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Sita: my u e mn, e 


the Revolutions among our Write. Ji 
Some have died away of premature Ca- 
ducity; whence, they came, ap r | 
nor whither they are gone. 3H 
Ihe tiny World of Pall mall. like the great i 
one, jogs on in the old Way, neither better nor 
worſe; and of both, good Folks-fay, theres, | 
| no Likelihood of Amendment. A 
One Author has. retired univerſally regret= 1 
ted, to wit, THE ADvENTURER, who has pub- 
liſhed ſome as good critical Eflays, and of as 
— fas asI have ever met wide. Li, Formed 
5 ly ſay Curſum peregi, I have perform d the 
N 90 of. a mal Cie —Hc Lawn from 
| bot literary Court with ſomerhing more valu- 
able than a lauret Crown, the Approbation: and | 
Thanks of the Good and Wiſe, _ 
"The Concluſion of his laſt Number affcted | 
me, and was enhauced, by comparing it to that 
of the laſt Funeral Oration of the famous Bes- 
sur- to procure you the ſame Pleaſure, L 9 
1 here tranſcribe them for you.— 1 
| 3 


OR AON 


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OAO FUNEBRE DE Louis DE BouRpon, PE, 
; | PRINCE DE CoxpE. . 


« Agréez ces derniers Efforts dune Voir, qui 
« vous fut connue. Vous mettre: fin a tous ces 
0 Diſcours. Au lieu de deplorer la Mort des 
te autres, GRAND PRINCE, d orenavant je veux 


| © apprendre de vous a rendre la mienne ſainte; 


© heureux, fi averti par ces Cheveux blancs du 
| © Compte que je dois rendre de mon Admi- 
« niſtration ; je reſerve au Troupeau que je 
« dois nourtir de la Parole de Vie, les Reſtes - 
d'une Voix qui tombe, & dune Ardeur x qui 
« geteint.“ 1 


Thus 401 arrempr to rranſlare it. FORED * 


- The —— Oration af Lobm Bovnzou, | 
PRINCE OF CO; by BOSSUBT-”. 


e Diſdain not the laſt Efforts of 3 Voice 
once known to you; your Funeral Panegy- 
rick is the laſt I ſhall attempt. 2 
e forward, GREAT PRINCE, — — of weep- 
ing the Death of others, I ſhall learn from 
« yours to ſanctify my own. Happy, if warn d 
« by thoſe grey Locks of the great Account 1 
* have to make of my epiſcopal Duty, I conſe- | 
< crate to the Inſtruction of my Flock, the Re- 
© mains of a en Nauen xe Talents * 
_ © moſt ertindt. VVV 


4c 


0 


"ov Gnithes. Ts bs Load DN 


But the Hour i is haſting, in which Ab 
e ever Praiſe ox Cenſure I have acquired by 
_ © theſe Compoſitions, if they are dikes | 


«ie 5 


te at all, will be remembered with equal In- 


« difference, and the Tenour of them oniy 
* will, afford me Comfort. Time, who is im- 
patient to date my laſt Paper, will ſhortly 


moulder the Hand, that is now Writing it, | 


© jnto the Duſt, and till the Breaſt that no- 
* throbbs at tlie Reflection: But let not this be 
ce read as ſomething that relates only to ano- 15 


ther; for a few Years only can divide tbe | 


Eye that is now reading, from the Hand that 
* has written. This awful Truth, however 
* obvious, and however reiterated, is yet fre- 

«quently forgotten; for ſurely if we did not 
loſe our Remembrance, or at leaſt our Sen- 
ce fl ibility, that View would always predomi- 

e nate in our Lives, which alone can n afford us 
55 N N when v we dic. be” 


. 1 — p 8 F 23 UE” 
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E 6. * Join Hawxtwone 
e, 8 


| 11 now divetty ven a from Refiefiicns A 11 7 
ſingly ſad, with a few Quorations from one of 
our brisk Authors, not altogether fo modeſt as 
the preceding; tis from him who engendered. 
the. FRIENDS, 4 nen i Mory. Dont 
| be 


* * 


be angry; laugh at the three ranges for they. 
deſerve nothing R P 


I. BoILEAu, tho a chu, could | 

pe ingot between Taſte and Faſhion,” — 
2. * This leads me to an Oble rvation or 
0 LN upon a Writer oo for an Author 1 can- 
A © not call him. — 


I would be glad the 8 WY ity po 85 
ever he be, would conyey to us a cleat Idea of 
this Diſtinction, by proving HIMSELF THE Au- 
THOR, and Fultaire but « Hriter. ._  ,. 

. © T ſhall forbear to urge the Exaniples of © 
« SPENCER and SHAKESPEAR, becauſe I am 
« firmly and ſeriouſiy of Opinion, that no 
*« FHrenthman ever yet was able, ſuppoſing him 
to underſtand ENGLISH equally as FRENCH, 
tc to taſte the Beauties of either of theſe Pocts“ 


Here are, peremptorily Limits ſet toall French 
Underſtandings and Imaginations, and the Aſ- 
ſertor is baſhfally towering over them, HO, no 

doubt, underſtands Spencer and Shaks Cap 
Now methinks, EUGENTus, I ſee you fret, and 
damn the Coxcomb. —On the contrary, 1 laugh 
with all my Soul—For I love Modeſty.— Pray, 
deciſive, peremptory H/riter, Author I ſhould 
fay, dcign to permit the depreſſed. flimzy. Fa- 
cultics of French Heads to humbly. api ire to 
_ taſte the Mildneſs of your Writings, or Nic: 
Authoritatings. * Sir, which Term do 


you chuſe? 
 Freſmy $ 


* Voltaire. 


