Tony Manero (2008) and Post Mortem (2010) were both grimly fascinating portraits of Chilean society under the Pinochet regime, and No (2012) implied that the campaign which ousted the dictator from power failed to fundamentally transform the nation, which has never really confronted its past. The Club is Larraín’s first movie set in the present, but again his subject is the unpunished crimes of the Pinochet era. Only here he’s not dealing with the crimes of the regime itself but the Catholic Church. The film is about four former priests and an ex-nun who’ve been placed in a sort of witness relocation program for disgraced members of the clergy, none of whom is the least bit repentant for their actions, which include child rape (of course) as well as complicity in the torture and murder of political dissidents, among other things.