Both intimate and quizzical, his films reposition the familiar and nearby until office park architecture turns stroboscopic, kitsch relics are overcome with moss and mold, nature overtakes the man-made, and history folds in on itself. Stoltz has screened his work at numerous festivals including the Ann Arbor Film Festival, the New York Film Festival – Projections, the European Media Art Festival, Le Festival des Cinémas Différents et Expérimentaux, and the Toronto International Film Festival – Wavelengths, among many others.