B08TOJN   HANDEL  A^v  iiAYDN  SOCIETY 


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.'I'RLISHBO  BY  UICHARDSON,  LOi  (.LBIiOOK.  i\o.  133,  MASHlNt.TQN  .•^IKliiii 


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THE 


BOSTON  HANDEL  AND  HATDN  SOCIETY 

^oUtction  of  mmrch  JDIusir  j 

BEING  A  SELECTION  OF  THE  MOST  APPROVED 

PSALM  AJyB  HYMJY  TUJVES; 

TOGETHER  WITH  SLANT  BEAUTIFUL  EXTRACTS  FROM  THE  WORKS  OF 

UATD^,  MOZART,  BEETHOVEN,  AJS'D  OTHER  EMIJVEJ^T  COMPOSERS. 

HARMONIZED  FOR  THREE  AND  FOUR  VOICES,  WITH  A  FIGURED  BASE  FOR  THE  ORGAN  AND  PIANO  FORTE: 

M ■■  —Assembled  men,  lo  the  deep  Orgran  join, 

The  long-resounding  Toice,  oft  breaking^  clear, 
Al  solemn  pauses,  through  the  swellins;  Base  ; 
And,  ai  each  ming;ling  flame  increases  each, 
In  one  imited  ardour  rise  to  Heaven  !"—7'Aom«on. 


oEigljtft  <eriition,  toiti)^  aDDitionje;  ano  improtiemenw. 


PUBLISHED  BY  RICHARDSON  AND  LORD,  No.  133,  WASHINGTON-STREET. 

1S29. 


f^U^W^^a^te^^i)WbftrftrifaiWa^tiii^\iJS^^"fr^')^--=^-  '^'^'^^'^^'"'^''''^''^'^''^'^'''^^''^'^^^''^'^'''^^^ 


DISTRICT  OF  MASSACHUSETTS— TO  wit: 

District  CLEnK''3  Office. 

BE  it  remembered,  that  on  the  twenty-fifth  day  of  May  in  the  y'^\f°"'J-°'^.^' 
thousand  eiRht  hundred  and  tw.nty  nine,  in  the  fiftyth.rd  year  "[, 't'^,  "^^^^^"^'"^^ 
of  the  Unit'ed  States  of  America,  Joseph  Lewis,  Secretary  of  the  "/"d^'  ?"d  Ja^dn 
Society,  of  the  said  di.lrict,  has  deposited  in  this  Office,  the  t.tle  of  a  book,  the  r>ght 
whereof  he  claim?  as  proprietor,  in  the  words  lollowing,  to  wit: 

"The  Boston  Handel  and  Haydn  Society  Collection  of  Church  M.-.c ;  bemg  a  selec  .o„ 
of  the  mostapi-roved  Psalm  and  Hymn  Tunes;  together  w,th  many  >^«»"»'f»' ^^'^^^'^-X™ 
the  works  of  Haydn,  Mozart,  Beethoven,  and  other  emment  composers.  Harmonued  ior 
three  and  four  voices,  with  a  Figured  Base  for  the  organ  and  p.ano  forte. 

I' Assembled  men,  to  the  deep  Organ  jom, 

The  long-resounding  voice,  oft  breaking  clear. 
At  solemn  pauses,  through  the  swelling  Base  ; 
And,  as  each  mingling  flame  increases  each, 
In  one  united  ardour  rise  to  Heaven  V'— Thomson. 
Seventh  Edition,  with  additions  and  improvements  ' 
In  conformity  to  the  act  of  the  Congress  of  the  United  States,  entitled,   '  An  act  for  the 

of  lear  i„;'by  secnrin'g  the  copies  o'f  maps,  charts  and  books,  to  «he  authors  and  pro- 
pri  tors  of'suJh  copies^during  the  times  therein  mentioned  ;  and  ex  endrn^  the  benefits 
thereof  to  the  arts  of  designing,  engraving  and  etching  hist^oncal^,  and  othe^r^F'"*^- 

Clerk  of  the  District  of  Massachiueltt, 


PREFACE. 


THE  Handel  and  Hatdn  Society,  having  been  instituted  for  the  purpose  of  improving  the  style  of  Church  Music,  have  felt  it  their 
duty  to  keep  two  objects  continually  in  view  ;  the  first  to  acquire  and  diffuse  that  style  and  taste  in  performance,  without  which  even  the  most 
exquisite  compositions  lose  their  effect ;  the  second,  what  was  indeed  a  necessary  pre-requisite,  to  furnish  the  public  with  a  selection  of  the 
most  approved  and  useful  compositions,  from  both  ancient  and  modern  authors. 

With  regard  to  the  first  of  these  objects,  they  reflect  with  great  pleasure  upon  the  success  which  has  attended  their  efforts.  A  visible  im- 
provement has  taken  place  in  the  style  of  singing,  and  consequently  in  the  taste  of  the  community.  Not  only  the  practice  but  the  science 
and  theory,  have  been  the  objects  of  great  attention  ;  the  increase  of  patronage  has  been  commensurate  with  the  increase  of  knowledge  and 
fondness  for  the  art :  and  the  various  collections  of  psalmody,  and  the  number  of  editions  to  which  some  of  them  have  passed,  are  sure  and 
certain  indications  of  increasing  refinement  in  the  public  taste. 

Th«se  favouratile  appearances  have  animated  the  exertions  of  the  Society,  with  regard  to  what  they  have  mentioned  as  the  second  object 
of  their  attention.  It  is  obvious  that  no  collection  of  Sacred  Music,  can  be  so  extensively  useful  in  this  country,  as  one  of  Psalmody.  The 
only  question  which  can  arise  therefore,  is  with  respect  to  ihe  peculiar  advantages  to  be  derived  from  that  which  is  now  presented  to  the 
public. 

The  Handel  and  Haydn  Society  have  certainly  no  disposition  to  detract  from  the  merits  of  the  respectable  collections  which  are  now  in 
use  ;  and  they  wish  to  avoid  any  appearance  of  depreciating  the  efforts  of  those  whom  they  consider  as  fellow-labourers  for  the  promotion 
of  a  common  benefit.  They  are  highly  gratified  with  the  improvement  in  tlie  selection  and  performance  of  Psalmody,  which  has,  within  the 
last  few  years,  been  made  in  the  American  Churches.  But  while  much  attention  has  been  bestowed  upon  the  selection  of  appropriate 
Melodies,  it  is  evident  that  a  correspondent  attention  has  not  been  paid  to  correct  Harmony.  To  remedy  this  defect,  has  been  the  special 
object  of  the  Society  in  the  present  work. 


ir  PREFACE. 

Many  of  the  oldest  and  best  Psalm  Tunes,  as  Ihey  were  originally  composed,  were  simple  melodies ;  and  as  the  practice  of  singing  meter 
psalms  in  public  worship  was  only  allowed,  not  enjoined  in  England,  and  was  confined  to  the  parish  churches,  it  was  not  much  attended  to  by 
the  principal  masters,  who  were  chiefly  engaged  in  the  composition  of  Cathedral  Music.  When  therefore  the  other  parts  were  added  to 
these  simple  melodies,  meter  psalmody  being  considered  of  minor  importance,  the  harmonies  were  mostly  added  by  inferior  composers.  And 
even  when  the  harmonies  were  original  parts  of  the  composition,  a  beautiful  air  might  be  composed  without  any  of  that  science  which  was 
necessary  to  direct  with  propriety  the  subordinate  parts. 

Of  late  years  however,  a  great  change  has  taken  place  in  the  public  sentiment  with  regard  to  the  importance  of  psalmody,  and  this  has  of 
course  called  the  attention  of  the  most  eminent  masters  in  England  to  the  subject.  Several  of  them  have  been  recently  employed  in  harmo- 
nizing  anew,  many  of  the  old  standard  airs,  and  also  in  selecting  and  adapting  movements  from  the  works  of  Handel,  Haydn,  Mozart,  Beetho- 
ven, and  other  great  masters,  whose  mighty  talents  have  been  displayed  and  acknowledged  throughout  Europe. 

The  Society  are  fully  aware  of  the  cautious  delicacy  with  which  variations  should  be  admitted  into  tunes,  that  by  long  use  have  become 
familiar  and  by  the  power  of  association  with  holy  purposes  have  been  in  some  measure  sanctified.  They  have  been  careful  therefore  to 
retain  in  general,  the  airs  of  the  several  tunes  unaltered ;  but  as  the  longest  usage  cannot  reconcile  science  and  correct  taste  with  false  har- 
mony, it  has  been  found  indispensably  necessary  to  introduce  changes  into  the  accompanying  parts.  The  leading  part,  hovrcTer,  being  unal- 
tered, the  change  will  not  be  such  as  to  shock  even  the  most  accustomed  ear ;  while  the  increased  richness  of  the  harmony  cannot  fail  to 
increase  the  delight  of  every  lover  of  Sacred  Music. 

A  method  of  indicating  the  precise  time  in  which  any  piece  of  music  should  be  performed,  has  long  been  considered  a  desideratum.  The 
terms  Adagio,  Largo,  Andante,  Allegro,  and  others,  commonly  used  to  denote  the  time  of  music,  are  very  indefinite.  The  proportions  which 
Ihey  bear  one  to  another  are  undecided;  composers,  as  to  this  point,  differing  from  one  another,  and  sometimes  being  inconsistent  with 
themselves.  And  even  if  the  proportions  were  decided,  the  actual  degree  of  velocity  denoted  by  any  one  of  the  terms  would  yet  remain  unde- 
termined. 

Malcolm,  in  his  Treatise  of  Music,  published  in  1721,  describes  a  machine  invented  by  M.  Loulie,  a  French  Musician,  for  the  purpose  of 
measuring  time  by  means  of  a  Pendulum  :  and  Rousseau,  in  his  Dictionary,  speaks  of  a  similar  instrument,  called  a  Chronometer,  ivhich  ap- 
peared about  1750.  But  the  machine  most  recently  invented,  and  which  now  deservedly  possesses  the  greatest  celebrity,  is  Maeizel's 
Metronome,  or  Musical  Time-Keeper. 

"  The  object  of  this  invention  is  two-fold  :  1st.  It  affords  to  the  composers  of  every  country  the  means  of  indicating,  in  a  simple  and  deci- 
sive manner,  the  degree  of  quickness  with  which  their  works  are  to  be  executed.    2ndly,  It  accustoms  the  young  practitioner  to  a  correct 


PREFACE.  V 

observance  of  time,  which  it  beats  with  unerring  precision,  and  according  to  any  velocity  required,  during  the  whole  performance."*  Many 
of  the  most  respectable  composers  in  Europe,  now  mark  their  compositions,  by  this  Metronome,  and  within  a  few  years  it  has  been  employed 
in  several  publications  of  Sacred  Music. 

To  those  patrons  of  the  following  work,  who  possess  Maelzel's  Metronome,  it  will  be  sufficient  to  say,  that  the  time  is  marked  at  the  com- 
mencement of  nearly  all  the  tunes,  with  a  view  to  the  use  of  that  instrument.  This  notation  of  the  time,  however,  will  not  be  without  its  use 
to  such  as  do  not  possess  the  Metronome. 

The  degrees  marked  upon  the  Metronomic  Scale,  denote  the  number  of  vibrations  performed  by  the  Pendulum  in  one  minute  :  hence  if  a 
tune  be  marked  j*  80,  or  *  80,  kc.  the  m-eaning  is,  that  it  is  to  be  sung  at  the  rate  of  80  crotchets,  or  quavers,  &c.  per  minute  ;  in  which  cas« 
we  have  only  to  adjust  the  sliding  guage  of  the  Metronome  to  the  80th  degree  of  the  scale,  and  the  Pendulum  will  then  perform  80  vibrations 
in  a  minute,  or  one  vibration  for  every  crotchet,  or  quaver,  kc.  Old  Hundred,  for  example  is  marked  •"  60,  and  of  course  is  to  be  sung  at 
the  rate  of  60  crotchets  per  minute,  or  one  crotchet  per  second.  In  this  tune  there  are  32  minims,  equal  to  64  crotchets  : — allowing  a  pause 
of  half  a  measure  at  the  end  of  each  line,  which  is  in  general  a  good  rule,  the  time  requisite  for  the  performance  of  the  tune  will  be  70 
seconds.  It  is  evident  therefore,  that  the  exact  time  of  any  tune  marked  for  the  Metronome  may  be  determined  by  the  aid  of  a  stop-watch 
with  a  second  hand. 

The  Society  would  not  have  it  inferred  that  a  tune  ought,  on  all  occasions,  to  be  performed  in  the  exact  time  here  marked :  for  the  time 
should  necessarily  be  slower,  when  singing  is  performed  by  a  congregation,  than  when  it  is  performed  by  a  choir  ;  and  not  so  slow  in  the 
chamber,  as  in  the  church;  and  "Church  Tunes,  which  are  to  be  performed  with  a  great  variety  of  Hymns  and  Psalms,  will  require  often 
very  different  movements."! 

In  the  general  selection  of  the  music  and  arrangement  of  the  harmony,  the  Society  are  happy  in  acknowledging  their  obligations  to  Mr. 
Lowell  Mason,  one  of  their  members,  a  gentleman  whose  musical  science  is  highly  honorable  to  American  talent. 

The  Society  are  far  from  thinking,  that  with  all  their  care  and  advantages,  they  have  produced  a  perfect  work.  Imperfection  is  the  char- 
acteristic of  every  human  effort ;  and  works  of  this  nature  especially  will  approach  the  ideal  standard,  only  by  a  slow  and  gradual  approxima- 
tion. They  indulge  the  hope,  however,  that,  in  presenting  to  the  public  the  following  collection  of  Church  Music,  they  contribute  something 
toward  the  promotion  of  correct  taste,  and  the  improvement  of  an  interesting  and  a  delightful  part  of  PUBLIC  WORSHIP. 

•  Jones's  History  of  Music.  f  Tcmpli  Carmina.' 


EXTRACTS  FROM  REVIEWS  OF  THE  WORK. 

"  It  is  a  collection  [Handel  and  Haydn  Society]  containing  most  of  the  old  approved  tunes  whose  melody  or  air  is  dignified,  solemn,  reve- 
rent, chaste,  and  every  way  suited  to  divine  worship — harmonized  judiciously  upon  the  improved  and  essential  principles  of  modern  musical 
science.  This  is  ground  enough  for  commendation."  "  The  harmony  throughout  is  e.tecuted  in  the  highest  style  of  scientific  accuracy  and 
skill.  But  what  is  still  more  important,  it  has  been  written  with  a  constant  reference  to  the  grand  object  of  church  music,  the  excitement  of 
devotional  feeling.     It  is  emphatically  religious  harmony." — Christian  Spectator,  published  at  JVew-Haven. 

"  We  congratulate  the  friends  of  Church  Music  on  the  appearance  of  a  book,  containing  a  sufficient  number  and  variety  of  tunes  for  public 
and  private  worship,  harmonized  with  judgment,  accuracy  and  elegance.     Believing  it  to  be  calculated  to  improve  the  public  taste  in  relation 
to  psalmody,  and  to  rescue  this  delightful  part  of  public  worship  from  its  languishing  state,  we  sincerely  hope  it  may  be  generally  adopted 
and  become  the  standard  of  sacred  music." — Christian  Advocate,  published  at  Philadelphia.  ' 

"  We  feel  fully  assured,  that  the  Handel  and  Haydn  Collection  is  calculated  to  elevate  the  standard  of  sacred  music,  and  to  secure  the  object 
of  it  institution  ;  and  we  warmly  recommend  its  introduction  as  a  sure  means  of  improving  this  part  of  the  public  services  of  relio-ion." 

Boston  Telegraph, 

"  After  a  thorough  examination  we  are  decidedly  of  the  opinion,  that  clergymen  and  nlhers,  who  are  desirous  of  improving  the  present 
state  of  sacred  music,  can  employ  no  means  so  eftectual  as  the  circulation  of  this  admirable  collection." — Boston.  Recorder. 

"  It  is  a  work,  containing  one  of  the  most  complete  Collections  of  Psalmody  that  ever  was  embodied." 

"  It  demonstrates  the  advancement  of  the  Americans  in  Music."  "  Without  pretending  to  have  looked  deeply  into  each  of  the  tunes,  con- 
tained in  this  volume,  we  can  assert  of  the  many  we  have  examined,  that  they  are  well  arranged,  that  tlie  harmonies  are  faultless,  and  that 
the  Devotional  Character  of  both  Music  and  Words  has  been  attended  to  most  strictly." — Hamwnicon,  published  at  London. 

"The  concurrent  testimony  of  good  judges,  so  far  as  we  have  had  the  opportunity  of  knowing,  is,  that  the  Selection  of  Melodies  is  singu- 
larly judicious  and  complete." — Missionary  Herald.  , 


i 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


►■}t®*« 


OF  THE  STAFF. 
MUSIC  is  written  upon  five  parallel  lines,  with  (heir  intermediate 
spaces.    These  lines  and  spaces  are  called  a  STAFF,  and  are  counted 
upwards,  from  the  lowest. 

EXAMPLE. 


Lines. 


Every  line  or  space  is  called  a  degree  :  thus  the  Staff  includes  nine 
deo-rees,  viz.  five  lines  and  four  spaces.  When  more  than  nine  de- 
crees are  wanted,  the  spaces  below  and  above  are  used  ;  and  if  a  still 
greater  compass  is  required,  Leger  Lines  are  added,  either  above  or 

below  the  staff. 

EXAMPLE. 

■     Leger  Lines  above. 


Leger  Lines  below. 


The  distance  between  any  two  degrees  of  the  Staff  is  called  an  In- 
terval :  as  from  the  first  line  to  the  tirst  space,  or  from  the  first  to  the 
second  line,  &c. 

OF  THE  REPRESENTATION  OF  MUSICAL  SOUNDS  UPON 
THE  STAFF  AND  CLEFS. 
There  are  seven  original  pounds  in  music,  and  these  are  named 
from  the  first  seven  letters  of  the  alphabet :  viz.  A,  B,  C,  D,  E,  F  and 


G.  These  letters  representing  the  seven  musical  sounds  are  affixed 
to  the  several  degrees  of  the  staff  in  regular  order  :  thus,  for  example, 
if  A  be  on  the  first  space,  B  will  be  on  the  second  line,  (the  next  de- 
gree above)  C  on  the  second  space,  &c.  „„iuj 
Their  application  to  the  Staff  is  determined  by  a  character  called 

^  There  are  three  Clefs:  viz.  the  Base,  orF  Clef;  the  Tenor  or  C 
eief ;  and  the  Treble,  or  G  Clef  The  Base  Clet  alw^y^.^J'^""^'^^? 
is  placed  upon  the  fourth  line  of  the  staff,  and  is  used  for  the  lowest 
voices  of  men. 

EXAMPLE. 


The  Tenor  Clef  always  denotes  C,  and  is  placed  either  on  the  third 
1  fourth  line  of  the  Staff.*  When  placed  upon  the  third  line,  it  is 
illed  the  Alto,  or  Counter  Tenor  Clef,  and  is  used  for  the  highest 


or 

c 

voices  of  men 


EXAJIPLE. 


•  This  Clef  is  sometimes  used  upon  the  first,  second,  and  fifth,  as  well  as  upon 
the  third  and  fourth  line  of  the  StaiE, 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


When  placed  upon  the  fourth  line,  it  is  called  the  Tenor  Clef,  and 
is  uied  for  the  middle  Toices  of  men. 

EXAMPLE. 


The  Treble  Clef  always  denotes  G,  is  placed  npon  the  second  line 
of  the  Staff,  and  is  used  for  female  voices. 

EXAMPLE. 


The  following  Example  exhibits  at  one  view  the  different  Clefs  with  their  relative  situations : 


Treble. 


-C- 

AUo.  ^  -B-       L 

vail-'- ^  __.  _«-  _L-  —. 


*  Unison,  or  the  same  sound. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


IX 


Id  many  late  publications,  the  C  Clef  has  been  omitted,  and  the  F 
and  G  Clefs  only  have  been  used  ;  the  latter  being  appropriated  to 
the  Tenor  and  Alto  as  well  as  lo  the  Treble.  This  indiscriminate 
use  of  the  G  Clef,  inasmuch  as  it  exibits  the  harmony  in  a  false 
point  of  light,  is  certainly  calculated  to  embarrass  and  mislead  both 
composer  and  performer  :  it  is  much  to  be  regretted,  therefore,  thai 
its  general  prevalence  in  this  country  has  created  a  sort  of  necessity 


of  its  admission  into  the  present  work.  It  should  be  observed,  how- 
ever, that  when  the  G  Clef  is  used  for  Tenor  or  Alto,  it  denotes  G 
an  octave,  or  eight  notes,  lower  than  when  used  in  its  proper  place  ; 
viz.  for  the  Treble.  This  will  explain  some  apparently  forbiddea 
progressions,  as  those  intervals  which  apppear  lobe  a  fifth  above,  are 
often  in  reality,  a  fourth  below  ;  and  vice  versa. 


The  following  example  will  exhibit,  at  one  view,  the  Clefs  as  used  in  this  work,  with  their  relative  situations. 


Treble. 


Tenor  and  Alto. 


Base. 


-c-       » 


liilliiiiillg^^iiilililliiiliiiiiiiiiJ 

•  Unison. 
H.  &  H.  2 


X  INTRODUCTION  TO  THE  ART  OF  SINGING. 

Asi  it  is  of  the  greatest  importance  that  (he  situation  of  the  letters  upon  the  Staff,  should  be  perfectly  knoirn,  the  student  is  advised  to 
commit  to  memory,  with  great  care,  the  following  Scale,  or,  ' 


GAMUT. 


Treble,  Alto,  and  Tenor. 

— A —        First  leger  line  above. 
G            First  space  above. 
F Fifdi  line. 


Fourth  space. 
-Fourth  lifle. 


Third  space. 
-Third  line. 


G- 


Second  space. 
-Second  line. 


•E- 


First  space. 
-First  line 


D 

-C~ 


First  spuce  below. 
First  leger  line  below. 


m 


Base. 


G 


— C —  First  leger  line  above. 

B  First  space  above. 

-A Fifth  line. 

Fourth  space. 
-Fourth  line. 


Third  space. 
-Third  line.  • 


Second  spare. 
-Second  line. 


-G- 


First  space, 
-First  hue. 


F 
_E— 


First  space  btlow. 
First  leger  line  below. 


OF  NOTES  AND  RESTS. 

Notes  are  cbaracters  written  upon  the  Staff  pxhibiling  the  onlpr 
and  duration  oilhe  several  musical  sounds  employed  in  a  melody  or 
tune. 

Rests  are  marks  of  silence.- 


There  are  six  kinds  of  Notes,  and  an  equal  number  of  Rests  in 
modern  use,  as  follows  : 


Semlbrere.  Win'.m.  Crnlchet,  Q,uaver.  Scmiquarer.   Pemi'emiqaaveiv 

Notes  1Q--1     HpZZZ     IffZZZ    ZMZ--     ZW.--Z.     Z*Z_Z 


Rests 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


X! 


The  proportion  which  the  diiTerent  notes  bear  to  each   other  is 
'^'exhibited  in  the  follovviog  table  ; 


One  Semibreve 


2  Minims 


ZDZ 


=P-P- 


is  equal  in  duration  to 


4  Crotchets 


8  Quavers 


— UULjLj —  ' — P 


16  Semiquavers       -gfe^fe^l^j — '-^'—\ — '-'-F""     " 


32  Demi-s^$SS«r^S^$£$«::£€SES»Si:i^^E^SS= 


ai= 


Consequently  one  Minim  is  equal  in  duration  to  two  Crotchets;  one 
Crotchet  to  two  Quavers  ;  one  Quaver  to  two  Semiquavers,  &c. 

The  Rests  are  equal  in  duration  to  their  corresponding  notes:  thus 
a  Semibreve  Rest  is  equal  to  a  Semibreve;  a  Minim  Rest  is  equal  to 
a  Minim,  kc. 

A  Dot,  after  a  note  or  rest,  adds  one  half  to  its  original  length: 
thus,  a  dotted  Semibreve,  is  equal  in  duration  to  three  Minims;  a 
dotted  Minim  to  three  Crotches,  &c. 


EXAMPLE. 


-QTzir, 


A  figure  3,  placed  over  or  under  three  notes,  signifies  that  they 
are  to  be  performed  m  the  time  of  two  notes  of  the  same  kind  without 
the  figure  •  thus,  three  crotchets,  with  the  figure  3  over  or  under 
them,  are  to  be  performed  in  the  time  of  two  crotchets  without  the 
figure,  &c. 

EXAMPLE. 

3  3 

A  figure  6,  placed  over  or  under  six  notes,  signifies  that  they  are  to 
be  performed  in  the  time  of  four  notes  of  the  same  kind  without  th« 
fisrure. 


OF  VARIOUS  OTHER  MUSICAL  CHARACTERS. 


A  Flat         — fe—  lowers  a  note  half  a  tone. 


A  Sharp.      — #—  raises  a  note  half  a  tone. 


A  Natural 


— Z  (  restores  a  note  made  flat  or  sharp  to  its  original 


m 


sound. 


xii 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


Flats  or  sharps  placed  at  the  beginning  of  a  tune  or  strain  are 
called  a  Signature. 

Flat?,  Sharps  or  Naturals,  when  placed  before  a  note  are  called 

Accidentals. 


A  Bar  -+2  's  used  to  divide  the  notes  into  equal  measures. 

* 

(  denotes  the  end  of  a  strain  or 
(  ment,  or  of  a  line  of  the  poetry. 


— ]Z       — -ll-  (  denotes  the  end  of  a  strain  or  move- 
A  Double  Bar    ZiIz  *""  — 4 J— '  ' ''-  '' '' " 


A  Pause,  /i\  leaves  the  time  of  a  note  or  rest  to  be  protracted  at  the 

pleasure  of  the  performer. 
Staccato  Marks  '  '  t  i  or  •  •  •  •  are  placed  over  such  notes  as  are 

to  be  performed  in  a  short  and  distinct  manner. 


A  Brace 


i  shows  how  many  parts  belong  to  a  score,  or 


'  are  to  be  performed  together. 


EXAMPLE. 


Written, 
I        1 


Sung. 


A  Su  R,  or  Tie,  1^^  is  drawn  over  or  under  so  many  notes  as  are 
to  be  sung  to  one  syllable. 

:s: 

.  „  -HZ       Z~-Z  i  shows  what  part  of  a  tune  is  to  be  sung 

A  Repeat,  -±-  or  -^-     ^^^.^^ 

• _       _     ^- 

A  Crescento   ^ —  signifies  a  gradual  increase  of  sound. 

A  Diminuendo  "---     signifies  a  gradual  decrease  of  sound. 

i  signifies  a  gradual  increase   and  decrease  of 
A  Swell,    ,^-~-~,    ^  gp^„j_ 


iEEEEEEEfE|E^EfE^^izre=:M-f=l 

!_p — p_p_p — I — ^—2: — ^ tj, gp -■ 

~~r  i  is  employed  at  the  end  of  a  staff,  to  show  the  place 
A  Direct,  -5^  |  of  the  first  note  upon  the  following  Staff. 

A  Shake,  tr  is  an  ornament  or  grace,  brilliant  and  elegant.  It  con- 
sists of  a  quick  alternate  reiteration  of  the  note  above,  with  that 
over  which  the  character  is  placed,  and  usually  ends  with  a  turn 
from  the  note  below. 


EXAMPLE. 


Sunt;. 


An  Appogiature,  or  Leading  Note,  is  a  note  of  embellishment.  Its 
chief  office  is  to  suspend  the  completion  of  the  subsequent  harmony, 
and  thus  to  soften  and  smooth  the  effect  of  certain  intervals.  •'  bor- 
rows its  time  from  the  succeeding  note  and  is  most  frequently  hall  its 
duration.     It  always  occurs  on  an  accented  part  of  a  measure. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


XI  n 


EXAMPLE. 


Written. 


iPieiiiiiliiiiiiiiiiiiii 

Performed.  or. 


:=ferlizt=S=i-rE=fe:M 

or, 

Mifzp"|fz5z-]J 


An  After  Note  is  also  a  note  of  embellishment.  It  borrows  its 
time  from  the  preceding  note,  and  always  occurs  on  an  unaccented 
part  of  a  measure. 


Written. 


EXAMPLE. 


Performed. 


i4:iS=[ 


M=Mml 


As  the  insertion  of  the  Appogiature  and  After  Note  is  a  matter  of 
taste,  no  definite  rule  can  be  given  for  their  performance,  which  must 
vary  ac.cortling  to  the  expression  of  the  passage.  They  are  usually 
written  in  ii  i^nialler  character  than  common  notes,  to  show  that  they 
do  not  properly  belong  to  the  chord  in  which  they  appear  ;  by  which 
means  a  visible  breach  of  the  laws  of  harmony  is  "avoided. 


Syncopated  or  Driving  Notes,  are  those  which  commence  on  an 
unaccented,  and  are  continued,  on  an  accented  part  of  a  measure. 

EXAMPLE. 


EIE^E 


OF  SOLMIZATION. 

SoLMizATioN,  or  SoLFAiNG,  is  the  application  of  certain  syllables  to 
musical  notes.  It  enables  the  young  practitioner  to  utter  the  sound 
of  a  note  with  fulness  and  freedom,  and  assists  him  to  secure  n  correct 
intonation.  By  associating  the  idea  of  the  several  syllables  used,  with 
their  corresponding  sounds,  he  becomes"  familiar  with  the  exact  rela- 
tion which  one  note  bears  to  another,  and  acquires  the  power  of 
expressing  those  notes  with  ease  and  certainty. 

The  syllables  usually  adopted  in  Solmization,  are  either 
Fa,    Sol,   La,  Fa,  Sol,  La,  Mi  ;*  or. 
Do,  Re,     Mi,  Fa,  Sol,  La,  Si.t 

*  Pronounced     Faw,  Sol,  Law,  Faw,  SnI,  Law,  Mee. 
t  Pronounced     Doe,   Rae,  Mee,  Faw,  Sol,  Law,  See. 


XIV 

In  the  latter  method  {Do,  Re,  Mi,  Fa,  Sol,  La,  Si)  the  first  six  syl- 
lables are  dependent  upon  Si,  and  the  situation  of  this  syllable  is  de- 
termined by  the  Signature  according  to  the  following  rule  : 

If  the  Signature  be  Natural  Si  is  on  B 

If  the  Signat-ure  be  one  Flat  (B  b)  Si  is  on  E 

If  the  Signature  be  two  Flats  (B  b  and  E  b)  Si  is  on  A 

If  the  Signature  be  three  Flats  (B  b,  E  b  and  A  b)  Si  is  on  D 
If  the  Sign-.'.jre  be  four  Flats  (B  b,  E  b,  A  b  and  B  b)  Si  is  on  G 

If  the  Signature  be  one  Sharp  (F-*-)  Si  is  on  F* 

If  the  sig^nature  be  two  Sharps  (F*  and  C#)  Si  is  on  C* 

If  the  Signature  be  three  Sharps  (F#,  C*  and  G*)  Si  is  on  G* 

If  the  Signature  be  four  Sharps  (F#,  C*,  G#  and  D*)  Si  is  on  D* 

Sibping  found — above  it  are  Dn,  Re,  Mi,  Fa,  Sol,  La,  in  regular 
order  ;  below  it  are  La,  Sol,  Fa,  Mi,  Re,  Do. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


In  the  former  method  (Fa,  Sol,  La,  Fa,  Sol,  La,  Mi,  )  the  first  six 
syllables  are  dependent  upon  Mi,  and  the  situation  of  this  syllable  is 
determined  by  the  Signature,  according  to  the  following  rule  : — 
If  the  Signature  be  natural  Mi  is  on  B 

If  the  Signature  be  one  Flat  (B  b)  Mis  on  E 

If  the  Signature  be  two  Flats  (B  b  and  E  b)Mi  is  on  A 

If  the  Signature  be  three  Flats  (B  b,  E  b  and  A  b)  Mi  is  on  D 
If  the  Signature  be  four  Flats  (B  b,  E  b,  A  b  and  D  b)  JWus  on  G 
If  the  Signature  be  one  Sharp  (F*)  Mi  is  on  F* 

If  the  Si;;nature  be  two  Sharps  (F*  and  C*)  Mi  is  on  C* 

If  the  Signature  he  three  Sharps  (F*,  C*  and  G*)  Mi  is  on    G* 
If  the  Signature  be  lour  Sharps  (F*,  C#,  G#  and  D#)  Mi  is  on  D* 
Mi  being  found— above  it  are  Fa,  Sol,  La,  Fa,  Sol,  La,  in  regular 
order,  below  it  are  La,  Sol,  Fa,  La,  Sol,  Fa. 


EXAMPLE. 


Base. 


-Q-n- 


__2ZD_e-„_-i; 


a: 


:§rj 


Ml,  fa,  sol,  la,  fa,  sol,  la,  Ml,  la,  sol,  fa,  la,  sol,  fa,  mi. 

SI,  do,  re,  mi,  fa,  sol,  la,  si,  la,  sol,  fa,  mi,  re,  do,  si. 

Tenor,  Alto,  or  Treble. 


:J 


MI,  fa,  sol,  la,  fa,  sol,  la,  mi,  la,  sol,  fa,  la,  sol,  fa,  mi. 
SI,  do,  re,  mi,  fa,  sol,  la,  si,  la,  sol,  fa,  mi,  re,  do,  si. 

From  mi  to  fa,  and  from  la  to  fa  ;  or  from  si  to  do,  and  from  mi  to 
fa,  are  semitones  ;  the  rest  are  whole  tones. 

To  secure  a  perfect  intonation,  which  is  an  essential  quality  of 
good  singing,  it  often  becomes  necessary  to  change  the  syllables  ap- 
plied to  notes  that  are  aflected  by  Accidentals.  Various  modes  of 
effecting  this  change  have  been  adopted  by  the  most  respectable 
teachers  of  vocal  Music.  Mr.  Hastings,  author  of  an  able  "  Dis- 
sertation on  Musical  Taste,"*  and  of  several  other  valuable  musical 
publications,  observes  in  his  "  Musical  Reader,"  page  8,  that  "  in 
general,  when  notes  are  to  be  raised  by  accidentals,  the  syllables  ap- 
propriated to  them  may  be  altered  by  adding  to  their  initials  the  let- 
ter i,  in  imitation  of  the  syllable  Mi.  When  accidentals  are  intended 
to  depress  or  lower  sounds,  the  syllable  Fa  may  be  used.  Or  in  other 
words — when  Fa,  Sol,  &.C.  are  sharped,  they  may  be  called  Fi,  Si,  &c. 
(pronounced  Fee  and  See,)  and  when  JWi  is  flatted  it  may  be  called  Fa. 
When  the  effect  of  Naturals  is  to  elevate  notes,  their  appropriated 

*  This  work  should  be  in  the  hands  of  every  one  who  is  desirous  of  acquiring 
a  correct  taste,  or  style  of  performance. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


syllables  may  be  altered  as  in  the  case  of  sharps  ;  but  when  they  are 
to  depress  them,  Ihe  syllable  Fa  may  be  u^ed. 

Another  method  of  producing  correct  intonation  where  Accidentals 
are  used,  is  to  consider  and  treat  them  as  occasional  changes  of  Sig^- 
nature  ;  thus,  if  in  a  tune  whose  oricjinal  Signature  is  B  Hal,  the  E 
becomes  fiat  by  an  Accidental,  the  Sii^nature  for  'he  time  being,  may 
be  considered  as  consisting  of  two  flats,  and  Ihe  Mi  (Si)  transferred 
to  A.  When  an  accidentMl  C  sharp  occurs  after  the  Signature  of  one 
sharp,  the  Mi  (Si)  while  the  Accidental  continues,  may  be  removed 
to  C  sharp,  &;c  " 

But  although  either  of  these  methods  may  be  generally  adopted 
with  success,  chromatic  passages*  will  sometimes  occur,  especially 
in  modern  music,  to  which  it  will  be  almost  impossible  to  apply  any 
sjsttm  of  Solmization,  and  in  the  performance  of  which  it  may  be 
proper  to  substitute  the  open  vowel  A,  as  in/ar,  or  as  in  fall,  in  place 
of  the  syllables  in  common  use. 


OF  TIME. 

By  Time  in  music,  is  meant  the  duration  and  regularity  of  sound. 
There  are  two  kinds  of  time:  viz.  Common,  or  EquAL,  and  Triple,  or 
Unequal.  Common  time  contains  two  equal  notes  in  each  measure, 
as  two  minims,  two  crotchets,  two  dolled  crotchets,  &.c.  Triple  time 
contains  three  equal  nntns  in  each  measure,  as  three  minims,  three 
crotchets,  three  dolled  crotchets,  &LC. 

Simple  Common  Time,  has  three  sign 

^contains  one  semibre 

The  first,  


^contains  one  semibreve,  or  its  equal  in  other  notes 
22  7  ^T  rests,  in  a  measure.     It  has  four  motions,  or  beats, 


^^  i  and  is  accented  on   the  first  and  third  parts  of  a 
'  measure. 

*  That  is,  such  passages  as  are  affected  by  Accidentals. 


1  2 


EXAMPLE. 

34.  1 


(  contains  one    semibreve,   or  its   eqoal   in   other 
The  Second    S^  5 notes  or  rests,  in  a  measure:  it  has  two  motions, 
'  5  )  "''  '"^"V"'  ^""^  '*  generally  accented  on  the  first 
V,t>art  of  a  measure. 


The  third, 


^  r  (which  is  also  called  Half  Time,)  contains  one  minim, 
;^\  or  its  equal  in  other  notes  oi  rests,  in  a  measure. 
—  \  It  is  beat  and  accented  as  the  former. 


EXAMP 


Simple  Triple  Time,  has  three  signs: 

r contains  three  minims,  or  their  equsl  in  other  notes 

gr  ^  or  rests,  in  a  measure.     It  has  three  notions  or  beats, 
"      and  is  accented  principally  on  t'       " 
on  the  third  part  of  a  measure. 


The  first, 


^  iand^s  accented  ^Principally  on  the  first,  and  slightly 


XTl 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


The  second, 


EXAMPLE. 

}  23 J_ 2 3_ 

^  C  contains  Ihree  crotchets,  or  their  equal  in  any 
^  <  other  notes  or  rests,  in  a  measure.  It  is  beat  and 
3  ^  accented  as  the  former. 

EXAMPLE. 

1^3 I 2 3 


The  third. 


S 


'  contains  three  quavers,  or  their  equal  in  other  notes 
or  rests,  in  a  measure.  It  is  beat  and  accented  as 
the  former. 


EXAMPLE. 
i^£3         l^ 2 


b& 


Compound  Common  Time  has  two  signs  in  common  use  > 


The  first, 


'contains  two  dotted  minims,  or  their  equal  in  other 
I  notes  or  rests,  in  a  measure.     It  has  two  motions, 
^  j  or  beats,  and  is  accented  on  the  first  and  fourth  parts 
f  of  a  measure. 


EXAMPLE. 

1       2  1 


The  second. 


SC  contains  two  dotted  crotchets,  or  their  equal  in 
„  {  other  notes  or  rests,  in  a  measure. 


25  (accented,  as  the  former. 
EXAMPLE 

1  2  1 


It  is  beat  and 


Compound  Triple  Time,  has  several  signs ;  as  f ,  |,  -fg,  &c. 

They  are  found  in  the  works  of  Correlli,  Handel,  and  others  ;  but 
seldom  occur  in  modern  music. 

The  semibreve  (now  the  longest  note  in  common  use)  is  made  the 
general  standard  of  reckoning  :  therefore,  when  figures  are  employed 
as  signs  of  time,  those  figures  express  the  fractional  parts  of  a  semi- 
breve contained  in  each  measure:  as  |,  three  crotchets,  or  three 
fourths  of  a  semibreve  ;  |,  three  quavers,  or  three  eighths  of  a  semi- 
breve, &c. 

A  semibreve  rest  is  used  to  fill  a  measure  in  all  signs  of  time. 

On  the  subject  of  beating  time,  Dr.  Arnold  makes  the  follnwingf 
remark  : — "  I  am  by  no  means  an  advocate  for  the  smallest  motion 
or  gesticulation,  either  with  the  hand,  fool,  or  head,  when  a  per- 
former once  begins  to  play  with  any  degree  of  exactness ;  but,  at  the 
commencement,  it  is  absolutely  necessary  that  the  right  hand  should 
be  taught  to  make  the  beats  in  every  measure,  till  it  becomes  to  the 


JINTTRODUCTION  TO  THE  ART  OF  SINGING. 


pupil  what  the  pendulum  is  to  the  clock,  which  is  to  keep  it  regular 

«nH  in  ovnrt  mnfinn  " 


aad  ia  exact  motion 


OF  THE  DIATONIC  SCALE  AND  MAJOR  AND  MINOR  MODES. 

The  natural  scale  of  music  is  called  Diatonic,  and  is  a  gradual  suc- 
cession of  eight  regular  sounds,  including  five  whole  tones  and  two 
semitones.  The  whole  doctrine  of  melody  or  (une,  depends  on 
rightly  understanding  the  application  of  the  two  semitones  and  their 
places  in  the  scale.     These  vary  according  to  the  Mode. 

There  are  two  modes,  Major  and  Minor.  In  the  Major,  the  semi- 
tones are  always  found  (ascending  from  the  Tonic  or  Key  note)  be- 
tween the  third  and  fourth,  and  between  the  seventh  and  eighth 
notes.  The  only  natural  series  of  this  Mode  is  that  which  com- 
mences with  C. 

Example  of  the  Diatonic  Scale  in  the  Major  Mode  of  C-. 


.-o— ®:r:e~  =  - 


fc; ; Q D__.— __Z, 

Do,  Re,     Mi,     Fa,    Sol,     La,      Si,     Do. 


I 


In  the  Minor,  the  semitones  are  found  between  the  second  and 
bird,  and  between  the  fifth  and  sixth  notes.  The  only  natural  series 
»f  this  Mode  is  that  which  commences  with  A. 

Example  of  the  Diatonic  Scale  in  the  Minor  Mode  of  A. 


La,    SI,     Do,     Re,     Mi,     Fa,     Sol,   La. 
H.    &    H,  3 


;J 


In  the  Major  Mode  the  series  of  sounds  are  the  same,  both  in  as» 
ccnding  and  decending  ;  but  in  the  Minor  Mode  the  ascending  scale 
and  the  descening  scale  differ.  Jn  the  ascending  scale  of  the  Minor 
Mode,  the  seventh  is  raised  a  semitone  as  the  proper  Leading  Note 
to  the  Octave.  This  leaves  the  interval,  between  the  sixth  and 
seventh,  a  tone  and  a  half;  but  as  the  Diatonic  scale  must  consist  of 
tones  and  semitones  only,  the  sixth  is  also  sharped,  by  which  means 
this  harsh  Interval  (the  extreme  sharp  second)  is  avoided.  Thus  the 
ascending  scale  of  the  Minor  Mode  is  artificial,  and  is  formed  with 
two  notes  altered  from  the  Signature. 

But  in  the  descending  scale  the  seventh  is  depressed  a  semitone  to 
accommodate  the  sixth,  and  the  natural  scale  of  the  Signature  re- 
mains unaltered. 

Example    of   the  Ascending  and  Descending    Scale    in  the  Minor 

Mode. 


La,  Si,  Do,  Re,  Mi,  Ft,  Si,  La,      La,  Sol,  Fa,  Mi,  Re,  Do,  Si,    La. 


But  the  note  which  determines  the  Mode  to  be  either  Major  or 
Minor,  and  which  constitutes  the  principal  difference  between  the 
two,  is  the  Third.  By  the  arrangement  of  the  Semitones  in  the  two 
Mnde«,  it  is  evident  that  the  third  of  the  Major  Mode,  as  (roni  Do  to 
Mi,  is  comparatively  gre«f,  and  the  third  of  the  Minor  Mode,  as  Irom 
Im  to  Do,  is  of  course  coinjjaralively  small  ;  the  former  consisting  of 
two  tones,  and  the  latter  ronsi.'ting  ot  one  tone  and  one  semitone  : 
and  it  is  chiefly  to  this  difference  of  the  thirdia  the  two  modes,  ibat  we 
are  to  attribute  the  effect  peculiar  to  each  ;  the  Major  Mode  being 
cheerful  and  vigorous,  and  the  Minor  Mode  being  plaintive  and  languid. 


xviii 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


As  these  two  series  of  tones  and  semitones  form  the  constituent 
characteristics  of  the  two  modes,  Major  and  Minor,  it  follows  that 
upon  whatever  note  or  pitch  either  of  these  series  begins,  the  same 
proportion  and  order  of  Intervals  must  be  strictly  observed.  Hence 
the  utility  of  flats  and  sharps.  If,  for  instance,  we  begin  with  G, 
instead  of  C,  and  from  it  form  the  Diatonic  Scale  in  the  Major  Mode, 
the  seventh,  or  F,  will  require  to  be  raised,  by  a  sharp,  one  semitone. 


Example  of  the  Diatonic  Scale  in  the  Key  ofG  Major. 


Do,    Re,     Mi,     Ta,    Sol,     La7~Si,      ^Z 

Or  if  we  begin  with  F,  and  from  it  form- the  Diatonic  Scale,  in  the 
Major  Mode,  the  fourth,  or  B,  will  require  to  be  depressed,  by  a  flat, 
one  semitone. 


Example  of  the  Diatonic  Scale  in  the  Key  ofF  Major. 


iZaz 


r^s- 


-D--®! 


:dz« 


I 


Do,     Re,    Mi,     Fa,     Sol,    La,      Si,     Do. 

^  Or  if  we  begin  with  E,  instead  of  A,  and  from  it  form  the  Diatonic 
Scale,  in  the  Minor  Mode,  the  second,  or  F,  will  require  to  be  raised, 
by  a  sharp,  one  semitone. 

Example  of  the  Diatonic  Scale  in  the  Key  of  E  Minor. 


La,    Sol,    Fa,     Mi,     Re,    Do,     Si,     La. 


Or  if  we  begin  with  D,  and  from  it  form  the  Diatonic  Scale,  in  th/e 
Minor  Mode,  the  sixth,  or  B,  will  require  to  be  depressed,  by  a  flat, 
one  semitone. 


Example  of  the  Diatonic  Scale  in  the  Key  ofD  Minor. 


■°r«§-a:rszr: 


La,    Sol,    Fa,     Mi,    Re,    Do,    Si,    La. 

When  the  Major  and  Minor  Mode  agree  with  respect  to  their  Sig- 
nature, they  are  denominated  Relatives  :  thus,  C  Major  is  the  Rela- 
tive of  A  Minor  ;  A  Minor  is  the  Relative  to  C  Major  ;  G  Major  is 
the  Relative  to  E  Minor  ;  E  Minor  is  the  Relative  to  G  Major,  &c. 

The  Relative  Minor  to  any  Major  Key  is  its  sixth  above,  or  its 
third  below ;  and  the  Relative  Major  to  any  Minor  Key  is  its  third 
above,  or  its  sixth  below. 


OF    THE  QUALITIES   OF  THE   SEVERAL    NOTES   WHICH 
COMPOSE  THE  DIATONIC  SCALE. 

The  seven  notes  (for  the  eighth  is  but  a  repetition  of  the  first) 
which  form  the  Diatonic  Scale,  in  either  Mode,  are  known  by  the 
following  technical  appellations,  which  are  descriptive  of  their  pecu^ 
liar  character  and  relative  situation,  viz. 

The^rit,  or  Key  J^ide,  is  called  the  Tonic,  because  it  regulates  the 
tune  of  the  Octave,  and  upon  it  all  the  other  notes  depend. 

The  second  is  called  the  SvFGiiTonic,  from  its  being  the  next  abore 
the  Tonic* 


INTRODUCTION  TO  THE  ART  OF  SINGING, 


XIX 


The  third  is  called  the  Mediant,  from  its  being  midway  between  I 
the  Tonic  and  the  Dominant.  It  is  the  mosi  importrtnt  note  in  the 
Diatonic  Scale,  since  upon  it  depends  the  nature  of  the  Mode. 

The  fourth,  is  called  the  Subdominant,  from  its  sustaining  the  same 
relation  to  the  Ocave,  which  the  Dominant  su«tams  to  the  Tonic  ; 
being  a  fifth  from  the  Octave,  as  the  Dominant  is  the  fifth  from  the 
Tonic. 

The  Jifth  is  called  the  Dominant,  from  its  importance  in  the  Scale, 
and  its  immediate  connexion  with  the  Tonic, 

The  sixth  is  called  the  Submediant,  from  its  being  midway  between 
the  Tonic  and  the  Subdominant. 

The  seventh  is  called  the  Subtonic,  or  Leading  Note,  from  its  being 
immediately  beneath  the  Octave,  and  because  upon  hearing  it  the 
ear  naturally  anticipates  the  Tonic. 

The  last  note  in  the  Base  is  always  the  Tonic ;  if  it  be  Do  it  is  the 
Major  Mode,  if  it  be  La  it  is  the  Minor  Mode.  The  Major  Tonic  is 
always  the  first  degree  above  the  last  sharp,  or  the  third  degree 
below  the  last  flat,  of  the  Signature.  The  Minor  Tonic  is  always 
the  first  desrree  below  the  last  sharp,  or  the  second  degree  above  the 
last  flat,  of  the  Signature. 


Minor  Second;  as  from  E  to  F,  consisting  of  J 
one  semitone.  t 


OF  DIATONIC  INTERVALS  AND  THEIR  INVERSION. 

By  the  unequal  division  of  the  Diatonic  Scale,  (which  consists  of 
tones  and  semitones,)  lourteen  Intervals  are  formed,  which  are  as 
follows,  viz : 

Unison.  This  cannot  properly  be  called  a 
Interval,  although  in  composition  it  is  consider 
ed  and  treated  as  $uch  ;  as  C,  C. 


"I    Es3=QQ^J 


Ex, 


Major  Second  ;  as  from  C  to  D,  consisting  of ) 
one  tone.  j 

Minor  Third  ;  (called  also  the  Jlat  third  or  ) 
lesser  third ;)  as  from  E  to  G,  consisting  of  one  > 
tone  and  one  semitone.  ) 

Major  Third  ;  (called  also  sharp  third  or  ) 
greater  third;)  as  from  C  to  E,  consisting  of  > 
two  tones.  ) 

Perfect  Fourth  ;  as  from  D  to  G,  consist-  1 
,ing  of  two  tones  and  one  semilome.  ) 

Sa^RP  Fourth  ;  (called  also  Tritonus ;)  as 
from  F  to  B,  consisting  of  three  tones. 

Flat  Fifth  ;  (called  also  imperfect  or  false 
fifth  ;)  as  from  B  to  F,  consisting  of  two  tones 
and  two  semitones. 


Ex.^n— e  i 


Ex-iipy 

Ex.  ^n^-j 

Ex.  ^i^~3 
Ex.pi|=J 


Ex. 


^EEIE 


i 


Perfect  Fifth  ;  as  from  C  to  G,  consisting  >    „     g^— — — ^- j 
of  three  tones  and  one  semitone.  \     '^' O J 


-©- 


Minor  Sixth;  as  from  E  to  C,  consisting  of >    „     Qfr-p 3 

three  tones  and  two  semitones.  \         —— J 


Major  Sixth  ;   as  from  C  to  A,  consisting 
four  tones  and  one  semitone. 


INTRODUCTION  TO  THE  ART  OF  SINGING, 

, e- 


Minor  Seventh  ;  (called  aho  Jlat  seventh ;)  as  ^  ?3|ZZ!—  —--I 

from  D  to  C,  consisting  of  four  tones  and  two  >  Ex.  ^^-Q— '~zJ 

semitone*.  ' 

V.uoR  Seventh  ;  (called  also  sharp  seventh  ;)  ^  — ^  ~ 

a«!  from  C  to  B,  consisting  of  five  tones  and  one 
semilone. 


Octave;  as  from  C   to  C,  consisting  of  five  >   £^_t^-— '"TT 


tones  and  two  semitones. 


:ra  -:zz. 


Sixth 


Seventh 


J  becomes  a  Third,     /&_a;r~^Zj 
;"~TI5~ J  becomes  a  Second,     jlzz^     OZj 


and  a 


The  Diatonic  Intervals  are  either  Consonant  or  Dissonant.  The 
Octave,  Fifth,  Fourth,  Thirds,  and  Sixths,  bein?  agrppiihle  lo  the  ear 
are  called  Consonant;  and  the  Seconds,  Sevenths,  and  Sharp  Fourth 
being  less  pleasing  are  called  Dissonant. 


When  the  lowest  note  of  an  Interval  is  placed  an  Octave  higher,  or 
when  the  highest  note  of  an  Interval  is  placed  an  Octave  lower,  such 
change  is  called  Inversion.     Thus  bj'  inversion  a 


Second 

Third 

Fourth 
Fifth 


r -1  becomes  a  Seventh, 

J ^-J  becomes  a  Sixth, 

) 'Z- I  becomes  a  Fifth, 

'~e- 

becomes  a  Fourth, 


©- 


? 


-e- 


f-e 

ill 

mm 

|-§— --J 


OF  THE  CHROMATIC  SCALE,  CHROMATIC  INTERVALS,  &c. 

By  a  division  of  the  Diatonic  Scale,  ascending  by  Sharps,  and  de- 
scending by  Flafs,  a  scale  is  formed  of  Semitones  only,  which  is  called 
Chromatic. 

Example  of  the  Chromatic  Scale  ascending  by  Sharps. 
1         2345         67         R         9        10       11        12       13 


Example  of  the  Chromatic  Scale  descending  by  Flats. 

1        2        3        4        5        6         7        8        9        10       11        12      13 


) ' Z—         Q-^G~D      o~bo — ~~  u.Z. '~' 


I 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


Here  we  have  twelve  distinct  sounds,  from  each  of  which  as  a 
Tonic,  by  the  use  ol  flats  or  sharps,  we  may  form  the  Diatonic  Scale 
in  either  mode. 

