His research works deal with popular music in the United States. His PhD is entitled “Signifyin(g) Jazzmen”: Status and Representations of African-American musicians from the 1920s to the present day. He has published several articles on jazz, hip-hop and rock, as well as film music. He also edited one of the first issues of the Revue LISA/LISA e-Journal on « The United States though the Prism of American and British Popular Music.» His current research focuses on the music industry in the United States, more specifically the topic of dematerialisation in that field.