Her publications include the book Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde (2013) and contributions to The Cambridge Companion to Ballet, The Modernist World, Art Journal, American Art, Dance Research Journal, and The New Republic. She served as a consulting scholar for the 2013 exhibition Diaghilev and the Ballets Russes, 1909–1929: When Art Danced with Music at the National Gallery of Art in Washington, D.C. She is currently at work on a book entitled Auguste Rodin’s Dancers: Moving Toward the Limits of Sculpture. Her essay appears in the catalogue Merce Cunningham: Common Time.