Her work involves collecting images and re-articulating them in artistic form, in the process transforming, in subtle or aggressive ways, how the picture communicates its information. She is interested in making visible the way that painting’s historical forms are constantly referenced in contemporary photography in advertising, of course, but also in documentary and news photography which are understood to represent “real” events. Made with watercolor or watered-down India ink, her paintings’ medium and style point back to these printed origins.