This project best typifies Gallico’s approach, which is founded, seemingly paradoxically, on an architectural practice of nomadism – nomadism as an object of study as well as a way of being. Gallico has radicalised the practices of Stalker, a laboratory for urban art that references the eponymous film by Tarkovsky, where wandering – errancy – becomes a method. He has highlighted, first, the apparatus of both urban networks and urban research, followed by fluidity, and finally urban genetic processes and their social issues, breaching the tools of accepted urban practice, beginning with cartography.