Before American Honey, her first American film, Arnold stuck to British urbanism. From her first short Wasp, to the later features Red Road and Fish Tank, Arnold’s films have explored the lives of the working and underclasses in Britain, using female leads who are often outsiders in their communities. So with American Honey being set in a place never before explored by the British director, how does the realist style that she adopts so well in her home country travel abroad?