text:
Carriera

NBA (2016-2018)

Portland Trail Blazers e Houston Rockets (2016-2017)
Dopo tre anni a LSU Quarterman decise di rendersi eleggibile per il Draft NBA 2016. Tuttavia non venne scelto da nessuna squadra. Andò così a giocare la Summer League lo stesso anno del Draft con gli Charlotte Hornets, che alla fine della manifestazione non lo confermarono nel roster. Verso la fine di luglio Quarterman firmò un biennale parzialmente garantito (su 1.856.082 dollari solo 75.000 sono garantiti) con i Portland Trail Blazers. Dopo il training camp venne confermato nel roster finale che giocò in RS. Lui non trovò molto spazio dietro a Damian Lillard e Shabazz Napier, tanto che disputò solo 16 partite e venne spesso assegnato in D-League ai Windy City Bulls e ai Long Island Nets. Giocò invece 2 partite nei playoffs in cui la franchigia dell'Oregon venne eliminata per 4-0 dai Golden State Warriors, futuri campioni NBA, al primo turno.

Il 29 giugno 2017 venne ceduto dai Trail Blazers agli Houston Rockets. Tuttavia i Rockets lo tagliarono il 14 ottobre dello stesso anno prima dell'inizio della stagione regolare.

Parentesi in Cina (2018)
Il 2 gennaio 2018 firmò con gli Jiangsu Nangang Dragons di Nanchino andando a giocare così in Cina. Tuttavia dopo soli 7 giorni venne tagliato.

G-League e ritorno a Houston (2018)
Il 16 febbraio 2018 andò a giocare in G-League negli Agua Caliente Clippers.

Dopo aver totalizzato 98 punti in 11 partite il 31 marzo 2018 torna agli Houston Rockets che il 12 aprile dello stesso anno lo tagliano poco prima dell'inizio dei play-off; in tutto ha disputato 3 partite in regular season con i texani.

Europa (2018-2019)
Il 20 novembre 2018 si trasferisce in Europa firmando per gli israeliani dell'Ironi Nahariya per rimpiazzare l'infortunato Justin Edwards.

Statistiche

Regular season

Play-off

Controversie
Il 20 gennaio 2018 è stato arrestato per incidente stradale con la polizia statale del Mississippi.

Note

Collegamenti esterni

Sportivi afroamericani


text:
DeMar Darnell DeRozan (, 7. kolovoza 1989.) američki je profesionalni košarkaš. Igra na poziciji bek šutera, a trenutačno je član NBA momčadi Chicago Bullsa. Izabran je u 1. krugu (9. ukupno) NBA drafta 2009. od strane Toronto Raptorsa.

Rani život
DeRozan je rođen kao najmlađi sin Franka i Diane DeRozan u Comptonu, saveznoj državi Kalifornija. Pohađao je srednju školu Compton High School i rangiran je kao jedan od najboljih budućih sveučilišnih igrača u 2008. godini. Igrao je sve četiri godine za srednjoškolsku košarkašku momčad. Na prvoj godini u prosjeku je postizao 26.1 poen i 8.4 skoka. Tijekom druge godine u prosjeku je postizao 22.6 poena i 8.4 skokova, a tijekom treće godine 22.3 poena, 7.8 skokova, 3 asistencije i 3.2 ukradene lopte. Na četvrtoj godini predvodio je školu do omjera 26-6, a u prosjeku je postizao 29.2 poena i 7.9 skokova po utakmici. Bio je član McDonald's All-American momčadi i osvojio je McDonald's All-American natjecanje u zakucavanju. Igrao je na Nike Hoop Summitu i bio prvi strijelac svoje momčadi s 17 poena.

Sveučilište
Usprkos stipendijama Arizone Statea i North Caroline, DeRozan je odlučio otći na sveučilište USC. U prijateljskoj utakmici protiv sveučilišta Azusa Pacific postigao je 21 poen i 7 skokova. U prvoj utakmici regularnog dijela sezone protiv UC Irvinea postigao je 14 poena. U polufinalu Pac-10 natjecanja protiv UCLA postigao je 21 poen i rekordnih 13 skokova, a u finalu istog natjecanja protiv Arizone Statea postigao je učinak karijere od 25 poena. Dobio je priznanje u Pac-10 All-Freshman prvu petorku i izabran je najkorisnijeg igrača Pac-10 natjecanja.

Odigrao je svih 35 utakmica sezone, od čega je u 28 utakmica postigao dvoznamenkasti učinak i u četiri utakmice zabilježio double-double učinak. Sezonu je završio kao treći strijelac momčadi (13.9), drugi skakač (5.7) i treći asistent (1.5). Nakon prve i jedine sveučilišne sezone odlučio se prijaviti na draft, navodeći kao razlog ranog odlaska bolest svoje majke koja boluje od lupusa.

NBA
Izabran je kao deveti izbor NBA drafta 2009. od strane Toronto Raptorsa.

Vanjske poveznice
Profil na USC
Profil  na NBADraft.net
Profil na MyNBADraft.com
Profil na DraftExpress.com

Američki košarkaši
Bek šuteri

redpajama_set_name: RedPajamaWikipedia


text:
L'Austrian Open 1982 è stato un torneo di tennis giocato sulla terra rossa. È stata la 37ª edizione del torneo, che fa parte del Volvo Grand Prix 1982. Si è giocato a Kitzbühel in Austria dal 19 al 25 luglio 1982.

Campioni

Singolare maschile

 Guillermo Vilas ha battuto in finale  Marcos Hocevar 7–6, 6–1

Doppio maschile

 Mark Edmondson /  Kim Warwick hanno battuto in finale  Rod Frawley /  Pavel Složil 7-6, 6-1

Collegamenti esterni


text:
Yang Hormat Dato' Aaron Mustapha bin Aziz  (Jawi: ارون مصطفى بن عزيز; born 23 February 1976) is a Singaporean actor, singer and film director currently based in Malaysia. He is largely known in Malaysia and also in some countries such as Taiwan, Hong Kong, India, Brunei and Singapore.

He started his acting career in Singapore in 2001 through Shahril in Cinta Bollywood (2001–2002), then acting as Bob in Jeritan Sepi (2002) and as Corporal Jamal Salleh in Heartlanders (2002–2005). His Singaporean television portrayals include Zack Ahmad in sitcom Phua Chu Kang Pte Ltd (season 6) and Iqmal in the drama series Cinta Q.

He migrated to Malaysia in 2004 to begin his acting career as an assistant character in the Haryati drama (2004). His acting credits in Malaysia include Emil Emilda, Sadiq & Co, Nora Elena, Evolusi KL Drift: The Series and Kusinero Cinta. His film credits include Evolusi KL Drift (2008), Bohsia: Jangan Pilih Jalan Hitam (2009), Pisau Cukur (2010), KL Gangster (2011), Ombak Rindu (2011) and Lari (2013).

On 16 December 2017, he was awarded the Darjah Kebesaran Mahkota Pahang Yang Dihormati (Darjah Indera Mahkota Pahang) by Sultan Ahmad Shah of Pahang in conjunction with the Sultan's birthday for his contributions to the Malay entertainment industry.

Honour

Honours of Malaysia
:
 Knight Companion of the Esteemed Order of the Crown of Pahang (Darjah Kebesaran Mahkota Pahang Yang Dihormati) (16 December 2017) which is carried the title of Dato'

Filmography

Film

Television series

Telemovie

Television

Music video

Discography

Awards and nominations

Anugerah Bintang Popular Berita Harian

|-
| 2007 || Janji Diana || Most Popular TV Actor ||
|-
| 2008 || Emil Emilda || Most Popular TV Actor ||
|-
| 2009 || Rahsia Hati / Evolusi KL Drift || Most Popular TV / Film Actor ||
|-
| 2010 || Habil & Qabil / Evolusi KL Drift 2 || Most Popular TV / Film Actor ||
|-
| rowspan="3"|2011 || Nora Elena || Most Popular TV Actor ||
|-
| Ombak Rindu || Most Popular Film Actor ||
|-
| Ombak Rindu || Most Popular Artiste ||
|-
| 2012 || Adam dan Hawa || Most Popular TV Actor ||
|-
| rowspan="2"|2013 || KL Gangster 2 || Most Popular Film Actor ||
|-
| KL Gangster 2 || Most Popular Artiste ||
|-

Pesta Perdana (MediaCorp Suria)

|-
| 2002 || Cinta Bollywood || Best Male Actor in Supporting Role ||
|-
| 2003 || Garisan Takdir || Most Popular Artiste ||
|-
| 2004 || Permintaan Aishah & Leftenan Adnan – A Life Story || Most Popular Artiste – Top 3 ||
|-
| rowspan="2"|2005 || Dol & Minah Nak Kahwin || Best Comedy Act ||
|-
| Dol & Minah Nak Kahwin || Most Popular Artiste ||

References

External links
Official website

1976 births
Living people
Singaporean male film actors
Singaporean male television actors
Singaporean people of Malay descent
Singaporean expatriates in Malaysia
Singaporean expatriate actors
Singaporean emigrants to Malaysia
Singaporean Muslims


text:
Ulmerfeld-Hausmening-Neufurth ist ein Stadtteil von Amstetten in Niederösterreich.

Der Stadtteil umfasst laut Volkszählung 2001 insgesamt 4.246 Einwohner, wobei 840 auf Ulmerfeld, 1.812 auf Hausmening und 1.594 auf Neufurth entfallen. Durch eine rege Siedlungstätigkeit hat sich diese Zahl in den letzten Jahren weiter erhöht. Neufurth wird durch die Ybbs von Hausmening und Ulmerfeld getrennt. Der Stadtteil hat eine eigene Ortsvorstehung und besitzt dadurch ein gewisses Maß an Eigenständigkeit.

Geschichte
1850 entstanden die Gemeinden Ulmerfeld und Hausmening. Hausmening entwickelte sich von einer in den vorangegangenen Jahrhunderten eher landwirtschaftlich geprägten Siedlung zum Industrieort als hier um 1870 an Stelle der Haidmühle an der Ybbs die Theresienthaler Papierfabrik entstand. Die Gemeinden Ulmerfeld und Hausmening wurden nach dem Anschluss Österreichs 1938 aufgelöst. Nach dem Zweiten Weltkrieg wurden die Ortsteile Ulmerfeld und Hausmening wieder eigenständige Gemeinden. 1965 erfolgte die Gemeindezusammenlegung der Gemeinden Ulmerfeld und Hausmening. Neufurth gehörte zu diesem Zeitpunkt zur Gemeinde Mauer bei Amstetten. 1972 wurden die Gemeinden Ulmerfeld-Hausmening, Mauer und Preinsbach mit der Stadt Amstetten vereinigt.

Wirtschaft und Infrastruktur
Die Wirtschaft wird neben zahlreichen kleineren Betrieben seit jeher von den großen Industriebetrieben bestimmt. Der Papiererzeuger Mondi (zuvor Neusiedler AG) und die Glastechnikfirma Lisec GmbH haben in Hausmening wichtige Standorte.

Der Bahnhof Ulmerfeld-Hausmening liegt an der Rudolfsbahn.

Sport und Freizeit
Der Fußballverein ASK Hausmening wurde 1930 gegründet und zählte über viele Jahre zu den besten Vereinen des Mostviertels. Nach dem Aufstieg in die 1. Landesliga Anfang der 1990er-Jahre folgte ein steiler Abstieg bis in die letzte Klasse. 2009 schaffte der ASK Hausmening den Wiederaufstieg in die 1. Klasse West. Der Verein trägt seine Heimspiele im Peter-Lisec-Stadion aus, das in den 1970er-Jahren errichtet wurde und mit seiner langen, überdachten Tribüne Platz für etwa 2.000 Besucher bietet.

Neben dem Stadion befindet sich eine Minigolf-Anlage und ein Freibad mit 25-Meter-Becken und Sprungturm. In unmittelbarer Nähe kann auch Tennis und Squash gespielt werden. Auch eine Stocksport-Anlage findet sich im Ortskern von Hausmening.

Weblinks

 Stadtteilbeschreibung Ulmerfeld-Hausmening-Neufurth

Ort im Bezirk Amstetten
Geographie (Amstetten)


text:
L'église Saint-Pierre est une église catholique située à Bar-sur-Aube, en France.

Localisation
L'église est située dans le département français de l'Aube, sur la commune de Bar-sur-Aube.

Historique
Elle fut fondée par Nocher et son épouse Adélaïde et fut unie au chapitre Saint-Maclou de Bar-sur-Aube en 1378. Le clocher fut frappé par la foudre le  et fortement abîmé, les sept cloches détruites.

L'édifice est classé au titre des monuments historiques en 1840.

Description
Elle est principalement du , des chapelles du , les voûtes de l'abside et du chœur du .

Elle est célèbre pour son halloy. Ce portique à structure de bois, qui s'étend sur le sud et l'ouest de l'édifice, abritait les foires mais servait aussi de lieu de sépulture, comme l'attestent les registres paroissiaux.

