Ronc’s painting process references back to the Chinese maxim, “Neither to stray nor to follow,” leading her work to appear atmospheric while abstract. The artist’s subtle interplay between light-volume colors takes place across a comparably vast picture plane, faintly suggesting subjective visual archetypes of figuration, landscape and narrative. By setting her subject matter between such juxtaposing means, Ronc’s paintings also feel like a collection of faded memories as each one utilizes illusion to highlight the time-based character of nature.