He makes improvised performances utilising verbal and non-verbal vocalisation and musical equipment. He also makes recordings that experiment with aural space and what he calls “dub aesthetics”, the creative deployment of studio technology to create sonic landscapes that reflect the fragmented space of urban and exurban environments. His performances incorporate ritualised antagonism, the intonation of found texts and enigmatic phrases, historical trivia, grunts and howls, and the pouring of Special Brew onto the floor as libation for the spirits of the dead. The texts are infested with sphinxes, ghosts and winos.