La chapelle Saint-Michel avait des revenus propres qu'elle déclarait en 1609.

Orgues
Il provient de l'abbaye de Remiremont et est l'œuvre de Nicolas Dupont, Jean-François Vautrin et Antoine François Brice Didelot. Il fut remanié par Lété. Le buffet est l'œuvre de  Rémy Stourme en 1744.

Maître autel
Il provient de l'abbaye de Clairvaux et est en marbre brun et marbre blanc veiné.

Dalles
Il y a un ensemble de dalles funéraires comme celles de :
Jean Tautant du XVe,
Anthoine Delaborde et Nicole Nolin du XVe,
Jean Joseph dit Barbillion du XVe,

Claude Paris du XVIe,
Pierre Floriot du XVIe.

Galerie d'images

Annexes

Articles connexes
 Liste des monuments historiques de l'Aube.

Références

Bar-sur-Aube
Monument historique classé en 1840
Bar-sur-Aube
Pierre Bar-sur-Aube


text:
The 2008–09 season is the Central Coast Mariners' first season of soccer in Australia's new women's league, the W-League.

Season

Fixtures

Standings

Players

Leading scorers

The leading goal scores from the regular season.

Squad statistics
Last updated 29 December 2008

Records
 First game = 2-0 loss away V Melbourne Victory W-League
 Largest win = 6-0 win away V Adelaide United W-League
 Largest loss = 5-0 loss home V Queensland Roar W-League

References

Central Coast Mariners FC (A-League Women) seasons
Central Coast Mariners W-League


text:
Palfau is a former municipality in the district of Liezen in the Austrian state of Styria. Since the 2015 Styria municipal structural reform, it is part of the municipality Landl.

Population

References

Cities and towns in Liezen District


text:
Yamaguchi Sekkei (, eigentlich Yamaguchi Sōsetsu (), weitere Künstlernamen (Gō): Baian (), Hakuin (); geb. 1644; gest. 22. Oktober 1732) war ein japanischer Maler während der mittleren Edo-Zeit.

Leben und Werk
Obwohl 1644 das allgemein akzeptierte Geburtsjahr Sekkeis ist, so gibt aber das Werk, das den "Eingang Buddhas ins Paradies" (, Nehan-zu) zum Gegenstand hat und das sich im Kiyomizu-dera in Kyōto befindet, sein Geburtsjahr mit 1649 an.

Es ist überliefert, dass Sekkei ein so großer Bewunderer der Maler Muqi (, jap. Mokkei; 2. Hälfte des 13. Jahrhunderts) und Sesshū () war, dass er seinen Künstlernamen aus je einem Zeichen dieser Namen bildete. Es heißt auch, dass er unter Kanō Einō studierte.

Yamaguchi malte nicht im Stil seiner Zeit, sondern suchte seinen Weg im Altüberlieferten und schuf einen eigenen Stil. Seine bekanntesten Werke sind das Stellschirmpaar "Herbstlicher Ahorn" im Daigo-ji in Kyōto und die Wandmalereien (, Shōheki-ga) im Shumpo-in (), einem nicht öffentlich zugänglichen Untertempel des Myōshin-ji, ebenfalls in Kyōto. Diese befinden sich dort in der Abtresidenz und umfassen 15 Bilder mit Personen in der Landschaft (, Sansui jimbutsu-zu), 16 Bilder mit dem Thema Blumen und Vögel (, Kachō-zu) und 12 Bilder mit den Bergheiligen (, Gunzen-zu).

Bilder

Anmerkungen

Weblinks
 Stellschirmpaar mit Löwen, Tiger, Leoparden (cleveland)

Literatur
 Tazawa, Yutaka: Yamaguchi Sekkei. In: Biographical Dictionary of Japanese Art. Kodansha International, 1981. ISBN 0-87011-488-3.
 Laurance P. Roberts: Sekkei. In: A Dictionary of Japanese Artists. Weatherhill, 1976. ISBN 0-8348-0113-2.

Maler (Japan)
Japaner
Geboren 1644
Gestorben 1732
Mann
Pseudonym


text:
Jacques Mercier, né à Mouscron le , est un écrivain et un homme de télévision et de radio belge. Il a travaillé à la RTBF de 1963 à 2008. Retraité, il se consacre désormais à sa carrière de journaliste et d'écrivain.

Biographie

Jeunesse
Troisième fils de René Mercier et Denise Fache, il fait son école primaire au collège Saint-Joseph à Mouscron, suivie d'humanités gréco-latines au collège jésuite de Tournai et il poursuit avec des études de journalisme à l'Institut des hautes études des communications sociales à Bruxelles. Sa jeunesse est marquée par le scoutisme, où il reçoit le totem de Faon-ironique.

Homme de radio
À la fin de ses études, Jacques Mercier effectue un stage bénévole à Radio Luxembourg. .

Il anime ensuite, toujours sur les ondes de la radio, Dimanche musique avec Stéphane Steeman et Musique au petit déjeuner. Il anime pendant de nombreuses années Le Jeu des dictionnaires et La Semaine infernale et pendant dix ans  Le Grand Dictionnaire, une émission de la Communauté radiophonique des programmes de langue française (CRPLF), communauté formée par celles et ceux qui conçoivent les émissions des radios publiques francophones de France, du Canada, de Suisse et de Belgique.

En , il renoue avec une présence dans l'émission d'Olivier Monssens On n'est pas rentré. Depuis , il présente sur Radio Judaica, chaque semaine, Mémo, émission consacrée à un « coup de cœur littéraire » en dialogue avec Nicky Depasse.

De septembre 2021 à janvier 2023, il coprésente le samedi avec Antoine Guillaume Jukebox BelRtl, des tubes qu'on a aimés en secret.

Le livre de l'été, chronique quotidienne dans la matinale de BelRTL à 6h 45 et 8h45, de fin juin à début septembre 2022.

Homme de télévision
En télévision, il présente Le Jeu des dictionnaires, L'Empire des médias, Forts en tête (avec Armelle puis Barbara Louys), et la Télé infernale. Il présente avec Marie-Christine Maillard SOS Kosovo, une émission caritative organisée à la suite de la guerre du Kosovo conjointement par les deux chaines francophones principales en Belgique : RTBF et RTL-TVI. Il commente dans les années 1980 pour la RTBF le Concours de L'Eurovision ainsi que la Knokke Cup.

À partir de , il retrouve Armelle dans Bonnie & Clyde, une mensuelle en première partie de soirée qui présente toute l'actualité et le divertissement. Dès le , en duo avec Philippe Geluck, il présente un micro-programme quotidien Monsieur Dictionnaire, l'explication ludique d'un mot ou d'une expression.

C'est archivé près de chez vous, émission spéciale de Noël 2021 avec Jean-Luc Fonck – RTBF. et C'est archivé près de chez vous – Le quizz, émission avec Jean-Luc Fonck – RTBF 3. Dimanche soir 25 Sept à Déc 2022. Idem en 2023.

Homme de presse écrite
Dès l'âge de 14 ans, il collabore à Plein Jeu, journal scout en signant de son totem "Faon ironique" et au Nord Eclair. Ses premières interviews sont celles de Jacques Brel et de Raymond Devos. Il tient une rubrique autour des disques dans de nombreux magazines : Télé-Moustique, Bonne Soirée, Marie Claire, Le Pourquoi pas ?, et dans La Libre Belgique.

Dans ce même quotidien, entre 1998 et 2009, , il écrit une rubrique langagière quotidienne. Depuis 2009, il propose une page autour des mots dans PlusMagazine. En 2016, il produit des billets autour des nouveaux mots jeunes dans Le Figaro à Paris, en partenariat avec Le Bon Usage.

Théâtre
En 1999, il est élu « personnalité Richelieu de l'année » par la régionale Belgique-Luxembourg du Richelieu international.

En septembre et , il joue dans Mercier: go home ! au théâtre de la Toison d'or (Bruxelles), pièce dans laquelle il s'imagine dans un home, racontant ses souvenirs. Chaque semaine, de nouveaux intervenants l'accompagnent, tels Philippe Geluck, Laurence Bibot, le dessinateur Pierre Kroll, le chanteur Jean-Luc Fonck entre autres<ref>[http://www.demandezleprogramme.be/Mercier-Go-Home-2785 Mercier, Go Home. Théâtre de la Toison d'Or]</ref>.

En , il joue avec Nara Noïan, à la Comédie Claude Volter à Bruxelles, Mon jardin secret, des souvenirs plus poétiques de sa vie.

En 2011, il est élu membre du conseil d'administration de la Maison internationale de la poésie - Arthur Haulot.

Entre  et fin 2014, la Boîte de Jazz se joue sur les places d'une vingtaine de villes belges. Cent ans de jazz retracés avec son fils Stéphane Mercier et d'autres jazzmen, comme Vincent Bruynincks ou Ivan Paduart. Production de c'est tout com .

En , à Wolubilis, le Magasin d'écriture théâtrale et Le Pied de la Lettre proposent une lecture-spectacle de sa pièce Excès, avec Jean-Claude Frison et Charlotte Mattiussi, dans une adaptation de Toni Cecchinato. Excès est également donné au Théâtre 14, avenue Sangnier, dans le  de Paris, dans le cadre du Festival des universités populaires du théâtre, le .

En , il est le narrateur dans le conte musical Pierre et le Loup de Serge Prokofiev, avec l'orchestre philharmonique royal de Liège, sous la direction de Jean-Pierre Haeck. Une production des Jeunesses Musicales. Dessins de Philippe Lagautrière. Mise en scène de Bruno Coppens.Christmas at Columban : Soirée sur le thème de l'amour universel, du partage, conçue par Stéphane Mercier et avec la participation d'artistes du monde entier. Ecriture et lecture des textes de liens au Columban de Wavre. (20 décembre 2019)La Caravane du Jazz, avec Stéphane Mercier, l'histoire du jazz, Juillet et août 2021 (Annevoie, Seneffe, Lasne…), une spéciale Henry Bauchau, à Godinne, septembre 2022.Churchify - La Création du Monde, La Genèse et le duo Stéphane Mercier (sax) et Philippe Decock (Orgue). Première à Aywaille, Novembre 2022. Dinant Jazz Festival juillet 2023.

 Distinctions
 1999 : personnalité Richelieu de l'année
 2005 : officier de l'ordre de Léopold
 2010 : Picard 2009 de la Culture
 2013 :

