She identifies them all by name and specifies their age, relation to other people portrayed in the photograph, and often the event documented. The compositions are mostly arranged along a diagonal line or in triangular form, and since 2007 the photographs are taken digitally. The figures are artificially illuminated and frontal, usually making eye contact with the photographer or viewer. The background provides cultural clues as to the depicted person’s life, such as a reproduction of Johannes Vermeer’s Milkmaid hanging on a wall, carpets, or other pieces of furniture.