Then she found her true medium with massive life size Polaroid photographs. The images are almost hyper real in vibrancy and detail, but the poses are always disarmingly casual and dripping with personality. Dorfman’s work is extraordinary and sadly underappreciated, which this doc hopes to rectify. But more importantly, she emerges as a fascinating and immensely lovable character for Morris’ camera, with their amusing and drifting conversations covering not only her life and career, but themes of memory, aging, loss, life, and death. The B-Side is both a delightfully entertaining documentary about an intriguing character and a unique portrait of life bordering on the profound.