CATALOGUE 

OF THE 

VERY IMPORTANT AND INTERESTING 

COLLECTION OF ENGRAVINGS 

itj f ttrmtt Mastery 

THE PROPERTY OP 

M. DE BAMMEVILLE, 

COMPRISING 

NEARLY THE COMPLETE WORKS 

OF 

THE PRINCIPAL ENGRAVERS 

OF THE 

ITALIAN AND GERMAN SCHOOLS 

DURING 
TOGETHER WITH 

SOME FINE ETCHINGS by CLAUDE, &c. &c. &c. 

COLLECTED WITH GREAT TASTE AND JUDGMENT IN DIFFERENT 
PARTS OF EUROPE. 



WHICH WILL BE SOLD BY AUCTION, 

BY MESSRS. 

S. LEIGH SOTHEBY * JOHN WILKINSON 

AUCTIONEERS OP LITERARY PROPERTY AND WORKS ILLUSTRATIVE OF THE FINE ARTS, 

AT THEIR HOUSE, 3, WELLINGTON STREET, STRAND, 
On MONDAY, the 8th of MAY, 1854, and Four following Days, 

AT ONE O'CLOCK PRECISELY EACH DAY. 



To lie Viewed Three Days before the Sale, and Catalogues had at the Place of Sale ; and, on the 
Continent : — at Amsterdam, of M. M. Fbancois Buff a et Fits, Kalverstraat; Bonn, M. Webeh, 
Sternenfhor, No. 280 (a) ; Hamburg, Cojijieteeschee Kunsthandlttng j Leipsic, M. Rudolph 
Weigel ; Manheim, M. M. Aetaeia et Fontaine; Paris, M. Defer, 21 Quai Voltaire; 
M. Gcichaedot, Rue de Orammont, and Mr. E. Rctteb, 10, Sue Louis le Grand ; Vienna, M. M, 
Aetaeia et Cie, KholmarTct. 



J. DAVY and SONS, Printm, 13?, long Acre. 



CONDITIONS OF SALE. 



I. The highest hidder to be the buyer ; and if any dispute arise 

between bidders, the lot so disputed shall be immediately put up 
again, provided the seller cannot decide such dispute. 

II. No person to advance less than Is.; above Five Pounds, 2s. 6d. 

and so on in proportion. 

III. The Purchasers to give in their Names and Places of Abode, and 

to pay down 5s. in the Pound, if required, in part of payment 
of the Purchase-money ; in default of which, the Lot or Lots 
purchased to be immediately put up again and re-sold. 

IV. The Sale of any lot is not to be set aside on account of any 

error in the enumeration of the numbers stated, or errors of 
description. 

V. The Lots to be taken away at the Buyer's expence, immediately 

after the conclusion of the Sale; in default of which, Messrs. 
S. Leigh Sotheby and John Wilkinson will not hold 
themselves responsible if lost, stolen, damaged or otherwise des- 
troyed, but they will be left at the sole risk of the Purchaser, 
If at the expiration of Two Days after the conclusion of the 
Sale, the Lots are not cleared or paid for, they will then be 
catalogued for immediate sale, and the expence, the same as if 
re-sold, will be added to the amount at which they were bought. 
Messrs. S. Leigh Sotheby & John Wilkinson will have 
the option of re-selling the Lots uncleared either by public or 
private sale, without any notice being given to the defaulter. 

VI. Upon failure of complying with the above conditions, the money 

required or deposited in part of payment shall be forfeited ; and 
if any loss is sustained in the re-selling of such lots as are not 
cleared or paid for, all charges on such re-sale shall be Made 
good by the defaulter at this sale. 

— — 

Gentlemen who cannot attend the Sale, may have their 
Commissions faithfully executed by their humble Servants, 

S. LEIGH SOTHEBY & JOHN WILKINSON, 

Wellington Street, Strand. ^2 

r— I 

( _3 
LU 



CATALOGUE 



OF THE 



VERY IMPORTANT AND INTERESTING 

COLLECTION OP ENGRAVINGS 



THE PROPERTY OF 



M. DE BAMMEVILLE, 



FIRST DAY'S SALE. 



(The Numbers in Parentheses, unless otherwise expressed, refer to 
Sartsch's Peintre-Graveur. ) 



H. ALDEGRAVER. 

LOT 

', 1 The Four Evangelists, after G. Pencz (57 — 60), very fine arid rare, 
from Cardinal FescK s collection 4 
„, /&< 2 The Virgin and Child (52); Rhea (56); Four of the set of Dan- 
cers (152— 159); Ornaments (236, 256), &c. fine 10 
/, 2 . 3 Portrait of Albert von der Helle (186), 

extremely fine and rare 1 
/, /£ ' «— > 4 Portrait of Aldegraver, painted and engraved by himself (189), 

brilliant impression, and extremely rare 1 

A. ALTDORFER. 

/, , $ 5 A Triton and Nereid (39), Dido (42), and the Portrait of Martin 
Luther (61), very fine 3 
B 




2 



/i 



ZOAN ANDREA. 
( /S/^—— 6 Judith and her Attendant (1), 

/ SUPERB IMPRESSION AND EXTREMELY RARE, from Cardinal 

Fescfis collection ( ^ie*u-- < --4> \ 
/ , // , — , 7 The Entombment, after Mantegna (3), ~^=^**- ^-^i 
very fine and rare 

//, „ , , 8 The Man of Sorrows (4), after a picture by Mantegna, 
extremely rare 

/{? '' — ' 9 Design of a Fountain (15), /£cr^ • 

VERY EINE AND RARE 1 

£ ^ /f. *— 10 The Four Dancing Nymphs, after Mantegna (18), 

YERY FINE AND RARE 1 

/ ,, , 0 11 The Four Dancing Nymphs (18), 

fine and rare; with a copy 2 
/^T. 12 Six of the set of Ornaments (21, 22, 23, 24, 26, 29), printed on 
two sheets, extremely rare 6 

13 Two of the set of Ornaments (33, 25), - 2 

very fine and rare 

ANONYMOUS. 

14 The Virgin and Child, with St. Catherine of Sienna and St. Mar- 

garet, by an early Italian artist (xiii. 85, 2), very rare ; from 
Sir M. Sylces's and Mr. EsclaiWs collections 1 

15 St. Jerome, yEneas and Anchises, and Hercules and Antaeus, 

by early Italian artists, very rare 3 
/ ' 0* • — • 16 The Nativity, by an early German engraver, 

_ very fine and rare 1 

. v tV , , 17 Three Figures in a Landscape, a circle, probably by the German 
artist S; ar >d a Design for the sheath of a dagger, very rare 2 
18 The Creation of Eve, by an early German engraver, 

very fine and rare 1 



AUDRAN. 



( , , c/ c« .19 Time discovering Truth, after TV. Poussin, by G. Audran, first 

state, before the drapery on the figure of Truth, very fine and 
rare 1 



JjJ t ^ ^ 20 The Battles of Alexander, and the Triumph of Constantine, after 

Le Brun, by B. Audran, very fine 8 



B. BALDINI. 

£ £ f ^ 21 The Phrygian Sibyl (xiii. 94, 17), 



VERY FINE AND EXCESSIVELY RARE 



/ /jl, «-22 Apollo (37), and Jupiter (63), two of the Tarocchi Cards, y s 

fine and rare, but the inscriptions have been cut off 2 C0~vt /t *4/hi 
Astrologia (41), 

BEILEIANT IMPEESSION, AND EXTEEME1Y EAEE 1 /yf^O^<^f 

3, /f.^24 Loica (39), ^ ^ 

BEIEIIANT IMPEESSION, AND EXTEEMELY EAEE 1 

* # * The following from the set of the Tarocchi Cards, are the 
copies according to Bartsch, but were considered by Mr. Ottley 
to be the original prints. 

„./&.— 25 Terpsicore (30), Erato (31), Polimnia (32), and Talia (33), 
extremely rare 4 
*,/$--26 Melpomene (34), Euterpe (35), Clio (36), and Apollo (37), 

extremely rare 4 & * 

27 Grammatica (38), Loica (39), Rhetorica (40), and Geometria 

(41), extremely rare 4 S n 

,.. /£>■ -28 Poesia (44), Philosofia (45), Astrologia (46), and Theologia (47), 
extremely rare 4 
/>, 5 • -29 Iliaco (48), Chronico (49), Cosmico (50), and Prudencia (52), 
y extremely rare 4 

'■. " ' "30 Forteza (53), Justicia (54), and Charita (55), extremely rare 3 

/d~, A SATIEICAL FEINT EESPECTING THE PEINCIPA1 GOYEENMENTS 

OP Etjeope (xiii, 110, 8), an impression in a different state 
to that described by Bartsch, having an Italian inscription, ^ g 
fewer references, Sfc. 

/> YEEY PINE AND EXCESSIVELY EAEE 1 

"• "'—32 The Prophet Amos (15), 

third state, very rare - 1 

/. Z.^,33 The Prophet Nahura (xiii. 171, 18), 

third state, very fine and rare - I 

B. BEHAM. 

z^/^— >34 The Battle (18), a Man on a Dolphin (33), The Knight (49), 
Designs for Ornaments, undescribed by Bartsch, &c., 
very fine - -7 

H. S. BEHAM. 

/,<--, 35 Eve (4), Adam and Eve (6, 7), Moses and Aaron (8), Judith 
' (11, 12), very fine - 6 

. // ^ 36 Adam and Eve (7), The Virgin (17), The Saviour (30), Prodigal 
Son (35), Trajan (82), very fine - 5 



» 



/, , Q, <— 3? Trajan (82), Premium (128), Patience (1 38), Fortune (140), and 
* Melancholy (144), very fine - 5 

,< , G.^ 38 Melancholy (144), Lady and Death (149), The Fool (230), Coats 
' of Arms (254, 257), and the Winged Child (258), 

very fine 6 
ft i 3' *- — 39 The Holy Family (123), with and without the monogram ; 

Peasant (143), and two Skulls (148), woodcuts, very fine 4 

F. VAN BOCHOLT. 

40 The Judgment of Solomon (2), 

exteemely eaee - 1 

/ t /jh. « 41 St ' Bartnolomew ( U )> 

extremely rare ; from Cardinal FescKs collection 1 
/« /f7c, 42 St. Thomas (13), 

extremely rare ; from the same collection 1 
£ % ,, , «_43 St. Matthias (17), 

extremely rare ; from the same collection 1 

GIULIO BONASONE. 

/ft /Q< «-> 44 The Repose in Egypt, after Titian (69), ■* 

very fine and rare - 1 ^ - L-,. 

