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THE GLEN COLLECTION 
OF SCOTTISH MUSIC 
Presented by Lady Dorothea Ruggles- 
Brise to the National Library of Scotland, 
in memory of her brother, Major Lord 
George Stewart Murray, Black Watch, i 

killed in action in France in : 1914. . 
28th Janwary 1927. ; : } 


sae 


Digitized by the Internet’ Archive 
in 2011 with funding from 
National Library of Scotland 


me 


http://www.archive.org/details/apollosbanquetco0t rugg - 


~ Apollo’s SGanguet : : 
CONTAINI N G 

Futeuctions » and Variety of New Zunes, Apzes,) 
Jiggs, and feveral: New Scorcu Tunes 
FOR THE 


TREBLE-VIOLIN. 


TO WHICH IS ADDED, 
The Tuxes of thenew “ach yl now ufed at Court and in Diancing Sebo 


y 


with new ADDI- 


The 5” Edition, | tions. 


' 


LONDON, Pri 
over af 


te Sly. aa 


cise ls cls sce cha discl th hs ch dh ck th de nce ch dh cecal 
LUCGECPLCeLE SSeS reeeeeeee 


Fo all Ingenious Lovers and Praélitioners of MUSICK. 


y HE Creble-Ciolin % at thiscprefext the only Tnftrument in fafbion, and 
erm women 2 the delight of molt Young Practitioners in Mufick for its cheerful and 
PLC Wane prightly Sound, in fetting forth the new Airy Tunes of thefe Times; 
E get, which induced me both to the pains and charge of fetting forth this Choice 
LeU Ey SZ Banquet, replenifbed with variety of new and delightful Tunes proper to 
y a> this Inftrument, and alfo the Flute or Recorder, bezag moft of the neweft 
tavey Tunes, Ayres, and Jiges, ufed at Court, and at the public Theaters: To 
added, the Tunes of the French Dances ufed at Court and Dancing-Schools, as a Work 
very necelJary to all that play to Dancing, either in City or Country. 

And alfo for the benefit of {uch Learners as live remote from any profef[ed Teachers, I have 
tn the following Pages fet down ( in the plainef? Method I could invent ) [ome Practical Rules 
and Inftructions for Beginners; which, fince my firft Publication hereof,I have met with feveral 
Perfons that have only by the Inftructions attaised to play indifferently weX. And now the 
Impreffion being fold off, and called upon for more, I have in this Edition left out [ome of the 
old Tunes, but in their place added four times as many new ones, with divers new Scotch Tuzes : 
All which Tunes may properly be played alfo on the Flagelet,by fuch as are ski d in the knowledge 
_ of pricking Tunes by Notes. The whole, as it is now corretted and publifbed, I queftion not but 

will be kindly accepted by all Ingenious Lovers and Practitioners of MUSICK, which is the 


hearty defire of 
| Az Your Friend John Playford. 


¥ fia athe 


JFntrucions for Beginners on the Lrevte-Ciolin. 


Have, for the benefit of fuch as defire to learn onthe Violiz, and may Jiye’ in the Country, 
far from any profefled Teachers, fet down thefe brief Inftructions. 
Firft, It is ufual for the Practitioners tolearn on the Treble-Yiolin by Ear; ( but few there are 
. that do fo, that ever, attain to true Stopping in Tune at firft:. Therefore, for amore true and 
peedy way of learning to ftop all Notes in Tune, I have here fet down aRule by Letters on four 
Lines afligned to the four feveral Strings, by Frets and Stops on the Neck of the Vicliz, whichis a 
way I have known ufed by the beft Teachers in and about Lozdon, asa moft fure and eafie way for the 
firft entring their Scholars; and after, to cut them off when they became perfect in the knowledge of 
allthe feveral Notes, and their true {topping in Tune. Nore, That from thefirft Fret to the fecond, 
is a Semitone or Half-Note; :but from the firft tothe third, isa whale Tone or perfect Note; and fo 
isthethird tothe fifth.  - dV ue 


Baise 4 i Pee me) 


ae eh ni PERU re HT AML Nea a Oe 

Open. Fir Fret. \ Second Fret. Third Fret. Fourth Fret. Fifth Fret. 
Thus in the following Example,which isa Tune,as the Letters are varioufly placed on the four Lines, 
fome upon one Line,and{omeupon another ; fo they are to be ftopt on the feveral Strings,according to 
RR Ras ts Tie SUN Sec their 


(C2 aie 


their places when fingle: It begins with three +-’s alone on the fecond Fret of the Treble or higheft 
String, and is to be ftopt with the fecond Finger, and ftruck with the Bow three times ; the fourth 
Letter is .., which is the String ftruck open; the fifth is © again, as before; the fixthis £ uponthe 
fecond String, ftopt on the fifth Fret,and fo forward. The fame Tune being placed under it in Notes, 
according to the Gam-ut. 


