Bern's personal modes of expression are the basis of a subtle mechanism that materializes at the tip of his painting tools. In this manner, the pictorial strategies unite with the rhythm of his mental activity, giving a natural priority to what Kandinsky named so well as 'necessary interior'. Then emerge, almost unnoticed by the artist, worlds and situations that haunt his imagination and his memories: landscapes contemplated during journeys, tactile and olfactory sensations seized in the Brabancon countryside where he has chosen to live, Biblical scenes nurtured by an inventive reading of sacred texts. SimpleViewer requires Adobe Flash. Get Adobe Flash. © 2017 Thomas Debray 