/< t 45 Statues of Leda, Diana, and a Muse (140 — 143), 

. brilliant impressions, and extremely rare 4 * ° 

£ % 'c-^46 Portrait of Philip II. (343), 

very fine and rare ; from Sir M. Sy Ices' s collection 1 

B. DE BRESCIA. 

/, , S^ r ' 47 The Descent from the Cross (2), very rare l&J^- 

J. A. DI BRESCIA. 

/r t / t 9 48 Christ between St. Andrew and St. Longinus, after Mantegna (3), 

/ extremely fine and rare - I &>**~~o 

$ /) ' 49 Christ between St. Andrew and St. Longinus (3), 

very fine and rare - 1 7<^[^~. 

'(< r {^7"— 1 50 The Virgin and Child, undescriled by Bartsch, and very rare 1 
51 The Holy Family with St. Elizabeth (5), 
^ fine and extremely eaee ; from Cardinal Fesch's col- 

lection - 1 

/ ^ lf t ^ 52 Three subjects from the Triumph of Julius Csesar, after Man- 
tegna (7, 8, 9), 
EXTEEMELY fine and eaee 



/r, 



53 Hercules and Antseus, after Mantegna (13), rare 1 
f ft) „ 54 Children dancing (19), 

exteemely eaee ; from M. Deiois's collection 1 (^rt^^^p^- 

H. BROSAMER, &c. 

f , / u 55 The Guitar Player (16), Portrait of De Fulde (23), and Soldiers, 
by /. Binck (65, 66), very fine 4 

H. BURGMAIR. 

56 Venus and Mercury, his only engraving on copper (1), and 

St. Veronica, woodcut (23), very fine and rare 2 

57 Subjects from the set of the Wise King (80), 

fine old impressions, and very rare 1 5 

^. »> t 58 A portion of the set of the Triumph of the Emperor Maximilian (81), 
very fine old impressions, and extremely rare, in an old bound 
volume - - 42 

THE MASTER OF THE CADUCEUS. 

/ " 59 The Holy Family (4), fine and rare us*-*-^ 1 
£, 60 The Holy Family (5), 

_ TEST PINE AND EAEE t*T^*C — . 1 

X, 0 • * 61 Three Men fastened to a tree (17), very fine and rare 1 ur£- 

3, 62 The Sacrifice to Priapus (19), 

EXTEEMELY PINE AND EAEE - 1 fa-edx*-^ 

J. CALETTI. 

63 Portraits of Princes of the House of Ferrara (11 — 23), / y 

extremely fine - 1 3 C^y ■ 

GIULIO CAMPAGNOLA. 
//T/^T <-> 64 Sx. John the Baptist (3), 

BEILTjIANT IMPEESSION, AND EXTEEMELT EAEE, from 

Cardinal FescK s collection . x/j-jc^cf-^i . 

*** " Ce morceau est remarquable en ce que Von peut le regarder 
comme un des premiers essais de la gravure en maniere 
pointillee. " — B aets ch 
65 Ganymede (5) 



YEEY FINE 



AND eaee ; from the same collection 1 . 



66 The Young Shepheed (6), W-V<u*Z<^4 e4Ue-c**4-j.fii>*S^- 

f ^ BEILLIANT IMPEESSION, AND EXTREMELY EAEE &~-*-> 1 

-*» ^* *Y 67 The Astrologer (8), extremely rare 



6 



DOMENICO CAMPAGNOLA. 

/rt tf^ * 68 The Decollation of a Saint (6), very rare 1 
«f7 69 The Battle (10), 

superb impression, and extremely rare ; from Cardinal 
Fesch's collection - 1 - 

/fr 4 70 A Dance of Twelve Boys, undescribed by Bartsch, 

very fine and excessively rare 1 ~~-J 

J. CARAGLIO. 

71 The Adoration of the Shepherds, after Parmigiano (4); and The 
Holy Family, after Raffaelle (5), very fine and rare 

CLAUDE. 

/'TAe numbers refer to Robert DumesniV s Peintre-Graveur Francais.) 

be Apparition (2), , 

first state, very fine and rare 1 (jtt- 
gures and Cattle crossing a brook (3), 

first state, very fine and rare 1 it*2<vL 
le Tempest (5), third state, before the number and inscription, 

very fine and rare - 1 ^//™ r 

le Shipwreck (7), extremely fine 1 "f^^ 
ittle crossing a River (8), 

BRTILIANT IMPRESSION, AND EXTREMELY RARE 1 ^A^O 

mdscape with a man drawing (9), 

brilliant impression, with large margin, and very rare i A 
ie Dance under the Trees (10), 

brilliant impression, and very rare \Cd* 

ie Dance under the Trees (10), « 

fourth states, fine - 2 ImA*^* 
ie Robbers (12), 

third state, very fine and rare - 1 A, ^jv^ 
a Port with a large Tower (13) 

second state, extremely fine, toith large margin 1 p , 
i.ndscape with Cattle and Figures (16), 

second state, very fine and rare 1 ^f(Xv<4 

ercury and Argus (17), . 

first state, very fine and rare - 1 id - 
lined Temple and Cattle (18), 
first state, superb impression, ivith large margin, and * 

extremely rare - 1 ^tru-i 



£2| 

,< f /$,■< 


72 


f > 

f,. t)' f 


73 




74 


f', //' « 


75 


/a. /v > f 


76 


A /S7>, 


77 




78 


ff 1 dfl If 


79 


ft r "» 


80 


A, /A, v 


81 


/ /fa 


82 


fn // ' f 


83 


M /fa 


84 



7 



, r 85 Ruined Temple and Cattle (18), 
^ fourth state, fine 

»><> 86 The Goatherd (19), 

second state, very fine 
87 Time, Apollo, and the Seasons (20), very fine 
t<< " 88 Large Landscape with a Shepherd and Shepherdess (21), 

first state, with the tree extending to the top of the pr 

VERY FINE AND EXTREMELY RARE 

'" **~"'89 Large Landscape with a Shepherd and Shepherdess (21),* 

second state, the tree reduced, but ivith the town in the 



fr 



distance, Sfc, verf fine and rare 

90 Large Landscape (21), 

third state, the town effaced, 8fc. 

91 The Rape of Europa, (22), 

first state, brilliant impression, and very rare 



THE MASTER OF THE CRAB. 
'—) 92 The Annunciation (1), 

VERY FINE AND EXTREMELY RARE 

93 The Nativity, undescribed by Bartsch, 

FINE AND EXTREMELY RARE, from Mr. Ottlef S 

M. Debois's collection 

94 The Virgin and Child, also undescribed by Bartsch, 

EXTREMELY FINE AND RARE 



1 Jvaa*4 



and 
1 

1 




LUCAS CRANACH. 
ENGRAVINGS ON COPPER. 

95 The Penance of St. John Chrysostom (1), 

BRILLIANT IMPRESSION, AND VERY RARE ; 

FescK s collection 

96 The two Dukes of Saxony (2), very rare 

97 Portrait of Martin Luther (5), extremely rare 
//, /O > " 98 Portrait of Martin Luther (6), 

EXTREMELY FINE AND RARE 

LUCAS CRANACH. 
ENGRAVINGS ON WOOD. 



ft, v 



from Cardinal 
1 
1 
I 



1 



„ /J, v 



99 Adam and Eve (1), The Repose in Egypt (3), and the Holy f? 

Family, &c. (5), very fine and rare 3 /<JC*^!$ 

100 Subjects from the set of the Passion of Our Lord (6 — 20), f\ 
fine and rare - 1 1 ^-g 



8 

101 Set of the Martyrdoms of the Apostles (37—48), 

very fine and rare - 12 

/, ^_ 102 The Saviour (23), St. Simon, St. Matthias, The Temptation of 
St. Anthony (56), St. Christopher (58), &c, very fine 6 
fi, ^ 103 St. Christopher (58), St. Jerome (63), and St. George (67), 

very fine - _ 3 

ft, Q><^ 104 St. Peter (50), St. Erasmus (59), St. Jerome (63), and the 
' Virgin and St. Anne (68), very fine 4 

/, f< • — 105 Efnest, Elector of Saxony, accompanied by his Family and 
Court, adoring the Trinity (78), 
>) very fine and extremely rare - 1 

/ " t"* — 106 The Apostles, &c. (.97—110), very fine 15 
/ f (f. <— 107 Marcus Curtius (112), Venus and Cupid (113), The Judgment 
of Paris (114), The Knight (116), and the Soldier, &c. (122), 
very fine - - 5 

108 The Tournaments (124, 126), 

VEKY FINE AND RARE - 2 

/. X - «*• 109 Portraits of Charles V. (128), and Ferdinand I. (129), 

* very fine and rare - 2 

, /il -r 110 Portraits of John Frederick and John Ernest, Electors of Saxony 
(132, 133), very fine and rare 2 
A, //< <r 111 Portraits of John Ernest, and Frederick III, Electors of Saxony 
(133, 134), and another (141), very fine and rare 3 
j£ f fr y ^_ 1 12 Profile Portraits of Charles V, undescribed by Bartsch, 

very fine and rare - 2 ^ 

/f f $ ' 1 • — 1 1 3 Portraits of Princes of the House of Saxony, undescribed by 

_ Bartsch, very fine and rare - 3 & e 

/e i /</ ' — ' 114 Portraits of Martin Luther (150), and Melancthon (153), 

fine and rare - 3 ~)o 

ft , / ' 1 15 Portraits of Princes of the House of Saxony, and of Hans Sachs, 
undescribed by Bartsch, very rare 4 

G. M. CRESPI. 

/( t $ r v 116 Children gambling, &c. (15, 21, 22); and the Buffooneries of 
Bertoldo Bertoldino, &c. (23 — 42), very fine 23 

THE MASTER OF THE DIE. 

„, J, *i, 117 Envy (17), Cybele (18), Apollo and Daphne, &c. (19—22), 
after Giulio Romano - 5 



: .118 The Story oe Cupid and Psyche, aeter Raffaelle, 
(39-70), 

U^-OiH^ BRILLIANT IMPRESSIONS, IN THE FIRST STATES, before the 

retouch and the address, ivith the additional plate, (71), 
extremely rare ; in a volume with leaves 33 % . 

119 The Story of Cupid and Psyche, after Raffaelle (39—70), 
■^yeus-A second states, very fine and rare - 32 %, . 0^ 

P. DREVET. 

120 Louis XIV., whole-length, after Rigaud, 

very fine and rare - 1 /. / 

ALBERT DURER, see page 12. 
J. DUVET. 

