She is the author of Oliver Mtukudzi: Living Tuku Music in Zimbabwe, a study of audience reception in postcolonial Zimbabwean popular music, with a special focus on vocalist and guitarist Oliver Mtukudzi; “Learning in Secret: Entanglements between Gender and Age in Women’s Experiences with the Zimbabwean Mbira Dzavadzimu;” and other publications. Among her research interests are how women navigate expectations of gender in mbira performance, as well as the evolution of neo-traditional musical styles.