His operas have been staged by Berkeley / West Edge Opera, Oakland Opera Theater, and The Crucible. He has created sound design for the SOMArts Gallery, orchestral work for the Berkeley Symphony, choral work for the Pacific Mozart Ensemble, music for NPR, and was recently part of the Hell Hot Festival in Hong-Kong with esteemed composer Tan Dun. He was part of planning and development (as well as the composer) for a series of operas created for Berkeley Opera with Amanda Moody, with John O’Keefe and – most recently – for Machine, created with Mark Streshinsky for the Crucible in Oakland in 2012.