Both by observing and capturing her surroundings and by taking self-portraits, she uses motion as her main visual language. The elusive, ghostly rendering of her subjects speaks about the loss of identity and form that human beings suffer in contemporary society. Yet, at the same time, her pictures disclose a human, innate search for uniqueness. Alice’s work has recently been featured by both Impressa, and has been selected for the Cartier-Bresson Passporte Prize for Street Photography exhibition.