17 15 


ing, rn E 
into Engliſh Terminations. A have been often g 


obliged. to apply to the Latin Text, 70 come 1 
at tile Tranflators Meaning. 1 

I had almoſt forgot to mention another; inns © 
Loſs the Entertainment of the Town has un- 
dergone, by a willing Perfod being put to 
CHARLES RANGER, E Hare, $ Weekly . _ 
From his Iaft- Paper, we learned that he 3 
down his Pen quite Gtisfied "with the Public, 
and the Public with him.—So happy a Con- 
currence would have tempted others to contt- 
nue: But as, in the Opinion of many, it s 
improbable, that ſo, warm and retroactive a 
Fancy can prove recreant: The Products * 
of, it is hoped, will blaze on us under the Pomp 
of ſome new Title; to which Vigil 


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121 


d 2. hk 1 © an NN 


. PO renew "din Tou 15 the r 
ho ſept in Minter in a thorn Brat: 
And caſting off his Shugh; w hen Spring res 
een, enen 
Nu looks aloft, and with new Glory buns. 
 Reftor d with poi# nous Herbs:his ardin Sides 
 Reflet the Sun, and rain d on Spires he riss: 
Hab oer the Graſs, hiſiug berollsalbng/t 
3 E Ine __ o Fits his To OT Bog 2 


Þþ ESIEY 5 * i 


The Connoiſſeur is e irited dt . 
3 10 0 Week y Paper now üblen Would 
| Wet and deſerve Apple at any Feile of 

Vciting.” Bs 35 

8 Entertainer could not tl 5 Fu he 

. * Phraſe x he — 


The Author of the Hizerniud, - 
7 calls an apologetic Sketch, and os eh nt it 
nſidered, means it by way of An- 
: © many unWartantable" Freedoms. 
| furan * — worthleſs Writcrs e * | 
| 8 and its Natives 50 4th nn gg 
His Method is as follows  * Aa. a 
In the firſt Section Hes tlie Nees 8 
Nour Pride, which re two-fold==1. 
Beauties of a Country. 2 The 9 8 g 
it has produced. —- ICS TY a Warns, | 
1n the ſecond Section He giwes 4 Mich « of 1 
e of the beautiful Parts of Patent and in | 
order to ſhew ſome boiſterous Poets that he - 
8 can 


5 


t. 9 1. 5 1 
* bing; it or walk, i in. a. thei : 
leaſes - no. gives them he 1 
e Elegy,in the. Shades now thun- - 
defs on the Mountain-top, and deal 25 di- 
thyrambhie Torrents: Such as, ig the yery.Parts 
deſeribed, happened, about he Middle of . 
by ay we then info 
' lFreland. WES. 


1, Acbeehicd and fourth Scion ms, h he di lays | 

the Characters and various Talents 1 the Na- 
tives of that Kingdom, and gives a Catalogue 
of ſome of its moſt eminent eniuſſes. 

To all who may doubt Gf his Afſerrions, be 
makes uſe of no Iris Evidence, letz by the 


 Preſudices, they mould be accuſed 1 * 2 * 1 
tial. W e gk 3 | 1 
| S aun DAvIEs, an EN 24 Vri = 
greateff Eminence, and molt. e 1 
| - Authority, 'youches for. him, 48 he proceeds 1 
From whom ſeveral Quorations are applicable © 
: 10 e een 10 * e =, King- 8 | 
| . | | : is 1, 
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. 3 t ie ] . 135 
thatif all the Man aflerts 8 why, i is very. ; 
Well. 145 {ID Ve 2 
k öder Guguine Fart of PR Trih ſhake „ 
"their Heads, and think there is not enough, | 
Io all ſenſible Readers the Author appears | 
70 have ober eu a decent Medium in every, | 
Article; ; andthe Merit of the Performance can 
neither be affected by the idle Exceptions of a 
certain Brawler, of the Tribe of 5. ea | 
Turned into. Ridicule by the apiſh, 2 
Garicaturing of the contemptible 155 | 
5 8 5 


4 3 during the laſt theatrical Sion wat gave 
"our Opinion of the new Productions of living 
Authors, let us, this, take a View of the died 

Dramas of the Deceaſed—ſtill obſeryving the 
Rule, to praiſe where We Van Aa uns 
- Where we mut. VVV 


1 — ＋ 


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I The Aral Mt. Lob ie 
is met with, myſt give Pleaſure to all Lovers of 
| * ebaſte Coty, and gcnuine Humour. Tin- 
kr is a Leſſon for the nijſotermed Eſprirs 
Forts. of every Age. This Comedy, welke Ted, 
will be always ſure of Sueceſs; when Other 
© wiſe, the Fault muſt be in the Performers.”. jp 


; 
. „„ „ #414 a4 229 
8 Pfau Fe Hirror gr us is: one of ing mot 
Clegantly written Trägtdies in the See 


1 e and is, Perhaps, more entert din 


* 


"TER * 
* 
A · Sod ents 5's „ * * a+ * 


— Tr Po nn aa rn Eon 8 75 


ISL , 1 13 * 
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fs o 
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4 
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AF 


from the Heart in it; and too Steat a -uxtirſs, 


* 


ance from the Imagination. 


