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History of Quorn Cricket Club - 1934
Quorn United Cricket Club, 1899
The photograph shows:
Back row, left to right: R Orton, M Bonsor, F Clarke, A Hutchinson, H Waite, Sam Hallam, W Machin.
Middle Row: W Thorton, L J Collins, J A Hayward (capt), Herbert Percival,
Front: W J Davis, J Mee
The early years of the Quorn Cricket Club revive memories of those distant Victorian days when there were private cricket grounds on a number of estates in the district. At that time Quorn played several matches at country houses, which included Quorn House, Quorn Lodge, Stanford Hall and other well-known places. The bounteous hospitality and genial good fellowship associated with these fixtures are vividly recalled by old cricketers in the village.
The humorous side of cricket was then more pronounced, and there were several old-fashioned enthusiasts in Quorn who unconsciously lent a humorous touch to the proceedings. The most famous of these characters was old Jimmy Rumsby, an ardent supporter of the club. He was for many years landlord of the White Hart, which for over half of century has been the headquarters of the cricket club, and was a familiar figure in his large top hat, high choker collar, and long frock coat.
One of his sons, William Rumsby, was a very fine cricketer, and on a memorable occasion, when W G Grace played at the Athletic Ground at Loughborough, he had the distinction of ending the great man's innings by holding a "hot-un" at short leg.
Jimmy Rumsby was very proud of his son, a fact of which certain enterprising people were wont to take undue advantage. When young Rumsby was at the wicket they would station themselves near to the old man and make loud and complimentary allusions to the batsman's skill. They would turn to old Jimmy and courteously inquire the name of that prolific rungetter. The answer seldom varied. "This is my son, sir, come and have a drink." He would lead them to the conveniently situated adjacent White Hart, and the cricket ground would see them no more.
As early as 1872 this Quorn Club was in a flourishing condition, and played on the field on Leicester Road which has now been converted into "The Park". Some years later it appears to have been disbanded, but was revived in the eighties, and in 1889 this second club was in existence, and played in the paddock at Quorn Hall. At that time the kennels were close at hand, and the cricket ground was also used as an exercising ground for the hounds, a practise which often considerably interfered with the activities of the team.
In 1891 the committee were held in a room belonging to the Wesleyan Chapel, and presumably for this reason, the name of the club was altered to Quorn Wesleyans. About this time Jimmy Rumsby, one of the third generation of that famous cricketing family was elected captain. The club had now moved to a ground in Love Lane field on the Barrow Road, part of which has recently been used as a building site. This field was lent them by Mr John Darker on exceedingly generous terms. No rent was charged, but a stipulation was made that the ground should be kept in good order and the nettles under control.
For different reasons the club was compelled to make several changes of ground in the next few years, and it is a tribute to the enthusiasm of its members that in spite of these serious difficulties it continued to flourish.
The Apple Tree field, where Mansfield Street now stands, was their next home, but unfortunately this was not available for more than one season, and after a frenzied search they were able to obtain the use of the Stafford Orchard. They were on this ground in 1893, which apparently was a very dry summer, and the watering of the pitch became a problem of grave difficulty. On one occasion the services of the local fire brigade were urgently sought, and on a Friday evening, the night before an important match, the ever willing firemen hastened to answer this unusual call.
It was not long before further changes were necessary, the club being transferred to a field on the Chaveney estate, and in the following year to the Dustmore field on the Leicester Road, immediately opposite to One Ash.
It was in 1897 that the club acquired Cave's field, where they have contrived to remain for a period of 37 years, often on the hazardous terms of a yearly tenancy. For several seasons Mr J A Le M Hayward was captain of the team. He had a natural aptitude for most ball games, and was a very fine shot. During the Zeppelin raid early in 1916 he made a patriotic effort to bring down one of the German airships with a sporting gun, but unhappily this "large bird" eluded his aim.
There is a tablet on the south wall of Quorn Church to the memory of John William Davis, who was killed in the Boer War. He was a prominent member of the cricket club, a fine wicket-keeper, and a very fast scorer. He was responsible for one of the biggest hits ever made on the ground. The ball pitched into a hollow, where a pump once stood, about 30 years beyond the footpath leading from Chaveney Road to the main Leicester turnpike. His photograph is seen in the accompanying group. This was kindly lent to us by Mr Herbert Waite, one of the fastest and most successful bowlers who has ever represented the club.
In the nineties A D Pougher, the Leicestershire professional, accomplished a remarkable performance in a county match when he took five wickets for no runs. This memorable feat apparently inspired one of the Quorn eleven, Mr "Matt" Bonsor, for in a league match shortly afterwards he returned the same remarkable bowling analysis, a highly creditable effort, although in a humbler sphere. Another member of the team at that time was Mr Sam Hallam, who for 50 years, in various capacities, has rendered faithful services to the club.
The teams in the North Leicestershire League in the years immediately preceding the war were exceedingly strong, and during this period some well-known players were seen in the ranks of the Quorn club. Mr Harold Wright, a fine left-hand bat and bowler, captained the team for a few years, and later, for a short time, had the distinction of leading the county side. Mr C K White, the eldest son of the late Mr George White, was also a very good all-rounder, and an invaluable member of the eleven until he joined the Loughborough Town team. These two fine Quorn sportsmen both lost their lives in the war.
The Quorn Club was successful in winning the Loughborough Charity Cup in two successive years, 1911 and 1912, and in 1914 they continued their run of success by carrying off the league championship. In 1913 Mr J Gamble was elected captain of the team, a position he held until 1926, when he was succeeded by the present skipper, Mr D H Bream. One of his brothers, Mr Frank Bream, has been secretary for four years, while a cousin, Capt. J W Bream, a famous old Tiger, is a useful member of the side.
Last year the club was successful in winning the Sileby Cup, in which most of the rounds were played at night. In one of these matches Mr K Hopwell distinguished himself by a "marathon" innings of 72, which lasted for two entire evenings. About a year ago, in a league match, Mr Douglas Bream played a magnificent innings of 115, one of the largest scores which has ever been made for the club. An interesting and treasured bat in his possession was presented two or three years ago by Mr F A Toon to the player with the highest average for the season. This was autographed by all the members of the English and Australian test match teams, and was used during the last tour in Australia by Herbert Sutcliffe.
The difficulty experienced in the past in obtaining a convenient and permanent ground has already been referred to. Thanks to the generosity of the late Mr George Farnham this uncertainty is now removed. In 1928 Mr Farnham bought Cave's field, and handed it over to the trustees of the Rawlins Charity with the proviso that the Cricket Club was to have the use of it as long as they desired. Mrs William Farnham, who has been in residence at Quorn House for nearly a year, maintains the interest in the welfare of the Quorn Club which this old Quorn family has always shown, an association which is greatly valued by the members.
The problems of the ground having been solved, the committee began to devote their attention to the question of improved accommodation. There were in the fortunate position of having a sum of £75 in hand, which was supplemented by an exceedingly generous gift from Mr J A Hartopp, always a good friend to the club. It was therefore found possible in 1928 to erect a new pavilion at a cost of £160. In 1933, with admirable enterprise, the levelling and general improvement of the ground was undertaken, the necessary amount of £37 10s being raised chiefly by whist drives. The club has undergone many changes of fortune during the last 50 years, but having at last a fine ground of their own, and excellent quarters, they can look forward to the future with every confidence.
Submitted on: 2011-01-07
Submitted by: Kathryn Paterson
Artefact ID: 1149
Print: View artefact in printer-friendly page or just on its own.


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Senate orders Service Chiefs to recapture territories seized by Boko Haram
The Nigerian Senate has asked Service Chiefs to ensure that territories seized by the Boko Haram terrorist group are recaptured before the 2015 general elections.
At a meeting with the Chief of Army Staff (COAS), Lieutenant General Kenneth Minimah, on Thursday, the Senate Committee on Defence and Army expressed worries that elections may not hold in the troubled north eastern states in 2015 because of terrorist activities in the states.
The chairman of the committee, Senator George Sekibo, said elections would hold in the three troubled north eastern states if the army recaptured all the territories seized by Boko Haram and if there was peace in the areas.
The committee invited Lieutenant General Minimah, to discuss the increasing insurgency in the north-eastern states – Adamawa, Borno and Yobe.
Briefing the Army Chief before the meeting, Senator Sekibo bemoaned the increasing spate of attacks in the north-east, saying; "while politicians are busy scheming for the 2015 elections, insurgents are on the other hand having a field day, especially in the north-east".
He informed the COAS that Nigerians were getting impatient and irritated not only with the military but also with the government and those who represent them at various levels.
Senator Sekibo said: "I believe that we are trying our best, but is our best the best we can offer? What is happening is becoming increasingly difficult to explain to Nigerians. We want to be told what is happening. The insurgents are having a field day.
"We are aware that the government is releasing your funds to you because you have not complained. We also approved $1billion for the President to purchase arms and ammunitions to fight Boko Haram. We are aware that your budget is being released to you. If you have difficulties you should tell us.
"The spate of insurgency, the way and manner the insurgents are taking areas, is getting worrisome. We want to know what is happening. We also want to know the issue of the reported ceasefire. We want to know whether there was actually any ceasefire.
"We want to know whether there was a dialogue, the stage of the dialogue if any because few days after the announcement of the ceasefire, the insurgents struck and have continued to strike.
"We want to know where we are. We are approaching election year. Are we going to conduct elections in the north-east under the dire security challenge? These are our concerns and the concerns of Nigerians".
After he made the background statements, he asked Minimah to respond to the issues he highlighted. The Army Chief took a measured breath and said: "I came to interface with the Senate Committee on Defence, can the press leave us".
The statement changed the course of the meeting, as the Army Chief emphasised that operational matters were never discussed on the pages of the newspapers.
