His subjects range from the aesthetics of sport (Sportigraphs) to biscuits, author portraits, dancers, trampers, landscapes and overtly political studies dealing with the economy and the environment. He discovers the fresh, the ironic, and the whimsical in everyday objects, people and places and the intersections/interactions between them. In his photographs he embeds at times a light-hearted yet incisively critical edge, and sometimes a profound sociopolitical commentary. His interpretations of the natural and built environment represent a singularly different perspective from the touristic possibilities of the photographic medium. Much of his work demonstrates a strong geometric style that has been referred to as abstract realist.