In her work, she orchestrates carefully arranged and staged scenarios, exploring fragmented narratives inspired by cinema. Her arresting portfolio of enticing, often unexpected photographic compositions also hints at a tongue-in-cheek appraisal of the world of advertising. A picture-perfect surface seduces the viewer; momentarily masking the absurd elements that underpin each image, from bizarrely cropped alpine scenes to alluring, near-artificial edible arrangements. The photographs mimic a discordant sequence of film stills - the elisions compel the audience to conjure the missing frames in their imagination. (Extract from Aesthetica Magazine 2016)