Characterized by dark, sterile rooms built of tile and cement, her settings are eerily reminiscent of abandoned hospitals and vacant catacombs. The models are washed-out and almost alien in their beauty, contorting as they pose nude, or draped in cloth with additional limbs that reach from underneath. They appear human, but also inhuman — and no better is this obscuration of humanity demonstrated than in the images portraying piles of nude bodies sprawling on the floors, crawling up against the walls, or aligning themselves in fleshly, geometric structures. With their faces obscured by torsos and furniture, they seem engaged (or possessed by) a strange ritual that is more about the multitude than the individual.