Her scholarship explores the ways fictional, poetic and biographical narratives of artistic creation during the late-nineteenth century challenged turn-of-the-century British psychological theories of the creative imagination and science’s new paradigms for understanding creative processes. She is particularly interested in the ways lesser-known female authors engage with the supernatural to interrogate the era’s psychological theories. Her work has been presented at national and international conferences, collected in The Fantastic of the Fin De Siècle (2016) and appeared in the Henry James e-Journal, Nineteenth Century Gender Studies, and The Worcester Review. She is currently working on a volume of collected essays, The Female Fantastic: Gendering the Supernatural in the 1890s and 1920s.