His preferred mode is portrait photography, whether for his press commissions – notably the newspaper Libération – or his own projects. Among these is his long-running street photography project focusing on the faces, allure and incessant movement of the people in Las Vegas. A paradoxical immersion in a city that conjures multiple images and where he symbolically finds a considerable number of his references be they photographic, cinematographic or musical. Las Vegas – A city with a clichéd side he strives to avoid, notably by using the black-and-white Leica Monochrom.