Her publications include Forms of Representation in Alois Riegl's Theory of Art (1992); "Lanzmann's Shoah and the Topography of the Holocaust Film," Representations 57 (1997); and "From Bezal'el to Max Liebermann: Jewish Art in Nineteenth Century Art Historical Texts," in Jewish Identity in Art History: Ethnicity and Discourse (1999). Her current work focuses on the theoretical underpinnings of art making and the art historical discipline. At the Research Institute, she will complete a study of discourses about the concept of Jewish art in the 19th and 20th centuries.