SA pine nae oer steeg ee Ce ee e 


EE £f ah wad a fi a ee ee ee ee Ah CES qe 


eee 


Maiden Fair. The fame Tune by Notes. 


Poe ss aesasacaaaessese aus seessceeasese ae: 
Of Tuning the VIOLIN. 

Next, for the Tuning your Viol, there be two ways; firft, by Fifths, which is moft ufual, and is 

Tuned , the Strings open ; fecond by Eighths, which is, by ftopping the fifth Fret , which is 

F, viz. Firft, to wind up the Treble as high as it will bear without breaking, found it with your ~ 

Bow to the fecond, and yon will hear it an Eighth to the Treble ; which done, ftop your fecond in 

like manner in 4., and tune your Third to that; and laft, ftop your Third in £, and tune your 

Fourth to that: When thus tuned, if you ftrike your Treble and Second together without. ftopping, 

you will find ita Fifth, and fo the reft to be Fifthsto each other, By this Rule, your four Strings will 
bein Tune, and you may proceed to play thofe Tunes foregoing. tig PN 


eAuother Example of Tuning the Violin. 


By Fifts in Letters. By Fifts in Notes. By Eights in Letters. By Eights in Notes. 
“— nr oN oo “_—— —_—s . “on (amy 
Riz 40 4208 34 Ue ard: Woe ee sy cars POE aa ae nt2 2.3 fogs 
R= 3 FO ets A Poems — tant ee ey ee ee ee ee ‘ Lam a freer Ey aa 
Eiatig mies) — Aa Fe 
SSG et SI ca emeeoet Gonlor a (ae pe e— “eo 
ERTS MRED BB eo ; =F > pudgelins ANTS DP a i = 


Example of the feveral Notes as they afcend on the four feveral Strings, from the 
ie isp f gel to the tae by Letters and Notes. 
* 


By Letters. 


By Notes, 


Fourth String. Sr String. Seconds cae Firtt String. a, 


Gaps are 


qo) ee 
Ee a a me =a ee aie EEE : 


L 8 String. Third String. Second String. Firft or Treble. 


| 


SS ee OD ere aa 


J 


The Scale of Mufic call'd the ee fo much as contains the compafs of Notes ufed ontheTreble-Violin. 


On the middle five 
lines and their [paces 
are prick’d allLeffons, 
and if there be Notes 
above or below the/e, 
they are fupplied by 
adding « Leager line 
for them above the 
five lines, or elfe be- 
low the five lines, as 
occafion does requires 


cc fol fa 
bb fab mi 
44 Ia mire 


£8 fol rent 
F fa ut 


G fol re ut 
F fa ut 

E la mi 

D la fol re 
C fol fa ut 
B fa b mi 
A. ba msi ve 
G fol re ur 


| 
" 
é 
Lr 


°° 
—_— — -——_ —- 9———_ - Gam-ut doth direé& 

© ij you to know the 

é Re Mm a oar erg Places One Matas 

both in Lines and 

——$———— > = 0 Spaces, above and 
under your afligned 
Cliff, which is com- 
monly placed on 
the fecond Line, at 
the beginning of 


—___— 


This Scale or 


oe ae ee 


—B the cliff. —9——_——__—___--_—_—_ 


Fa peel ROU oe on RELL YP all Leffons or Tunes 

° for the Treble- Violin, 

= Cliff. g¢— ——_— —_——__- —__ —__—_——_| and is called, The 
o aa G An re ut or Treblew 


Oo 
As 


As for diftinguifhing the Flats and Sharps, which exprefs Semitones or half Sourtds, the following 
Table doth direé& : {, is marked for Flat, and makes the Note half a Tone or Sound lower, or (as we 
fay) flatter ; and the Sharp is marked thus {, which is half a Tone or Sound higher, as you will find in 
the ufe by Frets or Stops ; for the diftance of two Frets is a whole Note, and from one Fret to the 
other is but an half Note. 


