He lectures in composition at Goldsmiths College, University of London and is cofounder of the Live Algorithms for Music research network (www.livealgorithms.org). Recent compositions include Aur(or)a, a generative system for solo instrument and digital piano (2005) Argrophylax (2005) for oboe and live electronics and ebbs- (2006) for violin, 'cello and electronics. He has composed gallery soundscapes for three of Goto’s exhibitions; Capital Arcade (1999), Loss of Face (2002) and New World Circus (2006). These computer-based scores were created through the transformation and re-combination of found sonic/musical materials.