original pavement. The entire lobby was resurfaced in the late 2010s with marble-based terrazzo tiles that matched the original pavement design. Because the marble tiles had contained natural veins of black rock, contractors manually removed the veins before installing the tiles.

The walls are largely made of plate-glass windows and white marble panels. Around the core, the walls are made of stainless steel rectangular panels. The steel panels are designed to complement the floor colors and are arranged in a checkerboard pattern. The ceiling throughout the lobby is  high. The ceiling is made of dark maroon glass tiles, finished in a matte covering, with white lighting coves in some tiles. Manufactured by American-Saint Gobain Corporation, the glass tiles are suspended from washers at each corner and are designed to be removed for maintenance. In the late 2010s, the original glass ceiling was replaced with reddish-burgundy tiles that matched the original color.

The lobby walls contain large murals by Josef Albers and Fritz Glarner, both of whom Harrison had known for many years. Glarner's mural, entitled Relational Painting No. 88, measures  and is mounted east of the elevators. It includes overlapping red, yellow, blue, gray, and black geometric shapes on a white background. Albers's mural, entitled Portals, measures  and is mounted west of the elevators. Portals includes alternating bands of white and brown glass, which surround a set of bronze and nickel plates in a way that gives the impression of depth. Relational Painting No. 88 was installed in April 1960, while Portals was installed twelve months later. Another artwork by Fortune art director Francis Brennan was installed north of the elevators in January 1965. Brennan's work consists of a relief measuring , which contains all the letters of the alphabet in the Caslon 471 typeface.

Storefronts
When 1271 Avenue of the Americas opened, there was a Manufacturers Trust bank branch within the northeast corner of the base, next to the lobby. There had also been two storefronts along the southern end of the lobby, next to the west–east corridor there, but the storefronts were removed in the 1990s.

Along the lobby's west side was La Fonda del Sol (the Inn of the Sun), a Latin American-themed restaurant operated by Joseph Baum of Restaurant Associates. The interiors were designed by Alexander Girard and furniture by Charles Eames. La Fonda had an elaborate entry foyer and a set of dining spaces leading to the largest dining room. The dining rooms were decorated with Latin American artifacts, and each of the dining rooms was furnished in vivid colors with at least two hues of fabrics. It closed in 1971 and was replaced with a bank branch. The branch, originally for the Seaman's Bank for Savings, had round steel columns as well as green marble counters with flecks of white. The businesses in the modern lobby include The Capital Grille and Ted's Montana Grill.

Upper floors

Offices

The seven lowest stories each have about . Each of the upper stories has around  of space, largely uninterrupted by columns. These were among the largest floor plates of any office building in New York City since World War II. This arrangement was inspired by the PSFS Building in Philadelphia, Pennsylvania. All stairs and elevators are placed in a service core, leaving the outer section of each floor available for use. This improved the efficiency of each floor by allowing an open plan for the offices. The arrangement of the building allowed high flexibility in planning interior offices. An office module in the building generally measured , though these could be combined as necessary.

The firm Designs for Business was responsible for the design of Time Inc.'s space, which originally spanned 21 stories. Time Inc. had to fit multiple small rooms and cubicles on each of its floors, but the company was largely able to fit these rooms and cubicles within the modular system. Square aluminum posts were installed in Time Inc.'s space, through which partition panels could be installed. The panels themselves were made of a myriad of materials including wood, plastic, burlap, and glass, though they were initially not soundproof. Mockups of the offices were manufactured at Astoria, Queens, as well as in Time Inc.'s earlier headquarters at 1 Rockefeller Plaza. The elevator lobbies on each of Time Inc.'s stories had different decorations. The 28th floor also had a photo gallery where photojournalist Alfred Eisenstaedt worked.

After Charles Eames designed the chairs for Time Inc.'s offices, he created a new chair design in 1961, which was nicknamed the Time-Life Chair. Eames designed them as a favor to Henry Luce, who had allowed Eames to use photos from the Time-Life archives for the pavilion he designed at the 1959 American National Exhibition in Moscow. The chairs remain in production , though the original design with four legs at the base has been revised to include a fifth leg for stability and to meet updated product codes. In 2015, one original Time-Life Chair cost $6,000, while the five-legged replicas retailed for $3,000 each.

Other offices in the building originally included the second-story offices of the Gilman Paper Company, designed by SLS-Environetics and connected to the lobby by an escalator. The vestibule at the top of the escalators had stainless-steel wall and a carpet that extended across the floor and part of the walls. Gilman's reception area had an angular reception desk and lighting fixtures made of stainless steel. Gilman's offices had ceilings measuring  tall, with angular furniture, sculpted ducts and lighting elements, exposed structural beams, and a color-coding scheme to distinguish the different departments.

Auditorium
Gio Ponti designed an auditorium at the setback above the eighth floor, along with an adjoining kitchen, dining room, reception area, and lounge. This space was meant for meetings with advertisers and corporate and sales functions. The space was arranged with walls at irregular angles and originally had colored glass-block walls and Sicilian paintings. The auditorium itself had a domed ceiling, while the ceiling in the adjoining spaces contained brass motifs. The floors were yellow with green and blue streaks, and geometric wooden furniture was specially designed for the space. The auditorium was closed by 1981, when the furniture was sold; it was redesigned by Davis, Brody & Associates in 1983.

Hemisphere Club and Tower Suite

The Hemisphere Club and Tower Suite shared a space on the 48th floor and was designed by George Nelson & Company. During the day, the Hemisphere Club was a 250-seat private club for executives that, when the building opened, charged $1,000 for initiation and $360 in annual fees thereafter. This made the Hemisphere Club one of several private clubs at the tops of New York City skyscrapers. In the evenings, the restaurant space opened to the public as the Tower Suite, which originally offered meals for $8.50 per person. The restaurant was operated by Restaurant Associates. George Nelson designed special chairs for the restaurant, which apparently were never manufactured. Since the windows split the view from the 48th floor into many sections, the space was designed with window embrasures.

The New Yorker reported several years after the Tower Suite's opening that "a butler in a black tailcoat and a maid in a fluffy white apron" visited every table seven days a week. When the restaurant opened, Craig Claiborne of The New York Times called it "for the most part, excellent"; by 1970, New York magazine called it "the baneful cumulus atop Time Inc." According to New York Times food critic Florence Fabricant, the Tower Suite may have originated the trend of servers introducing themselves to guests. When business at the Hemisphere Club declined with the construction of taller buildings in the area, the space was renovated so it could function as a dining hall at night. Dinners at the Tower Suite cost $11.50 per person in 1970, but they had increased to $70–130 per person by 1990. The Hemisphere Club closed in the 1990s.

History
Time Inc. had been housed at 1 Rockefeller Plaza since 1937, when that building had opened as part of the construction of Rockefeller Center. As early as 1946, it had sought to develop the site of the Marguery Hotel at 270 Park Avenue for a 35-story headquarters designed by Harrison & Abramovitz, though the plans did not come to fruition. By 1953, Time Inc. was set to outgrow its existing space in 1 Rockefeller Plaza within a year, and it wanted to have its headquarters in a single building. Time Inc. seriously considered relocating to Westchester County, a northern suburb of New York City, as well as to a suburb of Philadelphia. By November 1955, the company decided to stay in New York City because of the large number of transportation options there.

Construction

Once Rockefeller Center Inc.'s managers learned of Time Inc.'s predicament, they hired Harrison & Abramovitz to create plans for a building on Rockefeller Center Inc's vacant plot that could house both NBC and Time. The plans involved creating several elevation drawings as well as a 15-minute film. NBC ultimately dropped out of the project because its CEO, David Sarnoff, dissented. Rockefeller Center Inc. acquired the Roxy Theater in August 1956. That December, officials announced the construction of the Time-Life Building. When the plans were announced, Time had leased  in the building, and American Cyanamid, Shell Oil Company, McCann-Erickson, and Esso had already made lease agreements for other floors. The developers had already ordered 27,000 tons of structural steel to be delivered in early 1958.

Time Inc. and Rockefeller Center formed a joint venture, Rock-Time Inc., to share the tower's rent income; Rockefeller Center had the majority stake of 55 percent and Time Inc. had the remaining 45 percent. Harrison & Abramovitz filed plans for the building in March 1957. A groundbreaking ceremony occurred on May 16, 1957, marking the start of excavation. By the following month, the building was 70 percent leased, and Curtiss-Wright and Westinghouse Electric Corporation had become tenants. The Rockefeller Center Sidewalk Superintendents' Club, composed of members of the public who wanted to observe Rockefeller Center's construction, was revived after having been dormant for seventeen years. The actress Marilyn Monroe presided over the club's inaugural ceremonies that July. The excavations involved blasting rock to the layer of Manhattan schist  deep.

By November 1957, the excavations were largely complete; the Rockefeller Foundation had leased offices and two tenants had expanded their lease commitments. Rockefeller Center Inc. chairman Nelson Rockefeller and Time Inc. president Roy E. Larsen announced details of the design the same month. Construction on the Time-Life Building's superstructure started in April 1958. That August, the Equitable Life Assurance Society loaned the project's developers $50 million. At the time, it was the largest-ever financing on a single real-estate parcel. The structure topped out in November of that year. The next April, Time Inc. sublet six of the 21 floors under its control. The building was 92 percent leased by then, including the space that was being sublet. The Time-Life Building's cornerstone was laid in June 1959, at the southeast corner of the building, after the superstructure had been completed.

Late 20th century

The first tenant, the American Cyanamid Company, began moving into the tower in October 1959. Over the next couple of months, tenants began moving into the building and the final interior design elements were installed. By that December, the construction fence around 1271 Avenue of the Americas had been dismantled and several companies had occupied their space. Additional leases were announced in January 1960, including one storefront. A passageway from the basement to the subway station opened the next month. Life magazine moved into the building that April, writing that its new headquarters was "a victory in the fight to improve down-at-the-heels Sixth Avenue". Ultimately, Time Inc. was able to sublet part of its space to more than forty firms. By late 1961, the building was almost completely occupied.