From  this  Scale  are  also  derived  the  following  Chromatic  Intervals, 
viz  : 


Extreme  Sharp,  or  Superfluous,  Unison;  as  >  p     ^ ~ 

fromCtoc#.  S       — r?-??r 

Extreme  Sharp,  or  Superfluous,  Second  ;  as  >  r.     o; txx — ' 

from  C  to  D#.  (,  ''^-  — Z?Z~1 

Extreme  Flat,  or  Diminished,  Third ;  as  from  >  p     ^15S  ®Z 
D*  to  F.                                                               S 


?Eiip| 


Extreme   Flat,   or   Diminished,  Fourth ;  as  >  p     Q'ZSSzSzj 

from  D*  to  G.  ]  — Z_rzr53 

Extreme   Sharp,   or   Superfluous,  Fifth;  as  >  p     Qiz~Z_ZzJ 

from  C  to  G*.  S  ZZZ?ZZZzJ 


bQ- 

Extreme  Flat,  or  Diminished,  Sixth:  as  from  >   p„  ^ZHSZ — 

D#toBb.  ]       — zzzEEE; 


i 


Extreme    Sharp, 
from  Bb  to  G*. 


or   Superfluous,  Sixth;    as 


■ zr^§zzzz3 


Extremp  Flat,  or  Diminished,  Seventh  ;   as 
from  D*  to  C. 


Extreme    Flat, 
from  C*  to  C. 


or   Diminished,  Octave ;   as 


-Q-_ 

Ex.  ^Wq~-' 

;©- 

Ex.  ^-~-z] 


I 


I  ■=' i*i==| 


The  Scaln  is  also  subdivided  into  smaller  Intervals  called  Dieses, 
or  Quarter  Tones,  as  from  C*  to  Db  ;  or  from  G*  to  Ab,  &c.  and' 
thus  dividefi,  it  is  called  the  EKnARMoNic  Scale.  These  distinction? 
however,  although  theoretically  important,  are  of  little  practical' 
utility  ;  since  upon  keyed  instruments,  as  the  Organ,  or  Pianno  Forte 
the  extreme  sharp  second,  is  Ihe  same  as  the  Minor  Third  ;  the  ex- 
treme flat  third  is  the  same  as  the  Major  Second,  &c.  and  the  same 
key  is  used  for  C*  and  Db — G*  and  Ab,  &c. 


I      It  is  believed  that,  with  the  assistance  of  a  judicious  insfructer  the 

i  foregoing  principles  will  be  sufiicient  for  all  the  purposes  of  vocal 
performance.  To  such  ai*  wish  to  become  acquainted  with  the  The- 
ory of  Music,  Callcott's  Musical  Grammar,  Kollman's  Essay  on  Mu- 
sical Harmony,  and   the  articles  on  Music  in  Rees'  Cyclopedia,  are 

.  recommended  as  the  best  works  which  have  been  published  in  this 

i  country. 


EXPLANATION  OF  MUSICAL  TERMS. 


J*,  sigrnifies  in,  for,  at,  with,  &c. 

Adagio,  {or  Ado.)  signifies  the  slowest  time. 

Ad  libitum,  as  you  please. 

Affeltuoso,  tender  and  affecting. 

Air,  the  leading  part. 

Allegretto,  a  little  brisk. 

Allegro,  {or  Alio.)  brisk. 

Alto,  {or  Counter  Tenor,)  that  part  which  lies 
between  the  Treble  and  Tenor. 

Amoroso,  in  a  solt  and  delicate  style. 

Andante,  rather  slow  and  distinct. 

Andantino,  somewhat  quicker  than  Andante. 

Animated,  with  spirit  and  boldness. 

Anthem,  a  composition  for  vocal  music,  the 
words  of  which  are  generally  selected  from 
the  Psalms,  and  used  in  divine  service. 

Ardito,  bold  and  energetic. 

Assai,  generally  used  with  other  words,  to  ex- 
press an  increase,  or  diminution  of  the  time 
of  any  composition ;  as,  Adagio  assai,  more 
slow  ;  Allegro  assai,  more  quick. 

Base,  the  lowest  part  iu  a  harmony. 

Brilliante,  signifies  that  the  movement  is  to  be 
performed  in  a  gay,  showy  and  sparkling 
style. 

Canon,  a  vocal  composition  in  two  or  more 
parts,  so  constructed  as  to  form  a  perpetual 
fugue. 

Cantahile,  in  a  graceful,  elegant  and  melodious 
style. 

Canto,  {or  Cantus,)  the  Treble. 

Qhonts,  signifies  that  all  the  voices  sing  on 
their  respeciive  parts. 


Con,  with ;  as  Con  Spirito,  with  spirit. 

Crescendo,  {or  Cres.)  to  increase  the  sound. 

Da  Capo,  {or  D.  C.)  to  return,  and  end  with 
the  first  strain. 

Diminuendo,  to  diminish  the  sound. 

Dolce,  sweet  and  soft. 

Duo,  {or  Duetto,)  two  ;  as  two  voices  or  in- 
struments. 

E,  and ;  as  Moderato  i  Maestoso,  moderate  and 
majestic. 

Expressione,  an  expressive  manner. 

Expressivo,  with  expression. 

Forte,  {or  For  or  F.)  loud. 

Fortissimo,  {or  F.  F.)  very  loud. 

Forzando,  {or  Fg)  im{>lies  that  the  notes  over 
which  it  is  placed  are  to  be  struck  with 
particular  force  and  held  on. 

Fugue,  a  piece  in  which  one  or  more  parts 
lead,  and  the  rest  follow  in  regular  intervals. 

Giusto,  in  an  equal,  steady  and  just  time. 

Grave,  {or  Gravemente,)  denoting  a  time  slower 
than  Largo,  but  not  so  slow  as  Adagio. 

Grazioso,  a  smooth,  flowing  and  graceful  style. 

Largo,  somewhat  quicker  than  Grave 

Larghetto,  not  so  slow  as  Largo. 

Lamentevole,  denotes  that  the  movement  over 
which  it  is  placed  is  to  be  sung  in  a  melan- 
choly style. 

Legato,  signifies  that  the  notes  of  the  passage 
are  to  be  performed  in  a  close,  smooth  and 
gliding  manner. 
Lento,  very  slow. 
Maestoso,  with  majesty, 


Moderato,  moderately. 

Mezzo,  half,  middle,  mean. 

Mezzo  Forte,  moderately  loud. 

Mezzo  Piano,  rather  soft. 

Perdendosi,  signifies  a  gradual  decreasing  of 

time  to  the  last  note  ;  and  a  diminishing  of 

tone,  till  entirely  lost. 
Piano,  {or  Pia.)  soft. 
Pianissimo,  {or  P.  P.)  very  soft. 
Poco,  little  ;  as  Poco  pin  lento,  a  little  slower ; 

Poco  piu  allegro,  a  little  quicker. 
Qiwrtetto,  Four  voices  or  instruments. 
Quintetto,  Five  voices  or  instruments. 
Sempre,  always,  throughout ;  as  Sempre  piano, 

soft  throughout. 
Siciliano,  a  composition   of  f  or  f ,  to  be  per- 
formed slowly  and  gracefully. 
Solo,  for  a  single  voice,  or  instrument. 
Soprano,  the  Treble  or  higher  voice  part. 
Sostenuto,  a  word  implying  that  the  notes  are 

to  be  sustained,  or  held  on  to  the  extreraitj 

of  their  lengths. 
Spirituoso,  {or  Con  Spirito,)  with  spirit. 
Staccato,  notes  to  be  staccated   must   not   be 

slurred,  but  performed  in  a  distinct  manner. 
Symphony,  a  passage  for  instruments. 
Tasto,  no  chords. 
Tempo,  time. 

Trio,  three  voices  or  instruments. 
Tuiti,  all ;  a  word  used  in  contradistinction  t« 

Solo. 
Verse,  one  voice  to  a  part. 
Fivace,  in  a  brisk  and  animated  style. 


LESSONS  FOR  THE  EXERCISE  OF  THE  VOICE. 


G  Major  ascenending  and  descending. 


G  Minor  ascending  and  descending. 


do,  re,  mi,  fa,        sol,  la,  si,  do,        do,  ci,  la,  sol,         fa,  mi,  re,  do 


la,  sr,  do,  re,       mi.  /,    si,  la,        la,  sol,  fa,  mi,     re,  do,  si,  la. 


f£?^EEi:EES=E:rEiI=E:=ij!:=e;HS 


iiiSiiiiiillSiliSi^i^^EEpiiiKa 


24 


Tenor. 


OLD  HUNDRED.         L.  M.         Arranged  for  Two  Tnebles,  Tenor  and  Base. 

=34iSiS£ii:iriJ33Eil:&:^=i^r5}:i^ 


Secoml  Treble.  •     -        -       |_    .|       (_  _|_  J fl  .p.P_pl4_.l_C.I |I.J" J; Jr_.dlj_ 

ii|iiiSiiSiiiaiiiiiiiiiiii;§ifii:iEi^ 

__     Trebf^  """'  ""  """'  '^  -  ^"  •  '■"  '"^'''  ^"^  -   ''y    ^"'-y     '^"^  'be  sk,,      So    let    it      be  on  earth  d.splaj'd,    Till  thou  art  here  as  .here    obeyU 

'  , ~_'Q       q  '      "■'"'       ^""         "*" 

^:9--fc^— T— ^-T-H-H     ^^^^^^-^^-      _^-  ^^*-         ^'ew  Arrange Jent.'  ^1' 

All^haUt^epow'ro^      W  na.ne !     Let      ^.  gels    ^strata  fal,,  Bring  fo.h  the     roya,       diade™,         And  cr^  bi.    LTrd     of  1 
*  -ROOD/  87    567 

^'  til 


m^ 


THE 


BOSTON  HANDEL  AND  HAYDN  SOCIETY 


(p(©]LiLi^®^2®ir  ®i^  (DiiiwiE(gir  mw^ircp. 


Tenor. 


tito 


Treble, 


IBase. 


Vaelzel's  Metronome. 

•■66. 

11  Maestoso. 

ir^^!r— 


OLD  HUNDRED. 

;dz=li:J=I:i±: 


L.  M. 


Martin  Luther. 


:#z^- 


jzq:azqi:qzq:i=n:didjqi:irq:i:i  idir; 


riir^zrdi-Tizidz: 


ii^ai 


igiiriillliigiliiiiiiJiiiiii 


[-PTP»pT=P 


it± 


s.r-a-j. 


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Be  thou,  0  God,  ex  -  alt  -  ed  high,  And  as  thy    glory  fills  the  sky,  So    let   it       be   on  earth  display'd,  TUl  thou  art  here  as    there  obey'd. 


|g.§iiiiig-:iiiiiii^iiiiiiH 


^iiiiilliiliiiSiigigiiiiSiiiiiiiiiiBi 

6    5#6  h75  656  *6  "6 


H.  &  H. 


26 


♦80. 
Sostenulo  Adagio. 


OWENS.         L.  M.     6  lines. 


,     ,_  ,    ,       ,  ,*Z»Z»ZIZ 


Mozart. 

PZZjiZIZ, 


p. 


giiiliiiiiliM^ilgii^iliilEiiiSiil 


Lord,  when  my  thoughts  delighted       rove.       Amidst  the  wonders  of    thy     love.  Sweet  hope  revives      my         drooping     heart,  And 

666  6  66665  7 

3 


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Cres. 


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bids     my     fears  and       doubts    de  -  part.     Lord,    so      my  thoughts  de  -  light  -  ed      rove.       Amidst  the       wonders         of        thy  love, 


.  res  P-  '        O  aS        '^~  — 


3 


6         5 

4.      tr 


7       6        7        6^6    t» 


•88. 
Andante. 


MORNING  HYMN. 


L.  M.     6  lines. 


Costellow, 


2T 


i'liliilliliipliiiiiiliiii^Piiiliiilili^isy 
Siiiii:giii^iiiiii.fefgiiiiS&iiil 

SooB     as     the    morn  salutes      your      eyes,     And,  from  sweet  sleep,  refresh'd     you    rise,      Think         on     the         Author  of      the       light, 

|iiiiiliiiiiiiiiii#lSiigliili§felil 


iSiiiiiiiglimiiiiPiiilliisl^iii-il 


■t,      6         6      a 


3    3_2    6  4 


9X6      7 
7  6    4 


6      -5 
4      -3 


6        -5 
4        -3 


And  praise  him        for      the  glorious  sight  I     His         mer-cy  in  -  fi     -     nite       a  -  dore.       His       goodness  in  -  fi    -    nite     im-plore. 

^fei^HEtEEfefelfelESikzMj^a^^ 

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4-3  4       2  3 


6     6      7 
4 


28 


84. 


ANGELS  HYMN.        L.  M. 


Tanswr. 

"di:riq:i:: 


High     in  the  h&av*ns,  eternal  God,   Thy      goodness  in  full  glory  shines  ;  Thy  truth  shall  break  thro'  ev*ry  cloud,  That  veils  thy  just  and  wise  designs 


65  *6  6     —     667  6*^6      56  6        ~^ 

4.6  i  5     4i    ■#■  i  * 


ir:Qt:te 


£  69. 


A^IEN.VA. 


L.  M. 


:a- 


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7      5  6  8  7 

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w 
-^i^: 


The  rising  mora,  the  closing  day.     Repeat  thy  praise  with  grateful  voice  ;  In  both  their  turns  thy  pow'r  display,  And,  laden  with  thy  gifts  lejoice. 


-«-7»-g»T*-- 


'^46  6-t  '^       i     6  fi?  64.  6    3*^  ^•''iit  §^  ■ 

3  ;;  ;j  5  tl  3  4.  05  * 


fi  7 

tl 


72. 


PORTUGAL. 


ir^^=s 


L.  M.  Thorley. 


29 


EEEiE^ElEiEiElEiEiElElEEiiEiE^E—iElE^ilE^E^Elii^ilEsl 


could     I 


soar         to  worlds       a      -      bove, 


The         blest      a     -     bode      of  peace        aud  love, 


^i 


6       87 
4, 


6      #0 
.J 


6     6 

4.  -«■ 


-rf=.P=x*z?=0-:T:.==zp::i=5=q^= 


How         glad  -  ly  would       I  mount     and 


fly. 


Oa  an  -  gels*        wings,      to  worlds         on  Jiigh  ! 


PplPplipilpiippliSipiiii^iJiilJ! 


6     3  4.    6 


6  i 
43 


ft   — 
3  - 


"^6  8  7 

* 


30  ,*  92. 


St.  PETER'S. 


L.  M. 


Harwood. 


l^^^Z 


l=iElE^lEiEliiEiiEi^E!i=gEfeiE^ 


Tn         Civl      ih.         .r.al.  the  fiv     .     *.  blest.  L«l  woe.       of  hoD      ■      ■      our  be  ed      -      drert ; 


Ta  God      (be         great,  the 


ff;*CT— l-T 


1^53^1=' 


liliii^liii^iiiiiillilliiEiMiiiiiiii 

I 


liSiESE^ 


e— zzT:e:z^zir±H~; 


8  7 


-g— 1 — 

7     6  87 

4 


dEa=z3^3zE=t=E=il:z:i3E;~t±EEEE: 


© 


6      *6 


6      6 

4         * 


*^*-'-2EPHEiE£Ef|2zf£ii^-e3EEE 


:r»55 ^^ 

His      mer  -  cy         firm     for     -     ev 


ziiezrirriztz^z-i: 


l^^^^m^^^^§^^^i 


er         stands.  Give 


him 


the 


thanks 


his 


love 


de    -    mands. 


5z^:izg~^zi:z=zzi^zi:z?zz:^zxzz"zz3iz:-— izzzzzzzz~§zzp|*Ti^ 

~6         "3*         6~    'si  ~i"6      '    ~8  7  "  §756  667 

*  3  S  S  * 


•80. 

u  Legato, 


JBOWEX.         L.  M. 


Haydn. 


31 


k 


Up  to  the  fields  where  angels  lie.  And  living     waters      gent  -  ly    roll ;  Fain  would  my  thoughts  ascend  on  high.  But  sin  hangs  heavy  on  my  soul. 


466646         65 
3  3     5         43 


6  #6 

4 
3 


986        7 
7  64       * 


8*7   S7     6  -    6     f  T    6 
3     4^5454354-3 
2       3        3  3 


I      ' 


_     r  64.  WINCHESTER.        L.  M.  Dr.  Croft 

My  God,  accept  my   early         vows,     Like  morning  incense,  in     thy  house;  And   let  my  nightly    worship  ri*e.    Sweet    as  the    ev'ning     sa-cri-fice 

iiillilliipiliiiiilililigiiglE» 


.iiiiiiiiiilSi^iiiiiiifegSEiPii^^ 


I  ' 


6        6   6      7 
4,     ^ 


6    6  6    5  6 


6  5        6  7 
43      45 


6 

4> 


66     6     7 


ISLINGTON. 


L.  M. 


32  •"83.  iaijir<itri.wj.-«.  "•   >"•  ^^„„^ 


I 1 h-    (-       r-  ■-  „  .  ^^^         \,n^\it      world       to  which  I 


l^iiiiiSi 


-O. 
go. 


This         Ufe'3     a  dream,      an  emp    -    ty  snow,  x^u  ^___^       ^&^  ^ ^^^ -|— --J 


1^ 


6      i 


fpiiiPi^lieSyi#ii^Biiglf#i^^ 


me     there. 


-±T^-^~r       ■^.Z:tx        7ud'      sin"-'  cere.  When        shaU^I     wake.  When     s^I^       waUe.     and      ^6n^ 


Hath    joys 


76. 


STERLING. 


L.  M. 


An  Ancient  Chant. 


93 


§Mmm^mmmmmmmmmmmmmmmm 

0  conic,  loud  anthems  iol  us  sing.  Loud  tlianks  to  Mir  Al-ntigh  -  ty    King  !   I  or  we  our  voices  hi};h  should  raise,  \\  hen  our  saIvation*3  Rock  we  praise. 

j^5=t-rigj  ®ipipig T  ;pz-:i:§  3-ei?2»  ro::i:q^t "--~^ 


4f  ,•>    — 


Sostenuto  Adae;io, 


GARDNER. 


L.  M. 


Viotti, 


5-     -7 
43     - 


How  plens-ant,  How  di-vine-ly  fair,     O  Lord  of  hosts,  thy  dwellings  are  ?   With  long  de-sire  my  spirit  faints,  lo  meet  th'as-scni-hflea  of  thy  saints. 


II.  &  H. 


4.  56756       67 

3  5 

5 


6 3 


«  —    3 
5 


66  6     30*  5      7 

■1'  3  4 


f  C4. 


BATH.         L.  M 


y  1^  1  ,11  ._,    i_    1 TiU«    ..M — *.  n;v.iiAi>  Tna\r   re^t 


may  return. 


'Life  is  the  time  to  serve  the  Lord,  The  time  finsure  the  great  reward  ;  And  while  the  lamp  holds  out  to  burn,  The  vilest         simiei^ 


6       6     87 


t 

SEASONS. 


L.  M. 


Pleyel. 


1^  Dolce.  ^_— '~~-^>r       _, t   .^  .  I-  J- -  -1 i-    y^^-~ — BT" 

#:fc!s:-ip;ij;":sj?.«:f4PTp}pr»i:"e:i5:5r4PJiP"F~-i^ 

^  ^y  .oodness.  Lord,  doth  crown  the  year,  Thy  paths  drop  fatness  »11  around  ;  And  barren  wilds  thy  praise  declare,  And  vocal  hills^  return^the    sound. 

7  6  7  Y»ice  or  Organ  S?       s_^   8  7     »    |     b       7     > 

5  *  -.».  ,  I 


7    5       6    |;r 


ir^-*- 


S4. 


CUMBERLAND. 


L.  M. 


Carey. 


35 


|~;|^E^J5|i=fca-g— I— ezzr^— gzrj-^j=gr=£|— c— :za~|zgzd— 


bzz^=nz: 


lz©=ze-Iz-©^:ze-IEPzgzi§=Jzi§zz3:=:P:H§zzPzIE^:^izr— |z&— z 

i-=izr-±zz:zzzzt=zL-Btzzbzlizz-3EEzi=z=yEEEE=E=i±z=ztz=z^h=i=:z=J 


My  soul,       in         -         spir'd     with 

:tz5zzij=i  Jzzirp  ,-iz:^idzq:^-d- 


bless  • 


sa    -    cred         love,  God's        ho  -  ly  name       for       -       ev        -        er 


65      -        6 
4.3      - 


6  5 

4>  3 


6  *6 
4, 
3 


6     6 
4, 


-#- 


^iil?E 


Of 


-^—7 


all         his  fa      -      vours         mind    -    ful         prove.  And  still     thy  grate    -    ful         thanks       ex 


press. 


ii-z3 


-i=zip^zi  izezr»ij^izp®z:izizi— a -3=rpzii=e:z:zzizf&zi-zizzrt 

ElEz=E5EHEEEEzEfe35EiEzE3=EEiz^El5^zE^lE^^iE}^EalE 

0     ■*  6         4     3  4.        '        6^  ~6         r      '      5 7         5  ^~'6         5  7 

y  3  3  *         3 


36 


SHOEL. 


L.  M. 


Altered  from  Shoel. 


Now  shall  the  trembling  moiu'iier  come.  And  bind  his  sheaves,  and  bear  thern  home  ;  The  voice,  Ion;;  broke  v;ith  sigFis,  shall  siof;,  Till  lieav'n  with  hallcfujahs  ring. 


7      8  7 


DANYERS 


6 

L.  M. 


'   I  1  ?' 
L.  jVlnson. 


6  0        6  7 
4, 


t^^MT^^l^l 


I 


|iiiiiliiPgpiiiii|iil||pHliiiilipJi:ipliii! 

!j  Av/ake,  my  toague,  thy  tribute  bring,  To  Him,  who  gave  thee  pow'r  to  sing;  Praise  Him,  who  is  all  jiow'r  above*  The  source  of  wisdom  and  of  love.        i 

J  i>-53r:nizj  i1i.zJT:-irli|zil-Tqi;=jii]:=lizil-zs-t»^ 


8  7    65 


*-    6  8  i     §  5        6 

64     4.  J 


6    6     6    7 


•■88. 

Con  Spirito. 


GLOUCESTER. 


L.  M.     6  lilies. 


Milgro\  e. 


37 


Angels  of       light,      e  -     the  -  real         fires  !               Aiise       and  sweep  your      awful     lyres  I          To    you     the     sa  -  cred     right     be  -  longs, 

F.  I  P.  '■^ ^ 

7~6~  S    6       7    6           5                   '                      6                   6 ""       6    8  7                      ~                       6      '"     6  T      ~               ~          6  5~ 

4.  3    i       5-13                                                                         4.    3—                                              5**                                  *■* 

,_    _ -'-ri-    -A -' -^-m- P-    — P P P -*-  -Pi-fB.     p-  "I*'     _p^-ft„    . 

To  raise     the       lay,  and  lead     our  aangs.          Ye  in  his     courts     of           glo    •    ry      dwell,         Ani     best     his  pow'r  and     graca  can    tell. 


6       .S7 
•1.      *- 


.676 

3    1.       5    4  3 


S8 


BilENTFORD. 


L.  M. 


,— N  ^-^  p.  Second  Treble.  Alto.  /— x         — -v. 

Buried  in  shadows  of  the  night.  We  lie,  till  Christ  restores  the  light.    Wisdom    descends     to      heal       the  blind.  And  chase  the  darkness  of     the  mind. 

iiiiSiiiliiiiiiiSiiiii^iiililiiSii 


I     o'*  Mtestoso, 


6  7^6  ft 

BLENDON. 


6     5  7     5      6   6      7 
4.     3  4, 


Accompt. 


1..  M. 


Voice.  6  5 

Giardini. 


7   5     667 

4 


iiiiiliiilgilii;ililPiigiliiiiia^iii 


Jesvw,    my     all,  to  heav'n  is  gone,     He  whom  I    fix  my  hopes  upon  ;     His  track  I  see,  and  I'll    purjue       The  narrow    way,    till     him      I    view. 

iiliifiiiiiiliSiiiiiigiiiili§iiiig©p 


HiiiiiiBiigi 


'-P-+-©-r 


jq 


4.         6         .■?  .1  3       0    4. 
3  3  -  -  3 


6      4.  6 

3         5 


9  8—         65    7 

5 4*  — 

43- 


*6      8^7      5        _, 
3  4 


60. 


MONMOUTH.         L.  M. 


i  nV:— *f— 


iL  Maestoso.  ^ 


Martin  Luther. 


39 


^!&5=iEE 


iiiiii 


przzp: 


^ 


1  ^--^' 


In       robes     of  ji'Jg  -  ment,      lo  !     he       comes,     Shakes     the   wide     earth,     and       cleaves    the         tombs  ;        Be 


fore         him 


#.:^-| TJ'T 1 T 1 -]— r 1 1' 


J ,_- 


8  7  5  6 

5 


6       8 ; 


6  8  7 

* 


4.  - 

3         6     - 


burDS      de 


-#-*— 


vour  -  rag  fire.       The     mountains  melt,  the       seas         re     -     tire.       The     mountains  melt,    the       seas     re    -    tire. 


-? — 


|rqrt=pz: 


iiill?^illii5?liiiii 


IB! 


87       5*»  3 

3 


iigiElii^ 


6.    - 


^   M  3 


— [i_i_a 

6        87  fi        87 


40 


PORTSMOUTH.         L.  M. 


Gelineck, 


isiiliipiisiiiiiSiiiiipiiiiip^ilgSS 

^'ludalgent    .till  to      my      request,     How  free  thy^nder  „.ercies  are  !   With  full  consent  n.y  thoughts  attest.  My     gracious  God^thy     fa.thful  c.re. 


6  6  5 


::e=:«:t^ 


:«=K 


4.3 


9  S  o    7 
7  64. 


6-6:i33    3  3     33      33     6-3        6/ 

5 * 


1 

m 


4, 


4.     6    0 

rothwelL      I-  M-__    _  _ _^    _, ,-  -t. 


ilii3lilii}iiiiii;liiiMii|gglslsfe 


-V-^y-    r-    ^    .-^    ^  6  "^-fi     w      6       b    ;.      ;  6     --  6     ^H  4,3  "4  33     4  4 


i 


84. 


WINCHELSEA. 


L.  M. 


Prelleur. 


41 


mMmmmmmmm 


Incumbent  on  tiiebending  sky,   The  Lord  descended    from  '  on  high  ;  And  bade  tlie  darkness     of      the    pole.     Beneath     his  feet   tremendous       roll. 


I. 


ff 


fiiliiiiSiiiiiliilipiiiiEiiOiagi 
iSiiillilliiiiiiiiiiiiipiili 


~3L1EE; 


65—6 
4.3- 


6*6 
3 


8  —  7 
5- 
4. -J 


4.        6    6 


-       -  4. 

4  3 2       S!  3 


eI 


4      4"        6   4" 


5-7 


80. 


^SEitei 


NEW-MARKET.         L.  M. 


Dr.  WaiMWiis;Iit. 


^lilii|ipipgilsiiiliisiipips 


:-r.-o- 


.Q^^  _-,-„_._-, 


Thy  mercies,  Lord,  shall  be  my  song,  My  song  on  them  shall  ever  dwell ;  To  ages         yet  unborn,  my  tongue  Thy  never       failing      truth  shall  teU. 


^mmmm^^^mMmmmmimmmmm 


-^    6     ^    '6     """    6      T     •""  ""6-  fi       43  t    M     ^  43  '      «    5 


m 


6      8  7 
4 


II.   &  H. 


42 


92. 


LUTON. 


L.  M. 


fATtn^ie 


§iiiiiiiiilislgllilii^§iiiSiil 


^ 


— I— ij — ■_ 


^y4-«-. 


Siiiiiiiiiiiiilliffliiiliiiiiliimiiili 


With  all  my  pow'ra  of  heart  and  tongue,  I'll  praise  my  Maker  in    my  song ;  Angels  shall  hear  the  notes  I  raise,  Approve  the  song  and  join  the  praiss. 

[siiiiiiiiigiiiiipiliiiijiigiiiiiiiiiri 

^  65667  5-4.6436  6  57—  663  67 

4>34  4>3335  4  4, 


88. 


TRURO. 


3  5 

L.  M. 


Dr.  Charles  Buruey. 

f|i§l|lliililSiliiiiiiIii^^ 


b:^:^:i^-z^p^i^^:^xPp^^ 


Now  to  the  Lord  a     noble  song.         Awake,  my  soul,  awake,  my  tongue  !     Hosanna     to    th'Eternal      name.  And  all     his  boundless  lore  proclaim. 


liSiSsiiiliiiiiSSilgillilliEiiiriii? 


.HIeS^ 


_P  ^ .— T _-- .-tF* 


sa£=fpiaiiii2 


6     56    7 


ligiiiiigigiiiiiiiliiiiEii^ 


6  6    46      1. 

4    3         3 


S3    6  33  6       98      6  7    .-i  S  3^7    3  333       6     66      6      7 

7  6      4  3    S  — ^         5—6—5  ♦ 


-#:^ 


5  84. 
Dolce  e  legato. 


MILTON.         L.  M.     6  lines. 


Haydn. 


43 


iiiliiiiiiiiiiiliiMiSiliiiiligiiiJ 


iiPpSipiii^isiilgiiiiiMpiliiip 


— -^-4j-3- 


There       is         a     stream,  whose     gcatle       course       Surrounds      tbe         cit     -     y         of      our  God.    There     is         a  stream,  whose  gentle  couiM 

III  I 


iiiiiriliiliiiii|-jlipiLiiii.Siii 

76  6-  —  5—  6 987       6         6         *  87        6  7^ 


S  43 


4—       4, 


'  '     -^  fz  fz  fz  I-       r-  I 

Surrounds    the       cit  -  y  of     our     God — A         sac  -  red       riv  -  er,     from  whose  fount,  The       liv  -  ing       wa  -  ters     flow         abroad 

liiiilPiiiiiiiiilPiiiiiiiiMiiSiili^i 

A  cj*.j=  Qfii^T  TCii  R c  aces.  A  ^  «r^.  -  r— •    -  ■'  r  ■  — ■-.^hrf.. 


i?i?3;pH 


3 


9     8       6         i 
7     6       4        * 


7  6       6  5—       6  .6665         4,  6 

*»  *    a         2 


98  7 


%         ' 


44 


*80 


EVENING  HYMN. 


L.  M. 


Tallls. 


''iSiiiiiiiii^iiMiiiiyiiiiiiHSiiiiiiii 


Glo  -  ry       to  thee,  my  God,  this  night,  For  all  the  blessings  of  the  light ;  Keep  me,  O  keep  me,  King  of  kings^ Beneath  thine  own  Almighty  wings  ! 


~ — =»-i=5-S=:t3bi±:-t_=:      t_  --t-t--  -----5-  -^  --—  -  -t-  --£—--  TTfrf  l~f~* 

Aftsi";  S  S  4.3555  a—  4-J4.J  o  o« 


80. 


43      55  5  5 

4-3 

GERMANY.         L.  M. 


4  3     5  5     5 
4  3 
2 


Beethoven. 


Adagio  6  sempre  piano, 


ifiiliiiiiiiiiiii^UillHiiilgiliEiiil 

Softly  the  shade  of  ev'ning  falls,  Sprinkling  th 

laiiiiiiiieii 


Softly  the  shade  of  ev'ning  falls,  Sprinkling  the  earth  with    dewy  tears ;  While  nature's  voice  to  slumber  calls.  And  silence  reigns  amid  the  spheres. 


M^.^<iJ^r~\'^--r~^-•■T-—t—^ 


»i^_^ ^-^t   6     f,7"'^'    5  ~       7     £3*    6      5    9||    7     ^  7  6  6    -       76       §  ^    65     6      6|    - 

3  +5  i3    4.2  7S4tr  i»»- 


92. 


CASTLE-STREET. 


L.  M. 


45 


_/-_ ^ ^-^ j_  :e'_:^ 

Lord,  in         thy      great,  thy  glorious  name,  I  place    my     hope,  my  on  -  ly         trust  ;  Save     me    from       sorrow 


""  4.6  604.  ufi6  6~6        7  I*  i  6 

a  3  -es  4.  I 

^ ^  ^ — ^  Second  Treble.  Alto. 


guilt     and       shame.         Thou 


jra  -  ciou^,         ev    -    er  just.         Thou         ev  -  er  gracious,         ev     -     er        just. 


ftiJ 


EBI 


*  6  5         Organ  or  Voice.  •  k6  f  ^^^     ^  i       ' 


46 


96. 


NEW  SABBATH. 


L.  M. 


Isaac  Smitb. 


i^liiiii^liliiliiliililiili^S^;ii 


pS=fe=|=gEpf^?=^?=^ 


~m-  -e-     -♦ 


For         thee, 


God,         our 


wa 0 3 ^ T_       ^ :___ p_i _. 


con     •     stant  praise, 


In 


Zi     -     on  waits,    thy 


cho   -    sen         seat ; 


?P§iilitilipiiriiiiiliiiiliililililSlEJiii 


6     6  7 

4 


rrjtzg::=iz 


i^iiigiiiiPfiiiigE^iiEiiiiiiiiii^iiiii 


Our  prom  -  is'J         al    -  tars 


will         raise,         And         there         our  zeal    -    ous         vows        com      -      plete. 


^=nm 


-I— 


£ 


n:*J?fsr 


a5~"5 -gzizzriQz=zzzzzzzzzi'ZZTzzpzz'SMzi-^::B.-rz-\zz.zzT^^ 

6  46  5676  5  6 «■     66  67  5  6     6  57 

"  3  43  J33354  *3- 


^•66. 

Largo. 


-it^ ^ 


MED  WAY.         L.  M 


Pergolesi. 


47 


_.^.__e_,p,_^.. 


My  God,  permit    lue       not      to       be,  A  stranger    to    myself    and  thee  ;  Amidst  ten  thousand  tho'ts    I     rove,        Forgetful    of  my    highest  love. 


ll- 


f- 


i£f5:=iir=i-P: 


iiiiiiiiiiiiiiiiSiiiliiii 


^zi4i:l:ti=E^J 


f*-  80. 


ELLENTHOKPE. 


'    I    ' 


L.  M. 

f=-, 


Linley. 


iiiiiiisfiisiiiepwili^a! 


_i_e.inzUJ 


Say,  how  may  earth  and  heav'n  unite  ?  And  how  shall  man  with  angels  join  ?  What  link  harmonious  may  be  found,  Discordant  natures  to   combine. 


Loud  swell  the  pealing  organ's  Dotes  !  Breathe  forth  your  souls  in  raptures  high  !   In  praises  men  with  angels  join  ; — Music's  the  language      of    the  sky. 

.iSliiiliiiglSiiiiiiil'iilitiiiiil^lli 


7         6      §      7 


6   4   3*— 


6  3   65 
5       43 


%  t  ^  'i      U  V, 


80. 

Cantabile  6  Sostenuto. 


Beethoven. 


(1  v^aiiiauiie  c 


i^iiii 


WESTON.         L.  M. 


1  Anj  »>nUa     rtio         aliirnVrinfr         world         in         chains;    Pale  from  the  cloud  the 

Now     night     in  silent  grandeur  reigns,       And  holds     the         slumD  ring         wonu 


6 


"e        "i  4.      6  6       6  6       6         7-  3 


4.         S- 


6       43 


m^^^^Mmmmm^^mmmi^^m^ 


moonbeam         steals,         And        half  ere      -      a   -    tion's      face      reveals 


And  half  ere       -      a     -     tion's         face      re   -   veals. 


'^^^^^^^^^^^^^^^^^MMl 


-i:!z=iti: 


•76. 

Moderate. 


ZTON.        L.  M.     6  lines. 


Pleyel. 


49 


iiiiiilsiii-ilii^JE^ 


«— i 


i^^i^iii 


f^m^mmm^m^^mmmMMmm 


How  sweet  thy     dwellings.  Lord,  how     fair.     What  peace,  what  bliss,     in  -  hab  -  it         there.    With     ardent         hope,  with  strong      desire. 


67  7  6         6       57  6-  67 

4.       \j~  5        — 

•'^i^1iiliiiiiiiiiiiiii;^5i|i|iEiiigiii|i 


^-fe- 


iiiiiiiiiigiiiiiiiiiiiiiiiiiiiiiiii 


My  heart,  my      flesh  to  thee       aspire  ; 


I     burn     to       tread  thy  courts,  and    thee.       My    God,     the         living       God,       to 


^^^^m^m^mMmwmmmmmi^m 


m 


fcife: 


1»   »    i»- 


4.-6  6 

H.  &  H. 


g^iii&i^ii^EiiiiiiiiiJii 


6       56       6        5  7 

4        i— 


50 


5  80. 

Andantino. 


CAMDEN. 


L.  M. 


2  verses. 


Mozart. 


Anaanunu.  ^ , .^ ^ . ^ . 

aiteiglliil^liiiailii^iiisii 


:E53EI=i 


bS=gz±: 


The  saffron       tints     of        morn     appear.         And       glow      across       the        blushing     east  ;      The        brilliant  orb    ol 


dty      is    near, 


<— — Q ' J ■""":        ""  ~  cKc-1  7        —  —  7      D       6  o  6       -if-       0 


7 
4. 
2 


6         5         6         3 
4         3        5 


<       0        o 
5 


.f^rgr^==^=9=iggEd^=aEirfE^=i^^ 


_@ fH- jS a_     _jB>__^ s. 


t"  dis     ti      pate        the         lin<.-'riug  mist  ;     And     while  his      mantling;      splendors    dart,     Their      radiancs     o'er     the         kindling    skies. 

e^igipiiliiliiilpSiSliliiiiillSli 


*6       6      67         - 


-        I       - 


CAMDEIN.         Continued. 


51 


To  chase  the  darkness      of  my  heart,      A 


rise,         0     God     of       light, 


A    -   rise,     a   -    rise. 


a   -    rise,     a 


V — By 

^  -  7     5      5  5  G  ■#■    6  *6  *6      6       6  7       —  3 

u  4* 


St.  PAUL'S. 


L.  M. 


Dr.  Green. 


f»^  7b.  nt.    lil-UljS.  -Lc    iTi.  ^''   "«''^". 

liSliiiiiliiiii^iiiJSagpiiiiiSi 

Great  Source  of  life,  ourTouls  confess,  The  various        ridies  of  thy  grace  ;  Crown'd  with  thy  mercy,  we  rejoice.  And  in  thy  praise  exalt  our  voice. 

iiiiiiiiiiiiiSSiiliilBiiiiSipi 

5  H  t  * 


^£&- 


»     »•     i_     ^ I ^  1      t  ^       1- 


52 


84. 


ALL  SAINTS. 


L.  M. 


r-b- 


^^--^■E~i^^m 


:S— ?z±:=az=zzz; : 


"dziziji: 


W.  Knapp. 


God  of       the  Sab  -  bath,  hear  our  vows,  On  this         thy         day,       with     -     in  thv         house  < 


thy         house  ! 


m 


zn^zi 


f  zi  ~i     ^a     '  '^  I  'r  ~  '^  ^i     '6   6    1=1     7 


iliiiii^i|ilii|liyiiiii|E||iillllE 


m 


iiiiiiiiligiililiBiiiiiiili 

And         own,  as 


cri    -    fice.         The  songs     which         in 


lil^Ji 


pie  rise. 


-© r 


lijgiiPliiiiiiPEiiii 


Efcz 


_Q_^ ^-L-l 


87 


5^6 


4  3 

3 


5     6  6     6         *  6~T  6    fi  7 

3    4  4        2  3  4 


120. 


PARK  STREET. 


L.  M. 


Venua. 


r-. 


53 

■3= 


il!iii^lliiliiisii^il=ili^^iiiiiiEi 


Hark !  how  the        choral 


song     of        heav'n. 


Swells  full  of        peace     and 


joy. 


hove  !       Hark !  how  they  strike  their 


m^m^u^M^m^^^^^^immm 


l[i^€^5^SE&El 


p. 


Siiiyig^liiiilli^liiiliillliil 

7(>  6      fir  66  6  67  5 6        — 

4  4  4  *  3—  —  — 


F.  A 


golden         harps. 


And  raise    the         tuneful       notes     of         leve  ! 


And  raise  the  tune    -    ful 


of  love. 


i 


giijjIliiiiiliigliaiigl^iSlilS^iil 


'^^^  d  ^'  -^^      -©-  -•-  ^^ 


.i^iiiiiiil^iiliPP^iiiii^iieiiS 

7-6  7       —       —  7-  64  6667 

4  tl  Sf  * 


54  r  60. 

Tantabile  e  Sostenuto. 


WALTHAM.         L.  M.     6  lines. 


Beethoven. 


Eii.liiiiMiiiiiiiiiil^l^^riifliiil 


'MlBf'^^~'~'~'^ 


^iHiiiiil^iigiiiiiiiii^ii^jiii 


— I—  I—  .       I      .    -      .         —  .      •     1^      ■ 

With  ho-ly     fear      and         hum-ble       song,    The      dread-ful    God,   our     souls         a     -     dore  ;         Reverence  and     awe      be-come  the  tongue  That 


dzdr^ss: 


liiiiiiiigiiipigii^S 


'       '~      7  6         5  6         6         5*6       5S7  6  46086  5  3656  6 

4,  43  *4.  2  7b  4J 

3  J  tr 


-:f :  iip- 


-©— P-f-n— - — 


pllliill==iliiiilEgii^illiliiiiiiii^i^efi- 

speaks  the        terrors         of      his      pow'r.         Rev'rcnce  and    awe         be  -  come         the    tongue  That  speaks  the       terrors         of        his         pow'r. 


7        6  6—43 

5      — 


76         5|  6        5*6         5      87      *4       6  6         6         98         65 

3  3  "  fe- 


1'^ 

«7- 


•80. 

Alto  Dolce. 


SALISBURY. 


L.  M.     6  lines. 


Haydn. 


55 


Lord,  thou  hast  known  my         in  -  most  mind,  Thou  dost  my      path     and        bed       in  -  close  ;    My        waking  soul      on     thee      relies. 


-©- 


«-i — •^-  - 


76      6 


76  4.3^"  76     *6  6  87  '5    --66656  T?" 


rA^Z^T.%ZZtZLft^Z 


_Ct,_J . 


:zr?Et:Dr=E±s=^rd4iS=sp:: 


Eg^EgggEg 


Z5r=zzq|=dz:^z:z!: 


'EH£iS 


On  thee  my       sleeping  thoughts  repose  :  Where  from  thy    presence     can      I      fiy, 


3±rtzlE::SlSdizB£ 

Lord,  ever    present,  ever     nio-h  .' 


lzzz±fcz£EBh: 
4,  — — 


3     6  *6 

4» 


'  87  6  6—6667 


56 


BRIGHTON.        L.  M.     6  lines. 


Second  Treble. 


PiEHSiiiii 


Call  me  a  -  way  from  flesh  and       sense 

:p: 
::p; 

■P 


-igiiZsriiHi 

,  Thy  word,    0  Lord,  can        draw     me  thence  ;    I  would     o     -     bey     the  voice  di    -    vine, 


lii^i§liiiiiil3iiSiSiiii:i^ii=iii^ 


-^zizozi 


65 
43 


And    all       in 


fe  -  rior    joys  re  -  sign—    I     would     o     -     bey     the  voice      di     -     vine,     And      all     in     -     fe  -  rior      joys     re    -    sign. 


[iiiiiiiiiiiiiliiitfiiii^iif^S^?ipf 


f-92 

Alto.     Fugc. 


NEWARK. 


Stanley. 


57 


We  bless  the  Lord,      the       Lord,  the       just,  the       good,  Who      fills     our     hearts  with      joy     and         food  ; 


Treble. 


liii^iliiiiliililliiliiiliilpiliiiii^ 


We  bless  the       Lord,  we           bless      the     Lord,  the  just,     the      good.  Who         fills       our  hearts  with       joy          aad          food  ; 

Base.  -•-_ "•lO_Q l_» 

"                                                       We  bless  the  Lord,  &c.  7         7           g                  ^         -  o 

5     6             5—6  " 
3                   3 


6         7  6- 


76- 


:^ 


pEE^EggJg 


EaEiJi 


Who  pours  his  blessings  from         the  skies,  And  loads  our      days       with  rich  snp      -      plies. 


^ 


i=± 


^glH^iiPiii^iiiiiiiliiiiiiiiisil 

from      the  skies,         And  loads  our 

iliiiiiilli^ 


Who  pours  his     bless    -     logs 


from      the  skies,         And  loads  our  days       with  rich  sup     -     [Jics. 


iiiiiiilS 


H.  ■&  H. 


Who  pours,  &c.     6- 

6     6     3 
8 


3  6       7       6       6 

6  6 


6  5  5  .'S  7 

4  3— 


58         5  ^^' 

Con  Spirito. 


EATON. 


L.  M.     6  lines. 


VVyvill. 


^^^^^^^^^^^^M^^^^^^M^==^^M^EMi 


-M 


Second  Treble. 


m 


s^ 


wake,  our  souls,  a  -  way     our     fear*. 


Let         ev'ry      trembling  thought  be  gone  ! 


rrazs: 


I  I  I 

A  -  wake,  and  run  the  heav'nly     race, 

zdzzzl~zziiziz<iz:zz;zzr'i~z'^izil2i1^d — i^x — ' — ess — i- 

p   III 


i^t!23:z5^?:iz(ftZZZ^TZ^Iz3=3zz:?r:lz5rHHzsz^zq13zazIz[Ezl?ziz^ 
I;  iz:^       zz£~4zr~zi?;z^zzfciz*iz:"?:z:"izzjzrz?zlztizzz?zzz^zttz:zz'?zz"3z^ziz^z?~^"l~ziz"~zz* —    J 

4  333  4* 

l^t^z±z*z±:fzzz*zzzizpzztiiz:zzz±:iz?zlzi:^zzztzz?zirj^zzzzz-izzz-zlzzzzzF:r:zp^ 


Alto. 


^S^'^fL 


^_«_:^:_^. 


5zzz^i:szszsiLziipzsZfOj.^zzz3zsziczpzpz^sz5izpz:t:ztZ3ZZz?:zi5Tgzsz*zcz(^^ 
Szfzfci-zzzzEzEzizEz&ztLbz+zizfe^ziEzzzF-^^izLzizizEzJzPz^ziL^^z^ztsEzrizEzrEzitz 


And     put    a  cheerful     coura  e       on  !  Awake,  and     ruu       the  heavenly  race. 


And       put 


L^ o.v__] 


llil^iliiajsilligiiiiliiliils 


iiZ5- 


cheerful        courage  on  ! 


i'Slf|z5zszi:azezS'iJzqzzqzzz3z5zi|zsziz^z?z:sz:azizsz:sz:sziZ2ZZzJzi 
l,zz!zzEztz}:EzpzEz3zlz3zsszzz?zfzJzEzizzztz:tz:S=izEz:bz:tEizr^ 


:z_o5: 


i-  I 


65 
43 


6       5  4  6     4  5 6 

4       3  2  3  3     3a 


-'zzJztzHr:*-^^- 

u«-^  -1 5— [-■ 

4 


5  80. 

Amoroso. 

m ^-* — *- 


SOUTH  STREET.        L.  M. 


Haydn. 


59 


Softly       the       shade       of  cv'ning  falls, 


Sprinkling    the      earth     with  dewy  tears  ; 


While    nature's 


~  7  ~    ~  ~       ~       6  6  5  ~  *  6  *  — ~  6  ~~ 

4,  i  7 


ITA-S— 


EE?EPSE?= 


voice         to 


slumber 


calls. 


And      silence       reigns         amid 


,i!^ii^iiiiili^||ip§|ipg|^§p5|||^^^ 


65 
43 


G 
4 


60 


84. 


WATSON'S. 


L.  M. 


ifiE^E^EEi 


iilfe|Eill?|ii?EiEiiiE^lEe^^^ 


,— •— T-F-?S— •— T— e 


T 0 


:t=ziztzF=.t- 


shineth 


the  light. 


«7" 


:=5zS-«; 

bzzJzt: 

0         Thou,     to  whose      all    -    search  -  ing         sight,  The^  dark  -  i 


T-^ 


!l— ^z4zE— E— yr^zSEfEFEfe^lEEEfeEEJEEEtEEElEiEEEEfel^E-fe 


r-b-- 


4  6 

3 


►z±z?z^: 


6     6         4 
i 


Second  Treble.  ^        Alto.  -' — ^ 

iliiiiiliai^iiiii^i^' 


Search,  prove  my       heart,       it  pants        for  thee, 


0         hurst       these         bonds,       aaj 


set  me  free. 


iiiiigliiii^iililiiililiiiilii^i 

*i  %        "^  3  6         ^6  Organ  or  Voice.  7  SJ?  7 


mm^ 


4-  5 

Z 


g92. 


EFFINGHAM. 


L.  M. 


61 


Second  Treble.  P. 


Alto.  F. 


^    ■^iEEaEfel:EEE±E:l=t:fetf:tBEteES!i^^^^^ 


}-^± 


At       anchor  laid,  remote  from  home,  Toiling  I    crj',  sweet  spirit  come.  Celestial  breeze,  no       longer  stay.  But    swell   my  sails,  and    speed    my  way. 


mE^. 


„^4 


:?;*: 


6  4    5       4  Go      — -     6    i    6  4.  6  6  7  Organ  or  Voice.  6  <>  ''>       7 


6   4  6  4     6        4 

J  42  J 


6fi, 


Cj 6    4     64  667 

■  J 2         3  4 

DUKE  STREET. 


Organ  or  Voice. 

L.  M. 


6 
5 

J.  Hatton. 


Lord,  when  thou  didst  ascend  on  high.  Ten  thousand  angels  fiU'd  the  sky ;  Those  heav'nly  guards  around  thee  wait,  Like  chariots  that    attend  thy  state. 


z*zzlEzEtt:EzEzEiz3zEzEzE!:tzzEJ:zz°:fejz°z*ESi:*zE:B 


h+©H 


464  6S  6  656  6  6364  648 6     «    « 7 

i  J  *3  *  5  3  33334 


62 


66. 


'^§5:3:fe-°J°zS*^; 


»-g«t:a: 


DRESDEN.         L.  M.     6  lines. 


,> — N  /^^  ^^— ^   Fine.         ^^ — ^  x •    j)    q 

:fltZZ|rZ®I§;piPl.^T2.aZ^.'I'P"T|"*.ffTP;— T Pl|S~n~l"P"TI T T T —       ~ — '      — 

Preserve  me,  Lord,  in  time  of  need,    For  succour  to  thy  throne  I       flee,     But  have  no  merit    there  to  pleadTMy  Jo^ss~cTrnot".Tch~thre 

iiliiSilifiiilliiiigigiiiiiliililii 


^ 


li 


i^-t^^ 


^-^  '-^   D.C. 


1*"  '^^  HAGUE.         L.  M.         From  the  German,  «Herr  Jesu  Christ  dich  zu  uns  wend." 

Through  ev'ry  age,  e  -  ternal    God,  Thou  art  our  rest,  our  safe  abode  ;  High  was  thy  throne  e'er  heav'n  was  made.  Or  earth  thy  humble  footstool  laid. 
«-  *<<  8775657  67"^        ^687'^  ^ 


PUTNAM. 


L.  M. 


63 


Second  Treble.  ^-^^  ^^  -^^  -^^  ~^~    ' t-^-l4^-\Zl ^J3^ 


Second  Treble. 


Thee  W.11  I  bless,  my  G^and  King,  Nor^sethj-wond'rous  act.  to  sing;  From  earliest  morn  to  latest       e^  Thy  praises     on  my  to^  shall  iTvc. 


^Mi^mmmmMmiMM^mmmmmmi 


my  tonfrne  shall  live. 

SF--- 


4    6     766 


fcr3§i:±±:=rpt-E?-=ii?=?-lEKlz:zB--iF:i--^ 


WARRINGTON.         L.  M. 


Second  Treble. 


^Tiz^QZ^i^^liiEzi^i^l^h'Sto^^ 


Come  hither,     all     ye     wxa^souls,    Ye  heavy   laden^nners,  come  ;  Ml  give  you  rest  fro^    j^ur  toils,   ind  raise  you      't"    my  heav'^home. 


Mmmt^^^mmimmmm^m^Mm 


liiliiiliiiiiiEiiilPiilii^Plgliii^liii 

7  65687  ^  667  6     *"    '"'fi     fi     7      ^T — -^■■'- f"^ ^-^ 


64 


84. 


SURRY. 


L.  M. 


Costellow 


'SiliiiiiiiliiMii^^igi^il^iP^i^M 


No       more     fatigue,         no       more     dis    -    tress,  Nor  sin        nor  death     shall     reach  the     place  ;       No         groans  shall         mingle 


»L •" ' ^        7  6    *  5 6  6     4        3  7  7 


iiiiiiSiiiiiiip^iiiiii^iii^riiiiil 

im     -     mor    -    tal  tongues,  Which  warble  from     im      -      itior     -     tal       tongues. 


^iiiiiiES^ 


*^ ^  '6-4  ^       "^  7  6  7  5-66 


:g5=t.fct=.ti£?iiiiiiiil 


□irzs 


l 


3  1 

4 


QUITO.         L.  M. 


rr#^£^ 


65 

pzz: 


Second  Treble. 


:=li] 


Who      is     this       stranger         in  dis    -    tress,  That 


travels         thro'  this     wilder     -     ness  ?       Oppress'd     with         sorrows 


:zr^zj:-i:^J — T-a:i-g it-t — •;ii_sj_i — i:r_f; :ir_* — ipp-.  :*i§_sj_; — i_[l — p:i:[ir|z_p_J 


y^  .,. ._-_ ., .  ,,^__  ^  ^  ^ . ,  __.  .^ 


65  6 

43 


ti         4  43 

3 


65  (j 

43 


4  8  7     6  4 

3  35     6  2 


ir:9t±= 


^^Egl!ill=EbElEyiEy 


~1- 


— 53-1=-: 


r — 1^-4— O--^--^ 


:«%^ 


-e^T- 


and    with     sins, 

mmB. 