A member of the Committee, Senator Babafemi Ojudu, insisted that the press should be present at the meeting, as it was seen as an important stakeholder in the fight against insurgency.
But Lieutenant General Minimah insisted that the press must leave.
The discussion lasted for over two hours and briefing reporters after the meeting, the COAS told the media that the military would do its best to recapture the areas that had been seized by the Boko Haram militants.
This week alone, dozens of children were killed at the Government Technical Science College in Potiskum, Yobe State and just two days later, a female suicide bomber blew herself up at the Federal College of Education Kontagora Niger State.
Although the Chief of Army Staff assured Nigerians that the military would reclaim the areas taken over by Boko Haram, there are still critical questions that require answers; like how do the terrorists bring weapons into the country? Does the Nigerian army have enough troops and ammunition to confront the terrorists and whatever happened to the alleged ceasefire agreement?
Labels: Boko Haram

redpajama_set_name: RedPajamaCommonCrawl


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UNSW tops Australian universities in world subject rankings
Lucy Carroll
UNSW has the most subjects ranked first in Australia in the influential ShanghaiRanking's Global Ranking of Academic Subjects 2018, with 38 subjects making it into the global top 100.
With 38 subjects ranking in the global top 100, 24 in the top 50 and three in the top 10, UNSW has the most subjects of all Australian universities in the prestigious league table.
UNSW Sydney has swept ShanghaiRanking's Global Ranking of Academic Subjects 2018, scoring the most subjects ranked first in Australia and the highest number of subjects ranked in the top 100 in the country.
With 38 subjects ranking in the global top 100, 24 in the top 50 and three in the top 10, UNSW continues its climb up the rankings, having the most subjects of all Australian universities in the prestigious league table.
Nine UNSW subjects – Civil Engineering, Finance, Instruments Science & Technology, Library & Information Science, Management, Mathematics, Mechanical Engineering, Remote Sensing and Water Resources – rank first in Australia. This is almost double the number of UNSW subjects ranked first in 2017.
ShanghaiRanking's Global Ranking of Academic Subjects has published the Academic Ranking of World Universities (ARWU) by academic subjects since 2009. The rankings assess more than 4000 universities across 54 subjects in natural sciences, engineering, life sciences, medical sciences, and social sciences.
UNSW Deputy Vice-Chancellor (Research) Professor Nicholas Fisk felt it was a clean sweep for UNSW Sydney.
"To be top in Australia for subjects ranked first, with the most subjects in the top 100, underscores the depth and breadth of UNSW research.
"These subject rankings are a more tangible reflection of a university's research strengths than the global ranking, and UNSW is a comprehensive university that demonstrates academic and research excellence. I want to pay special tribute to all UNSW's hard working academics on this outstanding result."
Water Resources is UNSW's highest ranked subject at 5th in the world, with Mining & Mineral Engineering ranking 7th and Civil Engineering 10th.
Globally, UNSW's best performing subjects are Water Resources (5th), Mining & Mineral Engineering (7th), Civil Engineering (10th), Finance, Marine/Ocean Engineering and Remote Sensing (all 16th), Atmospheric Science and Oceanography (23rd), Library & Information Science (26th), Law, Hospitality & Tourism Management and Transportation Science & Technology (all 34th), Telecommunication Engineering (38th), Energy Science & Engineering (39th), Earth Sciences (40th), Aerospace Engineering (41st), Instruments Science & Technology (42nd), Environmental Science & Engineering (44th), Psychology (44th), Mechanical Engineering (45th), Electrical & Electronic Engineering (46th) and Geography (49th).
United States universities continue to dominate the rankings, occupying first place in 35 disciplines, followed by China with nine and the Netherlands with three. The best performing institution in the world is Harvard, taking 17 crowns, ShanghaiRanking said in a release.
The methodology to determine the ranking includes the number of papers published, international collaboration and citation impact. The full methodology can be found here.
Louise Caldicott
UNSW External Communications
l.caldicott@unsw.edu.au
9385 8732, 0402 005 319
l.carroll@unsw.edu.au
UNSW in stellar league of its own in world subject rankings
UNSW continues to climb global research rankings
UNSW Sydney holds firm among top 50 universities in QS global rankings
UNSW's Accounting & Finance in world's top 10 in QS subject rankings
ARWU
ShanghaiRanking
Academic Ranking


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All categories Building City Council Horticulture Human Resources Parks & Recreation Property Maintenance Real Estate Assessor's Office Refuse Sheriff's Department Stormwater Utility Billing Zoning
Real Estate Assessor's Office
1. How do I request a public record?
Requesting public records (making a Freedom of Information Request or FOIA) is a simple process, and contact information and directions are available from the City Council web page, by clicking on "Request for Records".
2. How do I bring an issue before City Council?
There are several ways to bring something before council:
Contact the City Clerk's Office
Talk to one of your council members or the mayor
Speak during "Citizen Comment Period" at a City Council meeting
Click on the contact information for the Council member to leave an email message.
The best way to bring an issue to council's attention is to contact the City Clerk's Office at 540-942-6669 or stop by the office at: 503 W. Main St. Suite 208 Waynesboro, VA 22980
The city clerk may be able to address your matter, refer it to the appropriate council person or city manager, or refer it to the appropriate city representative.
The City Council agendas are prepared and distributed on Thursdays before meetings. Copies are provided to council and are available for viewing on the city's website.
3. Is there a Council member assigned to my neighborhood?
Waynesboro's five council members serve their respective wards and one council member serves the city at large. You can locate your ward designation by clicking on the "Maps" link from the home page, then click on "GIS" in the blue lettering and entering the mapping website. Enter your house number and street or your name in the designated blanks and click on "Search". Click on the appropriate selection. Your ward boundary will be located in the middle of the page on the property sheet tab.
4. How can I provide input to City Council?
There are a variety of ways to access Council. All Council meetings are open to the public. They are held on the second and fourth Mondays of each month, unless state or federal holidays alter the schedule. These Monday evening meetings begin at 7:00 p.m. Those wishing to speak must sign the speaker sheet at the entrance to Council chambers at the beginning of the meeting or prior to the start of a public hearing if applicable. Council members do not have offices at City Hall. All Council members are available by phone or email. If you want to make an appointment with a Councilman, contact the Council member directly.
5. Can I sign the speaker form for someone else?
The person who will be speaking must complete the speaker form.
6. Are Council meetings handicapped accessible?
Yes. The Waynesboro City Council encourages the participation of all City citizens. For those with special needs, please notify the Clerk of Council (540-942-6669) of any accommodations required, including assisted listening device, at least three days prior to the meeting you wish to attend.
7. Can I fill out a speaker form online?
Speaker guidelines are available on-line, however, you must fill out the speaker form in person by coming to City Hall between the hours of 8:00 a.m. and 5:00 p.m. or at the beginning of the Council meeting you attend.
8. What is the difference between a resolution and an ordinance?
A resolution differs from an ordinance in several ways. A resolution is non-legislative action, is less formal than an ordinance, and deals with matters of a special or temporary character, usually relating to a statement of policy regarding the administrative business of the city. Examples of resolutions recently before the council include a performance contract, a property easement, and endorsing a preservation application.
An ordinance sets out a permanent law that continues in force until the ordinance is repealed. Two readings are required before an ordinance can be finally approved. The first reading occurs when the proposed ordinance is introduced. Staff would generally review the ordinance, provide background, and reason(s) for recommendation. City Council would then generally express their support or opposition, then may move to introduce the ordinance. At a second meeting, staff would bring the ordinance back to council for consideration of adoption.
Appropriation ordinances provide the legal authority under which the municipality allocates money to specific spending activities.
9. What is the difference between an emergency and a 10-day ordinance?
An emergency ordinance takes effect on the date it is adopted by Council. Ten-day ordinances take effect 10 days from the date of passage. Emergency legislation requires the affirmative vote of five members, 10-day legislation requires three affirmative votes.
10. How does legislation get to Council?
City departments requesting authorization almost always submit the specific ordinance or resolution to the City Attorney and City Manager. Legislation follows a prescribed format and contains background information, a fiscal impact, specific accounting information, and, when appropriate, reference to the applicable City Codes.
11. What is the deadline for submission of legislation to the City Clerk's Office?
Ordinances and resolutions to be introduced at a regular meeting of City Council must be delivered to the City Clerk's Office no later than 12:00 noon on Friday for Council action on the second Monday hence. For example, the submission deadline for the City Council meeting of Monday, July 22 would have been Friday, July 12 or earlier if the matter involves advertising for a public hearing. There is no extended deadline for a legal holiday.
12. What is the City Council agenda?
The purpose of the City Council meeting agenda is to provide an outline for the orderly and efficient conduct of their business meetings. The agenda sets forth the specific items of business and the order in which Council will consider them. This helps all interested parties monitor and understand the actions City Council takes.
13. When is the City Council agenda available for the public?
The goal is to have the tentative agenda on the City's website no later than 3:00 p.m. each Thursday prior to a Monday meeting. Agendas are also posted on the cable access channel, on the City Hall public bulletin board, and they are available for pickup at the City Clerk's Office.
14. How can I find out what Council has voted on or is scheduled to vote on at the next meeting of the Council?
You can review pending legislation by viewing the upcoming meeting agenda or legislation voted on by viewing adopted ordinances and resolutions. These are available on the City website, in person at the Council office in City Hall (an appointment is recommended), or by viewing the government cable channel.
15. What is a consent agenda?
A consent agenda is a procedure, which when incorporated as part of a regular City Council agenda, is designed to facilitate operational, non-controversial, and routine matters on the agenda swiftly and efficiently. Use of a consent action allows Council members to conduct business more efficiently and help produce Council decisions which are open, responsive, and accountable to the people of the City. Items identified for inclusion in the consent action section are grouped and approved with one motion and one vote.
