He is the author of Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age (New York: Bloomsbury Academic, 2016). His essays on film theory, experimental film and video, art of the moving image, cinema and contemporary art, digital cinema, and experimental documentary have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (Oxford University Press, 2010), and Taking Place: Location and the Moving Image (University of Minnesota Press, 2011), among others. Currently He is writing his second book manuscript entitled Documentary’s Expanded Fields: New Media, New Platforms, and the Documentary.