On     her     be    -    lov  -  ed  Lord    she       lea 


On     her  be    -    \ov  -  ed       Lord       she         leans. 


H.  &  H. 


66 


76. 


RICHMOND.         L.  M.     2  verses. 


De  La  Main. 


ti^mmimmmi^mmMmmmmim 


-^-j 


When      we,     our        wearied  limbs       to  rest,  Sat     down     by       proud  Eu  -  phra    -    tes'  stream;         We  wept,     with     doleful 


~  ~  4i  6  56  6  4.0  4.  6  43  8?         65  6       —  —       —     -#-6 


4,  6 

3 


8  T        65 
65         4,6 


rf: 


6       -  -       _     #6 


:l^gii: 


thoughts  op  -  prest.        And       Si  -  on  was       our         mournful     theme.        Our  harps,     that,     when     with       joy     we       sung.  Were  wont  their 

.::^z-iz.:ztx:dz_:.zz:x:^zdzrgz3=g=:x:^z^^ 


^z^zz^z|:z:|'|z5:lrpJ;«:^z|z|3=g=S^F|:^^ 

'  ^~-^  ^' — ^  Cres.  ^— s     ,— s 

^^zgzzgzjidzi^ij-^f^p— P~T-^z^-^-n-T- 


6  — 
5 


#6      *-4   6  7 

4,  2 


*6 

3   3     3  3  4 

8 


RICHMOND. 


Continued. 


67 


iiiliilililiSiiliiiiiiliillii^iiii^iiiil! 


:#::^-?'* 


2i.~    Z: — ' — C~tZ"I  CEZSjt' 


■•■+-P-^rS;i«: 


KiitzEE: 


f-^-k-H--^ 


iiiiiiiiiPa 


tune  -  ful      parts        to         bear,     Witb     si   -    lent     strings     ne    -    gleet  -  ed    hung,     On         willow  trees     that       wither'd       there. 


iiliiiiilgilSiiaiSiSiilgiypiil 


«    „  8  7  6  7 

3   3    3     3       6  5         4.* 

76. 


7        h 8 4,         R 5 

3    3     3    3       3  3         333  3333 


NORFOLK. 


L.  M. 


z^-J- 


6         6465       87         67 

J.  Ashton. 


m 


--.-^ 


liiii 


«:iZ-ir:€Z 


EtEi 


,-r,T^-P, 


-^-i^-^,_.. 


«. — 

trztltr: 

Amidst  the     various  scenes  of  ills,  Each  stroke  some  kind  design  fulfils;  And  shall  1  murmur  at  my    lot,  When  sov'reign  love  directs  the  rod  ? 


iiiiiiiPSBIISiilliiiiii;g|S! 


mmm^wmmwmmmmmmi\mmmt\M 


65876643  *-6  67  *6  6*C  i» 6  "6  S      «     7 


6      7 

4,     « 


68     r"72. 


±A: 


St.  ALBAN's.         L.  M. 


Vincent  Novello. 


Fl=: 


—I — t--^- 

-Q-T 


-P-9- 


:3id|jg|i^jgz:p:^*^-p:|:p-#gJPl-5:-J=J£j 


E!=Si|~E-||=igF~p|5|p|fe^ 


ztiitn 


i^J— 


ipi^ipi; 


Sal-va-tioQ  is     for  -  ever  '  nigh,  The  souls  that  fear  and  trust  the  Lord  ;  And  grace  descending  from  on  high,  Fresh  hopes  of  glory  shall  afford. 


^i^^mm^^^^m^mM 


-F-9- 


^i?: 


i3E; 


Lzi:rz:_:i:p:iazJ_EEir=ii:  ^^      :j^  ==f  E^P^-zp  ^  :  :  rz_:  _c_  ^^   .^_.^. 


,•■  96. 


4 

St.  OLAVES!^ 


rf: 


L.  M. 

^iigipiiiiiiigiiiiii 

liiliiiii 


Hudson. 


?P-Pi§. 


— « — T-ie— <T-H -It T"     ■       1    « 


:pe-liep5?qg| 


t 


-pi 


.4- 


fPp-pi§j:^j§i^r-"— pitpzgpjgf§;g:f£pi;?3g:f^P3=gJZ§: 


Come     hither,      all     ye      weary  souls.  Ye  heavy      la.len     sinners,  come  ;  Til  give  yourest  from  all  your  toils,  And_raise_you^  my   heav'nly  home. 


5:z:^j:iz:z: 


72. 


ASTOR.         L.  M. 


J.  McMurdie. 


69 


-.\z-Jtz-] 


:g|gi©±gz|3^Ja=2|gz||i5|i||l 


-Q-   -a-  O   '^  O  • 


?zfSEEB}ei^i:EEp3P|lj 


Let    ev-er-last-ing     glories  crown  Thy  head,  my  Saviour,  and  my  Lord  ;  Thy  hands  have  brought  salvation  down,  And  writ  the  blessings  in  thy  word. 


'mmMWiimimmmmMmmmmiimmi 


^!5:|  ?;f -|q£s  J^+iEEzr  zriE^j 


I     I      I    H 


6      43     87 


ztiliz^ 

6 


8  7  6     5 


8  7   6  ,5   6     fi 

43 


4      6  6     6       6     7 

a  4, 


f# 


,*  72. 

a  Second  Treble. 


WATERVILLE.         L.  M. 


S.  Webbe. 


c_        o  .3_  .     .  .     ^"T^*    '  C?  _3 ^_     _3 c; 


-S-it 


iiiiiii 


I 


iiigiiiii 


This  is  the  word  of  truth  and  love.  Sent  to  the  nations    from     a   -    hove,     Jehovah  here  resolves  to  show.  What  his  almighty      pow'r    can    do. 

P.  F. 


^  7  366-'^'^*6^'^9865'^'^'^  7  225  5, 


9  8       65 
7  6       i* 


98     65 
76     43 


70        5  ro. 

Cantahile. 


HAJ^PDEX. 


L.  M.     6  lines. 


Mozart. 


fMmmiM^lS^mlMM^SmWmm^M 


::jm-z®z»: 


_^-i^— -. — p — o — T~Pz2~izi~~rgr~[iT,zr~rg  T':r'zg~*zTr^i|*z:J'ji:3:i§2zrjrz:z:pZZzzir^£p~£z:3 

Eternal  Rul    -    er  of      Hie  skies,  How        vari< 

[r^-4^ *-+-| — I — i^-e-f- ri-hy'-+zi-zt^ztz[-z-| 


skies,  How        various  are       thy         works,    how     wise !         How  great  the 


wonders 


iigiiliiMiEi^^g^ii 


,ispiiiiiiiii^iiiS:iiiiEiiiiiiii 

4.  6     4.  6       76  76  .76  e-6     6  6      6         7  *6  6  *6 

3  3  5*  54  ^h-  *f*  4  3  3 


-^-r, 

:^-^ 


^^       thou    hast     wrought,  And     deep     be  -  yond     all        search      of       thought  ! 

^-^  Organ.  <^ ^--  s^ 

6     3*        6  &6    te7  5  ^5-        5  «     §        Z 


•5< 
5      ^2 


*        tl 


HAMPDEN. 


Continued. 


71 


ummmmmmmmm^MmBmmMMimit. 


E    -    ter    -    nal  Rul      -      er  of  the  skies,     Ho 


various  are  thy  works,       how  wise  ! 


^g|^-EgM==^=ji-=JE|p^=J-ppgjSa=gEiE^5^E^=iEpEEg=jji 


[igiiiliiEiiiiiiiiiiiiiiiiiiiiiiiigpi^^^^ 

4  6    *  6  76  76  7.   6  -^rt       6  6      6  7  ~ 

a  3  5  4  5  4.  5©-  ^1.  4 


88. 


-3-  l± 

St.  GEORGE'S.         L.  M. 


rf^:^? 


,     0  sleep,  from  ev'ry  eye !  The    rising  morning  re-ap-pears ;  The     sun  ascends  the     d^ippled      sky,     And  drinks  creation's       dewy     tears. 


r#— 7T 1- 


6    4.         6#6  6  5         6*6  6         6    7 

3  4  4  4  4- 


65       4    4     6 
^    3 


4  65 

3  43 


6   6     7 


72 


PROCTOR 


L.  M 


xr- 


Q-TrLpz.pL-^f.—frj^^ 


M 


Thus       saith  tlie       high    and         lof  -  ty      One, 


sit         up       -      on         my        ho  -  ly    throne ;       My  name     is  God,         I 


-H-S-T— © ri— T ffi-»-!*-T 


-^-^zi:^: 


"     % 


6         see         3-Q-6     6 
3  3 


6 

4.    -El.S 


5 4      6 

2 


dwell  on       high,  Dwell      in    mine  own  e      -      ter     -     ni     -     ty^    Dwell       in  mine 


:z:te=przp=i:=-: 


:=feEp^ppEP=p^=^E^||zhP^: 


own         c      -      ter  -  ni    -    ty. 


;s:::zp=:p: 


^ ,  ,  _^_^.^^_  _^zizSzH5:z 

si  oiz^z^:z:z zlzpz^zJz^ztz z„-d-  — - — « — 9~"T"o~'°- — '~"T'~~^"^~E~i~b"~^~i"^~L~^~   xz*""" ziz^~3 jii" 


5  92.  GEORGETOWN.         L.   M.  Haydn.  7i 

iilMiiiiiiE^iiiiiiPiiiiiiliilii^iii; 


Treble. 


-^^mmwMMimmmmm^i^^^^ 


To      ihee,      O  God,  with    -    out        de      -      lay,       Will         I         my         morning  hom    -    age       pay ;  For        thee       I 


76  43  6  56  4  6         *2         i  ^     t       I  U 


_ -#-  ^       I —J^ 


mimmmmmmwmf^^mi^mmm 


;~n^ 


izrsz: 


long,    for         thee       I         look.      So  pil  -  grlms     seek     the         cool  -  ing         brook.         So         pil  -  grinis  seek  the  cool  -  ing     brook. 


ISiiSipiiiiiiipflgSglJiiiitilBiiil 

""etere*  e-'iaee  6fi87  5  67  e^^e 


6       ^7        6     4 

H*  K  H* 


6  -•  43         6 

10 


74 


88. 


CROMER. 


L.  M. 


George  E.  Williams. 


::iix:5i:5r5: 


Praise  to  thy  name,     eternal     God  !   For  all  the  grace  thou  shed'st  abroad  ;   For  all  thine  influence  from  above.  To  warm  our  aouls  with  sacred  loire. 


iM^ 


eziinrd 


iiiigilSifpiiiiSiiiEfiiiiiiiiiiiii 

iiiiiiiitiliitiiiiliiSiliiiilliiiiiiiP'*""- 


6       5—6677 


66-6.6    66     6     7 
34   4^4  4, 


4.       6     6  5 

2        4.tr 


76. 


SEMLEY. 


L.  M. 


F.  Barthelemon. 


6  6    8  7 

4 


f*!^j 


iiiilli^illj^ 


-'-'WM 


-ils^IE-E 


!Eeppie]£^i|E|pEeEp|] 


mmmmi&mmmm 


Great  God  !   to  thee  my  ev'ning  song  With  humble  grat  -  i  -  tude  I  raise  ;     0        let  thy  mercy  tune  my  tongue.  And  fill  my  heart  with  lively  praise. 

liiiSiiriliiiiSiiiiiiiil 


iiiii 


X 


iS?i 


6 

4 


*6    6 

4i 
3 


#6    6 


6      7 
4     ♦ 


*6       6       *6    6 
4i  4 

U  3 


6       6 


6    87 
4 


MONTGOMERY. 


L.  M. 


7r 


-#r*i 


Eiiiiiiiliiliiiiiiiiii^iigilllgiiiiii 


±;«i,=:rrc=^ 


Stand  up,  my  soul,  shake  off  thy  fears,  And  gird  the    gospel     armour  on  ;         March  to  thegatesof  endless  joy,  Where  thy  great  Captain-Saviour's  gone. 


iZT-l^ztr^hp-i 


'  -     '         tr-    -      .  --  -  -„   .   .  ,  .  --  .  ,  .  -        ,  -  -B?         6     3  4.  9  8    6  5 

^  5  6  a—  4.  3 


87 


3*4  6  6     7 


5  6         6 


(T: 


38. 


CHARLESTON. 


L.  M. 


R.  Cook. 


:?ii=l:l$iiLEiil$i^iiiiiiiiii;iii^^^^ 


From  vocal     air  and  concave  skies,  Let  wafted       hal     -     le  -  lu  -  jahs  sound  ;   And  let  the  sacred  triumphs  rise.      Till  vaulted  heav'n  the  notes  rebound. 


X 


6      66    7 
* 


6  6*6    65*(} 

4" 
3 


6       4.         66       674.  3-      6  + 
3         4.  ■»  3 

3 


6         6  7 

4, 


76 


88. 


EMSWORTH.         L.  M.     or  lO's,  by  omitting  the  slurs. 


T.  Bennett 


Great         God,        at     -     tend,     while  Zi 


sings,  Tlie  joy,       that  from  thy 


pres  -  ence  springs. 


'''  '  4  6     6      6         7  6    5" 6    *6       ~6~#^  6     6         7~ 

3  4.  3  3 


To         spend       one  day       with  thee 


earth.  Ex       -      ceeds     a  thou    -    sand  days  of  mirth. 


I    ~  *^'         '"     '  I  i   ^t  '  M     '    ^"^  ' 


Cs^6         7 
4 


I 


72. 


TRENTON.        L.  M. 


Wm.  Shield. 


77 


•TfSi 


Maestoso. 


P-M- 


-#--r~;;-T^*-»«TS-5TP-i 


Stand  up,  my  soul,  shake  off  thy  fears,  And  gird  the  gospel  armour  on  ;   March  to  the  gates  of  endless  joy.  Where  thy  great  Captain — Saviour's  gone. 


r^li — T — ~1'T~1 — l'~lT~1"r^TQ~^T"~"1 — I I@~r]lIJ~I]I*  j"3~z!l 


4.     6  5  6      5  7 


1 B r^~"^Tn~'^^i»T"|S — i*T — I*  Til — 


65     6    8  7 


72. 


CHAPEL  STREET. 


L.  M. 


Wm.  Mather. 


jL  Second  Treble. 

pzzz — :if--iz:|^||il:iz-_:Iilil:ir:3--i*z:_«Ti^t§i:3:a±i:_i?ii:^ 

E  -  ter  -  nal  Source  of  ev'ry  joy.  Well  may     thy  praise  our  lips  employ  ;   While  in  thy    temple     we      appear,    Thy  goodness  crowns  the  circling  year. 


6       4.  7^6  6      #6      6  6 


rpz±-j2=crJ 

6      7  5    65- 

*    *  3  4  a- 


:=F:J:fr&jF^g|dzd-|irS?g£HHt 


5      6 

3     4, 


4.      665    5  4.66     67 
3  32         S     4 


78 


72. 


PERGOLESl.        L.  M 


Pergolesi. 


iiiliSiiiiiiiili^i^iiiill^iii 


■=p:=-l 


Bless,  0         my  soul,       the  liv      -      ing 


God  ! 


Call  home  my  thoughts    that       rove 


broad ; 


^PiiilSS-^^lipi^ifi^iN^i^i^ 


liiiiiEiiiiiiEiiiiiiip^iBiigiiiii^i 


Let  all  the  pow'rs         with     -     in  me  jom 


|i£iiiiiiilii^lliil^iliiiil=li=giSPS 

*f     -— -  6 k6  i  I    ____       S  * 


80. 


ANTIGUA. 


L.  M. 


79 


=lEgiiii=EiW%1ii=l=^iil=i=Ei=lii^l^i^ 


iliii^liiiiililliiigiiiiiiiiiaiiiii 


The      King    of       saints,     how       fair     his 


face, 


dorn'd         with         maj      -      es 


ty  and 


grace  ! 


Unison. 


liifiiliiiiiiil^iiigii^ipiiiEiSiil 

4p  2 


(^^~i—nT=^m-^-~nr 


m^^^m^M 


Bil^E^iiiiiiPiiig 


m^^^m^mmmm^i^^m 


He  comes        with  bless     -     ings 


from  a     -     bove.  And 


wins  the 


tions  to      his         love. 


iiil^iia=iS^3iiJifeJ^=ilii3=iaiilBi 


m 


*=:] 


65 
43 


6     6 


6       87 
4t 


80 


76. 


ARMLEY. 


L.  M. 


iii^ 


E|pppipi^^Eg|iiiiiiiiilllililgiii^ 

1^ —    ~  r,  .„  ^  t;,o  Hv      .      ins  sor     -     rows  of  your  Lord; 


our         mournful  songs  re    -    cord.  The 


Now  let  our         mourniui  Bouga  ,c    -    >....", 


^ *  *  II        II      z=z      ^6 —      *  *  2       *- 


5-..ri=5z-: 


IllBi 


*^  wu„_         I..         „.^    .    „UinM         in  tears      and         blood.  As  one        for      -      sak      -      en  of  his  God. 


When         he         com    -    plain'd         in 


'M^m^^mwim=i^MmBi^=^^^ 


mi 


T ©- 


# 


IS^HM 


5* 


l^lil^i&iPp=^=rs=pfsiiai 


65 
13 


<.  5   — 


6    «      41 


88. 


MAYHEW. 


L.  M. 


81 


'iiiSiiiiiiiilli;i^l^iiii'iiliSiEfeigi] 


.Q_p_Q_d 


Were'nnlpii'd  to  preach  and  tell,  All    that      is    done  iu  heav'n  or     hell.  Or  could  my  faith  tlie  world  remove.  Still    I 


:gE:g— EPii?jS 


am    nothing      without     lov«. 


1 


OP...-T ^z^:e=;;^.-n- 


zr^^:^1fe°:±=:[=I=:azJ;tlirfzr:°2: 


- — "-^ — ^^  ts — ^  r — |2Pi:azeii-ZZi];:] 


giiilliii 


=1= 


6        5^6 


6     6      7    6 
5 


65 
4i-6 


6    9  4.    6 


84. 


GREEN'S  HUNDREDTH.         L.  M. 


6     5  6 

4 
3 

Dr,  Green 


:az5:tazoza:Tz 

8  7    5 


6     7 
4> 


rf; 


:#7:^- 


-»-^^ 


iillii^iiSiiiiiSliiiEil^^^ 

^ ^ ^ ^ 

Sweet  i3  the  work,  my  God,  my  King,  To  praise  thy  name,  give  thanks  and  sing ;  To  shew  tiiy  love  by  morning  light,  And  talk  of  all  thy  truth  at  night. 


[liillSE5^iili|i3iiiii:ilii=i^ 


zzzgzEtzzBzzBzzE:bizltHzE±zz3zrFi=ffipHEfcrpzzi:z:zt:iz3iz±p:ztrt^ 


— tf» 


-»iz- 


"^  87  6 


H.  &  H. 


11 


alni-iPrqils^iEiEf  Qtp  }z3^ 
-lt+P±7t:Tt::-.:pzz+  z:t  iaJJi 


3 


82 


6S. 


LEICESTER.         L.  M.     6  lines. 


lli^HiiSsiiOiig^ligiiiS^lliliiigHi 


When,  'mid  the       gloom  of       night     I  stray.     And  heav'n's  re  •  splen-dent   arch    survey —     And  mark  with       rapture         and      aur  -  prise. 


^m^^mmmEmmmmMmmmmmmm 


r-  6-     *  !l   ''11   ■  U 


e6  5       ^^     v^       6       5 
3-65       4      * 


5-      6 


*8-      65      87  6S 

3   S  6  5         ** 


piiiliiililPi^iiiglgigigiillPiliiiiil^ 


The     v»  -  ried         glories  of      the       skies,     Ah !     what    Is         man  ?  thou  great     Su  -  preme,     That     thou  should  stoop     to  visit       him  .' 


iiiiilillPliiPiillliiiiiiiiliiiliiSli^ 


*     5*6   3-        6      65  6         I  g       5-         6       «7         6^        —  ^65      ^    ^      6      ^ 


80. 


EVENING  HYMN.        L.  M. 


Jer.  Clark. 


'83 


^^^^^^^^^^^^^^t 


tS-3-Qt&  »xTjr»3P  J*0^-—-r----T--- 


diozdt! 

Sleep,  downy  sleep,  come  close  my  eyes,  Tir'd  with  beholding  vanities  !   Welcome,  sweet  sleep,  that  driv'st  away.  The  toils  and     follies      of       the       dajf  ! 

HEEISglfaElii 

-i'+?a3:z±t:£:E±~it-^. 

-  ~  —  Q_        p.g 


2_isi_l^c 


ii-E§L?=iLaiz±t:£:EJ~it:ip 


illigiiSliifeliSl 

^-0    -3-^  ^       6  "7  6    '5"    ""-fel-—     3  -  6     6  6  5~0'  '6~7-  ~"s  7    3*6~        "*'    ^-       6    76  -fr^^T    r~6     i?  ~ 


66. 


^5-  „         -     -43    7 

MIDDLEBURY.         L.  M 

DiT-sl^Ql-P-Ol-s-Plo-' 


:piztilq 


:=t=: 


-@r-P-pT-p-pT-^-f 


iliiy 


Dear  Jesus,  when,  when  shall  it  be  Th 
■  ~^'  #  *'  6     '*'    ~—  7  *6      6*5  ~*    '     *6      6  *6    5*6    5 


zPi:g=piie=ip=: 


lasting    peace. 


Dear  Je«us,  when,  when  shall  it  be  That  I  no  more  shall  break  with  thee  ?  When  shall  this  war  of  passion  cease.  And  I    enjoy 


■o 


yiiiii 


* 


6      8  7 

4     *— 


84 


••  60. 


MUNICH.        L.  M. 


An  old  German  Air/ 


meutevole.  ^^^*v  __ . . ■    __j_^ H-rH ItH I — lT~H'"~H"T"H""i^ 


iilj^jo 


liiiSliiliiiiiiiiliiiSiPS     . 

■Twas    on  that  dark,  that  doleful  night,  When  pow'rs  of  earth  and  hell  arose     Against  the  Son  of  God's  delight,  And  f.ienda^betray'd  him    to     his^  foes.    ^ 


-^ J-. t       h±-     r,  jt.fi    -i^R    fi     *^fi      R7  *fi    S^    *        *6    6-      * 6  *6      #6    6  6    87 


••  80. 


"■i-e'e^    '*        *6'f^    '*"    -^^^    6*6      #6    6      ■     6    8  7 

BABYLON.         L.  M-  Ravenscroft. 


6  *6   3*6    6  6      87 

5  4  4(    *— 


r^ 


giiillliiliilillOilgS 


z6-i*§iz5i5fg;£*l-£iEi£:^?:i-?1~ 


||||Tfi|l||:!i|pp|p|!E|||gp^ 


Shew     pity,  Lord,  0  Lord,   forgive  !     Let      a      re-pent  -  ing       sinner  live  !  Are  not  thy  mercies  large  and  free  ?  May  not  a  sinner^  tru^  in   the^ .'  ^ 


5*6 
3 


5*6 
4) 
3 


6    6    5  7 
4    3- 


*6    6*6 


5  84. 

Aflettuoso. 


DARWEN. 


L.  M. 


85 


iiiiiiiiiiiiiiilliililMlgiiiliiiiM 

Slilliiiiiiilii^ilEiilillPPIHiiill^PliP^ 


Who      from        the     shades  of 


gloomy 


night,         When 


the  last  tear        of 


hope  is 


shed, 


^iiiliPiiliiiPiii^ilillili^^ 


I 


lz::fe"_S:_d_i_d d_i_[- i p — £ — 1 — u j ^_4_ff_^ — d — i_plp B_i_^_p 

-3  ~6      *"      8  7  6  5  ~6  ^'  6  5-^       6  ~    ~6  ~C 

5  65  4.tl -t;  4.b —  4. 


6  ^i; 

3 


^ii=ii=iEfeiii=iPji^iEiEyi=iM=iEegE^^ 


:zii:: 


=p: 

Can 


P— ffzirrP— 


bid         the 


soul         re     -     turn  to 


light,  And  brenk       the  slum  -  her 


of 


the         dead  .' 


II: 


iSiiSEiiiiiili3iiil3iiliigJP:ilirEliPS 


•a-i;  6- 

3 


1^\-  fi     ^F^  I? 


6  ■>- 
4tl- 


^6     6- 


6^5-     6 

493  — 


5 


86 


•84. 
Moderate. 


CAROLAN's. 


L.  M. 


Carolan. 


%M^E^^f!T^EE=^^z!i=i^§-j=El: 


iiiHl^^iiliii 


iiliSiiiiliiiiie: 


Be     -     hold       the  path         which        mortals  tread,      Down 


to  the 


piiiigigiii^lippgi^ 


lill=ni|=ii|i 

jf  the  dead  ! 


re     -     gions 


:=E5HE|EEE=pr 


qi^zi:r:p_: 


l^ililiiilpPPiliiiifiiiliii^liiiiiiP 

^  '  6  7  LmI       63665  6  6  §' 

4.5  5  4  tr  * 


-fc:=*xP=:j:=ez=:=»=ii— e=zz«zzi:z^z^ 


Nor 


will  the 


fleet    -    in"; 


mo    -    meiits  stay. 


Nor  can  we 


-I — 
sure  back        our        nny. 


g:pi^E|pPi^|;gEgPpgEgigpEPgiag=liippg 


'o  tJ  6  6    3V6  6  7  LS       6       as  fi  5 


6  6    3#(3 


^66. 


WESTBURY.         L.  M. 


-^^=MEi=~M~M=M^^=l^±^^. 


Prelleur. 


87 


^^mm^mi 


So  fades   ,      llie       love    -    ly         bloom -ing  flow'r,         Frail,  smil  -  ing  sol    -    ace  of  an  hour; 


-fe- 


^iHPliiiliiiiiil 


~    ~      *6       ~6  6      *6       ~  65   ~ ~  6  6-  6  6-  7*6  6  5 

4  **  4,3  *3  5  4p  * 


iiiliiiiiiiiip^illiiii^iipi^^liili 


19— r *p 


m 


So  soon        our  tran  -  sient         com  -  forU  fly,  And  pleasure 


ly  bloums       to 


die. 


^^^^^^^^^^^^^m^ 


^=EEiEIE3 


P o- 


6  *|3 


6         6     7 


88 


LOWELL.         L.  M.        '  -  L.  Mason. 


Behold  the  Rose  of  Sharon  here,  The       lily     which  the  vallies  bear  ;  Behold  the  tree  of     life,  that     gives         Refreshing  fruits  and    healing  leaves. 


liigliiiiSgllliiiiiiippSpppipips 

—  I-    •-    1-    I-    'g-    6    6      7  6      -      *  '^  t6*4b65  66  6  67 


6      —      * 
3 


4/     6      'i'         4.b  65  6         6 

2  3         3  4.3 


UXBRIDGE.         L.  M. 


-^=3=^=P 


-^- 


[:~:3Z~:i:"r~"*2S"^ 


;=Q:i:®zczt=2C:i:grD:j:?:3i;^ 


t 


ay. 

IP 


At  anchor  laid,  remote  from  home,  Toiling  1  cry,  sweet  Spirit,      come  ;      Celestial  breeze,  no       longer     slay.  But  swell  my  sails  and  speed  my  way. 


6 
4, 


6  ^6 


5^ 


0  6        6 

4 


580. 


NANTWICH.        L.  M. 


Dr.  Madan. 


89 


Thus     saith     the         high  and         lofty 


One,  I  sit      up     -     on       my  ho  -  ly      throne,    My     name      is 


God,         I 


^_«i ^_ft 


T.  S. 
-- 4--»-T-»-i»TS-+-rT-«- 


z4:=t=1 


—U- 


,__^-a._| 


ilililiiillil] 


?  8 


dwell       on        Ijgh,  Dwell       in       my         own      e 


^H^iiiiSiiiiSiBli 


~KT-t-.-r-TZir=i'r=pit^£^ 


zlfz=izir=:i;r=: 


=111111 


ter    -   ni     -     ty.     Dwell      m     my  own  e    -    ter     -     ni     -      ty. 

:nzTzzztz^tzxzTZ^—zz 


r^^^^lgiiii^fflii^iiMill 


ilililiiei^iiigMiilpppi^ii 


i    -    -I 

H.  &  H. 


6         65         65        6  567 

87         *i       4  34.5 

12 


65  6     5     6?  6 

43  4     3  U 


90 


34. 


MUSIC. 


L.  M.     6  lines. 


Dr.  Arne. 


li§iiiiiiiiiiiiiiiiiip^i:iiisiiiiiiis 


-r T3n»i 


;?-*-:5ie45S=r-iirz:: 


Goil      of    my  life,  thiougli  all       its     days,     My     grateful      pow'rs     shall       sound      thy  praise ;  The     song     shall  w:ike  with       op'ning  light. 


;§2:4^z^lizfc^iziif.^!:?zH*:s±*:*lizi^S^i[z:b?^ 
I  — ?— 4( — bzitzzzzzi — *i' L~ — ' — iz'^  Jizz—ii^izi^zi —   '^ —  zi — ■is~*z'5'zlu3^-iz"_";^z~i"u~**ztr'l'~'~z_"iz5""i 

-~    ■         fi        '  ~    "is         '"'     65  6        ""       r  '^         6         '^"r.       5  6v ^     6     '     ~      56'~?*6       43 

5  5  435.4.  5  4.3  5 

=fzzzxzzzzzzzr=-p=,lz^zid:J-e=3izlzd-r;zzjz::1iT:izi:z1zid::r5T==J=i==!^F 

Ei:zEi~=z^Ef!l:2E-Eizi!Ifi:?H!E-EtlE!:E-Eife 


6        5         fi 
4        3         5 


ll  gs5"^3lpzt— i[zzzl-i-z:zz?zl:-:izzzf  :-z-ztzzz  it;^«-:tzzl-t 


And       vf.y.-'.i  e       to  the         gi 


leut   ni^ht.  The  song  shall  wske  with  op'  -  ning  H^^it,      And    warble  to         the  si     -     lent  night. 


i  la-rviz-^  5Tpz5TpTPzOiSi*?:»zzz=z:z::g-4'3Ti]:d3TqzdTd^  ^zz]  id-z:,-i:rr27zJ--:zTz;®zz:H^id-^qi-!3iq:T87 
j;  ^^:^:BE-Es-i-=-^  £^r-zt^i:;z:l!:^5i:2z^lizig:3i^:?z®i?^t*z?iiz£Ci  ^ 

^g:EzEiPEEE^^=tEiiE£EiEf33E3EEE~|5E^Fi^^^ 

-!z--Z+Ezzzzi,zzzizr±zzzcz!:g;iz*ti-rzzIt=5irp=^=:p:i:?.-l=~it=:q:fc^^ 


4        6 


6     6  .? 

4  -# 


84. 


PILESGROVE. 


L.  M. 


91 


-::;-T-^— 3-T-°— r- 


-ry-^ Q  — F- 


bS: 


:^i:FEiiQ— =:Pz=i— §z=i=e=i— s' 


"r: 


Awake,        ray       soul,       to         hymns         of  praise  ;  To 


God      the 


of 


tri 


utnph 


raise  ; 


Y s 


i—zzzzz'sazzzlzz!. 


— e — 


^^EzEEi-°-—~zi~°-—^---i-^ 


i      %'- 


87 


8  7        5*6  6     6     6  8  7 

*  5     4.*— 


._i^__._ 


Pii^l=li|^i; 


•3 


— e- 


A  -  dorn'd     with           luaj     -     es       -       ty           di       -       viae,           What          pomp,    what                 glo      -      ry.  Lord,      are  thine  ? 

^j ;i _  . , 


SEiEa 


IH— az&z 


B\ 


6  4 


m\wMM\m\m^mwmm\w^^wm 


4 


T.  A.  Gearv. 


St.  PATRICK'S.        L.  M. 

^~      Wft  hlTaTbirplersurT,  L7r^lTrare,  Tl7e   aTcIj^'  relord^of  thy  grace  ;  And  our  own  con-so-la  -  tion^^draw.  From  what  thy  servant^  Mose^saw. 

WELLS.         L.  M.  ^  Holdvad. 

iiiliiSliiigiiiliiliii§iii^!iiiiiii 

burn.  The  vilest  sinner  may  return. 


63.' 


!r:9:*^z: 


^ife 


■e 


._        _iZ.   I  --  the  great  reward  :  And  while  the  lamp  holds  out  to  burn.  The  vilest  sinner  may  return. 


Life  is  the    time    to  serve  the  Lord,  The  time  t'insure; 


t 


6     a^(, 


02. 


WOODSTOWN. 


L.  M. 


Holt. 


93 


_p_«.^P- 


.S.-^      P-f»    -p 


From  all  that  dwell  below  the  skies,  Let  the     Creator's     praise  arise  ;     Let        the  Redeemer's  name  be  sung,  Through  ev'ry  land  by         ev'ry  tongue. 


p.,- 


f 


84. 


5 

L.  M. 


SSIigi'  "^  """^^  ^^'   - 


2^- 


NINETY-SEVENTHPSxVLM  TUNE.         L.  M.  Tuckey. 


P---I 


— l-l-i— T 


gipisiai 


Darkness  and  clouds  of  awful  shade.       His  daezUng  glory  shroud     in     state,         Justice  and  truth  his  guards  are  made,  And  fixM  by  his  pavilion  wait 


^ fcS-PP^        ---    — g_      -T'  l-Z"5  g     j_-g-5y-        -        "I"  56    7    '        6     4'^        6     5  6       °"         4    6      6    6  sIt 

"  SS4i3  543  4  335  3*-W  S  3  4 


94 


72. 


St.  DAVID'S.         U.  M. 


Ravenscroft. 


liiliiiliiliii^^SiiEgiililiiiiiiggH 


:iZEzEzErpitzp:sij?:*rEi!P:3zp:i:Dz:p:I?;^rEi:p:3^ 


To      cel-e-brate  tliy  praise,  0  Lord,      I      will  my    heart  prepare  ;     To       all     the  list'niug     world,  O  Lord,    Thy  wond'rous  works   declare. 

;:p; 


•■72. 


6      5  6      56 

5 


6  6 

St.  JAMES'S.         C.  M 


6     3    6     56 
3 


Courteville. 


How  shall  1  praise  th'eternal     God,  That     in  -  fi   -   nite  unknown  >  Who  can  ascend  his  high  abode.        Or  come  be  -  fore  his  throne  ? 


6        6    7 
o 


66. 


St.  ANN'S. 


C.  M. 


Dr.  Croft. 


95 


My      God,  my    portion,       and  my   love.    My     ev  •  er  -  last-ing     all !     I've  none  but  thee  in  heav'n  i.  -  bove.        Or        on     this  earthly  ball 

iliiiiiiiiiigiiiiiiiiiiiiiiiiiiiiiiiilii 

HiSiilliiiiliiiiEi:: 


[ — 8zj—-- 


6        6         6      5 
4i     3 


-t-iitrpzJ 


--T~z:^-zz: 
"Izdrizt:- 


88. 


HOWARD'S. 


C.  M. 


.  \- 

*  -^5       5  6      6 

Mrs.  Cuthbert. 

5 — ^-T-i"":-i- 


:t:J:czt:lpi-J± 


Lord,  hear  the  voice  of     my       com- plaint;  Accept  my       secret  pray'r ;  To  thee,  aloQ-,  my  Kin-;,  my  God,  Will       I         fair       help      repair. 


-^z::^-i»: 


6    4      6 


17  87      43 
6  i 


6*6~5     6        66     7 


6   4    87 
4* 


zzziz-zbic: 


87    6 
63    4, 


:5:ii-a®z:JTdi- 


re 

6        5463      6  "6  6      7 
4        3    3  4 


96 


If^ 


.-^ 


mmmmm 


Second  Treble. 


JORDON.         C.  M.  Harwood. 


:^ziiiiilipipss=iyigaii^ps 


Shepherds  rej^,  lift  ^""uiTVour  eyes.  And  send  youf  fears     away  !  News  from  the  region^  the^  skies!    Salvation's         born_^    to-day ! 

liiiiiliiiiiiiiiiiiiili^^iiii 


,»■  76. 


STAMFORD.         C.  M. 


W.  Tansur, 


The  glorious   armies      of      the   sky.      To  thee.     Almighty     King,     Har  -  mo-nious     anthems     consecrate.      And       hal  -  le    -    lu-jahs  sing. 


6     7 

4 


n  —     6 
3  - 


:p:^ 


>— ^T 1 


5—      6      4.3     5—6 

3  —  3  3  — 


5  -       6-1. 
3  -  3 


I' 


is 


,•  84.  St.  MATTHEW'S.         C.  M.     2  verses.  Dr.  Croft.  97 


§1e§ 


zE 


>3: 


d-^.Q dft 


^^^mm^mmmm^^m^mm 


Let  heav'n  a  -  rise,      let  earth  ap  -  pear  !"  Said  the  Almighty      Lord  ;  The  heav'ns  arose,  the  earth  appear'd.      At      his      ere    -    a   -  ting  word. 


E^=gE|-i 


iiiiiliiii 


'  "e     5-4,~6      6~6    5  7~  6    "6     6     5  7  3~    -11-—-—     6  ~4.  7~6     6         4.3 6~4)  6     6    5  7* 

3  —  2  4.    3—  4    #•—  3  5  3  4    3  — 


fz 


taEPTP^-FPI 


>:°±°zlilta 


^^^^^1^^^^^^^^^^^ 


,-Q f 


ggDEgEE=E||EFFgg;g*p|rg:?E:gz^ 


Thick  darkness  brooded       o'er     the  deep  :   God    said,  "Let  there     be     light!"  The  light  shone  round  with  smiling  ray.  And     scatter'd        ancient     night. 


||;|=||p|||||:pg||p|||^l^ 


6  5-       6     766     57 

4*-  4.    *- 


H.   &  H. 


*  *6   6*0       6       5  7 

5  4.      *- 

13 


*      4.  3 6     4. 


6      fi    5  7 
4.    3- 


98 


80. 


GREAT  MILTON. 


C.  M. 


m^^m^mmmmn^^m^m^m^^m 


:SiiiiiiiiSiiiiiSe§i^i*iaiiii 


Thou  art  my     portion,       O         my  God,  Soon     as    I  know  thy  way,  My'heart  makes  haste       t'obey        thy  word.  And       suffers         no        de  -  lay. 


^ligiiiEiiigiiiiiipiiiig^iiipiiiBi 


iSi 


6      6    "^ 


^-1?:*- 


~  -  *6  ^^     6'^6666      5  6  3-66         6  68  7 


.^-■^-s 


6      8  7 
4i 


'  i 


4, 
3 


_  Tutti.  F. 

h — I — I — t-t^1 


I     choose     the     path  of     heav'nly  truth,  And      glory         in     my  choice :   Not  all  the  riches    of     the  earth.  Could  make       me         so       re    -   joice. 

Tutti. -a-        ^  ,^--^  ^""^ 


imM^M&W^MMS^ 


«    11 


0     6  6   6 

5  5 


3*6'* 
2         3 


4    6      6        6        7 
3  4 


,«•  80. 

Adagio  Affettuoso. 


ARLINGTON. 


C,  M. 


Dr.  Arne. 


99 


iiiiiiiiiiiiiigiilii^iiiiipliilis^H 


~^z&.:i:^z?:zB^^.. 


I* — — «»- 


^B:i.i^'-.:it^mmm^^mmmmMmmmmm^ 


Jesus,      I  love  thy  charming  name,       'Tia         music     to  ■   my     ear  ;     Fain  would  I  sound  it     out  so  loud.  That  earth  and  heav'n  should   hear. 

liiiiiiiiiilliiiliiilliiSiiiiliaiiil 


5#6 
3 


IfcpyEliiiillillilieli^iiii^iEip;! 


6     5  6 
3 


76. 


CANTERBURY. 


63  6 

43  5 

C.  M. 


6  6 

Ravenscroft. 


6        87 
4i 


-#-it___... 


-^.* 


-#-- ?iv-i-s- 


:'.BrP:g:iE|gzEi|f 


^:i:p: 


-*-*- 


0  thou,  from  whom  all  goodness  flows,      I      lift   my  heart  to     thee  ;      In         all     my    sorrows,  conflicts,  woes.  Dear  Lord,  remember      me. 


iliiiiiiiiSiSiiiigiiiiiiiiliiliffi 


6  i's'  '  S-'e''"    'e-frTT      56"'87'5  67  '  §7 

tr  3—  4  4  4  4 


e^TT      5  6 


100 


84. 


St.  MARTIN'S.         C.  M. 


Tans'ir. 


MMMM^^m=im=m^=MmM==M^U^i=^ 


Second  Treble. 


O 


iiiiiliiliiililiirgiiJ 


Thou,  to 


whom  all  crea  -  tures  bow  With 


in  this  earth 


fram©, 


--^^W: 


~z4: 


iigi|i£iEipigpiiiipiE|gE|iiiii^iiii 


[ggg;g£iii=^g^E^ip^pEpEpppippiE|EBHg=j=pj 

6 4,  6  6  6  "B^e  5  7 

3  4.  3  — 


Thro'  all         the 


world         how 


great  art  thou,  How  glo     -     rious  is  thy  name  ! 


«=s^iiiii^iiiiiiiiiii3iiii-^3i^H0i 


6 

4 


6   5  6 


'4        3  6     6  5  7 

3  -  4  3  — 


76. 


CAMBRIDGE.         C.  M 


Dr.  Randall. 


104 


i^^Mummm^mmmmmmMmim 


Come,  holy  Spirit,  heav'nly  Dove,  With  all  thy  quick'ning  pow'rs.  Come,  shed  abroad  a  Saviour's  love,  And  that  shall  kindle  ours,  And  that,  &c.  And  that,  &c. 


Tasto^     _,  ■*-^'  F. 


, ^H-l*-^-T ^-r l-r— ,-P-»- -r -r- 


3     3     3      3   3    8 
o 


~    '  7     5  668  7  ""75  3     3"  333    8  '"  "56687"' 


56      6    87 

4> 


,•■  76. 

Maestoso. 


TALLIS'  CHANT.         C.  M. 


Tallis. 


^m^^^mm^^mm^i^^mmm^'^^^m 


^*=, 


O     all  yc  nations,  praise  the  Lord,  Each  with  a       diff  rent         tongue  ;  In     ev'ry  language  le»rn  his  word,  And  let  his     name       be  sung. 


liiiiiiliiPiliiiiliiiliiililiiiiii^ 


liSi^^iilliiiii=liliiiigiiliiilE^il 


6  *6 


5      I 


6         #6         56         7- 


102 


92. 


NEW  YORK.         C.  M. 


Dr.  Blow. 


im^^Mmimm^B^mmmmmwmmmm 


Hap 


gigipigiigE|JSgjpp|i=|;|;|g^gE^ 


Py  'he  man,       whose  grac     -     es  reie;Q,  AVbere  love  in     -     spires         the 


breast  ; 


mm\m4mmMM^mf^mi^^^^m^ 


ssfa 


^!?aEE: 


^-^-. 


g 


*: 


m'-" 


