Interested in the shifts of scale between 'imagining big' while being small in relationship to one's surroundings, she explores the dynamic interplay between observing the world and simply being in it. By uniting a fluid perception of landscape with the ordered hierarchy of painting, Grosse treats both architecture and the natural world as an armature for expressive compositions of dreamy abandon, humorous juxtaposition, and futuristic flair. Her projects often suggest complex narratives through the inclusion of everyday objects, psychedelic vistas, and evocative titles. (Art 21)