Her forthcoming book, Invitation to a Voyage, examines the cinema of 1920s French feminist and avant-garde filmmaker Germaine Dulac, from aesthetics to politics. She has published articles and chapters in English, French, German, Greek, Italian, and Slovenian with 1895 (Paris), Cin�ma et Cie (Bologna), Cin�math�que fran�aise (Paris), Ekran (Lubiana), Framework (N. America), Kin�mathek (Frankfurt), and the Olympic Museum (Lausanne). She is currently working on the relationship between the wordless arts (modern pantomime, burlesque dance, symbolist theater) and early cinema, as well as between French impressionist film and contemporary global cinema.