UNDBx 


TO THE 


THIRD VOLUME OF THE MUSICAL MAGAZINE. 


—~—-4e— 


Abel Adagios, oe Sil 

"s 

Accent, 30, 423 

Ac Eoirence with the Composer’s Style of 
rmance necessary to understanding 

his Works, 243 

Acquirement of a perfect Taste, 34 

A arri Augustino, 448 
(Madame), 381 

‘Alesis is, 410 


‘Analogy beimeen Reading, public Speaking, 


and Si 
And God +a Firmament, 140 


Barnet, his Groves of Pomona, 113: bis 20 
dearer Moments, 247 :this Lady, » tie silver 
shines 


Beckwith (Dr.), 107 
Beethoven, his Trio, 19; his oe sip 
146; his Mount of + nar sag? ry 3 
wand aos Poste Sinfonia, 
395 


certs, 
ony his Duets, 112, 351 
Bennet (Thomas), his Sacred Melodies, 188 
Bianchi, Extract from his M,S8, 46 
Billington (Mrs.), 30, 59, 61, 279, 400 
Birmingham Musical Festival, 121 
Bishop, 36; his Twelfth Night, 235, 383, 392 
Bochsa, his Lesson, 80; his Pastorale, 364; 
L’ Alliance 364; his Requiem, 393 
Bononcini, 38 
Bowdler (3. ; Extract from his Works, 36 
Braham, 30, 142; his Declination, 273, 279, 
386, 408, 410 


management of, 
Dass, Se Set Stn Sette “tht 
Beautiful, 1 “ 


oor ; his Opinion concerning 


Burrowes, his Psalm Tunes, 188; his Han- 
dei’s Chorusses as Duets, 221; his Cale- 
donian Airs as Duets, 378; his Caledonian 
Airs with Variations, 501 

Buschmana, 321 

Calicott (Dr.),279; Memoir of, 404 

Camporese, 390, 383, 387, 412, 457 

Canon, description of, 496 

Catalani, 59,61, 141, _ 400, 455, 520 

Cerreto (Scipione), 44 
a of the Vowel "0 singing Divisions, 


chapel: as connected with Vocal Expres- 
sion, 33 
— his Overtares, 415; his Canons, 


. Chiadni, his Life, 171; eg 173; his 


Euphoo and Claircylindre, 17 
Choron, his Opinion of the bocalian and the 


Seasons, 3 
Chromatic and Enharmonic Genera Alien to 
the Voice, 3 
Church Tones, 87 
Cianchettini, his Cantata, 108; his Take oh 
take, 247; his Fantasia, 251; his Italian 
Air with Variations, 352; his Ode on So- 
li 873; his Martini’s Canons, 499 
Cibber (Mrs.), in Juliet, 64 
'y Concerts, 65, 
Clari, 
Clarke (Dr. John), his Chants, 107 
Clarke, s Hassan the Brave, 516 
and Co. their Meapenley in the pur- 


-rights, 152 
charges Crame at, 
; Capriccios, phaly 


chase of 
Clemeati fr, 

rism, 217 

his A 


P ix, 489 
cil Append, it is hove, 347; With Love 


cated, es, $73; his Fantasia, 518 


Thue cop as 251 

Collard, his Patent, 
Common Sense, rely betes 155 
Concert of Antient Music, 387 
Cooke, 30; his Dear Content, 514 
Corelli, 449; his Cz” 
Corri (Miss), 59, 
Corte PS, "hist bay fly to the Woods, 373 
Corri (M. P.), his They tempt me not, 514 
Country Music Master, Letter, 455 
Cramer, 278; his Variations on Deb Prendi, 

SAl; his wer 341, 390 , 
Crotch {Dr.), 108 
Crudel 


: fin’ ora, 408 
Curioni, 381 








Catler, his The Sisters, 22) ; his Air with 
Variations, 251 


Dance (G.) his The bonny Owl, 373; his 
Amynta, 373 
Dessden his Palinodia a Nice, 494 
Beeler 
per r st 
De le rts 


’ 
Della superba Roma, 401 
De Pinna, his ’Tis vain to deck, 117; his 
Three Sonatinas, 25 
ay Paolo, 382 


Doyle, his Ballads, 79; his Oh Woods of 
green Erin, 119; his Ob that I could re- 
— ne his I know you false, 


