She is the author of Openings: A Meditation on History, Method and Sumas Lake (1997), co-editor of Emotion, Place and Culture (2009) and Rethinking the Great White North: Race, Nature and the Historical Geographies of Whiteness (2011), co-author of Freud in Cambridge (2017) and has published numerous papers on the history of fieldwork, psychoanalysis, ecology and sound. Ongoing research-creation with sound artist Matt Rogalsky addresses the life and work of field recordist WWH Gunn. Currently she is completing a book that centres on correspondence between Marie Stopes and CG Hewitt.