In the '70s, he starts using photography and photomontage in his paintings, cutting different shapes and associating elements from different documents. Afterwards, he builds a system in this direction, as many artists belonging to the Narrative Figuration movement did (Monory, Rancillac, Aillaud, Fromanger, with whom he took part in the Mythologies quotidiennes 2 exhibition in 1977). The usage of the episcope that allows the projection of an image on the canvas becomes very popular.