Recent works include an article in the Journal of Popular Music Studies titled “The Freak-Cabaret on the Revolution Stage: On the Ambivalent Politics of Femininity, Rurality, and Nationalism in Ukrainian Popular Music” (2016), and Chornobyl Songs Project: Living Culture from a Lost World (Smithsonian Folkways Recordings, 2015). Her book Wild Music: Sovereign Imaginaries and Popular Music in Post-Soviet Revolutionary Ukraine is under contract at Wesleyan University Press. For recordings and published works, see mariasonevytsky.com.