An Example by Letters or Notes,Afcending from the loweft Note of the fourth String,tothe higheft 
on the Treble, wherein the uftal Half-Notes (Flats and Sharps) are expreffed. sts 


The fourth String, or Bafs. The third,or Great Mean. The fecond,or Smal Mean. The firt, or Treble. 


—e ee eee OO a ee es R=. ee ————— ee, oe ee 
es ee BB Toe EI ak ee ae ee 
a SRL , “iE 


rece ne ene c een e sees 
fae ae SS 

By obferving of thisRule, you may prick any Tune out of Notes into Letters, or out of Letters 
into Notes. 


_Laftly, it will be neceflary to know the Names and Meafure of every Note, as to their due pro- 
portion of keeping the true Time of A4/ick.; for which, this following Example will direct you. 


eA Table of the Notes and their Names, with the Charaiters for Refts or Panfes, as they are ufually marked. 


a ESS aa 


_ In Mufick have been in ufe four or morePropottions of Time, but at prefent two is only ufual, 
viz. Firlt, the Common or Semibreve Time; fecond, the Tripla Time: The Common Time is multiplied 
from the Semibreve or whole Meafure by Two's, whofe Mark or Signature is thus ¢. 

The Tripla Time is moft ufed for Galliards, Corants, Sarabands, and Figgs, whofe Meafure is by three 


Minis, or by three Crorchets, and the Signature is thus Z 


Common 9 Time.  —— Tripla Time by 3 Minims. Txipla Time by 3 Crotchets. 
CWSI d- ; 


Seren Cael 
Tet to tan edad dae 


Thefe feveral Notes have ufually a Prick adjoyned to them, 
which augments that Note to which it is fet tobe half fo much more 
in proportion: For Example; if a Prick be joyned to a Minim, 

“then that A4inim which was but two Crotchets, is by that made three, 
for prolongation of the found, and fo the like with other Notes of greater or lefler Meafure. 

Note, That when thefe Zyes ~ are put over two or three Quavers or Semiquavers, it fignifies, That 
thofe Notes fo tyed are tobe flurr’d, or to be played with once drawing the Bow ; and fometimes a 

- Tye over two Minims or Crotchets both on the fame Line or Space, is to joyn the fame to make the Time 
perfect. This mark 4 isa Direét put at the end of the Line, to direct the firft Note onthe next. 

To conclude; If thefe few and neceflary Rules are well obferved and put in practice, I doubt not 
but Ingenious Practitioners will reap benefitby them. Which is the hearty defire and with of 


ie. 


Choice ac Kunes, Piggs, and Dances, for the Lreble- Cokin. 


La 


eg eee cece: beer eee vipaspttltggtt pe 
 Bpebeeteerepertterteereergt seaneis 1s 
Ss EEES eee His pEeee Eee 
sstpsity aes 


aren Latter bed 


: genet! Hh cEEEE ee 
: | 


es eu 
es 


3 A este eA tigate 
sei rain n A Ha 
Poog terrae Ei eerieeeeatilt T= creer pe yal 
sctuapintsiny ey eatpemiegity 
gules seule —_ ae 


—,! 
— 


: M _ tak 4 4 sy Spiele 


SIH sept 
‘gel Se tutes 
“10 | gee ap Eee 

f 


i E 
ecco eases ee 


uA Sesser PEE EEE EEE 


a 
Eee ra EES TEE Fagg EES 4 aes 
ae 


a a a 


EER en i oe Dee 


oar acbeth, 


| -e225e rite Seieesteee se —— 

4 A SSE geeeeri ai EeeE aie PEEer ticle 
Ugg EE eta ee 

s A Sua ESteneuinpridieegette 
Arcee ay 


. Te seh tithirspeppr aia! 


eet! Nereis 
is" 2 See eae — a Ze at yale 
Het 


DS >: EEE SOR: ee — 


ange- 


a2 HESS ere ay 


7 Cease iteatg 


Ir Adarvin's Jigg. 
aie ET te 
“Hes = i acy aH sain 


Unfaow VHoufe. 
19 ESTE wait acon Bessy 


He Gethp=¥ Frolick. 


