As a master of disguise, she is the star of her own photographs but claims they aren’t autobiographical. She has first presented her new brand of self-portraiture with an Untitled Film Stills series where she has reenacted female clichés of 20th-century pop culture. Often examining women’s roles in history and society, her photographs portray a wide range of common female social roles or personas. The majority of her work is ‘untitled’, leaving the viewer a space to interpret the narrative and the message. In this game of role playing, she emphasizes the powerful machinery of make-up and costumes and explores sexual desire and domination, as well as the creation of self-identity as a mass deception.