^2^12 1 St. Sebastian, St. Anthony, and St. Roch, an unfinished plate (10), 

VERY FINE AND RARE - l" / 

[Jdfut^l St. John writing the Apocalypse (12), 

^ BRILLIANT IMPRESSION, AND VERY RARE 1 /, / O 

Jo 123 A King and his Suite escaping from the Unicorn (40), 

VERY FINE AND RARE 

Qf, 124 The Unicorn and other Animals (42), 

very fine and rare, from M. Debois's collection 1 /. / 

^^125 Battle between a Lion, Bear, Dragon, and Unicorn (44), probably 

not by Duvet, but by an Italian Artist, very rare 1 — S — 

G. EDEL1NCK. 

126 Moses holding the Tables of the Law, after P. De Champagne, 

engraved conjointly with Nanteuil, very fine I /. £ , 

127 The Virgin sitting at the foot of the Cross, after P. De Cliampagne, 

fine proof before any letters, and very rare 1 — - 7 — - 

<^/. 128 The Portrait of Philip de Champagne, 

very fine and rare 1 /. /. 

G. FRANCIA. 

129 An Assembly of Five Saints (1), 

VERY FINE AND EXTREMELY RARE 



THE GHISI. 



A 130 The River Po, by /. B. Ghisi (19); Hercules (16); Servitude 
rtc*4r€j (103) ; and Fauns and Bacchantes, after an ancient bas-relief, 

by A. Ghisi (24), very fine - 4 

C | 



10 

. 2 — 131 The Birth of Diana and Apollo, after Giulio Romano, by Dkria 

Ghisi, (39), /*^u*/ 
first state, before the address, very fine and rare 1 
_ S —~ 132 Set of Prophets and Sibyls, the Angles of the Sistine Chapel, 
after Michael Angelo, by G. Ghisi (17 — 22) 6 
— J7 — 133 Joel (18); The Persian and Delphic Sibyls, after Michael Angelo, 
by G. Ghisi (19, 20), very fine - 3 

. 134 The Dispute on the Sacrament, after Raffaelle, by G. Ghisi 

(23), on two sheets, 

VERY FINE AND BARE ' - / e $f~ L * A - 1 

. /6 — ■ 135 The School of Athens, after Raffaelle, by G. Ghisi, (24), on 

two sheets, 

very fine and rare - 1 

, — 136 The Calumny of Apelles, after Luca Penni, by G. Ghisi (64), 

brilliant proof, before any inscription or the names of the 
artists, unknown in this state to Bartsch, and excessively rare 1 focuy^ 

137 Interior of a Prison, after Giulio Romano, by G. Ghisi (66), 

very fine and rare - 1 p, 

A. GLOCKENTON. 



_ J - 138 The Betrayal of Christ (5); and Christ crowned with Thorns, 
(8), very rare - 2 

£.6139 The Descent into Hell (12); and one of the Wise Virgins (18), 
very rare - 2 

_ //_ 140 Christ bearing his Cross (15), 

VERY fine and extremely rare 1 

/3 141 The Death of the Virgin (17), 

superb impression, in perfect condition, and excessively 
rare - #1 

£4cx+r<\ 

3^7. 7- 0 



1 1 



SECOND DAY'S SALE. 



{The Numbers in Parentheses, unless otherwise expressed, refer to 
BartscK s Peintre-Graveur.) 



H. GOLTZIUS. 

142 Portrait of Henry IV. of France (173) 

second state, very fine and rare - I 

U. GRAF. 

143 One of the Foolish Virgins (vi. 390-1), and the Betrayal of 

Christ, a wood-cut, very rare - 2 — 

A. DU HAMEEL, 

1 44 A Young Man playing the Guitar, standing with a Lady near a 

Fountain, at the top of which sits a naked child, and at the 
bottom an old man is seated on the ground ; on the right is 
a large vine covered with fruit, which extends up to the top 
of the print 

NOT DESCRIBED BY ANY AUTHOR, AND PROBABLY UNIQUE 1 

HANS HOLBEIN. 

145 Subjects from the Old Testaments, wood-cuts, very rare 60 . 2 . ^ 

146 The Statue of Erasmus, a woodcut 

very fine and rare . ^ / - $T 

W. HOLLAR. 

147 A magnificent Chalice, after a Design by A. Mantegna, 

superb impression, with large margin, very rare 1 3 , / %^ 

148 The West Front of Antwerp Cathedral, 

eirst state, before the cross lines on the buildings, &c, very 

fine and rare . I / 3 



12 

D. HOPFER. 

— & 149 The Last Judgment (15), Christ and the Apostles (32), The 

Presentation of the Virgin (34), and the Virgin and Child, 
&c, (39), very fine, the first tivo prints and the last before 
the numbers - 4 

/3 — 150 The Sorceresses (71), Man and Woman (72), Charles V. (80), a 
Soldier (87), and three Ornaments (100, 116), he, fine 7 

J. HOPFER, 

/3 _ 151 The Nativity (1), St. Hubert (15), and St. Jerome (18), after 

Albert Durer, before the numbers, very fine 3 

J? . 152 The Nativity (1), St. Jerome (19), after A. Durer, with large 

margins, and Silenus, after Mantegna (28), before the num- 
bers, very fine - 3 
b . 153 Silenus, after Mantegna (28), Firmness (38), and a Man carry- 
ing off a Young Female, after A. Durer (42), before the 
numbers, very fine . 3 

.6? — . 154 Portrait of Van Sickingen (65), before the number, fine and rare, 

and part of an Ornament (74) 2 

L. HOPFER. 

J. 6 155 The Passion of our Lord, after A. Durer (2 — 16) wanting (13, 
16), very fine and rare - 13 

____ 3 — 156 Herodias receiving the Head of St. John, after A. Durer (20), 
brilliant impression, and very rare - 1 

ALBERT DURER. 

_ / (? — 157 Portraits of Albert Durer, by L. Kilian and Melchior Lorich, 
very fine - 2 

158 Portraits of Albert D urer, by Hondius, &c. ; Albert Durer the 
elder, by Hollar, &c.,fine - 5 

// . /S- 159 Adam and Eye (1), 

A BRILLIANT IMPRESSION, AND EXTREMELY RARE 1 

160 Adam and Eve (1), extremely rare 1 

. ^ — 161 Adam and Eve (1), the copy engraved by John Wierx at the 

age of 16, very fine - \ 

% .162 Adam and Eve (1), the copies by John Wierx, and Johannes 

van ( Goosen ?) rare - 2 
/£_163 The Nativity (2), 

the original print, extremely rare - i 

164 The Nativity (2), the copies by Huber, proof, Sec, very fine 3 



13 



165 The Passion of our Lord (3-18), 

brilliant impressions and very rare 16 y^. 

166 The Passion of our Lord (3-18), 

VERY FINE AND RARE 16 j/ , 

167 Christ praying in the Garden of Olives (19), an iron plate 

brilliant impression, in the first state before the plate ivas 

corroded, very rare - 1 ' @ 

168 Christ praying in the Garden of Olives (19), a remarkably fine 

impression of the corroded plate 1 <J7~ 

169 The Man of Sorrows (20), very fine and rare 1 J y 7 

170 The Man of Sorrows (21), an etching, 

brilliant impression, and very rare 1 3 ■ 

171 The Man of Sorrows seated (22), an etching, 

very fine and rare - 1 /X 

172 The Crucifixion (24), very rare - 1 . £ 

173 The Holy Handkerchief (25), extremely fine 1 . / '/, 

174 The Man of Sorrows (21), the Crucifixion (24), and the Holy 

Handkerchief (25), curious copies by Wierx, &c. 6 — 

175 An Angel holding the Holy Handkerchief (26), an iron plate, 

first state, before the corrosions, very fine and rare 1 - — — / 2. 

176 The same subject as the preceding, with the corrosions 1^ /. 

177 The Prodigal Son (28), 

superb impression, and extremely nAUTd,, from Mariettas 

collection - 1 \3 • 3 

178 The Prodigal Son (28), very rare - 1 //. 

179 St. Anne and the Virgin (29), fine and rare 1 — - ^f 

180 The Prodigal Son (28), the Virgin and Child (29, 30, 31, 32), 

rare copies - 10 — — 3 

181 The Madonna standing on a Crescent (33), very fine and rare I / . J? 

182 The Virgin and Child seated under a Tree (35), very fine and 

rare - 1 / - 

183 The Virgin and Child (36), very fine 1 $ 

184 The Virgin crowned by an Angel (37), very fine 1 / 

185 The Virgin and Child (33, 35, 36, 37, 38), rare copies 8 JT. 

186 The Virgin with the Infant Saviour sleeping (38), 

brilliant impression, with margin \<S~- S~- 

187 The Virgin crowned by two Angels (39), very fine I / . / 

188 The Virgin crowned by two Angels (39), copies by Wierx at . 

the age of 14, &c, rare - 5 *-V - 

189 The Virgin and Child seated near a Wall (40), 

superb impression, with large margin 1 3. / O 



14 



^ . 2/ 190 The Virgin and Child seated near a Wall (40), brilliant impres- 
sion and very rare, from Mariettas Collection 1 
J>, 3 191 The Virgin holding a Pear (41), 

A MOST BRILLIANT IMPRESSION, FROM MARIETTE's COLLEC- 
TION - 1 

— - /S—192 The Virgin holding a Pear (41), an extremely fine impression 1 

/£-__193 The Virgin and Child, with a Monkey in the foreground (42), 

very fine and rare - 1 

. .^ — 194 The Virgin and Child with a Monkey in the foreground (42), 

fine and rare - 1 

J^_195 The Virgin and Child (40, 42), copies; the Holy Family (43), 
the original print and copy - 6 

<3 — 196 The Holy Family with a butterfly (44), 

superb impression, extremely rare 1 
/' , /y .-197 The Holy Family with a butterfly (44), 

EXTREMELY FINE AND RARE 1 

2~ t 0- - 198 The Virgin sitting near a Gate (45), 

EXTREMELY RARE - 1 

2 . 6—199 The Five Disciples — St. Philip (46), St. Bartholomew (47), St. 

