Her research focuses on eighteenth-century music, particularly opera and political thought, paradigms of the public sphere in musicology and music in the global eighteenth century. Articles have appeared in Cambridge Opera Journal, Eighteenth-Century Music, Music & Letters, Plainsong and Medieval Music, Musica e Storia as well as various edited collections, and her monograph German Opera and the Politics of Sensation, 1750-1815 is forthcoming. She held a Balzan International Research Visitorship at the University of Oxford in Trinity Term 2014 and was a Visiting Research Scholar at the University of California at Berkeley in 2015-2016.