in the Cloſet, than on the Stage : 15 is | dure, 
ip ha. wich Declamation. There 18 too ntele 


Tuskbs, to deſerve. Applauſe, muſt 166k. I 


and act the ſtern, hoary, venerable Hero, unen- 
feebled by Years, and exCCULIVE cen i in 5 
Age. * ( TO ee eee 


The chaſte Hebvorrtss requires A Figure 


e. Deportment happily adapted. His Cha- 
r reſults from a Mixture of the Heroes: the 
daüntleſs Huntſman of Mount Ida, unusd o 


Fraud: and the noble, diſintereſted Lover. 2 


IsMENAs Character is a Compound of To 


and Generoſity; requires a pleaſing Form, With 
a winning And moving Utterance in the Per- 


former. 3 . A+ r EY 175 N * 1 | os A * 
LycoN is 4 1 ſwbife; deſi zoning Sthteſinans: Gb, 


void of all ſocial Attachments; yet aſſumes thæ 


virtuous Appearance of Friendſnip, fitſt to che 
ueen, next to the King, in order to enable 


_ ro Perpettate "His wicked: and ambitious 
. | 
; 991 Adres, bo ſiiceteld in is Eta of 
PHADRA, muſt have à nobfe Figure, à pleaſing 
Countenance, and expreſſiye; with no ſmall 
Sharę of Underſtanding, Dig gnity, Feeling, De. 
licacy, and Execution. | In every- Geſtüre 'of 5 
her's, imperial Majeſty and an almoſt heaven 
| coming offs or © going off the Stage, that hes. 
7 ew 2575 8 2 . 


Grace muſt appear, never. fe 


the 


55 


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* 2 7 
R - - - —— oy - 2 — © 
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POO — = — r. „ 


— 2 
e en ere horn hee — ——— —ꝛ— — 


- deſcended from the Sox, related to Heroes, 4 


are occupied by her Kindred. —She is naturally 


, Andi in the ame Ag where Lycon fays to her, 


4 would refuſe the B/iſ I moſt defer*d 
Conſult my Fame, and ſacrifice my 7 


Pp Rather t than wrong my Lord, my Huſband Tuxs zus. 


In the laſt Scene of the fifth Act Hir rol - > 
Fs ſays of her, when dead. 1 


1 : 4 7 £3. 4 & 4 1 ' 
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- ; IS. | K 
1 * FF $- <7. 
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1128 1 


the fam d Queen e of Crete, Daughter of Minos, 


Kings, and Demi-Gods; nay, to mighty Fove,- 
TheThrones of Earth, Elyſium, and of Heaven,” 


virtuous, but criminal through a fatal Neceſſi- 4 
ty, as W from her own Words in the Buy 
Act: 


— 0 righteous Heav'n, os 
Why was I born with ſuch a Senſe of Virtue, 
So Dent Abborrence of the ſmalleſt Crime, 
"An nd a Slave to ſuch 1 impetuous Guilt 4 


8 Firſt by me my: to ure him into Love. £422; 
PHADR. No, did his hapleſs Paſſion equal e 


[+ CY I would die, Heav'n knows, this very Wang: | 


"Bp. p. 01 TY not Paſfion ſullied ber Reben 5 


None &er on Earth had ſhone with equal LG 


o glorious liv?d, or ſo lamented dy'd. 


Her Faults were only Faults of raging Loves n 
1. Ter Firtger all ber on, NES e 


J 


* 
* < ws 
13] 


"Sans, at d her firſt Apes on he: I 
Stage, is to excite in the Spectators, the daes : 


of a ſublime. Melencholy,. 0; weſt #9 | 


gnawing Angu | "9 W | 
«MAP: Sallies of a af > Mind | e 
N 
es ; £4 „ [ 
« Come, let's away, ere rk 58 ei 
| 1 
4 - o | | T7] "; ö 
and F | | | » i | 
20 1 to the « Woods, & Ges | Mes qe” = 


ſunk into, and adſorb d by, the prevailing.” 
| Gloomineſs of the Mind. A 
Therefore no wild Flights, no ridiculous 
Starts, no diflonant Screaming, no abſurd 
Swinging of the Arms, no limber Sinking of 
the Hams, no aukward Writhing of the Neck, 
no diſguſtful Blubberings of Paſſion, no Mrs. 
Tatoos Stamping on the Stage. Such Proceed- | 
ing would be abominable, and betray a total 
Ignorance of the Meaning of the Part. 
The Paſſion of Joy, in theſe Inſtances, is 
but tranſient, and quite ſubordinate; tending 
icfly to make her e Grief Nt ras” 
apparent. f 
A Compariſon, may, perl aps, 
more ;ncelligible.+— When: the Sky i is obſcured 
by gathering Clouds, the Suns weak Rays 
"Fave with Difficulty through and gleam in 
ſcattered 


are but Age: Ray 5 of an affected 5 Coo 3 | 
1 
| 


yu! II 1a 7 * 


ee I EO EE er Mea — 
. * b 8 
TT . Condit 90 8 4 * rr 


1 TE 
ſcattered Streaks along For ſolemn Sura 
_ The feeble Rays, unable to throw a Day atourd, 
ferve but to ſhew the awful Gloom tliat — | 
over us, are ſoon ccljpſed by, and ſwallowetls | | 
up in, the growing Night. Even ſo PjapRra's 
Eſcapes of Joy are in regard to her Grief; | 
which, a Senſe of her Dignity conſtantly re- 
plunges her into, on the leaſt Reflection, and 
checks her from yielding to too violent Guſts 
of Paſſion, or idle Tranſports of fruitleſs Joy.” 
With what enquiring Eyes, with What a de- 
licate and timid Tone of Voice is ſhe to diſcloſe. 
her Paſſion to Hippolitus in the feegnd Act, 
in dreadful Apprehenſi on of a Repulſe, which 
8 would be Death to hogs as ſhe Hints in 2 the wt | 


ole ſhou'd the 7 150 reſuſe my proffer 4 51 
3 "9 eu d he der. me from Hig foatbing MPs. 71 


