His marks are in essence calligraphic–and he admits to having been inspired early on by the Japanese art of Sumi-E painting. This influence is evident in his work and separates his approach to oil painting from his contemporaries. The way he applies paint is a performance all on its own. He delicately controls the lift & pressure of his brush to accurately render the ephemeral quality of his subjects. Any opportunity to study with him is not to be missed.