After retiring from film for a few years, he came back with a new take on a genre that he had already tackled. He took the typical heist film, which he had made with Ocean’s Eleven, and flipped it on its head. Gone were the gloss and glam. In its place was a comedic lower class take on the material. Rich criminals stealing from rich criminals was replaced by poor people stealing from Nascar just to survive. It was funny, energetic, and poignant. Not the best Soderbergh, but still pretty good.