Her transiency involves living and working between two countries, Belgium and the UK, travelling with sound and music through diverse contexts, from academia to private salons, from churches to concert halls. She made FoAM her hub for a year, from where she journeys to compose and perform her unique mix of contemporary and mediaeval sounds. While in macrotransiency, she experiments with FoAM as a contemporary convent - a place to retreat, contemplate, learn, create and share.