She is currently revising a manuscript on the challenges video distribution and exhibition pose to film studies’ disciplinary identity and spectatorship theory in particular. She is working on an essay on Vanishing Point (dir. Richard Sarafian, 1971) and exploitation philosophy for the 2009 Society for Cinema and Media Studies in Tokyo. She is also completing a review essay for Film Quarterly about Errol Morris' Standard Operating Procedure and digital epistomology.