The artist employs a distinctive mix of painting styles cheek-by-jowl. Realistic steak, pointillist abstraction, serifed text, cartoon piano, and black-scratched-out void all co-habitate. However, besides variety and versatility, two of his cardinal strengths are line and color, and his new works continue to display these facets. An array of high-chroma colors shoot through his characteristic neutral ground, with particular emphasis on a certain acid green, while every permutation of line piles one on top of the other, weaving between and building upon automatic washy mark and impastoed blorp alike. The artist’s mastery of line manifests most dramatically in a new series of screen prints. They adopt the speed and activity of the paintings, transforming quick notes, doodles made while stuck in a phone tree, and throw-away scribbles into a body of work equal to the artist’s sculpture, drawings, and paintings.