 Publications

 . Prix Triangle.
 L'envol, Édition des Archers, Bruxelles, 1980.
 La tendresse inutile, Édition des Archers, Bruxelles, 1982.
 Charles Dumont, un chant d'amour, essai, Labor, Bruxelles ; Lafon, Paris, 1984.
 Le soleil dans les yeux, Édition des Archers, Bruxelles, 1985. Couverture de Gaston Bogaert.
 Mouscron, Émotions, textes, Éditions Van Braekel, Mouscron, 1986.
 La Tête dans la neige, avec des illustrations du peintre Jean Dupont, Éditions Dejaie, 1986.
 Les mots changent de couleur, avec des illustrations du peintre Albert De Villeroux, Éd. Vie ouvrière et Pierre Zech, Paris-Bruxelles, 1987.
 Totalement confidentiel, récits, Édition des Archers ; RTBF, Bruxelles, 1988.
 Le Chocolat belge, essai, Glénat, Bruxelles-Paris, 1989.
 Petit dictionnaire franco-belge, belgo-français, essai, Éd. Glénat, Bruxelles-Paris, 1990.
 D'un bleu illimité, poèmes, Éditions Maison de la Poésie d'Amay, 1994.
 Dictionnaire de la chanson (à Bruxelles et en Wallonie), Mardaga, Conseil de la Musique, Comité de rédaction, 1995.
 Le guide du chocolat belge et des pralines, essai, Casterman, 1996. Ensuite La Renaissance du livre, 1997.
 Photos truquées, nouvelles, Éditions Luce Wilquin, Avin, 1996. Couverture inédite de Juan d'Oultremont.
 L'année 13, Éditions Claude Lefrancq, 1998.Réédition Bebooks Sur Amazon Kindle, 2011
 Tendresses d'Ibiza, poèmes, Édition Tétras Lyre, 1998. Illustrations Claire Van der Schueren.
 Mortes Maisons, nouvelles, Éditions Claude Lefrancq, 1999.Réédition Bebooks Sur Amazon Kindle, 2011. Réédition papier Ikor Éditions, 2015.
 Le diamant, beau-livre, La Renaissance du Livre, 1999.
 Le français tel qu'il se parle en Belgique, essai, La Renaissance du Livre, 2000.
 Le grand livre de l'Eau, beau-livre, La Renaissance du Livre, 2000.
 Le chocolat, mini beau-livre, La Renaissance du Livre, 2000.
 Les plaisirs de la langue française, essai, La Renaissance du Livre, 2001.
 A la table des grands chefs, essai, beau-livre, La Renaissance du Livre, 2001.
 Maître Gustave, La Renaissance du Livre, Tournai, 2002. Réédition Libook Sur Amazon Kindle, 2011
 Aux marches du palais, beau-livre, avec Guy Daloze et Olivier Polet, La Renaissance du Livre, 2002.
 Made in Belgium, beau livre, La Renaissance du Livre, 2003.
 Les Maîtres de la langue française, essai, La Renaissance du Livre, 2003.
 Les aventures de petit écureuil bleu, littérature pour la Jeunesse, en coll. avec Claire Van der Schueren, La Renaissance du Livre, 2003.
 Un équilibre fragile, roman, Éditions Racine, 2005
 Les nuits sont des voiliers, poèmes, Memory Press, 2005
 Au cœur des mots, rubriques M.Dico, Éditions Racine, 2005
 La Belgique infernale, collectif, beau-livre, Éditions Racine, 2005.
 Gus, roman, Éditions Racine, 2006
 Pata, livre pour enfants, avec Claire Vanderschueren, Vanille-Chocolat, 2006
 Belges en France, essai, Éditions Racine, 2006
 La tentation du chocolat, beau-livre, Éditions Racine, 2007
 Proche des larmes, poèmes, Éditions les Déjeuners sur l'herbe, 2008.Réédition Bebooks sur Amazon et iTunes 2013
 Excès, roman, Éditions La Muette, 2010
 Contes pour petits et grands, Histoires d'animaux, Sur livres audio ITunes, 2011
 Une Diva amoureuse, roman, édition originale Bebooks Sur Amazon Kindle, 2011. Réédition "papier" Ikor Éditions, 2014.
 Mon père est mort en riant, récit, édition originale Bebooks Sur Amazon Kindle, 2011
 Les perroquets de l'Orénoque, chroniques, édition originale Bebooks Sur Amazon Kindle, 2012
 L'orage, roman, édition originale numérique OnLit Éditions, 2012
 Pralines et Chocolat, Guide, Édition Luc Pire, 2012
 Les 500 plus belles expressions de Monsieur Dictionnaire, Essai, Éditions Racine, 2012
 Son parfum, roman, édition numérique et papier OnLit Éditions, 2014
 L'envers du monde, poèmes, Illustrations de Isabelle Fache. Éditions les Déjeuners sur l'herbe, 2014.
 La francisque de Tournai, roman, Éditions Luc Pire, 2014
 El adios en tres actos, (traduction espagnole de Une diva amoureuse), roman, Édition Libros del Fuego, Troika, Caracas, 2014
 Toute une vie d'amour, roman et essai, (avec Sophie Mercier) Éditions Academia-L'Harmattan, 2016
 Les nouvelles expressions de Monsieur Dictionnaire, Essai, Éditions Racine, 2017
 Des matins lumineux, roman (Opuscule) Éditions Éric Lamiroy, 2017
 Paysages citoyens à Bruxelles, Guide,(avec Christophe Mercier) Éditions Racine, 2018
 Papy, poèmes, Illustrations des petits-enfants. Éditions les Déjeuners sur l'herbe, 2018
 Le compte est bon, (avec Noël Van der Schueren), Essai, Éditions Racine, 2019
 Mes drôles de vies, Autobiographie, Éditions Racine, 2020
 Un petit moment de grâce, poèmes, Illustrations de Claire Van der Schueren, Éditions Le Chat Ailé, 2021
 La France des Belges, Essai, Éditions Jourdan, 2021
 Les clairières de ma vie,'' Essai autobiographique, Edition Kennes, 2023

Prix Jacques Mercier
En , il est créé le « Prix Jacques Mercier », prix annuel attribué à un mémoire de fin d'études à l'Institut catholique des hautes études commerciales (ICHEC), pour la meilleure langue française.

Notes et références

Pour compléter

Bibliographie

 .

Liens externes

 Site officiel de Jacques Mercier
 Site de l'ICHEC

Écrivain belge francophone
Journaliste belge
Collaborateur de La Libre Belgique
Radio publique belge
Personnalité de la RTBF
Animateur belge de radio
Animateur sur une radio en Belgique
Spécialiste de littérature à la radio
Décoré en Belgique pour mérite culturel
Lauréat du Mérite wallon
Officier de l'ordre de Léopold
Naissance en octobre 1943
Naissance à Mouscron


text:
Władysław Heliodor Gumiński (ur. 1822 w Warszawie, zm. 1898 tamże) – polski malarz, litograf i konserwator malarstwa.

Rozpoczął naukę malarstwa u Jana Feliksa Piwarskiego oraz w prywatnej szkole Aleksandra Kokulara w Warszawie, a następnie w Wiedniu, gdzie uczył się także konserwacji obrazów u Daniela Penthera.

Po ukończeniu studiów odbył podróże studialne do Włoch, Szwajcarii, Francji i Niemiec. Następnie powrócił do Warszawy, gdzie założył pracownię konserwacji malarstwa.

W latach 1860–1887 regularnie wystawiał swoje prace w Towarzystwie Zachęty Sztuk Pięknych w Warszawie.

Jako jeden z pierwszych w Polsce uprawiał malarstwo plenerowe. Był nauczycielem rysunków w szkołach warszawskich.

Spoczywa na cmentarzu Powązkowskim w Warszawie (kwatera 2, rząd 6, grób 27).

Przypisy

Linki zewnętrzne
 Biografia

Ludzie urodzeni w Warszawie (Królestwo Kongresowe)
Polscy pejzażyści
Urodzeni w 1822
Zmarli w 1898
Pochowani na cmentarzu Powązkowskim w Warszawie


text:
Novaolimpiensi – abitanti di Nova Olímpia (Mato Grosso)
Novaolimpiensi – abitanti di Nova Olímpia (Paraná)


text:
Uganda estuvo representada en los Juegos Olímpicos de Seúl 1988 por un total de 24 deportistas que compitieron en 3 deportes.

El equipo olímpico ugandés no obtuvo ninguna medalla en estos Juegos.

Enlaces externos
Página del COI .
Base de datos olímpica  .

Uganda
V 1988


text:
The 2009 Pro Bowl was the National Football League's all-star game for the 2008 season. It was played at Aloha Stadium in Honolulu, Hawaii on February 8, 2009. This was the most recent year that the game was held after the Super Bowl. The NFC defeated the AFC, 30–21.

The AFC was coached by Baltimore's John Harbaugh, while the NFC's coach was Philadelphia's Andy Reid.

This is the last game to be held one week after the Super Bowl, the last game where the coaching staffs were from the teams who lost their conference title games, and the last game where players of the two teams competing in the Super Bowl play in the Pro Bowl.

AFC roster

Offense

Defense

Special teams

NFC roster

Offense

Defense

Special teams

Notes:
Replacement selection due to injury or vacancy
Injured player; selected but did not play
Replacement starter; selected as reserve
"Need player"; named by coach
Philip Rivers was the first alternate, but declined due to injury
 Hope was selected as strong safety

Number of selections per team

References

External links

NFL.com – 2009 Pro Bowl Gamebook
Official Pro Bowl website at NFL.com

Pro Bowl
Pro Bowl
Pro Bowl
Pro Bowl
Pro Bowl
American football competitions in Honolulu
Pro Bowl


text:
Josef Zeppetzauer (* 2. Februar 1887 in Bad Ischl; † 23. Mai 1970 ebenda) war ein österreichischer Forstarbeiter, Gewerkschafter und Politiker.

Leben
Josef Zeppetzauer besuchte die Volksschule in Mitterweißenbach und arbeitete anschließend als Knecht. Ab 1903 arbeitete er als Forstarbeiter, ab 1904 beim Forstamt in Ebensee. Im Ersten Weltkrieg wurde er zum Kriegsdienst eingezogen. Nach Kriegsende betätigte er sich wieder als Forstarbeiter und wurde zunächst Betriebsrat, dann Zentralbetriebsrat der Forstarbeiter in der christlichen Gewerkschaft. Er war an der Gründung der Land- und Forstwirtschaftlichen Sozialversicherungsanstalt beteiligt.

Im autoritären Ständestaat wurde Zeppetzauer auf Vorschlag der Zentralkommission der Christlichen Gewerkschaften als Vertreter der Unselbständigen der Berufsgruppe Land- und Forstwirtschaft Mitglied des Bundeswirtschaftsrats. Er hatte dieses Mandat von 1934 bis 1938 inne. Daneben war er Mitglied und Obmann der Sektion der Forstarbeiter des Landesbauernrates sowie Mitglied in der Landwirtschaftskammer und im geschäftsführenden Ausschuss des oberösterreichischen Bauernbundes.

Über sein Leben während der Zeit des Nationalsozialismus ist nichts bekannt.

Nach dem Zweiten Weltkrieg engagierte sich Zeppetzauer politisch in der Österreichischen Volkspartei und trat als Kandidat bei der Nationalratswahl 1945 an. Am 12. Juli 1946 wurde zum Bürgermeister von Bad Ischl gewählt. Ab 7. November 1949 war er Vizebürgermeister. Von 1961 bis 1966 war er Stadtrat in Bad Ischl. Daneben war er Im Land- und Forstarbeiterbund aktiv, wo er bis Dezember 1949 Schriftführer war. Von 1952 bis an sein Lebensende war er auch als Pfarrkirchenrat tätig.

Ehrungen
 Ehrenbürger von Bad Ischl
 1961 Goldenes Verdienstzeichen der Republik Österreich

Literatur
 Gertrude Enderle-Burcel, Johannes Kraus: Christlich – Ständisch – Autoritär. Mandatare im Ständestaat 1934–1938. Hrsg.: Dokumentationsarchiv des österreichischen Widerstandes und Österreichische Gesellschaft für historische Quellenstudien, Wien 1991, ISBN 3-901142-00-2, S. 267.

Belege

Mitglied des Bundeswirtschaftsrates
Bürgermeister (Bad Ischl)
Gewerkschafter (Österreich)
Ehrenbürger von Bad Ischl
Träger des Goldenen Verdienstzeichens der Republik Österreich (1952)
ÖVP-Mitglied
VF-Mitglied
Österreicher
Geboren 1887
Gestorben 1970
Mann


text:
The Supreme Court of Western Australia is the highest state court in the Australian State of Western Australia. It has unlimited jurisdiction within the state in civil matters (although it usually only hears matters involving sums of A$750,000 or more), and hears the most serious criminal matters.

Structure
The Supreme Court consists of a General Division (equivalent to the Trial Division in other states) and the Court of Appeal.

The General Division deals with serious criminal matters, civil cases where the amount claimed is greater than $750,000, criminal appeals from the Magistrates Court and appeals from other bodies such as the State Administrative Tribunal.  The General Division sits in the David Malcolm Justice Centre for civil proceedings and the District Court of WA Building and the original Supreme Court Building for criminal proceedings.

The Court of Appeal hears both civil and criminal appeals from cases in the General Division, the District Court and the State Administrative Tribunal.  It sits in the original Supreme Court Building.

When required, Supreme Court judges may also constitute the Industrial Appeal Court and sit as a Court of Disputed Returns.

The current Chief Justice of the Supreme Court is Peter Quinlan SC who was appointed to the position in August 2018.

History
The Supreme Court was established on 18 June 1861 when the Court of Quarter Sessions (a criminal court for serious matters) and the Civil Court were amalgamated. Sir Archibald Burt was the first Chief Justice of the court.

The Full Court of the Supreme Court was established in 1886 to decide both criminal and civil appeals. In 1893 the criminal appeals were transferred to the Court of Appeal which was then reconstituted as the Court of Criminal Appeal in 1911.

The Supreme Court, Full Court and Court of Criminal Appeal were effectively the one court with each judge able to sit on cases in any of the courts.

Plans to relocate the Court building were announced to the public in March 1901, after a parliamentary committee examined various options and decided on the current location on St George's Terrace. A government decree that only local materials be used in the construction caused difficulties and delays, culminating in a Royal Commission in 1902. Finally, the new building was officially opened on 8 June 1903, by newly-arrived Governor, Sir Frederick Bedford.

In 2004 the Full Court and the Court of Criminal Appeal were subsumed by the Court of Appeal, which, while still a division of the Supreme Court, has judges which sit solely on appeal cases.