Thomas (48), St. Simon (49), and St. Paul (50), brilliant 

impressions - 5 

— . /3 —200 The Five Disciples (46-50), very fine and rare 5 

_. // — . 201 St. Christopher (51), extremely fine, with margin 1 

/6 — - 202 St. Christopher (52), a brilliant impression 1 

— 7 — < 203 St. Christopher (51, 52), very fine impressions 2 

. . /JZ — -204 St. George (53), very fine and rare - 1 

.0. ^.205 St. Hubert (57), 

A MAGNIFICENT IMPRESSION OF ALBERT DuRER'S chef- 

d'ceuvre, extremely rare - 1 

0 206 St. Hubert (57), 

extremely fine and rare 1 
*3 • £ 207 The Disciples (46—50), St. Christopher (51, 52), St. Sebastian 
(56), and five Dogs from the print of St/Hubert, very curi- 
ous copies . 10 
/. / 9 — - 208 St. Anthony sitting reading (58), 

very fine and rare - \ 

' — ■ / — 209 St. Anthony sitting reading (58), fine and rare \ 
_ ^210 St Anthony (58), copies, and a most curious undescribed copy 
with St. Sebastian, and a Turk holding a bow on the same 
plate, extremely rare - 3 



15 



211 
212 
213 
214 
215 



216 
217 
218 
219 
^_220 

/•Z-221 
_ S~- 222 

2, 2- -223 

- AZ - 224 
_2-225 

„J"-226 

_ it - 227 
_ 228 
7-/7-6229 

/./;.- 230 

/. £-231 

_ # - 232 
/ /_233 

/A//- 234 
6— 235 



i- 



St. Jerome praying, an etching (59), 

extremely rare 
St. Jerome in his Study (60), 

a brilliant impression and extremely rare 
St. Jerome in his Study (60), 

very fine and rare - 1 — 

St. Jerome in his Study (60), copies by Wierx at the age of 13, 

Kartarius, &c, very rare - 3 — , 

St. Jerome in Penitence (61) 

superb impression, and extremely rare, from Cardinal 

FescJvs Collection - 1 2- • 

St. Jerome in Penitence (61), fine and rare 1— - 

The Penance of St. John Chrysostom (63), very fine and rare I — . 

The three winged Boys (66), remarkably fine 1,3. 

The three winged Boys (66), the original and copy 2 — 
The Sorceress (67), Apollo and Diana (68), and the Satyr's 

Family (69), the original and copy 4, 

The Satyr's Family (69), a brilliant impression, with margin 1 - - 
Studies of five Figures, an iron plate (70), an extremely brilliant 

impression - 1 

The Rape oe Amymone (71), 

a beautiful impression, and very rare 1 

The Rape of Amymone (71), fine and rare 1 
Pluto carrying off Proserpine (72), 

extremely fine, before the plate was corroded 1 
Pluto carrying off Proserpine (72), very fine, before ihe plate was 

corroded; toith margin - 1 

Jealousy (75), very fine and rare 1 

Jealousy (73), fine and rare - 1 

Melancholy (74), 

superb impression, and extremely rare 1 
Melancholy (74), 

extremely fine and rare 1 
Amymone (71), and Melancholy (74), copies by Wierx, kc. 

very fine - - 4 

The Four Naked Women (75) 1 

Indolence (76), extremely fine and rare \, 

Indolence (76), fine and rare - 1 

The Great Fortune (77), 

magnificent impression, with margin ; extremely rare, 

from Cardinal FescKs collection - I 



3- 



A 



L6 



/■S — 236 The Great Fortune (77), 

VERT PINE AND RARE - * 

~ " 7 - 237 The Great Fortune (77), a very curious copy, with monogram 

NAD, 8fc. - - 2 

% . £ 238 The Little Fortune (78), very rare - 1 

_239 Divine Justice; or rather, Nemesis (79), a brilliant im- 

/ pression - - 1 

The Works of Albert Dueee are continued at page 24. 
L. KRUG. 

. . . 240 The Nativity (1), very fine and rare 1 

/^T - 241 The Man of Sorrows (6), fine, and extremely rare 1 

242 The Two Naked Women (11), fine and rare 1 

LUCAS VAN LEYDEN. 
2-3 — 243 The Transgression of Adam and Eve (10), 

SUPERB IMPRESSION, AND EXTREMELY RARE 1 

244 Adam and Eve, (10), extremely rare - 1 

/O — 245 David playing the Harp before Saul (27), 

fine and very rare, from Cardinal FescK s collection 1 
2- ■ S — 246 Esther before Ahasuerus (31 ), 

very eine and rare, from the same collection 1 

/ <?- — 247 The Adoration of the Magi (37), 

a remarlcably fine copy ■■ 1 

— , / & 248 St. John Baptizing our Lord (40), very rare 1 

3 — - 249 The Resurrection of Lazarus (42), 

fine, and extremely rare - 1 

S— 250 The Passion of our Lord (43—56), wanting (47, 52) 

the copies by Muller, very fine 12 

. 251 The Four Evangelists (100—103), 

very fine, and rare - 4 

J. £ 252 The Virtues (127—133), rare - 7 

-j y < < 253 The Magician Virgil suspended prom a window ; justly 

considered one of Lucas's best works (137), 
superb impression, and extremely rare, from Cardinal 
Fesch's Collection - 1 

2- — - 254 Portrait of the Emperor Maximilian, (172), 

the copy, not described by Bartsch - 1 



17 



MAIR. 

255 The Balcony, in which are seen a young man and 

<y? THREE WOMEN, &C. (12), 

superb impression, in capital condition, and of the utmost 

rarity ; from Cardinal FescK s collection 1 v^TJt"- / 0 

ANDREA MANTEGNA. 
^ 256 The Flagellation of Christ (1), 

MAGNIFICENT IMPRESSION, IN THE MOST PERFECT CON- 
DITION, AND EXCESSIVELY RARE - 1 2 ^/ 

J. 257 The Flagellation (1), 

a very curious early copy - 1 — . 

J- 258 The Entombment (2), 

the original, according to Bartsch, and extremely rare 1 . /ff 

' ■ 259 The Entombment (2), 

attributed by Bartsch to J. A. di Brescia, but very justly con- 
sidered by Mr. Ottley to be a repetition by Mantegna 
himself ; 

superb impression, and extremely rare j from Cardinal 

FescK 's collection 1 X/— 

Zf/~-2m The Descent into Hell (5), 

extremely fine and rare - I 2. ■ 2. 

261 The Descent into Hell (5), 

very fine and rare - 1 / . / . 

J '» 262 Christ standing between St. Andrew and St. Longinus (6), 

very fine and rare ; from Sir M. Sykes's and Mr. Fsdaile's 

collections - - 1 J , 

263 The Madonna and Child (8), 

superb impression in the first state, before the introduc- 
tion of the nimbi round the heads, excessively rare, /row 

Cardinal FescK 's collection £*-~<*~f/C4 r -~ \3@ - 

^t»«"^ 264 The Madonna and Child (8), 

fine and very rare - 1 _ 

265 The Madonna and Child seated in a Cavern, and 
/ , . surrounded by angels, an unfinished plate (9), 

j a magnificent impression, in the most perfect con- 
dition, of the rarest and most beautiful of andrea 
Mantegna's "works ; frmn Cardinal FescK s collection 1 7^ 

266 The Senate of Rome accompanying a Triumph (11), 

fine and rare - 1 

D 



IS 



/./3— 267 Elephants bearing Torches (12), fine and rare 
/, /"__- 268 Soldiers carrying Trophies (13), fine and rare 
£ , 2_ _ 269 Soldiers carrying Trophies (14),_/?rae one? rare 
/ t /% _270 Soldiers carrying Trophies (14), with the pilaster, 
very fine and extremely rare 

3 . *5 — 271 HeeCULES COMBATING WITH THE SeEPENT (15), ^>uew<4 
VEEY PINE, AND EXCESSIVELY EARE 

/^'_272 Hercules and Antseus (16), 

very fine and rare, with margin 
tj^fff .273 Combat between two Tritons (17), y^^J^, 

EXTREMELY PIKE, AND EAEE 

/ j-___274 Combat between two Tritons (17), 

VEEY PINE AND EAEE 

/ /^_275 Combat of Marine Gods (18), 

VEEY PINE, AND EAEE 

J/. /I _276 Combat of Marine Gods (18), y^c^^r^ 

PINE AND EAEE 

C) A'_ i .277 Bacchanalians with a Wine-press (19), 

* VEEY PINE AND EAEE 

/ f_ 278 Bacchanalians with a Wine-press (19), C^^c^/U^ 
fine and rare 

% , /A-279 Silenus supported by Satyrs (20), - ^ 

BEILLIANT IMPEESSION, AND VEEY EAEE 

0 280 Silenus supported by Satyrs (20), - 

veey pine, and eaee, with margin I/c^f^- 

jL.I „ 281 Head of an 01d Man ( 23 )> o 

EXCESSIVELY EAEE, but much CUt . 



446. /o 



19 



THIRD DAY'S SALE. 



f The numbers in Parentheses, unless otherwise expressed, refer to 
Bartsch's Peintre- Graveur.J 



A. MASSON. 

LOT 

282 Portrait of the Chevalier Harcourt, called " Le Cadet de la 

Perle," very fine - 1 . — 

THE MASTER OF THE YEAR 1466, &c. 

283 Christ and the Twelve Apostles {B. T.x. p. 17, n. 15—27), 

A MATCHLESS AND PERFECTLY UNIFORM SET, BRILLIANT 

impressions, and of the utmost rarity ; from Cardinal 
FescKs collection - 13/£./5~ 

9- 284 The Trinity (x. 35, 68), 

BRILLIANT IMPRESSION, AND EXCESSIVELY RARE ; from the 

same collection - 1 ^7 ~ 

285 St. Peter, standing, holding a book on his right hand and turning 
over a leaf with his left, 

undescribed by Bartsch, and extremely rare 1 /. . . 

5* 286 St. Andrew, with a cross in saltire before him, which he holds 
with his right hand, 

^ undescribed by Bartsch, and extremely rare 1 . 

d* 287 St. Philip, holding an open book in his right hand, and a staff 
surmounted by a cross, in the other, 

undescribed by Bartsch, and extremely rare 1 / , , 

^- 288 St. Bartholomew, holding a knife in his right hand, and a closed 
book in the other, 

undescribed by Bartsch, and extremely rare 1 / . 

. 289 St. Thomas, holding a lance in his left hand, 

undescribed by Bartsch, and extremely rare 1 / ■ 



20 

/ 290 St. Judas Thaddeus, holding a club in his right hand, and a roll 

of paper in the other, 
undescriled by Bartsch, and extremely rare ^ 
* # * Each of the above very curious prints measures 6 in. ? high, 
by 3 in. ? wide. tij-csbts* 

/ 291 St. Martha (x. 30, 55), 

very fine and rare, but much cut - \ a. 

3 • S—-~ 292 A young Man in armour, supporting a shield, with a lady near 
him, holding a helmet, 
a repetition, with some variations, of the print by the Master of *\ 
1466 (vi. 36, 91), extremely fine and rake 1 da 

_^ S -293 Birds fighting, the Two of a Pack of Cards (x. 110, 5), -) 

very fine and rare - 1 /- 0 

THE MASTER OF THE YEAR 1485. 