3EEEE3 


3 6  7 

4f 


6 4,  6  6     6  8  7 


4.  6 

3 


fStii'Piiiliiiill^1=iillliS5iiiliSi^ 


~~~°=^=^=^==l3^ilii£l= 


:air:zzz,5Z 


m 


Love  is  the  bright     -     est  of 


the         train,         And 


per     -     fect3 


PiiiiiHpg: 


all  the       rest. 


SiiiEgiliiliii^iiiPilaliiEiiiiiiilEi 


5    —  '  5 3     6      3    4      6 6  5—  64.  8765  46  66  7 

*    a  3  43—  3  3543         3  4 


88. 


NEWTON. 


C.  M. 


T.  Jackson. 


103 


iiiiiiiiiggiiiiiiiiiiri^iiiiiiiii 

Come,  happy      souls,  approach  your  God  With  new       melodious  songs  1   Come,  render    to      Al  -  migh  -  ty  grace.  The    tribute         of  your  tongues. 

iiilSililiiiiiSliiiiiiligSiifeiiiii 


Q ,-_ 


6     6    87        5         6  65  56    5#6  7  4         6        6  ^^A  6  5  6       5-6      7 

4.3  4.tr  3  a4.3  3-4. 


ll^z:::2:^z?iprpzj 

88. 


4  3  %  ^ 

St.  GREGORY'S.         C.  M. 


rf: 


3  4.3 

Dr.  Wainwright. 


iiiPjiliiiai^iiilliiiiigii^EiiiaiiS 

I'm  not  asham'd     to  own  my  Lord,    Or      to     defend         his  cause.  Maintain  the  honour  of         his     word.    The     glo  -  ry        of  his    cross. 


— ^a-g 


5  6     6       6 
3 


I    I 


6"6      7       O 

*    tr 


8  —  .   fi      54.      e 
3   3  es      3  2 


87       65       6      4. 

6  5       4  3 3 


'  i  U 


104  r  72. 

Second  Treble. 


BRATTLE  STREET.         CM. 


PleyeL 


iiiS=iiSiiPiiti|ig^#lliiliiMiii^|il 


While  thee  I    seek,  protecting       Pow'r,     Be    my  vain  wishes    still'd  ;      And  may  this    eon-se  -  crat-ed      hour,  With        better     hopes  be  fiU'd ! 

r-3j 


ii^HiiiiSgiiiillOiSiliiiiii 


III      I 

.M^^M.M^^.M , ^ 


4,3  435  435  4 


9^  *       "•■    "•       Sr^  "  *•  *  •  -i- 


■7 


Thy  love  the  pow'r  of  thought  bestow'd.   To  thee  my  thoughts  would  soar.  Thy  mercy     o'er  my       life  has    flow'd,  That      mer  -  cy       I   adore. 


Sifeiiiliiiiliii^lpiiiiiliiiiiiiiiiiii 


46  7 

2 


5     4  6  6  6 ; 

3     2  5.  4  ; 


6  7 6  5        6 

4  3       5 


6    8  7 
4 


J 


76. 


STEPHENS.         C.  M. 


Jones. 


105 


f2-p-T-@-P-T-@-P' 


liiJi 


liiiiiMiiiiiiiiiiiiiiiiiiiiiiiiijiiiiiiiiii 

Great  God,  how        in  -  fi  -  nite  art  thou  !   What  worthless  worms  are  we  !   Let      all  the   race  of      creatures  bow,  And  pay  their  praise  to    thee. 


::i3: 


zs. 


@-n+--- 


t:iE=l 


, — Pt-s— ?~ 


rTi^iteordTzziiTzz: 


6  5  6656       6    87 

LIVERPOOL.         C.  M. 


_p  -^ 


:^m 


6  6     65 

Dr.  Wainwright- 


•Sti      62     66     6S7 
4.  6     4) 

3 


iiiiigiiil=iiiiiiiiiiiliiiSlgfgiiiiil 

When  I  with  pleasing  wonder  stand,  And  all     my     frame    survey.  Lord,  'tis     thy  work,      I        own  thy  hand.  That   foim'd     my     humble    clay. 


»!.- 


6    5     3     6     6    87 
H.  &  H. 


65—       6       6     6    87 

4ta~  5     4,  tj- 

14 


Q-' 
S-P— .—- . 


6536*j87  l^-      ^      t    l^L  «*3^6*  £|—    ^Se'^CfiS? 


6    5  6 
3* 


106  r  84. 

Moderate. 


WAREHAM.         C.  M. 


Dr.  Arnold. 


Second  Treble. 

How      large  the         promise,       bow      divine,        To  Abr'ham  and         his       seed !     "  I'll        be       a         God      to        thee  and  thine,  Sup- 


J  —   —  a 


Cho. 


rf-tes: 


y s 


E^^--- 


ply  -  ing        all     their     need."      "  I'll  be  a 


a  God      to  thee  and     thine,  Sup    -    ply    -    ing         all       their    need." 


i — T-»n*-p^ — s — T-d-i-dir-*-^-^— ® — x'^ 


4    6        J 


6     6       7 


I 


76. 


BL.WDFORD. 


C.  M. 


Maestoso. 


T.  Jackson. 


107 


Awake,     my    soul,  arise,  my  tongue !     Prepare      a      tuneful  voice.     In      God,    the     life      of        all     my  joys.     Aloud     will^     I     rejoice. 

iliiiSiiiiiiiiiiiiSpiipiii^iiP 

^^-^--^-1 6  5 ^     'tV;  3^*       6     ^        6       i  8  7      ^3—^      6     6*»S3         67      3  6      56       6      7 


MANSFIELD. 


C.  M. 


rf: 


m^iWim\BmmBmiM=M]mwmMMMmMWi^ 


Second  Treble. 


LZ^zzztziza: 


ii^fiiliiliii=iii:l^iii=iiiiilii 


O  Thou   to       whom  all         creatures        bow    vV'ithin  this     earth  -  ly  frame,  Thro'  all  the  world  how  great  art  thou.  How  glorious         is     thy  name.  - 

6~    ■  656   5'     6  667  67  656. 5  6  667 

4  43*  *  ♦•*  * 


108 


BALDWIN. 


C.  M. 


-3-+-0-, 


-f3 


-B-.P- 


ilgiilim:ili:pilliiiHii^iiiiyji 


^£;|U: 


Eiii 


igiiiiiiiiiiiEiiiii 


Let    Zion  and  her  sons  re  -  joice  !        Behold  the     promis'd       hour  !   Her  God  hath  heard  her  mourning  voice,  And  comes  t'exalt  his  pow'r. 


-*^-T- 


„  iiMiipiii;|lp3lii 


— «#- 


=3-1=1= 

— ^   a: 


!iiiiiiilfe-ih.5z 


apgiiiii 


]=P=F 


F^f?= 


«  7    43  6 

FRANKLIN. 


:crid 

65 

4* 


-g-?     4.3~  6  5 

4  J 


"DZ — XEZISZZI'Z' 


\l 


6        6      7 

4 


C.   M. 


idziHZS:iizz5i:d;3Z^ 


3£3, 


;?pa 


) — o—\ 


--H-S 


-S— |S-H-  -p-^'^j 


z|z}sz5zEl^ie:IzEzzzEzi:^z3zp:JzP— pzHg: 


Hope  looks  beyond  the  bounds  of  time.  When,  what  we  now  deplore,  Shall  rise      in  full  im  -  mor     -     tal     prime,     And  bloom       to      fade  no  more. 


i=i^ 


pzzjizzliiJzirF 


^g^Zfizp^pzipzqizqiqzij 


6         6    6.^ 


(3 — W- 


tzzdi:: 

4     * 


6  -flfi 
4 
3 


6  5  6 

4.3 


_         6      7 
6      6      4 


84. 


St.  JOHN'S.         C.  M. 


109 


^MMum^^wmw^Mm^&^^^^iW^^i 


1  I 

-■•Te- 


t_^_o »--, 


--;^-^j-a-g-r|»-y-»T[a>-s-»-T»g-i--p-j-p p-T^ --»    PI r T T — T 0"~r~Tl^'^~I^Tr *~?^T"P"11~ 

Now  to  the  Lamb  that  once  was  slain.      Be         endless         honours  paid  ;  Sal  -  va  -  tion,     glo  -  ry,       joy     remains.       For  -  ev  -  er     on  his  head. ' 


-i®*- 


I — I^^T— t !'« — T-==^ 1 — I — T''^^^^ — It— l'"^~' — r' ''' — Ir-i-li  — i''"3r"i— I — t~1— I — It — I"t»~ 


Taslo. 


4     6 
3 


4  6  5  6 


66. 


6     6      7 

ALBOROUGH.         C.  M. 


V.  Novello. 


4     6      6  6      7 

a  4 


!'  *7 — 


zpzi:°zd:igzni:a^g 


lzzzZ^z\zzi:^z\z:itizpi-.-zt--i.^- 


-^P- 


-©- 


._i — 1.1 — 


pzpzx:p: 


pz&i:Pz^:i:g-.@:j-p;:izpzxsp2P, 

I \Z t---| [Z    S_L_T_^ f , 

zzEl-PzEihtzE-i  tJrEzi-t-E 


g-P. 


0  praise  the  Lord  with  one  consent.  And      mag  -  ni    -    fy  his  name  ;  Let       all  the  servants     of  the  Lord,     His      worthy  praise  proclaim. 


i.(— 


niizzri 


SEE: 


:a:iiaztzS=oz 


sm 


6         7         <■   7'  '  '     ■»  5       6    7'  '  '     '~     '     e'  '5      '  '     e'      '     *      -n-     '  '     7'  ' 

ti      4  •*  2 


110 


84. 


SWANWICK. 


C.  M. 


Lucas. 


i 


^mmm^ 


-P-a  — 


Soon      shall      the 


glorious 


morning        dawn.  When  all         thy         Mints    shall       rise  ;       And       clothM  in  their       im-^ 


^ei=iPii^iiii3Piig=iig^rJiiiilili 


_q n 


zr^i^^^i:^  E        t=C     ^     -  g  '6  £     ^ 


.p_j,_„-. 


'  "^ ' ' '  • ~  ~  .u  1  •  it  t^n.l  thee  to  the  skies. 

mor    -     tal         bloom.  At      -       tend         thee  to_^       the  skies.  At      -       t^^       thee  ^^^ ^ 


2         a 


-+— © 


IMli 


•80. 

CaHtabile. 


DUNGENESS. 


C.  M. 


Mozart. 


HI 


iiliiiililiifiiliiiiiiiiiiipiiliEli^ii 


My  God,  the  steps  of         pious        men.    Are     order'd        by  thy  will;  Though  they  should  fall,  they  rise  again.  Thy   hand      sup    -    ports  them  still. 


;!3gp 


^iJiiiiS]|iiiiiiii|iiiiigiiit:E£se 


6     6  6S  6     56         6       7  6      6  87     65  *  6         56  6         7 

4.3  *      *  43         2  i 

The  Lord  delights       to     see  their  ways  Their     virtue        he     approves;   HeMI  ne'er  deprive  them  of  his  grace.  Nor       leave      the  man    he  loves, 

iiiiliiiiiliiliiiiiiiiiiiliia^iiiiil^a 

6^       6      7     -  #6     6  5        4  6  6        I    6        56  *  6       56  6        7 


112 


Coombs. 


g34.  OXFORD.         C.  M.  L;oomDs. 


„..  ....       ,  111]  ii..:..  n„.i..u..  .,:_i..    All  „„.»„j  „.,  tv.„  „.„,,r,,i    TV.O       ano-ol        of       thc     Lord  Came  down,  And  glo  -  ry  shone      around. 


While  shepherds  watch'd  their  flocks  by  night.  All  seated  on  the  ground.  The       angel        of 


••  69.  FERRY, 


C.  M. 


-_:-:x:=::8zef  gzfiT:prj:T&gzTg:-|^|T^z 


~In'    all  my' vaTt  concerns     with  thee,     In     vain  my     soul  would  try.     To  shun  thy    presence,  Lord,  or        flee     The    notice        of  Jhine  eye.   ^ 


84. 


HA  V  ANN  A.         C.  M. 


Dr.  Harringtnn. 


H-dt-a  --S-+-0 — :9- 


j^j^-3+-e— e 


l!?i:ii~z:^: 


Q-l©. 


113 

i 


::te:? 


1— P-P^T. p    — -    —    — —    —      ...,  uiZ" I-,.;..  I   T?.M,  nl^asnrB  haili  its         uoison    too.    And         ev'-ry       sweet   a  snare. 


pip:zz\ziB- 


■  Sw£ira7e     an    thfssheTe'LwlH^wf^^^^^  "poWntoc,.    A^     ^^ry__^   sweet   a  snare. 


6^7~  5-6  6 
;J—         4) 


G     ti      7 

4.    tr 


76. 


6  6     4. 

I.  Clark. 


ffiS 


;:rzp: 


:_p;i.i — 


6.5       6    7-^6 

NOTTINGHAM.         C.  M. ^    __      ^ ■-- j- -j-   -- 


:^?t^=p:i:t=       p_ 


SomJs^rlp^'Tefdyourheav'aly'tougu'e,    Orharpof'      goMen'string.That  I      marrai7e     a        lofty      =°"°'   _^°_    ^"''       ' 


-I — 
tei-nal     King 


•I — 1-—.    -P~P    -, -^  _  .  -        -  ^g  g  y  8^  J.  5   _        G       9  8         <i     7 


H.  &  H. 


15 


114      r  98. 


CHESTERFIELD. 


C.  M. 


Dr.  Haweis. 


mmmmMmnm^mmmmimmmmm 


Lord,  when  my  raplur'd  thought  surveys.  Creation's  beauties    o'er,  All     natuie      joins  to  teach  thy  praise.  And      bid       my  soul        re  -  joice. 


Tasto. 


n 


6      7     5 


I 


«4. 


6  -#-6 

ABUlD(iE. 


6        5      t 
3 


6      6     8' 
4     3- 


0.  M. 


ffi]r:i5:3:r 


T.  Smith. 

r -»-0-T-i-5 1 


ilililii£llllppiiii§liiiiiiiilililiiiiSt 


?PEPpEpp:^||pJtpppp:p|i||P= 


P-G,-|9-T-° — n-T 


Great  God,  to  thee  my  grateful  tongue,  Sly     fer  -   vent  thanks  shall  raise  ;   Inspire  my  heart  to    raise     the    song.      Which     eel    -    e  -  brate  thy  praise  I 


^^Siiliiili 


pzqz:: 


--nJeJ_ 


X 


|S-H — iT-n 


eiS-tCd.  65  S#6         6  6  5  6  6 6  4.365  6687 

a  Z  4,i  .i     *  43  343  4, 


•■  84. 

Allegro. 


ASHLEY. 


C.  M. 


Dr.  Madan. 


115 


Salvation,  0  the    joyful  sound !  'Tis      pleasure         to      our    ears ;     A      sov'reign    balm  for        ev'ry         wound,  A         cordial       for      our       fears. 


r^- 


6  3  7 

CHORUS.     Assai  Allegro. 


§  7      6.5 
05      4.* 


7     -6    -5 
4    -3 


23       8787      6  5—4.         6       65 
4.5       326     5      4.3     32 


Glory,  honour,  praise  and  power,  bo  unto  the  Lamb  forever,  Jesus  Christ  is  our  Redeemer  !    Hallelujah  !        Hallelujah  !         Hallelujah  !  Praise  the  Lord! 

3-5i»-»rszqi«i»=L=«i^z^25zfii»zi-«ijq:rzzz=lz=li=;zzizdzil:iz:rzrz«:ziz:^^ 


6      6  6      6 


6     6      4.      6     4 
•t      2  3 


7 


>-^- 


6        6     7 

4, 


116 


TWEED.         CM.  ^    Or.  Carter^  ^^  ^ 

How  sweet  the     n^i'ry        "^  thy  grace,  My  G^  my  he^ily  King  :  Let^  to    ^    thy  righteousness     In    sounds    of         ">"-" 


glo  -  ry  sing ! 


iiniii 


^  T  -^^  ^  '   ■  .^      -^    -    ^^-^  >=^ 


83. 


SALEM.         C.  M. 


117 


The 


rious         moaths         thy 


o-ood    -    ness         crowns 


How 


beauteous 


are 

I*- 


thy  ways  ! 


z:»zr  II  ~z  ii:izzz«;jzi:r — iz_  »zszz*»rr:irr:pzz: 


T-»- 


®^-T^(» 1 


6  #6  4  3 


6         6         4. 

5  a 


43 


64.  6  5  6       6  7 

3  4  ■#■ 


^ 


Second  Treble. 


Tenor. 


T-tzz: 


SEifFlS] 


:EEEi: 


rz^zzFz: 


The        bleating        flocks  spread    o'er    the       downs,        And     shepherds    shout — And    shepherds     shout — And     sheplicrds       shout     thy     praise. 


z^i2zi:^zpr?;±;£z»zi:i:FrSz^:iz?=,?zJz^z;:ifZL±:cz^z^+^ 

'  ~5  6       l~  S  7   a        '6  6     5  6  6      6        5      6        7 

3  4      5  4     3  a  * 


118 


76. 


*  DEVIZES. 


C.  M. 


Tucker. 


i  ijiipEgsgpp=;g=|^E=^=|f =liJEgpgg;|giJiiEgi^| 


— T-O 


— -gL^ 


-i^- 


Awake,      my  soul. 


rise,  ray       tongue. 


Pre  -  pare      a  tune  -  ful       voice  ;     In    God,    tli.e       life  of 


ilil 


k 


"^M-- 


-» — a-T 


6  7 
4.5 


Sit,-; 


-6  7 
45 


5  6 
4 


—ft-z^X-^ 


2d  Treble.  Alio.  F. 

i==lii!Eii=liEiiii-liliiliiiiiliii^ 


-I — 

A    -    loud  will  1 


all 


my 


joys. 


re    -    joice. 


A    -     loud    will  I 

-©- 


re      -      ioice. 


tif=i|^-E3= 


fi     7  6     5 

4    5         i>     i 


F. 


•  See  tU':«  Tune  newly  arranged,  page  14S 


5  7      6     7 

6  5      4* 


92. 


MANCHESTER. 


C.  M. 


Dr.  Wainwright. 


119 


a. 


^lisliilillll 


:=grg|=§:^g=|g|i^|n=g|§zg|z§:^g;|=§r| 


Hi 


There  is    a    land  of         liv  -  ing    joy.      Beyond    the     ut  -  most    skies.     Where  scenes  of  bliss  witliout    al  -  loy,       In     boundless     prospect  rise. 


6      7       43 

4 


6   4. 
3 


4, 
3 


65 
43 


6    6 
5 


6     4    6 
3    5 


6  5 
43 


6    4 
3 


6    6     7 
4 


06. 


BRIDGEPORT. 


C.  M. 


L.  Mason. 


.^^Zl 


-9T-P—^-y£z-r:z£:3'^:iz^i:t. 


2»25zai"e~ElZCZZ®"IZc— IB-t^— 1--    — *-lU  P"ES  lE'I!Zr'Ii;eJZIZ*XIl_^r-T-C-uITI-J  c'IlEl'r"I'EZSIaI|3~ 


Great  is  the  Lord  ;  his  works  of    mia;ht       Demand       our       noblest  songs  :   Let       liis  as  -  sein  -  bled  saints  unite        Their       harnjony      of  tongues. 


r S~~'TT 3'SIS~T~P 


i-p^i- 


II 


6i       -^6 

43       ^4 

3 


6    6      7 

4    tr 


5  7 
35 


76    «6 
3 


6      7 
4 


120  COVINGTOIS.         C.  M.  


H 


the  doors  ;  While  ev-er-last-ing  love  displays,  Thc 


tn^ 


ssa 


mm^ 


'^         How  sweet  and    awful      is  the  place,  Wilh  Christ   within 


K  r...._i2:S:pI:Qr:t-.t 


choic  -  est  of    her  stores. 


6    -t 


6    7 
4. 


6      5^6 

ABBEVILLE. 


6    65 
5 


4^ 
C.    31. 


4  J 


6      4      7 


"^       "^  Let  al7th7la^dI,wiU,  shouts  of'  joy"      To  God  their  voice^raiTe,        Sing  psj,lm^mJ.orKmr     of  his  nan^,       M>d 


r3i4:-rt-:1=1;=|::3:f^id-x:i3:-l=g=: 


""        "    ^  _I._^_p.[I.I-pljl-t---L P    -1--T        <K-  "a     4     6  6   *'■■  -• 


spread  his      glorious  praise. 


4 


fi.5 
4S 


4     4      6 
2     2 


6     7 
4 


ROTHWELL. 


L.  M. 


121 


mmmMm 


Blest  be  the  Father  ami  his  love,  To  whose  celestial  source  we  owe.       Rivers  of    endless  joys  above.  Ami  rills  of  comfort.  And  rills  of  comfort  here  below. 


liiiiiiiiii^:iiil|giliiiPlililigiiiill?ilitgl 


iZ^T—TzBzsz^Z-zei^:c 


, -s- 


'  6  ~  636  666      7~?  ?~6 4  664.  6  ~    6       T    ~    6      7  ~ 

4)  4.  i,     H  3  354.5* 


6^6  6      6    6      7 

St.  GEORGE'S. "" 


6  6 

L.  M. 


StanI 


ev. 


prz^rtTtE  E  "Ert-ir  ?~ib:liEtb:E  Efc-tttbrzEfc  lzEtE-E:HE-tiEt  EiEt33tT:ErE:iEt±1=E-t:IEJii 

God  of  my  life,  thro'  all  its  days,  My  grateful  tongue  shall  sound  thy  praise  ;  The  song  shall  wake  with  dawning  light.  And  warble  to  the  silent  night. 


X 


^z^-*zE±£f 


6    4.     •w^^e  ^■^y»6  6  67  4.  64.6546  64.  667 

36  6  Sl^-  3  3  43        2  354 

16  ■ 


122 

f -if 


St.  CLAIRE.        L.  M. 


Soft. 


Lord    when  my      thoughts  de     -     light  -    ed       rove.  Amidst  the  wonders  of  thy         love.  Glad       hope         re- 

liiilliiplliiiiiliiSEipEiiiipiig^ 


.p m. 


vives     my  drooping        heart.        And        bids     in     -      triid  -  ing        fear     de  -  part.  And  bids  in      -     trud      -     ing  fear     de    -    part. 


6 

4 


i    ' 


Sl  MARK'S.        L.  M. 


123 


^'^  '''^^^    '^«  Lord,  the  just,       the  good.  Who  fills       our  mouths    with  joy  and         foodT" 


-|» — T 19 


Who  pours       hi; 


blessings  from       the         skies.  And  loads  us  with        his 


rich 


sup       -       plies. 


6~6  '  f  6  "        4  "■  65  ~6  7 


124 


St.  PETER'S.         L.  M. 


Harwood. 


i^-#-^ 
^  #" 


His       hand      will  smooth  my 


rug     -     ged  wsy,  And  lead         me  to         the  realms  of  day  ; 


"^  8  7  ~6  re's?""  ~  6*6  66  8_7 


6  -#-6 
4 
3 


6     6  87 

4. 


rr=== 


iiUl 


To  milder  skies      and  brighter  plains,         Where  ev 


last       -       ing  plea    -    sure  reigns. 


'  zrgzzir§zz_zir=zrzr_rizi?rzrgiizz-zzizz~zzxzzzz=zz"z@2ziz=§r-iz=:pzzxriz-izr-zzizrzr=a|~ 

^6         ~34(656  65  S7  6687 


SHOEL. 


L.  M. 


Shoel. 


125 


— -fj — T--» — ^~j*~  T — *"  ~F~T — r~ — ^ — ^T — ^ — 1 — *^  ~T"~*  — i^~"i 


zzf^ii:z^-zs 


:g|^^^;g|g|g||p^||F|| 


Now       shall       the 


treinbliu" 


And  ^        bind        his       sheaves,     and         bear      them  home ; 


~  '  '  '^  6        '^"  '        fi         7  '  "4.      "e        e"      8  7 

4>  3  4.       tr- 


The  voice,     long  broke     with  sighs,     shall  sing. 


sing.  Till  heav'n       with  hal     -     le        -        lu  -  jnhs  ring. 


Kzni^ 


i    ' 


126 
If; 


SOMERSWORTH.         L.  M. 


Soft. 


mwmBMmMmmmumim%m\mmmmm% 


My        sad       complaints         ia  praises  end,       And     tears     of  grat      -      i     -     tude     descend  ;  I       throw   my        sackcloth 


^I^IeEeIe 


0-  6       56  6  7  6         7 


4.       tr 


the     ground,       Aad        ease       and         glad    -    ness  gird       me       round.  And       ease       and  gladness  gird         me         round. 


liiiiiipiiipg 


3=j 


:3=^£fcEEE=E=±r^z==^lsfe=izE=E=Ez±zSz=Ezl 


6  5 

*      to 


6  7 


SURRY. 

p: 


L.  M. 


Coslellow. 


127 


szir~i:rzzs:ir 


Zhl^ZMZZZ^ 


->^m 


ZZS.-T-P--fi-T-P~ 


z_4it=z±zb=bzi:b:z: 


No       more     fatigue,      no     more         distress.         Nor       sin     nor       death  shall  reach  the  place.       No  groans  shall     mingle       with    the      son"-s. 


zh: 


7  6     4. 


64  4.664.  *6  7  ~64 

3  2  J  4.  3 


F. 


^iiyEEEElblEEgigEilEiEfeblbtEEME^E^lEibiiill^ 


Which  warble 


from  im      -      mor     -     tal         tongues.       Which  war     -     ble 


from     im        -        mor    -    tal     tongues. 


i^iPlSipiili^l^igiiliiliiiiiili 


6     6  7 

4 


6      6  7 

It 


.128 


STERLING. 


L.  M. 


Harrison. 


^  O  come,  loud  antliKms  let  us  sing.  Loud  thanks  to  our  Almighty  King  ;  For  we  our  voices  high  should  raise,  'When  our  salvation's  Rock  we  praise. 

isiii^ii;piiiiiiliiliiiiiiiiijiiiliiilil 


TIMSBURY. 


7 

L.  M. 


6      6 

John  Smith. 


--r\—\Q-\- 


'^Si|.|E?EgE^ 


^-^--^l~ioi^f^^:^ip;-tv^^^ 


Jehovah  rei»ns,  his  throne  is  high.  His  rohes  are  light  and  majesty  ;     His  glory  shines  with  beams  so  bright.  No       mortal  can    sustain    the  sight. 


liii'iit-- 


5  6       5'"  4.  6  ^6  6    'e  ~~^~  6  46  ~  87    '  6  *67 

a*       3  3  4.  ^  3  3  4. 


66. 


YORK. 


O.  M. 


fM^^i 


John  Milton,  father  of  the  Poet. 


129 


Thee    we    adore,       E  -  ternal    Name,  And  humbly      own     to       thee.     How    feeble      is    our     mortal       frame,  What  (lying  worms  are      we  ! 


-#-1 


^  ~  6  "e  "     '  '    '        6~6       6        5  7       -------    -g  -  ^—'         ■       g-    -        I    ■    "g       gy       ""         ■" 


84. 


BRADFORD.         C.  M. 


Handel. 


-e- 

I  6       8  7 

o     a— 


([■:Q:■^^^z:lx::iz^^:^TIiz:i~^LZ-z:z-:x-:3zz:l::^I\zzT 


_p - 


I  know  that      ray     Re  -  deem-  ev  lives.  And      ev  -  er    prays  for  me  ;   Sal  -  va  -  tion       to      his  saints  he  gives.  And  life  and    lib  -  er  -  ty. 


47     5 
6 


6         7         7 


H.  &  H. 


6      7*6      6  7     7 

17 


6  7      5  6     * 

4,  3 


7      5      6      6         7 

4i 


130  5  92. 

Cod  Spirito, 


BRAINTREE. 


C.  M. 


m^mmi^^^m^=mmmmmm^^m^ 


mnmMmmmmimmmmmMmm\mi 

In       God's     own  house  pro      -      nounce       liis  praise.  His  grace  he  there  re        -        veals  : 


mMMnmmmmmmMmMim=m^^^Mm 


■"  9  6878743  6  ^        I  ^  L 

4,  3265  *  4* 


[f:9:rS;=— 


'immmmmmmummmMim^Mm^Mm 


iliiiillliili^llimiiliiii^iiis 


-M — 2ij 1 — —- - — ^_._I — — — 


To 


heav'n         your  joy         and         won     -     der  raise. 


For 


there         his  glo      -      ry  dwells. 


^mmm^mmm^^^mm^^mm 


6-^  6  656  6  6  *  6657 


BEDFORD. 


C.  M. 


131 


f: 


^z^=°ii3- 


s^ 


5Sz^za:i:Dzd: 


mm 


:l:ar^-i|izd:i:~jEE±raz=: 


iezSJii^rS: 


^: 


razdiira: 


j.ej_u.j..@.. 


\z&±azc 


Lord,  thou  wilt  hear  me  when    I     pray,       I         am     for    -     cv  -  er  thine  ;     I       fear  be  -  fore  thee    all     the     day,     Nor  will    I      dare     to    sin. 


K—i^^± 


6         5  G 


AfTettnoso. 


6       5^6 

MEDFIELD 


6     tJ      7 

4.    tr 
C.  M. 


6        5  6 


m 


Mather. 


6       6  67 

4  4 


j(0 

y   morn,  without  delay,  O       Lord,   I       seek  thy  f.ice  ;    My       thirsty       spirit        faints     away,  ^V  ithout        Ihy  cheering  grace. 

liiiiSiiiiililiiiliili|3igiig:i;§yi 

67  6  6      7  4.      6     63      4.     66  6*6  6  6      7 

♦     4p  3  3        4   ■  ♦  4i 


2:saEjfdzET-*-- 


=r*zi-.3 


itzt: 

6    t"         6  7 


132         1*66.  DUNDEK.         C.  M. 


Second  Treble. 


Let  'not    defspair       nor       fell  revenge,     Be       to  my       bosom  known,     O       give     me   tears  for     others'   woes.    And       patience       for     my    own.      ^ 


pzg;i:r:22nzi:i:ir-:i:i]~ii:i:d:: 


1         *■"   .rZ-'    ''~        '"'        '•  "  1  8756. T  ^' 


84. 


n 
^ 


BARBY. 


'*iiiMS^3ili:iJiligilliiiii=iS 


C.  M. 

-f 


-©-  o 


-^-j-i— -T r  J2 


^Hopeloolis  beyond  the  bounds  of  time.  When,  what  wo  now     deplore.  Shall  rise  in    full     immortal     i,..,.,^,  ....^ .^    ^    .-■--__      

^- 6^     ""fi         7~  6    6  ~     6     %  1  i      ~ 


I 


60. 


WINDSOR. 


C.  M. 


Grave. 


G.  Kirby. 


133 


iigi^iEiiiiiiii=iii=iiiiigiiiiiiigpaM 


gzs^drridj- 


iggiiiiiiiiiiSiiiiiiijgiiiEiiiiiiiEgilii 


My  God,  how     ma  -  ny         are  my  fears.  How  fast  my  foes  increase  !   Their  number  how  it         mul    -    ti  -  plies  !   How    fa  -  tal       to        my  peace  ! 


5*6  597  8  7~"8  7~'#''  '6       6        5  7'  '  87  "s?"  87*  87         5  8757 

*      a—  *—  *— 


I 


80. 


4f        3  — 

BURFORD.         C.  M. 


Purcell. 


Lamentevole. 


1l-'©=( 


:S:pi»i«.-  _. 


i:^.(zip_^.i_rsjj_-i — [ 


:pi:i,D~pzipf| 


PJlilSlliiiiiSiili 


-s- 


:Q::|ipzizaz:p: 


§:p^Td^Jg3~ 


H- ! itf.-^--- 


Dark     was    the    night,  and  cold  the  ground.  On  which  the  Lord  was  laid ;  His  sweat  like  drops  of   blood    ran  down,   In  ag  -  o  -  ny         he  pray'd. 


— "-#e 


rv;Tr-ST~1 — N — I — T~©~D"Tr~a~|9r 1 — 1 i^'S"^T ■ — t t~© — m  — n~Pr ■ l~j~zl""zil 1~3~' 


6#5#6 


a—  It       nil      9 


*     — 


6     6        5  7 

4       ♦- 


134 


•80. 


CROWLE.        C.  M. 


Dr.  Green. 


;gpigipi^gfe|ggi^|gi|gglililiiiiyiiiii^ai 


Life     is       a       span,     a 


fleeting  hour,  How  soon  the      vapour       flies  !   Man    is     a  tender,     transient  flow'r.  That   e^  in       blooming      dies. 


6*15  *—      6        6657 

4.  4    * — 

60.^  St.  MARY-s 


*     7       6      I    Z     «       *      ^3      51 5      3    * 


C.   M. 


6  *b  6     6      5  7 

4.  4>     *— 

3 


dz3zi=i°i_flp 


LordT what    is    man,  poor  feeble'  man,    Born     of      the  earth  at     first  ?  His     life     a      shadow,  lightjuid  vain^    Still     hasfning        to  the  du^. 


4.    5  — 
4,3 


4>      3- 


^60. 

Lamentevole. 


BANGOR. 


C.  M. 


Ilavenscroft. 


135 


iiiiiiiiiiiiililiitfliiMilfiSSiiii 

Hark  !  from  the  tombs,  a     doleful  sound,  My  ears       at  -  tend  the    cry  ;  Ye       living  men,  come  view  the  ground.  Where  you  must     shortly        lie. 


liiiiililgliiiSiiiliiiiiiiiiLiMiiiil 


zE'Si^f-j — izid"J"'^ril~~'"ig]^r^ —3  -""tia-'Q-j^  J 


60. 


8  7  <s_^     5  6  8  7  5te6     -~ ^      6     5  7 

♦  -  —  6-:^6      4.    tj- 

FUNERAL  HYMX. 


3 

Dr.  Miller. 


iiiil 


-66         687 

3  *      *- 


-it-i — , 


C.  M. 


The  righteous  souls  that  take  their  Sight,  Far  from  this  world  of  pain.  In  God's  pa  -  ter  -  nal     bosom      blest.         For  -  ev  -  er     shall      rs  -  main. 


6  #6 
4" 
3 


6         6        8  7 


6   #6    3 6      ♦ 


6     5  * 
32 


75*         #4.6*4.6       87 
2  3       4*- 


136 


BETHER.        C.  M. 


Dr.  Howard. 


1^- 
xy — 


Return,  0    God  of  love,     re  T turn.  Earth  is      a     tiresome^  pbce  ;   How  long  shall  we,  tby  childreD^mourn,^Our  absence     from    ^y       face  ? 


6     *  6        6       87 

4)      ■#— 


6  ■&  6      5  6     8  5 
^4.  4.3 


6       6      -g-fi 


6     6  6        8  7 

5  *       *- 


CHESTER.         C.  M. 


mmm 


,-^.P-P  -r-^----- 


That  awful  day  will     surely       come,  Th  appoi 


Th'appointed  hour  makes  haste.  When  I  must    stand  before       my     Judge,  And   pass  the       solemn  test 


Iinat  awiui  imy  will     =i.icij       .-«...^,  ... -ir '-T— '-1 I It l"Ti~ 


6  6        76     5* 


so. 


PLIMPTON.        C.  M. 


Dr.  Arnold. 


137 


Tenor  and  Alto.  ,       SI ,_, d © -, ©--j Q ZIlgZZIZZDrin^irMZIirilimi 


^^fc^^^ii^^Eiliii^^=^sJ=±^SE?=E*=^^=^^ 


Now      let     our  droop      -       ing 


hearts         re 


Tive, 


And  ev' 


ry 


tear  be 


dry 


=izzzi-|zz^^=F::J3J±!=^I|-±^'-^-^-E-i--^5^-^— z—  -"l         '76      '  7 65    ^4  3  *"" 


1       I       I         \     SA 


r^^r^=z^~^:=^rp:^£^=34±^=-=j4i|^ 


i   hJ-d-  -©-  -©-    Q 1 — 


Why  should  these         eyes 


be  drown'd        in  grief. 


Which  view 


Saviour 


sh? 


H.   &  H.  18 


138 


St.  AUSTIN'S. 


C.  M. 


-^^~ 


Wm.  Horsley. 


-#-!-- 


Behold    thy    waiting     servant,     I,ord,   De  -  vot  -  ed        to  thy     fear  ;      Re-mem-ber  and       confirm     thy  word,     For     all  my  hopes  are     there. 


Siiliiiiiii 


:^=:^.-u.u 


-© 


'f'S'T — — ii~zp-i'^rn"izsz — t — ]"» — i-t — i — ; 
. ix:-tn:t-t-i~-i-:izfir:,_:i:_:ir?:±:_zrg 

b  b       *b  * 7  6        a 


:d;: 


66. 


* 7  6        a        6      5        * 

ELGIN.         C.  M. 


iii^iliiiiliiiiilil 


5-      6       3  9        5 
3-  5  7        3 


e         9      S         6         7 

4.       # 


--"-+*d 


irp:i:zz_:+*^ 


:p:q 


Q-~1PZ 


EF=^#^=P|zFjzFf-gzFf=g-g-|=Pj-^j? 


That      awful    day    will      sure  -  ly    coma,  Th'appointed  hour  makes  haste,  When  I  must  stand    before  my  Judge,  And  pass  the      solemn  test. 


111 


-P-r 

-I — r 


*  *  'S7  "*■  '        6~  ■»'■»'  ■  '    It~    6"    '    ~^'     ■^'  6  6  8  t"  ~ 

5  5  5  5  *- 


84. 


WORKSOP. 


C.  M. 


139 


To    calm        the       sorrows       of      the       miad.     Our     heav'niy  Friend     is     nigh  ;   To  wipe  the  anxious  tear  that  starts,  And  trembles  in       the       eye. 


calm        the       sorrows       of      the       mind.     Our     heav'niy  Friend     is     nigh  ;   To  wipe  the  anxious  tear  that  starts,  And  trembles  in       the       eye. 


g;g:pii=:§^:pzi~zz 


84. 


4.*6     5  7 
3 


8  7      .5  6  5— 6*^  6      6    87 

4  <f —    4*  4f  ■#— 

HASELTok.         C.  M. 


87     5 


6  5 6  6     6    8  7 

4* *  *— 


lajji: 


I.  Jackson. 


lf:9::tJ35r:is;&i:sns: 


Help,  Lord,  for  men  of        virtue        fail  !   Re  -  H  -   gioD       los      -       es  ground;  The  sons  of  wickedness  prevail.  And     treacheries  a  -  bound. 

5g|g^|j@zgE|Ei:Fjr=pEf}SEiEJE3^^^ 

6  —  6*6  6       65  •#■     6feS  '^    6       8  7  7     5      6  65        6    #«  87 


32         3 


•*  6^5 
4i 
i 


6       8  7 
4 


7     5      6  6  5        6    #rt 

5  ** * 


C.  M. 


Dr.  Thos.  Busby. 


140         [»92.  WAliTUJN.         Kj.  ai.  ^-T         ;— ^ 


Q ■izh g-ffi-T-Q — -j2~~'^~T~p~r — P — T~^~°~P — P    T  °  P~" 

— ^ '.  ,  ~...~r       „„„-  »v^^  And  raise         your  voic       -       es  high  ; 


raise-         your  eyes 


raise         your 
I 


^e"^^^eee|eeeepe±e?ee 


If: 


Second  Treble. 


^ — L— I e» 


6  E'a  t  ^  ^       i  ^  ^ 


43  6 


^- Y      .       "^^kZ"       and  ^'^^        ^  ^^^  -      ^  "'^<''  T''*'  '''°^^^  ^'       ■ 


-~p-zz: 


tion  nigh. 


6B  43  *'  * 


rf: 


Purcell.  -  m 


60.  WALSALL.         CM.  ^        ^    ^  ^^^ 

ErO  SZ^rfve  ;   iT     LTcV    -^TeproTe-     Ana-in-^hy        .ne,xy     grant        >-e    -    lief.     Nor     cast    me  fro:n     thy  love. 


-TipZglTip— C 


Rebuke  me       not 


^^     "  '         ■  "  '  ~     <.  "^        ,-  /•  t'     -7 


P^3-P 


Ei~iSd3SiitFi3a33J:p=i=l 


6  5—      6 


0     S  7 


□j:*;:; 


/-^"^ -»^  "?-P © Mt~1 — I — I'Jl ""zIj" 


84. 


fPs 


COLLINGHAM.         C.  M. 


I.  Jackson. 


\0-i-' 


±z©zs;irzf£Z??^T:s 


By  foreign  streams  that  murmur'd  round,  While  captive  Israel  mourn 


^5E3Hp^P^K'-=S?-^-P-f  F- H 


^^gJz^'i^^El^xO-i 


d,  Their  mind  was  free— their  thoughts  unbound,  ■\Vere^still  t'w^Zion  bound- 


H, n_|— t^   ^^        ^    I     f|    6=!^      65        —    6-        6     6     6      7.  I^^^ls  4^       ^       ^^         -    *    fe- 


142 
If 


88. 


FARNSWORTH. 


C.  M. 


:S=° 


^^IPJ 


mimmmmm 


lliiliPiiii^^ 


_e p— r-p^--g-T:=§ :e— r-P^P- 


On  Thee,       each  morning,  O  my  God,  My  wak  -  ing  thoughts       at      -      tend  ; 


f^---J^—&—^-—o' 


K 


=zfcS=t=i-rrz: 


4> 


*3  ^%  I  I 


l^ii^^=l^==i=ii"=^=l^iiig=Hiiii 


,  iHil=iiillfiiiElllilil 


r ©- 


I 


Hill 


In  Thee  are  found     -     ed 


all  my  hopes.  In 


Thee         my 


wish     -     es 


end. 


lt._, C_I ^ TS—  6  7'£  6  8  7  6  6  6  7 


80. 


CHRISTMAS  HYMN.         CM. 


Wm.  Jackson. 


143 


-^7.^' 


-^-J^- 


:iiiliiiii?iiiiiiiiiiiiliiiiBgiiiMii 


While  shepherds  watch'd  their  flocks  by  night.  All  seated         on         the     ground  ;  The  angel  of    the  Lord  came  down,  And      glory  shone     around. 

liiiiiliiililiiili!i^ili^liiiii?g^iil 


6       9  8 
43 


65       4.3  4.         6       98       87        6.- 

2  43       65        43 


6      . 

4    * 


6     7 

4    * 


«     I 


ffeiEgESg^j 


d^g±_d_j_d;±g_^lci: 


"  Fear  not,"  said  he,  (for  mighty  dread  Had  seis'd  their  troubled  mind,)  "  Glad  tidings  of  great  joy  I  bring.  To     you    and         all         man     -     kind." 
P.  P. 


|i§=igiilM^iiiis:miiliiil1lii:aiiilgirii 

765667  666        65  5  ^7  6  §I§I 

5     4      3  4     *  43  3  65  43 


TROY.        C.  M. 


145 


p|pil|EF|pH|=|pp||i|||:||yg||g|^^ 

*  Zion     rejoice,     and"   juda  i  "  sing,      "xhe  I,ord  resumes  his  throne  ;  Come,  let  us  own  the  heav'nly    King,      And  make     his_^  glories  known. 


6      7 
4.      * 


UEERFIELD.         C.  M, 


6     -*6 
3 


6  5        6  5  6        6-#-6  6 

3 


f 


IH- 


_p.,.p_p.^_ 


o-    -©-. 


_=_    _^^ »., 


liiig 


A       cordial       for    our    fears. 


Sal  -  va-tion,     O  the         joyful  sound  !   'Tis  pleasure     to    our     ears  ;        A  sov'reign  balm  for      cv'ry       wound, 


^ ~  't~~'  "     "t  ""f"     '<r  ~t"     c  r  ""     "     "c""     "       a  "'-7   '     '^~  i\      R  c    Jtc  ^  65  6       7 


6      6     6."; 
43 


^      I 


6     6         6  *6  * 

1 


H.  &  H. 


19 


146 


88. 


FOUNDLING.         C.  M. 


1.  Scott. 


The  Lord  himself,  the       mighty       Lord,     Vouchsafes  to    be     my  guide ;  The  Shepherd     by  whose  constant        care,     My  wants  are       all  supplied. 

liiiiiliiiliiiiPi;li:pigilpiJipiBi 


6  5  6    rt 

4 

69. 


6       8  7        6  =i 
65        4.3 


•Bfi     6     7    6      7 

^4.  4,     ^ 

3 


6  .T        6  *  rt 
4.*  4. 


98        fiS 
7  6        43 


I     ' 


CHELTENHAM. 


C.   M. 


Ravenscroft. 


1 


iiiiiiiiiigil|liiiiiilS^iS^^^ 


:S:^ 


5:b 


iiiiiiiil 


1.-& 


::ld 


jiiiliiiii 


3Z~ii]ipx~zqT:p:jzp:i5~»isj:E-:: 


6     6 


6—5        087 

4,    *- 


~"~6       56  sr      '  #       ^5       87 

4* 


6        8  7 

4.        3- 


50. 


FUNERAL  THOUGHT. 


C.  M. 


Smith. 


147 


ir#=: 


^^^^^^^m^^^^^^^^^s^^^^^^^si^ 


^^^^^^^m^^^^^^^^^^ 


Hark  !   from  the  tombs,  a    doleful    sound.  My  ears  at-tend       the     cry  ; 


Ye     living  men,  come  view  the  ground.  Where  you  must  shortly  lie. 


mmmBmmmmimmwmmmmmmi^M 


iiSSiyi^Piiililli^iili:Heiiiiiiii 

6*6**  6  **6*  **  5       5'' 

3  5  *      -w — 


84. 


6  *  * 

EYERSI.EY. 


* 
C.  M. 


*       * 
Dr.  Nares. 


lig:jz®=p:t=n=e:i:i©iD:?r©:qio4©:pr&ip:5r— leq 


My   soul      arise !       shake     off    thy  fears.  And  wipe  tliy    sorrows  dry ;    Jesus,       in  heav'n  thy     witness  bears.  Thy      record       is       on  high. 


6    * 


6        —        6    * 


f.  5        7       5  6*6 
3 


6  ■ 
4* 


6    6      7       43      ^7     5*6    6     6    6     7 


148 

ri3 


Tucker, 


••96.  DEVIZES.         C.  M.         Newly  arranged. 


M\^ 


Second  Treble. 


A.i'ni        i^a^      i'£       to'ni.      "         pTe'-^are^a"       ^  -^^l^^^  vTile^^^    '^    Go^^he^^.^^^^^^ 


□: 


6  5  6  5 

4.3         4  3 


|r#-^;^q— — q— jf  — q— :j=:r|r 


-s) © 


A     -     loud  will 


all  ray  joys,  A     -     loua  w,u  I  ^  -      joiee,  J^-     '""d       will  Jt 


re       -      joice. 


lilPili 


6  5  6  5 

4.3  43 


8  7  6  :- 

65  43 


LANESBORO' 


C.  M. 


14.D 


Second  Treble. 


ii 


I  haste  to  seek  thy  face  ;  My  thirsty  spirit  faints  away —  My 

r " 


& 


©rdrg 


Early,  my  God,  without  delay,  I  haste  to  seek  thy  face  ;  My  thirsty  spirit  faints  away —  My       thirsty       spirit    faints    away.  Without  thy  cheering  grace. 


6         4<         6 


6  6  67  '  '''^64.6'6.=> ~  ''"',  "'6       4.66     c' 7 

4,  3  4#  a  4. 


92. 


ASYLUM. 


C.  M. 


|1-  „   u._;^ :^Z^    _, _j ■ .. ._, ,._. -    -H -I -  o        -        - 


- — ^-h-b,-' 


Will.  Horsley. 


pzT  gzp: 


Theo       I'll      ex  -  to),     my     God  and  Kins,  Thy  endless  praise  proclaim  ;   This  tribute      daily  1  will  brinsr.  And  ev  -  er  hless     thy    name 


plp-.pzirzl^iz: 


■^-i 


2-ata: 


Ml 


i~iz^—pzi±^z^\zziz°l^tz^izoi^^^^^ 


'6     ^      ^-^     «     II     ^        *=» 


-f- 


5  6 


6    6     7 
4 


150     r  80. 


CAROLINA.        C.  M. 


Coombs. 


iiii^i^liiiiiiliiiiili^ 


Re       -       turn,         O         God        of  love,         re        -         turn.  Earth  is  a  tire    -    some  place  ; 


—     4, 
3 


— '*'~P~T Q T Q~* p~T~Jp~p — T~ 


|zPziE^3SEIEEEEE*|Ei=°EHr 


How  long         shall 


thy 


chil 


drcn,         mourn.  Our  ab     -     sence 


from 


thy 


face  ? 


^zSz^rir^' 


~l — I'i 1— I 1 — I 1 — T 1 — o~T~P~o T Q~ |~~T l"l~ 


6     4.    66 
3 


*     6 


65 

4«- 


*6  6   *6 

*  3 


41 


G4. 


HUDDERSFIELD. 


C.  M. 


Dr.  Madan. 


151 


zEzi^^^^iz-'EEEizf.z^ 


My  hiding         place,  my  re    -    fuge,       tow'r,        And      shield  art         thou,         O       Lord  ;       I 


:^l£i: 


firm     -      ly 


anchor 


^ — - — ^ T — IZ~I^pZIZ  fZ — T~~ — I — P~T~n — j5~T T ■ T- 


izzzzpziz 


6     6 

4, 


4. 
2 


6         4, 
3 


?zp: 


6  5 
4.3 


-^■ 


gTS^^zLz 


-^^=^         !^^=^  ^ — V      Second  Treble.  Alto.  F.         ^:=<^  ^ — ^ 


}= 


all 


my 


hopes,  On      thy      un    -    err  -  ing         word,  On 


err     -     ing 


word. 


rz"i2- 


O — ^.S i a.j 1 1_, — I 1 J —  — 


HtbI O — + — ^ 


zz^zEz^zt: 

•i      3     6 
3  5 


^  ■?.         Voice  or  Organ 


6      4. 


:ez_ 

4i 


152         f  SO. 


BROOMSGROVEt         C.  M. 


0      render  thanks     and         bless      the  Lord  ;  In    -    voke        his  ho     -     ly  name,  Ac     -     quaint       the 


^  ~        '6~'    ~       ^6  8  7        6P5  ~  ~  6  56  6  7 

6  5        41    3  *  tr 


with  his 


deeds 


His  match  -  less       deeds    pro    -     claim.  His  matchless  deeds     proclaim. 


6  S     —        6  4.  J  6 


S     —        6 
3     3        5 


6~    ~6 


"5  6"     TT 


mm 


Allegro. 


SILVER  STREET.        S.  M. 


1.  Smith. 


1£3 


il5lllll=ri§ig3EiMi|i|^lgiM^iilii"iiii|p|^ 


-9 

Second  Treble. 


Come,  sound  his  praise  abroad,     And  hymns  of  glo    -    ry     sing  ;     Je    -  ho-vah  is      the       sov'reign        God,         The  u     -    ni    -    ver  -  sal         King. 


^^z^zszji:=zrp:q:d=ziz2iPzpl5lzr=3zI53E=3ri3=3l^ 


6 
4. 

CHORUS. 


6  6  5 

4* 


606 


6  4.    6 


S(_.J. 1 

6        8  7 
4* 


Hallelujah  ! 


Hallelujah  !        Hallelujah  !  Hallelujah  !  Hallelujah  !     Praise     je     the     Lord  ! 


Praise  ye  the    Lord  !        Hallelujah  !   Praise  yc  the  Lord  ! 


U.  &  H. 


..         .    . 


154  ,»  96. 


PELHAM. 


S.   M. 


Giardini. 


My  soul,     re  -  peat     his  praise,  Whose  mercies     are     so  great !   Whose  anger       is       so      slow     to      rise.     So        ready        to  abate. 


*^    ~High  as  the  heav'ns  are  rais'd.     Above  the  ground  we  treaJ,     So  far  the  riches  of  his  grace.  Our  highest  tlioughts  exceed,  Our  highest  thoughts  exceed. 

~  TT„icn„   F.  P.  F.  ^—^ 


S^P 


EHSEti 


Unison.^ 


~T~rT»-!»— ^-  T  —it- 


'  A  .1  4,— —  *  a  i  4.      *  * 


4.        3         4.— 


MOUNT  EPflRAlM. 


S.  M. 


Milgrove. 


155 


Your  harps,  ye      trembling  saints,  Down  from  the         willows  take  !    Loud     to       the      praise     of      love     divine,      Bid        ev'    -    ry       string     awake  ! 
^  7     5      > — <.      7  ^6«756367  6  46  C+Gb?  6*3736         6         7 


6         6 

4< 


3         ° 

*  WESTMINSTER. 


S.  M. 


Dr.  Boyce. 


Behold  the       lol'ty         sky.       Declares    its        Maker,       God  ;  And  all  the  starry  works      on       high.       Pro  -  claim     hi^    pow'r     abroad  ! 


6         4 
3 


*  A  new  arrangement  of  this  Tune,  much  better  for  general  adaptfttion,  will  be  found  on  page  15S 


7 6      5  6         4. 


6    4      3        5       8  7 

3  4 


156         *76.  St.  THOMAS 


S.  M, 


A.  Williams. 

:--) VT -1 I-tH Ht— 1- 

:-t2~Tr^-±:r!:iHrzr!:i:± 


High     as  the  heav'ns  are  rais'd       A  -  bove  the  ground  we  tread,  So     far  the      riches      of        his         grace,      Out  highest  thoughts  exceed. 


lirzsrzfezzzj 


~e— ^ J 


'  I 


6  #6 


67         876         76         5  6 

45         65-1         5     4,         3 


5*6  3  6 

3 


73. 


DOVER.         S.  M. 


-Q.     -o-      -o-  «  -•-     „   ^-r-  _        _  .       ^-~-  _       .       »         ^  ^         ^ 


» — --T-P— n-T-©— 1-»- 


^■~'^"~  "  I     ~  ~"  "^T".  .  .        w,  ,  1-         1  .1.    i_-i.i._i_i,  -i„  u;^       .v,^^+      J^     _     lln-Vif   _    fill  cnnt 


Great  is  the      Lord  our       God,     And  let  his  praise  be        great  !      He  makes  his  church  his  blest  abode. 


His    most    de  -  light  -  ful         seat. 


k ^-\—\ »--- 1— -^ -^-^    ^         7       S^7  '^4.6  6465  6 6  67 


'        t 


6      8 : 

4       tl- 


6     4. 
3 


6     5 
4     3 


EASTBURN.         S.  M. 


Harwood. 


To   God,     in  whom  I     trust,       I        lift  my     heart  and  voice  !       O       let     me       not  be       put        to     shame.  Nor      let      my    foesn;joice! 

Ni5lPilliiilsiMi;iiiiiiiJsiiiiSi:iiiiiii^ 


•■  80 
Maestoso 


CLAPTON.         S.  M. 


Jones. 


Maestoso.  / — s     / — \  _  _ ^ ; , ,, _ 

Thy  name.  Almighty        Lord,      Shall     sound  through  distant  lands  :  Great  is  thy  grace  and  sure  thy  word  ;  Thy  truth     for  -  ev  -  er       stands.      ^ 


Tasto.  Unison. 


Tasto.  Unison. 


IL=!SS;gq?:?^ti=E:{:i:]£Eg:E£BE-E=EiEd=E;Jt=E:fctiS?il-SJ-e-i-S^  11- 

•>  ^'^'^lo-  ■iiF  66     6 1         r  a  5      4 


r     e- 


5    *       e 


158  ^  76 

ir:a:#rc=-i:5rsi- 


SHIRLAND. 


S.   M. 


Stanley. 


Second  Treble.  ^ — ^  P.  F. 

Behold  the       morning     sun.     Begins  his      glorious  way  ;  His  beams  through  all       the        nations        run,         And   life     and     light     convey. 

iiiiiigiipiiiigigiiiiifgiiiiiiiip 

iSilliiiiiiiiiiiiiii^iiiiliiiili^^^^ 


Sti     67 
4i 


6        ^  '^   £  2.  Voice  or  Organ. 


6      6  6      87 

4> 


WESTMINSTER.  S.  M.     New  arrangement.  From  a  Chant  by  Dr.  Boyce. 

Second  Treble. 

iili^iiilpiiiiiiipMPiiillipiiil 

B«hoId        the         lofty  sky.        Declares     its        Maker,     God  ;      And     all     the       starry  works  on     high.       Proclaim    his    pow'r     abroad. 


6         6         7 


6 


4        7 
3 


6      4.  6  7 


84. 


BUTTON. 


S.  M. 


159 


'^■*i3=ffiEEi:iE5^ 


^^^1^^^^^^^^^^^^^^^^^^^ 


-P-  -e 


±1   -g:   Q_-^  :^-_  p — e  -, 


-e — \- 


^-Te-p-o  Pj-Q-p-Tgi 


Maker       and  sovereign  Lord,     Of  heav'n  and  earth      and     seas,    Thy    prov  -  i  -  dence  confirms      thy    word,      And       answers       thy  decrees. 


-e- 


84. 


6         6      6  5 

4,         tl 

BEVERIDGE. 


4. 


65        6- 
43  5 


4     6    6       6      7 

3  4. 


S.  M, 


A.  Willianis. 


Welcome,     sweet  day  of    rest.     That       sa'v       the  Lord       arise  I      Welcome  to       this        re  -  viv  -  ing  breast,  And  these       re    -    joic  -  ing     eyes. 
6'^        7  6'^         6667  T^+e**         656—      *3*64.         4666       ■■> 


4      -» 


4        3 


160 


UTICA. 


S.  M. 


L.  Mason. 


^Q     -.    'Q.'    -p~e~-j-p-Y:P-T-P-P-T-^^^ 


Behold      the         lofty         sky,         Declares    its         Maker,    God  ;    And       all  the         starry/      works  on     high,     Proclaim    his      pow'r  abroad. 


jPl ._    _, __, ._  ,_ p_-Pl    _ , 


4i 


6     7 

* 


BARNWELL. 


S.  M. 


6  6 
4. 
3 


i  ■' 


:::s:::^ZfL.■rJpz<fs:.xzpzz■^^^^^ 


I  *7 


My    soul,  repeat      his     praise.  Whose  mercies  are     so  great  ;   Whose  anger         is       so     slow  to      rise.       So         rea    -    dy      to        abate. 


6      6    6     7       4.3 


