She has published several journal articles and book chapters on late eighteenth and early nineteenth-century German music and is coauthor of the book Puccini and “The Girl“: History and Reception of The Girl of the Golden West (University of Chicago Press, 2004). She is currently collaborating on a collection of essays, She’s So Fine: Whiteness, Femininity, Adolescence, and Class in 1960s Music, edited by Laurie Stras.