La Fonda del Sol had moved out of the Time & Life Building to a smaller location by early 1971. The restaurant space was replaced by a Seaman's Trust bank branch. The bank was so popular that, in three weeks, it performed six months' worth of transactions. Although Life magazine shuttered in 1972, the building retained its name and the former Life space was quickly taken by the company's other publications, such as People and Money. A U.S. Steakhouse restaurant designed by Gwathmey Siegel & Associates Architects opened in the building in 1975 and was slightly renovated a few years later. By 1981, Time Inc. occupied about  of space and some of its divisions, such as HBO, had to be housed in other buildings. The eighth-floor auditorium was renovated in 1983. An electric cooling system was also added in the early 1980s to supplement the original steam-powered cooling system.

Time Inc. sold its 45 percent ownership stake in December 1986 to the Rockefeller Group, which by then was the majority owner, for $118 million. Time Inc. planned to use some of the proceeds from the sale for other purchases such as stock buybacks. In the same transaction, Time Inc. extended its lease from 1997 to 2007, with an option to extend its lease by another ten years, to 2017. Time Inc. executed its option to extend its lease in 1999. At the time, the company occupied 80 percent of the Time & Life Building and it had rented space at the adjacent 135 West 50th Street. The two buildings were to be connected internally on the second floor as part of a $190 million renovation. A natural-gas cooling system was added in 2000; at the time, it was New York City's only building with three cooling sources.

21st century

By August 2001, Time Inc. was part of AOL Time Warner and occupied 98 percent of the building's space. That month, AOL Time Warner subsidiary CNN and the Rockefeller Group agreed to convert a former Chase Manhattan Bank branch at the base into a two-story CNN television studio. In July 2002, the New York City Landmarks Preservation Commission designated the lobby interior as a city landmark. Municipal Art Society executive director Frank E. Sanchis III prompted Rockefeller Center's owner at the time, the Rockefeller Group, to support the preservation of the lobby. At the time, the lobby was being renovated by Swanke Hayden Connell Architects for $40 million. The renovation involved combining two storefronts into a waiting lounge, as well as creating a secure area around the elevators. The CNN studio opened in September 2002, with scenic design by Production Design Group. The Ted's Montana Grill restaurant opened in 2006 on the ground level.

In May 2014, Time Inc. announced it was planning to leave the Time & Life Building for the Brookfield Place complex in lower Manhattan. The following year, Time Inc. moved out of its offices, and the Rockefeller Group announced a $325 million renovation for the entire building, designed by Pei Cobb Freed & Partners. As part of the renovation, the architects created a new entrance on Sixth Avenue, repaved the plaza, and replaced the facade. The Rockefeller Group also restored the lobby and renamed the building to its address. Time Inc. removed a time capsule that had been embedded in the building since its cornerstone was laid. In addition, Glarner's and Albers's paintings were restored, and the floors, ceilings, and signs were modified to match the original design. The building was completely vacant by the beginning of 2018.

The renovation was nearly completed by 2019 and was fully leased at that time. However, with the COVID-19 pandemic in New York City the following year, the building stood largely empty for months. Following the completion of the renovation, the building received a Leadership in Energy and Environmental Design (LEED) Gold certification in 2020. Despite the COVID-19 pandemic, the building was again fully leased by May 2021. The Greek restaurant Avra Estiatorio leased a two-story space at the base, which opened in June 2022.

Tenants
 American International Group
 Bessemer Trust
 Blank Rome
 Greenhill & Co.
 H.I.G. Capital
 Latham & Watkins
 Major League Baseball including a two-level MLB Store at the building's base
 Mizuho Financial Group

Impact
Upon the building's completion, Architectural Forum wrote: "The building's character reflects a joining of partners, a marriage of uses, a meld of design, and a union between New York's two generic office-building types. [...] In skyscraper society, the Time & Life Building is upper-middle-class." New York Times critic Ada Louise Huxtable, writing in 1960, said that 1271 Avenue of the Americas, 28 Liberty Street, and 270 Park Avenue all had a "still too-rare esthetic excellence". Huxtable also characterized 1271 Avenue of the Americas' spaces as "flexible architectural anarchy". In a 2022 appraisal of public art in New York City buildings, Anthony Paletta of The Daily Beast described the building's lobby as having "Burle-Marx-like" flooring, while Albers's Portals and Glarner's Relational Painting No. 88 were "two great pieces" of art. 1271 Avenue of the Americas' completion spurred the construction of other buildings along Sixth Avenue.

1271 Avenue of the Americas has also been shown in works of popular culture. The building was prominent in the television series Mad Men as the fictional headquarters of the advertising agency Sterling Cooper Draper Pryce (later Sterling Cooper & Partners). AMC, the network on which Mad Men airs, unveiled a bench in front of the building in 2015; it contains a sculpture of lead character Don Draper's black silhouette, as shown in the show's opening credits. In addition, the 2013 film The Secret Life of Walter Mitty was partially set within the building.

References

Notes

Citations

Sources

External links

1959 establishments in New York City
Leadership in Energy and Environmental Design basic silver certified buildings
Magazine headquarters
Mass media company headquarters in the United States
Modernist architecture in New York City
New York City Designated Landmarks in Manhattan
New York City interior landmarks
Office buildings completed in 1959
Rockefeller Center
Sixth Avenue
Skyscraper office buildings in Manhattan


text:
Samuel Escobar (* 1934 in Arequipa, Peru) ist ein peruanischer Theologe mit evangelikaler Ausrichtung.

Samuel Escobar studierte an der Universidad Nacional Mayor de San Marcos in Lima und promovierte an der Universidad Complutense in Madrid. Von 1959 bis 1985 war er beratend für die internationale Vereinigung evangelikaler Studenten in Peru, Argentinien, Brasilien, Spanien und Kanada tätig. Er war 1974 in führender Position am Internationalen Kongress für Weltevangelisation in Lausanne beteiligt. Von 1985 bis 2005 lehrte Escobar als Professor für Missionswissenschaft am Eastern Baptist Theological Seminary an der Eastern University bei Philadelphia, USA. Heute lebt Escobar in Valencia und lehrt an der Facultad Protestante de Teología in Madrid.

Escobar prägte die Idee der sogenannten "Integralen Mission" mit, die die Dichotomie zwischen sozialem Engagement und Evangelisation in Frage stellt. Die in den katholischen Kirchen der Länder Lateinamerikas entstandene Befreiungstheologie hatte Einfluss auf diese Form der evangelikalen Theologie in Mittel- und Südamerika.

Schriften (Auswahl)
 La fe evangélica y las teologías de la liberacíon. Casa Bautista de Publicaciones, El Paso 1987.
 Evangelio y realidad social. Ensayos. Casa Bautista de Publicaciones, El Paso 1988.
 Tiempo de misión. América Latina y la misión cristiana hoy. Clara, Bogotá 1999.
 Changing Tides. Latin America and World Mission Today. Orbis Books, 2002.
 The new global mission: the Gospel from everywhere to everyone. InterVarsity Press, Downers Grove 2003. ISBN 978-0-83083-301-6.
 A time of mission: the challenge for global Christianity. InterVarsity Press, 2011; Langham Global Library, Carlisle 2013. ISBN 978-1-84474-549-4.
 En busca de Cristo en América Latina. Ediciones Kairós, Buenos Aires 2012.

Einzelnachweise

Evangelikaler Theologe (20. Jahrhundert)
Evangelikaler Theologe (21. Jahrhundert)
Missionswissenschaftler
Hochschullehrer (Radnor, Pennsylvania)
Hochschullehrer (Madrid)
Peruaner
Geboren 1934
Mann


text:
De Sony Xperia Z1 Compact is een Android smartphone van Sony uit 2013. De telefoon heeft scherm met een beelddiagonaal van 11 cm (4,3 inch) en is een kleine versie van zijn broer, de Sony Xperia Z1.

De telefoon werd in oktober 2013 gepresenteerd in Japan. Vanaf februari 2014 was hij te koop in Nederland. De telefoon is water- en stofdicht: hij heeft een IP-code van IP55 en IP58. Ook heeft de telefoon een camera van 20,7 megapixel. De telefoon werd goed ontvangen; onder meer door Tweakers en hardware.info. De telefoon kan zich meten met topmodellen, ondanks zijn kleinere scherm.

Xperia Z1 Compact


text:
El Torneo de Montevideo es un torneo de tenis que se disputa en la ciudad de Montevideo, Uruguay sobre una superficie de polvo de ladrillo. Es el único torneo de ATP desde la aparición de la Era Abierta jugado en Uruguay; perteneció al ATP World Tour 250 en los años 1994 y 1995. El torneo se disputaba en la misma semana en que se llevaba a cabo el Masters de París.
A partir de 1998 el torneo profesional vuelve al Carrasco Lawn Tennis Club pero se realiza como parte de ATP Challenger Series y luego de 2008 como parte del ATP Challenger Tour (ATP Challenger Tour in english).
En esta etapa como torneo challenger recibió el nombre de Copa Ericsson desde el año 1998 hasta el 2001. Posteriormente se volvió a disputar a partir del año 2005 como Copa Petrobras. A partir del año 2011 es conocido como Uruguay Open.

