He is deeply concerned with elements of sound embodiment, spatialization, and perception. In consideration of these components, he approaches the sound ideas at every level in his pieces as spatial objects to be sculpted and arranged. More recently, he has been experimenting with methods of dissecting musical form in a way that not only allows for interesting emergent structures, but also for greater performer agency over the material. His goal is to create musical works that open new channels of communication between the performer and listener through highly detailed and captivating sonic environments.