He specialises in late modern and contemporary art. His research into the history of expanded cinema was awarded the Chancellor’s Dissertation Fellowship at UC Berkeley, and he has held additional research fellowships at the Townsend Center for the Humanities and the Stanford Humanities Laboratory. His essays have been published in many acclaimed arts journals and collections and have so far been translated into French, Spanish, Portuguese, Korean, and Basque. Among his publications: Between the Black Box and the White Cube. Expanded Cinema and Postwar Art (University of Chicago Press, 2014).