6    6  6  5 

4  43 


n  "n 


4        6      6 
2  4. 

3 


6    6     5 
4.     i 


,••80. 


MOUNINGTOX.         S.  M. 


Lord  Mornington. 


161 


rforr: 


My     gracious  God,  how  plain,  Are       thy      di  -  rec  -  tions    giv'u  !         0  may     I         never      read    ia     rain,     But  find  the    path     to     heav'n. 


6      'e       'e  ~8  7'    '        '  6  ~6  ~        ~        5  I  6 643*6  *  65687 


ss. 


THESSALIA.         S.    M. 


Holt. 


risers: 


See  what  a  livin.'      stone,  Tlic     builders        did       re  -  fuse  ?  ¥et     God    hath  built  his     church  thereon,         In     spite    of         envious  Jews. 


_H,.^_p.,.r---P-r-=-.--l 


H*  oC  H» 


6      5 — 5  ti 
21        5—* 


162         r  '^s 


INVOCATION. 


S.  M. 

/7\ 


Lockliart. 


liiteililili^iiSilliiieiiiiiiiiiiilil! 


Come,  Holy        Spirit,      come,    Let     thy  bright  beams  a  -  rise,         Dispel      the     darkness     from     our  minds,  And         open 


all  our  eyes  ! 


6       65 
43 


6      *  6        5  6       6  5 

3  43 


464      64       6      66 
2  3     4     2  4 


83. 


FAIRFIELD. 


S.  M. 


3         8 6  6         4 

3     5 


11.  Harrison. 


f  A.:h3Lzzzzzz:. 


EE!Efe 


Let  ditf  ring    nations         join.      To         celebrate  thy     fame;    And  all  the  world,  O     Lord,  combine.        To      praise  thy      glorious     name!  'il 


l-^ziztzbi±±±-Az2zizi 

6  5  6  8  7 


liiiEiiijiiEiEHiiEiiiiiiiiiiEPSi 


4>         5     6      7 
4     tj 


6 4 

3 


7  6         7 

4 


76. 


BLADEN  I>LUG. 


S.  M. 


German. 


163 


Exalt        the    Lord    our  God,     Aad     worship       at      his     feet ;    His      nature  is       all      ho  -  li  -  ness.     And       mercy        is      hU     seat. 


6         4, 
3 


6         4     3     6      536 

3  ^4. 

i 


Chant  by  Dr.  Randall. 


6         6         6        8  7 
4         5 


RANDALL. 


L.  M. 


m^ 


Jehovah  reigns,  his  throne  is  high,  His  robes  are  light  and    majesty  ;  His  glories  shine  with  beams  so  bright,  No  mortal  can  sustain  the  sight 


il 


3 


6 

4     * 


+      6 
3 


3 


I      ' 


164 


GREENFIELD.         C,  M. 


Begin,    my      soul,  the     lofty     strain,    In      solemn     accent    sing       A         sacred     hymn  of       grateful  praise,  To  heav'n's  Almighty        King. 


iiili 


?i®zizpz2zi:gip:j:©:: 


e'        6  4.    8  7    "*"'         e'    '6~6"      6~'''-  6*6  6* 


tep:±r^z: 


4    87 
3 


6        6      6         6 
5 


6      6  6      7 

5  4 


L.  M. 


SPRINGFIELD. 


bE4r«lfzt±t-?I=P=P'-±=P-3::pi;E=i 


^z54zBEzBzzBzfcbiE:EjzE±:tzzE:lbzEI:EzEi:E:JzEiEzEi^^ 

The  saffron  tints  of  morn  appear.       And  glow  across  the  blushing  east ;  The  brilliant  orb  of  day  is      near,       To    ,  dis  -  si  -  pate  the  ling-ring  mist.      ^ 


_, ,-- r-P- 


:tzi-:ip 

3 


,*so. 


WATCHMAN.         S.  M. 


Leach. 


165 


>^ii 


::ti:^2pz^i| 


^  rcit::izt:: 

^  My  soul  with  patience     waits,  For     thee,  the        living     God  ;   My    hopes     are     on  thy       promise     built,       Thy        nev  -  er         failing  word. 

ggiiiiii3iii|iiiiiiiiiiii||iigii;piii 


6      5- 


5-6    5       6        7 

tj-  *       tl 


7 

tr 


60. 


AYLESBURY. 


S.  M. 


6       w         63-6 
■i  4. 


5 6         5  6         6      7 

■S 4 


Dr.  Green. 


:=ir?=^:] 


ip"i"pzfg:i:z:i5gipiu:i:^z:&. 


o-izr-z:i:-2p:*P2iz&z?=:?zi*§=3?e=pzifziz£z:*gziz°=M- 


ll 


?z?ifc:i:£zf&i:5:35@i 

From  lowest  depths  of     woe,     To  God  I     send     my     cry  :     Lord,    hear  my    sup  -  pli  -  cat-ing       voice.     And    gra  -  cious  -  ly         re     -     ply. 
•^66687^5    665  656*  6  *  66  687 


166 

1 


80. 


LTTTLE  MARLBOROUGH.         S.  M. 


To     God,    in  whom       I       trust,     I       lift      my  heart  and  voice  ;     O       let  me      not  be       put        to     shaiue.  Nor      let     my     foes         re  -  joice. 

iiip|iigSiilg|liiiPiiiiiplpii!i 


I 


6  *6 
80. 


6      6     5  7 

4    *— 


*     v~_-'       6 

*6 

DUNBAR. 


*      —     —   fi 

4. 


S.  M. 


8  7      5  6         6  5 6  *6 

■!# + 

3 


6      6       8  7 
4.      *— 


Corelli 


Grave. 


Wlien  overwhelm'd  with  grief,  My       heart     within        me     dies,     Helpless  and  far  from     all         re  -    lief.  To       heav'n     I     lift  my     eyes. 


FC.'S'_-a ------ 

i.i    !^?.--V..Q.Q.Q- 


'az:a:'i 


i^  * 


oSG  S^7,~ 


t®:g:gig^p:nt:z§— f 


4.3 


zoia 
5   — 
4*— 


5^6 


bfe7 


6         6      8  7 


YARMOUTH. 


S.  M. 


167 


Dr.  Wainvvright. 


Jin;       soul,      What  comfort  shall        I        find  ;   Where  is  the    sov'rcijn     healin!;     balm,     For     an         af  -   flict    -    ed         mind  ? 

iiiiiiiiliiiggiiiillliiSilSSiiliiliiiil 

/T\  Q  (T\  /^  '     ^ 


,»  60. 

Lamentevole. 


■36        6       87       6  5         -35     6  8  7       65  6     fe6 

4  43  6543  4 

St.  BRIDE'S.         S.  M. 


6-36         6    8  7        fi  S         —     -Bfi         6  6        f. 

^4.  6  5        4tT        —         4  *  ij 

3  3 


Dr.  Howard. 


iiiiiiiigiiiiiiiiiiiigiilgiiiiiiiiii 


And  must  this    body  die  ?    This  mortal  frame     decay  ?         And  must  these    ac  -  tive  limbs       of      mine,       Lie     mould'ring  in      the     clay  .' 


6        8  7 

4       *- 


6     87 

4t 


875       875        87        56       ♦  87 


6       87 
4      #— 


168  f  92. 


PECKHAM. 


S.  M. 


Isaac  Smith. 


yii§^iiiE=igii=ig=ii|=Jiipiiiiliiiii^iiilll 


iiiiiiiiiliiiii^ii^^ii^iHgil^Eiiii^liy 

H„.„  nlpa,M       was  I  to  hear  The  friends        of  Zi     -     -     -     on  say. 


iiiiiilEiiliiiiiiiiliiyili^ili^^Miili 


er                courts         let                us           re         -         pair,             And  keep      the  sol     -     emn  day. 

~Z~Z~~Z^tL  *"    fi  6    5  ti  6     6  5  7 


ir^=^ 


-j^- — 5 — T~5~p^:p:^: 


to         her 


<7 


R.  Harrison. 


169 


HUDSON.         S.  M. 

-— PiP=iftpipri:g:3zg:i=p: 


—P- 


reat  Cre  -  a-tor's  praise. 


5"^:Szt.iL^ 


'^ -'- a~7     7^4.-<~'"''~64.  6  -^  ^  4, 


.6     4  ^ 
9  8     65 


8S. 


FROOME.         S.   M. 


I  Husband. 


c--i:i^lll=T-»Ii:;== 


'>^  Ye  sainu,  in     concert  join.  Your  tunelul  voic    -    es  raise  ;  And  celebrate  in  songs  divi 


diTi^rVom^great  Creator's  praise,  Your  great    Creator's  praise. 


lilifipiliiii&HpiipiiaBSfipi!! 


65  6    6     6     ^ 

H.  &  H. 


22 


170 


BROOKLYN. 


L.  P.  M. 


%^mwM^=Mmm\wMmmmmmK^m^ 


~"       irr    "aliVe     earth  their      voices         raise,      To        sing  a  lofty        psalm  of       praise,    And      bless  the       great    Je    -    ho  -^vaVs^  name^ 


O  ( 


6     6  6        8  7 

5 


4,  6 

o 


0       6    5 

*  tr 


it/  I-       -    -  -      ^^  „         o_  _  _    ^-— s 


3-T-P 


His  glory  let  the        heathen       know,      His        wonJers        to  the         nations       show  ;      And        all       his       works     of      grace     proclaim  ! 


•g^  —     -I  ^  — ^-  -  • 


~^    -P-i--     ^  6      5    *        5  ~        6~  ~  6~'5        ~  "        6         6  6         6  6|3 


^80. 


MARTIN'S  LANE. 


L  P.  M. 


Dr.  Arne. 


171 


V--l--e-j-e — ^'T^ — Q -[rf-^-«iQ|ZprT-p— — t •T-5---Q— r— i-g-T-PrrpTTy-Frrp— r-p-^p|*Tp — -■ 


^  -    -    .  -    -^        r-        gg  6~~'      65    6     7     "43       6~    "glT'i^   el"    ~  -^fi  6  6  5        87 


25  ^S     __ 


My     days       of    praise,  shall  ne'er  be      past,       While  life,    and  thought,  and      being       last.  Or       irn  -  mor      -      fal    -    i    -    ty  endures. 


_Q_.^»jei_i., ,-._ 


^^iiiiiiiiiiPPiEiEiiiiiiiiiiiiiig|iM 

5  7        63  5  87     65  56  5  4     6  6  6      7 

3        65       **•  3         65     43  34  3  4 


172 


St.  HELEN'S. 


L.  P.  M. 


Jennings. 


Second  Treble. 


a      a~ 


Q.-'  -  ^^^  ,^       _  _  _  -©— *_^ 

Let        all  the     earth  their     voices       raise.      To        sing  a  lof  -  ty       hymn  of    praise.     And     bless     the       great     Je      -      ho-vah's     name ! 


4,    a 


_'6     7 
6      4.    * 


6  6 

4,  4, 


6       7 
4 


r— ^:T:":^q:Tz=rq 


^-4-e— 1 


-0— ^-e-  

His      glo  -  ry      let     the       heathen       know  ;     His       wonders       to      the       nations      show  ;     And 


:g^r_a;i_e- 


all       his     works  of         grace     proclaim. 


His       glo  -   ry       let     the       heathen        know  ;      His       wonder 

"^^     _ -&-_     o__:&    _ |_    J® -^^ -J ,-r- 

e'  ^6  "    ~6       6?"  ~6  ~  ^'    '  ""        7         6  6  6        7 


4       44- 


572. 

Andante. 


NEWCOURT. 


L.  P.  M. 


H.  Bond. 


173 


M=Wi^mMmWMm^^mW^m^iWM^lm^ 


A. ^ a9- tt r-» • 0— -.-•- r— • * O ^—T~0 — • — x-r-a-x — r-l»  —  (• — »*^-p — r-r — i**~  iS~Tl 

9 — ^ — y — y T    r       I   3—^— J P F- F- \— T P P P*— -1~* — I — P —  P — I  f~^ — ' 1 1 r — 3 


Great  God,  the  heav'ns  well        order'd     frame,     De  -  clares  the       glo  -  ry  of      thy  name  ;  There    thy    rich     works    of         wonder  shine : 


6  5      6  6  4  3        6 

43         5 


■&6        8 6  6        87 

^4.        333     5  4 

3 

•9-r ] -]n~ 


f. U_I_L.L.p.«^_Siri «_T_|r   pi^_.p_fii3_,5.I._* — p — p C_l-_p p--j----j-,--|-F-F— !-— I F— f'F — r i'jf 

A  thousand         star  -  ry  beau  -  ties  there,    A         thousand     ra  -  diant     marks     appear.         Of     boundless    pow'r  and  skill     di  -  vine. 


Voice  or  Organ. 


6        7 


6      87 
4 


174        5  ^^ 


KEW.        C.  P.  M. 


Dr.  Randall. 


iiiii^iiiiiPliyiiiiiilliPiiiil^^ifeS 


^-©_.-T-e-i-,.-r-e-,-p-T— ©— ^-T-^«— r-i-D-- 


The         joyful        morn,    my     God,      is       come,     That        calls       me         to       thy         honour'd    dome.    Thy  presence  to^     a   -    dore. 


, .--rV-^- 


iSflpiEpEiippfEiiiiiEiiJiiii^iiMilii^iiil 

3                                                                ■*                                       ■*  a 

Second  TroMe.  Alto.       ^ — ^  ^—^  ^      ^    __^_^_  »_,«'IiTi__,_Q— ,,_ 

liiiiiiiiiliPSiiiiiiiiiiiEliEEiii^lii^l! 

My       ^    the      summons        sh^~^     at  -  tend.       With       willing       steps    thy    courts    ascend.  And      tread^the         hal  -  lowM    floor. 

^ ^ ^ ■^■' ?~'3'      6     6     3  6     3         £S  6  C  6-7 

3  5  »  *  >»  • 


76. 


RAPTURE.         C.  P.  M. 


Harwood. 


175 


^""'^     ^^'J""    -    ^"  -  «'i  '^y-       Let     each     en  -  rap  -  tur'd      thought  o    -    bey.      And  praise  th'Almighty's       name  ! 


XT 


^  ^  tr 


Lo  !       heav'n    and_^    earth,  and      seas^     and__^     skies,       In       one      me   -   lo  -  dious        concert  rise.        To       swoll       th'in  -  spir  -  ing    theme. 

S±z|z|z:zr^zrz|:z:^|||~E||^igE|iEEg|^ 


Voice  or  Organ. 


5    —     -Be 
3 


fee  6 


i    ' 


176 


AITHLONE.         C.  P.  M. 


brerraaa  Air. 


Largo  6  Piano. 


if' 


Second  Treble.  ^^  __  ^_ ^_ ^_ i^^-r i I ■!■] ^-t I ■ 

'o     Thou  that     hear'st  the  pray'r         of       faith.       Wilt    thou  not        save       a        soul  from  death,       That       casts     it      -      self      on  thee  ? 

•  .  '  ~_r__.        .t  _.. n.,f       fl„     .,.  ivhnt     mv       Lord  hath  done.  And       suffer'd  once     for        me. 


r         have     no  refuge       of  my      own,        But      fly     to         what     my      Lord  hath  done.  An 

..Jl , ^ , .-^'^5- 


SUFFIELp.         S.  M. 


117 


±^dpziztz 


The     Lord  my       shepherd    is,         I       shall  be      well  supply'd  :     Since    he  is       mine,  and         I  am        his.    What     caa     I        want  beside  f 


6  6  'i     ~—         6        ~       6     ^~ 

rr:$:±:ipzi=5==z 


lyiilSliiil 

^6  6      6  6      5 


fe 


:±-Jr.z 


PrizQrazizprpzT:s:3zp=i:pz*:pT2PzPzizP:iz&i2PzPrirP;^rizpz-=i=5zire:i^ 


EEEiEzE^EiiP 


EziEEzEzitJK 


m 


He       leads  me        to  the    place.  Where  heav'nly       pasture    grows.  Where  liring         waters         gently       pass.       And     full  sal    -    va-tion   flows. 


:-_&: 


w 


II 


^5      ~  ~        6~    ~    "         ~  ~6  6~      &  9'       ■ 


^         - 


iij^Eiiiiiiiiiiii 


H.  &  H. 


29 


'I 


6      6  9  —         6     6 

4" 


6      5 


178 


HARTFOUD.         U.  M. 


•  84.  HAK 1  J?  UtlU.  11.  m.  ^        


:?iS*3 


© 


Lord      of      the     worl.ls     a       -       bove,  How  pleasant  and^how     ^air 


The  dwellings  of       thy  love, 


'3#4.     6    —  %         \ 


Thy         earthly  temples         are  I       To      thine       abode  My       heart     aspires, 


With     warm     desires,        To         see     my       God. 


1  ny  eariiuy  lempica  a.^.        *«       -        j  •  i . _-. |-f"" 


~izn:iZ£3: 

6     s'e         6     S  6        I       ^ 


iiii 


72. 


DALSTON.         S.  P.  M. 


A.  Williams. 


179 


The        Lord     Je  -  ho  -  vah     reigns.       And  royal       state     maintains,  His         head  with       awful  glo     -     ries  crown'd ; 


SrIEE- 


6  7 


687  76  6  57 

4.  3  — 


'rf!fes=a= 


-S-4- 


1= 


.^-^-^- 


Array'd         in     robes  of        light.  Be     -     girt    with    sov'reign       might.  And  rays     of    maj  -  es     -     ty 


round. 


SililEliiiJiifiiiiiPiliiliiiliPPia 

6  7         7  6  6  6  7 


180 


88. 


WORSHIP. 


S.  P.  M. 


r£^i 


^n 


^^ 


Q- 


liiliOiii^Miilil^yisiiii^li^ilj 


How     pleas  -  ant         'ti3       to       see.       Kin    -    dred         and     friends     a    -     gree. 


Each  in       their       proper  sta     -     tion    move^ 


rxr—sf—T- p-T- 

sirteiirptizai:— 


o 
p 1. 


*           66               6                6         564      3~"6     6~7"                   "            6      ~    "5^6~     "      87       5~      3  "e  7   "-I- ~  ~ 

2  4.  5  3  4  ■  4.  tr-  Atr 


J  7       5  3    6  7 

tr-  *tr  — 


And       each     ful  -  fil     their         part,  With  sym  -  pa  -  thiz  -  ing       heart.     In         all         the  cares     of 


:gEir|^gEEErEEz|EE|zEpi 


life  and       love. 

U5^ 


ill 


r|-rr"~rir~rr^rrp~~ — :t~     — '1~~P — T~r~~y — P — l~T 1~ — ^T ^ — l~T ^ — T"'*'~^r  i l~T IT 


84. 

Maestoso. 


St.  PHILIP'S. 


H.  M. 


Levesque. 


181 


ii^E^^yiME^iieEiiEiyiiiibii^feiEiEiE^EEp 


i^h 


^: 


mmmm^mm^mmm^^m^m 


To  God,     the  mighty       Lord,     Vour         joyful         thanks  re  -  peat  ;         To        him     due       praise       af     -      ford.       As       good      as 

irr-T  n    _        T  -■         t   ,^ 


l^ta^liiili^eiil^iiiiiilPifiiiPililpi 


6^1 


5  4       6 
32 


6     6        5  7 


5-6         6 


|§H;=i^-^=^=|rg=^JEi^i|5Ep|=isj=^^g=p=4g=|Mi=^^^j^ 


iniiii^i^iigiiiiiEiiii: 


lams; 


iHl 


he      is 


great.         For  God  does     prove  our         constant  friend.  His  boundless  love    shall    have     no 


end. 


iP^iipilPiiyiiiiii^i^lilirJi^^iM 


^te°' 


z±^. 


iiiiii 


\=izE=Pzi^ 


■^  6  4.  6     6  6  7 

3  ^ 


182         5  88. 

Maestoso, 


TRIUMPH.         H.  M. 


Lockliart. 


Siiiiai^iliiiliiiiiiiliigiiSi^P^ 


Re"  -    joice  !   the         Lord         is     King  !     Your     God     and     King     adore  !  Mortals,  give     tlianks     and  sing,^  And^  triumph^     . 


ll- 


"""^    ■  ■«"  "  '^'  i"'        '     II  f  II  i   'l  "       'f  i 


7     6      5         6     7      5  5 

5     4      3        4.    5      4  3 


eilHiPpiiilliiiiiilgiffl^&i^^^ 


K—^z 


— »=t»=s-=i:p=z:iz3— :^'r=^zi£Erzz==i-*'— "qiirEzizgziipzi— |— ipri^ 

!           Lift     up     your  hearts,                   lift      up  your     voice  !     Re     -     joice  !       a     -     g°'".  ^    I                ^""V'         ^^  "  J"'"^  ' 
^     Tasto.      T*!- •— P-    --- !»-T-?Zn' d~I IITP" 


.^_K_CC_p.fe« 


18  7       6      6 
.65      6    b 


3  *    a 


4, 


so. 


RHAFTSBURY.         H.  M. 


W.  Burney. 


183 


A     -     wake,  our         drowsy  souls.  And       burst  the  slothful  band  ;        The     wonders       of      this     day.        Our  noblest 


■4- 


iirspil 


656  65  ^  6        ■#  * 


6  56 

i 


u , m_    _jt ^ — P-^    -*■—    -I* ? -ffi_-^    - 


songs     de    -     mand.  Au    -    spi  -  cious         morn.  Thy     bliss    -    ful         rays.     Bright       seraphs  hail.     In       songs      of  praise. 


=l5^=ti!-:lEgSEH'" 


liiiillliiiiiliMiMi^iilliiPiii^li^illg 


6         8  1 

4        *- 


i     ' 


6         87 
4 


184 


80. 


WEYMOUTH.        H.  M. 


Harrison. 


^>~-^    Second  Treble.  Alto. 


Jesus,  our  great  High  Priest,     Hath  shed  his  blood  and  died  !    My    guil  -  ty         conscience         seeks 


No        ea  -  cri  -  fice     beside. 


6  .5  i"    4~        6      3     ~5  ^ 

Se  ~ 

^1 


<^-Q-^ — 


ift 


I  6 


I      ' 


Second  Treble 


Alto.   F. 


_,_,_,_,  _, ,   _   _    _•       Q_m_  m      pi ._ 


tsidJztztrfc 


His  precious  blood  did  once  atone,  And  now  he  pleads  before  the  throne — His  precious  blood   did  once  atone,  And     now  he  pleads  before  the  throne. 


~  "        ~  ~     "#6    7~  *     7-—'  5 T— —      *      7 

4,   -H 3  3  3  3     3      3 4 


•80. 


BETHESDA.         H.  M. 


Dr.  Green. 


185 


rf^zlbszqq 


Second  Treble. 


Lord       of      the      worlds     a     -     bove.       How        pleasant        and  how        fair.         The       dwellings        of      thy         love,     Thy  earthly 


5  64    :« 

4 


\\i 


temples         are  !         To  tliiae         aboJe,         My       heart     aspires.  With     wann  de 


sires.      To         see    my       God. 


Is 


mm^^^^i^mm^^^^^^^miL 


6  5  6 


H.  &,  U. 


»4 


i    '     ' 


DAJlWELL's.         H.  M. 


Rev.  Dr.  Darwell. 


186        r^z.  DAHWiii.i.'s.    _-"^^^^ ._  --j-3-j  — 1-T I I I— -pri 


'•^ -'^— d— i*^- 5—.  ~     l'    ,S    v,n     ,h,      Glorious"     morn!  Hark!      how     the      angels  sing,  "  To  you       a 


Awake!  awake!       a    -    rise.     And       hail     the      glorious         morn. 


.IWilliC  ;  a,Tiiiv*-    .  I*  •  -  ^_^ 1 I _j — -_ 


Ij  Taito.  ~6Z_ — I . T~~j ~jrZIjinilZIIIIl~;^^^^I^d^^^— • 

■^l  ^  *  4.3  ~ 


,^z=zpzzpzfz?=r^_j 


5J--~z?z|_:t:l_lz_zi-J_-b__l_-t::--t--±-tzzi_t:zl_n:„ti--C--pi-t--^  -u    ^         ^        ,^^ 


88. 


TRUMPET. 


H.  M. 


Handel. 


187 


4-^ 


Ye  boundless  realms  of  joy,  Exalt  your  Maker's  fame.  His  praise  your  songs  employ,  His  praise  your  songs  employ,       Above  the  starry  frame  :  A- 


'6    4.      V -'  4  ~       6*6        '    "e  66'  ~  6  5        7        3'  6     4.  '6' 


.^-^ H-.H- 


6  *6 
4. 
3 


6     4 
3 


iEgilliil^^siiiS^^ 


-fc^ 


-#.^ 


bore  the  starry  frame.  Your  voices  raise.  Ye  cherubim  And  seraphim.  To  sing  his  praise.  Your  voices  raise.  Ye  cherubim  And  seraphim.  To  siugliis  praise. 


zzz:B!^i*r9Ii:B:3I?--?:?:?:S£:El^^ 


/Ts     F. 

9. 


63      67  4.6  "  ^  ^  "'3     6—  6    36    34**  66  67 


6      6  6     7 

4. 


188 


go,  SABBATH.  7's.      6  lines.  •        From  the  German,  "  Freu  dich  sehr  o  meme  Seele." 


Safely      through  an      -     oth    -    or  week,     God     has   brought  us  on      our      way  ;     Let     us         now      a  blessing         seek, 


EfcSrz 


'  Bl^zW- 


^i^iiiiEi: 


za 

6    5 

4^  a 


6        8  7 
4, 


^i  Waiting  in  his  courts       to    -     day  ;      Day     of         all       the       week  the        best.        Emblem 


Q-^-P P- 


?=:r^— fc?r 


of       e     -      ter     -     Dal  rest. 


t^- 


l^'zlzziE- 


4-5  6     5 

6  3  6 


6  6 


6  65 


72. 


HOTUAM. 


Sevens. 


Dr.  Madan. 


189 


„ti J - S. ^ . [•  _jfc TE. ^ Ak C» .^ _ 


r^  •  '^         A 

;:fe:— rrzsz3ruj:=f:zpi;pzi:izz;ffiT!r:j::C:;*-P-i-=:si| 


:e:— ~zsz3ruJ:=czei;pzi:izz;ffiT!r:j::C::,'^zpzazz:*zs;s:iz^: 


~:?z-*z:czx:»Ts: 


-Ijz^zrL, 


Jesus,    lover       of  my   soul.     Let  me  to  thy     bosom  fly.      While  the  nearer     waters  roll.  While   the   tempest       still  is  high.   Hide  me,  0  my 

^    «_B^x T.i.s_^_«:t.^.T J-3-C-j — 1— I 9i-P , — fZ-i.p-' — :pxuz_[z._s 

S=i^EsE?£SffeE:pE#:FtE^E^SE3E^1riEf!EpHEpEi=3E|^ 


6      6     5         6      7     4  J 


4     6      5         6      7   4  3 

2  4 


6        6-43       fi5         6      636     63  6      7 

43  43  4  ♦tr 

3  " 


6      + 
3 


--^  ---^      2(1  Treble.  P. 

:b-z^z;5Zzpzizizizzzffzi?;T^rs-|ratz:sz--a-:gzi:zz:-::z:z:3zr,zi!^ 
z5zbzrzzfc}zy:dz±z^BiEzSttz£-x:z:&zi:tr:t=:t:ij33*3i:S?=:=^ 

Saviour,  hide.     Till  the  storm  of      life  is  past.     Safe     into       thy       hiven     guide,  O      receiTe,  O     receive,  0       receiya   my       soul  at  last. 


*^s: 


£ 


zeezifi 


i  J  3ti^s[«?zf:«  rL.[z-bi^=btirr±zr.L l-igzWza:J  kt 


5  6 5  8  7  653-6         6 

Si 3         3S43  tl- 


iM^^s^^^fMi'^'^^^^^^^i^l^^M^ 


4    tl 


rezazjL: 
■   tzr 


«z:pz: 


rs-^ii 


6 6  5 

43 


34      6 


^MEMm 


i  ' 


190 


iL    Tenor. 


11  ©-- 


PLEYEL's  HYMN. 


Fzt:Jtit:i-b=t 


Sevens. 


Pleyel. 


^ 


Second  Treble. 


:?:i:_:i 


d-'^-T-^~^-V-^-'i-&-& 


^ 


Children  of     the  heav'nly  King,    As  ye    journey     sweetly     sing  !   Sing  your  Saviour's  worthy  praise.  Glorious    in     his  works  and       ways  !   ■'■' i^ 

.p_.p:t.iz_p.i — i_p_f;.i4i_p.i.p — p_i — j_i_ip;.i i--a-i-©.J_p_:p.i-p_.p.i_(i_.i — i jj_ 


:Q:3rai-;i:fizr:i:2z:p:i:Q:jip=-:i:pzi:ti±:r§; 

6  6  *  6  7 

STONEFIELD.         L.  M.  &         * 


iaEl:IE3EipE3~EHi 


6  6 


;taniey. 


•9-ji©Jj- 


£^5^---- 


M"SXI-s 


e)i— e- 


t — -j-j- — ^--{Q-i-diQ-i 


Q:diH:d:, 


God  of  the  seas  !  thine  awful  voice  Bids  all  the  rolling  waves  rejoice  ;  And  one  soft  word  of      thy    command  Can  sink  them  silent        on    the  sancL 


ce  ;  And  one  soft  word  of      thy    command  Cai 


•P■^T-n' 


6     6         7 


6         6    6    6    7 

4  ♦ 


6         4,  6     666    7 


»88. 
Dolce. 


WALES. 


Sevens. 


Mozart. 


191 


^ 

« 


s^ 


^^^mm^^mmm^^mmmmmmmmi 


Liglit      of        life. 


laph    -    ic  fire, 


cv    -  ry 


■M^-= 


©--J^-id-® — ■*~t-i 


¥ 


_A 


i^n:^^— E^rzfrizi 


fainting  soul      inspire  !  Love     divine,         thyself         impart, 


ez±:=; 


6  — 

5  — 


trs— .-0- 


6  — 
5 


6         '— " 


4> 


6  6         6  ^• 

**  5 


•^2         6 


cr 


z=d=iiri;a=llii§i=p?P^=?p5 


— g~Trgz-^~*'~T'S'~T^'i — r — r~ '~l "   -j"^zz~"" "■■^-"^--;  ^ * 


Shine    in  ev'ry  drooping  heart  ! 

-A- 1_ 


,— ,-r_ »_»_, 


5~s-Te- 


Light    of        life,     se     -     raph  -  is        fire,  Ev'ry  fainting  soul     inspire  ' 


t  76       £  t~  i  '    '  7"        5  -    -fi        _  "  6_.       3-        6        ~-~    '6         7'    ^       ■     ^- 


192 


I 


72. 


TURIN.         Sevens. 


Giardini. 


I  ^  ~         si     of  ~    God'   thy       '     blessins_^    grant"  Still       supply         my         jv^         want  !  Tree    of        lifo.  thine       influe^      shed^ 

{z^S^t^titi^^f^i-^-^^^  -----  ~—f  =r-~r  =^-65-  ~ 


I 


*  6         5  4  3 


^       wiih    th7     «p     my  Tpirit     ~    fled!        "    Tree  of         life^thin,    jnaoenc*      ^*hed,  ^     Withjhy^    JIL."!!    —J!!!!!,-    —-—       - 

•^ 6— -^-F-a        "-6  I  -^      •  6  6         7  *3  6  6  |         7 


r^ 


Pleyel.  193 


m 


Sov'rcign  Ruler,  Lord    of  all,  Prostrate  at  thy  feet     I       fall  ;        Hear,    O  hear,  mj'  ardent       cry  ;      Frown  not,     lest    I      faint    and  die  ! 

!=5=pi!i^|t^E»p  E||:  EEt  £=i|:iE:ir|r  if  Jz^Ejp  z'  |  •=£:?=:  3=|3EpEpEid=SiE?§=f  fl 

665  ^6  '~  64.  6657  54*5         "''h657  6  ~  6     "6    T 

43  1  J  4J-  2^5  i     4,    ■#■—  5  4, 


194 


72. 


ALCESTEU.         Sevens. 


MmMlMBWMM^mW^MMMWmmm^iW 


MM 


^- 


iii|iiiSiiiiiiiiiiiiiii§ii^iii;Sii 

When      my     Saviour,  shall     I     be,       Per  -  feet  -  ly  resign'd     to    thee.     Poor    and      vile  in  my  own    eyes.     On  -  ly         in      thy  wisdom  wise. 


:•-  2r--»  —--»B^  iJp-a 


55         56         66  687 

IS  4.        3  •«•  4  b  - 


6       4.4.3      65  6         6         675         64365      65 

3  4.  i  4>  4  3 


6  6    87 

5  4 


SICILIAN  HYMN^.         7,  or  8  &  7. 


JT¥^u^ 


Come   thou  Fount  of  ev'ry      blessing.     Tune  my  heart  to  sing  thy  grace  !   Streams  of  mercy,       never         ceasing.    Call  for  songs  of     loudest  praise. 
— -^^-tl-t— P-Itltt-P— y----3IP^P-It-Lpip-iI-3 -^V-—— ^-' *— '-*-- ^"^  8  7   6  5     6  5    6  6    87    ^ 


5     6       5 
3    4       3 


5     6         5         — 
3    4         3- 


6    Sfi    3  5      6    8 
4  4   tl 

3 


87   65     65    6 

3  4  4  3     4  3  4 


60. 

Aodantino. 


BENEVENTO. 


Sevens. 


Webbe. 


195 


-F--  »—n— ■-»—»— »- 


-.._^_fra:.,_-p: 


p;?=2 


-S-V-  -  ~  -i     -^—t-lFt~^^ 


While,  with  ceaseless  course,  the  sun,  Hasted  round  the       former  year.        Many  souls  their     race  hare  run.       Never      more  to  meet  us  here. 


7        6       3 
3        4,       i 


6 J.  6*6 

4, 2  2 


5        6 

4, 
3 


5        3 


tZQzgz: 


Fix'd  in    an     e    -     ter  -  nal  state,  They  have  done  with  all     below  ;         We     a       little  longer    wait,       But  how         little  none  can       know. 


^iztz'd 


!r3z?s2:^zizi 


ESESEEferfEiElEE 


i 


i  % 


6      —      4 
4      —      3 


6       4       6 
2 


5      3  7      3 


196 


^.80. 

.L,ii-go. 


VENICE. 


Sevens. 


Handel. 


,g|||||pj: 


7  5 


Ho  -  ly          Father,       God     of            love,                       I^ook       wijli           mercy        from          above  !  Let     thy  streams  of  comfort         roll, 

^~                                      T        T'    ~6  7         (T?          '  ~           3        "^         3       '  *^     ^     *' 

Pia.  ^ — N 

Let  them         fill  and            cheer          my  soul  ! 

Pia.  ^— V 

Let       them             fill         ant"             cheer  my             so'il  !                    Let  them           fill     -     -     -     -  and           cheer           my  soul  ! 

Pia. 

"                                                                        ' —             -e-              P'''-' ^  ^i=r^i  _ 

~*#                              6                *63                  65                   6                         Let  them         fill  and             cheer     my  soui  . 

**                                               5      6              6--  *6 3 


VENICE. 


Continued. 


197 


Tutu. 


=^gy-;*-fg-P-fgEF|E^EiE£[!ig^Efp= 


Ho  -  ly       Father,    God      of         love. 


Look  with       mercy       from       a 


bove. 


Look  with       mercy     from       a  -  bove  ! 


Tutti. 


7         5 


7         5  6  7       8  7 

5 


3 6         0  6  7 

3      3      3  4 


»80. 


WORTHING. 


8's  &  7's. 


Scliels 


33:|JSS 


Glorious  things  of  thee  are    spoken,       Zion,      City       of    our    God  ;     He  whose  word  cannot  be     broken,  Form'd  thee    for  his  own      abode. 

iiiiiiiigiiiiiiiiiPiiiiiiiiiiiiEiiiiii 


-_» ,_., 


4.        6  .i  6  7  S        6      3 

3  3X5  3        5 


56    7         4r3       87      65         6     6  66     6      5—         6      —         5        6        6     57        43 

34  6543*  4      3-  4, 


198 


SO. 


NUREMBURG.  7's.  From  the  German,  "  Leibsler  Jesu  wird  sind  hier." 


Lord !   we  come  before  thee    now,    At  thy     feet  we      humbly     bow  ;     O  !     do      not  our      suit  disdain  ;     Shall  we  seek  thee,  Lord     in      vain  ? 
__  —    — — 1        — —    -        -    — —  ""^oOOO  .     . 


'■  liPliiiliiilliEiiii 


I 


66. 


6  6  6 

ALSEN.         7,  or  8  &  7. 


6  5       '®'  "       "e"     '     5  6      *"         '    ""         e"    '  '    '         6  5~    "'®~    .. 

87  87 


F.  L.  Abel. 


Largo 


3e 


^z^lSiizil°zm^ 


§Eiiii§iyiEii5^ii^Eit|iii^ 


Sov'reign  Ruler  of  the    skies.         Ever     gracious,     ever       wise,     All  my  times  are         in         thy       hand.     All      events  at     thy    command. 


S3£gEa 


--© 


iSiiiiiiimiiiiiiiiiiiSlggiiPiiiiiii 


65  6  S        7665  6       6       87 

6  4.3       5-  4, 


674.         6535^5  5  6  *rt         6        6    87 

4.  2  4,3  6  ^5  * 


76. 


LINCOLN.         Sevens. 


*^  £-tS:S-s-sIg-F-r  Tn= 


Dr.  Boyce. 

rqimizzzpi  5Z»;d;zi;:d:zr  zr; 


199 


t#±^: 


E.f!LZ~ipz§¥-^--izEz^^^ 


Morning  breaks  upon     the  tomb,     Jesus     dissipates     its  gloom  !   Day  of  triumph  through  the  skies — See,  the  glorious  Saviour  rise  ! 


^;s|-:g=gEH|g=5j.:=: 


— :?£:Sit=Elt=E:±Ezg=Jzb=tlE-t±tEEJ:§;3iEEEi:z=i^E^t§;JrE^ 


, „.^a-Q^ -, 


6       4        6        6     7 
3 


6     6      6     5  6 


6     7  6  6 


6       8  7 
■I* 


SOUTHFIELD.         S.  M. 


Great  is      the     Lord  our  God,      And      l«t     his     praise  be  great  ;   He  makes  the  churches     his        abode,  His  most      delightful       seat. 


rs:£:i£z: 


~        ~  ~    'r.      '7  ~     "e'      6~'7      "  ~        '     ~      "    '  "'T56  6'6667'         '       ^ 

4,  4.       1^  4. 


200 


Lr\i-iro  Affettuoso. 


AUSTRIA.         7,  or  8  &  7. 


JNfozart. 


t/  ~  ~  ' 


:^—^ 


O'er     the       hills     I       lift     miae  eye8,         To     those     hills      beyond      the         sWics  !     Thence  my      soul    her  help      de       -        rives, 


in 


■  '  "    ~5         ?~3      71  ~6i-~     ~6  ~    ~5~    *         65ri  65  6  3  6 

4,3—  3 —    3  o4i  -iJ 


6  3  6       4.376  65- 

4  3  — 


:z^zf: 


EEaaEsEe^EiEP^iEig 


E 


;SEBE 


There     my  ho 


Re  -   fu^e  lives. 


There       my 


ho      -      ly  Re  -  fuge  lives. 


irpEfiii^iiPjiiiiiiiiiiiiiiiiiiiriii.: 


l=z: 


Miiii^i^llilii^^liiiiii^Slili 


6  6 


fi  5  1", 

4  34 


7  6  7  6 5 

5  4 3 


5  80. 

Allejro. 


BATH  ABBEY.         7,  or  8  &  7. 


Milgrove. 


201 


IliiiiiPisiPgiiliigliiiiiiigliliiiii 

High     in    yonder  realms  of  light,      Far    above  these      lower      skies,      Fair  and  ex  -  quis  -  ite  -  ly    bright,  Heav'n's  unfading       mansions  rise. 

4  3         6     7      —3  4.6  6^65  6567— "s  *ii    6*6~7?'    '  &~' 7 

45  35  43  43  444^ 

■^iilii^iiiiiiiiiiiiiiiiiiiiigiiiiSE^^Iiii^ 


J  >  J 


1        I 

■•-  -e- 


Built    of    pure  and      massy       gold.  Strong  and     du  -  ra    -    ble     are  they  ;  Deck'd  with  gems  of  worth  untold,         Subjected         to        no  decay. 


?iiiifmiliS 


4     6     6       6         43       7      43 
H.  &  H. 


6       563  676       5 

4       3     6  4     5  4       3 


65  6      67-3  66      66 

4# 


5    7 

4    tr 


26 


202 


NORWICH. 


Sevens. 


L.  Mason. 


iiiiilliE^ii§3iSiiiiiMiiiillllil:iiiiiJ^ 

1      Gently  slides  the  stream  of      life,       Oft     along         the     flow'ry    vale  ;    Or    impeluouf     down  tht;     cliff,      Ru-^hmg  roars  when  storms  assail. 

iiiiiiiiliiliiiliiiiilJill^^liSM^iiliaiilS 

2.     'Tis  an         ever  raried     flood.       Always      rolling        to    its     sea  ;  Slow,  or  quick,  or  mdd,  or     rude,     Tending     to       e    -    ter  -  ni  -  tj. 


6        6 

4      * 


6         6     7 

4 


6         *     6    6         6 

4.     * 


MESSINA. 


S-s  &  7's,  or  7's. 


L.  Kozelueh. 


Lovely  is  the  face  of  natnre,  Deck'd  with  spring's  unfolding  flow'rs,  While  the  sun  shows  ev'ry  feature.  Smiling  thro'  descending     show'rs. 

ey  -©-©-  —  — 


6     5 

4     3        5 


80. 
Allegretto  Maestoso. 


WESTBOROUGH.         8  &  7,  or  8,  7  &  4. 


irfe?E5£i5S;e 


Haydn. 


203 


-#- 


^ Mi,My^     God,    E-ter-nal         F.^her,  No,,  we         glo    -   ri    -    fy      thy     uame ;  Lord    of  all      ere  -  at  -  ed' 


^  5  '  I  '  6        25  6~"  76 

*  3-4  4. 


nature, 


'ure, 

4 
3 


ir^z^rdzz: 


=5z^^Mi:iif-f-^r^zr-P-,-r-rz^,T:P- 


?±ifijz 


— r-P- 


^zzr^^P^ilrrzi^zz^Iz^zIE-FEpF-^^l+EzE™  zz3--zz^zJ-zE— -^*— -•■©  *~r  B—B~ 

zzzzz=tztztz^zzEzz-lEE53EEEE^EfiEEEfe5EitE£El4^f*^ 

S;i3Ed3|z«zzi^3zr3zf-EiElz^zz^zizcE5--3--^-p- 


6 

* 


6-56  6         7 

3  4  4 


201 


» 80.  ROTTERDAM.        7's.        From  the  German,  "  Wir  glaubea  all'  aa  eiaea  Gott." 

Morning  breaks  upon         the  tomb,      Jesus         dissipates       the  gloom !  Day  of    triumph  thro'   the  skies— See,  the     glorious     Saviour  rise  !       ^    j 


© 


ll^g^El ^„ 


b5 


6        8  7 
5 


fi       87 
5 


72. 


REUBENS.         8  &  7. 


7 

tj 


e         6       65 

4.tr 


6         4, 
3 


fi         87 
5 


Paesiello. 


Dolce  e  Sostennto. 


1.    When  (hp  winter's     tempest  lowers.   O'er  a  bleak  anO  cloudy  sky,  Nature's  lading       fruits  and      flowers^     Hang  their  drooping  heads  and  die.      ^ 

fi     fi 

2.      So  niv      bosom     comforts  languish.  Like  a         lily     over-blown,   And  my  heart    is  fill'd     with         anguish,     When  1         see     my  Saviour  frown. 

7  f,    r,       T  6    6       I.    b  f  '^          ^         ^        1     ^ 


HELMSLEY. 


8,  7  &  4. 


Dr.  Madao. 


205 


Lo  !  be  comes  with  clouds,  de       -       scend     •     iiig,         Once      for  favour'd  sin      -      ners         slain, 


-^==iii 


Thousand, 


thousand 


saints 


at      -      tend      -      ing.         Swell      the  triumph  of  his  train.— 


':^^^E:'^~m^^z^Ez^^l^'^E3r^=^ 


8     7 
3     5 


6  8—6—5 


6     3  5  5 

5  is 


rrA5-^zq-5-^ 


?^?=q^=|^525^i|=g5=25=d5zd^i=dTq^d-^^ 


Tutli.  F. 


Hal      -      le      -     111  -  jah  !         Hal     -     le      -     lu    -    jah !         Hal      -      le      -      lu    -   jah  :           Je  -  siis       now    shall            ever         rsign. 
S  ■-=>  -  -  -    ^  ^^^^^  Tutti.  F.  


34. 


206 


72. 


«T#S-^H^.: 


ANGOLA. 


5eve!is. 


Hitnmel. 


--'--•  y--'  ■   -      yf^ 


Kl.e.   le  faints,  to  nrais^■  vniir  fflno-  c    111  „„„r  .,„„»t„.t    .,.o,.~     ...;.„       T.-l_         _,    TT     "^  '^'•*~.V~"    ""'  ' ""    *~         ~ 


.V"^  ^a'n<Mo  praise  your  King!   All  your  sweetest   pisiioi,.   raise,      Holy       pleasure  while  you     sing,  BienJing"  wiili  your  notes  of'jTaise  ! 

■^4'0  '7*'  ^^'^ 


2 

*72 

Maestoso. 


4.  5 

GANGES 


4* 

8,  7,  or  8,  7  &  4. 


Beethoven. 


^,  ^ ^^'!'''  ""'  ^1"^'  ""*  "^f^'  <^'''=^'°^      Bountej,us  s^ou^rce  of  .v'"      joy  :    Praise  him  all  ye  works' of' naturlTT         Let'-hie  pr«i.e  our  tongues  employ  f 

«        I     I-         *  6  0    57  *6  6  6-^7       5     --  6*6      6     —        «      J*       ^ 

3  54 


76. 


CALVARY.        8  &  7,  or  8,  7  &  4. 


,/j_ . _^  "'  ">•«--'•  otanley.  207 


zizBzfR 


Hark  :  the      voice    of      love     and  mercy,       Sounds    a    -    Icul  froni       Cal  -  va    -    rv  '         «ep  it         '       'T    Tl 

J _     _  •■    ^  . — ^  — ^  ■'  •         '^'^'=1         "         rends      the       rocks 

, .  "^i_ , ._ _''"7^ 


'-P-n 


f  J  =ai-  5:}z©— SzffLsi- 


t>  5  -i  3 


PjL_ 


Shakes      the     earth     and       veils     the       sky  !     "  1 


t       is  finish'd  !"     "  It     is 

f7\ 


i-l — 1 — : — '_  I 
finifhVI  !"         Hear       the       dying 


^ 4.  4,     *—  §  5      ~  fi  5       *         ~  ~  4,'    ~fi        '  o  — ;^~- 


sun-der, 

ill 
1 


cry. 

zd: 


4.         6 
«Z         4, 


1=11 


208 

r 
I 


DANBURY.        C.  M. 


Awake    ye     saints,     and      raise  your  eyes.  And  raise  your     voices  high  ;  Awake,  and  praise  that  sov'reign  love,  That  shows  sal  -  va  -  tion  nigh. 


LITCHFIELD.         C.  M. 


Ye  hearts  with  youthful  vigour  warm,  In  smiling  crowds  draw  near;  And  turn  from        ev'ry  mortal  charm,     A         Saviour's  voice  to  hear. 

t-    t      I      ^      6*^67  667  66^6      56  6  67  j 


•■  75 
Uolce. 


SMYRNA. 


Mozart. 


209 


8  &  7,  or  8,  7  &  4. 

fSffilSiiiiiliiiiiliiliiiiiiiililllii 


Gently,  Lord,  oh  gently     lead  us,     Thro'  this      lnwly  vale  of      tears-:  And,  O  Lord,  in  mercy       give    us,        Thy  rich    grace     in  all  our  fears  ! 

64.  6  56fiS636 6743  6*  6  6675&66  5667 

35  4.3  4.5 4  5  4.  ^4  4. 

^rz-z-:p?:»2-z-i-?z!* j£~f .i??^Eri:Prj?:i:p;jr— z— :izzz— Z-— -II  -z-:ji-—  pzizfTi^  p:-*:i.&i:?- 

Oh  !  refresh  us  with  thy  blessing:  Oh  !     re  -  fresh     us  with  thy  grace — Oh  !    re  -  fresh  us — Oh  !    re  -  fresh  us —  Oh  !     re  -  fresh     us  with  ihy  grace. 


6  6 

5 

H.  &  H. 


6     5^6  t;    87 

*  4.*,- 

27 


—  6      5 

4      3 


5—  6      6      6      7 

4. 


210  S  72. 

Atfettuoso 


WILNA.         8,  1,  or  8,  7  &  4.  Monsigni. 


Lord,     in         mei  -  cy,         oh  !    pro  -  tect     us  !     Keep,  oh  !      keep    us       thro'     the       day  !     Thou     a   -    lone  can»t      on  •  ly         save     us  ;       ; 


6—     6 
5 


5  6  6         7 

4 


7  6       "  fi 4.  6 

5  *      5  4 2 


Un  -  to         tliee       we        sin'    and       pray.     Lord,  in         mer  -  cy,        oh  !     pro  -  tect     us  !      Keep,  oh  1     keep     us         thro'     tlie  day  ! 


6        6  6  7  6 5 

4 3 


7      7  6 
5 


6  6  7 

3  4 


I 

Moderate. 


211 


GREECE.         8  &  7,  or  8,  7  &  4. 


Lord,     dismiss        us  with    thy     blessing,        Fill    our    hearts     with    joy     and    peace  I       Let    us,       each  thy     love  pos   -    sess  -  ing, 

"^ir'-. _  _     a ,  _     .    _        _ m. Q_  ^~^  ^^. 


6         5  6 
4, 

3 


4> 


4  6 

2 


6    4, 
3 


I  ^fe         ■ 


Triumph         in         re-deein-ing       grace.  Oh  !     re    -    fresh  us!       Oh  I     re  -  fresh     us!         Trav'ling      thro'  this       wil  -  der  -  ness  ! 


6         6 


7 


5  6 
4 

2 


6  6 


212  5  66. 

Largo  Cantabile.e  Sostenuto 


AUTUMN.        8  &  7. 


Viotti. 


Largo  Cantabile.e  Sostenuto.  ^  -        ^     ^      j a i |..,_i— ■■ — i, kt-* — m ■-»— -(••T** iH-fd'li'T"®-"! 


See  the  leaves    around  u.      falling,  Dry  and  wither'd  to  the  ground  !  Thus  to  thoughtless  morUls  calling,        In     a      sad     and     solemn  sound- 
fiS                     6  66666687  1      %  4, 


6  5 

4>  3 


5  * 


«  Sons  of        A*al,    (once  in       Eden,  "  When  like  us,  he  blighted  fell,)  "  Hear  the  lecture  we   are  reading,         "  'Tis,    a  -  la,  !  the     truth  we   tell  !" 

j^E^zpz£zJz^zez|a^^i|iT3zJz^z3=5^r3f  ,3  '4 1^^ _-^-EJ  EiE:±t~i-fc*-B  ==^-f fffi  --i:f^-i^ii- 


80. 


AMSTERDAM.        7  &  6. 


Dr.  Narcs. 


213 


^^zlE3Ej|=iEprpEpzpEprKEg:3i=gf^ 


Rise,  my     soul,  stretch  out     thy  wings,  Thy      better         portion     trace  ;  Rise  from     tran  -  si   -   to    -   ry  things,  tow'rds  heav'n  thy  native     place. 


4       6 

3 


6       5  6       3 
3 


4       6         3  6 
3  4. 

3 


2d  Treble.  P.  Alto.  m  ^-  ^ 

iBtiSiiiiiiiliiilliyiiiiiiililffcili 

Sun     and  moon  and      stars    decay.     Time  shall  soon    this    earth      remove  ;  Rise,  my    soul,  and  ha=te     away.        To     seats     prepar'd        above. 


6  4^ 


4     6  6  6  6         7 

3  4> 


214         5  72, 


Andante  e  dolce. 


TRIVOLI.         8  &  7,  or  8,  7  &  4,  Pleyel. 

iililiiiiiiili^liiililiiiiPteiiiiiiil 

See  from        Zion's        sacred  fountain,  Streams  of  liv    -    ing  water  flnw  !  God  has        open'd     there    a  fountain, 


5  5       67        3        57        36  687         587  5  6t;  6         7  -3 

*3       4.  4.  *-  5  *  — 


6567        3       57       36  687 

43     4.  4 


IL 


Blessed,  Blesfed, 

_,  _  P.  Solo.  Tutli.  Solo.  Tulli.  P.  Solo. 

This      sup  -  plies        the         plains  be      -       low.  They     are  blessed —  They     are         bles"d,  Who     its         sovereign 

^  ~  Blessed,  Blessed, 

P.  Solo.  Tutti.  Solo.  Tutli.         P.  Solo. 


ii?  5         66  67  — 3 

5  4,        5  - 


Blessed, 


6 V 

4, 5 


TRIVOLI.        Continued. 


215 


^  -^ — ^  Tulti.  F. 

virtue  know.  They     are  blessed —  They  are  blessed,        Who     its  sov'reign  virtue  know. 


Tutti.  F. 


fi       7  6 5 

4.      5  4 


'  ~  fi       7  6 5  fi5  67  3  5736  687  587.5  b6  6  7 3     ~ 


57       36  6        87  5        87 


-#-ft 


4.3  4. 

CONCORD.         8's  &  7's,  or  7's. 


6  7 3 

4,  5 


-*^.^-r- 


Praise  the  Lord,  the  great  Creator,     Bounteous  source  of  ev'ry      joy  :  Praise  him  all  ye    works  of  nature  :    Let     his  praise  our  tongues  employ  1 


' 9- 


_        _   _   .  .  ^-^^     ^     ^     ^_^.  .^_^.      -   -         ~*  — "  '   ~  '  'i^~-.'     ~     ~  "  "e"    4      '   6    7  "  *        "" 


^     %       2  ' 


T  AM  WORTH.        8,  7  &  4.  Lockhart. 

,_3_t-, i-C—t-, »_T — g  j_i__|3_  J  j__^_i — |_„t_  1 i_j_ — Iff  ■»  L  J — I — — -•— "-to J-a-^-l —  u— •• -"-c: 


216        5  80. 

Andante. 


Guide  me,     O  thou  great  Jehovah,      Pilgrim  thro'  this  barren      land  ! 


5  72. 


6     ^  6    8  7  ^7 

EDYFIELD.  *      Sevens. 


C.  L.  Latrobe. 


Lord  !    fuhniissive         make    us      go,       Gladly  leaving       all      below  ;         Only     Thou    our     leader      be,      And  we  still  will    follow     Thee. 


1 


8  7  ^6 

4t 


4>         (i     6         fi      7 

3  4> 


80. 


EDENTON.        H.  M. 


2l7 


::ta=n5: 


lundless     realms      of        'jny.  Exalt  joiir         Maker's  fame,      His      praise  jour     songs     employ.  A  -  bove     Ihe 


£-b3i 


~C3 


6     4. 

3 


6         6  6  65 

4,  4,3 


7     6         5 

ti   *      tr 


4.         6        5  6 

tr 


rri?:"fc- 


P_.p_-r-P_:Q"--p-P Q T e - 


starry  frame.         Your  voices  raise,   Ye  cher  -  u      -      biin  Anil        ser  -  a   -   pliim,   To        sing        his  praise. 


