Left to its own devices, his mind goes, most often, to the naked human form: to pictures of fulsome ladies in compromising positions, up-skirt shots caught in mirrors, women with legs akimbo, examining themselves. In this exhibition, Pablo Picasso’s Les Demoiselles d’Avignon (1907) is evoked more than once. Becerra makes unapologetically reckless pictures that are, at their best, thrilling to look at and, at their worst, vexing to think about. In this exhibition, there is never a dull moment." (more at Frieze Magazine)