pe foe access Sten 2 
0 Coealt Hires 


Oma aoe ¢-hath fome favour. 


git ran gee eee 


wan = rt ————— 


ee Be ee Ce, 
—- 


a 


ss [se Has aH eae ete 
sf cae ~ t¢3 nt ee Seecersceseseec 


2 = rope = PEG — i apse E HE 


a 

—_—— 
— 

— 


SENG NO ey 


LN a an re 


Opera. 


genet Ee pais a alt } mis it ini 
30 Ts HEELE eaies eeece eEELE EEE Bt: 
pie aia ieeevee ese coh eae ees! ae 
A Sestretesad cine age eesti 
ccmnepgerteatt tty egliirplap tine: 


ae 
— 


a A Serpe Eee FRE 
spe alee eres seacieezegi| cee feiaeeie 
asaes apes Be ee ee 

33" | Sen ES GUE 
eee eae Sa taees cere ees secesaceassceeeae: 

—— ——— 


3 5 3s") watt ttrepaeetittrn Efeiapay Eee 
|: SEER ESE EISEEEE EE 
ono. 
6 CE ssi tryrrpppe ater eepetes 


ae 


amine eitert : se ELPA | 


27 re on Selene ieEes: peegeeetieestlt see Ye | 
seen te sie qe 


deco eestad (ete eeeset20ele 222255" 


VS 


fan! Ho ae ! ; Farewell. WW, 


att na Heat EET Nb [ESET 


384 


52 7 ee EES a EDEEES 


Rince Geo ngs Dui 


pres i 
_ 


pa eae 14 nA —— 


42 “— - E sigan i _— eet _ 
| geperbleg ttt eee + HSS SaaS | 


—— 


a3 A ese ekepe et Paying epee ets 


ee ce 


<— gottetly ree nia a5 ie: 5 1s PHpeeiesge 


Kt Hie p= SSS SS SSS: ssa aaa 
650 ts Et See 


Ve Spe es reste 
ees uf a cos ae ee r: a 


‘ eae a i iB ee ott a “ i apes 
sat aera seepet errpep atlases 


aoe 
45 Cee 4 TENT HIE aa ESS eats 


i ee 
HTRES = = ——- SS : 
_ ~- ty 
— s 
me ers eae Ges Se - 


ErEpEENy! tpt afi eseeeiezeneic 

ee EEE ee Hace qtlpeptreps 
8 A SSPERER ERE SpITTEIERIEIEL Erte 
ein; SEEE: “i of Se: t = te a 


0 PETE a rete | 
| ete yay eS 
so fy wemcalle tee eet ange aL ERS | 


gatas He toprtel tpt Unga 


51 deniers a ee 


= SPEER ae 


lige 
cand 
eae | 
bitte 
I] Bike 
af 
thn 
ie 
| Pie 
[ Sis 
pa 
| Jes 
(it 
Dean 
lero 
hay 
fey 


a bh . 2 z 
cy 2: 
— 
ee care 4 a) 
2 oe Be 


ceaseeier: pig eS iicsieecicetsticsessccerer a 
we Hernia | 
=. ——————— 
37 5 chee ORRenanina 23 | 

Sicicsiieties 2.22 ——— 
58 Awetts ape! Sree | 


56 Ast eo feeceul Greece! Hines Te lager | 


THOACGRSRG CE, ee ee a ee et ey | 


eaten at pare epgrett teat red 


59 Cs eaten ies PREG ene Hane 
gett literset apt PES peter eet 
SS 
lo Az=2 epbeteeee pee trerererererrenet 
soperieageeieteteeerptt etree? 
peeacee Pageeteee? = 


se TT AT eee Ly SESS STINE eens SSS —— a ees 


‘3 ene : jel freee 


——- 


Sige eee eee ee renee 
Sc Ge PREM 


63 A® = anette Fores cutsiees! : 
se ES TER EEE ESE veniaecaee | 
atniiee ee are = | 


ee oo ae 


seg 


oy yf essseSE ERSTE | 


rote feeiea gecctee set fe el 
68 A SeHEPH EEE Pie eet eps 
reesei te CIHHEE jt a ate | 


