Not only his canvases but his studio itself is a riot of dark color, thick paint, layer upon layer of pigments, fragments, splinters, kick treads, brush and splatter work, gestural abstraction and rough schematic drawing. One may think of individual works as emerging from the studio as pieces cut out from its whole cosmic cloth, whose boundaries are arbitrary in that their edges seem to stop the unfurling of constant activity only at certain points; it is easy to imagine each painting continuing on in all directions past where its frame now cuts. And this idea of continuum also extends to include the actual studio itself, in the form of oil-based mixed media works culled from and executed upon actual sections of the worked-over studio floor.