16. What if a council member at a meeting has concerns about legislation identified as a consent item?
Any item identified as a consent action can be removed from this section and will be individually considered by Council.
17. Who decides what is placed on the agenda as a consent action?
Council members and staff review all legislation and recommend items for consent action. Certain legislation will not be considered in a consent action. Zoning ordinances, budget adoption, amendment legislation, and legal settlements, for example, should be read into the record and debated as needed. The Mayor presents items identified as consent actions with the recommendation for approval by a single motion and vote. The balance of the agenda format remains the same.
18. How do I request a copy of a resolution or ordinance?
You may access all legislation scheduled for an upcoming Council meeting agenda as well as any legislation that has already been voted on through the City's website. You may also call the Clerk of Council at 540-942-6669 and provide the number of the ordinance or resolution or simply describe the legislation you are looking for, and she will assist you in locating it. Legislation copies can be sent to you by 1) email, 2) ground mail, or 3) fax. If your request is large or particularly time consuming, a processing fee may apply, which will be reviewed prior to filling.
19. What happens after legislation is acted upon by City Council?
On the Tuesday after a Council meeting, the original legislation is signed and distributed to affected departments. Ordinances are sorted by numerical order and placed into a file with the date and time of the meeting in which they were adopted or passed by City Council and digitally recorded for archiving.
20. How do I sign up to receive advance notices of meetings, etc?
If you have access to a computer, you can receive advance notice of Council information, meetings, agendas, and approved minutes. From the City's website, www.waynesboro.va.us, click on "Notify Me" on the right side of the screen, then enter your email address and follow the instructions in the shaded area.
21. How do I find out what ward I'm in or who represents my ward?
You an contact the City Clerk at 540-942-6669 or by email at bortleje@ci.waynesboro.va.us.
22. How do I participate in Citizen Comment Period and Public Hearings?
Citizens can participate both virtually and in person. Directions for virtual participation are located here.


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Does the FBI Spy on FOIA Requesters?
Break-In: 50 Years After The Event That Exposed COINTELPRO
'Fortress DC' Foreshadows Dangerous Anti-Protest Measures
Published by Patrick G. Eddington at March 18, 2021
The 55-year-old Freedom of Information Act (FOIA) was authored by the late John Moss (D-CA) as an essential tool for citizens to wield to uncover what Executive branch officials were doing in their name. National Sunshine Week celebrates Moss's achievement and promotes the use of FOIA. I doubt he ever imagined that an individual or organization using FOIA for its intended purpose would become a target for FBI surveillance. Yet a FOIA request I filed on behalf of the Cato Institute uncovered exactly that scenario.
Just after Thanksgiving 2019, I filed a FOIA with the FBI seeking any records the Bureau had on 76 civil society organizations. Among those was the National Security Archive, one of the oldest and most respected FOIA watchdog organizations in the country. The Archive files a multitude of FOIAs every year, publishing both the documents and their analysis of them on their website. They are, by definition, a public interest and government oversight nonprofit, and their prodigious use of FOIA is exactly the kind of citizen oversight model Moss undoubtedly had in mind when he got the first version of FOIA into law.
Eleven months after I filed my FOIA on the Archive, the FBI released 46 partially declassified documents on the organization while withholding two others in their entirety on "national security" grounds. The documents I did receive, despite being heavily or nearly completely redacted in many cases, were revelatory.
The Bureau's interest in the Archive dates to at least September 14, 1989, as on that date then-FBI Director William Sessions sent a cable classified SECRET to the FBI's Washington Field Office directing "that intelligence division obtain additional information regarding the National Security Archive from appropriate Freedom of Information and Privacy Act (FOIPA) components within FBI-HQ." Sessions claimed that "the primary source of the organization's tenacity in using FOIPA regulations" was attributable to the fact that "a former Department of Justice (DOJ) attorney and…a former Washington Post reporter" were on the Archive's staff.
The former DOJ attorney in question was Quinlan J. Shea, who had joined the Archive and helped litigate the famous National Security Archive v Archivist of the United States case. The former Washington Post reporter was Scott Armstrong, a founder of the Archive and co-author (with Bob Woodward) of the book on the Supreme Court, The Brethren. Sessions' comment conveyed the sense of threat he and FBI senior leadership clearly felt via the Archive and its work.
The remaining documents I received span the period from 1989 through at least August 2004 and indicate the FBI monitored the Archive's activities throughout this period, such as its interest in and public events commemorating major Cold War milestones, including the Cuban Missile Crisis and related U.S.-Cuba interactions. The FBI monitoring also appears to have involved electronic and/or physical surveillance and possibly the use of "mail covers" by the Postal Service.
A heavily redacted July 31, 1990 FBI HQ memorandum previously classified SECRET notes near the end of the memo: "A copy of the above described envelopes is attached and made a part of this memorandum." The attached material itself was withheld by the FBI, but the mention of envelopes, and the SECRET classification, almost certainly mean a "mail cover" of mail to or from the Archive was involved.
A February 21, 1996 memo from an unidentified FBI Language Specialist (abbreviated L.S. in the memo) to an unidentified series of Washington Field Office recipients passed along "Positive Intelligence" from "an extremely sensitive and reliable source of continuing value" that referenced the Archive in some fashion; the actual foreign language (almost certainly Spanish) language attachment was withheld by the FBI. The language of the document strongly suggests, based on the author's review of hundreds of thousands of pages of FBI material spanning several decades, that the "extremely sensitive and reliable source" was a wiretap.
A heavily redacted previously SECRET September 11, 1997 Boston Field Office memo dealing with the Archive in some fashion had no less than 24 other field offices and FBI HQ on the distribution list.
A heavily redacted March 13, 2003 SECRET/ORCON/NOFORN investigative memo from the National Security Investigative Services to the Washington Field Office referenced also referenced a "CI-8" as an addressee; CI in FBI reports is shorthand for counterintelligence, in this case the CI-8 squad of the Washington Field Office. That same memo noted that the preliminary investigation had commenced March 29, 2002 and had been renewed three times up to the date of the memo.
I could go on, but you get the idea. Simply stated, the FBI should not have classified documents on an American nonprofit engaged in lawful, First Amendment protected activity.
If you've read this far and are already alarmed or angry about this FBI targeting of a U.S. civil society organization engaged in lawful, First Amendment protected activity in service of the public interest, the next little revelation I have for you should make your head explode.
The FBI "legally" lied to the Archive about its monitoring of the organization.
We know this because between November 2005 and April 2006, the Archive filed FOIAs with the FBI seeking any records it had on the organization. The time frame specified for the search by the Archive was January 1, 1984 to November 3, 2005 (Archive staff provided Cato with copies of the FOIA correspondence in question). In its January 13, 2006 response to the Archive, the FBI denied having any "main files in the Central Records System (CRS) at FBI Headquarters." In April 2006, the Archive filed a FOIA appeal with the Department of Justice's Office of Information Policy but, according to Archive staff, never received anything more than an acknowledgment of the receipt of the appeal.
Now before you jump to the conclusion that this might have simply been a sloppy job of searching by the Bureau, keep this critical fact in mind: anything investigation-related is catalogued with considerable thoroughness in the FBI's CRS. There's no question that the Sessions cable to the FBI Washington Field Office would've immediately popped up in any FOIA-related search by FBI personnel. The same for the other documents they subsequently gave to me. So what's the explanation?
Very likely a section of the FOIA statute itself, specifically 5 U.S.C. § 552(c).
That particular provision of the law allows the FBI to withhold records without acknowledging their existence if doing so would disclose the fact that "the investigation or proceeding involves a possible violation of criminal law" or "Whenever a request is made which involves access to records maintained by the Federal Bureau of Investigation pertaining to foreign intelligence or counterintelligence, or international terrorism, and the existence of the records is classified information." In other words, the law allows the FBI to lie to FOIA requesters.
The statute also states that such denials can be lawfully made "during only such time as that circumstance [i.e., the investigation] continues." So once a case is closed, a subsequent FOIA request on a topic or organization should result in the release of the material.
When I alerted Archive staff to Cato's findings, Archive Director of Public Policy and Open Government Affairs Lauren Harper summed it up nicely.
"Fifteen years ago, we gave the FBI our Sunshine Week Rosemary Award for worst performance in open government for knowingly conducting FOIA searches designed to fail – something it is still accused of doing. It's long past-time for the bureau to put its energies into effectively responding to FOIA requesters instead of surveilling them."
Neither the Archive or its staff have ever violated any federal law, so the FBI's refusal to acknowledge in 2006 its targeting of the Archive and its staff is linked in part to at least three facts. The first is that as noted above, Archive founder Scott Armstrong was a former Washington Post reporter; FBI surveillance of reporters has been documented since at least the fall of 1908 (see the author's American Big Brother timeline for details). Armstrong had sources across Washington, including inside DOJ as well.
Scott also hired the retired DOJ lawyer Quinlan J. Shea (now deceased) who played a key role in helping the American Library Association expose the FBI's Library Awareness Program in 1987 and 1988. His insider knowledge of DOJ and FBI policies, practices, and data storage systems would definitely have been viewed as a threat by DOJ and FBI officials.
Finally, Archive staff travel to Cuba and interaction with Cuban government officials over preparations for the Cuban Missile Crisis events the Archive sponsored would have been viewed as a "counterintelligence" matter, even though nobody at the Archive had clearances, and thus direct access to any U.S. government classified information. If anything, that makes the FBI's actions even more troubling for anyone working for a nonprofit with either a significant international presence or frequent events involving foreign nationals.
