Finding his way to this absurdist character is the main reason why his remarkably illustrative lyrics no longer get tagged as being elaborate homages to Ghostface Killah. But he has a bit of a misogyny problem — though he raps from the perspective of a prostitute on “Hookers at the Point,” the women in his songs very rarely have agency of any sort. That alone doesn’t make him unique in rap, but women aren’t fringe subjects in his music; they play a frequent and important role in his stories, and they’re almost always being used.