The pretty scenes and upbeat perspective that dominate Lynn’s work reveal an artist who is definitely not attempting to merely replicate what she sees in real life. She is less interested in the subject per se, than its ability to inspire a vital work of art. In her choices of color, line, and perspective, and the spontaneous emotional responses that act as the painting’s master control, she is really attempting to transcend the subject before her, to render three dimensions into two and give the viewer something utterly distinct, that could only come from one single moment and one artist’s hand—which makes her work less “about” the subjects it depicts, than the very experience of engaging with her art.