His approach to photography is both conceptual and documentary. He explores the boundaries between reality and fiction and De Beyter’s work melts together different registers – the present, past and future. His artistic work is mainly based on the concept of Landscape practice and through exhibition’s installations he questions the different status of the image. There is an anthropological side to what De Beyter does. Although present in his work since the beginning, it flourished with the Big Bangers project. On this occasion, he opens up his artistic work to moving images and sculpture, thus refining his reflection and his plastic propositions around the notion of obsolescence.