\ 
I) 


oe i —_ ssckuaeten — 


aoe eres he i 


Sinn nn 


a ce oe Se 


ee ee a ee 
$e pe 
i 
eS EE A A 
eee Se 


pena OER eo Rea eR Lae Ee a a eG 


*€ ricco eateteceseraeceer: a Fant 
HE seiaititars queens 
SuSE PEE et sf spe te 

Bele eet eee ee ee es 


ee rth 


ei cami a Ee 


Aon 7 


ee om CETEE “at a nt a a ne 


eats gee pee geese, 


ace Geared 


Hee 


“Te 


¥ . — 2 
J 4 ea i f 
€ 2 ee oe LG A--© 
— Aw BAS a it : 


pitting gsterrree 
ae 
13 Axes a alent gas acetate zea anaes ti seree a 


| eben art 


Theater Jigg. 


(enti 


Sale epeseiee! —_ — a0 | 


| 
— oa 
a a a SS fe et: =. ! 
a a a SS es pes, ——— i 
EE SS SS ES SS pe —— 
5s ———- os = } 
WI, 
i 
\ 


76 ie aiced Panseies 


‘Theater new Tune. 


= nena Haas 


st 


71 \ sets aiteEriteegiizel sgl lire | 


Mighty eT antes litle if es 


‘ 4 7 
REE 7 ra stg : 


73 [ agg ets tay gic ee tg SEE 
“BREEN fe ————— 
19 SFE ia tnEligelapettrypnttiyts 
* paling! ———— 
30 WJ a Reap 
= TEE su LpEES IEEE 
~aniad SERRE EREERE 


oN att sei daar Sees sete 
HU Ea Eee 
— side inion ! 

. sen 
4 a ome Pies 18 era el deat | 


mio‘e) 
to 
ae 
ie: 
oe 
ib 
Hey 
ye 
ce 
Ep 
{err 
eae 
Te ie 
2 
dp 
ie 
Ee 
ieee 
ere 


aLaweeas 


——— 
a TERS aa Sa 


SS rE oP 


CSREBE Sie tiny RG Oe TA ERE 
ee es ee ee ee . 


— ce Fr TEE — oe {Es 


=e 
jeep Tj | SEP ga 
ERE set seu Sine eeie ics = 


’ Te Hert fy Ferree ire imapirtttt: 
act Ebner ttle | 


= oe 


fe 


® ata acc ees 


Oly-rood day 


-ean fa Sh ya ane Da) 
i 
re IE : — | 
= at pF ate hee SRE Te Te Pa ae | 
ae ai PERC SS 
angease Gailehster - Seared “| 
z tt 
-- ! 
« 
° 
_ 
q -. 


89 eset 4 at 


Q Exny come tye my Cravat. $ - is 
eecflat ats 22257525225 
Dyctmrw a e a | 


Aiea A ane 


Sh-wednfeday. ~ 


ae 


ea 


oe er OF oe ES ers of a ns eg ee”. 


eae 


fate | 


SE EE Ee a I BY SETTER OC Ses 


oa JAY aeeane ESE 
gel eeretitlet yh 


eS er ee ee eee 9 


ST) esate qateyteerteneeteneeette | 


fhire Houfe. 


peerese evel eee cee cese| =e 


| 


96 Li De a ie sate i 


ne Ogle,a nce; ~~ 


LI NTR , 


97 penaaane remnant conta 
senetepsant lier ryr lilt Ethie iratiely 


, Tea SaSesHESee: gl tht Beenie pate 


ete) 


Pe sesieseca ares: 
Wg cee genet HEU aE eau USESE THEE 
Fee reevel feetei rece: eeisusetcetcs = 

| 0 paagamitsnttt Fine dipegetse tia aga 


| Ese ey ey ge 
» See ae SEE 


Bar a ae aS 


we 


102 C& gray TEPEEEE eee fbr eteresiseaeee/ | 
gcirennentiet pergeenptiereeahe 
gt a = FEE Ee ———————————————— | 


ee  — 


i a EE i 


o TERTE gel cfs RE 
aH iy Atte Herat aS TREE 
eTieagree pet Hepat | 
geal p nn petal cerba tere ttrye 

