With a practice based upon spatial context, symbolism and affective colour schemes, she offers intimate and uncanny compositions that follow a clean and simplistic aesthetic, contrasted with a detailed sense of the surreal. Her Raw Hill series utilises the brutalist architecture of London-based structures, such as the Barbican estate, as a playground through which to explore institutionalisation and post-war culture. Building upon the sprawling, grey concrete, the images evoke a sense of the monumental reduced through poetic bathos. Varga asserts her own artistic identity, offering a particular sense of beauty through parallelism and co-ordination, tropes that bring out sculptural elements of the structures.