He’s probably best known for his extensive photography of the Collective of Lady’s Arm Wrestling (CLAW) project, as well as a client list that includes Dave Matthews Band, the Washington Post, the Wall Street Journal, and the New York Post. His photos are bright and inviting without looking overly sleek or commercial. He’s at his best when capturing attractive documents of wild, impromptu spectacle—either found, or created. And his most recent project has brought more attention than anything he’s done before.