Campeones vigentes
 En singles, el argentino Genaro Olivieri
 En dobles, los actuales campeones son los polacos  Karol Drzewiecki y Piotr Matuszewski

Palmarés como Torneo ATP World Tour 250

Individuales

Dobles

Palmarés como Torneo Challenger

Individuales

Dobles

Referencias

Enlaces externos

 Sitio oficial


text:
Влади́мир Серо́в: Серов, Владимир Александрович (1910—1968) — советский живописец, график, педагог.
 Серов, Владимир Вячеславович (1922—1988) — полный кавалер ордена Славы.
 Серов, Владимир Георгиевич (1922—1944) — советский лётчик, Герой Советского Союза.
 Серов, Владимир Николаевич (род. 1931) — советский и российский гинеколог, член-корреспондент РАМН.


text:
Hit FM is a radio station in Jutland, Denmark. It is divided into three stations, each of which broadcast on their own frequency. There are local departments in Aalborg, Viborg and Herning.

The station plays a variety of genres, including pop, rock, hip hop and R&B. Within these genres, the station focuses on popular mainstream hits.

External links
 HIT FM official website

Radio stations in Denmark
Contemporary hit radio stations in Denmark
Radio stations established in 1983


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De Europese Weg 018 of E018 is een Europese weg die in Kazachstan loopt van Zhezkazgan naar Ūspenka (Успенка) aan de Russische grens.

Algemeen
De Europese weg 018 is een Klasse B-verbindingsweg en verbindt het Kazachse Zhezkazgan met het Kazachse Ūspenka en komt hiermee op een afstand van ongeveer 1130 kilometer. De route is door de UNECE in 2002/2003 als volgt vastgelegd: Zhezqazghan - Qaraghandy - Pavlodar - Ūspenka (Успенка).

Europese weg 018


text:
Alfred Stern (født 22. november 1846 i Göttingen, død 24. marts 1936 i Zürich) var en tysk historiker, søn af matematikern Moritz Stern.

I 1873 blev han professor i Bern og 1888 i Zürich ved Polytechnicum. Han vandt et smukt navn, blandt andet ved Geschichte der Revolution in England (1881, 2. udgave 1898), og i 1894 påbegyndte han sit hovedværk: Geschichte Europas seit den Verträgen von 1815 bis zum Frankfurter Frieden von 1871. Han satte sig som mål at give en indgående fremstilling af dette tidsrum, bygget ikke blot på trykte kilder, men ogsaa på arkivstudier, og han har til den ende benyttet arkiverne rundt om i Europa, blandt andet også i Danmark. Det blev et udmærket arbejde, gennemført med stor grundighed og præget af en ivrig stræben efter objektiv bedømmelse, og det er lykkedes forfatteren at få det fuldendt; dets 10. og sidste bind udkom 1924.

Kilder

Historikere fra Tyskland
Faglitterære forfattere fra Tyskland
Tysksprogede forfattere
Tyskere i 1800-tallet
Tyskere i 1900-tallet


text:
Melun är en kommun i departementet Seine-et-Marne i regionen Île-de-France i norra Frankrike. Kommunen är chef-lieu över 2 kantoner som tillhör arrondissementet Melun. År  hade Melun  invånare.

Befolkningsutveckling
Antalet invånare i kommunen Melun

Se även
 Lista över kommuner i departementet Seine-et-Marne

Källor

Externa länkar

Orter i Île-de-France
Kommuner i Seine-et-Marne


text:
El Pazo Bayón es una propiedad rústica situada en la parroquia de Bayón (Villanueva de Arosa), dedicada a la producción de vino albariño. El recinto se compone de plantaciones de esta variedad de uva, el pazo que le da nombre a la propiedad, un edificio dedicado a las tareas agropecuarias y un almacén, todos ellos de piedra. El Pazo Bayón alcanzó gran fama por ser la propiedad emblemática del narcotraficante Laureano Oubiña, siendo también un símbolo de la lucha contra el narcotráfico. Actualmente pertenece a la bodega Condes de Albarei.

El terreno cuenta con 287 hectáreas de uva albariña, lo que lo convirtió durante mucho años en la mayor plantación de esta variedad de uva en toda Galicia. En los últimos años perdió este título, aunque sigue siendo la mayor plantación de esta variedad en la comarca de Salnés.

Historia

Origen
La primera edificación se trataba de una casa-torre de origen medieval, perteneciente a la familia Priegue. El Pazo actual comenzó a edificarse en el año 1928 por Adolfo Fojo Silva, un emigrante que retornó enriquecido de América. Mientras se estaba rehabilitando, se la cedió a su hijo Narciso Fojo y a sus 14 nietos, razón por la cual durante gran parte del siglo se conoció como la Finca de los Fojo.

Etapa de Laureano Oubiña
La propiedad rústica fue adquirida en el año 1987 por 275 millones de pesetas por una sociedad formada por los contrabandistas Laureano Oubiña, Sito Miñanco y Pablo Vioque, siendo sus titulares reales el matrimonio formado por Laureano Oubiña y su mujer, Esther Lago. El matrimonio, que nunca llegó a instalarse en el Pazo, dejó de lado el cuidado de las parras, lo que ocasionó un descenso de la productividad de los viñedos. Durante esta época se hizo famosa la imagen de madres de drogodependientes, lideradas por Carmen Avendaño, manifestándose a las puertas del inmueble.

Pazo Bayón fue intervenido cinco años después de la Operación Nécora, el 9 de enero de 1995 por parte del juez Carlos Bueren, mientras que el juez Baltasar Garzón procedió a su embargo para hacer frente a la multa de la Operación Nécora, que ascendía a un total de quince millones, y en el transcurso del cual fueron detenidos Laureano Oubiña y su mujer. Pese a todo, solo pudo ser condenado cuatro años después, por motivo de un alijo de quince toneladas de hachís incautados en el barco Regina Maris. Tras esta condena, Oubiña huyó de la justicia, siendo capturado al cabo de trece meses por la Interpol en Grecia.

Gestión del Estado
Para evitar la parálisis de la empresa, el Estado español alquiló en 1996 su gestión a la empresa catalana Freixenet, que mantuvo durante trece años su explotación.

Cuando el Estado intentó poner a la venta la finca, Esther y Lara Oubiña, las hijas de Laureano Oubiña, presentaron un escrito ante el Plan Nacional de Drogas en el qie alegaban que ya en 2005 habían recurrido el comiso ante el Tribunal de Estrasburgo, cuando contaban con 20 y 18 años respectivamente, por lo que ya eran mayores de edad. El Plan, que tenía previsto comenzar la rueda de negociaciones el 29 de enero de ese año, suspendió su actividad para consultar con la Abogacía del Estado. Las hijas aleganan que el pazo era parte de la herencia de su madre, fallecida en accidente de automóvil en Cambados. Tras un largo proceso en los tribunales, el Tribunal Europeo de Derechos Humanos autorizó la venta.

Puja
El 9 de noviembre de 2007, la Mesa de Coordinación de adjudicaciones del Plan Nacional sobre Drogas sacó finalmente el Pazo a puja pública, a un precio inicial de 8,7 millones de euros, siendo cuatro las bodegas interesadas en adquirirlo: Freixenet, Marqués de Riscal, Bodegas Martín Códax y Condes de Albarei. La oferta fue publicada en el BOE y contenía una serie de requisitos para evitar que en la puja participasen empresas-pantalla de narcotraficantes. Así, las empresas que quisiesen presentar una oferta tenían que acreditar una actividad de cuatro años en el sector vitivinícola, así como una facturación media en los cuatro años previos de al menos cinco millones de euros.

Candidaturas
La bodega catalana intentó adquirir la titularidad de las tierra que venía explotando, pero sufrió un duro revés al quedar excluida de la puja tras presentar una puja de once millones de euros, frente a los trece que presentaron los otros tres candidatos. Tras esta decisión, José Ferrer, el presidente de honor de la empresa declaró: "Ellos ofrecieron el máximo que permitía el concurso, pero nosotros, que llevamos más de una década al frente de la gestión del pazo, sabemos que el valor real no es superior a los once millones". Así mismo, vaticinó que con el precio de salida de trece millones de euros que habían hecho las otras tres empresas, el pazo no sería adquirido por menos de quince millones de euros, "cifra difícil de amortizar", según declaró.

Freixenet expresó su voluntad de seguir ligada al negoco del vino albariño a pesar de perder la gestión del Pazo, puesto que la marca más vendida de estos viñedos, Vionta, es propiedad de Freixenet. Los planes de la empresa en el sector pasan por adquirir una bodega en Galicia con la que seguir produciendo el mencionado vino, que ya en gran medida se estaba elaborando con uva de otras fincas. Para afrontar esa inversión, la bodega tiene previsto embolsar el dinero debido por el Plan Nacional de Drogas. En palabras de Ferrer: "Cuando firmamos el contrato de gestión, acordamos que todas las inversiones que realizásemos en maquinaria y nuevas instalaciones deberán ser adquiridas por el nuevo propietario y pagadas a Freixenet"

Adjudicación
El 20 de junio de 2008 finalizó el plazo para presentar las ofertas, y el 23 de junio de 2008 se desveló que la ganadora de la puja fue la  cooperativa cambadesa Condes de Albarei, que ofreció 15.102.000 euros por la propiedad rústica, frente a los pocos más de trece de los otros dos aspirantes. La compra se formalizó el 16 de julio de 2008, tras la cual la bodega se convirtió en la poseedora del mayor número de hectáreas de albariño de toda la comarca de Salnés.

Rehabilitación
Tras la adquisición del Pazo, la bodega Condes de Albarei inició en septiembre de 2008 una inversión de diez millones de euros para acondicionar los terrenos y hacerlos más rentables. Dentro de este proyecto está el de construir un centro de recepción de visitantes y acondicionar la bodega para elaborar en ella un vino de gama más alta, del que se prevé elaborar 160.000 botellas de vino blanco al año.