6         7 


4,  6 

3 


5^6 


H.  &  H. 


28 


3 


6  65 

43 


218 


Florio. 


f 


WICKLOW.         8  &  7,  or  8,  7  &  4. 

Solo.  ^^ — ^     ^ — ^      j"^"''_  _  ^7~r^.._  ^r2r«_     (2 ^"'!i _ 

When       the       vale       of        rfpath      ap  -  pear?,  (Faint  and       cold     this  mor   -    tal       clay,)  Kind  Fore-runner,  sooth  my    fears, 


Largo  F.xpressivo. 


Tutti. 


Solo. 


»i  JziEE"^El:g-"riilEE"  ~i  g:-zf  rfe  ?=^rf 

Organ. 


Voice.         7  65     7  6  8  7 


Organ. 


^ V  TaVj.  F.  Ip|»- 

Ijglit  me  thro'^the  dark^oioF      wiy  !  Lmht       me  li.ro''  the  durk'onie       way!  Brei-St       the     sharlows,       brf.ik     the         .shadows, 


Tutli.  F. 


I        I J_ _        _  I '_ -1    _      '_  ' S^lft*-    -''^ -''^- 


Voice.  6 


I 


) r 


WICKLOVV.         Continued 


219 


=WMM 


i»-»- 


U<h     -     er 


fer    -     nal  day. 


__^ _3_;s;j  5;__^ 

e"'^  6  5     3^    fi"    7  ^  6  7  -«-  ^      -3-  —        —        - 

3  5  4.  * 

,•■84.  GOSHEN.         Eights. 


Ye  angelp,  who  slatid  round  the  throne,  And  view  my  ImmanuePs  face,  In  rapturous  songs  make  liim  known.  Tune  all  jour  soft  harp?  to  his  praise.    . 
64,  64.  576  64.  65  04.  6     —     87      -5         6  6  66687 


6     5      -i 


220 


84. 


Harwood. 


WANWORTH.        Eiglits. 


My   gracious  Redeemer      I     love,  His     pr<iisee  aloud     I'll  proclaim.     And  join  with  the  armies  above.        To  shout  his        a  -  dor  -  a  -  ble  name. 


5  84. 

C  Second  Treble.     Graaioso. 


6     4    6     4 

2  3 

SPRING. 


6 
5- 


Eights. 


5  6    5     4      6 

34    3     i5 

Thos.  Clark. 


6    87 
4 


!  pggfi'3i±3i«rg :. iji^rirt^ t^^^iEriiJl ^73^5 jli*zi •xizil^^ 


1.  The     w'rll^r    is  ovi;r  and  pone  :  Thfi  thrush  whistle?  sweet  on  the  sprajr,  The  turtle  breathes  forth  her  foft  moan,  The  lark  mounts  and  warble,  away. 


2.  Shall        etery         creature  around,     Their  voices      in     concert  unite.      And    I,  the  most  favour'd,  be  r.iind,  In  praisinc  to     take  less     delight. 


5      5     3 
3     4 
2 


*    6        66       6      7      5 


t 


65         6         6 

4  3 


6    87  65 
4    6543 


S.  Awake,  then,  my  harp  and  ray  Inte !     Sweet  organs  your  notes  soflly  swell  1     No  longer  my  lips  shall  be  mute,     The  Saviour's  high  praises  to  telli 
4.  His  love  in  my  heart  shed  abroad,    My  graces  shall  bloom  as  the  spring ;     This  temple,  his  Spirit's  abode,     My  joy,  as  my  duty,  to  sing. 


66. 


221 


SAVANNAH.         Tens.  Pleyel. 


iiiyiiiiiiiiiiiiiiiiiiii=iiii|iiE^gifii 


From        Jesse's        root,     behold        a        branch  a    -    rise, 


Whose      sacred         flow'r  with  fragrance       fills        the  skies  : 


6  ~       3       -■ ~    ~  "  4.  6  ~        5      8  7 


_      _  ____       _:£'    'B' -        _       _  _   _"*    _Q_  ^r^_        


The       sick  and     wsak,  Ibe       Ijealin;         plant  shall       aid, 


Tronj     storms  a  shelter,      and   from      Iieat         a  shade. 


e-^-pL_ft 


S- ,-0_ 


6  6~  ~    '  ■fe6~       «'  ~  *         "e  "^ ~  8  7 


3 


222 


80. 


i  ^S^3E; 


EASTER  HYJMN. 


Sevens. 


Dr.  Worgan. 


'.zz-i—a: 


:ilq 


X 


~S'4 


ili=i^iMiii^ii!lliiliiifiiPig§iif!lliilMl 


Chri«t  our  Lord  is  ris'ii  to  -  day,       HA 


le    -    lu    -   jah,    Sons  of  ojen  and       angels         say,      Hal 


-     le'  -     la     -    jah, 


W ^-3-"^ — d^--  ------cf::^  •:_gLg-i^-  -i:d-g-ip3-g — i: :i®r*i*_id_ilS^?_^^T^ 


46         56  6       687 

3  4  4 

3 


6  5  6 
4 
3 


65  46         56  6        687 

4  3  3  4  4 

3 


Rai?e  your  songs  and  triumphs  hi^h,  Hal 


le    -    111    -   jrth,     Sinf;,  ye  heav'ns,  and  earth  reply,         Hal    -    -     - 


ie  -  III     -     -    jah. 


iliiiiiiiSlii^Pliiiiilililt^iii^ 


—     6      4 
3 


*6     6      5*6 
4  4 

3  3 


4         6 
2 


6  5         6   4         6  4   6     6         6    5  7 

43  3  2  4 


n  Dolce 


PORTUGUESE  HYMN.         Elevens.  ^  223 

The      Lord  ii  our     shephenl,  our  guardian,  and     gniile,         What-ev-er  we       want     he  will     kindly     provide,  To         sheep  of    his 


B#^^9r- 


^  '^        ?§           '^           55            ^          -?**        3*6      63            f.      7-                                  ^6*3 
*3                        4  3                4          —                             *                          4     ■#•   —                                                          3 

^  Solo.  p.                                       Tulii.  F. 

pasture  his        mercies  abound,  His      care  and  prolectinn.  His  care  ai.d  protection,         His     care  and     protection  liis     flock  will  surround. 

^  Solo.  p.                                              if                 9*                      f^     .j.^^lj    j,,_ 

6     3^    —                   6     6  """           "               ~                                                                "                            4."    6  *6       3*    6      6          6      7 

t^  1                           A.               ^                 ti                A. 


224         g  84. 

Affpttuoao. 


HAMILTON. 


10  &  11. 


ia^sjiiiii^iiiijsiiiisiiiiii 


The  day    13       far  spent,  the         ev'ning      is  nigb,       When         we     must    lay  down  the  body        and         die. 


7  65 
5** 


87  665  76587  "5§ 

65  4*  5**  65  *♦ 


E|||ppp|p|5|^P^=3E3=J=3:5E|3li§i^^ 


spirit         prepare. 


Great      God,     we     tur    -    reft-der    our        dust  to    thy  care ;  But,        oh  !       for        the         summons    our 


^ *-- — •T--r-*zh — '---tzl-t-t^--l---P — J — t — •'■-£?"« i^'ioT  'ss6"3~5  6~  ~6      'e     8  7     "^ 


6        5  65 


65  5     -       87  14 


#6"    6*6    sa*         5^6     356  6  6       87 

4  4  2-  *  * 


66. 


WALWORTH. 


10  &  11. 


225 


Dr.  Wainwright. 

flliiaiiiiii^iiiiiailigiiiiiilB 


Behold  !  the  Judge  descends,  bis  guards  are  nigh  :  Tempest  and  &re  attend  him  down  the  sky.  Heav'n,  earth,  and  hell  draw  near ;  let  all  things  come, 


4        6  4     6 

3  6 


6  466  6  657 

3  5  4        3- 


6  #6 
4 
3 


6  8  7  6  5 

5  6  5  4* 


To  hear  his      justice  and  the  sinner's  doom  I  "  But  gather  first  mj  saints,"  (the  Judge  commands,)  "  Bring  them,  ye  angels,  from  their  distant  lands  1" 

Piiiliii^iigiiiiiiiiipiiiiglPililO 


♦         #6  6*6  6  6  87 

4  4  5  4         #- 

H.  &  H.  29 


6         4  6  *6 

4 

a 


6  *        6     6  6  6       5,7 

4       3- 


226 


66. 


MONTAGUE. 


10  &  11. 


Not  to  our     names,  thou       only    just  and     true,      Not  to  our     worthless  names  is    glory     due  ;  Thy  pow'r  and  grace,  thy  trulh  and  justice  claim, 

!  ^?Mi  —p^EiEd—  iE±Epi^z«E*£irEE4EEitir;J-a^^':|ERrui3r«^  lE  -r[--|JE--H~p-"P~.-p-?E|:Ej 

_|  ~    ~7~  -    -    -    -     -h—  ^  -    —  ^    ^  —        -  - 

3*4. 

Immortal        honours      to  thy  sovereign  name.  Shine  thro'  the  earth  from  heav'n  thy  blest  abode,  Nor  let  the  heathen  say,  "  Where  is  your  God  V 


5 6    —  4. 

•J, 3 


6      7     6     5 

5  4     ^3 


6 5  6 

4* 
3 


6    6     7 

4     * 


66         *  66        687 

3  4  4 


88. 


SUFFOLK.        8,  7  &  4. 


227 


rr^f-: 


Lo  :     he     comej,  with    clouds  de  -  scend  -  in;,     Once    for         fairour'd  sinners         slain  j     Thousand,     thousand      saints    at  -    tend-ing, 


^ _  _d.^_fl_d  ,_p._ 


-.^ziz^~-jpz-r-B.-?.ix-- 


-~P-T-P-*S-T-Q-»-r,— d-,-d 


zil~ 


6       87 

5      *- 


Swell     the  triumph  of      his 


train.      Hal  -  le     -     lu  -  iah  !      Hal    -    le     -      lu    -    jah  .'     God     ap    -    pears  on       earth     to         reign. 

A- Q P-, 


ti    '  I 


6        87 

5       #— 


228        g  88. 

Maestoso. 


LYONS.        10  &  11. 


Uaydn. 


Oh  1    praise  ye    the      Lord,     prepare         a      new        song  !  And  let      all    his      saints    in  luii       coucerx  join  . 


6        — 


sr 


64. 


b     3       6         5 
4         3 


piiijiiiiJiiiiiiiiiEiii^iiiiii^iiiiiai 


iMii] 


bt=b-t=±:tii: 


With        voices        u    -    nit  -  ed,    the  anthem      pro  -  long,         And        show  forth  his  praises        in         mu  -  sic      di    -    vine. 


iEPiiSi 


.^mm=mm^mi=mwmw 


9       ^7      -        6  5-6 

ej      ^    -     *       3-4 

.4 


6       — 


6         6    3     6       7 
4 


88. 

,  Maestoso, 


St.  MICHAEL'S.        10  &  11. 


Handel. 


229 


a  Tiaesioso.  ^— v.  ^^~s 


s_?E^:P^ 


IIIeI 


Oh  !     praise  ye     the       Lord,     prepare        your       glad  voice,  His         praise    in      the       great     as    -   sem   -   bly         to  sing  ; 


:a;3:Jz?=?=-- 


i^ 


6  ~  6"~5         6~5  7"  ~§     #6~  6  7 

4  * 


H-zf-^id: 


S^sp:i=§zsp^ii=p5pi^izpz:p:=?i^i;i;8.z^ 

jnice.       And     heirs     of      sal      -      va  -  tion      be         glad     in     their        King ! 


In      their  great    Cre      -      a  -  tor      let  all  men     re 


iii^ii 


4h  *fiG  6"~6-*6  ""e"    "  4.  "  6  5  7 


230  TOLLAND.        C.  M. 


Reginald  Spofforth. 


I      sing  the     mighty     pow'r    of     God,       That  made  the  mountains  rise,     That  spread  the  flowing     seas  ahroad.         And  built  the     lofty   skies. 


— ^.p- 


iliiieiiiiiiiiiiiiiilgiiiSi 


3       3       3   3     3    3       3 


6        6     7 
4 


6  -  -56  - 
4.  — 
3  - 


6        6     7 


^:hzzzfLi-^z^^:pz:m:x:zZe.T-:\z7J.!LrMz^:iJ^ 


I      sing  the    wisdom     that  ordainM         The    sun  to     rule  the    day,       The  moon  shines  full  at    his  command,       And    all    the  stars    obey. 


«l=:^-irE:ttrE:i:t:E:±iE=E:t:b:Ji5-i:l:tizE:i:E£;i:!=:J:5fiE 

8-7-6-5  T.S.  765  6     5  667 


8    —        7       —        6    —        5 
6    -        5      -       *   -        3 


6         5 

5     4)         3 


588. 

Maestoso. 


St.  DENIS.        Eleve 


ns. 


Irish  Air. 


231 


r^:ii^--4-;=1-=;=::^=f=:1^i=!=-: 


#e4rj 


Alio  ad  lib. 


n 


__  -^'  "i"'!!"' :_"  ''^''''"2!z: """" "  '■'  '^^'^ '""'  ~  si^~^"^~^<^~  "gioT^"".!,:  ^aisrttris  i, . 

^-  J"y^'"__'-    -    J-"-       on     -     ceasin.       a      -      rise;    'a"    "    7„in~he~uir    cWus      thaT       "gladTers^he     ^S  ~ 


i^l0.:Et~j-^_ 


65 
65     43 


7  6      'f~ 
4-        3 


6    4     5e7  7"  ~ 

3         ^  * 


232 


92. 


BERMONDSEY.        6  &  4. 


Milgrove. 


fiipiiiililiMEliiMsiiiifiiiliSiiiiiii 

Glory   to     God  on  high    Let  earth  and  skies  reply,     Praise  ye  his  name  !       His  love  and   grace  adore,     Who  all  our     sorrows  bore  !  Smg  aloud, 

Tasto.  .ftJ-ltlft.  .^    ^  ^  •'£   ft-      - i- ,-_ .-^ Sll°'- • 

3_[^_l -I -"-^-hlZr-   —  565  6  6*3  87*66 

"  3  o       5 

i[|ililliiriii^iii&!iilifepiiiiM 


evermore,    Worthy  the  Lamb  !— Worthy  the    Lamb  !- 


Worthy  the      Lamb  I 


Sing  aloud,      evermore.        Worthy      the      Lamb  ! 
1  /^ 


_^  F.  Inst  '°!itf|*i.  -p^        jL"^ A 

^ ^Ts       6  6    r  "^ J-l— ^--1—  -f^sso^TfiJrasaasa      '^e  75       6      6     ^ 


I 


l\J.ie>(oso. 


ITALIAN  riYMN.         6  &  4. 


Giardiui 


233 


II 


Come,  thou  Almijhty  Kinj,  Help  us  thy  name  to  slug,  Help  ui  to  praise  I  Father  all  glorious,  O'er  all  victorious,  Come  and  reign  over  us,  Ancient  of  days  ' 

1  a«to. 


6      6     67 


6  4    6 

a  5 


16      6  6     5         6      6" 

4,  4,    :i  4 


»G6. 


GREENVILLE.        8  &  7,  or  8,  7  &  4. 


llslil 


L>.  C. 


Gently,  Lord,  oh  !  gently  lead  us.  Thro'  this  lowly     vale        of    tears  ;  And,  O  Lord,  in     mercy         gire     ns.     Thy  rich  grace  in     all     our     fears  I 

Frne. 


Oh  I  refresh  us — Oh  '.   refresh     us — Oh  I  refresh     us     with       thy    grace.  D.  C. 
_                                          iin-. 


H.  &  a. 


30 


234         I*  7'2. 


HINTOX.        Elevens. 


German  Air. 


I  f^-i 


lipiiffliiiliigillpiipii^aiiii 

The       Lord      is      our  shepherd,    our  guardian,     and      guide  :     What    -    ev  -    er      we         wanl,    he     will         kind   -   ly      provide, 


65  6 

43 


7 


6        6        7 
4> 


fr:9tg;il 


zrsziz*: 


:~i-i 


— • P— (• 


lt-»=»zi=. 


To         sheep     of      his  pas    -    ture     his  mercies        a  -  bound,     His       care    and     pro     -     tec  -  tioa     his         flock      will      surround. 

|Siii|lp^i3ei|i^prg:jiii|iiE#;iijii 


5«      J      _ 


7 


6        6        7 
4 


MISSIONARY  HYMN. 


L.  Masoo. 


235 


Second  Treble. 


'- '  '  *  ~  -•-"    -•-  ~  ~  Z^       -      —  —  - «i     ^    ^. 

1.  From     Greenland's    icy  mountains,  From        India's         coral  Etrand  ;  Where  Afric's      sunny     fountains  Roll  down  their    golden     sand  ; 
Treble.     Moderato. 

2.  What  though  the       spicy  breezes,     Blow      soft     o'er  Ceylon's  isle  ;  Though  ev'ry     prospect     pleases,  And      only       man      ii     Vile  ; 
Base. 


3.  Shall       Me,  whose  souls  are         lighted        By  wisdom     from     on  bijh.     Shall    wt    to  mea    benighted,     The  lamp  of      life      deny  ? 

4.  Waft,  WAFT  ye  winds,  his  story;      And       you,     ye       waters,  tall.      Till     like    a     sea     of      glory,      It  spreads  from  pole  to  pole; 


1.  Flora     many  an       ancient           river,       From  many  a         palmy  plain,     They  call     us      to      de  -  liver, — Their  land  from      error's    chain. 

2.  In        vain  with       lavish          kindness     The  gifts     of    God    are  strown ;  The      heathen    in     his  blmdntst  Bows  down  to    wood  and  slo.ie. 

3.  Salvation  !          O        salvation  !      The  joyful    sound  pro  -    claim.     Till     earth's  remotest        nation,  Has    learnt      Messiah's      name. 

4.  Tin      o'er    our  ransom'd        nature.    The  Lamb  for      sinners  elain,        Redeemer,    King,      Creator,        Returns      in      bliss    to      rei^-n. 


236 


f-  69. 


lovain: 


L.  M. 


German  Tune  ;  "  0  Jesu  Christ  meines  Lebens  ficht." 


\B-- 


■±-nzPiEipipz^imzB.in 


^^^iBtzbibztiizzz 


Thus  far  the  Lord  hath  led  me  on,  Thus  far  hi*  pow'r  prolongs  my  days;   And  tv'ry  ev'niiig  shall  make  known,  Some  fresh  memorial  of    his  grace. 

liiiiililiiiiiiiliiiiil 

56       fi    87  5^6     5  56    3S4.  6  87  57 


t¥ 


G       t 


69. 


BERLIN. 


6        6   5  6       fi    8  7 

5  4.  ti- 


L.  M. 


German  Tune  ;  "  Auf  Christenmensch,  auf — " 


k<?4fi-- 


iliiiiiiiiiliiiigiiiiiliii^^^ 

Happy  the  church,  thou  sacred  place.  The  seal  nf  thy   Creator's  grace  :   'l"hy    holy     courts  are     his      abode,     Thoii  earthly  palace  of  our  God. 


5        4 


84. 


DUNSTAN. 


L.  M. 


Dr.  Madaii. 


237 


Awake,      ray         soul,         to      hymns      of      praise,     To        God    the       song     of  triuinph  raise  ;       Adprn'd         with       niaj  -  es- 

_^_    _     _ -»-_         _ -A^ 


'I 

3 


a 


6  5         V  h 
4.  J         54. 


i^t^ 


'i= 


EliiiiaiiiliSiiiiliSliipiipilMi 

ty        di     -     vine.     What     pomp,  what      glo     -     ry.      Lord,  are       thine  !     What  pomp,  what        s'ory,  Lord,       are         thine  ! 

p.  F. 


5  6         (*        5 


5  6  6  87 

4i 


2S8 


80. 


NAZARETH.        L.  M. 


Return,  my  60ul,.aud  sweetly  re^t,    Oa  thy     Almighty  Father's  breast  ;  The  bounties  of  his  grace  adore,      And  count  his    wond'rous  mercies  o'er. 


&--r 


6     +  87 


6      6    8  7 

■9—  *  tj- 


4.  6      4.  7 


6  4.6    6       6    8  7 

3  <t 


76. 


BllAMCOATE. 


L.  M. 


iiiiiiliilPilEgiiiiiliiiliiliiiilli^^i 


m$^^m^^m^mm^^^^^^^^mm 


Awake,  u/y  tongue,  thy  tribute  bring,  To  him,  who  save  thee  pow'r  to  sing  ;  Praise  him,  who  is  all     praise  above,     The  source  of  wisdom  and  of  love. 


iiiiilliiipilifiSfiipi 


6      *6 
4t 


6  4.    6 


6    87 


*80. 


LEYDEN.        L.  M. 


Costellow.  239 

Sal     -     va  -  tion         i,  for    -    ev  •  er        nigl.       The       souls     that        fear       and        love       the       Lord ;    And  ^race,  d7  -  7r.ei7^~7~' 

-#„^ i-T~l 1- 


^-f    7-    *--  s     z"  "  z    --  -|-f-"  f -  -^=^^«^^-^-~ u---^ 


X-Q-^-^ 1— - 

1  ■^^^- — -J — 


r#:T^-s— r-T -.-^-^-^— r-^-^« 


'oiD     on         high,       Fresh    hopes    of  glo     -     ry        shall     af    -     ford.      Fresh     hopes  of  glo    -    ry        shall     af    -     for< 


F. 
Tasto. 


1 

.iiipiisppiiiiiiilisiipipiii 


240 


ss. 


ATLANTIC. 


L.  M. 


Geoige  Gates. 


:iE?£iEiEIEirpEgEJEEpHiEi£iIsEpEf~iE3E3EIziiiEir}E= 


zz-Sz!:t 


-(3 

:ee 

© e — T — ©  — = — T  -x-P- 


Conie,  O  my  soul,         in  sa     -     cred         lays, 


At 


tempi      thy         great      Cre 


tor's  prdi^e  : 


6  f.  5  6565  ~~66fi7" 

43  ;i  4       tr 


But,  O,       fflnt  tongue     can         fpeak      his  fame  !         What  raor  -  tal  verse         can  reach         the  thenie. 


:%-irg: 


6  5  6  5         —  7 ~         43  6  5~6  5-6  66  7  ~ 


65  — 

43         - 


6     6  7 

4 


76. 


TIMSBURY.        L.  M. 


I.  Smith. 


241 


Jehovah  reigns,  his  throne  is  high,  His  robe»  are  light  and  majesty ;  His  glory  shines  with  beams  so  bright,  No       mortal     can  sustain      the     sight. 


6  $6  6      6      6 

7  tl 


6         5 
4         3 


•■72.' 


6  *     6  6  *  "6 

HAMBURG".     L.  M.      Gregorian  Chant ;  "  Benedictus" — see  Novellos'  Evening  Service. 


wmim^mmmMmmmwimmmmi ' 

Sing  to    the  Lord  with    joyful  voice  ;  Let  ev'ry  land  his  name     adore  ;     Let  earth,  wilh  one  uniled    voice,  Remond  his  prai'e  from  shore  to  shore. 


6  #«  65 

*  43 


H.  &  n. 


31 


6     6  4i       6       - 
42  4 


6S    P 
43 


6    65 


242 


BERKSHIRE.        C.  M. 


Dr.  Calicott; 


To       ZIob's  hill     I       lift  mine  eyes,    Fr..m  tlience  is      all      my    aid  ;      From    Zron'e  lull  and  Zion's  God,  Who  hrav'n  nnd    earih  h.t  mhrit: 


SiiiiiiiiiiiiiliiJii^iliSJiH^^^ 

6  -^K    7  6         5^6  56    fi     7  6  6-^6  6     *  6      h     7 

3  °  ii 

f- 66.  AVEIMAR.      L.   M.      German  Tune;  "Wer  nur  den  lieben  Gottlasst  walten."    Christian  Newmark,  1660. 

'  £gED}a=||PE&:!:?;|E  °5£|^:?p:i}^Eci|£P{ef  gFPi|NiE|z.§rg3^  ;^r 

Thro'  evVj  age,    etr  -  nal  God,     Thuu  iirt  mir  rt-t,  nur  safe  abode  ;   High  was  thy  throne  ere  heav'n  was  luade.  Or  earlh  (Ijj  hiin.ble  foolMool  laid. 

iiiiiiSiliiiilil  iSil 


s:;=nz®'=— f-H- 


7       87 


«7    5  fi       6    87 
3*      4  *— 


I 


88. 


GEORGIA. 


L.  M. 


Wm.  Woodson  Waddel. 


243 


(('-. 


(f-.: 


_^^_ '°"'         °'  men,  with  joy  re     -    cord,  The  various  wonders  of  the  Lord; 


^'"^  let        his  pow'r  aod  good    -    iiess        sound,         Th 


all      your        tribes  the  earth        a    -    round. 


Cl=z, 


-Q 


6    6 


6    5 

4,     i 


6         6  65  — 

4,3- 


6    6        7 

4) 


144 


69. 


CARTHAGE. 


L.  M.     6  lines. 


Dalmer. 


Ilil^iSliilOgP^iiliiiiiiiiiiiHplliiiP 

Father    of       all  !       omniscient         Mind  !         Thy     wifdom       who    caa         comprehend  ?  lis        highest     point,  what  eye     can        find  ? 


^    - 


^4,         6      ^6 

^2  •* 

3 


56        5^7 


Siiiil^iiiii^ilitsliipiiiSliiiiiiiiife 

Or       to    its        lowe>t       depths  descend  !  Its       hiJ^he^t     point,  what     eye     can        find,       Or         to       its        lowest       depths  descend  ! 

f        «  43       6  6     7^  ^       -  U        l^         ^t         '      ^l       ^-     '  I       t- 


60. 


GHENT.        L.  M. 


Gregorian  Hymn  ;  see  Novellos'  Evening  Service.         245 


"  iiiiii  iiiiiiiiiisii^ 


O  Thou,  that  hear'i-t  when  finners  cry,  Tho'  all  mj  crimes  before  thee  lie,  Behold  them  not  with  angry  look,  But  blot  their  mem'ry  from  thy  book. 


6  ^7  6    6     5 

*-  4    * 


80. 


6     ♦ 

VVESTFORD.         C.  M. 


■it-fy  6    6      5 

4  *     * 


8  7  6   6     5 

*-  4    * 


Come  let  us  join  our  chef  rful  songs  With  angels  round  the  throne,  Ten  thousand,  thoustjrid  are  their  tongues.  But  all  their  joys  are  one,  But  all  their  joys  are  one. 

SiilliiiiiililiiliitglsipiSieilgi 


415  6    f5  6    S^fi  7  6  65  Voice  or  Orgap. 

3 


6  —       4. 


6    98    ■>    87 
6  —  4 


246 


62. 


(*«*- 


St.  CECILIA.        C.  M. 


Give  to  the  Lord,  ye  sons  of  men,  Give  je     with    one  accord,        All    praise  and  honour,  might  and  strength,  Un  -  to    the    living        Lord. 


65 
3  — 


fi-      6         6 
34 


S4. 


CANTON.        C.  M 


*6        6    S  7 
4" 
3 


4-      6       S6 
32  fc— 


6  7 
43 


^^mm^^mmm^^^^^^^^^si^^ 


Ul.en   all  th^     mercies,      O  my    God,       My        rising      soul      siirvry=,     Trans  -  port  -  ed  wilh  the  view  I'm  Io«t,     In     wonder,  love  and  praise. 

Iiiiifp|igigiipli|iiiiiiiigiililii 

6. I   7        5o5  6  f5  4~'6    5  e'""*!;"  «  fi  6.     ^"^7  ~        6         "e     6  6     7 


•S4. 


MILAN.     1j.  M.     6  lines.    Gregorian  Hymn  ;"  0  Filii  etFiliae."— see  Novellos' Evening  Service.  247 


E     -     ter  nal  Father,      God      of      love  !      Oh  !     hear     a  bumble       suppliant's     cry ;     Bend  from     thy  lofty  'eat         above 

liiliiiiippipiiiiEiiiilipiiigiiii 


6       ^  5  —    6  *  r. 


6       65  6  5  6     *6        6 

4  J  *         ^i        4, 

3 


6       87 

4.      ■#■— 


b        * 


Thy     throne  of        plorioiis        ninjes     -     (y :       Oh!  deijin  to     hear    ray         feeble       Toice,     And      bid     my         drooping     heart        reioice. 

Ililfipiili^SifiigifplpipilEiEilEiiii 

:ilMiiiiiiiigigii=i@iiiiiggiiiiii^^ 


6        * 


4     * 


6       6  5—  6*6 

4*—  4 


6         C5  6       56      *6 

4*         4      *4         4 
3 


6       87 
4      *- 


248       ^  S4 
f  "^ 


WESTMORELAND.        C.  M. 


Moravian  Tune. 


"~^  — e_^-  p  .p_    e;p-Tdiiidi^Zjii«i:e=I.^ 


I'm       not     Bsham'd  to       own  my  Lord,     Or    to       de  -  fend  his  cau,e,     Maintain  the        honour        of  his     word,  The    jtlory  of  his  crot.. 


:i:^-: 


^  Je'-  iTy'    GoTrr"    kn'"o7'his".,a"merHTso»mejr    .u"  n.^  tru.'f.  Nor  will  he'   put  n.y  soul    to  shame,  Nor  let^  my    hope^be^  lo^t. 


rr#2 


80. 


SAXONY.        C.  M. 


249 


For  -  ever       blessed     be  the    Lord,   My        Saviour    and  my  shield :         He     sends  his       spirit     with     his  word,  To     arm    me    for     (he  field. 


EESgSri 


6  587  6*6  65  *6-       6---  |  6      87 

4,  4  4>  4.  3  -^5  4 


6  *6 
4* 
3 


ss. 


DORCHESTER.        C.  M. 


wmzti 


Father  of  mercies!  in  thy  word,  What  endless      flory     shines;  For  -  ev  -  er  be     thy      name       a    -    dor'd.     For     thes-e       ce  -  les  -  tiil  lines. 

lililiiiiiililiiSiiiiliiiiilSiiiSiili 


«^ 


mMmmMfMmmwMmmm^mM^- 


6  7 

H.   &   H. 


32 


6         6      7 

4>     * 


6      6  6    6     6       6  5 

5      43 


3:i:zz-q=:f5zpzqf=|- 
::l:£°I°7lEtiit5ji 


6  A     56    6     7 
4  3  4 


250 


WARSAW.        C.  M. 


.    S>  "^  <«'  53 
A  new  und  imljle  6on«r, 


A  new  unn  iicuie  6on«r, 

2y-553"J".5i»l--«L» Lr  !».L«  ^^    ^-«  L^l  #i:#i»_C«nJ_  «j    ^  :#:'^ — I L2..«_-« *_-«!=  'S-'-«,S JZ.m,Z 

Siiii;  to  tlie  Jjord,  ye  distant  landf,  Yf  Ir.he?  .>f  n  c_i  t'"'n4:ni';   Hi-  new  difcover'd  crjo»  lieniands,  A  new  and  nohlc  sons;,  A  new  ;iiid  noble  foni 


—  *•'  »■- 

-U-  U— I — ^ 


I L_.J4Z_U  t!Z_ft.LHJ  r:L  I-  L  ;'  ' — 1- 


':t.- 


■»v* 


■t6    * 
t        3 


:zzfet:zz«  Ez:i:^'':z:^:^Et-5: 

6—  7     7a  new  and  noble  song, 

MARLOW.     (Chant )     C.  M. 


m 

•-i:t 

6 


•-.^ 


\mmi 


b         4-  o  6    fi  7 
3  4 


,r:SSzrzz^:z;zzizi:dip:ji!^zzzizl|zz|[.:fr"zs:fpZe4ZQ4Zzz,z»zi:©Zp:i»^ 
|z5ziziz«zi;izi:i:az:2zidi:ai?izi:I:_zi:izQi^^ 


Let  all  the  lands  with  flioiits  of  joy,     To     God  their  voices     raise  ;  Sing  psalms  in  honour    of    liis  name.  And  spread  his         glorious  praise 


:zd_»;t: 

-Q-l— I— 


W^ 


^^^^^^^^^^m. 


[J:^f*=ii-gz3: 
fi::E-E:pi:!=? 


-t  © 


<   5 
43 


ti      7 
4> 


1 

IS 


'    ^^'      ,_,._  ._       ._  HAARLEM.  CM.         German  Tune ;  "Non  sich  der  Tap;  greendet  hat."      251 

rt-fc^![!!'..!L^'.!!_"'''.^_:''''/°!^J'j'''''^'    Tba^'^^slo    joj^on     l.ish;    'Tis  but     a        few  Iha.  Ond    the"  Ta*'',  While  crowd,  n.ilke  and  die^ 


.i!_, Q.I  ~1     1 


6     * 


6  * 


*  6 


5    S7 
4  *  - 


'^''""  OLMUTZ.  S.  M.  Gregorian  Chant ;"  Magnificat,"— see  Novellos' Evening  Service. 

^— f;-^-5-f-»-d-»-d-+-^-4~Q-i-?fIIfi- 


■i^-,^ 


^     Yo„r  i,ar|.s  ye  trembling  sainl.s  Down  from  the    willows  take  !     Loud    to  the  praise  of  love  di    -    vine,  Bid     ev'ry        string     7-  wake  ! 

3^1^^5=1=4™ -^-l-.- 


J.-z- 


4.  7 


iizcziz 


4     ♦ 


7  S*68&7 


Pil 


6  S 

43 


252      f  84. 


PADDINGTON.        S.  M. 


Come,HoTy"    Spirit,  '  cornel    Let"   thy'bright  beam/arire : '       Dispel'    the     s7rrow  from  our  minds,     The    d«rkne,,    from     our    e^yes 

:i=:TPi-:x:d=irzd=l-::34:di=|:;::4~=l:T-=-l=~T-P=S-T^-3^fD^^^^ 


I  *^«-#-=p 


1 P-T.p 1-     __I_P^    -[-.    ---    -    -1-    I--    -    -    -h-    ■     -    •    -     -  6       5  6        6       8  7 


6  6     * 


69. 


DARTxVlOUTH.        S.  M. 

"=ti:d:3Zii:i==lii|:iz1i=i|=i:: 


L.  Mason. 


"    "kmd     reTurn""     And  the.e'the'thank's    ,.e      oTe,  Tbu's      to      a"buse         e    -    ternal       love.  Whence  all  cur  ble.MPj.  flow?       ^ 


:53;:=P-j: 


Is     this  the 


i 


6     e  6        8  7 

4.       *- 


6      -frS 
4       «-i 


♦         * 


98         6    R  7 
7  b         4  *- 


s 


f80. 


COLUMBIA.        C.  P.  M. 


253 


|!t^gEgE|Eggz|Epg=pg:fzg|EgEjg^ 


Father  of        all  !      E    -     ter  -  nal       mind  !     Id  nn  -  ere     -     at  -  ed        light     enshrin'd  !  Immensely  good  and    great ! 


41 


87 


87 


6        6  5        7 


Thy        children     form'd  and     bless'd  by      Thee,     With         filial  lore     and         homage         pa}       Tlieir       hotuage         at      thy        feet. 


~    ~6  ~    ~  6~    "fi      87~    ~    ~  ~    '  6  6~    ~fi      B  7~  '6     6  f      87 


'  I      H 


6  fi      6  7 

5      #- 


254 


96. 


ZION's  HILL.        8.  P.  M. 


C.  L.  Latrobe. 


-#^-;^-T-^- 


._, o-,-Q 


,p  ,.e-,-e-T-°— ©-T-'-'— 


-tBrE 


How  pleas'd  and     blest    was       I         To      hear    ihe  people       cry  "  Come,  let     us       seek — Come,     let      us       seek     our       God       to  •  day." 


6        7 


'        t 


b         5#6  8    7      5  6      6      5 

»•  ^f-  —  4.     * 

3 


Q—p--, d_,.f5., ^ ^.^^Zi^^p.^.^i  ,-fi-^_Q e_^_Q._:^l^_Q — p^^-Q—P.-^.Q— -s-r-^ 


ye«,     wiih      11  cheerful      zfal,   We'll    hasle     to  Zion^s      hill,     And     there    our      vows — And    there  our     vows     and        honours      pay. 

iiiiiiiiEigiiifiiiiiiiiii-jia^^ 


+  6     4 


^    i 


6      *6-      6       ^7 


1*84.  QUINCY.         Sevens.  255 


'JllZZs^s-l-P~t 


^Holy  wonder,         heav'uly       grace,     Come,      inspire         our         humble         lays-       Come,     inspire         our"       humble     "  ' 


-h-^-- 


l 


6         «6 
4* 

3 


6  87 

5        tr- 


ISEFlSEFEiEaH^i 


:if=!Ei={-^ 


While  the         Saviour's       love    we       sin'.      Whence  oiir      hnnp«  anri         ,.„„r  .<  .171  ■  ■  ~       ~~  '~~        ~~^ 

_  <;     V,       .111,,      ivnenceour      nopes  and         comforts       spring— Whence  our       hopes  and        comrorts         sprin?. 


„j  _i       _j  --i-~ x.uuj.uiia       fftJ>'"g — *vi]enuGuur       uopes  ana         comrorts         sprrn?. 


6      43  6         "^ 

4         7 


6         5*6 


6         5  6         6 


256 
ft 


92. 


WALPOLE.        8's  &  7'8. 


May  the    grace  of    Christ  our    Saviour,    And  the  Father's  boundless  love,  With  the  Holy      Spirit',    favour,    Rest    upon      us    from  hbove  ! 


Thus  may  we     abide  in         union     With  each      other  and  the  Lord,  And  posses*  in  sweet  communion,  Joys  which  earth  cannot  afford, 


:idrc  i.g-g.i— 


zz:i;dit: 


"^ — ^-t-    -     -     -    8=ir;^-     6    5    '    "6  ''"■  ^6  '6       6  '7        ■"         ''"        6  "    '    '      4  ■         *  6  6 


88. 


S  WITHIN. 


II.  M. 


Jesser. 


257 


^i5 


To  God,  the         Father's       throne,      Per    -   pel  -  ual         honours         rise,         Glo    -    ry       to         God  the         Son,       To       God       the 


•i.' 


rf3 


6     4.  ~  4.  ~    ~     ~  8^^"        ~6     4.  ~6   ^t)  6      6         6*  ^§ 

3  3  b—  5  3 


Spir     -     it       praise  :      And      while  our        lips  their       trib  -  ute        bring,         Our       fnith         a    -    dores      the      name       we  ting 


=^=zl 


6~6         7~~~~  ~6        4        ~  €"4         ~         65  ~~6~  *~  66         7 

4        tr  3  »  3  43  S  * 


H.    &   H. 


33 


80.  CLINTON.        L.  M. 


i.iz~'r-'z:T"^~|g~T~^^:'p~~T~p     w~r — t r'VF~ — T~       — P"i- 

•a      -      (inn  is       for     -    ev     -    er  nigh  The  souls  that  fear  and  trust  the 


Lord  ; 


pE-E^„gz= 


76 
*  — 


6  5  8  ; 

5  4. 


S4.  6 


;3 


9  8  6  5 

7  6  4tr 


And  grace,       de     -     seending        from        on  high,  Fresh  hopes  of  glo     -     ry  shall     af      -       ford. 


M-ri 


6  7     6 

4,  5     4. 


-         6     6 
3  5 


I         ' 


mm 


84. 


NATICK.         L.  M. 


Dr.  Callcott. 


259 


fr-a-=rn=: 


Thee         will  I  thank,  and  day         by  ^^yy  Form  to  thy  praise'     the 


jnjful 


lay  ; 


3ESEd^pa~E^E; 


6     5  6  6  5 

4.    *  4.  * 


-.^zz: 


-9  -  H — 4-F 


lizn: 


rqr:: 


i   ' 


6     7 
4    5 


(f^izz-zi- 


l§ii 


5giCzJ=|^z3r^zfi; 


_-p — ^_p 


:— P-j 


Q P ^ p P   _--r P -. Q , 


e — 


(2i    - _ 


From  morn  to 


eve  the 


snn^  ex       -       tend,  Thee  boast  my 


Father, 


Thee  my  friend. 


^^^m 


'^ 


PI;— P— |-  P— = p— |-^-p-^  '^iJEsE^EsEir  l~ 


m 


[-ti-tz 


3     3 


6      4.        6     -1. 
2  3 


63  6 


E5EEEEtr:I-Ez=az=I-?r:ii: 


r 1-3  »- 

Earilli 


8  7 


260 


81. 


MARIETTA.         L.  M. 


L.  Mason. 


iill 


•_    _-^-_|ft!^_ rrr—m ? T P £ XZit~^ ~fizB~-Z      P  "*p: 

^~        ~~Ha^y      ThT""    d^i^h,     tho.i  sacred  place,  The  seat         of  thy^     Cre^    -        a    -     tor'a 


Second  Treble. 


—P^.^-^P 


•l,_Pi     — .-T O 11- 


Thine  ho      -      ly  courts     are  his       a       -       bode,  Thou  e-rthly  j)alace^^_^  of__^        om^ 


God. 


liii 


H 


t   7  h  5 

4.  3  <!>  3 


I 


GRAFTON.        C.  M. 


26i 


r: 


How    oft,      alas  !       this     wretched  heart,  Has  wander'd  from  the    Lord  !  How  oft  my     roving  thoughts  depart,        Forget  -   ful        of    his  word  ! 


6  6     g 


6       *6 

4 

WEN  HAM.         C.  M. 


*        -  6         * 


# 

L.  Mason. 


6       5  6        6        5 

*       * 


Teach  me     the  measure     of  my^    dajo.     Thou      Maker      of  my  frame ;   I  would  survey  life's     narrow      space,  And  learn  how  frail   I     am. 


^feSff-- 


^Eg^|r|=:|i3zH:|:^:J:S|3z4^ 


6  *»;  6       * 

3 


6     4       6*6 
3 


es       6  5  —       6        56       65 

8  7      *♦        —  4     * 


j*  72. 


262 


CALMAR 

:;ijE:iri 


,i — (_, 


S.   M.  Gregorian  Chant ;  see  Novellos'  Evening  Service. 


:|: 


p^-i» 


iMy       gracious     God,  how     plain,   Are     (liy      directions         giv'n  ;     ©       may    I     never        read     in      vain.     But     find  the      path  to     heav'n. 


m^^^mi^^^m^^^^mM^^Mm 


Tenor.  Mod.  Maestoso.  Sosfen. 


6  6  6      7  6      7  6 

AxNTHEM.     From  Ps.  66  and  134. 


6  *6  6    8  7 

4.  4 

3 


Handel. 


'^^^mm^^^mmmmMs^m^mmm 


2fl  Treble. 


S^:5raTdrilii?-«-|'d:i:t-d:l:i:f3siT:Szi:iii 


Air. 


O  praise  the  Lord  with    one  consent,      O  praise  the  Lord  with  one    consent,  And  majc     -     -    ni    -    fy  his- name.  Praise  the  Lord  with  one  con- 


iif^iiiliiiiiliiligiiliSiiPiiliiilliifi 


-,Q.,-P 


P-S- 


'    "^'^  '"  "  ""  '    ''"    "    '  "'    "    '     " 


I    ^ 


6  S 

15 


0      5 

4    tr 


263 


^  ANTHEM.         Continued. 

-nt,  and      mag     -     .     ni    -    fy    hi?  name.  Let     all  the     servai.te     of  (lie     Lorrf,  Ills  worthy  praise,  Lis    worthy   praise  proclaim." 


sent,  and      ning     -     -     ni    -    fy     his  name, 


His  worthy     praise,     His  worthy,  worthy  praise  proclain 


iiiiiSfgjiilieiiililliifilillilililligiiill 


Let     all  the    servants     of    the  Lord,  His  worthy  praise,  his     worthy  pr«ise  proclaim. 

His  worthy       pr.iise.      His  woilhj,  worthy  praise  prochmn. 


—  6  r-i--! — I— - 

5  13         7 6 

3 5 


5      5   6      7  5    -  "e" — "    Tee'  "F"  3    3  ~3 

iiiilliliPiiiiliiiilii^ijiiSiiililiili 

God,  all  ye  lands,  O    be       joyful  in     God,  all  ye     lands,  all  ye     lands,  O    be      iovful    in    God,  all  te 

_^ _        "''^•_ _    _  Sym.  Sy,.  "    -  . 

iiiiliiliillii;}iiiigliiii:iliiii|iiigiii 


2d  Treble, 


6   e 


ANTHEM.         Continued. 


264  AJNTUliM.         Dontmuea.  ^  _ 


::bz- 

tz'jza  " 


lands,  O  be  ioyful    in      God,  all  ye      lands,    make      his  praise      glo  -   rious,  O      be     jojful     in  God,    all  je     lands,  in        God,    all    je 

Pia. 


^     6 


■^6  34. 


3  5 

4tj 


Org  6^6        ?t  -      I        ^    -    %  «*  I         ^* 


lands,  in       God,  all  ye     lands,     in       God,  all  ye     lands,  O    be        jojful    in       God,  all  ye  lands,  Muke     his  praipe       glo     -     rioue. 


Ffflis. 


Dim. 


Cres. 


lands,  O  be    joyful    in    God^  all  ye  lands,    ^     G^d,   all  ye  lands,  O  be  ioyful  in        God,  all  ye    lands.  Make  his  praise       glo     -    rious. 

If: 


6    — 

Voice. 


—   5    —    C  -5- 
33    3    3 


l=-         ! 


£72. 

Maestoso. 


DENMARK. 


t)r.  Madan. 


265 


Be  -  fore     Je   -   ho  -  vah's  aw  -  ful     ttirone,    Ye  nations         bow  with  sa   -  cred         joy !  Know  that  the        Lord      is 

6        —  7  6      4  3  5 


God 


lone.       He     can      ere       -       ate,  and        he       de  -  stroj'.       He     can     ere       -       ate,  and  he  de      -      stroy. 


H.  &  H. 


34 


6  7 

4 


5 

* 


266  S88. 

Andante.** 


DENMARK.         Continued. 


Trio.       ^ _^_     _-i»_-p;^. 

P.     His  60v'  -  reign  pow'r,     with      -     out         our       aid,       Made    us       of  clay,  and       forniM     us  men  ;       A.,d         when,     like 

P. 


6         5 


6     6         5 
4* 


5  6        7 
34       5 


wand'ring       sheep,     we       slray'd,       He     brought  us  to       his         fold       a     -     gain.  He     brought  us  to       his  fold      a  -  gain. 


..678  76  65  6'  67566      5  6  675  665 

4—3  4  3  4      3  4      » 


J 


5  96,  or  100 

Con  Spirilo, 

r:Q:2ia:z=3:i.=;=it:i==|zz: 


DENMARK.         Continued. 


267 


We'll  crowd  thy    gates  witli         thank     -     -     ful  song?,         High  as      the     heav'ns    <i\ir  voic       -       ea  raise.  And 

|liiiiiiifi^[iiliiliilPPSSiiiMilHiii 


Tulti.  F. 


earth,  anJ     earth  with         her       -tea  thousand,  thousand     tongues.     Shall  fill      thy         courts      with  sounding      praise.  Shall 


Unison. 


§^5 


lliPPIii2i0||ili^lppgz|;Sj|i|ytp3|||ipis^ 

~  6  87 876         8765         7  3  ~  *"  Unis. 


6  87 876         8            765         7 

535 354.          3            ^*a         5 

*      4t  4* 

3     2  % 


268 


DENMARK.         Continued. 


^_u ZB'—B.'-  _pi-_ ^^  .^-*t;  _jti_  |»-  j*— • -r- . 

fill     thy         courts     with       sounding         praise,  Shall  fill,  Shall  fill      thy  courts  with  sound      -      ing  praise. 


Unison. 


__  -  _p-    -ft- 


5  6  67 

5 


6  6  5 

4  3 


p^iliilpliiiiiflliiililpgiBiiili^fiil 

Wide  !  wide     as      the     world        is        thy        com  -  raand,  Vast      as      e     -     ter  -  ni  -  ty,        e    -    ter  -  ni  -  ty,     thy  love  ; 


Unison. 


Unison. 


liPiiiS^iiliiiiiliiiii^iiiJi^PPiil 


6        7^ 

4        — 


6 5 

4.      ~ d 


DENMARK.         Continued. 


269 


■^pi^iiiiiiiiiiiiilMiiiiPfiiiliiiliiii] 

i^l§^iiiiieflliiiai^Pii!gigi;iiiiii 

Firm  as        a  rock       thy       truth  shall  slanH,         When         roll    -    ing  years  fhall         cease       to  moTe,  shall         cease         to 

'  *'       "^  *•"    "   e"  4.  ~  6  "*'3       6     7'    ~5      6        ^3 


4'3       67         363  64i  6  45 

4  4  3  3 


iE^elE§-:iy=Ei  ' 


5  8  7 

4- 


move,   When      roll  -   ing        years  shall      cease      to        move.       When 


roll     -     ing  years     shall  cease      to  move. 


~  ~'*'~     '  f.7         65   "    ~        ~^~    "7  a       ~6  5"    ~     ~  ^~'  5~- ■ ~    ~     66  §  8  7 


15       4; 


4,5        43 


3     3  3 


270    •;  92. 

9*  Larghetto, 


SCOTLAND. 


Twelves. 


Dr.  Clark. 


a  fountain, 

— j-i*« — i^ — ■ 


The     voice     of      free     grace  cries      escape  to      the       mountain  !       For  all     that      believe       Christ  hath         open'd 


-tP— g— b»- 


.IliiiEiiiiiiiiiyiiiiiiii^f^fppii 


I        '5 
2 


6        5 


pgfi^p;gpiEi£|;g:iE^f5iipfi=sip5is=sp£ii? 

For        eia      and        uncleanness,        and  ev'ry  tranfgression  :         His      blood  flows     so  freely,        in     streams  of 


salvation. 

ipEEEElJ 

-1-1^ — u« — •■ 


3i       65      43 


if   i 


4       6  J 


*3     43 


-to  —  trf- 

6         5 

*         J 


SCOTLAND. 


Continued. 

^      CHORUS. 


271 


i-„_^_„rT.(,_„_„-i.__-__ — I — _.i..___i SP iej:-.g-g^l 1-1,- --J 

His       blood  flows    so  freely,         in      streams  of         salvation.  Hal  -  le     -     lu  -  jah  !  to     the       Lamb,  wlio  has  bought  us       a  pardon  ! 


Si 


5  5      5  6      75 
34.      34p      5  3 
2 


Ijr — 


V''e'll     praise  him       a    -     gain,  when  we       pass        over  Jordan.       We'll  praise  him  a      -      gain,     when    we       pass        over  Jordan. 

eg 


6  5       5  8 
43      ♦4 


5       4 


4 


272 

r 


84. 


DENBIGH. 


Altered  from  Dr.  MadaH. 


From      all     that  dwell      be     -     low     the  skies, 


im^izt 


dwell      be     -     low     the  skies,  Let     the     Cre      -       a  -  tor'a        praise      a    -   ri«e  ;  Let     the    Re- 

•fliiiPliliiililliisiiigiiliiOIPiliiiiii 

^ s  by         ev'     -     ry      tongue.  K.  '    ^  — ^  ^^c^ 


.:fc:zf 

deemer''s         name  be        sun;];, 


Thro'   ev'rv    land    by        ev'    -    ry     tongue.  E    -      ter  -  nal      are     thy         mercies, 


Thro'        ev'   -   ry  land  by  ev'     -    ry    tongue.  F, 


i^ppii^^EiilUiiiiiJiliiiiiiSiiiilipsi^] 


DENBIGH.        Continaed. 


273 


^#.:ir-l=ilidiT=J-=l-~-T=l^-=li 


tl\^Z9- 


truth     at    -    tends      thj      word ;  Thy         praise     shall     sound  from     shore     to  shore,       Till         suns        shall 


Lord,     E      -      ter  -  nal 


I     I 


6  S        6 5 

4  3       4. 6 


5 

3 


■1,  6     4. 

3  3 


6 -5 

4. -3 


z5zJiE?zlf=ESr=Ji 


t*z5Z_zsi«zzzzz«izp:_zciizzff  zz-:i-p~i_ix-av  «i?;j:"P^— P-;:p--e-?  ° 

Ezpz?z^llzz»z^-^|zEi?zfez|zzzfzfe±zFz:tzifeH:r£zE:|zEz— Ez|:E^^ 

more,        Till     suns         shall  rise         and      set  no     more.  Till  suns     shall     ri'p         and      set    no    more. 


rise  and       set       no 


-CN  P.      ^-Tr=^ 


l[zz^KEEfiEi±zEz£zpz 

6 
5 

H.  &  a. 


35 


4.      7 
3 


_  6        7 

6     6      4> 


274 


ACTON. 


H.  M. 


To  God     the        miglily  Lord,       Tour  joyfol 


thaoks    repeat  ;  To        him    due     praise     af    -      ford, 


A« 


6~  6~«7~  69  9  ^6 

4.         tJ  ^_^  3 


pood       es  he      is       grei^t. 


z:^: 


si:izd 


dziizdz:. 


1 


For        God  does    prove      our       coDstant  friend,        His      boundless     lore  (hall        have  no    end. 


E=E«-=-=-*=E2-Fi-E"iT?^  II-  z;-=iz-i-=-z}=sZ^zi:pZi:3Z"pei:D= ji^-ir^zizdz: dzi  dijjz 


6         7 

4        tJ 


66. 

hhtio.    Second  Treble. 


THE  DYING  CHRISTIAN. 


Harwood. 


275 


SiiilliiiJiiiiiiiiipBig^lirEPi^ 


:?^ 


sS^- 


I 


n 


Vital      spark        of        heav'nly  flame,      Quit,  oh!  quit  this  mortal         frame!        Trembling,       hoping,  ling'ring,      flying! — 

iMISiiiiiiEm^iili-liiiii^Sl 
iiitai^iiiliiiiiiiiiiiii^ 


6        6    6        6 

« 


Cre«.  P. 


Oh  !  the     pain,  the         bli'i«         of        dvins;  !       Cease,  fond      nature,  cease  thy  strife.  And         let     me        languish  into        life  ! 


g^^:^E^Er3Eg|33^::«^«=P^ 


Cres. 


-  6 
5* 


6        5 


«6  6. 


6    6  6         5 


276        5  88.  DYING  CHRISTIAN.        Continued. 

Allegro.    Tenor.  z-s  '  /C\* _* 


P.  Hark!  Alle. 


Hark  ! 


Hark  ! 


Hark;  Hark! 

P.  Hark  '.  they         whisper.  an     -     gels         say,  they         whi«  -  per,  an     -     eels       fay,     they       whisper,   they  whisper,  an=tels      fay— 

iiill:iiiaiiippppiilil#PIIPPii 


Second  Tieble 


Hark  ! 


Hark  ; 


Hark !  Hark  ! 