*$ 


I | 'T 3 as . as an a Object of 8 he as 5 
be alſo that of Compaſſion, remember her own 8 
= | Words to Harne. | 


No, for the Love 66 thee, of choſe dear Germ. 
Which now I ſee are doom'd to be my Ruin, 
I till denied my Lord, my Huſband Theſeus, 


ee * my 808 7 l eee, 8 


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| 'l the third AG wha Horror ugh 
paar in every Fibre of . Face, when b 
comes haſtily in, and declares de 


| EEE: | . 1 41 > „ N 
1) n. e e 0 De! 


4 


| 1 on. 
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- His ol . ſhould. 
more than the Words. | 
PHADR A, à fixid Statue of Atouiſlmgn 

cataily T0' e RO almoſ | 
4 ad} dion 12111441 Ar! 250 
a ax TY Turskvsl Aren AN 3 14.47 
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Aker which, a ſhort Pane dr I; 5 5 pe 
wry Then, mhar have 1 I to do with Life ? FO 
„ ed EINER. ei 


: Me ite bb Poren f. low Toit fiGop-. 
ef u. The Spirits how wifentangled an 

| The” ins d Feet Cirdulatzon thetzugn 
e Aller datrow ed by Grief, he % 
Five way to a A rn of. . Nr 4 
13 ii * 3 £14 1037 4 1 "I: FEELS, 

YEW > thay PONTA oy wa ay Earth Ver- 


whelm'd, S. 1 WIS, 1 THY 


* 


k 
— acetone 
— te tn 


en #8; 


| 19 q n L neon: 5 
53 


arbeite pturots Joy of Hinpolieus, on leg 

a Father he had Wepr as dead; and the ,pateraal | 
Wat of Neu in embrating his darling, 
| - Hiffuois' Son, '4 beaüttful, and movi he 


YE e 


CIT | | I 


= 


I 7 4 x 5 ; + . 


4 / 


. * MY 
„ * 
= * 
5 N 1 2 6 4 
n —ͤ— —— 2 —— 4 SR 
— — * GAINS war ů !— 2 — AG 1 


r a has 


* 


* 
1 


n 
_ oy 


} 


— An A en , 


\ 


| 'T- 16 : EE 
Scene betwixt them in the fourth A is gear 4 
When well performedG. © 90 1 1 vane. 
The Situation of Theſeus in in f tir fifth Ac, | 
''when informed by deſp pairing Phædra, of the 
Innocence of his Son, he had raſhſy cond emned 
-toDeath, is of che true patherze.” e. 
Our Reaſon for inſiſting, ſo much on the 
Character of PH&DRA is, becauſe of her being 
the Heroine, the animating Eſſence, by which 
the Body, or Plot of the Tragedy exiſts, moves, 
and is carried on; which indifferently perform 
cd muſt hurt the reſt, however well done. 
Let every Reader, whoſe Fudgment is not 
varied to either Theatre, wake“ an impartial 
ee of theſe Remarks. 


＋ bs 1 a cad dedlate 2 War 
-againſt Modeſty, Decency, and Kick pogeder- 
{10 Entenare out of Doors. 
Bare- faced Proſtitution, without a Rag of | 
5 -©Gauze to cover, or nn ſoften it, is the.ſolc 
© Buſineſs of the Play. 7 * 5 Seen | 
"Whore, Whoring g, | Whoremonger, und 
| at geg ace cho B urthen of almoſt every 
* | 12 101 i 41 $117 1 5 
is (to uſe the Sport! 8 Term) ſheer 
1 Corking throughout; no — — Game 
| ee but mar and down with it. 
l The ſecond (the Game: father d) Co-. 


** 


3 | 2 -2STANTIA With IE es wok ſmack every 
_ bawdy 


tte, 8 * 


3 * k : 
— — 2 3 bn " 3 1 4 Ce 
— | - 
P EN V | 
* 166 
N — 


8 
* 1 — 
zug 7 <.4 I ww w 
y | n - j 4 
1 A ö eto il 
of as 4 ' 0 8 


+ 0 te, ©, "ant dale her bart e 
the ver) y Top.of i ie” rn 28D! OE 1 


1. 9 3 . 2 Ado or 
a Adress, 10 * in immodeſt Parts; 1 even 
of, the, Manager, when, COMMANDED. BY $U- 
PERIOR AvurtHoRITY, to.obtrude on the T own 
4 where they are, Nevertheleſs, f 8 Per- 
formers, in the Repreſentation, ought to be- 
ttay to the Audience ſome Eſcapes of. Abhor- 
rence to what they are doing; and that ir is by 
mere Compulſion. But if, on the contrary, | 
they ſeem to luxuriouſly riot in the Tank Wan- 
| ronneſs of ſach Characters , they s are to be Jaoked 
on as Pimps to the Stews; and deyour Miſſio- 
naties of Lewdneſs—the* more exquilice the 
Action, the greater the Sin againſt 15 Chitis | 
ſtian Religion, or even Pagan! Morality. 
The obvious, reauy e * 
Daughter te a trafficking,” affected, hi n Mic 
esd, reſolute, cõntempti 
dt a ſtipulated Sum has fold ber 60 af old 
Lecher: He has lain with her one N ighe ; the. 
robs him next Morning, and runs away. TO 
pipe from — * — to OE derlei 