Restauración
Además de invertir para aumentar la rentabilidad de las parras, sus nuevos propietarios planearon rehabilitar todos los edificios de la propiedad. El proyecto de reforma fue obra de César Portela, con la aspiración de convertir el Pazo en un centro de enoturismo que atrajese a 50.000 visitantes al año, y que estuviese operativo en el 2010, coincidiendo con el Año santo jacobeo.

En junio de 2011 finalizó la primera parte de la reforma, que supuso una inversión de cinco millones de euros, y afectó a 5.000 metros cuadrados de edificios y a tres hectáreas de terreno al aire libre. Así, la vieja bodega se convirtió en un salón para eventos, a semejanza del que ya tiene la bodega Condes de Albarei en Castrelo, o Bodegas Martín Códax en su bodega de Vilariño.

Nueva imagen
Para renovar la imagen del Pazo y alejarla de su vinculación con el narcotráfico, Condes de Albarei convocó un concurso para elegir una nueva imagen de marca, con un jurado compuesto por Isaac Díaz Pardo, César Portela, Antón Patiño, Francisco Leiro y Xosé Manuel Casabella, director de la ETSAC de La Coruña. Tal y como explicó el gerente de la bodega, Xavier Zás: "A esta propiedad hay que hacerle un lavado de cara. Ahora mismo estamos escribiendo una nueva página en la historia del Pazo de Bayón y comenzamos con un concurso de imagen." Para eso, la temática del concurso es libre, si bien no se admitirán diseños que tengan connotaciones con su pasado ligado al narcotráfico. El premio será de 10.000 euros, con dos accésits de 2.000. Díaz Pardo declaró al respecto: "Esto va a ser mucho más que una bodega, va a ser una empresa de prestigio internacional."

Aunque al principio el plazo era de tres meses, el alto número de participantes obligó a atrasar el fallo hasta el 27 de febrero de 2009 . En esa fecha se examinaron las 357 obras propuestas, de las cuales cinco pasaron a la fase final. Los autores de estas obras fueron citados en la bodega para el viernes 2 de abril para explicar los detalles de su propuesta.

El ganador fue el diseñador madrileño Lucas Gil-Turner, con su proyecto Metamorfosis.

Rehabilitación de drogodependientes
El contrato de venta recogía que el adquiriente debía dar trabajo durante los quince próximos años a un porcentaje de drogodependientes en proceso de rehabilitación, con el objetivo de facilitar su incorporación al mercado laboral, Esta cláusula se plasmó en la vendimia de 2008 con ocho personas empleadas por esta vía, siete hombres y una mujer.

Otro compromiso adquirido por la bodega fue destinar el 5% de la facturación anual del Pazo a programas de prevención, tratamiento y reinserción de drogodependientes durante el mismo periodo de quince años .

Premios
La Asociación Galega de Xornalistas e Escritores de Turismo (Agaxet) eligió el albariño del Pazo como el mejor producto de 2010. El galardón fue entregado el 2 de marzo de 2011, en la gala del Turismo y la Gastronomía de Galicia, que tuvo lugar en el Auditorio Novacaixagalicia de Pontevedra.

El Pazo en el cine
El Pazo Baión fue escenario de la película Heroína, de Gerardo Herrero, que narra la lucha de madres de drogodependientes para acabar con la impunidad de los narcotraficantes en la Galicia de los años ochenta, basándose en la figura de Carmen Avendaño.

Notas

Véase tamén

Otros artículos

 Pazos de Galicia

Enlaces externos

 Web Bodega Pazo Baion
 Condes de Albarei
 Pazo Baion en la Ruta Rias Baixas
 Pazo Baion Información Centro enológico

Pazos de la provincia de Pontevedra


text:
Bethlehem Missionary Baptist Church was located south of Tallahassee, Florida in the unincorporated community of Belair and was moved to the Tallahassee Museum as one of its historical buildings.

The church was founded by James Page in 1851 on cotton plantation property given to him by John Parkhill, his owner. Bethlehem Missionary was the first regularly organized black church in Florida according to the museum and was restored by Florida A & M University.

References

Baptist churches in Florida
History of Leon County, Florida
Churches in Leon County, Florida
1851 establishments in Florida
Churches completed in 1851


text:
The following is a list of awards and nominations received by American director, producer, and screenwriter Quentin Tarantino. In 1994, for his work on Pulp Fiction, he was nominated for the Academy Award for Best Director and for Best Original Screenplay, winning the latter. While Pulp Fiction was nominated for Best Picture, Tarantino wasn't a listed producer. He was nominated for the same categories in 2009 for Inglourious Basterds, and in 2012 he again won Best Original Screenplay for Django Unchained. He received his first Best Picture nomination for Once Upon a Time in Hollywood due to his producer's credit.

Awards and nominations

AACTA International Awards

Academy Awards

Best Picture

Best Director

Best Original Screenplay

BAFTA Awards

Best Film

Best Director

Best Original Screenplay

BAFTA Britannia Awards

Cannes Film Festival

Critics' Choice Movie Awards

Golden Globe Awards

Best Motion Picture – Musical or Comedy

Best Director

Best Screenplay

Film Independent Spirit Awards

National Board of Review Awards

Best Film

Best Director

Best Original Screenplay

National Society of Film Critics Awards

Best Film

Best Director

Best Screenplay

Sitges Film Festival

Saturn Awards

Best Action, Adventure or Thriller Film

Best Horror Film

Best Thriller Film

Best Fantasy Film

Best Supporting Actor

Best Director

Best Writing

Primetime Emmy Awards

Grammy Awards

Golden Raspberry Awards

Stinkers Bad Movie Awards

Directed Academy Award performances

Other lifetime honors
 2005 Icon of the Decade Award at the 10th Empire Awards.
 2007 Lifetime achievement award at the Malacañan Palace in Manila.
 2008 Filmmaker on the Edge Award at the Provincetown International Film Festival.
 2010 Order of Merit of the Hungarian Republic along with Lucy Liu and Andy Vajna for producing the 2006 film Freedom's Fury.
 2011 honorary César from the Académie des Arts et Techniques du Cinéma.
 2013 Lifetime Achievement Award by the Rome Film Festival.
 2013 Prix Lumière, at the fifth Festival Lumière, in Lyon, France.

References

Awards and nominations received by
Tarantino, Quentin, list of awards and nominations received by
Tarantino, Quentin, list of awards and nominations received by


text:
Cyrtonus martorelli es una especie de insecto coleóptero de la familia Chrysomelidae.

Fue descrita científicamente en 1880 por Fairmaire.

Referencias

martorelli


text:
Condado de Taitung () é o terceiro maior condado de Taiwan, localizado na costa oriental da ilha Formosa.

O território de Taitung abrange 3.515 quilômetros quadrados, sendo o terceiro maior condado do país, depois de Hualien e Nantou. O litoral de Taitung tem 231 km de extensão e uma população de 231.863 habitantes. Sua capital é a cidade de Taitung.

Ver também
Subdivisões de Taiwan

Ligações externas

Condados de Taiwan


text:
Влада Јована Лалошевића је била Покрајинска влада покрајине Банат, Бачка и Барање (званичан назив је био Народна управа за Банат, Бачку и Барању) у Краљевини СХС. Формирана је 25. новембра 1918. и трајала је до 11. марта 1919. године.

Састав Владе

Извори

Види још
 Списак председника покрајинских влада Војводине

Покрајинске владе Војводине


text:
Inspiración es el primer LP en solitario del rapero sevillano Puto Largo.

Introducción
Bon voyage
Contigo hermano (con Legendario y Aniki)
F@ck the police
Veneno
El arte de la guerra (con Shotta y Buda)
Lo que me corre por las venas
Jugando en otro nivel (con Zatu)
Inspiración
El ojo del huracán (con Dekoh, Legendario y Demonio)
No es fácil
Maldito sueño
Mira como lo hago (con El Niño (MC))
Los de la primera fila
Otra dimensión
Freedom (con Euphrates y Dogma Crew)
Outro
El ciego (Bonus track)

Referencias
 Ficha del álbum en versosperfectos.com. Enlace consultado el 10 de junio de 2009.

Álbumes de rap


text:
Az Egy katonaének (teljes címe: Egy katonaének: in laudem confiniorum; A végek dicsérete) Balassi Bálint reneszánsz kori magyar költő alkotása. A mű Balassi vitézi versei közé tartozik, azok közül is az egyik legismertebb. Témája a végvári katonák élete, és egyben a költő búcsúja a magyar hazától. Az 1589-es évben keletkezett.

A mű keletkezésének körülményei
Balassi, miután folyamatos szerelmi csalódások és társadalmi kudarcok érték (az 1584-ben unokatestvérével, Dobó Krisztinával kötött házasságát érvénytelenné nyilvánították, a katolikus Habsburg uralkodócsalád sem támogatta többé, mert áttért a protestáns hitre), 1589-ben elhagyta Magyarországot, és Lengyelországba ment. Wesselényi Ferencnél talált menedéket, aki abban az időben jelentős lengyelországi birtokokkal rendelkezett. A költő megismerkedett, majd szerelmi viszonyt folytatott Wesselényi feleségével, Szárkándy Annával. Külföldi tartózkodása alatt jött rá, hogy tulajdonképpen mit is jelent számára a haza, száműzetése alatt írta meg a Végek dicséretét, melynek fő motívumai a búcsú, a visszatekintés és az emlékezés.

A mű általános mondanivalója
Az Egy katonaének "páratlan hitelességű kor- és hadtörténeti dokumentum, melynek minden szava, minden mozzanata a személyes tapasztalat mindennapos valóságát tükrözi. Ugyanakkor más is, jóval több, mint lírai korrajz: a kor egyik legkiemelkedőbb költőjének világhorizontú, egyetemes érvényű vallomása egy kiegyensúlyozott, harmonikus világrend utáni vágyakozásról, melyben az emberség, a tisztesség, az önzetlen, bátor helytállás erkölcsi magasabbrendűsége győzedelmeskedik." (Kecskés András)

A vers elemzése
A mű megszólítással ("Vitézek,...") és költői kérdéssel ("mi lehet ez széles föld felett szebb dolog az végeknél?") kezdődik.

