Taking him seriously as a dramatic actor was difficult at first, but after "No Man's Land" it wasn't that difficult anymore. Then he starts to direct-now that's a stretch. Still, "Kajmak in marmelada" shows some premise and Djuro does better with it than fellow actor-turned-director Dejan Acimovic with his pretentious and over-dramatic "Je li jasno prijatelju?". What never before has been a trend in former Yugoslavia, that actors should try themselves at directing, has now seemingly become that.