Her black-and-white portraits of the domestic realm were once so beloved and ubiquitous they were reproduced on dorm-room posters, but lately she’s been having trouble getting her agent to return her phone calls. Divorced and dateless, she retreats to a bare-bones cabin in upstate New York because she can’t afford to stay in Manhattan; in the process of adapting to rural life she finds both career and romantic rejuvenation. Winter’s photographs are celebrated for turning the “minutiae of women’s lives into unforgettable images,” and Quindlen does the same here with her enveloping, sure-handed storytelling.