{I 


female" 6 3 . re 3 gets 
acquainted with the immodeſt Din John, and 
immediately in the blunt obſcene Way, it is 

- "HF n for Daſh: e edify- 
kaun ASH Rpt © Nv ot Wore e 
e CEE | e 


7 | (118. 7 ” 


as Com. 


| 


F ta n 


ing is unaccountable; the Winding g-up mon- ; 


of La 
* 


1181 


ing js it to (ce their bargaining age AS 
wanton- + Contortions—while 


5 488 1 
i ka ago! Lips „ ad Re een ber d bee. 
8 their Hearts with ae 9 mp 
n | 
Theo each the kindling Titillationfiies; $2544 
"Ejees, the lewd. bee "an Nr in ede, 
* ö AF 1 5 + 2 4 5 | : A *S 


'In /this et * Plot e or Fable there is 
none; true comic Charader none; the Ope 


ſtrous; and the concluding damn: ble; In was 
critical Senſe of the Word. 

Beſides, the prepoſterous Conduct, in a regard 
20 the Child and Mather in the fiſt Act, is too 
abſurd to be enquired into Extreme Infancy, 


or extreme Old Age, are too much the 


jets of Humanity and Compaſſion, to ferve to 
heighten the comic Scene. The Cries of In- 
fancy pull too ſtrongly at the Strings of the 
human Rear, to be degraded: to an nene! ; 
"' ITN 


* 


Don Joan. eolicking, about the Stage with 


of 


the crying Baby, and patting it to be quiet, 


recalls to mind the terrified Grildrig carried 
off by the arch Monkey. See Gulzvens 
Travels. Theſe are the Words i in the Origi- 
nal; < holding me like a Baby in one of his 
BM £3 Fore- 


- Fo — {4 2 - - — . — * 
” N © * : = 3 8 * ** — : ths ſs. 


a Tete Hüte e Wa me | Tr en reid 
not Whereat many of the Rabble could 
« not forbear laughing. But pray, courteous 
Reader, obſerve, that ir was Rabbi of ken 
DINGNAGGITANS:- ie ICH n | 

The Dialogue is ſo offenſi ve to Manners, 
and the Allufions ſo low, vile, and grols, there | 
is no quoting or atiimadvetting on them, irh 

out being guilty at ſecond Hand. 

Why ſhould this theatric Jumble eſtape Cen. 
ſure, becainſe revived BY COMMAND 3 which 
would certainly be canes 85 e "i: 4 
living Author? VVV 


— 


. 444 1 


8 5 . * 4 
-# 


Amiens Plato, 1 Sone, +4 dd 
| + mica Peritas. 17 


ee Conf dernen malt ge way. „% 1 


* 


Truth. 


5 1 1 2 * * 
e 8 Hg” * * * # 


The true Standard of eb Wiidiag is, kat bY 
nothing be therein introduced, but what would”! | 
paſs in a polite Circle of both Sexes; all elſe is 

Ribaldry, and has given Riſe to that 7 

Want of Decency in our Audiences, ſo * 
blamed by Foreigners, to wit, a Cuſtom as 
unpolite as barbarous among the Beings, calle” 
: Gentlemen, at every ſmuttꝝ Alluſion to turn 
| to, and look the Ladies triumphantly our of 
| | Countenance, who timidly skulk behind their 
37 D 2 5 Fans. 


MN Ä—öĩ r eee e 
* * * * 4 * ern * n 1 
* . 


ed ci. [ 20 1. | 
Fans. Bur tlisis not all; : otitis Mels: 12 
may make immodeſt Plays ſerve as Pro- 
_dogues.to their vicious Ends, and model their 
Hopes, as they perceive the Doctrine to be 
more or leſs reliſhed by the Lady they have an 8 
* on. 
No Play ſhould be chiblied but at which 5 
our Wives and Daughters may be preſent with- 
out the Neceſſity of a Fan; n in warm 
Weather. | ; Sr ay: 
It was againſt Plays of this execrable Caſt, 
ſuch as the Relapſe, &c. that Por E with Spi- 
rit and Elegance inveighed; and more than 
{probably had the CHANCE in his Eye. 


% N, Pardon with Obſcenity hou 4 Pg. 
2 5% Wit and. Art conſpire to move en 

Mind; 

Bet Dulneſs with Obſcenity muſt prove, | 

As ſhameful, ſure, as Impotence in Love. 

