It is in the act of painting, in the treatment of color that she finds the environment and starting point for envisioning and translating her thoughts and perceptions. She starts with colorful forms, abstract, but still organic. Yet she soon covers them up again, here with black color. The act of covering is central to her work, as is sparing smaller spots and thus creating new forms. But the exhibition “Entangled” also includes sculpture and collage. Form and color become three dimensional in the black sculptures on the wall: folded, weightless, flying forms. And the artist loosely arranges paper collages between two glass plates, fixed temporarily, infinitely mutable in what they cover and reveal.