By means of synthesis, pattern based operations and subtractive counterpoint, her music draws severe geometries in time and space. A focus on minimalism in composition arises from a meditation on primary waveforms and exploration of the polyphonic and polyrhythmic potential of sequencers. Repetition and pattern permutation as media to perceptual insight lie at the core of her current sonic research. After finishing her studies in classical guitar and electronic music, she has researched and produced music at the renowned Elektronmusikstudion in Stockholm, where she has intensively composed for the Buchla 200 system.