He has published extensively on French popular music in the twentieth century in journals such as the Journal for the History of Sexuality, Modern and Contemporary France, and Volume: The French Journal of Popular Music; and is the author of Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980 (Oxford University Press, 2015), which examines the relationship between the globalization of popular music and the development of social communities in France between the 1960s and the 1980s. He is currently working on a history of the politics of the treatment of autism in France since the 1960s, tentatively titled Perpetual Children. ​