She shoots only on film, mainly 35mm black and white with a Nikon F3T and uses mostly Ilford HP5 Plus film. She plays with infinite shades of illumination to capture the story of mundane objects. By developing the film herself she gives each photo a unique stamp of approval. Sarah has photographs in Issue 2 of Randomly Accessed Poetics: Paint Darkness Into Day as well as a few more on rapoetics.com.