A vers további része valójában ennek az egy költői kérdésnek a megválaszolása: a költő bemutatja a vitézek életformáját, és ezzel próbálja bebizonyítani, hogy valóban nincs szebb dolog a katonai pályánál. Habár a művet megszólítással kezdte, a megszólítottakról a továbbiakban már többes szám harmadik személyben beszél. Mozgalmas képek sorozatában jeleníti meg a végvári vitézek életének pillanatait: a harci kedvet, a portyára készülődést, az ellenség elé vonulást, az éjszakai ütközetet, párviadalokat, majd a csata elmúltával a letáborozást és lenyugvást. Ebben a részben a költő a katonai életet elsősorban pozitív nézőpontból mutatja be.

Az ötödik versszakban, mely tekinthető a vers csúcspontjának, a költő elvonatkoztat a konkrét történésektől, általánosít, a katonaéletről mint legmagasabb eszményről beszél. A továbbiakban újabb életképek következnek, ezúttal azonban Balassi már a katonaélet árnyoldalát tárja elénk, nem titkolja a vitézi élet veszélyességét sem, de véleménye szerint éppen ezzel együtt, ezért is szép a katonák élete.
A mű vége felé újra a vitézeket szólítja meg: dicséri őket ("vitézeknek dicséretes serege") és áldást kér rájuk ("sok jó szerencsékkel áldjon Isten mezőkbe").

Verselés és rímképlet
Verselése magyaros, ütemhangsúlyos, a mű Balassi-strófában íródott, minden strófa három sorból, az egész vers pedig kilenc strófából áll. A Balassi-strófa rímképlete 6a-6a-7b-6c-6c-7b-6d-6d-7b (a számok az adott sor szótagszámát jelölik, az azonos betűk pedig az egymással rímelő sorokat).

A vers szövege

Egy katonaének: in laudem confiniorum

Vitézek, mi lehet ez széles föld felett szebb dolog az végeknél?
Holott kikeletkor az sok szép madár szól, kivel ember ugyan él,
Mező jó illatot, az ég szép harmatot ád, ki kedves mindennél.

Ellenség hírére vitézeknek szíve gyakorta ott felbuzdul,
Sőt azon kívül is, csak jó kedvébül is vitéz próbálni indul,
Holott sebesedik, öl, fog, vitézkedik, homlokán vér lecsordul.

Veres zászlók alatt lobogós kopiát vitézek ott viselik,
Roppant sereg előtt távol a sík mezőt széjjel nyargalják, nézik;
A párduckápákkal, fényes sisakokkal, forgókkal szép mindenik.

Jó szerecsen lovak alattuk ugrálnak, hogyha trombita riadt,
Köztük ki strázsát áll, ki lováról leszáll: nyugszik reggel, hol virradt,
Midőn éjten-éjjel csataviseléssel mindenik lankadt, fáradt.

Az jó hírért, névért, s az szép tisztességért ők mindent hátra hadnak.
Emberségről példát, vitézségről formát mindeneknek ők adnak,
Midőn mint jó rárók, mezőn széjjel járók, vagdalkoznak, futtatnak.

Ellenséget látván, örömmel kiáltván, ők kopiákat törnek;
S ha súlyosan vagyon a dolog harcukon, szólítatlan megtérnek,
Sok vérben fertezvén, arccal reá térvén űzőt sokszor megvernek.

A nagy széles mező, s a szép liget erdő sétáló palotájuk,
Az utaknak lese, kemény harcok helye tanuló iskolájuk,
Csatán való éhség, szomjúság s nagy hévség, fáradság mulatságuk.

Az éles szablyákban örvendeznek méltán, mert ők fejeket szednek,
Viadalhelyeken véresen, sebesen, halva sokan feküsznek,
Sok vad, madár gyomra gyakran koporsója vitézül halt testüknek.

Ó végbelieknek, ifjú vitézeknek dicséretes serege,
Kiknek ez világon szerte szerint vagyon mindeneknél jó neve,
Mint sok fát gyümölccsel, sok jó szerencsékkel áldjon Isten mezőkbe'.

Források
 https://web.archive.org/web/20150625084801/http://erettsegi.com/tetelek/irodalom/balassi-balint-vitezi-versei/
 https://web.archive.org/web/20160304192712/http://antiskola.eu/hu/beszamolo-beszamolok-puskak/24355-balassi-egy-katonaenek-elemzes
 Ritoók Zsigmond–Szegedy-Maszák Mihály–Veres András: Irodalom I., Kiadó: Tankönyvkiadó, Budapest, 1988
 Kelecsényi Szabó Zoltán: Irodalom Tételek
 https://web.archive.org/web/20141123212207/http://magyar-irodalom.elte.hu/gepesk/bbom/krit/ir1492.htm

Magyar versek
Középkori irodalmi művek
16. századi magyar irodalom


text:
Галу́н, діал. гало́н, заст. ґальо́н, ґалу́нок (від ) — тасьма, або стрічка, пов'язка, обшивка, облямівка яка вишита золотими, срібними, канительними (мідними, олов'яними) нитками.

Галун використовується в оздобленні військової і поліцейської уніформи, мундирів, церковного одягу, в якісних обробках на текстилю, портьєрах та в інших предметах одягу і в оздобленні меблів.

Оздоблення з галуну поширені і в традиційному святковому одягу. Словом «ґальо́нка» («ґалу́нок») називався дівочий головний убір зі смуги галуну.

Див. також
 Парча
 Басон

Примітки

Джерела
 Словник іншомовних слів за редакцією О. С. Мельничука, Київ, 1974

Посилання

Військова форма одягу
Декоративно-ужиткове мистецтво


text:
Informatyka materiałowa (ang. material informatics) to stosunkowo nowa interdyscyplinarna dziedzina badań, która łączy informatykę z inżynierią materiałowej i materiałoznawstwem w celu poprawy zrozumienia, wykorzystania, wyboru, rozwoju i odkrywania materiałów. Stawia sobie za cel szybkie i niezawodne pozyskiwanie, zarządzanie, analizę i rozpowszechnianie różnorodnych danych materiałowych w celu znacznego skrócenia czasu i ryzyka potrzebnego do opracowania, wyprodukowania i wdrożenia nowych materiałów, co zwykle trwa dłużej niż 20 lat.

Przypisy

Informatyka
Materiałoznawstwo
Nauki interdyscyplinarne


text:
Storia

Nel suo tentato golpe ebbe il supporto dei baschi dell'alta valle dell'Ebro, dove aveva un piccolo gruppo di sostenitori. Assediò Saragozza, dove il vescovo Taius stava lavorando ad una revisione del Liber Judiciorum, impossibilitato a lasciare la città. Reccesvindo si mise alla testa di un esercito mandato contro la rivolta, ed obbligò i Baschi a rifugiarsi sulle montagne.

Fonti

Roger Collins, Visigothic Spain, 409–711, Oxford, Blackwell Publishing, 2004, ISBN 0-631-18185-7

Condottieri goti
Visigoti


text:
Les Élections régionales de 1969 en Basse-Autriche (Landtagswahl in Niederösterreich 1969) se sont tenues en Autriche dans le land de Basse-Autriche, le .

1969
Basse-Autriche
Politique en octobre 1969


text:
The following is a list of episodes of the American reality television series, Ax Men, seen on the History channel. The show ended production in 2016 after nine seasons, but returned for a tenth in July 2019.

, 166 episodes of Ax Men have aired.

Series overview

Episodes

Season 1 (2008)

Season 1 final load counts:
 Browning – 278
 Stump Branch – 132
 Pihl – 130
 Gustafson – 121

Season 2 (2009)

Season 2 final load counts:
 Rygaard – 690
 Browning – 677
 Pihl – 442
 Conner – 405
 S&S – 8

Season 3 (2010)

Season 3 final load counts:
 Browning – 1,185
 Rygaard – 1,182
 Pihl – 394 (at end of "Chopping Block")

Season 4 (2010–11)

Season 4 final load counts:
 Papac – 1,994
 Rygaard – 1,986
 Lemare – 1,642
 Browning – 1,141

Results of the Collins/S&S contest:
 Collins – 26 logs, $7,800 sale proceeds
 S&S – 23 logs, $22,960 sale proceeds

Season 5 (2012)

Season 5 final load counts:
 Rygaard – 2,231
 Papac – 2,229
 Big Gun – 1,189
 Siderius – 748

 Season 6 (2012–13) Season 6 final load counts: Rygaard – 2,147
 Lemare – 2,132

 Season 7 (2013–14) Season 7 final load counts: Papac – 2,214
 Rygaard – 2,203Final Florida log counts: Dreadknots – 109
 Chapman – 108

 Season 8 (2014–15) Season 8 final load counts: Papac – 2,014
 Rygaard – 2,009
 Triack – 1,997Results of the Chapman/Dreadknots logging contest: Chapman – $266,000
 Dreadknots – $262,000

 Season 9 (2015–16) Note:''' Rygaard is announced as the winner of the season-long "King of the Mountain" rivalry with Papac, but unlike past seasons, no final load counts are given.

Season 10 (2019)

See also
 Ax Men awards and nominations

References

External links

Ax Men


text:
As estrelas CH são uma classe de estrelas de carbono caracterizadas pela presença de bandas de absorção CH fortes nos seus espectros. Pertencentes à população estelar II, são estrelas pobres em metais e em geral relativamente antigas, com uma luminosidade inferior à das estrelas de carbono C-N clássicas. Tipicamente encontram-se no halo galáctico e em aglomerados globulares. Possuem bandas de absorção fraca para outros tipos de metais, como o ferro

Foram reconhecidas por Keenan em 1942.

