He breaks the traditional manner of work and introduces principally new elements. His art is abundant and geographically scattered. He introduces originality in the use of traditional approaches when creating his murals in the Bachkovo, Rila, Troyan and Transfiguration monasteries. His art is not abstract, but is focused on his contemporaries, life and the society. It is also educational in comparison to the art of the other artists of that time. There are similarities between his icons and the icons of other contemporary masters from the Tryavna and Samokov art schools.