Utilizing both archival material and footage filmed by the artist herself, Gerbaulet’s documentaries bridge the gap between analysis and poetry. Buildings, space and the body serve as sites that bear witness to past crime and trauma. Questioning voiceovers dissolve the idyllic facades of these structures, as her films examine the consequences of passively forgetting. Through political and biographical frameworks, Gerbaulet quietly confronts the lingering vestiges of a problematic history. She will introduce and discuss a program of short works, including “Schicht (Shift)” (2015), “Depth of Field” (2017), “Tattooed Prisoners” (2007) and “Datterode” (2005).