6     5 

4.    3  - 


I  P.  2d  Treble.  f.  Alio.  P. 


"Sister  spirit  come         a     -     way!"      "Sister  spi   -    rit         come     a   -   way!"  What  is         this         ab  -  sorbs     me  quite. 


*  This  strain  may  be  omitted  io  the  perfortnanoe,  with  good  eflfeef. 


6        6      5  7 
4      tl- 


i    — 


DYING  CHRISTIAN. 


"  'liiliMslii 


Continued. 


277 


— ^- 


S^'e>  — 


._l_p •_l_il_. 


liiiiiiiiiil 


steals       ray  senses,  shuts    my  sigh*,   Drowns  my       spirits,       draws    my     breath?   Tell  me,  my       aoul,       can        this         be      death? 

%— — U ^— I— I — __^_I_1_  — U— 1_    _3_ ___T_i_ — ^— I— t— ^— I— 1—— J — t— — ^ — ^_  i_U___^_I_U E-— I J 


65—6      —    5— 

4. 3  —  *    —   a— 


65     43  6     5 

4     3 


irArr:z-"~Ti-- 


7S6     — 
4.^-    - 
3     - 
88.  Andante. 


-  .    6       - 

-  ^5       - 


6  5 6    —     5  — 

45    *    —     ^  — 


65         43        6    5 
4    3 


r\"  ~!^~     t''.  "  '  "      P.         "^— - 


^^^?ZI?z|i^?E^z|E^:    ^""^"^  ^'^~'     ^  *"^     P-^P^.*-P  T-P-P_-P_r4     ^._3^P: 


Tell  me,  my      soul,       can       this      be       death 


The  world         re    -    ct-ilrs,       it 


h[)     -     pears  ;         Heav'u 


opens 


I 


SzE2£E^i£l=Ei?r£zi=_— ^ztz3i3i4rizziz  ^zyztr^zz?zi::^^ri?zi::=5zzt*zz±— t=:t:3J 

.* !••_  _^ f- _p; rr"_,_  _ftj»' - p— 1»— 


3  6  6 

4       ,3 


s  * 


o o 

3 3 


278 


DYING  CHRISTIAN.        Contiaaed. 


112. 

Cod  Spirifo. 


iii^Eii^^iiEi^EilteEi=l=iiPs=35i=ejEiiiE 


bp— 5 


iilPjiiiiiii^iiiiiiiiiJliiiii-liiLll 


on        my        eyes  I  Mj        ears        with        sounds      te       -      raph      -      ic  ring  ! 


Lend,    lend      your    win;s  !  I 


/Ts  ' 


3^4        6  5^63; 


7 


2:zrznrzzzrznz3~TZziz~zrz±izn:r  zrm-^zri  :*'~^iz*?!  ~zr:zrz^ir?f  ~!?ziZ2zr'^  ~  ^zr^rrbzzzzj 

mount,      I  6y,       O         grave,  where  is  thy     vie  -  to  -  ry  ?     O  grave,  where  is     thjr      vie  -  to  -  ry  ?     O       death,  where  is      thy     sting  ? 

Kz^  izEEE^^^zJE^EiEtEiE^IEiEiEizf 


6        3       4.        3 e  fi        -f      ^    3t'^ 

*  t 


I 


DYING  CHRISTIAN.        Continued. 


iiliiiliiiiiilftfel^iiaiMiiEii 

O      grave,  where  is      thy        viceory  ?  O    death,  where  is     Ihy  sting  ?      Lend,  lend  your  wings !  I  mount  I  fly         O 


grare,  where  18    thy  victory?      thy      victory  ?      O    grave,  where  is    thy  victory?      thy      victory  ?  O  death,  where  is  thy  sting  '  O  death,  O 


280 


DYING  CHRISTIAN. 


Continued. 


ie^easPigiii^^JiiEiJi^i-SE:iliEyi=fe^y 


_:r---f 


death,  where  is      thy  stins; 


Li-nci,  lend  jour  wiaa;s  I 


mount,     - 


I         fly, 


grave,  where      is     thy 


iSiiiifeeiiiil^^ll^iiiiS^ili 


"J       6        6 5  6  -5 

•1 i  *  —  ^ 


II 

r 


Adagio.    ^  66. 


vie    -    to     -     ry  ?      thy         vie    -    to     -     ry  ? 


deatb, 


O  death, 


where  ia 


thy  sting : 


3 


u6 

te6 


6 


f  68. 


BLESSED  BE  THE  LORD  FOREVERMORE.  Rev.  A.  Thompson. 


281 


p.     Second  Treble. 


Blessed,         Blessed,         Blessed     be  the      Lord       for    -    ev  -   er  -  more.  Blessed  be     the     Lord,  Blessed   be  the      Lord, 


p. 


6         S 

4        # 


fM=i-:Z~iZTZ 


iiiilii£l|g:i^ll^^iiiiiiiiiiil!i[iiilji 


Cres.  Alto. 


ggzg±f^igzi=P-ez:i:ez:.g:i:P-z:i:g±:^,gig^ 


Blessed  be  tbe      Lord,  for    -    ev  -  er  -  more,  Blessed  be  the    Lord,    for    -    ev  •  er  -  more.        A  -  men  and        A  -  men,        A    -    men. 

iiililiSilSiiiiiSSiiiiiiiiiiliilli 


& ~        6~    "     6        5       "  8 '        "    "v,.,^'       68  7"''""'  7  ~     tTS? 

Z    ^3     3  .  4,        3  333  64  5 


& 6  6        5 

3.3     3  .  4        3 

H.   &   H.  36 


282         I*  144. 


•[2^|?_i3SEiE: 


THANKSGIVING.  Jno.  Sruilh. 


Second  Treble.     Solo, 


Tutti. 
Alto. 


"^  O    give    thanks,  O    give     thanks  un    -      to         the       Lord,     give      thanks    un      -      to        the        Lord,  give    thaoks,      give 


Solo, 


5:ES 


^—z^-^l 


_-©; 


_  .  ^ ^  Tutti. 

Voice,  6  6     6        7  Organ.  8  7  6       ^    -q-  Voice. 


Organ.  8  7 


*      5 


Tutti. 

^                                      ^        -e^                           Second  Treble.  Solo.  „. — s                                 *'iS'  ^       ^        -a^ 

thanks,      give        thanks      un    -      to        the      Lord,     eive     thanks  un    -      to         the        Lord,        give  thanks  un    -      to         the          Lord, 

,, — -                                                       Solo.                            ,, — ^                                 Tutti.  ^ — .^ 


Tntti. 


6    4.        6 
4    2 


I         ' 


Organ. 


7    6        5 
5    4        3 


Voice.    5-5  6  65 

3    —  4     3 


283 


THANKSGIVING.         Continued. 


i  Second  Treble.  Solo. 


Tutti. 
Alto. 


_    _     -e-  _  Solo.  Second  Treble. 

"^  T r-O-T-n-n— ■ 


''"'■      ^^      '5  S°°^^      for         tie      is  good,      is  good,  for  his      mercy  en  -  dureth  for   -    ever,         his        mercy  en  -  dureth,  his 


Tutti. 


Organ.  * 

3 


5    p.        Voice. 


4     6        7    6 
2  4 


Organ.         6 


Tutti 
Alto. 


p  ,-p_^."e'_  p_ 


mercy  en      -       dureth         for    -     ever,  hii  mercy         en     -    dureth         for     -     ever,  A     .     men,  A    -    men. 


I      I       I 


Tutti. 


6  6 

5  5 


6     6  3 

6  J 


Vgice. 


*        6  7         6         7 

a  4> 


284 

If: 


•92. 

Maestoso.     Chorus. 


ANTHEM. 


ilev.  Mr.  Mason. 


II  «ic- 


iOE|i||||gpr||Bili^'gEilip^Sli^liiE=3 

'^  LoTd~"~o"f         aTl         '  po^r         and         "  migh7,    '        Lord       o!  all  pow'r  and  might,  ^ 

^  ^43  6  7  98  iS  764 


Solo.  P.  •  -^-  •  -|»-     -P''m  »  _     ft    '   »^|»  A  -^^^ 

Thou  that'art  the  author,  Thou  that  art  the  author,  thou  that  art  the  giver  of  all        good       thmgs  . 


~  Solo    p.  ■'-^  Oi_.. 


ANTHEM.        Continued. 


285 


CHORUS. 


•F^llsiElgsiii^^pEgips^i^JlilliiiEite^^ 


F.  ChoruF. 


SE 


5: 


Graft  in  our      hearts        the        love        of      thy  Name,  the          love     of  thy        Name,       increase  in      us          true              re- 
Solo.  P.                                                          F.  Chorm.                                                          ^  __  _-,      .^-    _i rn'm-, 

—  F.  Chorus.  Solo.  P.  F.  Chorus.  p.  '    ^       _     

'""^"^  y — s  P-  Solo.  -  ^«»-  «^ 


li    •    gion.        Lord    of     all 


pow'r      and      might, 


nourish 
P.  Solo. 


F.  r.  Solo. p , 

I— — EtirE|zJz:pzz^=r_=J:=-— =-zl=E-_=:  Et=:EE=i=-3:  „_.__^_  -_c_       .^_-- 


9  8 


286 


ANTHEM.        Continued. 


Chorus.^F.       ^     '     ^  ^ — ^  Solo.  Second  Treble.  AF 

L,oril  ot       ail       pow'r        and     might,  and     of      Ihy    great     mercy,  and     of      thy    great     mer  -  cy.  Keep         us  keejj         us 


Alto. 
Keep         us,         Keep         us, 


5^ 


Chorus.  P. 


Keep        o*, 


_tt _i_SI ,_        ^_        _^"jy ^  -\  ,■ ,  jvecp         UB, 

3        ^         %%%        '  Organ.  ~"    -SoToTyriceT" 

F-   Chorus.  Solo.  P.  Chorus.    P.  ■•         -r-  "£"„'"  '  ~^    "       ~" 


F.   Chorus.  Solo.  P.  Chorus.   F.  F   F   ^  ^ 

iiii^PPiiiiSiiiyftiiiiiiiiiiOiip]! 


Keep  us   in      the      same,  Thro'       Jesus         Christ  our      Lord,    Thro'       Je    -    sus         Christ       our       Lord  !         Amen  ! 


'   - ^      """^1   """        •"=»<"         vyiiiiai.  our      i^ora,     i  nro'       Je    •    sus         Ijhnst       our       Lord!         Amen!  A      -      men. 

_       K.  Chorus.  Solo.  P.  Chorus.  F.  '—^  F.F.  ^     ^ '  ^ 


,♦  100. 

Con  S|iiri(o. 


ANTHEM. 


Sent. 


l^fezjzgzp^^^  2i'^^:l!  !!-!^!;  !^^rv^  ''-^^^^^^ 

iiiiiiiiiiiiiiiiiifigS^^ 

God  of      h-ra-el,  our         Father,       for        ev  -  er  and      ev  -  er    for'       Z  a ~^ ^ ^ 

=:bZeZZ:.i:5T  i.-IlQZp  TZ-=TZ5ZZZ:i ^-  -— -— _  -  J_!L!°1  JLl"'  ""^'  '''"""'    ''^     thou,  Lord 

:rHi:r:rPz— T-^T-P i ^o—'-'—qI ^'!!!_"_'  "   '^'  "  ' 


rr^z-b: 

I'  ^^zfcz-.. 


^EEgfj|i^i| 


??^ 


Q "q1__  '_1.q1,       _1_L"_'  "Jl' 


6         4, 


288 


ANTHEM. 


Continued. 


r  ..-_.--—  gl^^^    .     ,     .    ed,  bless    -     -     -     ed, 

God    of      Is  -  ra  -  el    our       Father,  for  ever    and       ever,    for  ever    aod  ever,  blessed,  blessed      be      thou,      Lord 


—"  '  -    •    -    -  pj^^^    _      ^^        j.^^  ^^  _  ^^  ^^j  ^^^ 


d        for  ev  -  er  and         ever, 

o 6 

S^4.3.6sfet3  3333        333 
b        2  8  fe*     3        2    8 


'    ~    *3~    '" 


for  ev  -  er    and      ev  -  er, 


1=^ 


Bless     -     -     -    ed         for  ev  -  er      and 


God  of      Is  -  ra  -  el,  our        Father,  Bless    -    -    ed,        for  ev  -  er  and  ev  -  er,  for        ev   -   er      and  ever, 

f^  for        ev    -    er    and      ev  -  er, 

*>  "t         ^*     "I      ~'H'     '1    ,'^^*  T  — f— — •—  —  fir;      — ^^ 


Bless    -    •    ed         for  ev  -  er  and        ev  -  er, 

T.  S. ^6 

■^3     3     3     3        3     3     3 


6        5 

4, 3 


ANTHEM.        Continued. 


289 


Bless     -     -     -     ed,  ^— v  fof  e^    .    er, 


Bless    -    ed, 


Bles'ed      art  thou,         for  ev    -    er      and  ev    •     er,    for  ev  -  er      end 


for  ev  -  er  and  ev  -  er, 


Q  — T-Pi 


for  ev  -  er,  for  ev   -    er    and  ev     -     er,      for  ev     -     er,  S         ^ T 


6 3  3     3        3        3  6     6 

3333  333 


100.     Two  voices. 


Thine,  O        Lord,        O      Lord,    is      the        greatness. 


Tliine,        O 


Lord,       0        Lord,     is      llie  .      greatheEs, 


Organ. 


4  3 6  6      5fi     ^7 

5      ■H 


6 6        —       66  65 6  656 


5  43 


5      44       7 


H.  &  H. 


37 


290 

iff 


ANTHEM. 


CoDtiDtied. 


Thine,   O        Lord,   O        Lord,  is      the        greatness,  and     the     pow'r,  and     the        glorj,  ^ ^^^1 


m. 


and     the        tic  -  to  -  ry, 


^  ^    Voice.      "    "  ^'    ~6      5  5-f    ■  ""6"~  6  6 


::-trizit!= 


and     the         maj  -  es  -  ty, 


the        vie  -  to  -  ry      and         n-aj  -  e<=     -     ty.  Thine,    O       Lord,  thine,     O 


-©- 


_  je^^piz^i --g-  4— Jzze-_p-,--- T ■, 


-d— ^ 


■—-—I — t?-^ 

Lord,     is      the 


6         5  3- 


3  6- 


ANTHEM.        Continued. 


291 


h-tizzzrzrzzizizzz.zz'^'iziizzzzi'^zzzri^ 


greatness,  aud  the       pow'r,  is  the  greatness  and  the   pow'r,  and  the  glory,  and  the     victory,    and  the         majesty,    the      majesty,     for     all  that 

m    "P~|3'  •  •  n  n  Voice.  _  _  _ 


Organ. 


— 9-    5-3 

a      - 


6      5 

d 


For      all        that        is      in     the     beav'n,  ^*— ^  ^_^ 

t±:iPz^'zP:Tzzzazz^:^z:az^^^ 


is    in  the 


heav'n,  in     the     heav'n     and     the     earth  are     thine :  Thine  is  the        kingdom,  thine     is     the  kingdom,       O 


-—        i  7  3        7  r       >^ 

•5  *       Q 


t.         6         3  6  6 3 

?  4  3 


292 


ANTHEM.        Continued. 


5-1-=:— ^- 


—Pipzpzxz 


""" '  ~     "  over         all, 

1  as    head   over     all,  as    head   over     all,   as    head,  as   head   over 


in 

m 

all. 

m 


6 5fi 

3 


6         4 
3 


7       as         head       over 


all. 


I 


100.     DUET 


^±^z52i-=: 


Bolh        ri<:hes  and         hon    -    our    come     of        thee,    '  come  of        thee,        riches      and  honour        come  of 


thee. 


I 


*   s 


I        5 
3 


L g_-J 


ANTHEM.        Continued. 


293 


sdizdzd 


And  thou        reignest,  thou        reignest,     thou  reignest    oyer        all  ; 


And        in     thine     hand,      in    thine    hand 


T.s.^___: ZZ_        5..,     r-  3-t;s.-^-1^ — ^=t=g:-§-::-_r3:_z:_:lrEEEz: 


And     in  thine  hand     it         is        (o       make    great,  and     to    give  strength     un    -    to      al). 


pow'r  and  might, 


And        in     thine  hand  it    is    to  make  great,  to    make  great,  and  to  give      strength  un    -    to  all. 


'~~i  r  ~""'^  "^Ti  ■"  «'-^--  ^-       ;^- "^^  "j-'f- ',--^'iof^^ 


fa 


2^4       P 100 


I 

CHORUS.    Presto. 


ANTHEM.        Continued. 


'  "^ '"       -1-       t-  -  ^g  thank  thee,  we  thank  thee,     O    God,  and    prai 

— — ■-^^1 "•"        — — —  .  _         ,  .,,,!_/-»         #1.J  41 1,    *l,«a  n        ClnA 


1» — ' — ^ f^'  *"'    ■  '        "  '  we  thank  thee,  we  thank  thee,    O    God, 


f 


———I L— .^[— U-      ^— -I—  •"  *u.^..u  *ko«         wo  thank     thee.       and 


thy  glo 


nous  name. 


thank  thee,       we 


thank    thee,      and 


^    "'  we  "thank     thee,      and  prai se    ^thj^  i'L.-- !_1°-^ 


thank     thee,      and         prai 


se         thy 


thank    thee,      ana         prai •-         •  j  ^ p q ._, , 

— — — — — — +— — — ' •"^  ^P  thank    thee,      and  prai 

6  -r^- VT^^t^  « 


ANTHEM.        Continued. 


295 


thy        name,  we      thank  thee,    we    thank  thee  and    praise  thy  name,  we  thank  thee  and     prai 


we  thank  thee    and       praise  thy        name. 


thank  thee       and  praise  thy       name,  and          praise           thy  name,     and  praise  thy  name, 

-     -     -i     -     se     thy  name,  we     thank  thee,  we  thank  thee,  We  thank  thee,  6         5  we         thank  thee     and 

3 6     -                                           6                                          6  5             * 4.       ♦  6 

11              -    -     se            (hy  name,  ^  „e  thank  thee~  and 


thank  thee  and 


praise  thy  name,         we  thank  thee,       we         thank  thfe  and  praise  (hy 


glo     .     rious 


^  N 


we  thank  thee,  we  thank  thee  and  praise  thy 


glo      -      rious  name,  we 


praise  thy 


we  thank  thee,  we  thank  thee,- 


296 


ANTHEM.        Continued. 

-Q— (2— ,— e- 


prai se     thy  glorious  name,  we     (hank  Ibee,  and  praise       Ihy  glorious 

-O-    Q      _       •_  _a»'*p?-|»  _^®_  ::§'_ ^§" :g" 

name,  we  thank  thee,  and   pr^i se  tliy  glorious 


thank  thee,  we     thank  thee. 


and         praise         thy 


glorious 


"^        thank  Ihie,     we  thank  thee,  and         prai se     thy         glorious  name,         and  prai se     (hy 

C  6—  C—       ^ 


Slow,   f-  80. 


name,  Ihy     glorious  name,  we  thank  thee,  we  thank  thee,  O  God,  we  thank  thee,  we  thank  thee,  O  Gnd,  and  praise    thy         glorious         name. 


6      7 


ANTHEM.       .  «  Sing  O  heav'ns.  Kent. 

P92.  . 


297 


i 


I  4r 


ir 


— izS±-r~-d— g— izszz2zzD~tz=iitir;crcz«z:izizs;2z:Di3rq 


Organ. 


_E:aE-: 

ll-:^zz?; 


if 


Alto. 


3r:gzizg-n-pziz£z^zza=pzizgz»i=pz=gZizgzppzpz:^ 


^gE^E^azl: 

Sin;  O  heaT'os,  Sing    O    hear'ns,  and    be  jey    -    ful,      be         joy    •    ftil,      k«  joy  -  ful,    O      aarlk, 


and  t>« 


iH^S-iiiiiiiPgi^^^i^l 


Sng    0    beaT«ns,  and     be  joy  -  ful,      be  joy  -  ful,      b«  joy  •  ful.      O      earlb,  Sing  O  heav'ns,  and  be 

Voice.       „    ^  -©-  Org. 


:^: 


J^L_ ~^1_ "g'__    -Zfi" -Q-   .p-p  -e-  Y's-^ 


8        7         6  Sing  O  heav'ns,  Sing  O  beav'iu, 
»        *         *     5  #6       6 


su  &  u. 


38 


298  ANTHEM.         Continued. 

joy    -    ful,    be         joy    -    ful,        O  earth,  Break    forth      into  tinging,  O  mountains:  Sing    O 


joy    -    ful,    be  joy    ■     f"')        ^        earth, 


Break    forth    in    •    to  «inging,        O        mountainn 


Voice, 


Toice.  ~      "^  8  ?  §  §    Break  forth    in  -  to  singing,       O  mountains  :  Organ.  *  6 


8  7  6  5    Break  forth     in  -  to  singing,        O  mountains  : 

t>543  ,  56  6 


t(l^-F 


heav'ns,  Sing  O  heav'ns,  and    be  joy  -  ful,    be         joy    -    ful,      O        earth,      be         joy  -  ful,      be  joy      -      ftil,        O  earth, 


Sing    O     heav'ns,  and    be         joy  -  ful,    be  joy  -  ful,        O      earth,      be  joy  -  ful,      be  Joy      •      ful,        O  earth, 

©: :P:_:r-i?P-  -  '^'      ■  "^ 


"  ~  be        ""joy  -  ful,      be  joyful,  O        earth.    Organ.  Voice.  |  | 

Voice.        '  J         6       ^l 


a_j.^r 


ANTHEM.        Continued 


_  299 

P- 


^*  j°y''"''        be  joy    .    ful,        O  earth,        the  Lord        hath 


m^s 


P— 


For    the 


be  jojfu),        be  joy    -    ful,        O  earth,  the  Lord        hath 


people,     ^e  joyful,        be^  joy    .   hA,         O  earth.       Organ.         6 


!      Lord  hath     com  -  fort  -  ed      his  people.       be  iovful.        hp~         in»^      "f„i       ~n  .„..i,        rtlTT"    ~o  ~^  ■' 


♦  3 


*3 


*3 


gf  n     n- 


'-*»-r- 


comforted        his  people,      be         joyful,        be  joyful,  O        earth,        be  jby    -    ful,     the      Lord  hath         comforted      his 


comforted        his        people,        be        joyful,        be         joy  .  ful,        O  earth,      be 


joy  .  ful,       the      Lord  hath  comforted       his 


6  -n- 


6        P 
the         Lord        hath  comforted        his       people.     Organ. 


^m 


the      Lord  hath  comforted     his 

Voice, 


800 


ANTHEM.        Continued. 


T-P 


b-a 


He     will    have        mercj, 


»zfZ-:z'^  -P^-f* i»-^-T 


he        will      have        mercj         on 


people, 


his  af 


flict    •    ed. 


le     will    have        mercy,  He        will      have        mercy  on  his      af        •        diet    -    ed. 


people,  he     will    have        mercy, 

•zd  ~zil~zr=:ji:p 


people, 


CHORUS. 


He     will    have         mercy, 
f,  9        8 

5  4        3 


he         will       have         mercy  on  hi»  af 

6  te7  *3 


fliut    •    ed. 


Sing,     O  heav'ns,  and      be  joyful,         be  joyful,        O       earth, 

Q_n p_p_Q— r-P P P— r-P P— P— r-Q T-P-P- 


break        forth         in    -    to 


Sing,    O  "heav'ns,  and     be  joyful,         b#         joyful,        O       earth,         break        forth  into  singing,  O  ^mountains,  ^bre^ak 


Sine,     O     heav'ns.  and     be  joyful,         be  joyful,       O        earth. 


break     forth       in       -       to  sing  -  ing,  O 


Sing,     O     heav'ns,  and    be  joyful,      be  joyful.        O        earth, 

6  6 


ANTHEM.         Continued. 


An  xarjiyi.         ^^ontuiueu.  3Q£ 

sir.ginj,  O  n.mint«ms  break     forth       ia      -      to  .inging,       O  mountain, :  the     L^I^d  "halh"    '  c<^fcrTe'd,~hath~    ~  c7m~Ced    "hi." 


I lll'l  _'___;_    __!,_==k,J._    _  __?_!;' *-'_moi'^'ain5  :  the     Lord  halh         comfort.'d,  halh  comforted      his 

mc-untauH :  break        forth      ia  -  to         sing  -  inj,  O  monn^      7       tahisT'^he"    LoThatlT'coTnlorTedrhMh"    "comToTtrd^iT 


break     fojth         in      -      to 


singing,  O     mountains  :  the  Lord  hath         comforted,    hath         comforted       hig 

3^6  6  7 

^  *3 


people,  he  will  have         i?er  -  cy,         he  will  hav7  me~r-cy.         mercy  "on  his  af    -    flirted,"     "' 

''t' ^^  w^lMmve  _J^J^J_cy,_      h^^nTh'Z    "me7c7~ "o"^  "hiT  J~ .  ~BicT!^,         ~    ~~Alnea.  Amen. 


people.  hp  will  hav»     „,^..,„        lb  ._-.,ru^~  -1^— f^— P-i-P-P — g-i— .1.31 — .liL_~i — liz ij_ 


people, 


he  will  have         mer-cy,  he  will  have       mercy      on  his  af    -     flicleil. 

s       3    '  I     i  i  '     t  i    I 


302 


92. 


CHORUS.         Salvation  belongeth  unto  the  Lord,  &c. 


Kent. 


Solo. 


^       ,  Sal   -   va-tioa         be   -    long-eth,       be    -    long-eth       uri  -  to      the       Lord,     And  Ihy         blessing,       and     (hy  blessing         is 


Org. 


iiii- 


'"                      ~    ""             —  —    —  ^^^     ^^^          blessing,         thy 

^     ^                  ^ ^  Tutli.  -•-   -«>- :©; 

mong          thy         peo    -    pie.  Sal    -    va  -  tion  be   -   long  -  elh,        be    -    long-eth     un  -  to      (he       Lord,  and    thy                     bless-^      ^ 

^ ~~~.~'  '          ~           ^       ^                                   and    thy         blessing,           thy 

m_  Tutli. 


CHORUS.         Continued. 


303 


blessing, 


ing,           thy        blessing      is        a      -      mong  thy        people, 

blessing,  And  thy 


And    thy        blessing,     and     thy  blessing,    and    thy 


bless 


------    ing,  thy 


't  f     '        '"'    't''iTi"'"ii  ' ' '      """V 


blesjiii?,     thy       blessing,      and     thy  '^^k^ 


bless 


pie. 


iHEiii^iiiiiiiiiiiiPiiP 


tptt:  ~~9' 


i^S 


bleisiDf,    and    tby        blessing,  thy  6*  f  676  SI  5—4  1 


804         r  88. 

Syn 


1  WAS  GLAD  WHEN  THEY  SAID  UNTO  ME,  &c. 

l6t  Treble. 


Dr.  Callcolt. 


1  was  glad,  1  was  glad,  when  Ihey  faij  unto  lue,  We  will  go,  we  will  go,  we  will  go  into  tk« 

;•;   _».:♦:_        _ I^"'"'"*'^*.^ i*~^-*-     _:?!»  « 

667        66    7?  ^2^    '  ~  ~    3   -^   6  7     6     f  ~   *     6  ~'      ^    i^3~^'t'  6 

Duo.  lat  »nd  5d  Treblei.  j        I  I 

iii^igi^fiii^^igtiiifeiiiiliijiP 


hoase  of  tbe  Lord.  We  will  go     in  -  to  the  house, 

ACCOM  rT 


We  will     go       in  -  to  the  house,  &c. 


fi     5     —  5  6  7 

4r   tr    —  •»*        » 

CHoaus. 


*6       6  4fe  «     6     6 
4>  5 


5  6  7 

3*         5 


6       4  3       6         6     ri 
4  4> 


F.  We  will  go     into      ika       house,       We  will  go  into  the  house,  into,  &o. 

i — :~"F~h~p"T"Pr*~!*"T"P T — i*~^TT~l*y~"F~'*rT"P' — 1 T~~ — "~ — "T~-P"P-*]P~?~^"ir  *'^"Ft  P"^~i*""TP1 


I 


p.     Into    the  houFe  of  the    l->»rd,  We  will  f», 


•     we    will  ft) 


inio  the  house  of  the  Lord,  inte  the  bonte  of  the  L«f4. 


II  ^'  ^°^'"'-  a  m 

telipipiiEi^iiiii=pi5iiliiiliiiiii^pi:iiii 


»    3     S    35     3     3»^     3 


8 6    6    6      6    5      7 

33     3    33    3   33     354  43 


6    6       6     7-U 


92. 


Solo. 


1  WAS  GLAD,  &c.         Continued. 


S05 


Tutu. 


^   ,      „  ,  „,    , ,  Peaoe  be  with  -  in       thy  wall?,  Peace  be  wilhiii     thy  walls, 

Solo.  Second  Treble.  Tulli.  Alto.         .«..  •  .  «      • 


Peace  be   within        thy        wall?, 
Solo. 


-9- 
Feace  be  wilhin      thy   walls, 


And  plenteousneps  within  thy     palaces. 
Tutli. 


-t-t-t-i-P—P-T z-T :i*z*i_i;§! — m:iz^—\zi. — .— t--. — t-t ^-b»'-s«-'-^ — g- 


1-4 


Peace  be       within     thy  walls. 
Solo.  — ~ 


Peacc  be  within     thy     walls. 


Tutti. 


jpi-tj,— g-i -I 

~  6—  6    4.  "'"  6—6  6     6     5  ^7 

3  4    tr  5 

Solo.  Second  Treble.  Tnlti.  Alto.  i  ^         .»-  ^— ^  --, 

Peace  be  within  thy     walls.     Peace  be  within  thy     walls,     And  plenteousness,  and  plenleousness  within  thy     palaces.  A  -  men,     A  -  men. 

6  i0  6  « 


H.  &  H. 


S9 


6 

4, 


306    £  80.  O  LORD,  WE  TRUST  IN  THEE  ALONE.     Chorus,  from  the  Oratorio  of  Joseph.     Handel. 


ir 


Adagio. 


._-t-.^-r^- 


alone  in        thee,       alone        In  thee    we     trust, 


O              Lord,            we      trust  alone         in      thee,       alone        in        thee,     in  thee,     a   -    lone,      a  -  lone     in            thee    we     trust, 

^ZSLZ-^  ~    ~                      ~       ~  ~              "                            a      -      lone     in     Ihee,    a    -    lone,      alone        in          thee     we    trust. 

Organ.        i  ci^'~^4  J-^ 

^                                               "'                    '          ~4  7:                    "■                                              ~"6  5                                     able,  fccf             6  7 

■z  5                                                               4  ;}                                                                                  _ 

in  thee,    O         Lord,  in  thee,     O         Lord,       O     Lord,     we     trust  alone       in     thee. 

«^_   '      '"11 


b     6 


6    6 


4.       3 


C MANNING'S.        C.  M. 


307 


Come  sound    -Anad  Jthmah's     name,    And      in      his  strength  rejoice  ;  When  Ills  sal    -    vatloii      is      our     theme,      Ex  -  alted        be  otir  voice. 


67         43  Bfi5       676 

4.  4      1   3  4.  — 

3  — 


6        *6 

4« 


■*  -        6       6         6 

4       * 


►-,_P_S 


r-tizc 


.C-® 


.ft  :^_|a    p 


With  thanks  approach  his      awful  sight.    And  psalms    of    honour      sing ;  The  Lord's  a     God    of    boundless  might.    The  whole  ere  -  ation''  Kin". 


'I 


iiSiiiiiliiilliiiifiiiiiiPiliiiiS 

Taste.  56  •?7  765  64   3  ^^ r>  6       7 


7     6  5 

o     4  3  • 


6       4    3 
6   5 


, r,  6 

3     3     3" 


308 


I 


80. 


SONS  OF  ZION  COME  BEFORE  HIM. 


Nauman. 


,  Alia  Marcia. 


u.  «iia  marcia.  ^^ ■  _      ____.. 

YT "■^  Sons  of     Zion    conie    before  him,  bring  the 


come     be  -  fore  hiiD, 


f j^ — iJT     |*"li7                      "•~.i^_l^-   ~  j*  -#.~«^  ~                 ~                           •    -&■  Sons  of    Zion    come      before  him,  bring  the 

cymbal,  bring  vhe  harp,  bring  the  cymbal,  bring  the         harp.  o!    e=    ^^^.l.'               ^ 

Tf~^' 7^- ^,  ~V"^     r"~~4i  ""        irrTX-T.    7i,T~hJ^^^        Hl'h   in        elorv    Jo !  he's  seated,  see  the  King  be  sits  in 

*^                        bring     the  harp,  bring  the  cymbal,  bring     the     tiarp.       Wi,^  i— —■.                                                          '"  •     ••                » 


i-\*-\     I 


'^    ~   cymbal,  bring  the  harp,  bring  the   cymbal,  bring  the  h:up.  )o'  he's  seated,  he  tits  in 

■'Si"  -•■-        *  "ff"       ft.    '_4_         _  . ^„ 


6  6      6  5 

4  3     4  3 


* x-r— . 


SONS  OF  ZION,  &c.         Continued. 


309 


?*kS=:= 


See  the  King  he  sits  in       state. 


-  «— •-1  -m-m T 1 


u  I*— •  = 


statt,  see    the      King    he     sits      m  state. 


Sons  of  2ioD  come  before  him,  sound  the  lute  and  strike  the  harp,  sound  the 
Voice. 


I  See  the  King  he  sits  in  stale.  Sym.  n>aa^  /-I  Voice.  Tasto. 


5 6     6     6 

3     3     3  4.     4) 


i'"9'^n.  p — T~^~-~- — 1 T — ' T" T [ — n  "t*"T"inn  \*m  ""■li'^Tz! — ^ — 'H — r*"" 

lute,  flrilie  Ihe  harp,  ^^^« 

u  Sym.      I    j5.JTrq 

i?zp~zzT:q:-:Hid;i*z*2S*i~-Qziz:iq==K-' 


Sons    of        Zion     come  before   him,  bound  the 
Voice. 


i=?— Lpzpf4!f:*zii|izr=z^z^J~zrzrzz:|^-?iii*fzrf? 


-1 
3 


Sym. 


Voice. 


^  ,  ,  J33-  =^=^^*«33 

jx;^z§zt^zpzprz~zrzzzizzzzz— z~idiil^-_zxzzzz~z_Ti~zzpzzzzi:d— "z;z:izpz~z:~^ 


310 


SONS  OF  ZION,  &c.         Continued. 


i«,L-'   ''^  -  t-P:3 


lu(e    a7d  .'(rite  Ihe  har"^,  sound'he        lule  and  ilrilce  (he  harp.     Sound  Iha      lu(e  and  .iiilu  ihe  harp.  Sons  of     Zion  come  hefore  hioi,  sound  the 


Sound  the  lute  and  harp. 


Sounil  tlie  lute  and  harp, 


<i. »— P—t-l gg--g-g-g7  "     6g'6   8-'     ■     ■  "■  6 


Sound  tue  lute  and    harp, 


^  Me  and  strike 'the  harp,  sound  tb^  lute  and  strike  th^  harp,  strike  the  harp,-stnke  the  harp,  strike  the     harp-  


sound  the    lute  and  harp. 


byni.  I  ,,      . 

ii  J    .g-\  OCIP. 


I  ??2^-Ep=gP=f ===:|^P^?=f  Pi 


II     111 

-e— •--©-©-  ■©- 
-—-■«—«  -§-e-T-© ■-»- 


-,m-^ — ^i-s T — T — :■ — ■€—■ •  -w-w-T-a ■-»— 

E=zJ~iii=?E=*:ifz^:i:ii:~«ZK{:zl:d:53r3^i:c|zc:J:c^idJj 


69. 


VESPER  HYMN. 


Eolo. 


Russian  Air. 


311 


Ju     ■     bi 

Eolo. 


-    la    .    te,  A     -    men,         A   -  Hicn. 


1.     Hark!  (he  vesper     hymn    is   stealing,     O'er  the  waters      soft  and  clear;  Kearcrjetand    iicisrer  pealing,     Now  it  buitls  up  -  on  the  ear. 

Solo. 


I       t..*  n  *-  1    1. i:,.L* „^^    -^#- .;."_  T^..    .1..^    ..k....^    ;.  A,c.^  ..I.^..  .  TV^..,       lil.-a    nrtnrw  ti-rtroc    n\tiDtiTtrr     UrASiI/c    fhp    mn\rr\pA      tuif       tit     «r»ti(T, 


«l 


2.     Now,  like  moon  light  waves  retreating.     To  the  shore  it        dies   '     along;  New,  like  angrjr      surges  meeting.  Breaks  the  mingled   tide    ol  soii 

Ins*.  Voice.  Solo. 


Tntl!.  F. 


Solo.  r.  p. 


Ju     -     bi       -       la     -     te,  A     -     men,  A     -     n,eii. 

5  5  f:  5 

43 


Tutli.  F. 


A     -     men, 


A     -     liitn. 


Ju     -     bi     -     -     la     -     te, 

,-      -^_|9t  .0-        —^  Solo.  P.  r.  ,       , 


Jii  -  bi    -    li»  -  te,      Ju-bi-la-t*,       Ju  ■  bi  •  la  -  te,  Anicn.         Farther  now,  tow  farther  stealing,         Soft  it  fades   up     -     on  the  ear. 

Tntti.  F.  Solo.  P.  P. 


I  '-^  Huth  !   aRaiii,  like  waves  retreating,         To  tiie    shore       it         dies  along. 

I  Tiitti.  r.  SoKP.  P.  ^  _ 


4         6 

3 


6    8  7 


Ju     -    bi     -    •     Ja     -    re, 


A      -     men,  A     -    men. 


312 


120,orp60. 


CHORUS.     Hallelujah  to  the  God  of  Israel. 


Haydn. 


Sym.  .y  .y* 

z:S:zzd:qr3z=i;igz?ziiiTs=tr*:5ilzlziia:t^z^fzzzz?zttSrW=tifc 

t .  "W'  p  \m^\  m^  ■■•""•a" 


Unison.  ^.1— »^  _ 

6      6     *  6  7  •  ~        fi      ■*        6  ~6  7  6  6  6~         6     4."  6    ^  6    •o    ~ 

3  42  4.  234.3 

-     -  -— — —  _,  '^^.^       (—■ — —      -I  --I  — 


< 


sfe- 


-1^._P A 


Hal  -  le  -  hi  jab,  Hal     -     le      -      lu    .   jah,  Hal  -  le      .      lu  -  jah,  Hal  -  le      -      lu    -   jah  to  the  God  of      Israel, 

Voice.  y,—^       ^^-—^  ,— «^      y—^  Sym.       _        Voice. 


Voice.  *  "51^-  I*  Voice.  Sym.     Voice.  — d;    -W- 


^       6    6  7 


6*6^  6 


CHORUS.        Continued. 


313 


He    will         save     • 


?ill         save     -     -     .     -     us     in      the  day,  the  day   of    fight. 


:;liz:;:==:-:1=: 

Sym. 


he     will     save    us     in  the       day    -    -  will  save  us    in  the            day  of      fight. 

Voice.  _  ,-■ V  Sym. 


Hal-le  -  lu-jah,     the  Lord  is  our  de- 


I        I  Voice. 


he  will      save  us  in  the  dny,  will  save  us     in  the  d 

Voice, 


tizzU3±trp:lgzi]:: 

ay     of      fight.  •  -^ 


S: 


Voice.-Q. 


-~  -    -r-        -  6   '    3  ~-      "7    fi  5     '     ~     "  "    ~7  "'5  ~"6    8  7~    ^'     '        -----        -j9-+-    -I-   .•■-    -        -.      .   -_  -t; 


5     6      7      6 
*    4,     5      4, 


_t__|_-t5,-^— I 


ftuder,  he    will      save  us   in  the     day,  in  the       day      of      fight.  F.  God  is       great     in         battle,  for  he       is  the  Lard  of        hoets. 

Sym.     -J  1       Voice.  Sym. 

Sym.  '■'•Voice.  "P-^-f-       m  ^^'°-       ^ 


n.  &  H. 


6^6  6 


6     .5 
4    ♦   — 


40 


I       6    ^6 


'     I 


S14 


CHORUS.         Continued. 

:g2i=iZ5i»=i=z=z=-: 


;i:_z_d_ird_^ ip-i — p:r.s^s_g_2_i_i — !z_i_i — i — t:_i_r:_c_i — [i-i-fi — 1 1_| — t— i_c_t — zj 

-p^        '^] _-a-*-  ^ -^-_J^-_  _  .JjE.  :^-P«-» • P-^p:-  -a— (5 

Hal-le     -     lu-jah,  He  U  our         refuse,  I       will     praise  him  for-evcr,     ever  -  more,    Syrn.  .Hal  -  !e     -      In  -  jah, 

v,^;.-.  Sym.     Voice.  ^Q-  -^-      <^0—    Voice. 


Voice, 


\'o;fe. 


^7  4.       bo    4.5 


b- 


■^      .  r^    ^0-         «    a        ^*-        O  "P  ^  -^-        -©-•—»»-        -e— «-  forever 

fcbiP:^Eiiz*ii  izi;i:xiuibz:''ip:riPzzz~pziz@zz*ipziigz:?i2;izpz:tz:EzizE^ 

1     will     praise  him,     will  praise  him  evermore,  wHI  praise  him,  will  praise  hia,  will  praise  him,  will   praise  hira  lor     -     evtr,  for- 


«        t»7 


Voice, 


forfTpr 


ili^SEg^llziEliEFllipppyip^^^ 


IL 


te7 


6  -96 
—       4 


^    2 

4  Ik 


t£ 


w^^ 


CHORUS.         Continued. 


315 


forever,  lor.rer  ever,       ever        more"  "         forever,  "forever,    "    ~       forlver,^  ^y^^    fver         mEe, 


r-»~»- 


(3— T 9-9- 


«1— ^: 


more, 

ill 

more,  Syno, 
more,    Sjm, 


ever,  for     -     ever,  for     -     ever,     ever         more,       for     -     ever,  for     -     ever,  for     -     ever,  for     -     ever,     ever 


forever. 


forever,  ever,      ever         more,  forever. 


forever,  forever,  ever,      ever 


fi  fi    5 

5  4,    S 


!f» 


6  6      5 

5  4.      3 


^ErEEEiE^Er 


:«ririi: 


_  Er^f  z!::±rF-,»— r- 


::b: 


wiU  praise  him,  will  praise  him  forever,        ever       more,  will  praise  him,  will  pr..ite  liim  forever,       ever    '  more" 

^o'"---  Sym.     Voice.  -»-_«»._«.. 


1 


;ii^iiiiiiiii^i;ligiigliiiiiigi|ii 

:it:P&7pz{zf:zpz-*- 


-P- 


Sym.     Voice. 


Sj'm. 


E~6f  :£zEi-^eeeE  f-f  =  Ei^Ez^£FW-E-i^p^E=p=^"^^^ 


.Q 

-e 


6  6 

5  4     .5 


T.  S. 


6 

4.     5 
3 


y^l 


316 


92. 


DIRGE. 


Dead  March  in  the  Oratorio  of  Saul,  by  Handel. 


\ 


.b 


::fe:rni»zizp 


p.  Solo. 


P.  Solo. 


Tulli.  P. 


:EEfBzE?iJEiE|£^:JE|EEfp=r#^^^^ 


zIrBzBri;Bz:E:jEPzEJri  . 

Unveil       thy        bosom,         faith    -    ful     tomb,       Take  this  new     treasure       to  ihy      trust  j         And     give  these     sacred         relics      room, 


b^Sz*ziz§zizf:iz«:i«:i?;*z*:±zdzz:izi*^^ 


p.  Solo. 


P.   Solo. 


Tutti.  P. 


65  6       76 
id*      5  4 


8  7  6  5 
654  3 
4 


56       ^'-e         5 
34  5-4        3 


Repeat  for  the  2d  and  3d  verses. 


P.  Solo. 


:b::zz?ip.ezsis:pzEi?i»«gzgi:5:3zzz$ipzsz^prpzizzizz-2z*i:i:3zzz?i:BrP;T 


Itifczz 


To     slumber      in     the       si    -    lent  dust.         And  give  these       sa    -    cred  relics     room,         To     slim.ber    in  the       si    -    lent    dust. 


zz:2Zpiz;,-Z*i*dzzizz*zz?i:d:izi:?':l2z!'z_zl:®zi:f;i»:i:_ 

s_/  V ^  P.  Solo.  >^ — "  -^ — ^  Tulti.  -g;  ^- — ^ 


-P-P-.— P-P- 


ll: 


6       4 


7  — 
5  — 
43 


87-6—  5  —  8  —  7  6  7  6 
6  5-4—  3-6  —  5  4  5  4 
4  4 

V,  2.  Nor  pain,  nor  grief,  nor  anxious  fear     Invade  thv  boundi.     No  mortal  woes     Can  reach  the  lovely  sleeper  here,     While  angels  watch  the  soft  repose. 

3.  So  Jesus  slept ; — God's  d^ing  Son  Paas'd  thro'  the'grave,  and  blest'd  the  bed  ;  Rest  here,  dear  saint,  till  from  hia  throoe  The  moroing  break,  and  pierce  the  shade. 


DIRGE.         Coatinued. 


317 


Verse  4th. 


r.  ^ — V  Dim.      ^-^    — -^      ,-^  .^Z       ^  P.  Solo,       ^^-^  ,,— V. 

Cfe^_t^-t.E_P— C-ip-t: — i.t|_ep_p4.e.J-is_pi-pp-pf:tzpc tp  zp2p_.fi4-p -q.s?-pi  __ p.Lp4P-P-»I^-|»p-i-t.ezJ 

Break  from  his  throne,  il     -     liistrious     morn;         AttenJ,        O      earth!  his  sov'  -  reign  word ;       Restore     thy     trust, — a         glorious     from — 

r.  Dim.  ^-N       ^ — V  /- — V  P.  Solo.       ^^ — ^  ^^ — ^ 


6         7 

4.       tr 


tj3      3    3     ^ 


F.  F.  Tiilti. 


_^_»|»,_ 


, m-r-P-P- 


Shall  then  a-ri?e,  to     meet        the  Lord.  Restore      thy     trust, —    a      glorious  form —         Shall  then  a-rise,      to      meet     the  Lord. 


6  64 
3 


6       4  7- 

3  43 


S18         5  92. 


LO!  MY  SHEPHERD  IS  DIVINE.         From  the  Oratorio  of  Jiidah.         Haydn. 


»i 


Sym 


iiiiiililpiH 


-o-S-«— J 


ziii:=iazz;i:^;HZ=j:iHZi)z:g:iqiii5: 


^^—- 


fz^zrz^^zz:! 


6      6 

4. 


-*f- 


6     4. 
3 


—       S 6      6 


<i-5 
4,-^ 


Second  Trehle. 


g-— — — -— — — |— — -■^— I-— -— -|^-^^-0— 3 ;  ;^;-t  j^ 

^sKTM  Lo !  my     Shephtrd       is         divine,        How  c.:n        I       want  when   lie        is     niiue. 

fri       H     J    ?r3  Voice.  ^  ^-^  ^^  ^^  ■ 

:^zz-zr-i,«rzizziz]z^lz^fzfi^^gq;4rdzz.-|Zp--:xzzpzaiaziz-^ 
bz*^^bfcS3E^Lfet|JzEzz^zz?i?zz*:*:II§ziJzE-t:it:EzbJtzE:E:t:!zz?zp 


3§E^EEiEEiEEiEEfErEEEzE:^=;p33l:t^=}— ?E=JE 

6  4.     6  "~       6      fi       5       v_^  6  ~T        ~"'~  g  5_64.  7fi6  65 


4.     6  6      fi       5 

6  4^       3  b 


5—64.  7fi6  65 

3  5  5     4  4>       3 


I 


lf_^^Z=5=Z 


LO  !  MY  SHEPHERD,  &c.         Continued. 


^_. 


L.UI  mx  tiai<ji^i±t.tiu,  &c.        Uontinuetl.  319 


Lo!  my       Shepherd         is        di  -  rine,     How    can  I     want  when     he       is         mine,  when      he      is       mine 


^,^_^.  ._^.  .^.^ 3    ^^§ - 


-# 


— T-  — l-T 1— *— ^ p-» 


:=:-?_©_.... 


-_]^__., , i».,_a. »  ^ 


^^  7      ?     3      3"    '3     3     3        3     6         '    '  I  ""1      ZZ~      6      6~     '    ~6        *<;  '        '     6    ~       '    "fi 

^Hu  leade(h         me — He  leadetfc 


kad«U        ■!«, 


By         the     ttreain  Uiat         wanders       slow,     Thro'     the     lueada  where  flow'rets   grow, 


,         I  ,Q.  _^!_   ^  gro"')     --------       He  leadeth  me     and 


6       — 

3       — 


*  7 


5^'  ~  ~  ----- 


6  — 

C  - 


3     3  3 

He  leadeth 


320 


LO!  MY  SHEPHERD,  &c.        Continued. 


me     and       there      1         rest,     In       peace     di  -  vine  -  ly       blest 


and     there      1        rest,     In      peace    di  -  vine  -  Jj        bleit. 


In 


love,    In      love     and      peace  di    -    vine  -  ly    blest.     Syn 


I 


1    I      *— •-  a        -' — ^  -^ — ^ 


— -         hi 


there     I         rest,     In        love     and     peace     di  -  vine  -  ly       blest. 


me     and      there      I         rest.       In     peace     di  -  vine  -  ly       blest.  7  6 **       6  ''     f    5 


me     and      there      I  rest.  In     peace     di  -  vine  -  ly       blest. 

6    4.              6  *5  *5  6        6     6                §        5 

3                        4.  *                                       4        * 

3  3 


Lo  !  my 


Lo ;   my        fclirpherd         is         divine,         How     can      1     want 
Voice. 


izrzTZw: 


■'-J — ••*f-J-«-i-d-±-d-d-«-±-J-* — ±» — I-  n-f-d — 3-1-3 — ^cr«-3-3-i — »-«-i^^?-*4"S=f-f-3 


'        -9*  J?  ^>— ^  ^n  9.  V'oice. 


6  *fi 

4 


Lo!  IB}' 


LO  !  MY  SHEPHERD,  &c.         Continued. 


321 


I        is         divine,       How       can       I         want  when      he        is mine.     By     -     -     -    the  stream  that        wanders  slow,  that        ^"wanders" 


Shepherd 


When  he 


is  mine.     By    -    -       the       stream  that       wanders         slow, 


ders 


R.r        _  *t.,.       ,.* .L_.  I _i_  ..      7"      "'  T      ""  p— -^— h— — J 


''-~»-_m_-' — ^               "'**''                jlf                    '*             ■"'"•=■  %      -      -    *'"=  stream  that         wanders  slow,  that  wanders,  wauders  ~ 

Shepherd      is       di    -    vine.  How    can       I         want  when     he  is         mine.  By     the     stream  that  wanders  slow"                 w^eT." 

3     3*^3333                      *6-               6-                                        7  7  7  7  76  5  6     7      6 

2        ..^ ^                                                                         „ ..  *3  4    5* 


slow. 


lie  lead     .    -     -     eth       me,     he  leadeth         me,     and 


tf—^~-     -  ~  -     aj  a!"  ■•-i:d:  -d     •"  "•'  -  -  -         —  .  |-  .  -^       __         i-ii_  _*_i.i_3_g;j 


slow, 


Thro'  the      meads  where  flow' 


rets      grow. 


He         lead 


eth,      lead 


eth         me,    and 


S;liii^iiiiiiiliiiiililiiiilili;liMili 


slow,         _ 


a:=£:i:„.fc=,Jp^,.x: 


_.      He  lead    -    -     .    -    eth    me,     He  leadeth         me,     and      there,  and 


slow,  7       —  6     6  St  He        Uadeth  me,  leadeth  me,  leadeth  me,    and 


7       — 
H.   &   H. 


41 


He        Uadeth  me,  leadeth  me, 

6  7  7  7 


leadeth  me,    and 

7  7 


322 


LO  !  MY  SHEPHERD,  &c. 


Coutiaued. 


j' — ---••-* —  — -L— — —    —  —    -  li^  \m^     and  peace,   In  love     and 


there     1      rest, 

p — 3— «•  3 

there     1      rest, 


In 


love  and       peace     di  -  vine  -  ly     blest, 

i  — *-»-T-«-- 1 


In  love     and  peace        di    -    vine  -  ly 


^. P-f--t--^ '  '~       '  ' '  —       In        love    and     peace      di    -    vine  -  ly 


tliere     1      rest, 


P — I ^'K. — ■+~T-"  t  *"  '  (. — £■"  f,         5  In  love      and 

6     7      <.         o  7  ""43  8 


4     5      4         i 


In  love      and 

3     3         3     3~3 


blest, 


In 


love  and  peace    di  -  vine  -  ly      blest.     Syni 


blest, 


W      f     I    *•■ 


--.f 


■*»■- 


peace,  7  Jo  436643'^  4  ^  4— *2      J— *^   J  — — 


323 


fr#:-: 


Recie  : 


ANTHEM.         That  I  may  dwell  m  tlie  house  of  the  Lord. 


-bi — ^- 


One      thing     have        I  de 


ed  of  the       Lord,         which         I 


will        re  -  quire, 


F-^-^~' 


:_| ± i ^ i ^— 2— -5— =^ 


96.  Sym.  Andante. 


~!EE^iEiiE^EiEiEiigEiEi3iliP 


?: 


EfEEf 


rizzzi: 


:=|±z:J^Z|. 

:zz:zzzr(^~ziz: 


— zz?zz4;izzz: 


■©--- 


if  ft— ^-^ ' 

Xizz^zzzzgzz: 


:z:*:*:izi=zrft-=-^=^zli?-p-fzfzfitziz^.L£.E2: 


:zEtE=:fzrf^: 


,pgEi|^| 


zyl^zf^g 


IS 


— e 


324  ANTHEM.         Continued 


That     I    may        dwell, 


That     I     moy        dwell.  That  I      may        dwell  in  the  house,  in  the      houte     of       the        Lord,  may 


iiii^iiiliyigiypiiE^i^yiliyppiiii 


Organ.  6 


t        ' 


fi      3-  Voice.     5-  6     —     5  5646  6       56       7  43 

*  43  4.-3  8  5345 


:ti!:i»Ti«  ~  «zi::z-»  -»-i*- 


dwell    in      the     house  of    the  Lord     all  the      days  of      my       life. 

r#-* ■ T— 1— t— .—       ^ 


To     be     -     hold  the  fair  beauty     of    the       Lord,  To    be- 


iipiiliiiispiSiiliiliiii:^Pig§iii^ 


liittyiSI&^l^iiipiiiiJiiEiJiiiiiiiiiEi 


6         #6  b—        65—6—  66         7 


5  4       6  5  4  3     Voice. 


'#.*- 


ANTHEM.        Continued. 