Lots of domestic U.S. groups engage with foreign counterparts in symposia, book events, cultural exchanges and the like. How many of those domestic organizations have been targeted as part of "foreign counterintelligence" investigations in a similar unlawful manner? These are questions Congress should answer by launching a "Church Committee 2.0" to investigate.
Former House Senior Policy Advisor and ex-CIA analyst Patrick G. Eddington is a Research Fellow at the Cato Institute.
Patrick G. Eddington


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STUNNA's GREENROOM
DRUM + BASS + BEYOND
'THE GREENROOM' Guest Mix from ONE MINDZ - January 20, 2021
On WEDNESDAY, JANUARY 20th, STUNNA moves deeper into the month with another special edition of 'THE GREENROOM' on BASSDRIVE Radio. In this week's installment, burgeoning producer and DJ ONE MINDZ delivers an exclusive guest mix in support of his debut album which lands FRIDAY the 22nd.
SAO PAULO, BRAZIL-based DRUM AND BASS artist ONE MINDZ (aka CARLOS O. SILVA) had his first contact with underground music in mid 1994. Influenced by his older brother who was a DJ, ONE MINDZ began his career in the world of electronic music. In 2002, his first DJ mixes appeared, and after a long period of honing his craft behind the decks, the year 2017 saw ONE MINDZ enter the production ring with initial releases on the SOULBASS RECORDINGS imprint. After a number of subsequent offerings the past four years, JANUARY 22, 2021 sees the fruits of ONE MINDZ's musical labor of love with the unveiling of his debut 'BACK IN THE GAME' LP courtesy of TRUE BOX RECORDS. An action-packed album aimed directly at the dancefloor, 'BACK IN THE GAME' is a solid snapshot of the versatile production techniques ONE MINDZ has developed over the years.
Please join us for this special session of 'THE GREENROOM' as ONE MINDZ delivers a guest mix featuring many cuts from his debut album, exclusives, and some of his favorite tracks doing the global rounds. Tune in!
*For more information on ONE MINDZ, visit:
• ONE MINDZ on Soundcloud
• ONE MINDZ on Instagram
• ONE MINDZ on Facebook
'THE GREENROOM'
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Posted by Stunna at 2:46 PM
'THE GREENROOM' Guest Mix from HEFT - January 13, 2021
On WEDNESDAY, JANUARY 13, 2021, STUNNA hosts another new edition of 'THE GREENROOM' on BASSDRIVE Radio. During this week's session, we're treated to a special guest mix from producer-on-the-rise HEFT, as he makes his inaugural appearance on the show.
MOSCOW, RUSSIA-based producer/DJ HEFT (aka ALEX PAVLOV) started his burgeoning career in DRUM+BASS music as recently as 2017. In a relatively short span of time, HEFT has showcased the fruits of his work in the studio domain on a number of revered labels, such as: BLACK CRANE, CELSIUS, FOKUZ, INCEPTION AUDIO, LIQUID FLOW, ONSET AUDIO, and YUMI RECORDINGS. Focused on the lighter, more atmospheric sides of D+B, and influenced by the sounds of ALIX PEREZ and KID DRAMA, HEFT's evolving talent is making global waves with new signings as well as a debut vinyl release scheduled in the coming months.
Join us this installment of 'THE GREENROOM' as HEFT delivers a brand new guest mix created especially for this week's program. Tune in!
*For more information on HEFT, visit:
• HEFT on Soundcloud
• HEFT on Instagram
• HEFT on Facebook
'THE GREENROOM' Guest Mix from VOYAGER - January 6, 2021
On WEDNESDAY, JANUARY 6th, STUNNA kicks off a brand new calendar year in 'THE GREENROOM' on BASSDRIVE Radio with a very special installment. During this week's broadcast, we're treated to an exclusive guest mix from legendary producer/DJ VOYAGER, in support of his brand new ETERNAL SOUL label which launches this month.
During the golden era of DRUM AND BASS music, VOYAGER (aka PETE PARSONS) was best known for his work as an artist, producer and engineer for one of the seminal UK DRUM AND BASS labels from that era: DEE JAY RECORDINGS/LUCKY SPIN RECORDINGS (although his client list included many other labels, producers and DJs during that time). Starting his career in 1990 at the MONROE PRODUCTION COMPANY in LONDON, he quickly became the 'go to' engineer/programmer for many of the studio's electronic music artists who were just beginning to create the kind of music that would go on to dominate the UK underground scene for the next decade and beyond. During this time, PETE's reputation grew due to his expertise in the studio domain, but also because his production sound design was clean, crisp, and additionally featured the deeper and more soulful sounds that would become his signature style during the golden mid-'90s era.
In the late 1990s, PETE signed a record deal with legendary TECHNO label R&S RECRODS. In 1997, he released a DRUM AND BASS LP for the imprint. Entitled 'FUTURE RETRO,' the superb, multi-flavored album included the classic anthem "HYPERSLEEP." Following the LP's release, PETE returned to his main musical instrument, the drums, forming one of the first live DRUM AND BASS bands to promote the album throughout the UK and the EU.
After two further releases on GOOD LOOKING RECORDS and CREATIVE SOURCE in the late '90s, PETE took a sabbatical from DRUM AND BASS in early 2000 to work in the UK NU SKOOL BREAKS scene under the moniker BREAKNECK (alongside partners DJ TAMSIN and DJ VLAD). The trio was signed to RENNIE PILGREM's TCR label in 2000, and then launched their own LONDON BREAKZ imprint, which ran from 2002 to 2007.
Fast forward to present day, and PETE has returned to producing DRUM AND BASS. After a few earlier releases on CAMINO BLUE RECORDINGS, TEMPO RECORDS, and OKBRON RECORDS, 2021 sees the long-overdue launch of VOYAGER's very own label: ETERNAL SOUL. With the new label's first release featuring a trio of solo VOYAGER tracks ("AURORA," "KOKORO," and "MERAKI"), be on the lookout for more original material on the imprint, as well as further releases and projects throughout the year on other labels from VOYAGER.
Please join us for this very special installment of 'THE GREENROOM' as VOYAGER unveils a new studio mix created especially for this program. Tune in!
*For more information on VOYAGER and ETERNAL SOUL, visit:
• VOYAGER on Soundcloud
• VOYAGER on Bandcamp
• VOYAGER on Instagram
• VOYAGER on Facebook
• ETERNAL SOUL on Soundcloud
• ETERNAL SOUL on Instagram
• ETERNAL SOUL on Facebook
'THE GREENROOM' 2020 Review/2021 Preview Special - December 30, 2020
That time of year has once again reared its head, and on WEDNESDAY, DECEMBER 30th, STUNNA presents the annual 'Year In Review/Year Ahead Preview' installment of 'THE GREENROOM' on BASSDRIVE Radio. In this edition, we take a look back at the action-packed year of 2020, highlight some great moments in DRUM+BASS music's many forms, and also take a sneak peek at what the future holds in 2021 and beyond.
I wish to give a massive 'THANKS' to all the great producers, record labels, listeners and supporters who make hosting this show week in/week out a true pleasure each session. Hope you all have a healthy, happy, and safe holiday season wherever you are in the world. Tune in!
'THE GREENROOM' Guest Mix from TYLER STRAUB - December 16, 2020
On WEDNESDAY, DECEMBER 16, 2020, STUNNA moves deeper into the month of broadcasts in 'THE GREENROOM' on BASSDRIVE Radio. In this week's session, we're treated to a special guest mix from multi-talented phenom TYLER STRAUB, as he makes his debut appearance on the program.
Originally from HAYWARD, CALIFORNIA, and now currently residing in PORTLAND, OREGON, TYLER has been surrounded with music for as long as he can remember. His journey into DRUM+BASS music began sometime around 2005, with his initial exposure to the internet radio station BASSDRIVE and its wide-reaching global community. The conglomeration of its IRC network of DJs, producers, labels, and listeners from around the world allowed TYLER to participate in the music scene before he could legally enter a club in the USA. Early D+B influences o his include the VIRGINIA-based production team STYLE CONTROL (WILL MILES, KJELL, ILL OMEN, NaCl), alongside collaborations with fellow BAY AREA producer METHOD ONE, and CHICAGO-based STUNNA. TYLER's music has seen releases over the years on labels such as DRUM AND BASS ARENA, LEVITATED, LIQUID DROPS, SANTORIN, and WESTBAY. Currently, you can find TYLER honing his multi-media skills on TWITCH.TV, where he's been building a channel focused around collaboration, performance, and education.
Join us this installment of 'THE GREENROOM' as TYLER STRAUB unveils a brand new guest mix created especially for this week's show. Tune in!
*For more information on TYLER STRAUB, visit:
• TYLER STRAUB on Twitch
'THE GREENROOM' Guest Mix from TREEX - December 9, 2020
On WEDNESDAY, DECEMBER 9th, STUNNA presents another very special edition of 'THE GREENROOM' on BASSDRIVE Radio. In this broacast, we're treated to a return visit from the PARIS, FRANCE-based DRUM+BASS producer/DJ known as TREEX, as he unveils a brand new guest mix created exclusively for this program.
Born in 1984, and raised in FRANCE, TREEX has been involved in his native country's DRUM+BASS scene for many years. Lending his hand at the organization of events and DJing with his friends from AMPLITUDE, EN2, EXPLORATION, and QUALITY LABS, TREEX threw his hat into the production ring in 2010 and began making tracks. In the time since, he's honed his sound and engineering acumen to pen original works for such labels as SOUL DEEP RECORDINGS, LUV DISASTER RECORDS, TOTAAL REZ, SOUL TRADER, LIQUID BRILLIANTS, and OFFWORLD RECORDINGS. With positive global support of his music from revered names such as TECHNIMATIC, VELOCITY, SCOTT ALLEN, LM1, MACCA, DUOSCIENCE, DJ CHAP, PHAT PLAYAZ, SALARYMAN, LOZ CONTRERAS, MISSFORTUNE, and the rest of the BASSDRIVE crew, watch out for more infectious grooves from TREEX to be revelead as we head into 2021. Also, be sure to check his 'LIQUIDZ SPIRIT' brand of events, podcasts and digital releases that was launched in 2016 and continues to move strength to strength in the D+B world (including the recent release of the "SINGULARITIES" EP, featuring productions from JOAKUIM, DESKAI, INDUKTIV, and TREEX himeslf).
