Car paint, glass, shining metals, mirrors and reflecting vinyl and light, again and again, the natural as well as the artificial, are his substitutes for paintbrush and palette. By the reflections the spectator is drawn into the work, into colorful objects, orientated to the wall and of permanent presence.With a reduced, precise and intensive idiom Christoph Dahlhausen invites the spectator to sensually experience light, color and space.