She publishes on the bizarre late medieval visionary poem Piers Plowman and its relations to logic and language and has been developing a virtual reality translation of the text — what she calls a “wearable poem” that the reader walks into via a head-mounted display — called the Salvation Suit, since 2009. This technological experiment has led to several other research-creation projects, among them building an augmented reality angel out of a human dancer and a pair of dynamically-responsive virtual wings, and making a whispering gallery of voices saying “goodbye” with a Kinect, an interactive theatre piece about mourning. Aqueduct Press published her debut novel, The Stone Boatmen and NoFood, a suite of stories, in spring and summer of this year.