Her special interest is "creative non-fiction" which combines both fact and fantasy. When not enough facts are available to tell a story, creative imagination takes over. The problem with Andra-Warner's approach to writing what might be considered history by the unsuspecting reader is that the reader never knows when the facts give way to fantasy. The result may make for an exciting story, but it isn't necessarily the truth. Sometimes the fiction is obvious as in the tale of Mounties and horses travelling by train across Siberia in 1919. "Two weeks later, the Bolsheviks attacked the train. The train was derailed on a step hill. Boxcars were overturned. Several days later, the train was moving again." How could men, by themselves, put a derailed train at the bottom of a steep hill back on the tracks?