She is the author of Volume 21 Documentary Time. Film and Phenomenology in the Visible Evidence Series (Minneapolis och London: University of Minnesota Press, 2008), and of essays and book chapters on subjects including aesthetic theory, science cinema, video art, and TV documentary. Her recent work includes an archive project on Vietnam documentaries and solidarity programming in the context of early public broadcasting culture, and a theoretical project on sonic traces, voice and aurality in documentary memory work.