SSS 


SE BASES oe AE ES ES ES ET SS ES SET SN 


“Nese Beeaspeeenis ee EEE 


aranade. 


peseeae Tepe tippers tnt — 
the if SHEEP TERE 
eRe EEE eee 
ry EEE Jat ie 
1 yeu i ss qlee 


Hierepriett esti 


a i a a A 


‘i’ A mattttE ETERS aE SEs 
Fare Pe eeee Sees 
vr N Bese EL gE TE at SES 


Minuet 


fia 


Keene feeaeg Se yiceaastii) eeelme ree 
pegeeeeit By ae 2 iq eee HERE HIE Eeneres Hy —— 


ov Sen ee 


re 


seltbeat ty fettapeutepaty eget rept 


} 


—y 


— 


eS RTE 
1 si aoe Seale eR == 
” sential eee 
gelebten terre! T Sipe ae E a = 
: AES gsveasiaceeriic qa se 
qebebien cheer tebesy EET uae 
; ca segee eereseerectige seeer c= 


a rs a re ee 
yi i i in i a i nn a ee 
ee: a et en ee es ee ee eee ee 


ties ene eee ST ER aE EPS Pe Ee SE oe ee 


: E ; Sena | 
——_—- TEEPE aN nm ' | 
~ a ‘ “% _ 4 ‘ . 
Lok dee eee oe St = =, ce ee ee ty" esl Bek Pea Achat —— : 
rw r car & cps 4 ~ 4 ‘ See Ps UZ fh T= +41 - 3 a Siem = 
. . a Wy -¥ =f “ - Pe BA 22. 2G ~|— _-§,- See” Lie | 
- fF seals, Be. ) op > 2 ee | 
ss (Gres aS Mees ee peace Uma 3 “Tie = tok oes cy Siig perce Ab pie ee SS 
RS Re ee ee a : = ae, ee ae 
Go ww ; 
| 
i q 


a 


7 ea ancl cue eare 


x perce Tun Toes : 


a aah 
[iets 

Here Gehsh ald 

pau 1] Sea at 

Ltt (igh | 
= aust 
ica = =~ == 


( 
fe tia 
¢ 


stiecg mate site freraaia 
gp seit FEES HEH EEN 


ahh ¢ 


™ 


st 


panal 
a} 


| Sak sientiemadh Ealigedeapa tes seas! 
euetthnattititinealinerigtn epee | 
eH FipETETE EE Hu eee 


a red me ah me ee 


eit eg FE — 


cote 


~S pee w~ ance 


hate — ae iin | 
at SEEEE ees SE —————— 


A eerste reyes | yeaa | 


= Hi 


SrainenaiinigteS 


The Second Part of Apollo's BWanauct, containing the ufual Tunes of 
| the French Dances, petformed at Court, and in Dancing- - Schools. 


A eeepc eee 
_eee  ee aie 
ee  ————————————— 
2 Cael iapimigg pun areas 
gigatt jel =. 
3 Os Sit qiagabeerp rates Eee hoes 
et ca $4 ae Te: Se 


+ Cates ure tay bastante Eette 
_—- aE ——SSas 


Bee 2 


He Bore 


Cee tne wr iy 
apm reese 


Recaeecg as —a 


sae teeapeertryiitettterttn 
gebprtetee ltt eeserpeyictartite era 
F past aibtpertt gi tiltieesy ae 
See FS 


oN &é! gilt TTS an Ei ste: 


_seeltagtttgepgepeiag tate 
‘Be ait eat ae sisi ane 


12 pets Hosp atlnepigeeneet ie he: 
aennstieeapTemeee gett ity — 
3 ea yt “a u a sage eauciaas ‘ PSE 


eta a care rat rene ite 
aati press EE EE | 
15 | see eee ee | 


seperti 


‘Le atiraymgpratremnriett tying 
Bae cieSiesieiesieeierel eel aie s een zi este 
| eebrygEneeieyppeett et esters 
scoerceepestetsia —— 

7M eee ane terete 
SS 
8 Meese eer 
| omens: HEE eee stigeeeriee! 


9 | etn ot eaE 
eapet! alu rift berheprrgisaraege 
sip jp y TEE et | 

weleiat san i i i aanaaets 2 


—— 


rinceis Urleznce. 


