Her output spans instrumental and electronic concert composition through to sound-art, sound-architectural installations, interactive techniques and collaboration with experimental designers and scientists. An awareness of auditory perception and sound's spatio-musical potential features strongly in her work, over the past 10 years involving research and practical application of ambisonics, acoustics and 3D sound. Recent projects include the use of scientific data and geological processes in sound-art, spatial composition for hemispherical loudspeaker arrays, exotic amplification and electronics techniques in composition for acoustic instruments and her third installation project with Birger Sevaldson / Ocean.