His film “Driver 23″ was selected for the 2000 Whitney Biennial and will be screened during his exhibition as well as “The Atlas Moth” his follow-up documentary on the band. In the New York Times review of the Biennial, Dave Kehr states, “Mr. Belgum stitches himself into the chaotic fabric of his subject’s life, recording his triumphs and defeats with perfect evenhandedness. The film achieves an immediacy and complicity far beyond the cinema-verite documentaries of the 60′s; using pocket-size video cameras rather than bulky 16-millimeter rigs reduces the distance between subject and filmmaker. Mr. Belgum is all but alone among the Biennial filmmakers in his desire to seize something of everyday reality. Many of the other artists can approach that concept only through the heavily filtered perspective of postmodern theory.”