In Umbra Sumus, these fragments are then manipulated to create abstract geometric scenes, disrupting the everyday through fragmentation, repetition and interruption. One of these techniques she has named ‘PaperKino’: printing each frame onto paper or another material, manipulating them, then photographing and re-animating , creating a technologically obsolete process that connects with the themes of performed nostalgia and memory in her work, adding not only a physical element but a craft-type practice. The piece is projected onto transparent material, creating a palimpsest where people travelling through the space will also be seen through the images, so the film will be always changing in a dynamic interplay with the environment.