Join us this installment of 'THE GREENROOM' as TREEX presents a new studio mix including some of his favorite tracks doing the global rounds. Tune in!
*For more information on TREEX, visit:
• TREEX on Soundcloud
• TREEX on Facebook
• TREEX on Mixcloud
Posted by Stunna at 9:34 AM
'THE GREENROOM' Guest Mix from DAVE CATALYST - December 2, 2020
On WEDNESDAY, DECEMBER 2, 2020, STUNNA kicks off a brand new month of programs in 'THE GREENROOM' on BASSDRIVE Radio. In this week's broadcast, it's the welcome return of producer/DJ DAVE CATALYST to the show, as he presents an exclusive new studio mix.
LONDON, ENGLAND-based artist DAVE CATALYST (aka DAVE MOSS) has made quite a positive impression in the fast-paced world of DRUM+BASS music the past few years. A classically trained musician with a refined production style that focuses upon the more musical and atmospheric side of the genre, DAVE has delivered a string of quality releases to the masses. With memorable offerings on labels such as DECONSTRUCTED RECORDINGS, INNA RHYTHM RECORDINGS, GREYPOST AUDIO, and SOUL DEEP RECORDINGS (with his stellar, recently-released 'FOREVER PROMISE' EP). DAVE CATALYST continues to move strength to strength as a name to look out for when curating a fine-tuned set of cutting edge music.
Please join us this session of 'THE GREENROOM' as DAVE CATALYST graces the program again with a guest mix created especially for this show and showcases some of his own productions alongside his favorite tracks doing the rounds worldwide. Tune in!
*For more information on DAVE CATALYST, visit:
• DAVE CATALYST on Soundcloud
• DAVE CATALYST on Instagram
• DAVE CATALYST on Facebook
• DAVE CATALYST on Twitter
'THE GREENROOM' Guest Mix from VELOCITY - November 25, 2020
On WEDNESDAY, NOVEMBER 25th, STUNNA closes out another action-packed month of programming in 'THE GREENROOM' on BASSDRIVE Radio. In this week's broadcast, STUNNA welcomes talented producer/DJ VELOCITY into the 'GREENROOM' for his debut guest mix on the show.
TOKYO, JAPAN-based artist VELOCITY (aka TAKASHI SATO) established 7NINE PRODUCTIONS (comprised of a DJ, designer, and VJ) in 2003 to showcase his skills as a DRUM+BASS DJ. In the same year, 7NINE PRODUCTINOS launhced the NEO TOKYO D+B party "ZERO" and performed as a resident DJ at the lauded WOMB nightclub. In 2005, VELOCITY played a role in the creation of sound effects for the legendary VJ software "MOTION DIVE." In 2008, he entered and won 2nd place in the C.N.S (CDJ New Style) battle competiton organized by music industry trailblazer PIONEER, by wowing the judges with his technical mixing styles and skills.
By this time, VELOCITY's original DRUM+BASS tracks had been gaining global attention from DJs and tastemakers by the likes of A-SIDES, BAILEY, BRYAN G, COMMIX, MAKOTO, MARKY, RANDOM MOVEMENT, and BBC RADIO 1's DJ FRICTION. VELOCITY teamed up with KEY MC for the track "LADDER," which was included on fellow countryman and global producer MAKOTO's HUMAN ELEMENTS imprint, as part of the 'SOMETHING WE CAN DO' EP compilation benefitting those affected by the 2011 tsunami and earthquake. He followed this release with a flurry of successful offerings for DANNY WHEELER's W10 RECORDS, MR. JOSEPH's FIZZYBEATS label, and more solid releases on the ADVECTION, FOKUZ, HUMAN ELEMENTS, JASSTICKS, LIQUID V, and SHEER VELOCITY labels. With further new material set to drop in the near future, VELOCITY continues to move forward with his well-polished, infectiously-danceable take on the fast-paced world of D+B music.
Please join STUNNA this edition as he welcomes VELOCITY into 'THE GREENROOM' for an exclusive guest mix featuring some of his favorite tracks doing the global rounds. Tune in!
*For more information on VELOCITY, visit:
• VELOCITY on Soundcloud
• VELOCITY on Instagram
• VELOCITY on Facebook
• VELOCITY on Blogspot
• VELOCITY on Youtube
• VELOCITY on Twitter
Posted by Stunna at 11:40 AM
'THE GREENROOM' Guest Mix from EUPHORICS - November 18, 2020
On WEDNESDAY, NOVEMBER 18th, STUNNA moves deeper into this month's schedule of broadcasts in 'THE GREENROOM' on BASSDRIVE Radio. During this week's show, STUNNA welcomes talented producer and DJ EUPHORICS to the show, as he delivers his debut guest mix in 'THE GREENROOM.'
Deeply immersed in the DRUM+BASS music scene for over 15 years, SERBIAN-based artist EUPHORICS (aka UNTAH SELECTA, real name: MILOS ANTIC) initially began his journey by collecting vinyl. In 2006, he made the transition to become a DJ and stepped up to the turntables to share his vision at local D+B parties. Alongside the REMINISCENCE crew, he began playing on the NU PERCETPION and DnB HREAVEN radio shows. For the next two years, he performed all throughout EUROPE, and in 2008, the DJ formerly knowas as 'UNTAH SELECTA' re-established himself as 'EUPHORICS' and began to produce his own brand of DRUM+BASSmusic.
The year 2010 saw EUPHORICS's initial viyl release, via GERMANY's SANTORIN imprint. The 12" featured EUPHORICS + JOE EASYNUTTAH's track "SMOKE," with music from U.S.-based phenom TYLER STRAUB on the flipside. Soonafter, EUPHORICS collaborated with talented, FLORIDA-based vocalist JETT on the track "AGAIN". In early 2013, he released the 'MOONSHINE' EP for the prolific LIQUID BRILLIANTS digital imrpint, gaining "TOP 20" status in the JUNO DOWNLOAD charts. In AUGUST 2013, his track "THAT STUFF" reached 2nd place in the best SERBIAN singles on the national radio station B92, as part of the 'TOGETHER' EP, which reached "TOP 10" status in the JUNO DOWNLOAD sales chart. 2014 saw the vinyl and digital release of his debut album 'MIDNIGHT MIST' (THINK DEEP RECORDINGS), garnering accolades of being one the TOP 6 best-selling DRUM+BASS albums in SERBIA, with the album's title track slotted as one of the "TOP 3" tunes on SERBIAN national radio stations. After releasing his sophomore album, 'ODYSSESY' (SOUL DEEP RECORDINGS) at the end of 2015, EUPHORICS, followed with further offerings, including an appearance on the highly-lauded 'CHRONIC ROLLERS VOL. 3' various artists compiation, with his "PUBLIC SECRET" track. In 2018, EUPHORICS returned to the revered SOUL DEEP RECORDINGS imprint to release his 3rd album, entitled 'CONTACT'. The end of 2018 also saw the release of the JAZZY single "FATHER SOUL" on the legendary DJ SS's seminal FORMATION RECORDS label. Looking ahead to 2021, EUPHORICS's tracks 'REALITY" and "DUSTY GROOVE" (alongside fellow SERBIAN producer OKEE) will be included on the upcoming 'AFTERPARTY VOL. 3' compilation on the hailed LIQUID V imprint.
EUPHORICS believes that a quality live performance must include an MC. During his storied DJ career thus far, EUPHORICS has been supported by many of them: from MC BOJAH to EDGE MC (with whom, collaborations continues to this day). EUPHORICS has performed all across EUROPE, with prominent appearances at the EXIT, HMSU, BASS SEA, and OUTLOOK festivals. Throughout the years, his well-crafted, soulful and funky tracks have seen positive DJ support from the likes of LTJ BUKEM, GROOVRIDER, BRYAN GEE, BIG BUD, FURNEY, A-SIDES, RANDOM MOVEMENT, and the BBC RADIO and BASSDRIVE RADIO crews.
Please join STUNNA this installment as EUPHORICS showcases his prowess behind the decks and dives deep into his crate of original material and favorite tracks doing the rounds worldwide. Tune in!
*For more information on EUPHORICS , visit:
• EUPHORICS on Spotify
• EUPHORICS on Beatport
• EUPHORICS on Facebook
• EUPHORICS on Instagram
• EUPHORICS on Soundcloud
• EUPHORICS on Juno Download
Posted by Stunna at 12:24 PM
'THE GREENROOM' Guest Mix from SHAMANGA aka FSTZ - November 11, 2020
On WEDNESDAY, NOVEMBER 11th, STUNNA presents another very special edition 'THE GREENROOM' on BASSDRIVE Radio. In this week's installment, STUNNA welcomes versatile, musical journeyman SHAMANGA aka FSTZ into the 'GREENROOM' for his inaugural appearance on the program.
Electronic music producer, DJ and podcaster SHAMANGA (aka FSTZ, and real name JJ SODERLING) has been deeply involved in the industry for well over two decades. Originally from southern CALIFORNIA, and now residing near KANSAS CITY, he made his initial mark on the local music scene with his KABLAMMO! event series. Currently, his myriad of creative projects include: SHAMANGA, FSTZ, ULTRANET, RIDDIM DANGEROUS, SUBDOMAIN RADIO, CHAKRA SCIENCE, INTERNATIONAL HOUSE OF DUB, and DRUTHERS & DRIPS. He has collabroated with a talented stable of global artists including 6BLOCC, CALCULON, MC ZULU, JON 1ST, and ORKO ELOHEIM. His original tracks and collaborations have been remixed by esteemed producers, such as DJ MADD, SINISTARR, SKEPTICAL, and SURVIVAL.
