In his compositions one may see: murders depicted alongside femmes fatales in luxurious hotels or opera stairs, explosions in the manner of Raoul Walsh in White Heat, or the impact of bullets into fully broken mirrors and heavy clouds of romanticism. The entirety of the show is veiled protectively in Monory’s monochromatic color scheme, in which the artist depicts his dark universe, with which he surely deceives his world. The person who always seems to be shooting or grasping is usually him.