Shot digitally in black and white and lensed by Sam Levy, Baumbach notoriously did thirty or forty takes for many scenes in the film, in the hopes of finding “the one shot that tells the story.” Marc Maron recently gave an excellent podcast interview with Baumbach, going in-depth about his previous films, his path to becoming a filmmaker and his approach to creating a contemporary digital black and white film with Frances Ha. Hit the jump for the audio interview and watch the scene that took 42 takes. More »