The recent tracks released on VOYAGE MUSIC under the SHAMANGA alias, fall under the category of MINIMAL DRUM+BASS. The ULTRANET project, with underground HIP HOP legend and longtime collaborator ORKO ELOHEIM, is a mixed bag of sounds, ranging from HALFTIME D+B, HYBRID HIP HOP, FOOTWORK and DARK BASS.
Please join STUNNA this session as he welcomes SHAMANGA aka FSTZ into 'THE GREENROOM' for an exclusive guest mix featuring his own music alongside some of his favorite selections from around the globe. Tune in!
*For more information on SHAMANGA aka FSTZ, visit:
• SHAMANGA aka FSTZ on Spotify
• SHAMANGA aka FSTZ on Beatport
• SHAMANGA aka FSTZ on Facebook
• SHAMANGA aka FSTZ on Soundcloud
• SHAMANGA aka FSTZ on Apple Music
'THE GREENROOM' Guest Mix from SILENCE GROOVE - November 4, 2020
On WEDNESDAY, NOVEMBER 4th, STUNNA kicks off a new, action-packed month of broadcasts in 'THE GREENROOM' on BASSDRIVE Radio. In this week's session, STUNNA welcomes back (after a nearly five year hiatus) gifted producer and DJ SILENCE GROOVE, as he presents a brand new guest mix during the program.
Born and bred in the Central European country of POLAND (and now based in BRATISLAVA, SLOVAKIA), SILENCE GROOVE's love of electronic music began at an early age when his father introduced him to the intriguing sounds of KRAFTWERK, VANGELIS, and TANGERINE DREAM. In 2010, at the age of 18, he signed his first PROGRESSIVE TRANCE EP titled 'SHINY SNOW' to UNEARTHED RECORDINGS. His initial work in the TRANCE music scene garnered rave reviews, international exposure and recognition from scene luminaries PAUL VAN DYKE, ANDY MOOR, MATT DAREY, and ARMIN VAN BUUREN.
In 2011, he was inspired by the innovative sounds of producers FUTURE ENGINEERS, ARTIFICIAL INTELLIGENCE and ELECTROSOUL SYSTEM to take his first steps into throwing his proverbial hat into the DRUM+BASS production ring. Collaborating with fellow countryman SKELETONE, the pair released their debut 'LOVE YOU LOSE' EP on the revered SOUL DEEP RECORDINGS imprint and followed up with successful offerings for the BASSDRIVE TUNES and OFFWORLD RECORDINGS music labels.
Since then, SILENCE GROOVE has continued to feature on a selection DRUM+BASS music's most prestigious labels, including HOSPITAL, INTEGRAL RECORDS, and DOC SCOTT's 31 RECORDINGS imprint. His productions reflect the influences of various electronica genres, ranging from DOWNTEMPO, AMBIENT, to TECHNO. His unique style takes inspiration from artists in the scene such as CALIBRE, COMMIX, SEBA, LOGISTICS, and TECHNICOLOUR, among others. Sustained atmospheres, wistful arrangements, minor-chord-based hypnotic hooks and intricate breakbeat work are the staples of his sound. Carefully selected organic samples and imaginative synth work are fused together to create rich soundscapes that function well both in a club and home listening setting. His latest batch of music demonstrates an accomplished understanding of the genre through its stripped back subtleties and understated intricacies.
Please join STUNNA this session as he welcomes SILENCE GROOVE into 'THE GREENROOM' for an exclusive guest mix featuring some of his favorite tracks doing the global rounds. Tune in!
*For more information on SILENCE GROOVE, visit:
• SILENCE GROOVE Main Website
• SILENCE GROOVE on Soundcloud
• SILENCE GROOVE on Instagram
• SILENCE GROOVE on Bandcamp
• SILENCE GROOVE on Facebook
• SILENCE GROOVE on Twitter
• SILENCE GROOVE on Spotify
'THE GHOULROOM' HALLOWEEN Special - October 28, 2020
As the warm winds of summer fade off into the distance and a blanket of cold air rushes over the landscape, the sun disappears earlier and the nights grow longer. Autumn has truly arrived and this can only mean one thing: it's the Annual HALLOWEEN Special in 'THE GHOULROOM' on BASSDRIVE radio. On WEDNESDAY, OCTOBER 28th join STUNNA as he pries open the casket and reveals a cornucopia filled with ghoulish musical treats for the ears. This episode is not for the squeamish, so make sure you lock your doors, light your candles, and hold onto your headphones tightly...... it's sure to be a wild ride. Tune in at your own risk!!
*Due to the ending of DAYLIGHT SAVINGS TIME in the UK, for this week only, listeners in, for example, LONDON, will tune in ONE HOUR EARLIER (ie: 7-10pm instead of the usual 8-11pm timeslot). Listeners in NORTH AMERICA will not be affected, as they will catch up the following week when they turn their clocks back on NOVEMBER 1st.
'THE GREENROOM' Guest Mix from JAMIE MYERSON - October 21, 2020
On WEDNESDAY, OCTOBER 21st, STUNNA unveils another very special edition of 'THE GREENROOM' on BASSDRIVE Radio. In this week's session, STUNNA welcomes electronic music journeyman JAMIE MYERSON for his worlwide debut DRUM+BASS guest mix, exclusive to this broadcast.
JAMIE MYERSON's connection to DRUM+BASS music dates back to 1993 when he met DEGO of legendary REINFORCED RECORDS, and one half of the duo 4 HERO. JAMIE's first release on the label was "FIND YOURSELF," included on the prestigious 'ENFORCERS' compilation series (volumes 6 & 7). He followed his successful inaugural outing on the imprint with three more EPs under the JLM PRODUTCTIONS moniker.
Between 1995 and 1996, JAMIE released tracks, such as "MUSIC FOR THE LONELY" on SM:)LE COMMUNICATIONS, "DECISIONS DECSIONS" on CRAMMED DISC, and "REVISIONS," featured on PAUL OAKENFOLD's 'FLOURO' compilation. In 1997, JAMIE signed with JOSH WINK and KING BRITT's OVUM RECORDINGS label, releasing "RESCUE ME" and "THE LISTEN PROJECT." The following years would see JAMIE remixing and producing for other artists, placing music in commercials and TV shows, as well as operating a recording studio business.
Recently, JAMIE is finding new inspiration in classic DRUM+BASS sounds, releasing new music exclusively on his BANDCAMP page.
Please join STUNNA this week as he welcomes JAMIE into 'THE GREENROOM' for a special guest mix featuring his own creations alongside some of his favorite tracks doing the global rounds. Tune in!
*For more information on JAMIE MYERSON, visit:
• JAMIE MYERSON on Soundcloud
• JAMIE MYERSON on Bandcamp
• JAMIE MYERSON on Instagram
• JAMIE MYERSON on Facebook
• JAMIE MYERSON on Twitter
'THE GREENROOM' Guest Mix from COLOSSUS - October 14, 2020
On WEDNESDAY, OCTOBER 14th, STUNNA unveils another special edition of 'THE GREENROOM' on BASSDRIVE. In this week's installment, talented producer/DJ COLOSSUS makes his debut appearance on the show with an exclusive guest mix during the broadcast.
From a very early age, a passion for music and creativity began to shine through for UK-based artist COLOSSUS (aka TOBY TINWELL). With his musical interests leaning towards the electronic world, he began focusing his practice towards DRUM+BASS music. Shortly after leaving college, he had his first release with E-MOTION RECORDS. With the help of SENSA (one half of HYBRID MINDS), the release's title track, "UNDER THE WEATHER," was promoted by D+B giants LIQUICITY. This was the boost that COLOSSUS needed as he began to release music with labels such as SOUL DEEP EXCLUSIVES, DNBB RECORDINGS, and CELSIUS RECORDINGS.
He launched his own digital record label, RUSH RECORDS, with some local musicians, and ran the imprint for four years. During this time, he also became a resident DJ at JUNGLE JAM and OVERFLOW, where he supported artists such as BAD COMPANY UK, MICKY FINN, ANDY C, RONI SIZE, FABIO, GROOVERIDER, TECHNIMATIC, SERIAL KILLAZ, BLU MAR TEN, LENZMAN, COMMIX, HYBRID MINDS, and many more. In 2014, COLOSSUS performed at his first international shows in ANTWERP, BELGIUM, playing at the GUN AUDIO and BASS CIRCUS events alongside artists CYANTIFIC, BCEE, and LSB. The year 2015 saw D+B staple imprint HOSPITAL RECORDS release music from COLOSSUS on their "HOSPITALITY 2015" compilation and, a year later, he was also featured on the label's "WE ARE 21" various artist album.
During a brief hiatus away from producing DRUM+BASS, COLOSSUS spent time honing his craft and studying towards new horizons and possibilities in his musical career. He concentrated his studies on a masters degree in the art of integrating music with the moving image. The time away helped him to redefine and enhance his knowledge as a producer, and now, in 2020, COLOSSUS is back and hungrier than ever. With releases featured on LIQUICITY RECORDS' sister label GALACY RECORDS, autism charity label LIQUID DRUM+BASS 4 AUTISM, as well as returing back to BAY 6 RECORDINGS and SOUL DEEP RECORDINGS, COLOSSUS is set to drop his debut "THIRD FACE" album on FRIDAY, OCTOBER 16th via his own BANDCAMP page. A document highlighting COLOSSUS' prowess in the studio domain, the "THIRD FACE" LP is a well-balanced aural journey showcasing this talented producer's strengths throughout the album's many moods and textures.