Judicial officers
The Supreme Court is currently constituted by the following judicial officers (in order of seniority):

Chief Justice
 Peter Quinlan (13 August 2018)

President of the Court of Appeal
 Michael Buss (18 July 2016; appointed as Judge of Appeal on 1 February 2006)

Judges of the Court of Appeal
 Graeme Murphy (3 August 2010; appointed as Judge on 28 April 2009)
 Robert Mazza (2011; appointed as Judge on 4 March 2010)
 Robert Mitchell (18 July 2016; appointed as Judge in October 2014)
 Andrew Beech (24 May 2017; appointed as Judge on 25 June 2007)
 Janine Pritchard (President, State Administrative Tribunal as of 4 June 2019; appointed as Judge of Appeal on 13 September 2018; appointed as Judge on 11 June 2010)
 John Vaughan (4 June 2019; appointed as Judge on 30 April 2018)

Judges of the General Division
 Rene Le Miere (Senior Puisne Judge) (2 February 2004)
 Kenneth Martin (23 March 2009)
 Stephen Hall (6 July 2009)
 Michael Corboy (19 April 2010)
 Jeremy Allanson (9 August 2010)
 Jeremy Curthoys (10 February 2014)
 Paul Tottle (10 August 2015)
 Bruno Fiannaca (31 August 2015)
 Joseph McGrath (28 November 2016)
 Gail Archer (29 May 2017)
 Anthony Derrick (6 March 2018)
 Jennifer Smith (27 June 2018; acting judge from 1 August 2017)
 Jenni Hill (4 June 2019)
 Larissa Strk (9 June 2021)
 Marcus Solomon (4 August 2021)

Master
 Craig Sanderson

Principal Registrar
 Kate McDonald (Acting)

Registrars
 Christopher Boyle
 Sandra Boyle
 Danielle Davies
 Simon Dixon
 June Eaton (Registrar Court of Appeal)
 Rainer Gilich
 Janet Whitbread

Supreme Court building

The Supreme Court building has considerable heritage significance in Western Australia. In 1899, a joint parliamentary committee was formed to decide on the location of the new court building with three sites being considered. The locations were a site in Irwin Street, the old Government Boys' School on St George's Terrace and the current site. After a decision was made and a contract awarded for £55,888 11s 3p to RP Vincent and Sons in February 1901, an announcement was made to the public during March of that year. The foundation stone was laid on 2 June 1902 and would open on 8 June 1903 with WA Governor Sir Frederick Bedford present as was the Chief Justice Sir Edward Stone and the full court.

The two-storey brick building was designed by John Harry Grainger (father of Percy Grainger), Chief Architect with the Public Works Department of Western Australia. It is designed in the Federation Academic Classical style: a style that was often used for major public buildings of the time. The original design called for only local materials to be used with Donnybrook stone, Meckering granite and jarrah wood the choice. Stuccoed cement had to be substituted when insufficient quantities of Donnybrook stone of identical texture and colour were lacking for the building. Another change was the slate roof, when a galvanized roof was installed instead saving £5,425. Originally, the grand foyer was to be painted in colours reflecting those of the glass domes, but again shortage of funds dictated the substitution of whitewash. The foyer was more appropriately redecorated to celebrate the Court's centenary in 2003.

David Malcolm Justice Centre
On 11 July 2016, the Supreme Court's Registry and General Division (Civil) relocated from the original Supreme Court Building to the new David Malcolm Justice Centre located at 28 Barrack Street which is immediately north of the State Buildings complex.

See also

 Chief Justice of Western Australia
 List of Judges of the Supreme Court of Western Australia
 Judiciary of Australia

Notes

References

Further reading
 State Archives of Western Australia. (1990) Bankruptcy records of the Supreme Court of Western Australia compiled by the State Archives of Western Australia.
(Alphabetical list of bankruptcy files held by the State Archives. Covers the period 1857–1928).

External links

Western Australia
Courthouses in Perth, Western Australia
1861 establishments in Australia
Courts and tribunals established in 1861


text:
Kanton Béziers-2 () je francouzský kanton v departementu Hérault v regionu Languedoc-Roussillon. Tvoří ho sedm obcí.

Obce kantonu
 Bassan
 Béziers (část)
 Boujan-sur-Libron
 Cers
 Lieuran-lès-Béziers
 Portiragnes
 Villeneuve-lès-Béziers

Z města Béziers se v kantonu nacházejí městské čtvrti L'Iranget, La Grangette, La Dullague, Le Progrès, Croix-Poumeyrac, La Crouzette, Les Oliviers, Route de Bédarieux a Saint-Jean-de-Libron.

Beziers-2


text:
Елна Рейнах і Наталі Тозья були чинними чемпіонками, але цього разу Рейнах вирішила не брати участі. Тозья грала в парі з Жулі Алар, але вони програли в першому колі парі Домінік Ван Рост і Мая Мурич.

Ніколь Арендт і Манон Боллеграф виграли титул, у фіналі перемігши пару Ліза Реймонд і Ренне Стаббс з рахунком 7–6(8–6), 4–6, 6–2.

Сіяні пари

Сітка

Посилання
Main Draw

Challenge Bell
Tournoi de Québec


text:
Endocrossis quinquemaculalis is een vlinder uit de familie van de grasmotten (Crambidae). De wetenschappelijke naam van de soort is voor het eerst gepubliceerd in 1899 door Christian Johannes Amandus Sauber.

De soort komt voor in de Filipijnen.

Grasmotten


text:
Melchior Klug (* in Lindloh; † nach 1722, nachgewiesen in Rüthen) war ein Steinhauer.

Leben
Klug zählt zu den "Großen unter den Rüthener Steinhauern", der durch verschiedene Arbeiten im Herzogtum Westfalen ausgewiesen ist (vgl. Werke). Er wurde um 1720 Bürger der Stadt Rüthen; sein Bürgergeld entrichtete er in drei Jahresraten (1720 bis 1722). Im Kämmereiregister der Stadt heißt es entsprechend: "Melchior Klug , bürtig aus Lindtloh, Herzogthumb Berghe, freyen standtz, ist zum Bürger auffgenohmen." Im selben Zeitraum werden auch die Steinhauer Heinrich Klug (gest. 4. Oktober 1735) und Petrus Klug, bei denen es sich um Brüder des Meisters handeln dürfte, als Neubürger Rüthens erwähnt. Melchior Klug bewohnte ein an der St. Johannes-Kirche gelegenes "Haus am Wulfshof",  wegen "außerordentlichen Straßentumults" wurde er seitens der Stadt, die ihn als Steinhauer des Öfteren engagierte, mit Strafen belegt.

Werke
Besondere Bekanntheit erlangte Klug durch seine umfangreichen Arbeiten beim Bau des Klosters Grafschaft. Im Rahmen dieser Arbeit des Architekten Michael Spanner war Klug für die Ausführung sämtlicher Schmuckteile an den Gebäuden verpflichtet worden. Er übernahm die Anfertigung aller Portale und Figuren, der Fußgesimse, Ecken, Fenster- und Türeinfassungen und Schornsteine aus Rüthener Grünsandstein, die er zur vollen Zufriedenheit der Auftraggeber anfertigte: "Alles glath und sauber" vermerken die Kirchenbücher. Über der Tür des reichgeschmückten Westportals halten zwei Löwen mit ihren Vorderpranken das Grafschafter Klosterwappen. Im Zierrat über dem Schild sind die Mitra und der Abtsstab sowie eine Märtyrerpalme als Zeichen des Klosterpatrons, des als Heiligen verehrten Alexanders, zu sehen. In der Baurechnung wurde vermerkt: "...ein großes Portal nach dem gegebenen Abriß mit Klosterßwappen sowie zwei Löwen, woll außgebuzet, soll gehalten werden, bey seinem eigenen essen und trincken für 70 Reichsthaler."

Über dem Portal ist zudem die Figur  Annos, des Klostergründers, der als Heiliger verehrt wird, zu sehen, welche ebenfalls von Klug verfertigt wurde: Als Bischof trägt er die Mitra, in seiner Linken den Hirtenstab, in seiner Rechten das Modell einer Kirche.

Den Eingang der Abtswohnung schmückte Klug mit zwei allegorischen Figuren, die Herbst und Winter darstellen; der Eingang am Südflügel zeigt als Gegenstück die Figuren "Frühling" und "Sommer". Über diesem Eingang steht in einer Muschelnische die Steinfigur des Ordensstifters, Benedikt von Nursia, mit dem Finger am Munde Schweigen gebietend. Zu seinen beiden Seiten stehen Engelfiguren.

Als weitere Werke Klugs gelten der "Arme-Seelen-Opferstock" auf dem Rüthener Friedhof und ein Bildstock in Eickelborn. Letzterer ist leider nicht erhalten. Es darf angenommen werden, dass weitere Exemplare der zahlreichen Heiligenhäuschen in Westfalen auf Melchior Klug zurückgehen.

Literatur
 Henneböle, Eberhard: Steinhauer, Bildschnitzer und Maler in Rüthen nach dem 30-jährigen Kriege bis um 1750, Lippstadt 1974, S. 64 ff.

Einzelnachweise

Steinmetz (Deutschland)
Person (Rüthen)
Geboren im 17. Jahrhundert
Gestorben im 18. Jahrhundert
Deutscher
Mann


text:
Rivoira – frazione di Boves
 Rivoira – frazione di Villar San Costanzo
 Gian Teresio Rivoira – storico dell'arte
 Rivoira – azienda


text:
Štefan Taššo (* 19. července 1954) je bývalý slovenský fotbalista.

Fotbalová kariéra
V československé lize hrál za Lokomotívu Košice. Nastoupil ve 20 ligových utkáních. V nižších soutěžích hrál i za Slavoj Trebišov.

Ligová bilance

Odkazy

Reference

Literatura
 Ľubomír Dávid, Ladislav Grünner, Juraj Hrivnák, Jozef Kšiňan, Jindřich Pejchar: Futbal 81/82 - ročenka

Externí odkazy
 Player History
 Slavoj Trebišov

Českoslovenští fotbalisté
Slovenští fotbalisté
Fotbalisté FC Lokomotíva Košice
Fotbalisté Slavoje Trebišov
Narození 19. července
Narození v roce 1954
Žijící lidé
Muži


text:
Les Liaisons coupables (The Chapman Report) est un film de George Cukor sorti en 1962.

Synopsis
Psychanalyste avisé, le docteur George C. Chapman et ses collègues se rendent dans une petite ville de Californie, à Briarwood, pour enquêter sur la sexualité de la femme américaine. Pour son étude, il en convoque plusieurs et quatre se distinguent du lot. D'abord la jeune et jolie veuve Kathleen Barclay, complexée par sa frigidité, puis Sarah Garnell, une mère de deux enfants qui souhaite refaire sa vie avec un jeune metteur en scène. Naomi Shields, elle, est une nymphomane alcoolique tandis que la dernière « cobaye » s'appelle Teresa Harnish, une épouse snob et sophistiquée qui a une liaison avec un athlète plus jeune qu'elle.

Paul Radford, l'assistant de Chapman, apprend à les connaître et découvre leurs secrets lors des séances d'entretiens qui serviront à l'enquête de Chapman. Ainsi, elles se confient et se révèlent. Alors que Kathleen se sent coupable de la mort de son époux, Sarah reconnaît qu'elle n'est pas la femme au foyer idéale car elle trompe son mari avec Fred Linden, un metteur en scène de théâtre plus jeune qu'elle. De leur côté, Teresa reconnaît sa frivolité et son aventure avec un joueur de football et Naomi, dépressive, est victime de ses envies sexuelles pressantes avec tous les hommes qu'elle rencontre, dont un jeune livreur et un musicien de jazz.

Grâce à Radford, leurs problèmes seront résolus. Pour oublier son mari décédé, Kathleen couchera avec lui alors que Sarah et Teresa retourneront, après de brèves liaisons avec d'autres hommes, vers leurs maris respectifs. Quant à Naomi, rongée par sa dépression et fatiguée de ses égarements sexuels, elle se donnera la mort. Radford n'a pas pu la sauver.

Fiche technique
 Titre original : The Chapman Report
 Titre français : Les Liaisons coupables
 Réalisation : George Cukor
 Scénario : Wyatt Cooper et Don Mankiewicz d'après le roman d'Irving Wallace
 Adaptation : Gene Allen et Grant Stuart
 Production : Darryl F. Zanuck, Richard D. Zanuck et Michael A. Hoey (producteur associé)
 Société de production : Darryl F. Zanuck Productions
 Distribution : Warner Bros. Pictures
 Musique : Leonard Rosenman, Frank Perkins et Max Steiner
 Photographie : Harold Lipstein
 Montage : Robert L. Simpson
 Direction artistique : Gene Allen
 Décorateur de plateau : George James Hopkins
 Costumes : Orry-Kelly
 Pays d'origine : États-Unis
 Format : Couleur (Technicolor) - 35 mm - 1,66:1 - Son : Mono (RCA Sound Recording)
 Genre : Drame
 Durée : 125 minutes
 Date de sortie :  :

Distribution
 Shelley Winters : Sarah Garnell
 Jane Fonda : Kathleen Barclay
 Claire Bloom : Naomi Shields
 Glynis Johns : Teresa Harnish
 Efrem Zimbalist Jr. : Paul Radford
 Ray Danton : Fred Linden
 Andrew Duggan : Dr. George C. Chapman
 Ty Hardin : Ed Kraski
 Harold J. Stone : Frank Garnell
 Corey Allen : Wash Dillon
 Jennifer Howard : Grace Waterton
 Cloris Leachman : Miss Selby
 Henry Daniell : Dr. Jonas
 Hope Cameron : Ruth Linden
 Evan Thompson : Cass Kelly
 Jack Cassidy : Ted Dyson

Voir aussi

Revue de presse
 Claude Miller, « Les liaisons coupables », Téléciné , Fédération des Loisirs et Culture cinématographique (FLECC), Paris, -,

Liens externes

Film américain sorti en 1962
Film dramatique américain
Film choral américain
Film tourné en Technicolor
Film réalisé par George Cukor
Film distribué par Warner Bros. Pictures
Film produit par Darryl F. Zanuck
Film tourné à Los Angeles
Film tourné aux Warner Brothers Burbank Studios
Adaptation d'un roman américain au cinéma
Film avec une musique composé par Leonard Rosenman


text:
Ban-de-Sapt is een gemeente in het Franse departement Vosges (regio Grand Est) en telt 340 inwoners (2005). De plaats maakt deel uit van het arrondissement Saint-Dié-des-Vosges.

