She is the author of Graffiti and the Writing Arts of Early Modern England (2001) and Cultural Graphology: Writing After Derrida (2016). In her most recent work, Fleming draws from Jacques Derrida’s theories of psychoanalysis and deconstruction in order to examine the print culture of early modern England. Along with Bill Sherman and Adam Smyth, she edited a special edition of The Journal of Medieval and Renaissance Studies that explored printed books in the early modern period.