Her work on documentary, experimental film and video, audiovisual appropriation, and digital media has been published in The Velvet Light Trap, Discourse, Spectator, Eludamos, Maska, FRAMES, Framework, Projections, and several anthologies including Global Visual Cultures, Sampling Media, and Contemporary Documentary. Her first book, The Archive Effect: Found Footage and the Audiovisual Experience of History, was published by Routledge Press in 2014. She is the founder, director, and cocurator of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films. She is also a Co-Chair of the SCMS Documentary Scholarly Interest Group and co-founder of Docalogue, an online space for scholars and filmmakers to engage in conversations about contemporary documentary.