In 1974 he joined up with the late Norman Mailer to produce The Faith of Graffiti (1974), which contained around forty of his photographs. This combined survey was immediately successful, and is now a rare collectors' item. At that time, Naar's pictures captured brilliantly the spirit of the times, from inside the closely woven infrastructure of New York City, opening the very arteries and veins of the urban complex. The environment not only includes the rail and subway tracks and sidings, but also the various buildings usually backing on to the track, the flaking but vibrant shop facades and kiosks, and Coney Island views. This new publication now includes for the first time the original pictures supplemented by over a hundred taken over the same brief period, mostly in colour. These photographs are invariably taken full frame and high resolution, achieving perfectly the colour and tone first sought by Naar.