Her research and teaching interests include Theater History and Performance Studies; Asian American Theater and Performance; Gender, Sexuality, and Race in Performance; and Critical Dance Studies. Her writing appears in Contemporary Directions in Asian American Dance, edited by Yutian Wong (University of Wisconsin Press, 2016) and the Journal of Dramatic Theory and Criticism (March 2011), and is forthcoming in Women and Music: A Journal of Gender and Culture, and Meanings and Makings of Queer Dance, edited by Clare Croft (Oxford University Press). Her manuscript, Drumming Asian America: Taiko, Performance, and Cultural Politics, is under review at Oxford University Press.