Using a unique process of her own devising, Ulrike takes flowers from her beautiful garden and, using an old office machine, composes colour photocopies that are put outside where the rain is allowed to break up and mark the image in ways that are unpredictable and painterly in effect. Ulrike constantly checks these developments until the image provides the visual qualities she requires; they are dried, scanned and reproduced as large prints of stunning impact and beauty. Despite the time-based nature of their creation, the immediacy and physicality of these works provoke a visceral response to the ephemeral nature of flowers, and the way in which they evoke recognition of the delicate balance of growth, maturity and decay.