He is mainly concerned with refining improvisation with recorded sound and working with other performers to hone source materials and approaches. Primarily he strives to nurture delicacy in technologically mediated sound work whilst maintaining a “body” of sound. He teaches at the University of Glasgow, where he coordinates Master’s and PhD programmes in Sonic Arts as well as an undergraduate degree in Electronics with Music. Recent pieces have included ps[c]yched, for string quartet, electronics and bicycles, composed for the Glasgow Commonwealth Games cultural festival, Sublimation for Scottish Opera’s Five:15 series, and Rifts, a wavefield synthesis surround sound work made for Sony’s Creative Lab in Tokyo and remixed for the Game of Life system in Den Haag. He is a founding member of the Glasgow Improvisers Orchestra and co-directs the web archive/label project Never Come Ashore.