Her current research interest is a comparative analysis of early modern and postmodern popular culture, particularly focusing on the psychodynamics of orality (Ong) both in works of women writers of the Renaissance and in the practices of contemporary television fandom. Her most recent contribution to this field of study is an article entitled ”Resounding Words: Fan Fiction and the Pleasure of Adaptation” (in Győri and Moise 2016, 53-69).