/, / .294 The Annunciation, undescribed by Bartsch, 

extremely fine and rare - 1 orfl. 

THE MASTER OF THE MONOGRAM L. C. Z. 
J/. /&^295 The Temptation in the Wilderness (1), 

SUPERB IMPRESSION, AND EXCESSIVELY RARE 1 



THE MASTER OF THE YEAR 1515. 
/^7_296 The Satyr and his Family (10), 



16 



1 



ISRAEL VAN MECKEN. 



y. 3— 297 The Dance op Herodias (9), 

extremely pine and rare ; from Cardinal Fesch's col- 
lection - - ljit/v4»- 
fCJ _ 298 Christ before Caiaphas (12), „ 

very pine and rare ; from the same collection 1 Ajt^<.^t 

_ S— 299 The Resurrection (20), 

very pine and rare ; from the same collection 1 ^ c 

%. 1 _300 The Critcipixion (29), 

very pine, and extremely rare ; from the same col- 
lection - i 
y 301 The High Priest refusing Joachim's Offering (30), 

EXTREMELY PINE AND RARE - 1 



21 



302 The Death of the Virgin (40), 

superb impression, and extremely rare l<£ • // — 

303 St. Thomas (76), very fine and rare I /£>■ f 

304 The Twelve Apostles, two on each plate, with sentences from 
tkJ-c^^ ^ e Creed beneath them, 

SUPERB IMPRESSIONS, AND EXCESSIVELY RARE; from the 

Strawberry Hill, and M. Debois's collections 6 2./ • / 0 

305 St. Stephen (93), very rare, but damaged 1 ■ 

306 St. Agnes (119), very rare - 1 ■ '2 

307 St. Barbara (122), very rare - 1 2. 

308 St. Catherine of Sienna (125), very fine and rare 1 /- // ■ 

309 The Man of Sorrows (138), 

fine and very rare, but not in good condition 1 ' 3 - 

310 One of the six Subjects (153), very fine 1 / — 

311 One of the Wise Virgins (158), and two of the Foolish Virgins 

(163, 164), fine - 3 — 2 1 

312 The History of Lucretia (168), 

£*t*4*44 magnificent impression, and excessively rare l2 / — ■ 

313 The Duet ((174), and the Organ Player (175), 

extremely rare - 2 — »= J 

314 Group of four Naked Women, after Albert Durer (185), 

very fine and rare - 1 2- 

315 Children bathing (187), and Children playing (188), 

extremely rare - 2 ■ 2 

316 St. Gregory, holding a crosier in his right hand, and a book in 

his left, undescribed by Bartsch, and extremely rare 1 / . ^ 

317 St. Peter, whole length, somewhat in the style of Van Mecken, 

undescribed by Bartsch, and extremely rare 1 . /__ 

G. MOCETTO, &c. 

318 Judith putting the head of Holophernes into a sack (1), 



J 



'y^**- A superb impression of a most interesting and excessively 
rare specimen of the works of this admirable artist; from 
Cardinal Fesch's collection 1 ^ O - CI 

■c 319 Christ on the Cross, ivith the Virgin standing on the left, and 
St. John the Baptist on the right, a most curious and 
interesting specimen of early Italian art, not described by 
Bartsch, 

VERY FINE, AND OF THE UTMOST RARITY 1 // - S 



22 



/ 0 320 A Saint standing under an Archway, holding an open book in 

X</AU ^ nan< i) and pointing with his right; at bottom on each 

side sits a naked child holding a cornucopia, 

NOT DESCRIBED BY BARTSCH, AND PROBABLY UNIQUE I 

JJ .1/ 321 The Visit of the Queen op Sheba to Solomon, not 
V> described by Bartsch, but considered by Mr. Ottley to be by 

<2 < (j an early Florentine artist, 

excessively rare, but unfortunately much injured 1 
^__322 The Calumny of Apelles, with the Piazza of S. S. Giovanni 
e Paolo at Venice in the background, described by Bartsch 
*\74sa<t*4 (xiii. 113, 10), as the work of an anonymous artist, but very 

justly considered by Mr. Ottley, as undoubtedly by the 

HAND OF MoCETTO, 
EXTREMELY FINE AND EAEE - 1 

^, ^_„,323 The sleeping Nymph, (xiii. 114, 11), originally placed by 
Bartsch among the works of anonymous artists, but also 
fr^-t^-iA/ justly considered by Mr. Ottley to be the woek op Mocetto, 
Bartsch (xxi. Ap. xlvi), entirely coincides in that opinion, 
stjpebb impeession, and extremely raee 1 

Jf .if -324 Frieze with Tritons and Sea Nymphs (xiii. 101, 7), probably by 

■i . Mocetto, 

VERY FINE AND RARE - 1 

N. DA MODENA. 
//- 325 The Nativity (4), i*~W<r 

SUPERB IMPRESSION, AND EXTREMELY RARE 1 

Z . 0 326 St. James the Greater (28), ^yf*^ 

VEEY FTNE AND RARE - 1 

/0. & 327 Leda and the Swan (46), extremely rare < ^c^i->-*-^i 1 

/ . (J 328 Vulcan (52), 

second state, very fine and rare f <j - 1 

v^S-— PRINTS BY UNKNOWN GERMAN ARTISTS, &c, WITH 

MONOGRAMS. 

/ / . 329 Head of a Turk, by a very early German engraver, marked 

HTVA, 

undescribed and probably unique - 1 

^2 , 2. 330 The Virgin and Child, by the early German artist who marked 
his plates B. M. (vi. 392), undescribed by Bartsch, 
extremely rare, but not quite perfect \ 



23 



/_ 331 St. Christopher, a very curious print by an ancient master, 
marked V. E. M., undescribed by Bartsch, and extremely 
. rare - 1 — 

(Ju- 332 Subject from the Life of St. John the Evangelist, by V. M., after 
~. Lucas Cranach (viii. 23, 4), very fine and rare 1 — / 0 

a 0 333 The Magdalen holding a box of ointment, by A. E. T. ? undescribed 

by Bartsch, very fine and rare - 1 / . £~ 

6Mtfj^ 334 The Assembly of Warriors, after Albert Durer, by H. S., unde- 
scribed by Bartsch, brilliant impression, and very rare 1 2. . "/ 
Ct{^ 335 The Virgin and Child, by W. C. I. E. F (ix. 578, I), very fine, 

and rare, but injured - 1 

' l ^ t *lf c 336 The Nativity, by T. W., undescribed by Bartsch, and very rare 1 & 

£r£.337 Judith and Holophernes, by R. R. (viii, 551, 1) very fine ; The 

; Crucifixion, by E. ; subjects by I. B. (30, 31) 4- — ■ ^ 
° 338 The Virgin and Child, by I. M. S. ; Cupids, by H. L ; Allegorical 

subject, by B. H. D., he, fine - 5 ■ — ■ 3 - 

?j£339 Saturn, by H. L. ; The Gamblers, by P. V. L. (1); Standard 
Bearer (40), and Three Soldiers, by A. C. ; the latter not 
mentioned by Bartsch - 6 ■ 

^2^340 A Child on Horseback, by an Italian engraver, A. F.,(xv. 536, 2), 

M very rare - 1 — / ^ 

B. MONTAGNA. 

fa£ 341 The Saviour standing in a Landscape, undescribed by 
Bartsch 

yERY fine, and excessivelt rare ; from Cardinal Fesch's 
collection - - 1 (J - 



6. 6 



*o 342 St. Jerome (14), 

VERT PINE, AND EXTREMELY RARE 

J-343 The Young Shepherd (27), 

VERY FINE, AND EXTREMELY RARE - 1 — — / $ 

344 The Man near a Palm-tree (28), 

second state, very fine - 1 — 3 

01- 345 The Family near a Fountain (29), 

extremely rare \Z — 



THE MASTER OF THE NAVETTE. 
do. 346 The Wise Man's Offering (1), 



EXCESSIVELY RARE 



i I- 6 



24 

347 The Crucifixion (5), ivith an impression of a similar 

subject (6), printed on the bach 
fine impression, and of the utmost rarity 1 
— - G — 34 S The Virgin and Child (9), the upper portion of the subject 
only, very fine and rare - 1 

ALBERT DURER. 

Continued from page 16. 

3 — - 349 The Little Courier (80), and the copy; and the Lady on Horse- 
back (82), very fine - 3 
- — - — - 350 The Peasant and his Wife (83), a very fine impression i 

, S 351 The Cook (84), and the copy, by P. M. 2 

. 3 ■ — 352 The Turk and his Family (85), a brilliant impression 1 

6 353 The Three Peasants (86), a very brilliant impression 1 

4 ■ 6 354 The Standard Bearer (87) - 1 

J ~ 355 The Assembly of Warriors (88), 

VERY FINE AND RARE - 1 

/ — -356 The Peasant at Market (89), fine 1 

/O —357 The Peasants dancing (90), very fine 1 

%. b 358 The Bagpiper (91), fine - 1 

/ „ 359 Peasants (86, 89, 90), and the Bagpiper (91), unfinished, very 

curious copies - 6 

Z JO 360 Le Violent (92), 

EXTREMELY fine and rare - 1 

.2 .J0 .361 Man and Woman sitting on a Bank (93), 

brilliant impression, and very rare 1 

2 . 10 . 362 The Lady and Gentleman, with Death behind a Tree, 

(94), superb impression, and extremely rare 1 
/_ 363 The Lady and Gentleman, with Death behind a Tree, 

(94), extremely fine and rare - 1 

_ v ^- - — 364 The Monstrous Hog, exhibited at Landsee in 1496, (95), 

a most brilliant impression - 1 

/2 — - 365 The smaller plate of a Horse (96), very fine 1 

£ __ 366 The larger plate of a Horse (97), - 1 

J2 _ 367 The Knight of Death, probably the portrait of Franz ton 

Sichingen (98), _^^-^y^C 
magnificent impression, one of the very finest known, 
extremely rare ; from Cardinal Fesch's collection 1 
J, . J, __-368 The Knight of Death (98), 

YERY fine, and extremely rare 1 



25 



369 The Knight of Death (98), printed on satin, and two rare copies 

by Wierx, &c. - 3 — / 9 — 

370 The Landscape with a Cannon (99), extremely fine 1 — S" — 

371 The Landscape with a Cannon (99), very fine 1 — /. o 

372 Shield of Asms, having a Cock as a Ceest (100), 

extremely fine and eaee - 1 ■ §t . 

