Her research and teaching focus on modern and contemporary art in East Asia. Tentatively titled The Democratic Avant-garde: Art and Revolutionary Subjectivity in South Korea, her current book project traces the multifaceted process in which a particular politics of aesthetics emerged during the country’s democratization. Her English and Korean publications have appeared in Yishu: Journal for Contemporary Chinese Art, Art Journal, Journal of Korean Studies, InVisible Culture, Art in Culture, and Monthly Art.