In the 55 Age of Pleaſure, Wealth, " and 7 

Shs... 
dre a Weed, and thriv'd with large 
ncreaſe. _ 

N] ben Love was all an eaſy W 8 Core, 

Seldom at Council, never in a ar, 

_ Jaurs rul d the State, and Sfb Farces 
writ 3 | 


* * 5 1 «14431 of 


7 Nay Wirs 2 Penſions, 4 Kun on ps 
Lad Wit. th n f | N 


Te 


n e 
- NE LET 
. 4 4 2 "© 


Here} point your Thunder, and exhian 45. our 4 


not 4 1 M pl went 1 | 
70 nod, 790 Was "Hifted Lie We, . 
e e at. What F hey 1 


* - „e : N * 2 * 
Ei W — , m—y 1 — e g 


: 7. theſe Ane Carries, with nur Ba arts N = 


When LE 3 of ea 16,5: 43.0 
From cenſuting a very bad ly, let us 
now turn to, and ſum up the various Anti. 
conſtituents of an Actor Which are. An 
indifferent, ſtarveling, Semi- ſtature—a harſh, 
_ forbidding A ſpect, inexpreſſive of Grace, Dig- 
nity, or Commotion—a native, 'cynic*Sneer, } 
excluſive of all tender Scenes=—a diſplcaſing , | F 
Stiffneſs, and puppet-like'Strur in the Move- 
. ment of the Limbs; that is ſcarce any middle 
Motion at Elbow or Knee Punchs Twirl 
© of the Head—a Face-traverſing,” See- ſaw, un- 
mannerly Toffing of the Hands, Foreign from 
the Senſe.— In regard to Utterance; 2 grating, 
ſhivered, deſultory, ſtridulous, creckifig Dif- 
ſonance, "which, in ſoft impaſſioned» Scenes, 


puts us in mind of amorous Rails ita Corn- 


Field. — The Sum Total is l to the | 
"OM; offenſive to te Bur 8 5 al N | 


5 _—_. S Sx 
7 ; „ þ . . | : ; 
7 N. : * — - > 1 h — N 
- 4 6 
. 0 5 - , 


— 6 


The Catardtts of Che patrd, add 1 Opie: 
Fill of Senſe, are to be ſeen in tlie Ha- 
Market;'and the Burlerrar at it CoUnnr- Garden, 8 
as uſual. _ 


/ 


— f — g . * 4 4 1 a on, _—_ ; — — * * 
. N % ce 


The e Coniol AN, EY pe at. 
Drury- Lane Theatre, is, the moſt mobbing, 
hazzaing, ſhewy, boalling, drumming, fight> |, 
ing, trumpeting Tragedy I ever ſaw.>—As ex- 
hibired in Covent-Garden, it is the divine but 
nodding. Shakeſpear, put into his Night- G wn 
by 22 tre THOMSON ;, and hummd to Sleep 
by Den Torpedo, infamous for the Mezentian 
Art of joining his Dead to the Living: Fot 
which he is moſt juſtly damned. EF 

The Roman Mother of one Houſe, — 5 
Gentlemen declare for; the Ladies for that of 
the other: And the Generality of Spectarors 
in Behalf of the young Warrior. TW 

One Uſe this Tara- tantara Belli Drama 
may be applied to, is (that as the London - 
Cuckolds are politely diſmiſſed from the Stage) - 
it may be annually performed, to-, conelude - 
the Triumph. of the Lord-Mayors Days and 
with more Propriety than Tamerlane is on the 


Anniverſary of King WILLIAM: Of BOOK 


abſurd Conduct the trueſt Cenſure 1 is, the Ne 
glect a the Public to ſee i u. 8 


TS 


By a late Account £ | 
learn, that Seat of- — e of 
polite, Atts, Was d iſturhed on the ſudden by 
an Ear- raſping Diſcordance, neyer heatd hes 
fore; Scouts were ſent out to diſcover whence 
aroſe the Culprit- Sound. They obſeryed, at 
ſome Diſtance from the ſaered Summit of the 

Hill, that, Part of the Enrloſure had been; brake 

down; and in the Breach. eſpied the unhal- 

lowed Tracks of ſome Monſter that had 
paſſed that Way. On looking around, they 
remarked: the ee Brake to be agi- 
tated by the Motion of ſome new Inhabitabt. 

They hallood to it; and lo! inftantancauſly - 

out ruſhed with clumſy Precipitance the grave 

Emblem, and lengthy-viſaged Prozerype of Stu- 

Pidity, erected itſelf on its Hind-Lege, and pter 

ſented à tremendous Altitude of 3 þ 

which, and every Part, ſtood 2 Jack-Ass . 5 

ld . e 8 |; 
They beckoned to it, to Slow. them; and... x 

as D Dullneſs is ever inconſiderately forward, ** * 

skipped after them, proportionally, to us Un- 
wieldineſs, up to the DPreteneeHower, 1 the . 17 

tuneful Deities. | Tak 7 8 
Arorro and the nine Muſes Gniled, at the A 
groteſque! Figure; Which the vain Animal 
miſtaking for Approbation, and to return: the Shs 
Pete e 1 aan A 5 


- 
- 

* * IS 83 » : 2 
. x E. 

* Lo C 

. 5 P 

g 5 ; fe G 
/ | ; 4 2 


_ 
Fl 4 [ | q 
* 424. _— 


to ſtop the God, to prove to him that Hit played 
out of Time. Some Pieces of 1180114'S 


 "Infinuating, they had been ſtolen from him; 
and that of others he had contrived the Plan. 


like, but to heavily plod on what might be 
added to them; untouched by che Beaurics they 
were enriched with. 60 } AK. 


to alarm him in füll Choir. IO EAT 


"INE I 2 — 
: FFP 1 == - 
n n r 2 2 2 2 __ 
— r * 2323 — — ah v4, a bears Via ee toon ae am—_d 
- ſx FOR Oo 5 TR . = I”. + 
_—_ — OE n r . 5 
— — 1 — D _ . 8 by y — . , 


