He has also produced a small body of sculptures that are, like Teruya’s, a form of diorama. In Jagel’s case however the paper environment, revealed in several receding stages, is a three dimensional drawing that references a wide range of sources, from Duchamp’s Etantes Donnes, to Cornell’s boxes. Jagel’s drawing style is derived from vernacular and narrative sources such as Krazy Kat and other comics, all the way to Philip Guston’s cartoony late work.