He holds a PhD in Theater and Performance Studies from Stanford University. His articles include “Performative Performances: A History and Theory of the ‘Copyright Performance,’” Theatre Journal 64.2 (2012), “On Piano Per-formance – Technology and Technique,” Con-temporary Theatre Review 21.3 (2011), and articles and reviews on musical theater for Studies in Musical Theatre and TDR: The Drama Review. His book manuscript, Judicial Criticism, addresses the political economy of performance as expressed in copyright law for theater and music. He is also developing a digital humanities project on Broadway as a field of cultural production. More information here.