Join us this session as COLOSSUS unveils a special guest mix created exclusively for this show. Tune in!
*For more info on COLOSSUS, visit:
• COLOSSUS on Twitter
• COLOSSUS on Facebook
• COLOSSUS on Bandcamp
• COLOSSUS on Instagram
• COLOSSUS on Soundcloud
'THE GREENROOM' Guest Mix from JASKIN & UNEVEN - October 7, 2020
On WEDNESDAY, OCTOBER 7th, STUNNA kicks off a brand new month of programming in 'THE GREENROOM' on BASSDRIVE Radio. In this week's edition, we're treated to a special guest mix from the production/DJ duo known as JASKIN + UNEVEN.
BRISTOL, UK-based artists JASKIN + UNEVEN have been pushing the deeper DRUM+BASS sound for a number of years. With a string of solid releases on revered labels such as KOS.MOS MUSIC, none60, OMNI MUSIC, REGRESSION MEDIA, and RONIN ORDINANCE to name a few, their fresh approach to the sound has seen positive support from many key members in the D+B scene. In 2019, the pair launched an event series/music hub in BRISTOL named 'EPI-FIED' to showcase the deeper sides of DRUM+BASS that often gets overlooked. With their brand new pair of tracks 'ASHES' and 'KALEIDOSCOPE' out now on the none60 imprint, also be on the lookout for an EP that's currently in the works and should be out by year's end for AKURATYDE's new autonomic label MODERN CONVENIENCES.
Please join STUNNA this session as he welcomes JASKIN + UNEVEN into 'THE GREENROOM' for a special guest mix featuring their own productions alongside some of their favorite tracks doing the rounds worldwide. Tune in!
*For more information on JASKIN + UNEVEN, visit:
• JASKIN on Soundcloud
• UNEVEN on Soundcloud
• EPI-FIED on Soundcloud
'THE GREENROOM' Guest Mix from MYSTIC TRIP - September 30, 2020
On WEDNESDAY, SEPTEMBER 30th, STUNNA closes out another action-packed month of programs in 'THE GREENROOM' on BASSDRIVE radio with a guest mix from a multi-talented artist moving strength to strength. In this week's session, we're treated to an exclusive guest mix from MYSTIC TRIP, as he makes his debut appearance on the show.
LONDON, ENGLAND-based music producer, DJ, and photographer MYSTIC TRIP was raised on a healthy dose of music, playing various instruments during his formative years. But one Sunday afternoon in the '90s, he was flicking through the FM radio dial and found a local pirate radio called KOOL FM. The show was called 'SUPER SUNDAY' and was the first time he heard DRUM+BASS music. He hit record on the tape deck and that was it...he was hooked.
Fast forward a few years, and MYSTIC TRIP's enamoration with the sounds of D+B led him into the studio to produce his own unique take on the fast-paced electronic music genre. After a countless hours honing his craft, he unleashed a number of strong releases on high profile imprints such as CELSIUS, FLIGHT PATTERN, FOKUZ, INFLUENZA, LIQUID FLAVOURS, SHEER VELOCITY, and SOUL DEEP. MYSTIC TRIP's signature blend of sublime melodies intertwined with catchy and obscure samples has made him a favorite among some of DRUM+BASS's most revered DJs and tastemakers.
Join us this broadcast as MYSTIC TRIP delivers a special guest set including some of his latest studio creations blended with other current favorites doing the global rounds. Tune in!
*For more info on MYSTIC TRIP, visit:
• MYSTIC TRIP on Twitter
• MYSTIC TRIP on Mixcloud
• MYSTIC TRIP on Facebook
• MYSTIC TRIP on Instagram
• MYSTIC TRIP on Soundcloud
'THE GREENROOM' Guest Mix from GEETY - September 23, 2020
On WEDNESDAY, SEPTEMBER 23rd, STUNNA moves deeper into the month with another special installment of 'THE GREENROOM' on BASSDRIVE Radio. In this week's broadcast, he welcomes producer and DJ on the rise GEETY to the show for his debut guest mix appearance.
BRIGHTON, UK-based DRUM+BASS artist GEETY is a relatively new name to most listeners as he only began producing D+B as recently as 2018. Though, in that short timespan, his natural talent in the studio domain has proved itself an instant favorite with listeners and labels alike. With strong releases on revered imprints such as ProgRam, CELSIUS, NU VENTURE, and LIQUID BRILLIANTS, GEETY is truly 'one to watch' as his production skills progress and his discography of releases grows. The year 2020 has been a productive and exciting year for GEETY's solo outings, but also be on the lookout for fresh collaborations with the likes of DAN GUIDANCE, SEATHASKY, JOSHUA, and SKYDATA in the near future.
Please join STUNNA this session as he welcomes GEETY into 'THE GREENROOM' for a special guest mix featuring his own productions alongside some of his favorite tracks doing the global rounds. Tune in!
*For more information on GEETY, visit:
• GEETY on Soundcloud
• GEETY on Instagram
• GEETY on Facebook
'THE GREENROOM' Hosted By STUNNA, Wednesdays, 2-5pm Chicago/8-11pm London on www.BASSDRIVE.com
'THE GREENROOM' Guest Mix from ONE MINDZ - January...


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by Sandy Gohres on Jun 17, 2022
(BEND, OR – June 14, 2022) Ambulant Inc., the creators of WingoCase focused on improving your ergonomic use of tablets and smartphones while offering superior device protection, announced today that it has partnered with mobile accessory distributor VoiceComm. The goal of this partnership is to bring WingoCase and its Perch accessory to a wider wholesale audience through an established and reliable distributor.
WingoCase is a team of designers, engineers, and ergonomists dedicated to creating products focused on comfort and ergonomics. WingoCase is the first truly ergonomic case designed to reduce hand fatigue and prevent repetitive stress injuries for mobile device users.
With smartphone and tablet use increasing among the tech-using population, now is the optimal time for WingoCase to seek wider public distribution. By partnering with VoiceComm, WingoCase joins a long list of premier brands supported by VoiceComm's distribution network.
"When I joined WingoCase I knew the first distribution contract we absolutely needed to execute was with VoiceComm," said Sandy Gohres, Executive VP of Sales & Marketing at WingoCase. "Due to its long, successful history in wireless retail distribution, VoiceComm's partners trust them to provide the best products for their customers. By adding WingoCase to its lineup, VoiceComm's partners now have a strong, ergonomic solution to enhance their customer's wireless experience."
As WingoCase is focused on customer comfort, VoiceComm is committed to the customer experience. This dedication to the customer is the launching point for a mutually beneficial partnership. VoiceComm's network of partners in the accessory's world offers the widest variety of mobile products accessible to anyone. Whether a small business or national corporation, VoiceComm's connections bring the benefits of a curated selection of mobile accessories to the customer.
"WingoCase addresses a gap in device protection, allowing people to hold their phones comfortably and ergonomically throughout the many use cases for mobile devices today," said Julie Kline, Vice President and General Manager of VoiceComm. "As the leading distributor of innovative mobile accessories, VoiceComm's partnership with WingoCase continues our mission to bring unique, emerging solutions to our robust network of Retail and Enterprise customers."
WingoCase knows the value of a great partnership. By partnering with VoiceComm and its long history of success in mobile accessory distribution, WingoCase will be able to bring its ergonomic solutions to a wider audience, creating a new world of comfort and device protection.
About Ambulant Inc. (WingoCase)
WingoCase is the first hand-held device created with the user in mind and focuses on enhancing comfort by reducing hand, wrist, and forearm pain. Its passion is to bring intelligent design to the tablet experience. The design of the WingoCase has been clinically tested, and is taking comfort to a whole new level. To learn more about WingoCase, visit http://www.wingocase.com
About VoiceComm
VoiceComm's diverse, high-profile product portfolio coupled with its commitment to serve has allowed it to quickly become the go-to destination for wireless accessories. With a focus on what's important for indirect dealers, and wireless retail, VoiceComm inspires through customization to develop the programs and resources businesses need to succeed.


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by Sarah Moniz | Dec 27, 2019 | News | 0 comments
Providence, R.I., December 23, 2019 – EpiVax ("EpiVax, Inc.") continues its record-breaking performance and growth in personnel in 2019 while identifying new milestones to aspire to in 2020.
The Business Development team closed 15% more contracts over 2018 and acquired two new clients for ISPRI, the in silico immunogenicity screening and protein re-engineering interface, bringing the total number of licenses to 14. Over one million sequences were screened in ISPRI for both academic and commercial clients this year.
The Immunoinformatics team upgraded all in silico platforms and developed new strategies for analyzing highly complex biologics, including those containing unnatural amino acids. These improvements have enabled the Protein Therapeutics team to address the growing peptide therapeutics industry.
EpiVax's Tregitope and Vaccine Development teams pushed science forward in the fields of autoimmune therapy, infectious disease, and animal health. Notably, data highlighting the potential for Tregitopes, an EpiVax discovery, to treat Type I Diabetes was featured in Nature Scientific Reports. The number of funded collaborations also increased by 15%, contributing to the list of joint publications. A total of nine publications appeared in highly-ranked scientific journals.
Team members attended over 50 conferences around the globe, in locations such as Bern, Bamako, Lisbon, Hamburg, Paris, Edinburgh, the United States and beyond. EpiVax also hosted five scientific seminars, bringing "Science without Fear" concepts in the fields of immunogenicity and vaccine development to contacts in Cambridge, Seoul, Tokyo, Amsterdam and Ghent.
