Since 2006 she has taught composition at the Sydney Conservatorium of Music. Rosalind’s artistic practice includes her MA (Theatre and Film Studies) on sound and image relationships in the films of Andrei Tarkovsky and Wim Wenders and her PhD in composition with Ross Edwards. In 2004, Fracture: a noh play for cello and orchestra, an interpretation of Shakespeare's King Lear and Kurosawa's RAN, received a Highly Commended Award in the Paul Lowin Orchestral Prize and in 2006 her setting of Lorca's Sonetos del Amor Oscuro won the Paul Lowin Song Cycle Prize. Rosalind has been an invited composer by the International Society for Contemporary Music at Visby International Centre for Composers, Sweden, Centre D’Art – Marnay Art Centre, France, Herhusid, Iceland and The Banff Centre, Alberta, Canada.