She initiated her interest in electronics during a sound engineering course at SAE college in the late 90s. She enjoys DIY in order to realise compositions, sound installations and performance. An apprenticeship to Mrs. Yatotaka Kineie on Nagauta (a form of traditional Japanese music using the Shamisen, voice and percussion) since 2005 has influenced her artistic insight, from where she explores and researches Japanese ideology and the art forms of Noh, Teaism, Kabuki etc. The composition series `Tone of Orient`, presented at the FON festival, deals with the aesthetics of subtlety and delicate soundscapes of traditional instruments alongside electronics and objects.