When he does not take photographs of the models and objects in the Paragon Retouch studio, he draws inspiration by taking snaps of atmospheric moments of the environment. His photographs can be equated to the works of impressionistic painting, in which the mood, color and light of a fleeting and ephemeral moment are given the greatest importance. Participating in the Unda Prisca perfume project as a photographer and illuminator, he not only developed a studio lighting for the installation, but also improved it during postproduction.