The works in this exhibition span a decade and are linked by two themes that have spurred and sustained the artist’s fascination with landscape. The rock mass and cascade in his painting “Waterfalls,” and the earlier intaglio, derive equally from a geometrical pattern based on the Golden Section and from direct observation. The painting and mono-type print version of “Ominous and Inviting” attempt to convey man’s love, awe, and fear of Nature.