373 Shield of Aems, on which is a Skull (101), 

a bbilliant impeession, and veey eaee 1 — /"2- 

374 The Horse (96), and the Arms with a Skull (101), copies 

very fine - - 2 — %~ . — ■ 

375 Portrait of Albert, Elector of Mayence (102), very rare 1_ Q_ . . 

376 Portrait of Albert, Elector of Mayence, profile (103), 

very fine and rare - - 1 - — O — 

377 Portrait of Albert, Elector of Mayence (103), 

very fine and rare - 1 / ■ ■ 

378 Portrait of Frederick the Wise, Duke of Saxony (104), 

very fine and rare - 1 — 2. . Q> 

379 Portrait of Melancthon (105), 

supeeb impression, and very rare 1 4 . 3- ■ 

380 Portrait of Melancthon (105), 

very fine and rare - 1 — '6 — ■ 

38 1 Portrait of Pirkheimer, the intimate friend of Albert Durer ( 1 06), 

most brilliant impression, from Mariettas collection, and 

bearing his autograph on the front of the print 1 — <5 

382 Portrait of Pirkheimer (106), fine and rare / g 

383 Albert of Mayence (102); the Duke of Saxony (104); and 

Pirkheimer (106), rare copies - 5 . . 

384 Portrait oe Erasmus, drawn from the life, by Albert 

Dueee (107), 

superb impression, and yery rare 1/. fa 

385 Portrait of Erasmus (107), 

yery fine and eaee - i /j 

386 The Entombment, engraved by an unknown artist, after Albert 

Durer, first state before the address 1 — £. 

387 The Holy Family, by Sadeler ; small copy of St. Jerome in his 

study, with the head altered to that of Martin Luther ; 

very rare, Sfc. - 3 JZJ? , 



WOODCUTS BY ALBERT DURER. 

388 Cain killing Abel (1), Samson and the Lion (2) ; and the Wise 

Mens' Offering (3), very fine - 3 /O 

' E 



26 

I Samsori and the Lion, (2); The Wise Mens' Offering (3) ; The 
Last Supper (53), and the repetition ; The Crucifixion 
(55, 56), very fine - '. 

' 5 -— 390 The Passion of oue Lord (4 — 15), 

first impressions, before the Latin letter-press on the backs, 

12 

very fine and rare 

— 391 Subjects from the Passion (4, 5, 6, 7, 8, 13, 14, 15), chiefly 

first states, fine - 

£ . 392 The Passion of our Lord (16—52), with two exceptions, before 

the letter-press on the backs of the prints ; 
very fine and rare 37 

./£ —393 The Passion of our Lord (16—52), but wanting (18, 28, 32), 

the copies by Waesberg, some first states 34 

/ 394 Set of Illustrations of the Apocalypse (60—75), 

extremely fine impressions of a very early edition ; the 
Latin text differing from those subsequently published ; vert 

RARE - 16 

* ■ 395 Set of Illustrations to the Apocalypse (60 — 75), 

extremely fine and rare - 16 

3 . — 396 Set of the Life of the Virgin (76—95), 

first impressions, before the letter press on the backs, ve>y 
fine and rare, from 3L. Debois's collection, with curious 
copies of S4 and 85 - 22 

{, ' . /0 . 397 Set of the Life of the Virgin (76—95) 

a remarkably fine set of the first edition according to Heller, 
dated 1511, in the most perfect state, with full margins, and 
extremely rare. Ln a parchment cover 20 

■ — 398 The Life of the Virgin, small copies by Le Blond, fine 17 

. /X — 399 The Crucifixion (56, 59), the Holy Family (96, 97, 99), 

very fine - 6 

^ 400 The Crucifixion (59), the Holy Family (96, 97, 99, 100, 101,) 

fine - 6 

// — 401 The Holy Family (100, 101, 102), very fine 4 

. $ 402 St. Christopher (103, 104, 105), Elijah (107), St. Stephen and 

other Saints (108), extremely fine - 5 

(0 . 403 St. Francis (110), St. George (111), St. John and St. Jerome 

(112), St. Jerome (1 1 3), first state before the date, and St. 
Jerome (114), very fine and rare 5 



27 



404 St. Christopher (104), Elijah (107), St. Stephen, &c. (108), St. 

Francis (110), St. George (111), St. John, &c. (112), St. 
Jerome (113), and the Patron Saints of Austria (116), 
fine - 9 

405 Martyrdom of Saints (117), Three Bishops (118), Penance of a 

Saint (119), St. Catherine (120), and the Magdalen (121), 
very fine - 5 

406 The same subjects as in the preceding lot, very fine 5 

407 The Trinity (122), and St. Gregory (123), with the copy, fine 

and rare - 3 

408 St. Gregory (123), the Last Judgment (124), first and second 

states ; St. John the Baptist (125, 126), and Hercules (127), 
fine - 6 

409 St. John the Baptist (125, 126), icith a curious copy ; Hercules 

(127), and the Bath (128), very fine 5 

410 The Bath (128), the Courier (131), Death with the Soldier 

(132), rare, and the Rhinoceros (136), very fine 4 

411 The Courier (131), the Rhinoceros (136), printed in chiaroscuro, 

and the Siege of a Town (137), very fine and rare 3 

412 Five Prints from the Triumphal Arch of the Emperor Maximilian 

(l58),>e - 5 

413 The Triumphal Chariot of the Emperor Maximilian, 

painted by Albert Durer in the Town Hall at Nuremberg 
(139), on eight sheets joined together 
superb set oe the eirst eeition of 1522, with the descrip- 
tions in German, tert eine and of the utmost rarity 1 

414 The Triumphal Chariot of the Emperor Maximilian 

(139), on eight sheets ; a remarkably fine set of the second 
edition of 1523, with the descriptions in Latin, extremely 
rare 1 

415 The Triumphal Chariot of the Emperor Maximilian, 

(139), on eight sheets 
a very fine set of the third edition of 1589, extremely rare 1 

416 Designs for embroidery (141),^^^ and second states, (143, 144), 

very fine . 4 

417 The Celestial Globe (150, 152), and the Arms of Kreser and 

Pomer (161, 163), very fine . 4 

418 Portrait of the Emperor Maximilian (153), 

very fine and rare . 1 

419 Portrait of the Emperor Maximilian (154), 

very fine and rare . 1 



28 



— /. — 420 Portrait of Ulric Varnbuler (155), 

very fine and rare . 1 

7 421 Portrait of Ulric Varnbuler (155), printed in chiaroscuro, 

extremely fine and rare . 1 

/X 422 Portrait of Albert Durer (156), second state, before the date and 

monogram, but with the German inscriptions, very fine and 
rare . 1 

, H - 423 Portrait of Albert Durer (156), third state, and the copy ; 

very fine . 2 

WOODCUTS DESCRIBED BY BARTSCH IN HIS 
APPENDIX. 

_ // — 424 The Crucifixion (6), Dead Christ (7), Holy Families (10, 11,13), 

&c, very fine . 6 

. . S — ■ 425 St. Paul (17), St. Martin (18), St. Sebald (21), a Bishop (23), 

St. Barbara (24), and St. Catherine (25), very fine 6 
. /6 — 426 The Head of our Lord crowned with Thorns (26), 

very fine and rare . 1 
. o" — 427 The Emperor Maximilian, accompanied by Saints adoring the 

Almighty (32), very fine and rare 1 

.7 428 Portrait of Charles V. (41), 

very fine and rare . 1 

J^7- /o- 6 



29 



FOURTH DAY'S SALE. 



(The Numbers in Parentheses, unless otherwise expressed, refer to 
Bartsch's Peintre-Graveur. ) 



WENCESLAUS OF OLMUTZ. 

LOT 

429 The Death of the Viegin (22), 

SUPERB IMPRESSION, AND EXTEEMELY BARE, from M. De- 

bois's collection . 1 y 7 . 

430 St. George and the Dragon (27), 

EXTREMELY PINE AND BARE . 1 /. ff 

PARMEGIANO. 

^ ■ 431 St. Peter and St. John at the Beautiful Gate, after Raffaelle (7), 

printed in chiaroscuro, very fine and rare 1 — S 

432 St. Peter and St. John (7), also printed in chiaroscuro, but with 

£f£ different tints ; very fine and rare 1 — - £ 

G. PENCZ. 

433 Regulus (77), Thetis and Chiron (90), and the Portrait of John 

Frederick Duke of Saxony (126), very fine 3 — y 

ANTONIO POLLAJUOLO. 

434 Hercules combating the Giants (3), 

A magnificent impeession of this extraordinary 
print in the first state, before the corners at top on the 
right and left were finished ; before the words Quomodo. 
u\ Hercules, percussit. et. vicit. duodecim. Giganteb. 
in the centre at bottom, and before the word HERCVLES. 
on Ms sheath. Prom Cardinal FescKs collection 1 
In any state this print is o/'thb utmost raeity, but only 

ONE OTHER IMPEESSION IN A SIMILAR STATE TO THE ABOVE 

is knoion, which is in the Imperial Library at Vienna. 



30 



GIOVANNI BATISTA DEL PORTO. 
/.//) „ 435 St. Jerome extracting a Thorn from the Lion's foot, woodcut (1), 

ERY FINE j 

collections 



^^^^ very fine and rare, _/rom Lloyd's and Mr. EsdaiWs 

cnllentmmt . 1 



MARC ANTONIO RAIMONDI, AGOSTINO VENEZIANO, 
AND MARCO DA RAVENNA. 

$ , 436 The Transgression oe Adam and Eve, after Raffaelle, 

ij / . by Marc Antonio (1), 

a very fine impression of this excessively rare print, but unfor- v 
tunately much injured 1 

/_ 437 Adam and Even driven from Paradise, after Michael Angelo, by 

Marc Antonio (2), very rare, with the copy 2^*1 

y J _ 438 The Almighty appearing to Noah, after Raffaelle, by 

t-G Marc Antonio (3), 

superb impression, ana extremely rare r 1 
. // — 439 The Almighty appearing to Noah (3), very rare 

, 2 — 440 The same subject, two early copies l/lyy^ 

. 441 Joseph and Potiphar's Wife, after Raffaelle, by Marc An- 
tonio 

extremely fine and tla.'ke, from M. Robert Dumesnil's and 
M. Debois's collections . 1 

/.J. — . 442 Joseph and Potiphar's Wife (9), and David (12), by Marc An- 
tonio, very rare . ijc&ff" 

. // — 443 The Queen of Sheba visiting Solomon, after Raffaelle, by Marc 

Antonio (13), fine and rare 

J5 ~ 444 The Annunciation, by Marco da Ravenna (15), and the Last 

Supper, by A. Veneziano (24), rare 2 

_ ^ — 445 The Nativity, by Marc Antonio, probably after Francia (16), 

very rare . 1 

/•//— 446 The Massacre of the Innocents, after Raffaelle, by 

Marc Antonio (20), a ~x 

very fine and extremely rare, but not in good condition ^jitU-Oc^ 

J.^ . 447 The Massacre of the Innocents (20), 

brilliant impression, and extremely rare, but not in * 
perfect condition . 1/OtVt+i 

2 > ./J,^ J 448 Christ in the House of the Pharisee, after Raffaelle, by 
Marc Antonio (23), /^-ui^> ■ 

extremely fine and kabe 



31 



449 The Last Supper, after Raffaelle, by Marc Antonio 

(26), superb impression of one of the rarest of sl~ 
works, from Cardinal Fesch's collection 1 
#** " Cette estampe est une des plus parfaites et raves de Marc 
Antoine ; elle est connue sous le nom de la Ccne aux pieds, 
par ce quon voit les pieds de tous les figures au-dessous dp la n _ 
table." — Bartsch. t~"j*^/A** / c^S^.ti^C,^> 

450 The Descent from the Cross, after Raffaelle, by 
Soch^ Marc Antonio (32), 

SUPERB IMPRESSION, AND EXCESSIVELY RARE, from, Baron 

Denon 's collection \ / (j ' / I? 