Geografie
De oppervlakte van Ban-de-Sapt bedraagt 22,8 km², de bevolkingsdichtheid is 14,9 inwoners per km².

Demografie
Onderstaande figuur toont het verloop van het inwonertal (bron: INSEE-tellingen).

Gemeente in Vosges


text:
In probability theory, the multidimensional Chebyshev's inequality is a generalization of Chebyshev's inequality, which puts a bound on the probability of the event that a random variable differs from its expected value by more than a specified amount.

Let  be an -dimensional random vector with expected value  and covariance matrix

If  is a positive-definite matrix, for any real number :

Proof
Since  is positive-definite, so is . Define the random variable

Since  is positive, Markov's inequality holds:

Finally,

Infinite dimensions
There is a straightforward extension of the vector version of Chebyshev's inequality to infinite dimensional settings. Let  be a random variable which takes values in a Fréchet space  (equipped with seminorms ). This includes most common settings of vector-valued random variables, e.g., when  is a Banach space (equipped with a single norm), a Hilbert space, or the finite-dimensional setting as described above.

Suppose that  is of "strong order two", meaning that

for every seminorm . This is a generalization of the requirement that  have finite variance, and is necessary for this strong form of Chebyshev's inequality in infinite dimensions. The terminology "strong order two" is due to Vakhania.

Let  be the Pettis integral of  (i.e., the vector generalization of the mean), and let

be the standard deviation with respect to the seminorm . In this setting we can state the following:

General version of Chebyshev's inequality.

Proof. The proof is straightforward, and essentially the same as the finitary version. If , then  is constant (and equal to ) almost surely, so the inequality is trivial.

If

then , so we may safely divide by . The crucial trick in Chebyshev's inequality is to recognize that .

The following calculations complete the proof:

References

Probabilistic inequalities
Statistical inequalities


text:
Anions are larger than cations. Large sized anions occupy lattice sites, while small sized cations are found in voids.
The ratio of radius of cation to anion is called radius ratio.

In condensed matter physics and inorganic chemistry the cation-anion radius ratio (also: radius ratio rule) is the ratio of the ionic radius of the cation to the ionic radius of the anion in a cation-anion compound. This is simply given by .

According to Pauling's rules for crystal structures, the allowed size of the cation for a given structure is determined by the critical radius ratio. If the cation is too small, then it will attract the anions into each other and they will collide hence the compound will be unstable due to anion-anion repulsion; this occurs when the radius ratio drops below 0.155.

At the stability limit the cation is touching all the anions and the anions are just touching at their edges (radius ratio = 0.155). For radius ratios greater than 0.155, the compound may be stable.

The table below gives the relation between radius ratio and coordination number, which may be obtained from a simple geometrical proof.

The radius ratio rule was first proposed by Gustav F. Hüttig in 1920. In 1926, Victor Goldschmidt extended the use to ionic lattices.

See also

 Face-centered cubic

References

Crystallography
Inorganic chemistry
Ratios
Atomic radius


text:
La chiesa dei Santi Ermacora e Fortunato è la parrocchiale di Roiano, frazione di Trieste, in provincia e diocesi di Trieste; è sede dell'omonimo decanato.

Storia
Anticamente a Roiano sorgeva una chiesetta dedicata a San Pietro, nelle cui vicinanze fu costruita nel XVIII secolo la nuova chiesa dei Santi Teresa, Sebastiano e Rocco.Nel XIX secolo, con l'aumentare della popolazione, si decise di edificare una nuova chiesa, più grande. La chiesa attuale, dedicata ai martiri Ermacora e Fortunato, fu costruita su progetto dell'architetto Francesco Catolla tra il 1858 e il 1862; la consacrazione fu impartita il 13 luglio 1862. La chiesa venne poi ristrutturata nel 1955 e nel 2004, quando fu consacrato il nuovo altare.

Note

Voci correlate
Parrocchie della diocesi di Trieste
Diocesi di Trieste
Cattedrale di San Giusto (Trieste)
Chiesa di Gesù Divino Operaio (Trieste)

Collegamenti esterni

Ermacora e Fortunato
Roiano
Ermacora e Fortunato


text:
T.M. Landry College Preparatory (also known simply as T.M. Landry) was an unaccredited, co-educational private college-preparatory school in Lafayette, Louisiana for grades K–12. The school initially made headlines for its 100% acceptance rate into 4-year colleges, but received negative attention in 2018 as the subject of an investigative report by The New York Times, detailing allegations of abuse of students and fabrication of transcripts and college applications. In 2019, the Federal Bureau of Investigation launched an investigation on the school. Following the controversy, the school's co-founders, Michael and Tracey Landry, stepped down from the school board but continued to serve as teachers at the school. As of 2022, the school has been closed.

History
T.M. Landry was originally established as a homeschool for five children in 2005. The founders of the school are Michael Landry, a former salesman and a certified teacher since 2002, and his wife Tracey Landry, who worked as a nurse prior to establishing the school and currently serves as the school's Principal. The school became an unaccredited private school for grades K–12. The state of Louisiana did not recognize the school's diploma but the school followed Louisiana state standards.

T.M. Landry moved into a former factory building in 2017. According to the school website, 142 students were enrolled in 2018, and the average class size was six students in primary school and 12 students in middle and high school. Tuition costed up to $675 a month. The school did not use textbooks, issue homework, or assign specific class schedules.

Following college enrollment, most Landry alumni have experienced mental health crises and struggled academically.

Media
T.M. Landry has been the subject of many national news features. Local television news outlets in Breaux Bridge and Louisiana have profiled the school. The school became the focus of national media attention in December 2016 after one high school senior was accepted into Cornell University. T.M. Landry students have been accepted into other prestigious schools, including: Harvard University, Boston University, Tulane University, Brown University, and New York University. In October 2018, NBC's show Today reported that T.M. Landry boasts a 100% college acceptance rate. T.M Landry students have been profiled on the Today show, Ellen, and CBS Morning News.

In November 2018, The New York Times published an investigative report that accused T.M. Landry of doctoring transcripts and college applications that, in turn, would get a student accepted into Ivy League schools. These tactics worked, and videos of students viewing acceptance letters went viral. The Times article alleged student abuse by the founder and principal, Michael Landry, who reportedly would choke students and force them to kneel before him for hours. According to 2013 court documents obtained by the reporters, Landry pleaded guilty to a count of simple battery and was sentenced to probation and a court-ordered anger management program. Students said that Landry told them he would ruin their chances of acceptance to college if they spoke of the abuse. In an interview with The New York Times, Landry denied the allegations of abuse.

In June 2019, The New York Times reported that FBI was investigating the college applications submitted by students at T. M. Landry.

Allegations of abuse and transcript falsifications
In a New York Times article published in November 2018, authors Erica L. Green and Katie Benner reported evidence that the school falsified transcripts, academic achievements, and community service on its students' applications to Ivy League schools. The article detailed accusations that the Landrys ran their school through fear and physical and emotional abuse. Numerous students and teachers support these allegations. Some of them reported that "students were forced to kneel on rice, rocks and hot pavement, and were choked, yelled at and berated." Accusations against Michael Landry including striking students and making one student eat rat feces. Landry admitted that he hit students, and he goaded white and black students to compete against each other. In December 2018, Louisiana State Police began an investigation into the abuse allegations.

In April 2019, the Lafayette Daily Advertiser and Lafayette's News 15 reported that impartial investigators found no evidence to support allegations against the school. Investigators stated the attorney for the families who spoke with The New York Times declined to make them available for interviews or provide any documents supporting allegations of abuse. The school was also the subject of a half hour documentary film, The Education of T.M. Landry, presented as the first episode of the new TV series produced by The New York Times called The Weekly which made its debut on FX and Hulu in June, 2019.

Accepted
A documentary film about the school, Accepted, premiered on June 12, 2021, at the Tribeca Film Festival. It was directed by Dan Chen and produced by Chen, Jason Y. Lee, Jesse Einstein, and Mark Monroe. The film is set in the 2019 school year.

References

Education controversies in the United States
Schools in St. Martin Parish, Louisiana
Private elementary schools in Louisiana
Private middle schools in Louisiana
Private high schools in Louisiana


text:
Paris Is Burning é um filme-documentário estadunidense de 1990 dirigido e escrito por Jennie Livingston e gravado em diferentes fases da década de 1980, que segue a comunidade LGBT na cidade de Nova Iorque. Em 2016, a obra foi selecionada pelo National Film Registry à Biblioteca do Congresso como "cultural, histórica ou esteticamente significante".

Elenco
Pepper LaBeija
Dorian Corey
Angie Xtravaganza
Willi Ninja
Octavia St. Laurent
Venus Xtravaganza
Freddie Pendavis
Will Pendavis
Junior LaBeija
Paris Dupree
Carmen Xtravaganza
David DePino
Danni Xtravaganza
Sol Pendavis
Avis Pendavis

Prêmios

 1990 – IDA Award
 1990 – Los Angeles Film Critics Association (melhor documentário)
 1990 – Audience Award Best Documentary (melhor documentário)
 1991 – Festival Sundance de Cinema (Grande Prêmio do Júri)
 1991 – Urso de Ouro (melhor documentário)
 1991 – Boston Society of Film Critics Awards (melhor documentário)
 1991 – Open Palm Award
 1991 – New York Film Critics Circle Awards (melhor documentário)
 1991 – Seattle International Film Festival (melhor documentário)
 1992 – GLAAD Media Awards
 1992 – National Society of Film Critics (melhor documentário)
 2015 – Cinema Eye Honours Legacy Award
 2016 - National Film Registry

Ligações externas

Filmes em língua inglesa
Filmes dos Estados Unidos de 1990
Documentários dos Estados Unidos
Filmes preservados no National Film Registry
Filmes com temática LGBT dos Estados Unidos


text:
«Тибуртинская сивилла возвещает Августу о рождении Христа» () — картина итальянского художника эпохи барокко Пьетро да Кортоны, написанная в 1660 году. Находится в коллекции Музея изобразительного искусства в Нанси (Франция).

История
Полотно входило в знаменитое убранство галереи построенного Франсуа Мансаром парижского особняка государственного секретаря Людовика XIII Луи Фелипо де ла Врийера. С 1640-х годов этот богатый статс-секретарь собрал в своей галерее десять больших картин живописцев, считавшихся величайшими итальянскими художниками того времени, которые он купил или заказал непосредственно у этих художников. Среди этих десяти картин, встроенных в деревянную отделку галереи, три были кисти Пьетро да Кортоны, самого известного итальянского художника того времени. В настоящее время полотна принадлежат региональным музеям Франции и Лувру в Париже, а копии находятся в галерее особняка (известной как «Золотая галерея»), где ныне располагается штаб-квартира Банка Франции.

Сюжет и описание
Произведение изображает сюжет, изложенный в «Золотой легенде». Август должен быть обожествлён по решению Римского сената. Он испрашивает совета Тибуртинской сивиллы и отправляется, в сопровождении жрицы, на Капитолийский холм. Сивилла предсказывает появление ребёнка, который превзойдёт римских богов, и именно в этот момент на небе является видение Девы Марии, держащей Младенца Иисуса. Август встаёт на колени и отказывается от своего обожествления. Картина показывает превосходство высшей, небесной силы над светской властью, ограниченной и преходящей, несмотря на своё кажущееся великолепие.

Картина выполнена в стиле барокко, о чём свидетельствуют великолепие изображённых предметов и рельефов, богатство цветовой палитры, а также театральность композиции, ориентированной по центральной диагонали и усиленной декорациями, позами, жестами и взглядами. Произведение является примером позднего стиля Пьетро да Кортоны, благодаря своей технике, более свободной, чем в его ранних работах, тонкости гармонии тонов и богатству изображения тканей.

