Representative publications include Eye on the Sixties, Vision, Body, and Soul: Selections from the Collections of Harry W. and Mary Margaret Anderson, “Invisible Points of Departure: Reading Rothko’s Christological Imagery,” and “The Picture at Menorah Journal: Making ‘Jewish Art’,” both of which appeared in the Journal of American Jewish History. She is co-editor of and contributing author to a recent book, Teaching Art History with Technology: Reflections and Case Studies. Her current research project examines the market for “mid-garde” modernist art in New York, 1929-1959.