O estudo das estrelas CH pode proporcionar informação directa sobre o papel desempenhado por estrelas do halo de baixa e média massa na evolução precoce da galáxia.

Muitas destas estrelas formam parte de sistemas binários, e é razoável crer que isto é assim para todas as estrelas CH. De modo igual às estrelas de bário, são provavelmente o resultado de uma transferência de massa de uma antiga estrela de carbono clássica, agora uma anã branca, para a estrela actualmente classificada como estrela CH.

O estudo deste tipo de estrelas foi importante para entender a síntese de elementos pesados que ocorre no interior das estrelas, nomeadamente através de recções que captura de neutrões. Foram igualmente importantes na análise dos sistemas binários, visto que permitiram evidenciar a transferência de massa entre os componentes que altera a composição superficial da estrela companheira.

HE 1327-2326, na constelação de Hydra, é um exemplo deste tipo de estrelas. No aglomerado ω Centauri é possível observar uma população grande deste tipo de estrelas. Esta classe de estrelas tem relação próxima com as estrelas de bário.

Bibliografia
 CH star. The internet Encyclopedia of Science
 Goswami Aruna (2005). «CH stars at high Galactic latitudes». Monthly Notices of the Royal Astronomical Society 359 (2). pp. 531-544.

Tipos de estrelas
Estrelas de carbono


text:
Gern I war eine Gemeinde im Landkreis Eggenfelden.

Sie bestand aus den vier Orten Gern, Altenburg, Gaisberg und Sankt Sebastian. Im Jahr 1961 hatte die Gemeinde 861 Einwohner und eine Fläche von 222,4 Hektar.
Die Gemeinde wurde aus dem geschlossenen Patrimonialgericht im Steuerdistrikt Gern gebildet. Altenburg gehörte anfangs zwar zur Steuergemeinde Gern aber zur politischen Gemeinde Peterskirchen bei Falkenberg. Erst gegen Ende des 19. Jahrhunderts kam Altenburg zur politischen Gemeinde Gern I. Zwischen 1. Januar 1946 und 29. Dezember 1947 gehörte der überwiegende Teil der vorübergehend aufgelösten Gemeinde Gern II zur Gemeinde Gern I.

Literatur
Rita Lubos: Das Landgericht Eggenfelden. Historischer Atlas von Bayern: Teil Altbayern.  - Ausgabe 28. Kommission für Bayerische Landesgeschichte, München 1971 (Digitalisat)

Einzelnachweise

Ehemalige Gemeinde (Landkreis Rottal-Inn)
Eggenfelden
Gemeindeauflösung 1972


text:
SS Martha's Vineyard was a ferry that operated in New England for much of the 20th century.

She was constructed by Bath Iron Works for the New England Steamship Company (since consolidated into the Woods Hole, Martha's Vineyard and Nantucket Steamship Authority) as the Islander.Morris, page 131  She was launched on July 23, 1923, and began service to Nantucket Island on August 7.  In 1928, she received the name Martha's Vineyard.Morris, page 143  She operated in regular service for the New England Steamship Company and its successors until October 1956, and she left the company's fleet in 1959.  She was purchased by the Rhode Island Steamship Lines and was repowered with new diesel engines before operating seasonally on various routes in Massachusetts, including again to Nantucket from Hyannis under the auspices of Nantucket Express Lines.Morris, page 205

In 1968, Martha's Vineyard was sold to the Bridgeport & Port Jefferson Steamboat Company who converted her to diesel-electric and operated her until 1986, when the MV Park City was built to replace her. She was subsequently sold to the Massachusetts Bay Lines, which intended to convert her to a dinner cruise ship.  However, the company did not fulfill the plans, and Martha's Vineyard was stored in Boston until 1990 when she sank at her dock and was scrapped.

References

Bibliography

Footnotes

Ferries of Massachusetts
1923 ships
Ships built in Bath, Maine


text:
Il Cantone di Avallon è una divisione amministrativa dell'Arrondissement di Avallon.

A seguito della riforma complessiva dei cantoni del 2014 è passato da 16 a 27 comuni.

Composizione
Prima della riforma del 2014 comprendeva i comuni di:
 Annay-la-Côte
 Annéot
 Avallon
 Domecy-sur-le-Vault
 Étaule
 Girolles
 Island
 Lucy-le-Bois
 Magny
 Menades
 Pontaubert
 Sauvigny-le-Bois
 Sermizelles
 Tharot
 Thory
 Vault-de-Lugny

Dal 2015 comprende i comuni di:
Annay-la-Côte
Annéot
Athie
Avallon
Beauvilliers
Bussières
Chastellux-sur-Cure
Cussy-les-Forges
Domecy-sur-le-Vault
Étaule
Girolles
Island
Lucy-le-Bois
Magny
Menades
Pontaubert
Provency
Quarré-les-Tombes
Saint-Brancher
Saint-Germain-des-Champs
Saint-Léger-Vauban
Sainte-Magnance
Sauvigny-le-Bois
Sermizelles
Tharot
Thory
Vault-de-Lugny

Note

Collegamenti esterni
Statistiche sul sito dell'INSEE

Avallon


text:
The women's 800 metres event at the 2017 European Athletics U23 Championships was held in Bydgoszcz, Poland, at Zdzisław Krzyszkowiak Stadium on 13 and 15 July.

Medalists

Results

Heats

14 July

Qualification rule: First 2 (Q) and the next 2 fastest (q) qualified for the final.

Final

15 July

References

800 metres
800 metres at the European Athletics U23 Championships


text:
Matthew James Godden (born 29 July 1991) is an English professional footballer who plays as a striker for  club Coventry City.

Godden began his career playing for Scunthorpe United, where he signed professional terms in 2009. During his time at Scunthorpe, he was loaned out on eight occasions in order to gain experience playing first-team football. He joined Ebbsfleet United of the Conference Premier, one of the clubs he had spent time on loan at, on a permanent basis in May 2014. Godden spent two seasons at Ebbsfleet, before making a return to the Football League when he signed for Stevenage in June 2016. He spent two years at Stevenage before joining Peterborough United in June 2018. After one season at Peterborough, Godden signed for Coventry City in August 2019, helping the club win promotion to the Championship during the 2019–20 season.

Career

Early career
Godden started his career at Scunthorpe United, making the decision to move from Kent at the age of 15 to take up Scunthorpe's offer of a place on the club's apprenticeship programme. He progressed through the various youth levels at Scunthorpe before signing his first professional contract at the end of the 2008–09 season. Godden's youth career at Scunthorpe was hampered by persistent injuries, and he states that the management and youth-team managers at Scunthorpe, in particular Tony Daws, showed a lot of faith in him to offer him the professional contract.

Still waiting for his first-team Scunthorpe debut, Godden was loaned to Brigg Town of the Northern Premier League Division One South on a three-month deal, for the opening months of the 2009–10 campaign. He scored nine goals in 20 games during the loan spell, noting how important gaining experience regarding "the more physical side of football" was in terms of his development. He briefly returned to his parent club before being loaned out once again, this time joining Conference North club Ilkeston Town towards the end of 2009. Godden made five appearances during the loan spell, scoring once, the goal coming courtesy of him capitalising on a quickly taken free-kick to score the opening goal in an eventual 4–2 away defeat to Vauxhall Motors on 9 February 2010. He saw out the remainder of the 2009–10 season playing regularly for Scunthorpe's reserve team, scoring ten goals for them in the latter months of the season. Godden signed a one-year contract extension to remain at Scunthorpe on 7 June 2010.

Ahead of the 2010–11 season, Godden trained regularly with the first-team and played in a number of pre-season friendlies for the Championship club, with manager Nigel Adkins stating he was pleased with Godden's development after scoring two goals in three pre-season fixtures. He made his professional first-team debut on 22 September 2010, coming on as an 81st minute substitute in a 5–2 defeat to Premier League club Manchester United in the League Cup at Glanford Park. Godden made his league debut two months later, on 28 December 2010, appearing as a second-half substitute in a 2–0 away victory at Burnley. He made a further five appearances during January 2011, all of which were from the substitutes' bench, and made seven first-team appearances for Scunthorpe during the campaign. He subsequently signed a new contract extension later that month, to remain at Scunthorpe until the summer of 2013.

Loan spells
Several injuries kept Godden out of action for a number of months and he did not play for Scunthorpe during the first half of the 2011–12 season. In March 2012, having not played any football for over a year, Godden joined Conference North club Gainsborough Trinity on a one-month loan agreement. The move meant he joined up with manager Steve Housham, who had managed Godden during his brief loan spell at Brigg Town two-and-a-half years earlier. Godden made his Gainsborough debut a day after signing, on 10 March 2011, coming on as a 58th minute substitute and scoring two minutes later in a 3–2 victory against Nuneaton Town at The Northolme. Godden made eight appearances during the loan spell, scoring twice, his other goal coming as Gainsborough secured a 2–0 win over Eastwood Town on 24 March 2012. He returned to Scunthorpe upon the expiry of the loan deal on 9 April 2012, and made his first appearance for the club in a year-and-a-half when he came on as a late substitute in Scunthorpe's last game of the season, a 1–1 away draw with Tranmere Rovers on 5 May 2012.

