Austrailian-based photographer Graham Miller combines constructed portraits, documentary street portraits, landscapes and still lifes in a series named after the 1992 Leonard Cohen song, Waiting for the Miracle. Miller explores narratives created through the interplay of these images and the connections made between them. While this results in an open ended and ambiguous experience, the images seem to hold compelling stories within the fictional coastal town Miller has constructed. Miller echoes the words of photographer Robert Adams in his statement, speaking of the young protagonists that “cling precariously but tenaciously to a sense of possibility, hope, and resolve.”