In the last few years, he has written over 150 pieces for a wide variety of sounding scenarios, including the blind documents series for various instumental goupings and field recordings, readings 1-13 (so far) using text-reading as the genesis of musical structure, the empire series exploring differing fields of potential harmony, several atmosphere studies and constellations, a group of landscapes, numerous pieces loosely inspired by foods (spring mix, bean medley, whole-note gumbo, 3 baby greens: radicchio, endive, romaine, 4 chards in 11 cheeses) and planets (quaoar and sedna, pluto and charon), and myriad other pieces often involving semi-indeterminate text-based and graphic scoring strategies.