C*~£~ 451 The three Maries going to the Sepulchre, after Michael Angelo, 



X 



by A. Veneziano (33), very rare 1 . O 

452 The Virgin and Apostles lamenting over the Dead Body of 



Christ, after Raffaelle, by Marc Antonio (37), very rare, 

with a copy . 2 & — 

453 The Descent into Hell, after Francia, by Marc Antonio (41), 
&~l , first state, before the cloud, extremely rare, from Sir M. 

Syhes's collection . 1 S~ — ■ 

454 The Death of Ananias (42), and St. Paul preaching at Athens 

(44), after Raffaelle, by Marc Antonio, rare 2 /. 

455 St. Paul preaching at Athens, after Raffaelle, by 
(>U-c/h<u- Marc Antonio (44), 

very fine and extremely rare 1 £ , £ _ 

j. 456 The Madonna with the Infant Saviour seated on the Clouds, 
/■oow^\ after Raffaelle, by Marc Antonio (47), very fine and rare, 

from Sir M. Syhes's collection, with a copy 2 CJ ,/£~ 

0 457 The Virgin and Child seated in the Clouds, after 
Raffaelle, by Marc A ntonio (52), the original design 
for the Foligno Virgin ^^^—^ 
superb impression, and extremely rare 1 ■ — -t 

458 The Virgin and Child (52), copy A; the Virgin and Child (53), 
the original and copy, with the angels' heads, by A. Carac i, 

and the Madonna with Tobit, &c (54), 4 - — // . 

OUltu 459 The Holy Family with St. John, called " La Vtirge a la 
longue cuisse," after Raffaelle, by Marc Antonio (57), 

SUPERB IMPRESSION, AND VERY RARE 1 J? . 0-^ 

460 The Holy Family (57), very rare - \ 

'tiic^i ^ ^ e Virgin and Child, after Raffaelle, by Marc Antonio 
(61), erroneously ascribed by Bartsch to Marco da Ravenna 
VERY fine and rare; from Cardinal Fesch's collection 1 fa. /0 



32 



/ /_ _ 462 The Holy Family, called " La Vierge au Berceau," after 
/" Raffaelle, by Marc Antonio (63), 0 \ 

^ ' ^* beilliant impeession, and exteemely eaee 1 

/ / 463 The Holy Family (63), 

fine and rare - 

464 The Holy Family (63), a most deceptive copy or repetition, Sfc. 2 

^jT -1, 465 St. Peter (65), and St. Philip (69), by Marc Antonio ; St. Peter 

(80), St. Andrew (81), St. Philip (84), St. Bartholomew 
(85), St. Thomas (87), and St. Judas Thaddeus (89), by 
. Marco da Ravenna, fine 8 

"7 ■ 466 The Four Evangelists, by Agostino Veneziano (93, 94), originals 

(92, 95) copies 4 
467 St. George and the Dragon, by Marc Antonio (98), rare 1 
/O* /(?— 4^ ® t J° Hlir THE Baptist, after Feancia, by Maec Antonio 

(99), MOST BEAUTIFUL IMPEESSION, AND EXTEEMELY 

eaee, ; from Cardinal Fesch's collection 1 
/. , 469 St. Jerome kneeling, after Raffaelle, by Marc Antonio (101), 

very rare ; from the Barnard and Sykes collections 1 
/O — . 470 The Maetyedom op St. Lawrence, aftee Baccio Bandi- 
3*0^ nelli, by Maec Antonio (104), 

EXTEEMELY FINE AND EAEE - 1 

— _ % — . 471 The Martyrdom of St. Lawrence (104), the copy by Villamena, 
very fine 1 
Q J 472 The Five Saints, aftee Raffaelle, by Maec Antonio 

A MOST SUPEEB IMPEESSION, AND EXCESSIVELY EAEE ; from 

M. Robert DumesniV s collection - 1 

^ . JO 473 St. Catherine, after Francia, by Marc Antonio (115), 

J* very fine and rare 1 

/#___474 St. Cecilia, after Raffaelle, by Maec Antonio (116), 

very fine and rare ; from Cardinal Fesch's collection 1 
475 St. Cecilia, after Raffelle, by Maec Antonio (116), 

VEEY FINE AND EAEE 1 

„ Cj 476 The Martyrdom of St. Felicita (117), very rare 1 

/^L £ 477 St Cecilia ( 116 )> St - Felicita (117), copies, and the Angel 

Gabriel (149), rare - 5"- 

/S 478 St. Anthony, by Marc Antonio (141), 

extremely fine and rare ; from M. Robert DumesniV s col- 

lection . - 1<&i 
ti) 479 Dido, aftee Raffaelle, by Maec Antonio (187), 

BEILLIANT IMPEESSION, AND EXTEEMELY EAEE J from Car- 
dinal Fesch's collection - 1 



33 



fij 



Juwi 480 Dido, after Raffaelle, by Marc Antonio (187), 

VERT FINE AND RARE - \ / p 

481 LuCRETIA, AFTER RAFFAELLE, BY MARC ANTONIO (192), 
^*^ U,< W AN EXTREMELY FINE IMPRESSION OF ONE OF THE MOST 
^ BEAUTIFUL AND RAREST OF MARC AnTONIO's "WORKS ; 

from Cardinal Fesch's collection 

* # * " This exquisite print, from a design of Raffaelle, appears, 
from Vasari's account, to have been executed very soon after 
Marc Antonio 's arrival at Rome, and to have given occasion 
to the notice with which Raffaelle afterwards honoured him." — 
Ottley. 

Cleopatra, after Raffaelle, by A. Veneziano (198), 

very fine and rare 1 £3 . 

483 Cleopatra, after Raffaelle, by Marc Antonio (199), 

Ctjucujftxj SUPERB IMPRESSION, AND EXTREMELY RARE ; from Baron 

Denon's collection - 1 /$~ 

" Cette belle estampe dont Raphael a fait le dessein dans 
Videe d'une statue antique, que Von voit a Rome dans le Jardin 
de Belvedere, est grav6 avec le plus grand soin par Marc 
Antoine, elle est tres rare." — Bartsch. 
] o 484 Alexander depositing the books of Homer, after 
Raffaelle, by Marc Antonio (207), 

SUPERB IMPRESSION AND EXCESSIVELY RARE ; from M. 

. Robert-Dumesnil 's collection - 1 /jl 

flrttj^b The Rape of Helen, by Marc Antonio and Marco da Ravenna 

(209, 210), rare - 2", 

486 The Triumph of Titus, after Andrea Mantegna, by 
Marc Antonio (213), 
very fine and excessively rare 1 /. ^ 
~s 487 Alexander (207), and Titus (213), copies 2. / 

488 The Dance of Cupids, after Raffaelle, by Marc Antonio (217), 

Crl- and the copy (C.) - 2 JL-£~— 

489 Cupid flying, by A. Veneziano (218), rare 1 

490 Two Fauns carrying an Infant ; engraved by Marc 
/kfounu, Antonio, after an ancient bas-relief (230), 

SUPERB IMPRESSION, AND EXTREMELY RARE wea^_, . 1 /O 

*** " H ne se peut rien d&sirer de plus parf ait, tantpour le dessein 
que pour la gravure, que cette superbe estampe." — Bartsch. 

wjs- 491 The Triumph of Silenus, by Agostino Veneziano (240), 

very fine and rare J . — Q. . ., 

F 



4 



.34 



, ,492 The Group of Laocoon and his. Sons, probably after Raffaelle,hy 

Marco da Ravenna (243), one of his lest works, extremely 
fine and rare - 1 

{J . 493 The Judgment of Paris, after Raffaelle, by Marc Antonio (245), 

EXTREMELY RARE - 1 

494 The Judgment op Paris, after Raffaelle, by Marco da 
^t^ii/a^O^ Ravenna (246), £r^- - 

brilliant impression, and extremely rare; from 
Cardinal Fesch's collection - 1 

33 ')0 Mount Parnassus, after Raffaelle, by Marc Antonio 

,, , (247), SUPERB impression and extremely rare 1 

*** " File est une des plus belles que Marc-Antoine ait gravies, 
et de la plus grande reputation." — Bartsch. 

t Q 496 Mount Parnassus, after Raffaelle, by Marc Antonio 

Um-^^ (247), fine and rare ; from Gerard's collection I 

497 An Antique Bas-relief, representing a Bacchanalian 

Festiyal, engraved by Marc Antonio (248), 

SUPERB IMPRESSION, AND EXCESSIYELY RARE 1 



J? 



At Sir Mark Sykes's sale an impression of this plate sold for 
£47. 5s. 

/. — 498 A repetition of the preceding, also engraved by Marc Antonio 

(249), extremely rare 1 

/ 0 — — 499 Cupid pursuing a young Man and a Nymph, by Marc Antonio 

£ . £j (252), very rare u**^~^ ^ 1 

% . /, 500 Apollo, Minerva, the Muses, &c. (263, 264, 265, 266, 267, 268, 

269, 270, 271, 275), extremely rare 10 
501 The Satyr and Nymph, &c, after Francia (279), an undescribed 
. copy, extremely rare - 1 

^.£1 502 The Satyr and Child (281), 

fyla^ brilliant impression, and extremely rare 1 

*#* " Ce superb e morceau, que est tres rare, est grave d'apres 
Raphael, par Marc-Antoine, 8fc." — Bartsch. 
/ /SL-.503 The Satyr and Child (281), 

rO YERY FINE AND RARE - 1 

/ /__J>Q^ The old and young Bacchants, after Raffaelle, by 
✓ Marc Antonio (294), 

jAji^^j brilliant impression, and extremely rare; from 
Cardinal Fesch's collection - I 

/2. 505 Orpheus and Euridice, designed and engraved by Marc Antonio 

(295), extremely rare 1 



35 

506 The Faun with the Infant, by Marc Antonio (296), the original, 

rare; and Venus (297), copies - 3 — —/J? . 