325 


fPpg^ippgi:gJapE^eag^|a^;g;ia;ig^^^ 


of      the 


hold  the  fair  beautj      of  the       Lord,    and  to  visit,       to  visit        his        temple,  to      behold 


4, 

2 


5 

2 


4      —      •#• 


iiii^liiiiiiiiiiiiipgiiiiiliMliia* 


I  Lord,     and      to 

IaS^^^Zhh-H- 


visit  his  teoaple,       and     to 


visit         his 


temple. 


A    -    men. 


igiiigi^ijepiEi^iiiiiiijiiPiiiiiyii 


6  5    -         6 

5  J  - 


fi         6         5 
5        *        .i 


6         6        5 
S         4        a 


326 


100. 

Allegro. 


ANTHEM. 


O  Sing  unto  the  Lord. 


Dr.  John  Clark  Whitfield. 


O     sing   unto  the  Lord  a       new     song,     a        new       song. 


O     sin;    unto  the  Lord  a      new  song,      a       new      soug. 


676  668?'  666''                                                ~                                ""                      --r---- 

5                    5  5    45 

O      sing  unto  the  Lnrd  a  new     song,  a  ni'w      song. 

^  p-.  _       _        J^-_    _-g- 


tr 


^y , . . —       I —       r—    ■ ' I -^^ I— I 1^ '-I — ' ■ » 1 T^-» ^1 ■■ —       I 1 

I  O      sing  unto  the  Lord  a      new     song,  a     new     song. 


76  6       667  67eR 

5    45  5^4. 


ANTHEM.         Continued 


327 


Let  tiie  con^re    -    gat'ioii  of  the  sainta  prHk^e  hiiij 


:^±^f 


O     sing  unto  the      Lord,     the 


Let  !lie  consrei;:ition     oT  the         saints  praise  hini.  O  sin", 


Let  the  coiigre   -   gatiou  of  the 


Sdints  pr.iise  him. 


Oct:ives. 


O     sing  unto    the     Lord,      the 


Let  the  cougregation    of  the         saints  proise  him. 


O     sing    nnlo  the 


::bz: 
rii — 


Lord  a     new  song,       O         sing  unto    the         Lord     a  new  f"iig. 

'_ ^ »_*lP'Z^ . 


"^^      song,    j^f^    ^ 

±zz?iziz?z-zp|zp|»ziz^zpz^zpzizz:g£zzizp;pziz-:z:^ti^:-:^|ii-:"^^ 

Lord  a      new .       son^,         O       sing    unto  the          Lnrd     a             new         song.     Syai. 
• , ^_    .^'"•zPl    ZpT^Q 


Lord,  O    sing  unto  the    Lord,  uato  the      Lord  a  Dew      song. 


ANTHEM.         Continued. 


Z t--U — U— " U— k»— 'i ^~  J^    ""^   r.;„i,r^  L,et  (lie      congregation      of  the 

Let    th7      con£re£at.on       ^_t:;e HJ^'^^ ni^^"*  '""'•  _        _  -__ 

~~'^~~~T'~.     .    -     ~~ -     1   Ts7    him,  Let  the  congregation    of  the  saints     praise  him,  


pra      -------  - _  -_        '  , V  /^  vr 

~     Let  The      congregation         of    the  --a.nts  praise  h,m,  ^^_^^^  H ^^ 


Let  the      congregati( 

— ^-=:i3:i=tri3bz*ziltzi-t_f  Jl_j-I-!I.' ICiril-u-iZi u_l.i__._- — ^  6S676s       esere? 

•  g :  '*'         3  +  5J  434.54.3         434.443 

f|iigiilpiiiEliiiiiiiilipiiPiil=^liMi 

fai"ts  praise  him.  m—A  ^  _        x'~~v  ^       0  '  ^ 
t-tt3:-LP    :P       ^    i!;;rthrco'D'i'regati^on"of~«he      "^-^'^      praise  him,  the       saints^ 


praise  him,  the  saints  praise     bin). 


"^iPiiis|i||=^p|Piiii|||iti|ipg:|MilsPJ^:^^^3'ffi 


6  5  fi         him,      prais*  bim.  6  7  -    <"  4  « 


6  3  R         him,      praiM  bim. 
*•!*  765 


r  56.  ANTHEM.        1  have  kept  the  ways  of  the  Lord  ! 

F.  CHORUS.  Andante. 


Henry  11.  Bishop.  329 


I      have         kept       the       ways     of      the  Lord,         and  have  not         wicked  -  ly     de     -     parted     from  my  God.      P.     I     have 


— irzi 


— « -*i 


i-l-ii:^-^ — d_:5_t_: 


^     p. 


2- 


— J— 61 

6        6        7  4.3 

5 

Soslen. 


*5  6       6         _6 

4.       *4.        ^5 

Cres. 


azzdz 

6     5  -g        6 

4.     3  4. 

F. 


ri~T"  ri ,        _- 


-I- 

And  have     not,  liave    not  , wicked  -  ly       de      -       parted  from     my  God. 

—  CUES.  F. 


m=m 


kept     the       ways    of     the       Lord, 


And  have  not         wickedly,  have  not 


de 


-#- 


parted  froiu     oiy  God. 

CRES.  F. 


'. =_.K_ai.x_ei 


-w^ 


And  have  not,  have  not    wickedly,  have     not      de 


— o — □ — izd — S-j-x — _ — : 


parted  from      my 

CRES.  F. 


God. 


7        6  5  6         5     

tl 4.        # 

H.  &  H. 


42 


And  have      not             wickedly      departed  from  my       God. 
9         6  9  8  7 6     —     7    — 

'         *         |3 


330 


ANTHEM.         Continued. 

F. 


Cres. 


P. 


F. 


All       his    judgments,  &c. 


^=?Eg=p] 


be    -    fore     me,     be    -    fore    me, 
p_«_._ Cres^ F. P. 


All       Ins  judgments  were  be  -  fore  me,  were  before        me,                                             were         be     -     fore     me,  be  -    fore  me,       And     I        did 

P.  Cres.  P.  F. 

All            Ills    judgments,  &c.  be  -    fore  me, 
P.                                                                                                                           Cres.                                 P.                                         F. 

fore    me,  be  -    fore  m( 

^76     6  -  6  ^ 

itules,  di.l         not     put     his 


All  hi=    judgments  were  before  me,  were  be   -    fore       me,  were         be      -      fore    me,     be    -    fore    me,        ~         £      — 


6     6  fi     5     -*5- 

4      o     — 


11  4r — ^~~"^ — — ^~T~^     ~ — ~ — ~    I — ~i      ~j — j —         r —      H — j    rtai 


11  P.  And      1       did         not     put      a    -   way    his  statuies,     di.l        not     put     h 


not     put       a    -    way  his    statutes       from    me,  P.  And  I  did         not     put       a      -      way        his  statutes         from  me,     did         not     put     hii 


dzzaziia 


p.  And     I        did  not       put  a  -  way       his         statutes,       did        not     put      his 

-© M i 


^  6       -     V.7  6~-"6~'7~       5        -~  ~  6        6  ~    "4  '  5      ^  6  ~      -^  ^Z         *         5 


rr^s 


ANTUEM.         qontinued. 

F. 


331 


P. 


statutes  from     me, 


1       did      not       put        his        statutes    from 
P. 


P--P- 


1     did     not         put         from 
P. 


statutes  from    me,       And     I       did         not     put       a    -    way     tus      statutes       from     me, 

r. 

F.  Organ.  P.  Voice. 

__  __  1^  ~i"6~    ~  ■    '~6~'    '  6  7~ 


-*«-H 


-a- 


ifc: 


5      8^7  ^ii 

4 


4.        3 


^7  *         - 


rritt 


F. 


tt     /^ "     ^ik     T    L C^ C    Hi         ^—     I       I  ! L        I       1    L—    L» — LZ    i  


1       did      not         put       his  slatuler     from  riie. 

p. 


uie,     and         I       did     not         put,  did     not         put     his       slalules  fram       me. 


I     did  not  put       from 


-9 


Orsjan. 


P.  Voice. 


-©— -©— J-Q 


I  ^-T^^ZirgJLlgZI-p-LL— L-.L- 


6  6        -  5 

>4        ^  3 


6         7  -8 


a: 

6  7 

4> 


332  I*  108. 


Antlieni.         Coutinued. 


Alto.    Soslen.    VERSE.     AndanJe  con  Woto, 


Sosten. 


Who  is      God    ex  -  ccpt     the        Losd  ? 
Sosten. 


Who  is,  &c. 


God      ei    -      cept     the     Lord  ?  Who  is   a 

Sosten. 


Organ,  Voice. 


Who  is  God,  who         is 

Organ.  Voice. 


God       ex     -     cept      the     Lord  ? 


-Id: 


76        5    —       3 
Who  is     God,  kc. 


76        —5 
Who  is    God        ex 


—  3        4.3  6        5 

5        a 
cept,      ex    -    cept    the      Lord  ? 


Rock  except  our  God  ?  a  Rock  ex  -  cept       our       God  ?  a  Rock  ex  -  cept       our  God  ?  ex  -  cept       our       God  ?     ex       -       cept        our 


Rock    - 


Soslen. 


3'  3     3        3     3     6     6 
Who  is     a  Rock,  &o. 


6        7*6  8    7  §  5 

t>     5  *  ■*■ 


ANTHEM.         Continued. 


333 


God; 


except    our        God  ?     who 


* :g-_:r-^- 


^ 1 _.«_-_ p — 0-^_j —  Z C_»_    _e-g-»-j-j-_-^ J-— p.|»_      (»_^ .__. 


who  is     a 


Rock      ex    -    cept    our      God  ?  ex  -  cepl      our  God  ?        ex- 


Rock     -     .     .    who  is     a         Rock  ? — 


P.P. 


*4.     6    -frS  5     3     4     5 

3      S      3     3  3        2  „2      3 

Who  is  a        Rock  except  our  God  ? 


6—66  7  87  65  u<9  6      5      76 

4—5  654.*  87  4398 

-    Who  is  a  Rock       ex    -    cept  our      God  ?  ex  -  cept       our  God  ?   - 


-# j-^. 


cept      our        God  ?  who 


a    Rock  except  our  God  ?  who        is 


a         Rock,     a     Rock  except  our         God 


:s: 


—  -  —      ""  -pn     w  ~~^     -  -  -  —         .      .^  '         -~  -^ *     •^' 


Who       is  a       Rock     ex     -     cept         our         God  ?     who 


a     Rook    ex      -    cept        our 


God  i 


5     4     3    4       ~4.1^  3~    '3~3     3~3    43~0<"    ~ --Z^       5-         '    ""    "s  ~3 '    3     '3"~3  ~3    43~v ^'    "•O'        6—        ~^Z^ 

7    6     5    6        6  5  8         6 6         6  4  3  B 6 6         6  4  8 


334 


ANTHEM.         Continued. 


CHORUS. 


P  104.  DUET.     Treble?.     Allegro. 


r.  F. 


2(1  Treble. 


Who        is  God         ex  -  cept         the  Lord  ?  1st  Treble.     Thy       right        hand      hath  bolden     me 


^9 
up, 


b;^=®iii®ii^a=ifta:d:J5Qi±:ir|:i=iiiriiJizPzz^zz! 


:a=;2=^=lzC^ 


d  zzizd  iH^is  z:l_d_g  — : — : 


r.  F. 


Q.     -P-      -e-    -P_T-n---— T-T---- 


l       ^ 


,6         5     4  S  — 

■&4,         *    ^  *  - 


Organ. 


6  5 
4.^ 


8-9 
5  o   —    7 


6  5 
43 


Alto  '^''y  ''"•''''    ^^'"^    ''""^       holden  me  up, 

,:J=S-dz:HP=^=-iq::-i57        ^ 


DUET.     Tenor  and  Alio. 


-# 


S=: 


And    thy         gentleness        hath  made  me      great.      And     thy         gentleness         liatli  made  me    great. 


Q — .- 


*  43 


HI— o: 


4ri 
98 


IZZZZIIIQilZIZDZ: 


65 

4* 


.^4     5 
89     iP 


7  8-9         65 
5  6-7         4# 


% 


-p- 


P-] 


EzEPrEEEIiErl 


ANTHEM.         Continued. 


335 


CHORUS. 


S: 


And     thy 


gentleness     hath     made  me  great,     And     thy  gentleness     hath  made  me  great 


hath  made 

z^ziiZfirzp.z:Bzzpiz^zrPzrz^:i.zzzz\zz  zi:izbz  zzpiz®z  JjzEzrzEzi  zzEz^zj::Ez  -zpii^zpziz: 


ZlgzpZSZlIeZp:        ^~^ 


.,zrz!:i 


— e- 


:=Pzl:dz 


;?t 


— e- 


'~  5  fi       6 

34. 


Thy  right      hand  hath     holden  me      up, 


ziidzEze: 


*5        -3       6 


85 

4.«- 


6  5~    ~        " 
43 


Voice.  6  5  6   •*?       6  5 

4  3  *  3 


E=EE^ 
zozzzzj 


S: 


ii 

And     thy 


5=P:fiTE°z|:^zfz 


;«s: 


genlleness  hath  made  me  great,     And     thy     gentleness     lialli  made  me  ereat. 

))uet.  Trehles., 


Ha(h         made 

Soli.    ^ 


iz^rpi 


?:d:: 


id 


Hath  made  me         great. 


—  5—6        6     6      5 
-5-4.      tr    4    * 


.T4.      5  7  6 

8  9      '0  5 


3 


Organ. 


i66 


ANTHEM.         Continued. 


Tul»i. 


F. 


Hath  made,  liath  made  me      great,  hath    made  me        great,  hath       made   me 

^"^  Tutti.  


great.  ^^_^^._  ^  halh     made. 


,^_^-J_-. 


Hath  made  me  great. 


hath     made,       bath     made  me 


-o — a- 


arisiTZd 


-e 


Hath  made 

Voice.   Soli. 


me  grtat,  hath  made,  hath  made  me     great,  Thy   gentleness        halh         made  me 

Tntli.  F. 


And  thy  gen     -      tie 


ness         hath 


made 


5     6  K  7  8     6  .■; 

■#■  5  4.3 

me         great,  hath  made  me         great,  hath    made  me 


t^^^^-^- 


^^^^&m^^^^^^^^^^^^ 


idiiis-: 


.ZHii.'diiz 


great,  hath,  fcc.  great,  made  me  great,  made     me       great,  hath  made  me         great,  halh  """^a         ""^  great,        halh 


:#= 


great,       halh     made  me  great,  made  me     great,       hath  made  me  great,         hath  made,  hath         made,  hath  made 


great,         hath     made  me  great,  hath         made  me  great,  hath         made  me         great,  halh         made  me  great, 


bath 


li — t 


zdsd; 

6~7 


t:g_d;:d;izzzrpz: 


l-l 


-0-- +-9- 


6     5 
4     5 


bath  made         me         great,  bath 


made 


43 


great, 


y 

.    .  hath 


rf#S: 


ANTHEM.         CoutiQued. 

Cres.  F.  F. 


331 


made,  hath  made  me  ^real,     hath  luude       me  srtAt.         hath  ni.iHp  mp  „ro.,. 


grertt,        hath 


made  me  great, 


it,  Cres.  K.  F.  hath  made,  l)ath  made    mfi         irrpnt 


great,  Cres.  K.  F.  hath  made,  l)ath  made 


made    me         gre^t, 


made, 


hath 


made  me  c;real,     Thy  gentleiies? 

-^  "-F.  F. 


halh 


made 


nie  great, 


made 
I*"  76.  Largo  Andante. 


great,     halh  m;ide      me  great,         hath  made  me  grat, 

56  6  7865  6 

tr  —  5  4.  ;5 


ill 


Q. 


-©- 


-e- 


-s- 


HATH 


:E: 

MADE      ME 


GREAT, 


HATH 


MADE 


ME 


GREAT. 


,?£ 


s. G 


— 5ip- 


-?■; J T e J Q -r    ■     e J © — 


H.   &  H. 


338 


WE  PRAISE  THEE,  O  GOD. 


Allegro.    Tenor. 


W.  Jackson. 


jecond  Treble.  ^  


Treble.        VVe  praise  thee     O      GoJ,    we      acknowledge       thee  to  be  the  Lord,  all        the      earth    doth  worship        thee,        the 


Tasto. 


n 


i-,^.d.t.^: ^_,__H.-.-J , 


Fa  -  ther    ev  -  er      -      last    -    ing,       to        thee    all      f  n  -  gels      cry  a  -  loud,      the  Heav'ns  and      all      the     pow'rs    therein.  To 

^z=^zz^zh^zz^z=z=±zzzhz:=z.z-zzz:zzhz^-=ptz^z:~hz^~zzz:zzz:^^^ 


i( 


WE  PRAIS?:  THEE,  0  GOD.         Continued. 

Adagio. 


339 


Ihee     -    -     -      Cherubim       to       thee     -     -     -      Seraphim  continual  -  ly  do       cry,  Ho  -  ly,       ho  -  ly,  ho  .  ly     Lord,     Lord  God        of 


Allegro.  ,.^— s.^ 

Sa  -  ba  -  oth,    Heat'n    and      earth      are  full,         are  full         of        (he         Ma -jest -ty        of     thy     great  plo     -     -     -     rj'. 


Heav'n  and     earth       are 


full, 


full 


of      .  the         maj  -  es  -  ty       of      tlijr     great 


glo 


"■>• 


:^± 


7  fi 


*         ?, 


340         j*  96. 


-tt^-^-^- 


JORDAN.         C.  M. 


W.  Billings. 


mmms^^m^^^m^^^^^ 


There     is     a    land    of        pure      delight,     Where  eaiiits  immor  -  tal  reign  ;      Infinite     day     excludes        Iht-  night,  And  pleasures     banish  pain. 


i — lri9-»  rr- 


6  6*6     56      56         7         6  5  6    6      '     ~6  s"    '     '     "        6~  6*6     5  6        5  6~     7         6 '    '     ~6  s'      6  ~7  '    "    ' 

*Jt34.543  4.3  *34.3455  4 


6*6     56      5  6         7         65 
4.     3  t      3*        5         43 


W- 


Siveet     field?,    beyond      the        swelling     flood,  Stand  dress'd  in     living  green  ;  So    to  the  Jews  fair  Canaan  stood,  VVliile  Jordan  roU'd  between. 

~  ~         ~  1  6~65'~6~~~6  654.3 

435  4766 

This  passage  may  be  performed  by  the  Tenor  and  "Case  with  good  effect ;  or,  if  desired,  (he  parts  may  be  doubled— the  Treble  and  Tenor  singing  the  upper 
—and  the  Second  Treble  and  Base  the  lower  part. 


MURRAY.        H.  M. 


341 


1.  Welcome,     dc  -  light  -  ful         morn,  Thou         day      of  sacred  rest;  I  hail     thy         bright     re      -      turn, 


2.  Now  may    the      King      descend.  And  fill      his         throne      of  grace  ;  Thy  sceptre,  Lord,    ex      •      tend. 


3.     Descend,      ce     -      -      les  -  tial        Dove,  With  all     thy  quick'ning        pow'rs  ;  Disclose  a  Saviour's  love, 


rf: 

I J 


II 


■f  :  From  the  low  train     of  mortal         toys,  I         soar      to       reach     im    -  mor  -  (al  joj  '• 

While     saints     ad  -  -  -  dress    thy       face  i     Let      sin    -    ners     feel     thy       quick'ning  word.      And     learn     to       know  and       fear     llie         Lor.l. 

i~~~T — |~~~ir::~|rTr-~ — r..T~d~i~'^~T — I I^t-  -1~; — -T-p rTrJ~l~r]~T~p~~|»'"T P~T~5 — P — T — 1~1|~ 

And        bless    the  -  -         sacred        hosrs  :  Then  shall  my  soul  uew       life      obtain,  Nor      Sabbaths        be        indulg'd        in  vaiii. 


342  ANTHEM.        Blessed  is  he  whose  hope  is  in  the  Lord.  W.  Jackson. 

Solo.     Andante  Alleero.  I.  HH  I 


^         Blesfed^      U  he  whose  hope     is    .   in      the      Lord,  the        Lord       his         God,  Blessed  is  he,  Blessed         is 


6     6        7 

4> 


he, 


Blessed —      Bless    -     ed       is         he    whose     hope    is       in      the      Lord,   in      the        Lord       his        God,    in    the      Lord    lys 


CHORUS.     Tenir. 


Second  Treble.  ~  ~    ~  ~    rjT'*     •    "    '   ""^^     ^^-    '^    1^    U>-t»  f"  *--*-    ^-    -f-l~ 


Blejs    -    ed, 
Treble.  Sym 


Blessed,  Sym. 


Blessed      is  he      whsse  hope  is    in  t'je  Lord,  in  the      Lord     his  God,  who 


ANTHEM.         Continued. 


343 


for     ..     ev    ----...-    er, 


I    if   u-3— 


keepeth     his  promise,     his        promise      for    -    ever,  who      keepeth  his        promise  for   -   ev-er,  for    -     ever    for- 


keepeth      his  prom     .     -     .     .     ise      for     -    ever,  for     -     .     ev     ------     -       er. 


IT. 


keepeth      his 
.0 


T2l^_.^..^.^^ 


rfe- 


-l- 


Bless 


er      .      er.  Blessed        is  he,     whose       hope     is     in     the         Lord,  the       Lord       his  God,  Blessed       is  he, 

Solo.  Syro. 

SiiiPli^iiiiPiliilililiiiiiiigiiii 


Bless 


344  ANTHEM.         Continued. 

II  .     .    .    ed      is  lie,  "^" 


Blessed        is  he,  whose     hope      is  in      llie      Lord,  in     (he       Lord  Lis       God,  who     keepeth  his 

/7\ 


-    ed      is  he, 


-*— •— «-T-|» B-y-e-T-B-Bj-B-T- 


9ho      keepeth    his       promise,  his        promise     for    -    ev-er. 


promise,  his        promise  for     -     ev-er,  for    -    ev    •    er,  for  -  ev       -      er.  -  - 


rbo       keepeth   his         promise,  his         promise    for    -     er  -  er, 


HOLY  LORD  GOD  OF  SABAOTH. 


B.  M.  Swaffield. 


345 


Andante  Maestoso. 


Second  Treble. 

'tl/      — — —         — —                   ™_    -              <-                          _             _        «    ""f"^        '  '              ■*"           *"""           "~    ~    — — - 

Ho  -  ly,           Ho  -  ly,             Ho  -  ly         Lord  God  of    Sab-a-olh,     Heav'n  and  earth,                 Heav'n     and    earth,    Heav'n  and  earlh  are  ftill  of  the 

Inst.  -0-                  -m-       -»- 

^ — V,  Alleiro.  o.«    •    •    •  '^Q      "^ — ^_       — 


majesty     of      thy      glory.  Glory  be  to  thee, 


Glory  be  to  thee. 


Glory       be    to  thee,  O      Lord,  Most  High. 

/7\ 


^^^^^^^^m^^^^ 


_  ___:?i:*_      _  _ -   -^-  —'^-{-  ^^ - 


H.   &    H. 


44 


346 


76. 


TABOR.  Composed  and  sung  by  the  ancient  Bohemian  Brethren  in  limes  of  persecution. 


Prai'^e  God     for    -     e?      -      er,  Boundless      is       his  fa       -       voiir,         To       liis  cliuri:h     and         choseu       flock.     They    stand       on 


Piiiyiillil^liilil;llliiii;||=Jiipg:|iHiliiii 

tl  5     t:—  a  4.  * 


r-b- 


iM=?=iiiilllEiliOilliilME?^:liPliEi!f^^iifE?£:i 


-P-     -e- 


Christ     the         Rock,        His     Al     •     mighty  Son,         On      fair  mount      Zi       -       on,  By     his         Fpir    -    it  grace       and       word, 


6  7 

4  CT 


7 


fi         7 

5      tr 


'6    6  6  7 


TABOR 


Continued. 


347 


Blest      ci     -     ty  ef      the       Lord!  Thou  in     spite     of      ev' -  ry         pow'rful         foe,         Shall    undaunt  -  ed  s(and,  and       prosp'iing      erow  • 


5  S  fi         6         7 


6     6        6         7 
4> 


6      6         6  7 

4 


'Midst  di.'grace,      to     God's  praise,  Bolh    in     Inve     anJ       ii    -    ni    -    ty,        To       all       e     -      ttr  -  iii    -    (j.        To        all       e         ter  -  ni  -  ty. 


ppl|E°E|;|E|pE^E^ 
I'  a^EEiE:3iEe:pE3 lEiE3EpE4f pEEg-|3 .-  lifEpz jEEEJEpEiEf 2EB:{E^E |Eg :f igEpili^EEEfiail |i 


I     ' 


4       *        b 


DISMISSION.        8's&7's. 


'  fe^uSiaii 


^  L^ismiss    iTw.h^hy     ble.sin,,       Bid"   us"        au'      deparUn  peace,  Still  on  gospel  u^ina      feeding,      Pure     se  -  r^- ic    love  increas^; 

1 SE-C-P-pl  P p.l!_.[:  Ult— ^-k-J rr^fi      6    87  nr<.»n  64.664.667 

V  '^6  64  b  64.6664,7  Organ.  y^.^^_  3  3  4 


liiiiiJ|iili=iJlHi{^JOiil[li^iii^iiii^i^iii 


a;§: 


''^"      F^l  each  breast  with  con- so    -    la -lion,     Up      lo     thee  our      roices     raise^Vhen  we  reach  that  blissful  station.  Then  we'll  give  thee  nobkrprMse. 


Q-., 


DISMISSION.         Continued. 


349 


lis  EbJE  i  EkzEl~zElzz!ipE^Eifiz§z^:|3=^|:f  z^zg 


Then  we'll  give  thee  nobler  praise.  \nd  we'll  sing  Hallelujah,  Amen,  Hallelujah,  And  we'll  sing  Hallelujah,  Amen,  H.illeuljah,  To  Goil  and  the  Lamb. 

l-<1f T« . 1-*'.-!  -.  -\-^f-  •-rxr-zr J-'P-  xi  r t Ir-n  s ^r 


II 


Solo.  P.  Tutti.  K.  Solo.  P.  Tiitli.  F.  Hallelujah  for- 


6      6    6  7 

■i 


6      7 

4. 


5  6    8      7 


6      6    6     5 

*  tr 


I    ' 


^^^^^^^^^^^^^^IM^^M^^^S^^ 


HLilleitijuli  for 


Halleliij  ih       for  -  ev  -  er,       for    -    ewr    and  ever,  Amen. 


*^  U,.I     1-,  1,.  :^t.  .1       _      mo  A»^^n  A 


Hal-le  -  In  -  jah,         A  -  men,     Amen,     Amen. 


::6-— zlzzzz]zi--zzzzPT«xzzeZzzzzzi«:zzzzz!Tz]5J=lid:zl;=!zqizlrzi"zzziz:iip:-i@'ri 


ev     -     er,       Hallelujah      for     -     ev    -    er, 


Hallelujah      for  -  ever     and  ever.  Amen. 


P 


-P-^ P 


^  — 


i  ' 


6     6     6     7 

4i 


A     6         6    6  5 
3  43 


350 


ARCHDALE.        C.  M, 


le. 

he    prace  ap- 


Second  Treble. 
I  When  God    reveal'd    his        gracious  name,    And  chans;'d  ray 


,^,:^w^m&mm^imm 


zz^za 


iriournriil  slate,       My  rapture  seem'd  a      pleasing  dream,    The    prace  ap- 


6        6     6     7 
4 


fi     5 
4     3 


6     4, 


4     6 
3 


|MgilEyyiiiliiiliigliii^ili;liiiii=lii!ii 


pear'd  so       great.  The     world     beheld       tlie  glorious         chan:;e,         And     did     thy       hand    confess  ;  My  tongue  broke  out    in 


6     6      7 
4, 


-  6     5 

6    S     *    a 


fi    ■;      5  6  h     7 

4   3  4    tr 


-p-p-f- 


AllCHDALE.        Cotitiuued. 


351 


ir-^=r 


~z~z~ziz — riizTir^iZsiizq  ~~iii~zzz|r~iiiE::siiq 


tZ~ZZeZIZ~ZZLZZIZZ\Z3  '~ 


:E:zzt:r.Iit-r-i--t=: 


ioii^^^j5piiifi^^i{=iiiEiiii^iiiiiii£iEiiii 


\w 


unknown  strain^,  \nd    fun»  siirpri*Mi 


{jriice.  My  to(i;rtie  brolie    out      in       nnlcnnwn    .strains,     And  sunL; 


surprising  qrace. 


mi^^mmMmi^mwm§mi^^^^^ 


ll^EpEEEiEEEirEElEEEi:l=§=3zfz£r|=J:£i|z£i^=|J 

6  875^7  ti  fi  87«7 

4  3      4     S  4  4,  4, 


HAKLKIGH.         C.  M. 


Handel. 


I  ask  thftn  whenne  their  vict'rv  came  ?  They  with  united  hreath.  Ascribe  their  conquest  to  the  Lamb,  Their  triumph  to  his  death — Their  triumph  to  his  death. 

lllPirEil&liiflSliiaiililiiiiiililSiliSiliS 


6       6    b 


6  6  f;4> 

5  3 


6  7    7      4 


6    5      6    5     65 
4    3     4    3    43 


$■ 


352 


LUTZKN.         C.  M. 


Second  Treble. 


liiiiiiiidiSiiiiiiJiii^iiiiiEiiyiipilpps 

Sing  to  the  Lord,  ye      distant      lands,     Ye  tribes  of      ev'ry  tongue  ;  His  new      discover''d     grace  demands,  A     new  and     nobler        song. 


3 


6     5 

* 


6         fi 
5 


BOYCE.        L.  M. 


Chant  by  Dr.  Boyce. 


tid  Treble. 

PliiiSliiiiiiiilisiiiiiiiiiipiipp 

Be  thnu,  O  God,  ex-alt  -  ed    high,     And  as  thy    glory      fills  the  sky.    So    let  it  be  on  earth  difplay'd.    Till    thou  art     here     as     there      obey'd. 


I 


Second  Treble. 


SPENCER. 


C.  M. 


rr^2a-==: 


353 


Second  Treble.  ^-^     ^~^ 


^'--I^ii||i||g|||=a||p5;|;j||£ 


123; 


•«■  -5 


With  rev'rence  let  the  saints  appear,      And       bow    before  the  Lord  ;  Ilis  high  commands  with  rev'rence  hear,  And       tremble  at      Ijis     word. 


ll 


w  6         4 

llOTHWELL. 


ii*:i:p_:i_:j::Q:J_iJ:T_i] ; 


EElS;t;tiEl;E:ti&-ife^aii5i5:i=i:|Hi 


f)  6       6 

i,  5 

L.  M.     New  Arrangement 


fi      8  7 
4t 


iiiiiiii3iiiiiSiifiiiiii§iiiiiijEiiiiirt 


.Second  Treble 


»:=^ 


The  heaT'ns  declsre  thy  glorj-,  Lord,  Inev'ry  star  thy  wisdom  thine?  ;  But  when  otir  eye!!  beliold  thy  word,  \Ve  read  lliy  name  in  fairer  llte^.  We  read,  foe, 


iiiiiiiliiigirSSiilSiirSfiiiSlS^^ 

4i  4) 


6      6  6    7 
4 

H.  &  n 


^1     '  n  ^ 
'   45 


4  3  t}  o 

4  6 


3«1 

li   '^ 


LYNN.        L.  M. 


3E3iE:aiEgiiS5Elii53E|i 


* 


2^:il§:ii§_i®iHi®j:| 

SocentI  Treble 


=|©:3}oipIaEi:lz:pI:-r3pE:3:pI:nzip:f:nz:pzP:g 

=i-:°t-l-pT-rg:TQ-|-T:°r°:i-e-i-pt:-r:rF'T— ~--T-;pt-i1^ 


-n 


H- 


-©-©- 


i© 


:2i:a: 


iiliililPiiii- 


Lord,  tliou  hast  search'd  and  seen  me  throagh,  Thine  eye  commands  with  piercing  view,  My  rising  and  my  resting  honrs,  My  heart  and  flesh  with  all  their  pow'rsi. 


Siliiililif^iiiSiiiliiilsililisiSillliilli 


6      6    7  6    5*6 

4 


6—  -J.  6 

-3 


H4, 

5  3 


:e: 


szzzs: 


6      7  6  6  6    7 

4<      5  4  4 

L.  Mason. 


E 


Xenor.  ANTHEM.     O  praise  Ciod  in  his  holiness.     Ps.  150 

O       praise      God       in  his         ho     -     li     -     nesi,  Praise     liim  in         the         fir     -     ma^  ment         of        his         pow'r  ; 

Second  Treble. 

feEaEEEE3EJEE^^3EpEE^gEE^=E3^^EE3E33HEE^3EJE^g:^^^J 

*^  O       praise      God       in  his         ho     -     li     -     ness,  Praise     hioi  in         the         fir     -     ma  -  ment         of        his         pow'r; 

Treble. 

^r|znrg~zpz|zDZZ=gzpszIEl^i=|zg:^z«z3izpTZZg=zrj6ZZ 


Base.        O       praise     God         in         his  ho     -     li    -    ne?», 


Praise       him         in         the         fir     -     ma    -    ment       of        his         pow'r ; 


I  9 

I  SzzzazlEizlziz®  ~S — ~*-f---E--n-T-^~~^il  — p-f^^5^^^^^[--f--^— — =-1 

_  _       ^_  _,  ^_  ^ 

3  tr 

*  These  notes  are  ;levigned  for  the  words  "  For  God  is  tliere,"  5th  verse,  ;3Sth  Psalm,  the  tune  having  been  originally  written  for  this  Psalm. 


ANTHEM.        Continued. 


?55 


J     J. 


Praise  him      ac    -   cord  -  ing    to     his  ex    -    eel -lent     greaMieis. 

Praise  him  In  his  noble       acts,    Prai«e  him    in    his  noble      acts,     Praise 


Praise  him  In  his  noble       acts,    Prai«e  him    in    his  noble      acts.     Praise  him      ao    -   cord  -  ing    to     his  ex    -    eel -lent     greatness; 


Inst. 


Praise  him       ac    -    cord  -  ing    to     his  ex  -  eel  -  lent      greatness  ; 

Voice.  _ 

— e-T-P-^. 


Uzr: 


'ZZC 


~'    ~  ~  "    ~  ^       -  4.         "e  ~    ~        ~        4  ~      ~    ~6~5~'6         7       ^3     ^~'    ~ 

3  3  4     a       4.         5 

ise  him     in      the       sound  of 


Praise  him     in      the       sound  of      the         trumpet,      of      the         trumpet, 


Prai^e         him        upon         Ilia 


Praise  him    in      tlie      sound  of     the        trumpet,      of     the         trumpet. 


Praise  him      upon        the 


it — t 1 ;t:_ 


lute,  upon         the 

?"_i^  J  I  I 


^—z<^~w. 


-I — ^- 

Praise  him    in      the     sound    of      the         trumpet,      of      the        trumpet.  Praise  him      upon         the  lute,  upon  the 


-.=.«z:i=ff=zzj.?= 


fl— P fl-I — . P-I -_ , 5 


"    ~z=:ziz-~t-=z—t—t-^—t- 


Praise         him        upon         the 
6        6 


356 


ANTHEM.         Continued. 


::bzrt: 


£: 


:t: 


lute     and     harn  ; 


Praise     him         in         the         cymbals,         in       tlie         cymbals 


and  dance?. 


Praije     him  on 


lute     and     harp  ; 


Praise     him         in         the         cymbals,         in       the         cymbals  and  dances, 


Praise      him         on 


B  Inte     and     harp  ;  Praise      him         in         the         cymbals,         in       the         cymbals  and  dtnces.  Praise      him         on 


Praise      him         in         the         cymbals,         in       the         cymbals 

9    :£-    :P-  -2"'3 


lute     and     harp  ; 
^  _       5        tl 


7 


I  ^-7-^ 


slriii^rs,  on  slr'n2;s     and  pw'tf, 


r^=2; 


strings,  on         strings     and         P'Pf'i 


-P- 


?    TT 


-«-        J-      ~-9-         O^" 

-a- 

tiling      that         hath 


-^~ 


Let  ev'ry 


strings,  on         strines     and         pipes,  Let  c^'ry  thins;       that  hath         breath.   Let  ev'ry 


thin?       that         hath 


ANTHEM.         Continued. 


357 


jff-^ ■ — T ; ,^    ' T g»~ ~j T Q T • 

Let  ev'ry      ^^h 


ev'rj      ^^*hing     that       hath  breath     praise      the         Lord,     that        halh 


breath,  Let  ev'ry  thin?      that      bath 


breath, 


that        hath  breath    praise     the  Lord,     that       hath 

szz=gzzizie:z:z§z=zpz:i:=§zi=«— =§— : 


breath. 


»l 


that       hath  breath  praise      the         Lord,     that       hath 

p__-§: 


Let  ev'ry  thing    that      hath 

6  4. 

3 


breath, 
6  4, 

3 


that       halh  breath,  kc.  5 

6  6 


4,  6 

3  4. 


breath        praite  tlie  Lord. 


PRAISE     THE  LORD, 


PRAISE     THE  LORD. 


brcntli       prai-c         the 


Lord. 


PRAISE     THE  LORD, 


PRAISE     THE 


I  & — — ^- 

I  breath        praise  the 


-I — 


LORD. 

-e- 


t?. 


Lord. 


PRAISE     THE  LORD, 


PRAISE     THE 


LORD. 


I!  p   , P' I  , Q Q 32 I , , 


ABBEVILLE  120 

Abin^ton  123 

Abridge  114 

Acton  274 

Aithlone  176 

Alcester  T94 

Aldborough  109 

All  Saints  •  52 

Alsen  19U 

Aiusterdam  213 

Angola  200 

Angels  Hyinn  •  28 

Antigtia  79 

Arcbdale  350 

Arlingtoa  99 

Armley  80 

Arundel  PBi 
do.  New  Arrangement  24 


Ashley 

Asfor 

Asylum 

Atlaulic 

Auifria         ' 

Autumn 

Ayle'bury 

Eybyloa 

Baldwin 

Bun;;or 

Barby 

Barnwell 

Bath 

Bath  Abbey 

Bedford 

Benevenio 

Berkshire 

Berlin 

Bermondsey 

Bether 

Bethesda 

Beveridfe 

Bladenburg 


11 

C9 
;149 
240 
200 
212 
165 

84. 
10« 
135 
13-2 
160 
>  34 
201 
131 
195 
242 
236 
232 
136 
1S5 
159 
103 


Blandford 
Blendon 
BoweQ 
Boyce 
Bradford 
Braintree 
Braracof.fe 
Brattle  Street 
Brentford 
Bridireport 
Brighton 
Brooklyn 
Broomfgrove 
Burford 
Calmar 
Calvary 
Cambridge 
Camden 
Canterbury 
Canton 
Castle  Street 
Carolans 
Carolina 
Carthage 
Channings 
Charleston 
Chapel  Street 
Cheltenham 
Chesterfield 
Cheirter 
Christmas 
Christmas  Hymn 
Clapton 
Clinton 
j  Clarendon 
Colchester 
Collingliam 
Columbia 
Concord, 
Covinzton 
Cromer 


ALPHABETICAL  INDEX. 


Froome 
Funeral  Hymn 
Funeral  Thought 
Ganges 

Gardner  a 

Georgetown 
I  Georgia 
Germany 
Ghent 
Gloucester 
Goshen 
Grafton 
Greece 
Green6eld 
Green's  Hundredth 
Greenville 
Great  Milton 
Haarlem 
Hague 
Hamburg 
Hamden 
H  ■milton 
Harleigh 
Hartford 
Haselton 
Havanna 
Helmsley 
Hinton 
Hotham 
Howards 
Huddersfield 
Hudson 
Intocation 
Irish 
Islington 
llalian  Hymn 
Jordan 

Jordan,  by  Billings 
Kendall 
Kew 
Lanesboro' 


1071 

Crowle 

134 

•  3S 

Cumberland 

•35 

•31 

Dalston                   ^ 

179 

352 

Danbury           ^0m 

»es- 

129 

Danvers 

•  36 

130 

Dartmouth 

252 

23a 

Darwell's 

186 

104 

Oarwen 

85 

#38 

Deerfield 

145 

119 

(ted  ham 

l«f 

►  56 

Uenbigh 

272 

170 

Denmark 

265 

152 

Devizes 

118 

133 

do.  New  Arrangsm 

tl48 

262 

Disn)ission 

348 

207 

Dorchester 

249 

101 

Dover 

156 

.  50 

Dresden 

—  62 

99 

Duke  Street 

61 

246 

Dunbar 

166 

.  45 

Dundee 

132 

CO 

Duugeness 

111 

150 

Dunstan 

237 

244 

Dying  Christian 

275 

307 

Eaton 

58 

75 

Eastburn 

157 

77 

Edenton 

217 

146 

Easter  Hymn 

222 

114 

EdjCeld 

216 

136 

Eliingham 

61 

123 

Elgin 

138 

143 

Ellentliorpe 

•  47 

157 

Emsworth 

76 

258 

Evening  Hymn 

•  44 

144 

Evening  Hymn 

C3 

122 

Eversley 

147 

141 

Fairfield 

162 

253 

Farnsworlh 

142 

215 

Ferry 

112 

120 

Foundling 

146 

74 

Fraukliu 

10b 

169 

Leicester 

82 

135 

Ley den 

239 

147 

Lincoln 

199 

206 

Litchfield 

208 

.33 

Little  Blarlborough 

16.0 

73 

Liverpool 

105 

243 

London 

iS6 

•  44 

Lowell 

88 

245 

Lovaiu 

236 

•  37 

Lutou 

•   42 

219 

Lulzen 

352 

261 

Lynn 

354 

211 

Lyons 

228 

164 

Manchester 

119 

81 

Mansfield 

107 

233 

Marietta 

260 

98 

Marlow 

250 

251 

Martin's  Lane 

171 

-  62 

Mayhew 

81 

241 

Me«r 

122 

70 

Med  way 

•  47 

224 

Medfield 

131 

351 

Melody 

126 

178 

Messina 

202 

139 

Middlebury 

83 

113 

Milan 

247 

205 

Milton 

»  43 

234 

Missionarj-  Hymn 

235 

189 

Monmouth 

»39 

95 

Montague 

226 

151 

Monlgomery 

75 

169 

Morning  Hymn 

•  27 

162 

Mornijiiiton 

161 

144 

Mount  Ephraim 

155 

•  32 

Munich 

-84 

233 

Murray 

341 

96 

Musick 

80 

340 

Nantwicli 

89 

121 

Naples 

193 

174 

Nalick 

259 

149 

Nazareth 

238 

Newark 
Newcourt 
New  Market 
Newton 
New  Sabbath 
New-York 


57 
173 

4l» 
103 

46* 
102 


Ninety.Seventh  Fsalm  93 
Norfolk  67 

Norwich  202 

Nottingham  113 

Nuremburg  198 

Old  Hundred  25- 

do.  New  ArraDgemU  24' 


Orenburg 

124 

Owens 

26* 

Oxford 

11-2 

Olmutz 

251 

Paddington 

252 

Park  Street 

53* 

Peckham 

ItS 

Pelham 

154 

Pergolesi 

78 

Petcrborouglr 

116 

Pilesgrove 

91 

Pilton 

193 

Pleyel's  Hymn 

190 

Plympton 

137 

Portsmouth 

'Si* 

Portugal 

23" 

Portuguese  Hymn 

223 

Proctor 

72 

Putnam 

€3 

Quincy 

2^:.5 

Quito 

65 

Randall 

163 

Rapture 

175 

Reubens 

204 

Richmond 

66 

Rochester 

197 

Rothivell       .' '      ■ 

40  » 

do.  New  .irrangem't353 


Rotterdam 

204 

St.  Denis 

231 

SufSeld 

Sabbath 

188 

St.  George's        ' 

■  71 

SulTolk 

SaleiH 

117 

St.  Gregory's 

103 

Surry 

Salisbury 

9    55 

St.  Helen's 

172 

Sutton 

Savannah 

221 

St.  James' 

94 

Swanwick 

Saxouy 

249 

St.  John's 

109 

Swithin 

Seasons 

^4 
^4 

St.  Martin's  , 

100 

Tabor 

Seniley 

St.  Mary's 

134 

Tallis'  Chant 

Scotland 

270 

St.  Matthew's 

97 

Tamworth 

Shaflsbury 

133 

St.  Michael's 

229 

Thessalia 

Shirland 

158 

St.  Olaves 

■68 

Timsbury 

Shoel 

•36 

St.  Paul's 

*  51 

Tolland 

Sicilian  Hyma 

194 

St.  Patrick's           ^ 

«  92 

Trenton 

Silver  Street 

153 

St.  Peter's     Mt^  30  | 

Triumph 

South  Street 

-59 

St.  Philip's    ^^ 

181 

Trivoli 

Spencer 

353 

St.  Thomas' 

156 

Troy 

Sprin?fieM 

164 

Stamford              .    _. 

.   96 

Trumpet 

St.  Alhaii's 

-  68 

Sterling     J  TfW^  33 

Truro 

St.  Ann's 

95 

Stephen's 

105 

Turin 

St.  Austin's 

138 

Smyrna 

209 

Tweed 

St.  Bride's 

167 

SouthGeld 

199 

Utica 

St.  Cecilia 

246 

Spring 

220 

Uxbridge 

St.  David's 

94 

Stonefield 

190 

METRICAL  I^ 

fDEX  to  such 

L.  M,  Major. 

Cromer 

74  1  Lowell 

All  Saints 

52 

Cumberland 

35 

Luton 

Ancels  Hymn 

28 

Danrers 

36 

Lynn 

Antijrua 

79 

Dresden 

62 

Marietta 

Astnr 

69 

Duke  Street 

61 

1  Majhfcw 

Atlantic 

240 

Dunstan 

237 

Medway 

Bath 

34 

Effingham 

61 

Monmouth 

Berlin 

23fi 

Ellenthorpe. 

47 

Mongomery 

Blendon 

38 

Erasworth 

76 

Nantwich 

Brnntford 

38 

E.vening  Hymn 

44 

Natick 

Brsmcohte 

238 

Georgia 

243 

Nazareth 

Hrichton 

56 

Green's  Hundredth 

81 

New  Market 

Biiyce 

352 

Ha?ue 

62 

New  Sabbath 

Castle  Street 

45 

Hamburg 

241 

Ninety-Seventh 

Chanel  Street 
ChaHeston 

77 

Islington 

32 

Norfolk 

75 

Leyden 

239 

Old  Hundred 

Clinton 

208 

Lovain 

236 

Park  Street 

METRICAL  INDEX. 

177  Venice 

277  Vesper  Hymn 

-  64  Vienna 

159  Wales 
110  Walney 
257  Walpole 
346  Waltham 
101  Walton 
216  Walsal 
161  Walworth 
241  Wanworth 
230  Watson's 

77  Wareham 

182  Warrington 

214  Warsaw 

145  Watchman 

187  VVaterville 

•  42  Weimar 

192  Wells 

116  Wenham 

160  Westborongh 
G8  Westbury    ' 


196 
311 

•  28 
191 
126 
256 

■  54 
140 
141 
225 
220 

-  60 
106 

-  63 
250 
165 

-69 
242 
92 
261 
203 
87 


Westford  245 

Westminster  155 

do.  New  Arrangem't  158 


Weston 

Westmoreland 

Weymouth 

Wicklow 

Wilna 

Winchelsea 

Winchester 

Windsor 

WoodstowQ 

V.'orksop 

Worship 

Worthing 

Yarmouth 

York 

Zion 

Zion's  Hill 


-  48 
248 
184 
218 
210 

•  41 

•  31 
133 

92 
139 
180 
197 
167 
129 
»  49 
254 


ANTHEMS,  &c. 
BRforeJfhovah's  nwful  tiironeSfiS 
Blessed  be  the  Lurd  forever     261 


Blessed  isno,  &c.  342 

BlesBed  bo  tliou  Lord,  &c.  287 
From  till  thtit  dwell  below 

tlie  skicB,  &;c.  2J2 

Hallelujah  to  the  God  of  Is- 
rael, &c.  312 
Holy,  holy,  &c.                       3-43 
I  was  glad  when  they  said 

unto  me,  &:c.  304 

I  have  kepttlie  ways,  &c.  329 
Lord  Tof  all  power,  &c.  2S4 

Lord  dismiss  .us    with    thy 

blessing,  &c.  343 

Lo  I  my  shepherd  is  divine  318 
One  thin;?  liave  I  desired,  &c.  3ii3 
O  give  thanks  unto  the  Lord  282 
O  Loid  we  trust  in  thee  alone  306 
O  praise  God  in  his  holiness  3o4 
O  praise  the  Lord  with  one 

consent  2fi2 

O  sing  unio  the  Lord,  &c.  326 
Praise  God  forever  316 

Salvation  belongeth  UQto  the 

Lord,  &c.  SOS 

Sing  O  lieavens,  &c.  2!JT 

Sons  of  Zion  come  before  him  308 
The  voice  of  free  grace,  &c.  270 
TfnvcilthyhosnmfaithfullomhSlG 
Vital  spark  of  heavenly  flame  275 
We  praise  thee,  O  God,  &e.  333 


Tunes  as  are  appropriate 

88  Pilesgrove 
42  Portsmouth 

354  Proctor 

260  Portugal 

81  Putnam 

47  Quito 

39  RaiidaU 

75  Rothtvell 

89  do.  New  Arransem'l 
259  St.  Alban's 
23S  St.  Geofi^e's 

41  St.  Olaves 

46  St.  Paul's 

I  Psalm  93  St.  Peter's. 

67  St.  Patrick's 

25  Seasons 
52 


to  P 

ublic  Worship. 

91 

Semley 

74 

*  L.  M.  Minor. 

40 

Shoel 

36 

Armley 

80 

72 

Sterling 

33 

Bnbylon 

84 

29 

Stonefield 

190 

Carthage 

244 

63 

Surrey 

64 

Darwen 

85 

65 

Timsbury 

241 

Evening  Hymn 

33 

163 

Trenton 

77 

Ghent 

245 

40 

Truro 

42 

Middlebury 

83 

1353 

Uxbridge 

88 

Munich 

84 

G8 

VVaterville 

C9 

Westbury 

87 

71 

Watson's 

60 

Weimar 

242 

68 

Warrington 

63 

51 

Wells 

92 

C.  M,  Major. 

30 

Winchester 

31 

Abbeville 

120 

92 

Winchelsea 

41 

Abin^ton 

123 

34 

VVoodstown 

93 

Abridge 
Archdale 

114 
350 

Arlington  99 

Arundel  127 

do.  New  Arrangement  24 


Asylum 
Baldwin 
Barhy 
Bedford 
Berksiiire 
Blandford 
Braille  Street' 
Braintree 
Bridgeport 
Broomsgrcve 
,  CaiDhridge 
Canterbury 
Canton 
ClieUenliam 
Cliesterlield 
Cliristnias 
Clarendon 
Colchester 
Covington 
Diinbiiry 
Deerliidd 
E>»riham 
Uevizes 


149 
108 
132 
131 
242 
107 
104 
130 
119 
152 
101 
99 
246 
146 
114 
12ii 
144 
122 
120 
208 
145 
121 

iiy 


do.  New  Arrangeffi't  148 


I)tiri;iiester 

Dundee 

ICversley 

Farnsworth 

Ferry 

Foundling 

Franklin 

CreeiifieUl 

Harlfiich 

Havanna 

Howards 

TluddersOeld 


S49 
132 
117 
142 
112 
146 
lOH 
164 
351 
113 
95 
151 


Irish 

Jordan 

Jordan,  by  Billings 

Kendall 

Lanesborough 

Litchfield 

Liverpool 

London 

Lutzen 

Manchester 

Ma>nsCeld 

Marlow 

Mear 

Medfleld 

Newton 

New- York 

Noltingham 

Oxford 

felerhorongh 

Rochester 

Salem 

Saxony 

Spencer 

Siriinford 

Sleplieu's 

Swnnwick 

Si.  Ann's 

St,  Cecilia 

Si.  IJavid's 

S(.  Gregory's 

Si.  Juines' 

S(.  John's 

St.  Martin's 

Talli,'  Chant 

ToIIafid 

Troy 

i'weed 

Walney 

Walloa 


144 

96 
340 
121 
149 
20i; 
105 
126 
352 
119 
107 
250 
122 
131 
103 
102 
113 
112 
116 
127 
117 
249 
353 

96 
105 

no 

95 
246 

94 
103 

94 
109 
100 
101 
230 
145 
116 
126 
140 


METRICAL  INDEX,  Continued. 

VVareham 

106 

Pelham 

154 

S.  P.  M.  Major 

• 

Sicilian  Hymn 

194 

Westmoreland 

24a 

I'eckham 

168 

Dalston 

179 

Suffolk 

227 

York 

129 

Shjrlanil 

158 

Worship 

180 

Tamworlh 

216 

C.  M.  Minor. 

135 
136 
133 

Silver  Street 
Southfitld 

153 

199 

Zion's  Hill 

254 

'Worthing 
WesTnorough 

197 
203 

Bangor 
Bellicr 

Sutton 

159 

H.  M.  Major. 

Walpole 

256 

St.  Thomas' 
Thessalia 

156 
161 

Acton 
Bethesda 

274 
185 

Burford 

#           8'e. 

Chester 

136 

Ulica 

160 

Darwell's 

186 

Goshen 

219 

Collinghara 

141 
134 
138 
135 

Watchman 

165 

Edenton 

217 

Spring 

220 

Crowle 
F.lgin 
Fu[ieral  Hymn 

Westniinster 

155 

Harlford 

178 

Wauvvorlh 

220 

do.  New  Arrangem' 

t  15B 

Murrf.y 
Shai'Mnuy 

Swilfflf§^ 

341 

183 

•      6'3  &  4's. 

Funeral  Tliought 
Grafton 

147 

261 

S.  M.  Miyior. 
Aylesbury 

165 

181 
257 

Berraondsey 
Italian  Hymn 

232 
233 

(Jaselton 

139 

IJartinonlli 

252 

Triumph 

182 

7'5  Si  6's. 
Amsterdam 

HaarlL-rn 

251 
137 

138 

LiUle  i\Iar]boroagh 
St.  Bride's 
Yarmouth 

166 

167 
167 

198 

I'lymplon 

mmmJ^ajof, 

Al=en*  '      ' 

213 

St.  Austin's 

lO's. 

St.  Mary's 

Walsal 

Wenham 

134 

141 

L.  M.  6  lines.  Major. 

Aloester 

194 

Emsvvorth 

76 

Dresden 

62 

Balh  Abbey 

201 

Savannah 

221 

261 

Eaton 

5B 

Kdy  field 

216 

Windsor 
Woiksop 

133 

139 

Morning  Hymn 
Zion 

27 

49 

Lincoln 
Naples 

199 
193 

10's&  ll's, 
Hamiilou 

224 

S.  M.  Major. 
Ceveridi^e 
Uladenburg 
Caliiiar 

Norwich 

202 

Lyons 

228 

159 
163 

262 
157 
156 

L.  M.  6  lines.  Mil 
Leicester 
Milan 

vjr. 
82 
247 

Nuremburg 
I'iUon 

I'leyePs  Hynm 
Quuicy 
Rotterdam 

198 
193 
190 
255 
204 

Montague 
St.  Michael's 
Walworth 

226 
229 

225 

Clapton 
Uover 

L.  P.  M.  Major 

ll's. 

Brooklyn 

"no 

Sabbalh 

188 

Hinton 

23 1 

Kastburn 
Fairfield 

157 

162 

Martin's  Lane 
Ne\rcourt 

171 

173 

Turin 

192 

Portuguese  Hymn 

228 

Frooine 

169 

St.  Helen's 

172 

8'3  &7's,orU's,  T'8&4. 

12's. 
Scotland 

Hudson 

169 

Calvary 

207 

570 

Invocaiion 

162 

,   C.  P.  M.  Maj(tr. 

Concord 

215 

Mount  Ephraim 

155 

Aithlone 

176 

Greece 

211 

1 18  L.  M.  Tunes. 

Mornington 

161 

Columbia 

153 

Greenville 

233 

117  C.  M.     d.i. 
34  S.  M.    do. 

Olinutz' 

251 

Kew 

174 

Helmsley 
Messina 

205 

8U  e.  i{.     do. 

Paddington 

252 

llagture 

175 

202 

34i*— and  87  pages  of  .^ariioau. 

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