Примечания

Ссылки

Картины художников Италии
Картины из собраний Музея изобразительного искусства Нанси
Октавиан Август


text:
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s it was known as , from the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You". English-language Brazilian rock bands such as Sepultura, Angra, Viper, Krisiun, Far from Alaska and Wannabe Jalva have gained popularity in recent years.

Overview
Rock entered the Brazilian music scene in 1956, with the screening of the film The Blackboard Jungle, featuring Bill Haley's "Rock Around the Clock", which would later be covered in Portuguese by Nora Ney.

The electric guitar was already used in Brazil in 1948, in Salvador, in the carnival bloc of Dodô e Osmar. Their invention known as  (), was the first electric guitar without microphonic feedback, with a typical sustained sound. In 1949, they played carnival songs with this guitar for the first time in an open car baptized "Trio Elétrico" on the Salvador streets; today these cars still exist, but are now sizable trucks.

1950s
In 1957, Miguel Gustavo wrote the first original Brazilian rock and roll song, entitled "Rock and roll em Copacabana", then recorded by singer Cauby Peixoto, making it to #52 on that year's charts.

Several bands in Brazil at the time performed songs with rough translations of English lyrics, though some avoided this problem by playing instrumental rock. Inspired by such instrumental bands, Duane Eddy and The Champs, 1958 saw the release of the first Brazilian instrumental rock song, Here's the Blue Jean Rockers by . Later that year, Bolão & His Rockettes recorded the first purely instrumental LP in the country. This helped make rock a popular style of Brazilian youth music. More bands, like The Avalons, The Clevers, The Rebels, The Jordans, The Jet Blacks, The Pops, Os Populares, The Bells, The Lions, and The Youngs, arose.

1958 was a breakthrough year for Brazilian rock as its pioneers emerged and reached notoriety. Bands such as Nora Ney, Nick Savoia, Celly Campelo, Tony Campelo (Celly Campelo's brother), Lana Bittencourt, Demétrius, Cinderella, Regiane, Ronnie Cord, and Hamilton di Giorgio climbed to success seemingly overnight. Several instrumental bands like the aforementioned Avalons, The Rebels, The Jordans, and Os Incríveis became well-known as well.

1960s

After rock and roll took America by storm, Bill Haley and Elvis Presley also became liberating icons for Brazilian youth. The youth of Brazil felt that they were under sexual and educational oppression, as Brazilian society had been based on the standards and rules of the Catholic church after colonization. Some movie theaters were wrecked during the showing of rock and roll movies.

Some radio disc-jockeys and recording companies set out to find new talents that could not only sing, but who would also do it in perfect English.

While in Salvador, Raul Seixas formed the first rock band from this city in 1965, The Panthers, which soon changed names to Raulzito e os Panteras. Seixas was influenced by Luiz Gonzaga.

In 1963, Roberto Carlos had two hits: "Splish Splash," a Bobby Darin cover with Portuguese lyrics by Erasmo Carlos, and "Parei na Contramão" (I stopped at the wrong way), the first collaboration between Erasmo and Roberto Carlos. Roberto and Erasmo created Jovem Guarda. The beginning of the Jovem Guarda, with Roberto Carlos, Erasmo Carlos and Wanderléa, was a kind of Brazilian version of the North American garage bands in the 1960s but with a bit of Motown soul influence, from artists like Otis Redding. Ronnie Von started his career with the garage influence of Jovem Guarda and his work unleashed on the psychedelic style and he was who suggested the name of the band Os Mutantes. Jerry Adriani is identified with the Jovem Guarda too, but his influence on Brazilian rock is greater with his Italian rock/pop style: he brought Raul Seixas from Salvador to success afterwards in Rio de Janeiro, allowing for his widespread national success and influence to future generations. Other artists and bands associated with the Jovem Guarda include Eduardo Araújo (and his late wife, Sylvinha Araújo), Martinha, Renato & Seus Blue Caps, Os Incríveis, Golden Boys, Os Vips, Vanusa and The Fevers.

Jorge Ben Jor (then known only as Jorge Ben) had several hits and transited between Jovem Guarda and a new form of playing guitar, with a rhythmic form that he invented. This new style was named Samba-rock, a style which would be followed by Banda Black Rio, Trio Mocotó, Luís Vagner, Bebeto, Orlandivo and Wilson Simonal, among others.

The band The Bubbles, formed in 1965 in Rio de Janeiro, and Serguei, with his first album in 1966, were the link between the garage rock of Jovem Guarda and psychedelic rock. In São Paulo there were Os Baobás, who recorded cover versions of the Kinks, Love, Turtles and the Rolling Stones, during the beginning of their activities. From the 1960s is also Os Primitivos, from Brasília, mixing traditional folk rock (in the vein of the Byrds) with Brazilian Northeastern folk music (i.e. baião). Other bands that were close to garage rock and Jovem Guarda already pointing to the beginning of psychedelia were: O'Seis, José Luiz, The Pop's.

In the legendary show named Opinião, in 1964, the first Brazilian genuine musical, Zé Kéti represented the black people, João do Vale, the people from the Northeastern region, and Nara Leão (then substituted by Maria Bethânia) represented the woman from the Brazilian high society. The innovative proposal of this show changed the Brazilian music forever from the post-Bossa Nova period, because it introduced other Brazilian genres to popular music. Sometimes with the protest characteristic the MPB base was formed: Chico Buarque, Edu Lobo, Geraldo Vandré, Sérgio Ricardo, João Donato, Eumir Deodato, Roberto Menescal, MPB4, Quarteto em Cy, Francis Hime, and Joyce, arising from Bossa Nova, in spite of the music is not rock, their collaboration is important on almost all popular urban genres, including the rock. In 1969, Marcos Valle, who belonged to the second generation of the Bossa Nova, changed his style to a psychedelic rock and soul music Brazilian concept, and his brother Paulo Sérgio Valle went in a similar way. Sidney Miller is a very important musician for the MPB transformation process because he included the rock and the 60s and 70s international pop in his music. From this post-bossa nova time, Tuca, a female singer/songwriter, traveled to Europe in 1969, settling in Paris for six years (she has performed for several countries including Spain, Italy and Holland) when in 1971 Françoise Hardy released the album "La question", the result of close partnership between both and thereafter, her performance turned more rocker.

The Tropicália movement turned the psychedelic rock and the use of electric instruments more popular in the Brazilian music. Some tropicalistas were: Caetano Veloso, Gilberto Gil, Tom Zé, Gal Costa, Rogério Duprat, Torquato Neto, Nara Leão, and others. The seminal "tropicalista" Os Mutantes influenced and tended for the psychedelic rock and roll and is one reference for several relevant bands and musicians in the world.

Clube da Esquina, a group of friends from Minas Gerais, one of the most culturally prolific regions from Brazil, was joined with the Tropicália and Jovem Guarda responsible for the diffusion on bigger scale by the electrification of the pop and rock music, with a universal, but Brazilian proposal. Some musicians from this group are: Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes, Novelli, Nelson Angelo, Tavinho Moura and the band Som Imaginário.

1970s

The 1970s started with the progressive rock, the hard rock and glam rock, but is the period of the construction of the mutual interference between Brazilian pop music, MPB and rock.

Rita Lee (former Mutantes vocalist) started her own work with her band Tutti Frutti, with glam rock-like aesthetics. Other bands from this period include Casa das Máquinas with its music between glam-hard-rock and progressive, Patrulha do Espaço (also formed by a former Mutantes member, Arnaldo Baptista) between progressive and Hard rock, Made in Brazil with its hard rock (but in some songs already with the minimal characteristic of punk rock), the pure hard rock of Bixo da Seda, Edy Star, with his pure glam rock and the proto metal band O Peso.

There were many progressive rock bands in Brazil, such as O Terço, Mutantes (without Rita Lee), A Bolha (Hard rock with Progressive mix), Módulo 1000, A Barca do Sol which made the remarkable album with Olivia Byington Corra o Risco, Som Nosso de Cada Dia, Bixo da Seda, Vímana (in which Lulu Santos and Lobão started their musical careers), Moto Perpétuo and Bacamarte, some of which have been very well known in Europe and the US by progressive fans. The progressive rock band Som Imaginário had an experimental characteristic: jazz, bossa nova, contemporary music, impressionist music with the traditional folk and baroque from State of Minas Gerais resulting in a kind of a Brazilian art rock version, and with renowned musicians: Wagner Tiso, Zé Rodrix, Tavito, Luiz Alves, Frederyko. Lula Côrtes and Zé Ramalho with their album Paêbirú that was originally released in 1975 (see 1975 in music), despite representing very well the Brazilian psychedelic movement of the 1960s and 1970s, it can be also considered like an experimental mix of progressive rock and Brazilian northeast folk music certainly. Another band with the only album, but today considered a classic of Brazilian rock is Karma with the work of the same name released in 1972: a forceful melodic Brazilian folk music with a vocal that remember The Byrds, and a bit of progressive rock and jazz, consistent orchestral arranges, and the famous Jorge Amiden's tritarra (a guitar with three arms).

From that time a genre named "Rock Rural" had in the Brazilian folk music and the rock its influence and some expressive artists are Zé Rodrix, Ave Sangria, Sá & Guarabyra, Ruy Maurity Trio, Almôndegas and others. A more radical Brazilian folk (that can get muddled with the rock), a weighty influence in the Brazilian rock then, is found in Dércio Marques, Elomar, Xangai, Sérgio Reis, Diana Pequeno, and later by the 1980s, Almir Sater and Renato Teixeira. Even more radical is Marlui Miranda, an expert in the Brazilian indigene music and despite her music isn't rock in the classic form, the creative folk music that she makes is a great contribution to the alternative aesthetic, at a later time.

The "carioca" (from Rio de Janeiro city) Azymuth, was formed in 1969 and is the Jazz rock side of this generation, but is responsible of the Brazilian pop music development too. There are great musicians that can add up here - Jazz rock influence: Airto Moreira, Raul de Souza, Flora Purim, Hermeto Pascoal, Naná Vasconcelos, Arthur Verocai, André Geraissati, Egberto Gismonti, Grupo D'Alma, Eumir Deodato, and Sérgio Mendes (with Funk influence too).

This higher mix between rock and Brazilian pop music resulted in several famous musicians and bands: Secos & Molhados (identified as glam rock too), Raul Seixas, Novos Baianos, A Cor do Som, Robertinho do Recife and a union of Caetano Veloso, Gal Costa, Maria Bethânia and Gilberto Gil in the show named Doces Bárbaros. After the end of Secos & Molhados, João Ricardo continued his career and his first album was all glam, Ney Matogrosso continued with great success and Gérson Conrad was constructing an alternative career. Other musicians - that helped to turn the traditional Brazilian music more flexible, with powerful rock or pop influences - were a relative hit too, like Elis Regina, Alceu Valença, Geraldo Azevedo, Belchior, Gonzaguinha, Zé Ramalho, Raimundo Fagner, Luiz Melodia, Boca Livre, Maria Alcina, Luli e Lucina and after the end of Novos Baianos, Baby Consuelo (then Baby do Brasil), Pepeu Gomes and Moraes Moreira, but there were musicians that made a more experimental mix, who didn't have the same good luck in their careers and access to the media, and because of this are known as "malditos", the darns, but at a later time they will be an important reference for the second Brazilian alternative scene - they are: Ednardo, Walter Franco, Jorge Mautner, Jards Macalé, Taiguara, Arnaldo Baptista (Mutantes) and Sérgio Sampaio. Marku Ribas is the side more Black music of this group and was Bob Marley's friend in the 1970s, Jamaica, where he lived. On the other hand, Tim Maia, directly influenced by Soul music side of the Jovem Guarda, made several hits and his style influenced bands like Placa Luminosa and Skowa e a Máfia in the 80s.

There were some efforts to realize festivals in Brazil in the 1970s. In 1971 the "Festival de Verão de Guarapari" (Guarapari Summer Festival) tried to be a great hippie meeting but with mistakes in the organization of the event - however is historic, with shows by Milton Nascimento and Som Imaginário, A Bolha, Novos Baianos, Luiz Gonzaga and Tony Tornado. A fresh attempt was the Primeiro Festival de Iacanga (First Iacanga Festival - State of São Paulo - 1975), in a big farm, with a better structure, a milestone of the Brazilian underground, with the bands: Jazzco, Apokalypsis, Som Nosso de Cada Dia, Moto Perpétuo, Ursa Maior, Rock da Mortalha, Orquestra Azul, and others. The first Hollywood Rock happened in Rio, 1975 too, with the shows of Raul Seixas, Rita Lee, O Terço, Vímana and others. There were two great international shows in Brazil in the 1970s: Alice Cooper (1974) and Genesis (1977).

In the late 1970s, the progressive reference still was felt in Guilherme Arantes and 14 Bis (band).

Disco influence
The disco music, which arrived in Brazil in the 1970s, influenced some rockers like Rita Lee and Zé Rodrix. As Frenéticas were an instant phenomenon with its mix of Brazilian rock and disco.

