She is the author of The Unmaking of Home in Contemporary Art (University of Toronto Press, 2017), which looks at the ways in which artists use the space of home (both literally and figuratively) to reframe human responses to trauma. Her current research project, funded by a SSHRC Insight Development Grant, examines cultures of surveillance and militarization through the lens of media art practices. With John O’Brian (UBC), she is also editing a collection of essays on vision and visuality in the post-nuclear era for McGill-Queen’s University Press.