He travels back-and-forth from Chicago quite a bit to play in the avant-rock group Wei Zhongle. His solo work is focused on the extended possibilities of the clarinet/contrabass clarinet. This embraces electronically-generative music as a structural starting point for acoustic composition - a post-electronic process. He embraces long-form drones as a means to extrude the structure within - treating the clarinet as an acoustic synthesizer. As a performer, he is into heavy collaborations, performing with Eb, Bb, & contrabass clarinets, as well as treble and bass recorders - encouraging preparations. He has worked with Roscoe Mitchell, Sult, Fred Frith, Tool, Ned Rothenberg, as well as others.