Her research considers issues including theory, criticism, connoisseurship, collecting, and display, and spans the late Ming through to the contemporary. Her book, Dimensions of Originality: Essays on Seventeenth-Century Chinese Art Theory and Criticism, is forthcoming summer 2012 from the Chinese University Press, Hong Kong. Her recent article, “Inventing a New ‘Old Tradition’: Chinese Art at the Panama-Pacific International Exposition,”《美術史與觀念史》(2010), and this lecture are aspects of herbook in preparation, Pang Yuanji (1864-1949): Artist, Patron, Collector, FROM: Tuesday, April 24, 2012 - 19:00