He grew up in Greece, playing the violin and singing in choirs, while developing an interest in music and theatre making. His music tends to be structured around narratives: timelines of acoustic landscapes, often superimposed by musical gestures and added dramatic elements that reinforce the plot. Some of his works seem written as much for actors as musicians. Others, tend towards a more instrumental or sonic theatre. He has engaged with numerous soloists and ensembles (such as the London Symphony Orchestra, Ensemble WIENBERLIN, London Sinfonietta, Greek National Opera, and Philip Thomas, Olly Coates) for performances in contrasting environments, often in collaboration with other artists. He has also (co-)devised a number of self-initiated multi-disciplinary projects (such as shadow theatre, puppetry, dance, video/film, design installations) for/with the Metapraxis Ensemble.