The company also expanded personnel by 15%, welcoming new Epi-Team members to the Tregitope, Immunoinformatics, Protein Therapeutics, Vaccine Development and Laboratory staff. EpiVax maintains its tradition of workplace diversity with a scientific team composed of greater than 50% women and women leading four out of seven departments.
EpiVax looks forward to exceeding these milestones in 2020 and is already looking forward to a new multi-institutional collaboration in the European Union researching an improved flu vaccine starting in January 2020.
EpiVax is a 21-year old privately-held biotechnology company located in Providence, RI, with a broad portfolio of projects including vaccines and immunotherapies for infectious diseases, autoimmunity and cancer. Scientists at EpiVax, led by co-founders Annie De Groot, MD and Bill Martin, lead the field in immunogenicity risk assessment. The ISPRI and iVAX toolkits for therapeutics and vaccines are used by a global roster of companies. Visit www.epivax.com for more information.
Annie De Groot, MD
CEO/CSO
EpiVax, Inc.
E: KNelson@epivax.com


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Home»Boxing»Tim Tszyu vs Tony Harrison fight date, eyes bout against Jermell Charlo, venue, Nikita Tszyu on card
Tim Tszyu vs Tony Harrison fight date, eyes bout against Jermell Charlo, venue, Nikita Tszyu on card
Australia's Tim Tszyu is set to take the biggest risk of his outstanding young career, gambling a shot at superstar Jermell Charlo by taking on the only man to ever beat the now unified super welterweight king.
As first predicted by Fox Sports Australia in December, Tszyu is set to challenge for the interim WBO world title in Australia on Sunday, March 12.
Only weeks on from his unified championship showdown with Charlo being postponed — thanks to the champ suffering a broken hand — Tszyu has received his first blockbuster title shot against US star Tony Harrison.
Watch Australia's own Liam Wilson take his shot at the WBO super-featherweight title against Emanuel Navarrete Live Feb 4 on Kayo Sports. New to Kayo? Start your free trial now >
Tszyu's younger brother Nikita will also fight on the card, at a venue yet to be announced, while his Hall of Fame father Kostya will be ringside as a spectator.
Back in 2018, Harrison beat Charlo for the WBC super welterweight title.
The Detroit native, who won via unanimous decision, lost the belt in his very next outing, however – with Charlo winning their rematch via 11th-round TKO.
Australian boxing star Tim Tszyu in Los Angeles. Picture: No Limit BoxingSource: Supplied
Since then, the American has drawn with Bryant Perrella and won against Sergio Garcia to put himself back into a world title showdown, beating out fellow contender and undefeated Russian Bakhram Murtazaliev for the chance to face Tszyu.
The winner of the Australian title fight will face Charlo for all four straps later this year.
But as for suggestions Tszyu is taking a huge risk against Harrison, who is ranked No. 2 with the WBC and No. 3 by the WBO?
"Every fight you take is all on the line," Tszyu said.
"You're one punch away from going back to the very bottom. It's all on the line and a gamble, but this is what I do.
"This is boxing, it's part of my career and I'm a fighter first.
"He (Harrison) was the next best available option. I'm at that stage of my career that I really don't care who is in front of me, I'm ready to take them all out."
Tim Tszyu. Picture: Adam BettcherSource: AFP
Harrison has a record of 29 wins, three losses and draw.
Of his victories, 21 have come via knock out.
Regardless, Tszyu insists he will have the edge in various areas against the American – including a boisterous home crowd advantage.
"I think Australia is going to erupt," he said.
"I haven't fought for almost a year and half back home and I know it's going to be the biggest show yet.
"It's a massive fight for Australia and a special moment in my career.
"I have so many passionate fans supporting and following me, so I guess he will feel a certain craziness about the atmosphere in Australia.
"But his biggest problem he's running into isn't the fans, it's me."
Harrison has always embraced the idea of facing off against Tszyu in Australia, telling reporters last year: "I want to go to Australia.
Tony Harrison taking on Bryant Perrella. Picture: John McCoySource: Getty Images
"Take me on a vacation. Let me travel across the world and fight somebody that ya'll want me to fight, I'm cool with that.
"Let me see the kangaroos and rattlesnakes and s … like that, I want that. I want to fight him, but I want to fight him over there."
No Limit Boxing CEO George Rose added: "It's hard to believe it's been two decades since fight fans last witnessed a Tszyu world title on Australian shores.
"But they won't have to wait much longer.
"I visited Tim in the US for his training camp, so trust me when I tell you he's ready to take
over the world by any means necessary.
"He's in the best shape of his life, and now fighting back home for the first time since 2021 hungrier than ever.
"(But) Tim also knows this won't be a walk in the park.
Jermell Charlo defeated Tony Harrison for the WBC World Super Welterweight Championship at Toyota Arena on December 21, 2019. Picture: Meg OliphantSource: Getty Images
"He has a very dangerous man in front of him. Tony Harrison is the only man in the world to take down the undisputed champ in Jermell Charlo, so it's a massive risk."
The push to have Tszyu fight for an interim title on home soil began on Christmas Day, when Charlo first announced his break via social media.
Within 48 hours, WBO officials sent a letter to the champ warning that he needed to prove further evidence of his injury.
Refusal to do so, the directive continued, could see Charlo stripped of his title.
Almost immediately, Harrison and Murtazaliev emerged as contenders should Charlo be stripped or an interim title fight announced.
Eventually, it was the American who won out.
Tszyu, who has been training in the United States since November, will head home shortly to finish his camp in Sydney.


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Our Best Look Yet At Final Fantasy XV's Combat
Jason Schreier
Filed to:final fantasy
In just one month, Final Fantasy XV has somehow transformed from assumed vaporware to a genuine game that feels like it's actually going to come out. After a year and a half of radio silence, today it seems like there's FFXV news every week.
Last night in Japan, FFXV director Hajime Tabata and crew broadcasted a new look at the fifteenth Final Fantasy, and with it, we got our closest look yet at the game's real-time combat system. Above you can watch video from the presentation (via GAF), an extended version of their Tokyo Game Show gameplay demo. In the video, protagonist Noctis leaps and swerves through enemies, warping around the battlefield and cutting through soldiers. It doesn't look like any Final Fantasy game we've seen before.
During the presentation, Tabata also answered a bunch of fan questions on Final Fantasy XV, clarifying that as of right now you can only control Noctis, who can warp, use that barrier ability (called Phantom Sword), and jump via a dedicated jump button. Gematsu has a full translation. Here's an excerpt:
Q: What about attacks?
A:When you push the attack button, you invoke the standard combo. You can change the actions by using it in coordination with the directional buttons. The actions change depending on your circumstances—things like whether you're guarding and whether the timing is right, (imagine in this circumstance: when you're guarding, you might get a chance to counterattack or something), or if your companions are nearby.
Q: Can you change the operational character?
A:Not in its current specifications. Everyone on the development team thoroughly looked into an Active Cross Battle system that made free use of attack, guard, and co-op functions, but as a result they arrived at the conclusion that changing characters would be too difficult. In order to create a new and interesting battle system, we ended up not being able to put in the character switching.
Q: I can't tell if it's more like Kingdom Hearts or Final Fantasy Type-0. Which is it?
A: We explained that when you push the attack button, you invoke the standard combo, which is similar to Type-0. Considering the battle system as a whole, however, it is different from both Type-0 and Kingdom Hearts.
Q: Is it being simplified for casual users? Is is still an action RPG?
A: In order to widen its appeal, we're developing the game aware that anyone can immediately be able to play it, however the game as a whole is not casual. Because it's a core game, we have casual controls. If you obtain good weapons and level up, you won't have to worry about clearing the main scenarios.


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SILC is intended to be a dynamic collaboration that will grow through welcoming additional partners as it develops. Our current partners are:
Health Research: Farr Institute, Scotland
The Medical Research Council (MRC) has funded a virtual institute to undertake health informatics research across the UK. This is known as the Farr Institute. There are four lead institutions (UCL, University of Manchester, Swansea University and University of Dundee), however each of these institutions are working in collaboration with a variety of other partner organisations. In Scotland, the Farr partner organisations are the universities of Dundee, Glasgow, Edinburgh, Strathclyde, Aberdeen, St Andrews, and NHS, plus National Research Scotland regional nodes.
The Farr Institute comprises physical infrastructure (offices), computing resources, and funded research projects. The Farr Institute, Scotland is made up of a distributed network of resources and research projects across the partner organisations, and two centres, one in Dundee's Ninewells campus and one at the SILC building in Edinburgh.
Social Research: Administrative Data Research Centres
Administrative Data Research Centres (ADRCs) work across the UK to undertake social scientific research using administrative data. In a similar way to the Farr Institute, these involve collaboration between multiple partners within each region. The University of Essex provides an Administrative Data Service which seeks to provide coordination across the ADRCs and a central focal point for data controllers and potential users of administrative data.
The Scottish ADRC partners are the universities of Edinburgh, St Andrews, Glasgow, Stirling, Dundee, Aberdeen, Heriot-Watt, the National University of Australia, National Records Scotland, and NHS National Services Scotland. The Scottish ADRC administrative centre and safe data access points are located at the SILC building in Edinburgh.
Urban Big Data Centre
The Urban Big Data Centre (UBDC) was established by the UK Economic and Social Research Council to address social, economic and environmental challenges facing cities.
The UBDC brings together interdisciplinary expertise of urban social scientists and data scientists from the University of Glasgow and six partner universities of Edinburgh, Bristol, Cambridge, Reading, Sheffield and Illinois-Chicago to seek solutions in addressing such challenges.
It supports strategies for urban planning and policy-making, business innovations, behavioural interventions for sustainable and engaged urban living, and advocacy and citizen participation relating to a wide spectrum of urban sectors such as economic development, transport, housing, education, environment and other areas.