The majority of his works are composed for multichannel systems. Some recurring aesthetic and conceptual themes in his practice are spatiotemporal deformations and transformations, textural topology, morphogenesis, entropic processes, and visual and physical listening experiences. He is currently a Leverhulme Research Fellow at BEAST (Birmingham Electroacoustic Sound Theatre), University of Birmingham Department of Music, working on a project entitled Synthesis of Spatial Texture Topology in Composition and Performance. The research develops polymorphic real­time synthesis approaches to spatial texture and structuring processes, proposing an aesthetic and technological alternative to conventional fixed­media composition and diffusion performance in electroacoustic music. His music has been published by empreintes DIGITALes.