Grauerholz’s subjective vision is contemplative, presenting intimate moments that reveal the passage of time. With their out-of-focus quality, her photographs appear as an autobiographical stream of consciousness, which is transformed by the eyes of the viewers to create a sense of collective memory. Over the course of her career, the artist’s use of photography has revealed the world through black and white, and more recently coloured, self-reflective images. From the pictorial nature of her single photographs to composite installations, Grauerholz has contributed to the re-invention of the medium. She emphasizes the materiality of images, proposing new viewing modalities, and embracing new technologies.