Double-double Bass, Letter on, 427 

Drouet, 279 

Duets, the Construction of, 36 

Darante, 4, 38 

Duruset, 384 

Duval, his Deep in my Soul, 516 

Early ‘Symphonists, 2 

Ebers takes the ees Theatre, 253 

Egan, his Irish Harp, 

Elements of Vocal nce 40, 137, 287 

Elocution of Singing, 24 

Embdin, his The Meld saith a love ey 
Eye.” 116; Him who for 
mF his Mio alma, 247 ; Ever true, 

Reseernpaert af English Musical Talent, 


Eogl Fasano bo of, 158 
61; w state 1 
Eredia Pietro, 448 
Feral: ble Ca Canoni, 496 
Field, his Chanson Russe, 346; his Maid of 
Valdarno, 365 
Fish, his Montpelier, 251 


Formation of Voice, 25 
pokey his Duets, 519 
pi, ai 


i, 88 

Gattie (Mrs.), her Through the Forest have 
I gone, 373, 382 

Geminiani, 449 

Giraldus Cambrensis, 15 

Glack, 7, 37 

Goss, his Forget me not, 116; his How 
sweet is the  — and O come you, 247 

Graham, his Songs, 485 

Greatorex, 279 

Griesbach, 279 

Guami Guiseppe, 448 

Haigh, his Introduction and Polonoise, 110 

Hallande (Miss), 388 

Handel, 1, 7, &, 92; his Laconic Criticism, 
149; his Messiah, 165 

Hané-moulds, 

Harmonic — 319 


Harper, 
Harti, bis O Dinan Weep, 505 


Haydn, 2; his Masses, 5, 89; his Stabat 
Mater, 6; his Symphonies, 145 ; his Chaos, 
ne # Canzonets, 155 
yes (Dr. W.), 108 
He les layeth the » 139 
Hempel, his Services, 225 
Hogg, My ~ ones Remains, 567 


Holmes, 
Horn, his Oh Listen to your Lover, mcg en 387 
Horsley, his Glees for two Sopranos and a 
en. 115; his Thou white roll oo 
119; his Asylum hs Beep in my 3 his 
368, i nce te in m Sout. B17 


Jacob, his National Pulmody, 188° 
Jay, his two Ballads, } 
1 know that my Redeemer liveth, 410 
Il Matrimonio 
Instrumental Gee Remarks on, 414 
Jomelli, 41 
Talon blodios, 88 - of, 157 
rent Styles of, 15 
Juvenis, | porbad ters of, 15, 289 
Kalkbrenner, his Duo, 105; his Essais, 243 
Kellner, 391 
Kemble, 26, 30 
Keys, Use of various, 163 
Kiesewetter, his Leading, 302, 323, 388 
Kine Tue, his Opinion of Miss Wilson, 265 ; 
his Patronage, 281 
King, his V tions on In I > 346 
Knapton, his Swiss Air, 110 Merch 
omen ae 251 


vett, 279 
ober, his Variations on Di Tanti palpiti, 


Lanza, 60; his If e’er Com , 117 
Larsonneur le Jeune Hype, 90 

Latour, his Duet, 112; Imitations, 369 
Lee, his Ballads, 116, 247 

a ee eer Erin, 


Mackintosh, 279 
Mac Mardie, his Variations on Le Garcon 
Vv , 346; his Sweet is the balmy Even- 
‘our, 514 


Mariborongh t Duke of), his Songs, 117 
Marsh, his Svcs Movements, 250 

Martini, 5, 39; his Canons, 496 

Matthews, his Account of a Play-house, 160 
ae SOS Se English, 


Metronome, Directions for using, 303 


Meves, his Duet on wh ver sagen (ow aor ; 


