The photographs in Bed and Breakfast make up a diaristic account of her travels in West Sussex during the summer of 1998 and to an extent follow her attempts to understand what she sees, to find some connecting narrative that might be hidden in the hotel rooms, gardens, caravan parks and heritage sites she visits. But these connections are never quite made, instead Lipper's small details and fragments of events and scenes remain disconnected as though part of some indecipherable language or ritual. So, for example, when she focuses on a black cab parked in a caravan site or empty picnic tables at a garden centre, the mundane become curious and disquieting.