Punk
The Brazilian punk rock scene was born in the late 1970s in São Paulo and Brasília with Restos de Nada, AI-5, Joelho de Porco, Condutores de Cadáver, and Aborto Elétrico, among others. The first show was in 1978 in São Paulo and the punk "boom" was when the 1980s began, with Inocentes, Cólera, Ratos de Porão, Garotos Podres, Plebe Rude, Ignoze, Olho Seco, Mercenárias, Lobotomia, Ulster, Fogo Cruzado, Coquetel Molotov (from Rio de Janeiro), Replicantes (from Porto Alegre), Devotos (or Devotos do Ódio, from Recife), Beijo AA Força (from Curitiba), and many others, mostly from São Paulo.

The first records from the end of the 1970s to the 1980s were issued by dint of the demo-tapes because Brazil was living a dictatorial regime (until 1985) and there was the rebuke. Since the beginning, the Brazilian punk music style was more reminiscent of Jello Biafra of  Dead Kennedys than Sex Pistols, that is, it was more akin to Hardcore punk. An independent label named Punk Rock Discos was created in the beginning of the 1980s, which produced the first record of an individual Brazilian Punk band, Lixomania; a six-song record released in 1982. By the same label, the first long play of Brazilian Punk bands appeared in the same year, Grito Suburbano album, with three bands from São Paulo city: Cólera, Olho Sêco and Inocentes. Some of these first records are rarities and well paid by the collectors in Europe and Japan. Brazilian punk rock gained visibility in the international media in 1982 with O Começo do Fim do Mundo, a festival that gathered peacefully the rival gangs for the first time, and it is one of the biggest punk festivals of the world until today. In 1985, a band led by Brazilian musician Supla released its first LP through a major big label. In 1986, Inocentes and Replicantes too, when the Brazilian punk scene was already growing colder. In 1986, Cólera was the first Brazilian punk band to perform shows internationally, and then, Ratos de Porão. In the 1990s the punk returned to the scene. Some examples of bands: Renegados, Jailson Jan & Virtual Machine (electronic punk), Zumbis do Espaço, Ludovic, Mukeka di Rato, Blind Pigs (today Porcos Cegos), Carbona, Flicts, Ação Direta, Ack, Gritando HC, Nitrominds, Tequila Baby, Dominatrix, Motores, Pastel de Miolos, Sweet Suburbia, Hellsakura, Pupila Dilatada, Dance of Days.

Wander Wildner, former frontman of Replicantes, released his solo debut in 1996 with a creative punk fusion that he named Punk-brega.

The early Brazilian punk scene was immortalized on the documentary Botinada: A Origem do Punk no Brasil directed by former MTV VJ Gastão Moreira.

1980s

Even though the 1960s witnessed the phenomenon of Jovem Guarda and the 1970s saw the appearance of many prolific artists, like Raul Seixas, and bands like Os Mutantes, Brazilian rock's explosion began in 1981 with the first expressions of the Brazilian new wave, later renamed the New Jovem Guarda by the media. The Punk rock already was incorporated but the ska was the news. The alterations of the English new wave movement, with its surprising variety of styles, arrived in Brazil through groups and personalities such as the Agentss, Blitz, Camisa de Vênus, Barão Vermelho, Kid Abelha, Os Paralamas do Sucesso, Fausto Fawcett, Lulu Santos, Rádio Táxi, Sempre Livre, Marina Lima, Dr. Silvana & Cia., Kiko Zambianchi, Engenheiros do Hawaii, RPM, Metrô, Ultraje a Rigor, Legião Urbana, Ira!, Titãs, Capital Inicial, Nenhum de Nós, Dulce Quental, Biquíni Cavadão, Zero, Violeta de Outono, Fellini, Vange Leonel, Os Cascavelletes, Léo Jaime and João Penca e Seus Miquinhos Amestrados. The Rock in Rio took over a million people to "Cidade do Rock" (where the event was held) during the 10 days of the event, and established Brazil as a venue for international artists - some artists, like Santana and Queen, had come before this event, but the number of international attractions rose abruptly after Rock in Rio.

From Minas Gerais, the instrumental group Uakti was debuting and despite their music not being rock in the classic meaning, their experimental music with the instruments built by the group itself (Anton Walter Smetak influence) started a new era in the Brazilian popular music.

The underground scene had - Post-punk with Jazz, Funk, Folk, Rap, Reggae, Art rock, Thrash metal, Dodecaphonic and Atonal experience - experimental bands and musicians such as Arrigo Barnabé, Itamar Assumpção, Susana Salles, Robson Borba, Grupo Rumo, Tetê Espíndola, Eliete Negreiros, Bocato, Patife Band, Tiago Araripe, Os Mulheres Negras, Hermelino Neder - this group was identified as São Paulo Vanguard or "Vanguarda Paulistana", from the beginning of the 1980s. Some "cariocas" (from Rio de Janeiro) representatives of this style are Tim Rescala and Letícia Garcia.

On the other hand, had Hard rock, Punk rock and Heavy metal bands such as Vênus from the State of Piauí, Golpe de Estado, Viper, Korzus, Ratos de Porão, Mammoth and Karisma from the State of São Paulo, DeFalla from the State of Rio Grande do Sul, Sepultura from the State of Minas Gerais, and Dorsal Atlântica from the State of Rio de Janeiro, from the mid to late 1980s - this last, the pioneer in the unification of this three styles of hard music. But one of the first bands of extreme metal from Brazil is Sarcófago, also from Belo Horizonte, formed in 1985. The female Thrash metal band Volkana was founded in 1987 in Brasília.

This movement is seen as a reflection of the worldview of urban youth who had grown up under a dictatorial regime and faced such processes as industrial expansion. This is the same generation that enjoyed the democratic abertura (opening) and began to absorb rather quickly an infinite amount of new information, previously inaccessible. The universe of that generation appeared rich in diversity, implying a desire to enjoy the present.

In the 1980s and beginning of the 1990s another group that mixes electronic music scene up appeared - in Santos, Campinas, São Paulo and Rio de Janeiro cities - Electronic post-punk, Industrial, EBM, Technopop, and the similar genres - and some bands and artists are well known in Europe: Loop B, Harry, Sicilian Unit, Individual Industry, Biopsy, Simbolo, City Limits, Tetine, Inhumanoids, Morgue, Suba (his album "São Paulo Confessions" is a worldwide milestone to the Electronic music), Tek Noir etc.

It's important emphasize that the history of the record label Baratos Afins became forever intertwined with the indie history in São Paulo and Brazil.

Two musicians and singer songwriters, Renato Russo from Legião Urbana and Cazuza from Barão Vermelho, begun brilliant solo careers from the 1980s to the 1990s, but were HIV fatal victims.

1990s

In the beginning of the 1990s, the influence of the British and American noisy guitar bands such as Sonic Youth, The Jesus and The Mary Chain, My Bloody Valentine and The Telescopes, brought to life one of the most important independent movements ever seen in the Brazilian music: the Guitar. The movement was defined by loud and noisy guitars, intense feedback, vigorous performances and lyrics in English. Guitar bands began to appear all over the country, which annoyed music journalists, that would constantly criticize such bands due to their alleged lack of ability with a foreign language.

The most influential guitar bands of this period were Maria Angélica Não Mora Mais Aqui, Pin Ups, Second Come, Killing Chainsaw, Mickey Junkies, PELVs, The Cigarettes, Low Dream, brincando de deus, Wry, Garage Fuzz (started as a guitar band and later became hardcore), Beach Lizards, Dash, Dago Red, Velouria, Shed, Dead Poets and Snooze.

This moment can be called the first Brazilian independent scene (or indie scene). It was time to Grunge and Britpop, the distorted colors, the development of hardcore, and a return to Punk. The independent festival Juntatribo in Campinas in 1993 and 1994 and BHRIF - Belo Horizonte Rock Independente Festival, in Belo Horizonte (Minas Gerais), in 1994, were a milestone and became the independent attitude a new option.

The 1990s also saw a resurgence in instrumental rock's popularity, and some of the classic bands from previous decades reformed. Surf music also became popular, especially The Argonauts, The Gasolines and Os Ostras. Hard rock had in 1993 a new representative in Brazil, Dr. Sin. Heavy metal had two debuts: in 1990 Torture Squad and in 1991 Angra - all of these are from São Paulo.

Also in this period, many other bands acquired widespread national projection, such as: Raimundos (which was formed in the late 1980s, but only released its first album in 1994) with its Forrocore style, Skank and O Rappa, both of which with a style that can be designated like a kind of reggae-rock, Pato Fu as the first indie band that arrived at mainstream, Charlie Brown Jr., with its alternative rock with rap and skate punk influences, and Mamonas Assassinas, who were a great hit with humour and rock but its members died in a tragic plane accident (1996). Also Jota Quest was a success since the first album, 1996, and they arrived with a powerful pop-rock-funk.

From the end of the 1980s to beginning of the 1990s names like Planet Hemp, Karnak, Walverdes, Relespública, Virna Lisi, Graforreia Xilarmônica, Okotô and Boi Mamão are prominent.

The MTV Brasil Unplugged format brought back to the mainstream some bands whose career had been mainly consolidated in the 1980s, like the Titãs in 1997, Capital Inicial in 2000, Ira! in 2004 and Lobão in 2007.

In the beginning of the 1990s there was the Manguebeat (or Mangue Bit) movement that put Recife definitively as one of principal places that has an important modern rock scene. Its style is a cross between the local rhythms, like Maracatu, and rock, hip hop and electronic music. Coming from this movement are Chico Science & Nação Zumbi (who shortened their name to only Nação Zumbi following Science's death), Mundo Livre S/A, Fred 04, DJ Dolores, Stela Campos, Otto etc.

Kurt Cobain after his shows in Brazil with Nirvana in 1993 helped spread the Brazilian rock in the world. David Byrne, Beck, Of Montreal, Devendra Banhart and others were influenced by the 1960s Tropicália and have divulged this musical style to the world. In the 1990s, Björk, Stereolab, Towa Tei, Amon Tobin and The High Llamas were approaching the Brazilian pop music increasingly.

Between final 1990s and beginning of 21st century are relevant: Los Hermanos that is a noteworthy reference to the independent bands. Cássia Eller, who recorded several songs of the Brazilian rock musicians with powerful vocal and suddenly died in 2001. Pitty, the rarity of being a woman bandleader (with the band of the same name), has typified her career with brave lyrics and uncommon vocals. Lobão (that in the 1980s was mainstream) started his independent career and is obtaining a brilliant result, and the singer of Sepultura, Max Cavalera, left the band and started Soulfly with the same powerful Heavy metal.

The important hardcore scene from Brasília continued in this period with Raimundos and Rumbora. In the highlight of Raimundos, Rodolfo Abrantes, the vocal, decided to go out and assembled a new band, Rodox, in 2002, but they continued with the typical creative explosion of hardcore into the end of the band, in 2004.

Some rock genres are very specific in Brazil, but with an important scene since the 90s like Grindcore, Guitar, Psychobilly, Death Metal, Ska Punk, etc. Some highlights are: Tihuana, Sapo Banjo, Madame Machado, Rusty Machine, Kães Vadius and Sick Sick Sinners. There are several festivals about these genres in Brazil with an faithful fans in Brazil. Krisiun is an example of Death Metal band that is a hit of this genre abroad of Brazil: they toured extensively through North America, South America and Europe (recording their first official DVD while in Poland).

The early years of the 2000s
The boundary between MPB - "Música popular brasileira" - and international electric pop and rock was largely broken since the TV Record Festival (1967), a milestone (as seen in the documentary ), and the beginning of a great revolution in contemporary pop music: Tropicalismo. The shaping of Brazilian popular music can be considered a result of a gradual union between the wealth of regional folk music and the contemporary urban references, which means that music is also receptive to the world, and for this reason, creative. But if at that time (1967) a dichotomy was evident ("MPB" versus electric music), on the other hand, in this moment was visible the beginning of the electric fusion in acoustic Brazilian music.

Musicians and bands of the 90s absorbed definitely the rock aesthetic in the "MPB" or vice versa: Chico César, Fernanda Abreu, Paula Morelenbaum, Adriana Calcanhotto, Lenine, Paulinho Moska, Ed Motta, Badi Assad, Marisa Monte, Carlinhos Brown, Arnaldo Antunes, Nando Reis, Zeca Baleiro, Lula Queiroga, Jair Oliveira, Wilson Simoninha, Léo Minax, Chico Amaral, Marina Machado, Bebel Gilberto, Zélia Duncan, Tony Platão (or Toni Platão), Pedro Mariano and Max de Castro.

