Strauss makes use of an aesthetic that has been dismissed, and deemed too dated to be interesting, relevant, or encouraged. It’s refreshing, however, to see that classic street photography can still effectively depict the timeless troubles of American society, and it’s inspiring that the genre has been revitalized by a woman. Competing alongside great male street photographers like Evans, Frank, Eggleston, Friedlander, and their iconic books, Strauss’s 10 Years holds its own; her images have a 21st century poignancy and urgency that makes the exhibition catalogue unforgettable.