She seeks two things in her work: truth and emotion. Behind these well known faces, Galmot searches deep down for their strengths, their weaknesses, and their poetry. Her approach is singular; while most of her colleagues only think in terms of technique and staging, Gamot always begins by spending a moment talking with the model, no camera in sight, and only shoots when she feels a rapport has been established between them that will allow her to tell a story. This atmosphere of trust and intimacy can be felt in the photograph, as if the benevolence in Galmot’s eyes was contagious.