Her large scale canvases are often a collision between digital gestures and painterly gestures, but generally speaking, her concern is with the idea of painting-after-internet. Priscilla is focusing her work on a painting practice premised on layers, performativity and innovations which were native to the computer screen, where each individual painting is functioning as a piece of research, and in this constant enquiry there is a neo-analogical development.” -Militos Manetas