Drawing on her experience studying psychology at Belgrade University, Jovanovic knows how to access the models’ personalities, and by extension, the viewers’ psyches; women—often dressed in white and washed-out pastel hues—confront the camera with an otherworldly presence, embodying both deep alienation and sublime euphoria. Like images from a haze-filled dream, some of them look vaguely threatening, with horns, multiple tongues, and masks accentuating their otherwise calm postures. Model selection, set design, props, and digital image manipulation play an important role in the way the artist composes her scenes.