For the most part he uses the traditional oil technique. His pictures are the fruits of patient labour that sometimes lasts for several months. A struggle for forms; a wrestling match in which he tries to confine his fundamentally dynamic, expressive character and spontaneous perspicuity within limits. His endeavour – the masterful control of his skill – is based on decades of experience and discernment. Molnár is unsatisfied with the directness of primary forms exploding on canvases, the untrammelled personal quality. He undertakes a difficult task: he would like to transfigure the instinctively discovered forms in such a manner so as to preserve, when possible their freshness and vivacity. His biggest enemy is time. Sometimes the blink of a moment is sufficient for a successful, original painterly gesture, while other times long hours prove too short to achieve a reassuring resolution of a problem of colour or form.