‘nie pet f aR SS SS Sees 


s Minette iprattetirgg gly Ly bgbtectptete 
| — fine He te _ ee: _— spice ge sEgSeeses 


oom T= 


Ce tee! ea ere: ene Eeptasecbege 
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MUSICK, Books Priated for John Playford, at his Shop wear the Temple Church. 


Anticum Sacra: Divine Hymns and Anthems, fome in Latin, and fome in Englifh, for two Voices to the 
* + Organ; compofed by feveral late eminent Exglifh Maflers. Price ftitch’d 3s. 


The Pfalms of David,and other Sacred Hymns,according to the common Tunes fung in Pariflzchurches,com- ; 
pofed in 4 Parts by Fobm Playford,and printed in Folio, proper both for publick and private ufé. Price 2s. 6d 


“The whole Book of Pfalms in Metre, as they are fung in al] Parifh Churches, with the proper Tune to every Pfalm , , 


compofed in Three Parts, viz. Cantus, Medius, and Bajjus, by Fobn Playford, ina {mall Volume tocarry in the Pocket to 
Church, and may be bound up with the Book of Common-Prayers in O@avo. Price 35. 


A brief Introduttion to the Skill of Afu/ick,both Vocal and Inftrumental, by ¥. Playford, newly Reprinted with ‘Additions 
of a Third Part, containing the Art of Compofing Mufic, of two, three, and four Parts; in O@avo. Price bound 2s. 


The Mufical Compenion , containing variety of Catches of three and four Parts; andalfo above 140 Choice Songs, Ayres, 
and Dialogues, of two, three, and four Parts, in one Volume in Quarto. Price bound 3 5. 6 d. 


‘The Second Book of the Mufical Companion, containing a new Colleétion of Merry and Loyal Catches, and alfo divers 
new Songs, Glees, and Ballads, for two Voices, never printedbefore. Price 25. = 


Maufick’s Recreation on the Lyra-Viol, containing variety of new Leffons,newly Reprinted with Additions. Price ftitcht 2 s. 


Choice Ayres, Songs, and Dialogues, being moft of the neweft Songs fung at Court, and at the publick Theaters; com- 
pofed by feveral Gentlemen of His Majefty’s Mufick, in Five feveral Volumes in Folio. 


~ The Divifion-Violin, containing a choice Colle¢tion of Divifons for the Treble-Violin to a Ground-Bals, all fairly engra- 
ven on Copper Plates, being of great benefit and delight for all Prafistoners on the Y7olin, and are the firft thatever were 
printed of this kind ; newly Reprinted with large Additions. Price 2s. 6 d. : ' 


Mufick’s Handmaid, containing choice Leffons for the Vixginals and Harpfichord, newly Reprinted with Additions of plain 
Rules to underitand the Gam-ut, and the Notes, thereby to play from the Kook, allengravenon Copper Plates. Price 2s. 6d. 


The Pleafant Companion, containing felect new Ayres and Tunes for the Flagelet, with Inftructions for Learners, newly 
Reprinted with Additions. Price 1s. 


‘The Dancing-Mafter, or plain and eafie Rules to dance Country Dances, with the proper Tunes to each Dance, is new 
printed; with 45 new Dances never printed before. Price bound 2s. 6d. 


There is newly printed a new Edition of the ViolinBook, Entituled, Apollo’s Banquet (firft Part), containing new Ayres, 
Theater-Tunes, Hornepipes, Figs, and ScotchTunes. The fecond Part of this Book contains a Collection of French-dancing 
‘Funes, ufed at Court, and in Dancing-Schools ; as, feveral new Brawls,corants, Bore’s, Minuets, Gavots, Sarabands, Se. Moit 
ef which are proper to play on the Recorder or Flute, as well aSon the Violin. Price 15. 64. 


Alfo all forts of Rad Paper, and Ryl’d Books for MUSIC of feveral fizes, are to be fold at the fame Shap. 


The Third Part we APOLLO: SR ADS ia. 
containing new Tunes of Dances for the T repie-VIOLIN: 
and eee ee at aie and wm Dancing. Schools. 


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ADVERTISEMENT. 


The Divifion-Violin, and Dancing-Mafter , ate lately printed with new Additions: 
and fold by Heary Playford, at his Shop near the Temple Church, 


