Previously, she recorded the mundane incidents of her life on canvas in dense, painterly, often indecipherable formats of words, numbers and symbols. Over the past ten years, however, while endeavoring to say the most with the least means, she has gradually moved from gridded large-scale complexity to the relative spareness of pencil and ink on paper. Merging precision with spontaneity, these simple lines and gestures no longer signify days or months but mere moments—and internal, rather than external, events.