In the first decade of the millennium, many musicians had already incorporated the new rock as an alternative aesthetic to this generation. This new fusion is encountered in Fernando Catatau, Vanessa da Mata who has done backing vocals for Black Uhuru, Tatá Aeroplano, CéU, Curumin, Orquestra Imperial, The +2's, Mariana Aydar, Karina Buhr (see also Comadre Florzinha), Seu Jorge, Ana Cañas, Nina Becker, Rômulo Fróes, Márcia Castro, 3 na Massa, Bruno Morais, Cérebro Eletrônico, Fino Coletivo, Tulipa Ruiz, Thiago Pethit, Tiê, Marcelo Jeneci, Dante Ozzetti, Moisés Santana, Miriam Maria, Jonas Sá, Sergio Molina, Cicero, M. Takara, Leo Cavalcanti, Sobrado 112, Banda Sincrônica, Pedro Osmar, Gutti Mendes, Marcelo Pretto, Orquestra Contemporânea de Olinda, Kristoff Silva, Lu Horta, and Mandrágora. The Vanessa da Mata songs "Ai, Ai, Ai" and "Boa Sorte/Good Luck" (with guest vocals by Ben Harper) became number-one hits in Brazil.

The real independent attitude raises also a growing audience at the beginning of the 21st century. There is a lot of opportunities with the festivals such as Bananada (Goiânia), Porão do Rock (Brasília), Camping Rock (Itabirito), Humaitá Pra Peixe (Rio de Janeiro), Grito Rock (itinerant), Fora do Eixo (itinerant), Abril Pro Rock (Recife), Goiânia Noise (Goiânia), Mada (festival) (Natal, Rio Grande do Norte), Calango (festival)(Cuiabá), Festival Garimpo (Belo Horizonte), Varadouro (Rio Branco), Rec-Beat (Recife), Jambolada (Uberlândia), Vaca Amarela (Goiânia) and independent labels (like Monstro Discos, Senhor F, Mondo 77, Trama, Travolta Discos, Deckdisc, Urban Jungle, Fora do Eixo Discos, Escárnio e Osso). It's a moment of intense creativity. The Brazilian indie scene with the support of the internet, MTV and the festivals gain a captive audience. Part is influenced by the Hard rock, Hardcore, Metal, part is influenced by the 1990s rock, after the Strokes and Radiohead boom. There are references of the 1970s Brazilian music and Glam rock, Folk music (Brazilian or not), from the 1980s B-rock, from the 1980s São Paulo Vanguard, Jovem Guarda (the garage side of this genre), Tropicália, the Samba rock and the Black music revisited, Electro, Rap, Ska, Jazz, Dub music, Funk Carioca and part is influenced by almost everyone of these genres. A large number of bands were created. Among pioneers from this period are Cachorro Grande, Tetine, Cordel do Fogo Encantado, Cansei de Ser Sexy (CSS), Autoramas, Cibelle, Udora, Pedro Luís e a Parede, Bnegão, Cascadura, Mombojó, Forgotten Boys, Gram, Ludov, Cidadão Instigado, Canto dos Malditos na Terra do Nunca, Bidê ou Balde, Lampirônicos, Leela (banda), Fernando Chuí, Hurtmold (instrumental), Zumbi do Mato, Mopho, Os Pistoleiros, Polara, Declinium, Pullovers, Mamelo Sound System, MQN, Vulgue Tolstoi, Flu, Doiseu Mimdoisema, Hipnóticos, Monokini, Sleepwalker, Astromato, The Butcher's Orquestra, Grenade, Wado, The Charts, Astronautas, Módulo, China and O Grito. The term Post-rock is already well used in Brazil.

Some magazines in the English language in the beginning of the 2000s deemed some worldwide genres like electronic rock (using this term on the 2000s music) and new rave having some Brazilian bands not only as the exponents but builders of these movements. 2015 was the first year in history that no songs by Brazilian rock acts were present at the list of the 100 most played songs on Brazilian radio, according to a research carried out by Crowley Broadcast Analysis.

See also
Brazilian music
Brazilian thrash metal
Latin Grammy Award for Best Brazilian Rock Album
Música popular brasileira
Punk in Brazil
Samba rock
Mangue Bit
Tropicália
Jovem Guarda
Music of Brazil
Electronic rock
Psychedelic rock
Punk rock
New rave

Notes

References

Brazilian styles of music
Brazilian rock music


text:
Cola ricinifolia är en malvaväxtart som beskrevs av Adolf Engler och K. Krause. Cola ricinifolia ingår i släktet Cola och familjen malvaväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Malvaväxter
ricinifolia


text:
Montelupich, polsky Więzienie Montelupich, bylo vězení v Krakově v ulici Montelupich, původně vojenská kasárna založená v domě patřícím od 16. století italské bankéřské rodiny Montelupichů. V roce 1905 zde Rakušané umístili vojenský soud (dříve na Wawelu) a později vězení.

Druhá světová válka

Během druhé světové války se zde nacházelo vězení bezpečnostní policie a bezpečnostní služby pro krakovskou oblast (Der Kommandaeur der Sicherheitspolizei und des SD in Distrikt Krakau – Polizeigafängnis Montelupich.) Pod nacistickou nadvládou fungovalo vězení od září 1939 do 16. ledna 1945. Celkově jím prošlo okolo 50 000 osob), převážně Poláků a Židů.

V tomto období byl Montelupich věznicí gestapa, zároveň zde však byli vězněni lidé, čekající na trest smrti a osoby určené k transportům do koncentračních táborů (zejména Auschwitz - Birkenau a Płaszów). Od roku 1941 se stal díky nutnosti potlačit sílícího odbojové hnutí rovněž místem výslechů (do té doby výslechy gestapa probíhaly pouze v jeho hlavním sídle v ul. Pomorska 2).

Oficiální kapacita věznice – 860 osob – byla téměř od počátku války výrazně překračována (vyplývá to mj. z počtu doručených balíčků v období Vánoc – v roce 1941 jich bylo 1100 a v roce 1943 dokonce 1800.)

Popravy vězňů probíhaly jak přímo v samotném vězení (přímo na nádvoří) tak i mimo něj např.:
 ve fort ve čtvrti Krzesławice v letech 1940–1941 popraveno asi 2 000 osob,
 v lesích u obce Niepołomice zabito asi 500 vězňů (do 10. do 15. prosince 1942),
 v obci Podłęże zastřeleno 50 osob jako odveta za pokus o atentát na Hanse Franka (2. února 1944),
 v koncentračním táboře Płaszów v roce 1944 – blíže neurčený počet.

Mrtvoly Poláků byly pravděpodobně pohřbívány do masového hrobu na Rakowickém hřbitově v Krakově. Osoby židovského původu byly pohřbívány nejprve na starém židovském hřbitově v Płaszowě, později do masových hrobů přímo v tamějším koncentrační táboře.

V období od září 1939 do ledna 1945 se podle neúplně dochované dokumentace uskutečnilo 20 pokusů o útěk. Pouze 4 z nich byly úspěšné, u dalších 2 se podařilo utéct pouze části prchajících. Trestem za pokus o útěk byla ve většině případů smrt.

Po roce 1945

Po roce 1945 bylo na Montelupichu vězení polského UB (Urząd Bezpieczeństwa – obdoba našeho StB) a sovětského NKVD. V tomto období prošlo vězením několik tisíc Poláků, zejména členů Zemské armády a antikomunistické organizace WiN (Wolność i Niezawisłość – Svoboda a nezávislost). Mnozí z nich byli vyvezeni do koncentračních táborů v SSSR. Ke konci 40. let zde byly vykonávány rozsudky na nacistech odsouzených k trestu smrti v rámci tzv. prvního osvětimského procesu.

V současné době se v budově nachází krakovská vazební věznice.

Odkazy

Reference

Externí odkazy

 Tumidalski, Wojciech. 25 lat temu wykonano w Polsce ostatni wyrok śmierci. In: Dzieje.pl, 2013-04-18.
 Gawkowski, Robert. Wielka ucieczka Stanisława Marusarza. In: Dzieje.pl, 2013-06-18. (Pozn.: Příběh jednoho velkého útěku z 'Monte')
 "Monte. Kronika Terroru 1939 - 1989". In: Dzieje.pl, 2012-08-06. (Zpráva o výstavě)

Krakov
Gestapo
P


text:
Huipil , también llamado hipil en la península de Yucatán, es una blusa o vestido tradicional de los indígenas y mestizos de la parte del sur de México y Centroamérica.

Es una túnica holgada, generalmente hecha de dos o tres piezas rectangulares de tela, que luego se unen con costuras, cintas o tiras de tela, con una abertura para la cabeza y, si los lados están cosidos, aberturas para los brazos. Los huipiles tradicionales, especialmente los ceremoniales, generalmente se hacen con tela tejida en un telar de cintura y están decorados con diseños tejidos en la tela, bordados, cintas, encajes y más. Sin embargo, algunos huipiles también están hechos de tela comercial.

El largo del huipil puede variar desde una prenda corta similar a una blusa o lo suficientemente largo como para llegar al piso. El estilo de los huipiles tradicionales generalmente indica el origen étnico y la comunidad del usuario, ya que cada uno tiene sus propios métodos para crear la tela y las decoraciones. Los huipiles ceremoniales son aptos para bodas, entierros, mujeres de alto rango e incluso para vestir las estatuas de santos.

El huipil ha sido usado por mujeres indígenas de la región mesoamericana (del sur de México a América Central) de alto y bajo rango social desde mucho antes de la llegada de los españoles a América. Sigue siendo la prenda indígena femenina más común todavía en uso.  Se ve con mayor frecuencia en los estados mexicanos de Chiapas, Yucatán, Quintana Roo, Oaxaca, Tabasco, Campeche, Hidalgo, Michoacán (donde se le llama huanengo), Veracruz y Morelos. En Centroamérica se usa con mayor frecuencia entre los mayas de Guatemala.

Cuetzalan, Puebla tiene un festival anual de café y huipil llamado Feria del Huipil y Café, que comenzó en 1949.

Características

+En México se usa en cada rincón del país, como en Puebla, Querétaro, y lugares de la Huasteca. En la Península de Yucatán, particularmente en el estado de Yucatán, al traje típico para la mujer se le llama hipil. En su forma más elaborada, forma el hipil parte de un terno (vestido que consta de tres partes): jubón, fustán y el propio hipil.
El huipil o hipil es generalmente un vestido blanco, de la misma dimensión desde arriba hasta abajo, cosido lateralmente, con dos aberturas para los brazos y una más en forma rectangular para la cabeza. El cuello y mangas así como en la parte inferior el vestido está decorados con motivos de gran colorido, generalmente bordados. Debajo del hipil, en el caso de Yucatán, se usa una enagua larga y amplia llamada fustán (pic en lengua maya), que generalmente también lleva bordada la parte inferior.

A la llegada de los españoles, en el siglo XVI, las mujeres mayas en Yucatán usualmente llevaban el torso desnudo. Los religiosos que acompañaron al conquistador consideraron que esta práctica iba en contra de la moral española e hicieron que las mujeres cubrieran sus pechos con una prenda llamada guaypil o güipil, proveniente del vocablo huipilli, de origen náhuatl. La prenda que ya se usaba en otras partes de México, se elaboraba con tres lienzos de algodón que unidos formaban un saco con dos aberturas para los brazos y una tercera para el cuello. El atuendo podía llegar a las rodillas o a los pies, entretejiéndole plumas de pato o bordándolo con pelo de conejo para adornarlo. Tal es el antecedente del hipil actual. Diego López de Cogolludo, en su Historia de Yucatán, hace referencia a estas prendas.

En El Salvador, se le llama huipil, simplemente a la enagua o falda de las mujeres indígenas.

Actualmente el huipil es de uso más predominante en Guatemala, en donde mantiene su uso diario en la gran mayoría de pueblos indígenas como los K'iche', Q'eqchi', Kaqchikel y Mam, entre otros, que conforman alrededor de la mitad de la población nacional.

Véase también
 Guelaguetza
 Jarana yucateca
 Quexquémitl

Referencias

Enlaces externos

Indumentaria de México
Trajes tradicionales
Cultura del estado de Yucatán
Artesanía
Nahuatlismos
Artes textiles de México


text:
Isabel May, née le , est une actrice américaine. Elle a joué le rôle de Katie Cooper dans la série Alexa et Katie sur la plateforme Netflix et a un rôle récurrent en tant que Veronica Duncan dans la série télévisée Young Sheldon sur CBS.

Biographie

Filmographie
 2018–2020 : Alexa et Katie : Katie Cooper
 Depuis 2018 : Young Sheldon : Veronica Duncan
 2019 : Let's scare Julie : Taylor
 2020 : Run Hide Fight : Zoe Hull
 À déterminer : I Want You Back
 2021 : 1883 (série télévisée) : Elsa Dutton
 2022 : 1923 (série télévisée) : Elsa Dutton

Voix françaises
 Claire Tefnin dans Alexa et Katie (Belgique)
 Rebecca Benhamour dans Young Sheldon
 Audrey D'Hulstère dans Run Hide Fight (Belgique)

Notes et références

Liens externes

Naissance en novembre 2000
Actrice américaine de télévision