A closer look reveals an omnipresent, underlying thread of the uncanny and uncertain, his scenery routinely inhabited by uprooted structures levitating in the sky, cities aflame or figures lost at sea. Mihalyo’s practice extends beyond the painting for which he’s known, however, and a meander around his studio reveals a restless compulsion to dabble in almost any medium, whether it be 3-D imaging or eggshells. Even his conspicuous, two-year-old beard is part of an ongoing time-based project that involves music and video projection.