Her work moves across documentary and fiction forms, exhibiting in both art and cinema contexts, traveling across rural and urban contexts, and through intertwined historical and contemporary conditions. In these migrations, which are best expressed in the peripatetic Hungarian Passport, her voice from behind the camera remains constant. As seen in Adiu Monde: Pierre and Claire’s Story, this occurs through in an inversion of the typical documentary practice, where Kogut allows herself to be directed by her subjects.