Having not played during the opening weeks of the 2012–13 season, Godden re-joined Gainsborough Trinity on an initial one-month loan on 17 August 2012, with a view to the loan being extended. He made four appearances during the loan, which was curtailed by a calf injury that meant he returned to Scunthorpe earlier than planned. After recovering from the injury, Godden was subsequently loaned out to Conference Premier club Ebbsfleet United on a one-month deal on 8 November 2012. The move represented a return home for Godden, with his family being based in Kent. He made his debut two days after joining, coming on as a second-half substitute and scoring the winning goal as Ebbsfleet fought back from two goals down to secure a 3–2 victory over Hyde United. After the match, Godden stated his desire to play first-team football as being the reason behind his loan move, also hoping that a good run of form would impress the new management team in place at Scunthorpe. Godden scored in his following two league matches for Ebbsfleet at the start of December 2012, in home games against Grimsby Town and Cambridge United respectively. He made five appearances during the month-long loan, scoring three times, and although his loan deal with initially extended by a further month on 6 December 2012, he was recalled by Scunthorpe just a week later. Upon his return to Scunthorpe, he made three substitute appearances, before re-joining Ebbsfleet again in March 2013, on another one-month loan deal. He made five appearances for Ebbsfleet during the loan spell, scoring twice, and returned to Scunthorpe in early April that year. His return to Scunthorpe saw him start his first Football League match in a 3–0 away defeat to Preston North End on 6 April 2013, and this served as the start of a run of five consecutive starts to see out the remainder of the season.

Godden remained at Scunthorpe for the 2013–14 season with the club now competing in League Two and he started the season by playing as a second-half substitute in the club's first three matches of the new campaign. Injury once again curtailed his run in the first-team and a seven-week spell out was to spark another disjointed season for Godden. He was sent on loan to another Conference Premier club in the form of Dartford on 8 October 2013, signing on an initial one-month deal. Godden highlighted the importance of the loan spell with his contract at Scunthorpe expiring at the end of the season. He made a scoring debut on the same day his signing was announced, in a 1–1 draw with Salisbury City. He followed this up with a hat-trick as Dartford secured a 4–3 victory over Hyde on 19 October 2013. The loan deal was extended by a further two months, and Godden went on to make 10 appearances during the loan spell, scoring five times. Following a brief return to the first-team set-up at Scunthorpe with two substitute appearances in December 2013, Godden was loaned out once more on 20 February, signing for Tamworth, also of the Conference Premier, for the remainder of the season. Godden made his debut for Tamworth two days later, scoring a late equaliser in a 1–1 draw with Welling United at The Lamb Ground. He scored five goals in 10 appearances during the loan spell.

Ebbsfleet United
With Godden's contract expiring at the end of the month, there were discussions of the prospect of a new contract at Scunthorpe in May 2014. Scunthorpe were aware of a number of clubs' interest in Godden and therefore offered him a deal that meant they maintained compensation rights as well as a willingness to accept an offer should another club be interested in signing him. He subsequently signed a two-year contract with Conference South club Ebbsfleet United on 30 May 2014, who he had previously been on loan at on two occasions. Godden's season started with injury, which meant he missed the opening game of the season, and he did not score for the first 14 league games of his Ebbsfleet career as he was deployed as a right winger, a position he had never previously played in. This ended when he scored a hat-trick, playing as a striker, in a 3–0 victory against Farnborough at Stonebridge Road in November 2014, in-turn giving Ebbsfleet their first home win in four matches. Godden scored a forty-yard volley at Bromley in March 2015, described as "a contender for goal of the season", which turned out to be the winning goal in a 2–1 win. He ended the season having scored 13 times in 37 appearances in all competitions, as Ebbsfleet finished ten points off the play-off places in eighth place.

The 2015–16 season ultimately turned out to be Godden's breakthrough season as he enjoyed his most prolific campaign to date. Godden started the season by scoring once in his first six matches,  his opening goal of the season came in the 54th-minute, helping Ebbsfleet recover from two goals down to draw 2–2 with Whitehawk on 29 August 2015. Two goals a week later against Maidenhead United served as the catalyst for the best goalscoring form of Godden's career as he proceeded to score 15 goals in 17 games from September to December 2015. This included another hat-trick in a 4–2 home victory over Bishop's Stortford on 21 November 2015. After his prolific scoring to end the year, Godden started the first two months of 2016, eight matches in total, without scoring. After scoring in Ebbsfleet's 2–2 home draw with Havant & Waterlooville on 1 March 2016, Godden went on another run of form where he scored 11 goals in 12 matches to end the campaign. This run included scoring four-goals in a 5–0 victory at Hayes & Yeading on 2 April 2016, as well as a hat-trick as Ebbsfleet in a 4–2 home win against Eastbourne Borough on 30 April 2016. The hat-trick turned out to be Godden's final goals for the club. He scored 30 goals in 45 matches in a season where Ebbsfleet would miss out on promotion back to the National League after losing on penalties to Maidstone United in the National League South play-off final.

Stevenage
Godden's contract at Ebbsfleet expired at the end of the season and he subsequently joined League Two club Stevenage on a free transfer, signing a one-year contract, on 6 June 2016. In doing so he became Darren Sarll's first signing as full-time manager of Stevenage. On joining Stevenage, Godden stated "I dropped down to Ebbsfleet to rejuvenate and get regular football. The main aim was to bounce back and make a name for myself in the Football League and I thank Darren Sarll and Stevenage for this opportunity." He made his Stevenage debut on the opening day of the 2016–17 season, playing the whole match in a 2–1 defeat against Crewe Alexandra at Broadhall Way. Godden scored his first goal for Stevenage in his fifth appearance, scoring the winning goal six minutes into injury-time with a first-time finish in the club's 2–1 victory over local rivals Luton Town on 20 August 2016. He scored eight goals during the first half of the season, averaging a goal every three games, and signed a two-year contract extension on 1 December 2016.

It was to be Godden's run of form after the turn of the year into 2017 that would draw attention to him. His first Football League hat-trick in a 3–1 home victory against Newport County would serve as the start of a run of Godden scoring 12 goals in 11 matches to start the year. This meant that, following his two goals in a 3–0 win over Notts County on 4 March 2017, he had scored more goals than any other player in England's top four tiers in the opening months of that calendar year. Due to this form, Godden was named League Two Player of the Month for February 2017. He ended the season as Stevenage's top goalscorer, scoring 21 goals in 43 matches in all competitions, in a season where Stevenage would miss out on the play-off places as a result of a tenth-place finish. Godden was named Stevenage's Player of the Year at the club's end-of-season award ceremony.

Despite interest from several League One clubs, including Charlton Athletic, Godden remained at Stevenage for the 2017–18 season. He scored his first goal of the campaign in his sixth league appearance of the season, a 2–1 home defeat to Lincoln City on 9 September 2017. He scored 14 times in 44 appearances in all competitions in a season where Stevenage would finish in 16th-place in League Two. Upon the conclusion of the season, Stevenage stated that they had received several enquiries for Godden and that he would "almost certainly leave the club" during the summer.

Peterborough United
After Stevenage stated they were "open to offers" for the player, Godden signed for League One club Peterborough United on 4 June 2018. He joined Peterborough for an undisclosed six-figure fee and on a three-year contract. Upon signing for Peterborough, manager Steve Evans revealed "I am absolutely delighted. Matt is a young man who, without a shadow of a doubt, will score goals for Peterborough United." Godden scored within the first minute of his debut for Peterborough in a 2–1 win over Bristol Rovers on 4 August 2018. A goal-scoring run followed, with Godden scoring eight goals in his first ten games for the club. In the first half of the season, he scored fourteen times, averaging a goal roughly every other game. However, he scored just four times in the second half of the season, leading to him falling out of favour at the club and ultimately to his departure.

Coventry City
Godden joined League One club Coventry City on a three-year contract on 6 August 2019, for a fee of £750,000 payable over three years. He finished the 2019–20 season as the team's top scorer with 14 goals, helping them to become League One Champions and achieve promotion to The Championship. At the end of the season Godden was named in the PFA League One Team of the Year alongside three other Coventry teammates. He remained at Coventry for the 2020–21 season and began well, scoring 4 goals in his opening 10 games in the Championship, but his season was ultimately disrupted by repeated injuries. Godden scored the winning goal late in injury time on his return to the first team against Reading in September 2021. After winning a penalty against Fulham, which he scored, Godden received a two match suspension for simulation.

Style of play
Godden has spent the majority of his career playing as a striker, although was briefly deployed as a winger at the start of the 2014–15 season when at Ebbsfleet United. He has been described as a "natural finisher".

Career statistics

Honours
Coventry City
League One: 2019–20

Individual
National League South Team of the Year: 2015–16
EFL League Two Player of the Month: February 2017
Stevenage Player of the Year: 2016–17
PFA League One Team of the Year: 2019–20

References

External links

1991 births
Living people
Sportspeople from Canterbury
Footballers from Kent
Association football forwards
English footballers
Scunthorpe United F.C. players
Brigg Town F.C. players
Ilkeston Town F.C. (1945) players
Gainsborough Trinity F.C. players
Ebbsfleet United F.C. players
Dartford F.C. players
Tamworth F.C. players
Stevenage F.C. players
Peterborough United F.C. players
Coventry City F.C. players
English Football League players
National League (English football) players
Northern Premier League players


text:
Gardiners Island Windmill is a historic windmill on Gardiners Island in East Hampton, New York. The mill was added to the National Historic Register in 1978.

History
The windmill, by Nathaniel Dominy V, was raised on 23 May 1795 on the "Mill lot" within 50 feet of the old "Petticoat mill"(1771). The 'Petticoat' was dilapidated after the Revolutionary war and need replacement. It was painted white, like the nearby wharf, to aid sailor's navigation. For the next 20 years John Lyon Gardiner (1770-1816) made no notation in his farm book about the mill, then there was a storm and collapse in 1815 and he required new timbers. The dock also blew away in the storm.

Repairs

Dominy V and his workers came and restored the mill to working order from October to February 1816. Indications are the 1816 version was different inside than when newly built in 1795. This had to do with V's evolving use of different technology than when apprenticing for IV and the inside was more like contemporary windmills on Rhode Is. and Cape Cod. Nathaniel Dominy V did more repairs in 1826 and worked for 6 days on Gardiner's Island in 1833, where he installed a new windshaft, stocks and points in the mill.

