Before that, he was an Andrew Mellon postdoctoral fellow at the Obermann Center for Advanced Studies at the University of Iowa. He earned his PhD from the University of Oregon, focusing on Anglo-American modernism, twentieth-century literature, and digital humanities. His current book project, Networks of Modernism: Toward a Theory of Cultural Production, analyzes modernism as the product of diffuse transatlantic interactions among writers, philosophers, hostesses, and painters. He has published articles in Journal of Modern Literature and Journal of Modern Periodical Studies and has collaborated on a digital versioning edition of Virginia Woolf’s “Mark on the Wall” published by Scholarly Editing.