his Dramatic Divertimento, Vi 
on My Lodging is on the cold Ground, 344 








me peo oo 











me hy Lessons, 80 
Miller's the, 349 
Modulation, 149 


Moscheles, 388; his Compositions, 510 

Moss, his ‘Duets on Pia e placide and 
Cruda sorte, 221 

Mozart, 1; his yd Novello, 83 

Masical Fund New, 328 

Musical Proprietorship, 151, 

Masical St t, No. Tit, 1; Ne. Iv, 430 

Natural Ex 27 


pression, 
— his Grand Sonata and Military Air, 


Nicholson, 279; his Fantasias, 518 

Nicks, his Inform me O delicious Kiss, 117 

Nominis Umbra, his Letter, 420 

Non piu Andrai, 402 

Novello’s Mozart's Masses, 83, 279; his 
Duets from Fanchon, 351 

Obit , 404 

) es he's oi, ab 160 
peras, O’ Keefe’ ibdin’s, Fy 
the Construction of, 177; = 


matic, 307 ; * Discretion 
Origin of Scotch Music, 15, 501 
Paccioni, 5 
Paer, 37 


Paisiello, 41 
P his high.born Soa! 119 
erry, a 
Philharmonic Society, 388 
Philip II. 481 
ws Musical Composition, No. 4, 


Picciai, $7, 41 
Placci, 382 


Planché, 483 
Polished Diction, 26 
pe , 81 
Povey (Miss), "385 
Power v. a 154 
Precentor, his Letter, 423 
ions, 46 
ly, 188, 486 
Psellismus, 25 
Public Taste, perversion of, 273 
Purcell, 10 
Pazzi, 279 
Quadrille Rondos, 223 


Rameau, 505 
Ratio of Intervals, 49 
Rawlings, bis I! Giorno Felice, 800 
' » 137s in the Messiah, 141; in the 


Creation, 
Relfe, his Lucidus Ordo, 469 
Mozart's, 99 





INDEX, 


Revenge Timothus cries,}48 
Ribible , 42 


Richards, his Glee, 115 

Ridiculous Effect of Noises introduced to 
Musical Performance, 23 

=v his Duet on Winter's Overture, 


nee aa eg f Spanish 
Rizzio (David), 502 2 thie 
Rode’s , 520 
Ronzi de Begnis (Madame), $81. 


Rossini, 37, 93; his La Gaza Ladra, 252 
Rousseau, 39, 40, 41, 42 

Roussier, 505 

Rovedino Tomaso, his Dramatic Fairy Scene, 


— i) 59, 62, 63,277, 387, 398, 410, 


Saynette, 482 
Sebright (Sir 
a a John), seoremente Miss Wil- 


ann wather of, ‘ 

Sharp, his Theme, with Variations, 509; his 
I had sighed o’er the Bud, 516 

Shield, his Love of Simplicity, 150 

Siddons (reds 26, 30 

Skarratt, 112 

Sketch of Music in London, 379 

Smith 


ews yy 69, 279, 392 
Smith 


mry), ; Metronome, 308 
a oe 
la, e 5 his nish 
Sar gh ngale, Spa 


Sound an Alarm, 142 
Spanish Melodies, 477 
323 


Spohr, 
Steffani, 38 
Stephens erg nt 58, 264, 279, 387 oH 458 
venson, Three times three, 115; oa 


if those Eyes, 119; Lightas tha Shotone 
347; We Fairy Folk, 366; his Rose of 
Affection, 516; his Summer, 516 

iat » his Patent for the Piano Forte, 185, 


Stradelia, 436 
Strunck, 450 


‘onadilla, 482 
Torelli Giuseppe, 448 
Torelli Felice, 448 











Total » 142 


Violin, Rise and Progress of, 439 
Fle, 3 ere ta Walger coves, hing 
, 1175 bis In- O'er the’ Welera; end Aa tans Ge 
ve . 
Webbe, bis in Celia’s Face, ie, Ss Be 
yoy i Variations on the Silesian Waltz ; his Pa- 
Pe bed 4 on the Soldier Tired, 345 
Veracini (F. wry Wesley, 279 
Vertue, 485 wise (sya 
Yueehes meuenee 173 of Elastic Bodies, Wosltonsgreh eee Lie 
1753 ‘Transveral,293 ; Longitudinal, 2955 worm aft sass 
of a Stretched Membrane, 3 of Airin Zarzuela, 482. 
Wind Instruments, 296 


DIRACTIONS TO THE BINDER. 


or 
The Plates, Musical Student, No. 3, to face page ....-. I 
The Plates, No. 1 to 15, to face page ......+...+6+- 188 


The Plate in No. 11 to face page eeeeeveeceoseereeeeer 293 











