His 1994 album Arrangements and Variations for Digital Piano explored a new realm of piano music made possible by the computer-controlled piano. Dense washes of notes and thick layers of counterpoint were used to create fresh transcriptions of familiar pieces for this new instrument. The 1996 album Impossible Christmas applied the same techniques to a wider range of instrumentation. LightCycles, his latest recording, took advantage of the spontaneity made possible by MIDI by capturing improvisations then using these as the basis for rich electronic orchestrations.