Each of these elements is subject to a kind of sabotage. Lino’s own physical attractiveness is at variance with her evident unease. When her face appears in the photographes, which it does frequently, her expression is troubling: strained, agitated, worried, exhausted. Most of her poses- bending or toppling over her backwards, balancing in on one leg or on the back of her heels – look uncomfortable and precarious. Physically and emotionally, she seems unbalanced. (..)