In Lot 76 he draws on the combinatorial poetics associated with Edwin Morgan and the French OULIPO group, but with an emphasis on conversation between different experiences. Points of view, variations in voice, and the combination of defined form with individual creative variation, echo like ringing bells ringing out the changes, or perhaps more appropriately, like the repeated phrases in farmer’s auction market, selling Lot 76. The folding ‘map’ charts the territory, sections each as individual parts, but contains the whole together as the terrain. The new poem, Lot 77, has the effect of consolidating the new words by both poets and farmers, but also suggests how the next generation of words and of animals, may arise in a process of incremental change.