Since then, his particular branch of melodic experimentalism has gained in resonance and importance, he composes works for solo piano, chamber ensembles, choirs and orchestras; short, simple, gentle pieces without ostentatious development while highly sonorous and bustling in clarity. In parallel with this he has maintained a repertoire of thoroughly charming melodic works for accordion, a small instrument of 12 basses, characterised by short duration, obfuscated dance styles and developments of overlapping chords, very often dedicated to composers and musicians such as Laurence Crane, Christian Wolff, John Tilbury, etc.