19th Century
An 1885 article on Gardiner's Island appeared in The Century magazine which mentioned "the windmill that supplies flour for the whole population.", meaning Gardiner's Island, indicating it was still in operation.
The last known record of the operation of the windmill was an entry in Jonathan Thompson Gardiner's account book in 1889, which credited John B. Lawrence with "making Mill Sails".

See Also

 Shelter Island Windmill

 John Lyon Gardiner Mill Cottage
 List of windmills in New York

References

External links

East Hampton (town), New York
Windmills in New York (state)

Smock mills in the United States
Industrial buildings and structures on the National Register of Historic Places in New York (state)
Historic American Engineering Record in New York (state)
Industrial buildings completed in 1795
Buildings and structures in Suffolk County, New York
Gardiner family
National Register of Historic Places in Suffolk County, New York
1795 establishments in New York (state)
Windmills on the National Register of Historic Places


text:
Hypocrita variabilis is a moth of the family Erebidae. It was described by Zerny in 1928. It is found in Colombia.

References

Hypocrita
Moths described in 1928


text:
Südalinn est un quartier du district de Kesklinn à Tallinn en Estonie.

Description
En 2019, Südalinn compte  habitants.

Galerie

Références

Voir aussi

Liens externes

Südalinn
Kesklinn


text:
The 2018–19 Louisville Cardinals men's basketball team represented the University of Louisville during the 2018–19 NCAA Division I men's basketball season. The team played its home games on Denny Crum Court at the KFC Yum! Center in downtown Louisville, Kentucky as members of the Atlantic Coast Conference. They were led by first-year head coach Chris Mack who was hired on March 27, 2018 after it was announced interim coach David Padgett would not be retained. They finished the season 20-14, to finish in 7th place. In the ACC Tournament, they beat Notre Dame in the Second Round before losing to North Carolina in the Quarterfinals. They received a at-large bid to the NCAA Tournament and received a 7th seed before losing to 10th seed Minnesota in the First Round.

Previous season
The Cardinals finished the 2017–18 season with a record of 22–14, 9–9 in ACC play, finishing in a tie for 8th with Florida State, who they defeated in the second round of the ACC tournament before losing to Virginia in the quarterfinals. They received an invitation to the NIT, where they defeated Northern Kentucky in the first round and Middle Tennessee in the second round before being defeated in the quarterfinals by Mississippi State.

Offseason

Departures

Incoming transfers

2018 recruiting class
No recruits.

Roster

Schedule and results

|-
!colspan=12 style=| Exhibition

|-
!colspan=12 style=| Non-conference regular season

|-
!colspan=12 style=| ACC Regular Season

|-
!colspan=12 style=| ACC Tournament

|-
!colspan=12 style=| NCAA tournament

Source:

Rankings

*AP does not release post-NCAA Tournament rankings

References

Louisville
Louisville Cardinals men's basketball seasons
Louisville Cardinals men's basketball, 2018-19
Louisville Cardinals men's basketball, 2018-19
Louisville


text:
Александъра Михайлович може да се отнася за:
 Александър II Михайлович Тверски, който е велик княз Владимирско-Суздалското княжество от 1326 до 1327 г.
 Александър Михайлович (Сандро) съпруг на великата руска княгиня Ксения Александровна, зет на император Александър III.


text:
Sanxingcun () ist eine neolithische Stätte im Dorf Sanxin bzw. Sanxingcun, Großgemeinde Xigang (西岗镇),  Jintan, Changzhou, in der ostchinesischen Provinz Jiangsu. Die gesamte Lokalität umfasst etwa 10 ha. Bei Ausgrabungen auf einem etwa 525 m² großen Areal in den Jahren 1993 bis 1998 wurden 1001 Gräber, 55 Abfallgruben (huikeng) und 4 Gebäudestätten (fangzhi) entdeckt. Die Entdeckung der Stätte ist für die Bestimmung der Ursprünge des Neolithikums im unteren Jangtse-Gebiet wichtig. Sie wurde vom Nanjing-Museum (Nanjing bowuguan) und der Institution Jintan Shi wenguanhui 金坛市文管会 der Stadt Jintan ausgegraben. Die Sanxingcun-Stätte (Sanxingcun yizhi) steht seit 2006 auf der Liste der Denkmäler der Volksrepublik China (6-73).

Literatur
 Jiangsu Sheng Sanxingcun lianhe kaogudui 江苏省三星村联合考古队 (Vereinte archäologische Arbeitsgruppe Sanxingcun der Provinz Jiangsu): "Jiangsu Jintan Sanxingcun Xinshiqi Shidai yizhi" 江苏金坛三星村新石器时代遗址 (Sanxingcun, eine neolithische Stätte in Jintan, Jiangsu). Wenwu 2004.2: S. 4–27

Weblinks
 The Neolithic Site at Sanxingcun, Jintan County, Jiangsu Province – Englisch
 Jiangsu Jintan Sanxingcun Xinshiqi Shidai yizhi – Chinesisch
 YaoWu Hu, GenFu Wang, YaPing Cui, Y. u. Dong, L. i. Guan, ChangSui Wang: Palaeodietary study of Sanxingcun Site, Jintan, Jiangsu. In: Chinese Science Bulletin. 52, 2007, S. 660, .
 P. J. Lu, N. Yao, J. F. So, G. E. Harlow, J. F. Lu, G. F. Wang, P. M. Chaikin: The earliest use of Corundum and Diamond in Prehistoric China. In: Archaeometry. 47, 2005, S. 1, .

Fußnoten

Nationales Kulturdenkmal der Volksrepublik China
Jungsteinzeit
Archäologischer Fundplatz in Jiangsu
Archäologischer Fundplatz in Asien


text:
Raorchestes chalazodes es una especie de anfibio anuro de la familia Rhacophoridae. Habita en la India; es endémica de las montañas Cardamomo.
Esta especie se encuentra en peligro crítico de extinción debido a la destrucción de su hábitat natural. Se trata de un taxón Lázaro, pues fue redescubierto en 2003, tras 125 años sin observaciones científicas.

Referencias

 Biju, S.D., Dutta, S., Vasudevan, K., Vijayakumar, S.P. & Srinivasulu, C. 2004.  Philautus chalazodes.   2006 IUCN Red List of Threatened Species. Consultado el 8 de enero de 2008.

Enlaces externos

chalazodes
Anfibios de India
Animales descritos en 1876


text:
Sándor Orbán (24 September 1947 – 19 March 2005) was a Hungarian boxer. He competed in the men's flyweight event at the 1976 Summer Olympics.

References

External links

1947 births
2005 deaths
Hungarian male boxers
Olympic boxers of Hungary
Boxers at the 1976 Summer Olympics
People from Kecskemét
Flyweight boxers
Sportspeople from Bács-Kiskun County
20th-century Hungarian people


text:
() est un film indien réalisé par Farogh Siddique en 1992. Le film s'inspire du blockbuster américain Bloodsport.

Synopsis

Fiche technique

 Titre original :
 Réalisation : Farogh Siddique
 Scénario : Veeru Devgan
 Musique : Anand-Milind
 Production : Saba Akhtar
 Pays d'origine :
 Langue originale : hindi
 Genre : drame, romance
 Dates de sortie :
  :

Distribution
 Ali Ishrat : Pandey Manish
 Ajay Devgan : Raj « Raju » Verma
 Karishma Kapoor : Suman
 Ishrat Ali : Manish Pandey
 Salim Khan : Roshan Gupta
 Gulshan Grover : l'inspecteur Pradhan

Musique

Box office
Le film a engrangé plus de  de roupies indiennes ce qui en fait un hit ; il s'agit du premier succès de Karishma Kapoor.

Liens externes

Film indien sorti en 1992
Film d'action indien
Film dramatique indien
Film romantique indien
Film de Bollywood
Film d'arts martiaux


text:
Unţeşti è un comune della Moldavia situato nel distretto di Ungheni di 1.784 abitanti al censimento del 2004.

Note

Comuni del distretto di Ungheni


text:
Su Hui (förenklad kinesiska: 苏蕙; traditionell kinesiska: 蘇蕙; pinyin: Sū Huì) var en kinesisk poet som levde under tiden för de sexton kungadömena (år 304-439). Hon är en av första stora, kvinnliga författarna vars verk är bevarade till eftervärlden, även om majoriteten av hennes verk har försvunnit. Hon är också en av de första kvinnliga poeterna vi vet om.

Xuanji Tu
Su Hui är känd för sin komplicerade palindrom-dikt som hon skrev till sin man. Dikten heter "Xuanji tu" (förenklad kinesiska: 璇玑图; traditionell kinesiska: 璇玑圖) och består av ett rutnät av 29x29 tecken. Dikten kan läsas i olika riktningar och skapar cirka 3000 individuella dikter. Den är broderad med fem olika färger på silkestyg.

Referenser

Födelseår saknas
Kvinnor
Kinesiska poeter
Personer i Kina under 300-talet
Författare under 300-talet
Författare under 400-talet


text:
Jaros is a surname. Notable people with the surname include:

Alois Jaros (1930–2007), Austrian footballer
François Jaros (born 1985), Canadian film and television director
Jarosław Jaros (born 1978), Polish cabaret actor
Mike Jaros (born 1944), American politician
Patrik Jaros (born 1967), German chef
Ralf Jaros (born 1965), German triple jumper
Stanisław Jaros (1932–1963), Polish assassin
Tony Jaros (1920–1995), American basketball player

See also

 Jarosz, Jarosch, Yarosh, related surnames

Czech-language surnames
Polish-language surnames
Slovak-language surnames