-bols: imaginable 35 but ſoon unable to contain 


was in, oped the dread Cavern of its Mo 
and brayed moſt immoderately. 2 


Sa e 4 3 SHE 85 1 51 4 


Signals to ſtill the horrid Clamour : but find 
ing them in vain, and further | provoked: by 
obſtinate Diſobedience, he hurled his Lyre at 
the Offender's Head. The Lyre, in its Re- 
bound from the Blow to Apollas Hand, with 
reiterated and ſilver * * to proctaim 


*Muſic that lay before him he grumbled over, 


The moſt excellent Pieces he ſeemed not to 


* q 3 — — 


— — 4 * * 2 N 7 9 a 
a Mn? * * f VVV 
1 0 8 - - * * "IEF , WR, bats 6! 
ö . 5 I + 
1 * A 2 ** * ok 7 N 
4 * 


APOLLO nis Lyre, to ſee how: 
ous affect the Brute; which now: and then 
-nodded Applauſe; but ſometimes attempted 


The Deity, in order to ke firttioht Trial 
of the diſagrecable Exotic, ordered the yaw 


Monſter exhibited the moſt itieutouds Gaim 


Muſes dropped their Inſtruments, covered their 
Ears with N Nana and ran ſhrieking- a- 


The God was for ſome ae ſuſpended be- 
twixt Laughter and Anger, and made many 


4 | the | 


3 
= 
* 


its bealtly Joy, and forgetful of the Place it 


"IR 
OR 


Bt 40 9 


gr -. i, 10 it 

The, ate chat ig with, Were 5 
OA 0 * e Vs 2 r 

pe oug 0 Lt which they + 
E impenctrab y up, te ven 
8c beser that SOT -Commanidec 
—obey ed. 51191303 ary 
Te ponderous, long-cared,. fours jote 
Parr was ſcarce recovered from the Stun 
of his Fall, but (as a vat his Kindred do in like | 
Situat iotis) attri uted his Diſgrace to to. 4 
1 x 1530 3 and determined to revehge * 
; Inſult he had received, by. eablihing.s. new 
Empire in the deſpi ſed \ altes;. ( without, che. 
Encloſute) at the Bottom of the Hill: An 
that his Whole Study ſhould be to inte 17 
ot mitguide all tholc, whoſe Genius might. if- 
1 them to riſe to its Top 
- Thenew mock- Monarchs Mannet ekt 
vay iccegulars he is always diſconterited, ever 
changing his Walks; ſeems to have no. fixed 

Determination to ſteer his Conduct b 

As to his Feeding He cars protniſcugally; 
- Without Choice ot Preference, of every Bram- 
bie ot Flower, Sc. that he meets; ang ſo 
| much, and Ohalttly, thiar he ſeldom, or never, 
E digeſts; 4 


rr , 1 


Ts 26 10 . 
digeſts; but on the firſt Comer abruptly dif: 8 | 
embogues it all, with ſcarce any other-Altetas © 
zation, than that of a Sreen-tinctured Virus | 
lence. — ae SHIGA e 1 3 
He is troubled Wich frequent Swellings in 
the Forchead,. which, to be delivered of, he 
rubs them againſt a knotted Oak; till out oozes 
a black Matter that trickles in inky Lines down 
his rueful Checks, and Snout: A Sight of ridi- 
culous Solemnity to all Beholders.— The 
moſt friendly Action. can be done to him, is 
to wipe them off, and not leave 2 Trace be- ; 
og: 3 | 
. perſon he deſcries deſtg gning to at- 
tempt Parnaſſus's Summit, and abandoned 
by Minerva by pawing Congees, and all 
naſty Flattering in a falſe Shew of Friendſhip, 
he labours to delude ; boaſts that he alone 
poſſeſſes the Secrets of all Arts: Miſleads the 
unwary, and from that Moment, loſt Be- 
lievers through rugged Roads, thorny Paths, 
dark Thickets, and filthy Lakes. — The laſt Pe- 
riod of the Seduced's Misfortune, and Infamy, 
5 3s, when they unnaturally conjoin Iltis do . 
by Fate, but they in Thought engender Mule 
For however ingenious the Betrayed mighthaye 
© originally, been; in their joint Trodat n e 
NS will always predominate. _., 
So much on an Ass; I wave any nac let 
2 Smart ſhould cry out, Alnus Aft num fricat, 
eee Umm I SIDES SS 71cK/ing an- 


PIGS ne ger - - 
e — ee 


r 
* * 


* > * = 
MF, 1 a * 3 [4 
* * * +, 4 


7 7 * * be +. Pappu of — - 2 ah Fr * 
- — Z — 4 
2 TY A 4 * ? : . , K os 0 


al nade of this ſurprizing Hiſtory ! a hick 
| we hall lavgh oſt 8 e 

| ö e 
in order to prevent the grow: ; 
1 . ſome Perſons (in 

| Gentlemen's C | \- coming drun 1 
be e aud of which we b 

ir | decent Inſtance at one of the = 


1 


5 


th em, by, way of Inſtruction, the Sr fan Cur 


in the 


| as) of our Servants, though "Free Urn, 
readily nder, 80% to > rheit”C 


4 


Des «> 


theſe. Natzons; but from thoſe Pretenders to, 
and. Vilifiers of the proftitured Name of Ho- 
nour; when Wine intoxicates them with tur- 


bulent Spirits, to make themſelves ridiculous. i 


Is it not from People who appear in public 
(1 mean thoſe who attend Places of 


public Di- 
verſion, and are called the Town) that Nations 


muſt inherit Fame or Infamy, according to the 


= or bad Behaviour there? 
1. have, on the Occaſion of this Poltſeripr, 


Iich fome of their Friends would ien 


a 


rl which "was 1 to introduce their Ses when 
c Height of  Drankenueſs a. Dr 1 Hery 
born, will 
Aldren; that the 


pvp ſt A. 
ik, 


web bag are "the EW — unman- 
meal. obſcene, &c. looked on as the diſtin» 
guiſhing Characteriſtics of the greateſt: Part of 


