He has been concerned, from the start, about the interrogation of Moroccan poetry and Arab culture in contemporary Morocco. Among his essays is one titled Hadathat al-Sou’al (Modernity of interrogation) (1985).[3] This interrogation allowed him to open the way towards modernity and freedom and became the mark of its poetics and cultural route. In time, it has taken a radical dimension, to embrace poetry, culture, modernity and 