His most recent book, Machines of the Noisy Time: How the Soviet Montage Became an Aesthetic Method of the Unofficial Culture (in Russian), came out in Moscow in 2015. He broadly publishes in fields ranging from the history of education in the 20th Century Eastern Europe to cultural practices of Russia's internal colonization; from contemporary Russian literature, especially poetry, to the history of nonconformist social thinking in 20th-century Russia and political discourses in contemporary Russian social media.