_ 


fſeen, at the diſturbed- Play-Houſe, every ones 
Attention called off from the Buſineſs of the 
Stage, and engroſſed (With various Senſations 
indeed] for a conſiderable Time, by (to chari- 
tably treat them) a few Fools or 
who thought they had Humaur enough to en- 
tertain, or Mine given Colrage to \ wm the . 

3rd of the Company. Fa '1 | 


admen, 


e 


* TONGUE. 


= — . I % 
£ ©. $ © 


; Spartans,” REECE they | 
pete ene, 


4 Slave, 
ome captive Helot querchay 


o 


WT 


* F 5 * 4 Y 
A Wa b 0 
þ . y * 8 
F * * ; 0 7 % , 
* 8 * 1 $4.4 * kf 


þ a; 
_ + 


2 


ln 
=” — 


** - — * * Y 4 * * 
9 + 
4 * . % 
Py ILY ae By Ls * 2 _— 
2. — — 5 : 7 2 n 
* — 
* WY - 


x Has Polteneß to; 515 . rc 5 2 
Study to oblige each tlie other,” fpeak Alem W 

of A clvilized Community. Rudeneſb aud 

| Obſcenity proclaim the Reverſe; the Profeſſors | 


Thy 2 are remarkably. tidiciitour In liek 7 S 
Diels; come more frequently to the Greer 
Boxes, really, or affectedly drunk; ſtrut it on. 
the upper Seat; and caſt a Look of Defiance o 
all below them. Their firſt Care is to ſpy our 
any of thoſe unhappy Creatures liable to their 3 ö 
Addreſſes. Down they thunder their haſty „ 
Viſit; to go cafily, or gently, would not (ix 
their Senſe) be Gentleman- like. I have often 
perceived the unfortunate Wretchles, ſelf- con- 
demned to be expoſed to their Impertinence; 
in pain for their Behaviour. Another Pro- 
or of theirs is to halloo to each other, to 
the Annoyance of the Company preſent.—If 
any Perfon, in behalf of Humanity and Good- 
Manners, look at one of thoſe. Sons of Terror 
He rretorts a Look, as if he would annihilaee 
him.-—Now, —ſcerbem ſcout from one Box tõ 
another, lixe ſo many Rats with meagre Bodies, 
and long Tails; and are a no leſs fri ohrful | 
Object to the virtuous Part of the. Tal- Ses; | 
To ſit by whom, is a | fayourite. Diverſi ion, in 


442 


Modeſty, by pouring out all har Obſcenity can | 


furniſh their infamous "SH with, —By- 
Þ+ and- 


% * 5 1 + 

K ; C 9 e * 8 
f Iz — N 85 . 

} \ W Es 7 4 


E + © e 
. A 
7777 IIS CS 
78 = . =” 2 oY 


8 bn OS "4 8 8 — 3 
— * 1 2 Te” RY 
* N 4 OM 'S £ „ 

0 4 * *.* 4 * = — - * 2” { >a, 

1 * Id * . 4 2 OSS ” 

Ui i a } N 3 


cool Air without Doors commonly reconciles 
Houſe, if the Play 


Lambs when ſeparate; have long Swords 
ſhriveld Arms; Souls without Feeling Hes ; 
without Courage, Heads without Brains; aud 
are oft meer walking Cadayers, exhauſted of 


eyer unpleaſing the Task, a Deline 


ſhould be let to 0 with ee 8 9 


- Ee tn . Ran oy — * ER 5 "ar 1 2 9 8 2 ** "0 —_ COLETTI * * * 
+: 5 * 7 8 28 I 1 * 1 7 | 8 5 5 Y 2 9 9 3 7 
”= SF EEE» Tas ge NE 
* r GS . en 3 e 
5 8 $A fr : . WO * y 5 
31 5 3 : f Fu * e : ; 7X, : 


15 $644 me CO ae — Gion. 
Away they drive, or are n pig oy nga „ 
"keepers. and Guard, in as impetuous a manner 
as they ruſhed in, and ro nat fight :Farithe * 
the Parties. — They rally to another Part; nem, 
Diſturbance, new Expulſion.— While in the 


going 


on, they ate iure 
make a Noiſe; and be quiet while the Muße 
plays. — They are riotous together, but- Foro: 4 


There! is but a general Vi 3 uch Ofen ic 
given here, in hopesFthat ſtruck with the Hor: 


rors thereof, they may. amend 3+ if nor, how I 


particular Features will be exhibited or 
is better, ſure, that a few unmannered Bruten 1 
be expoſed, than that all Decorum be overs | 
turned; or that any new Attempts to — 4 


EW 


* 


2 


* 


* 
N b ? F . = . 

ha, £ : 5 | ; 
4 f Wt & . 8 

c * 
3 6 * # 7 7 — U , 12 
2 * , Sa 1 3 
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