507 The Wine-press (306), 

^uilnioaf brilliant impression, and excessively rare 1 // ■ ^ 

" Grave d'apr'es Raphael, par Marc Antoine, qui a pr is un 
soin par ticulier pour fair e de cette estampe une des phis parfaites 
de son ceuvre." — Bartsch. - 1__,5~ — - 

508 Venus and Cupid, after Raffaelle, by Marc Antonio (311), 

_ very rare - - 1 ■ — < 

oo 509 Venus in a crouching attitude, after Francia, by Marc 
Antonio (313, 

r\ extremely eine AND rare ; from M. Durand's collection 1 £~ 

to 510 Three Infants raising a Terminus of Cupid, by Marc 
& /> Antonio (320), . Q ~ 

VERY FINE AND RARE 

511 Venus extracting a thorn from her foot, after Raffaelle, pro- 
bably engraved by Marc Antonio, as the drawing is 
$Waa. superior to that engraved by Marco da Ravenna (321), 

EXTREMELY FINE AND RARE - ^3. /3 ■ tf^ 

J-ftn^'bYl Pan and Syrinx, after Raffaelle (325), the copy according to 
' Bartsch, but undoubtedly engraved by Marc Antonio 

. first state, very fine and rare - 1 i2. , o 

f ifn^XZ Statues of Apollo, by Marc Antonio (333, 334, 335), 

very rare - 3 / 

,514 The Three Graces, after the Antique, by Marc Antonio (340), 
very fine AND rare, but the inscription is added ivith a pen; 
from Sir M. Sykes's collection 

The Works of Marc Antonio, &c, are continued at page 43. 

REMBRANDT. 

515 Village near a high road arched (B. 217, W. 214), 

brilliant impression, ivith the diagonal lines on the cottage, 

^ VERY RARE - - 1 Cj . £ ~ 

ffO. 516 Village with a square tower (23. 218, W. 215), 

second state, very fine and rare - I . / 5~ 



ROBETTA. 

517 The Adoration of the Magi (6), 

a very fine old impression, and extremely rare 



i — /P. 6 



36 



518 The Madonna and Child, with Angels (13), T^^^y^ 

very fine and rare 

519 The Madonna and Child with Angels (13), 

a very fine impression, but the lower part has been cut offji 

520 Venus surrounded by Cupids (18), very rare 

521 The Old Woman and the Lovers (24), 

very fine and rare, from Sir M. Sykes's and Mr, Esdaile 1 
collections a^j-^-^ 

522 The Young Man tied to a Tree (25), 

very fine and rare 

523 Mutius ScEevola (26), 2-^ ot^~4 

EXTBEMEXY FINE AND BABE 

524 The Sacrifice of Cain and Abel 

unknown to Bartsch, but described by Ottley (ii. 461), yeby 

FINE AND EXTBEMELY BABE ^C/ C<A ^ X ( 

525 St. Jerome in Penitence, in the style of Robetxa, 

undescribed by Bartsch, and very rare 

526 The Death of Vibginia (B. T. xiii. p. 108, No. 5), 

YEBY FINE AND EXTBEMELY BABE 

* # * For a full account of this highly interesting print, see Ottley \ 
vol. i. p. 457. He is inclined to attribute it to the hand of 
Ghebabdo, a contemporary of Ghirlandajo. tZ&6*^-- 

M. ROTA. 

527 Twelve of the set of the Passion of our Lord, after Albert Durer 

(18), very fine and rare . yi 1 ™**** 

528 The Trinity, after Albert Durer (26), 

very fine and rare . ljfcv^ 

P. P. RUBENS. 

529 The Penitent Magdalen, an etching, very rare 1 

A. SALAMANCA. 

530 Portraits of Ariosto and Sannazaro, on one plate 

very rare . 2 

HANS SCHAUFELEIN. 

531 The History of Esther, unknown to Bartsch; St. Veronica (40), 

and four of the set of Dancers (103), woodcuts, very fine and 
rare . . / Q 



37 



MAETIN SCHOENGAUER. 



532 The Angel of the Annunciation (1), 

FINE AND BABE 

533 The Virgin receiving the Annunciation (2), 

FINE AND BAKE 

534 The Annunciation (3), 

fine and babe 

535 The Nativity (4), 

stjpeeb impression and extbemely babe 

536 The Nativity (4), 

veby fine and extbemely babe 

537 The Adobation of the Magi (6), 

fiest state, before the retouch, and before the date 
extremely rare 

538 The Adoration of the Magi (6), 

a retouched impression with the date 

539 The Flight into Egypt (7), 

veby fine and babe 

540 St. John baptising Christ (8), 

VEBY FINE AND EXTBEMELY BABE 

541 St. John baptising Christ (8), extremely rare 

542 The Agony in the Garden (9), fine and rare 

543 The Betrayal of Christ (10), 

extbemely fine and babe 

544 Chbist before the High Peiest (11), 

stjpeeb impbession, and extbemely babe 

545 The Flagellation (12), 

EXTBEMELY FINE AND EAEE 

546 The Betrayal (10), and the Flagellation (12), 

very curious early copies 

547 Christ crowned with Thorns (13), 

extbemely fine and eaee 

548 Pilate washing his Hands (14), 

stjpeeb impeession, and extbemely eaee 

549 The Ecee Homo (15), fine and rare 

550 Christ bearing his Cross (16), fine and rare 

551 The Crucifixion (17), 

EXTBEMELY FINE AND EAEE 

552 The Entombment (18), fine and rare 

553 The Descent into Hell (19), fine and rare 



1482 



//- 
-//- 

$. 2- 

S. 

/. /— 

3. /6 - 

JL.TT-. 

—7~ 



6~.S— 
6". //• C 

-a — 

5-2- <T 

—S — 

— /I? — 
- 7— 

/£> 



38 

- — yC — 554 The Resurrection (20), fine and rare • » 

y. . 555 Set op the Passion of our Lord (9 — 20), 

EXTREMELY BAKE . .12 

!Zy '. . 556 Chkist bearing the Cross (21) 

superb impression of one of the artist's most capital produc- 
tions, and excessively rare. From the Scitivaux and 
Debois's collections . 1 

*#* " Ce morceau est un des plus considerables et des plus rares 
de I'ceuvre." — Bartsch. 
/. /■ — ■ 557 Christ bearing the Cross (21), 

bine and extremely rare . 1 

, .558 The Crucifixion (25), 

superb impression and very rare, from M. Revil's and 
M. Debois's collections . 1 

3 . The Crucifixion (25), 

extremely fine and rare . 1 

. J? 560 The Crucifixion (25), 

a very curious retouched impression . 1 

. Jy .561 Christ appearing to the Magdalen (26), 

fine and rare . . 1 

/ /5~__562 The Virgin and Child (28), 

FINE AND RARE . . 1 

y ft 563 The Virgin and Child with a Parrot (29), 

EXTREMELY FINE AND RARE . 1 

yj 564 The Madonna and Child seated on a bank (30), 

A BEAUTIFUL IMPRESSION, AND EXTREMELY RARE 1 

. CJ — 565 The Virgin crowned by two Angels (31), 

fine and rare - 1 

f£__ 566 The Virgin seated on the Ground with the Infant 

ON HER LAP (32), 

superb impression of one of the artist's most beautiful works, 
and excessively rare ; from Lord Bute's, M. Revil's, and 
M. Debois's collections - 1 

£ . 567 Tae Death of the Virgin (33), 

extremely fine and rare - 1 

* w * On the back of this print is written " Epreuve de toute beaute, 
tres rare — Bartsch." 

^ . 1 .568 The Death of the Virgin (33), 

very fine and rare 1 

The Works of Martin Schoengauer are continued at page 48. 



39 



D. VAN STAREN. 

569 Christ calling St. Peter and St. Andrew (3), 

very pine and babe; from Cardinal FescKs collection 1 — ^ 

570 Our Lord and St. Peter on the Waves (4), 

superb impeession, and very BABE ; from the same 

collection - 1 J^* y 7 ^ 

571 St Bernard kneeling before the Virgin and Child (8), 

MOST BRILLIANT IMPEESSION, AND VEEY EAEE J from the 

same collection - \ $ ' " 

FRANCIS STOSS. 

572 The Madonna and Child (3), 

tebt fine and excessively babe - 1 

H. SWANEVELT. 

(From Cardinal FescKs Collection.) 

573 Small Landscapes (1 — 42, wanting 10, 13), 

very fine and rare, with margins - 22 — ■ 

574 Set of Views of Rome, dedicated to Gedeon Tallemant (36 — 48), 

first states, before the address, very fine and rare 13 — ^ ^ 

575 Set of Views of Rome (36 — 48, wanting 47), 

second states, with the address of Bonnart 12 — / ■ 

576 Small Landscapes with Satyrs (49 — 52), 

first states, very fine - 4 — - Q 

577 Views in the Neighbourhood of Rome (53 — 65), 

beilliant impeessions, in the first states, and very rare- 13 /. (J ■ 

578 Views in the Neighbourhood of Rome (53 — 65), 

first states, except (54, 61, and 64), very fine 13 U ■ 

579 Four Scriptural subjects in his early manner (66 — 69), and Pan 

and Syrinx (70), very fine - 5 — - *3 

580 Set of four Landscapes (77—80), 

first states, extremely fine 

581 Evening (81), and the Wooden Bridge (82), 

first states, extremely fine - 2 o> — 

582 The Wooden Bridge (82), 

BEATJTIEUL PBOOP BEFORE ANY INSCRIPTION, EXTREMELY 
BARE 



40 



///, 583 Set of Landscapes with figures and buildings, being Views of 
Rome (83—94), /t/c^t^ 
first states, briliiant impressions, and very rare 12 
/.4 584 Mercury and Battus (95, 96), with the address of Mariette, 

very Jtne - .2 

_/J _585 Four Landscapes with the Flight into Egypt (97 — 100), 

first states, very fine - 4 

- /J~- 586 Set of Landscapes, with the History of Adonis (101 — 106), 

first states, brilliant impressions, and very rare 6 
~ /■ <T Landscapes with the Penitents (107 — 110), 

first states, very fine - 4 

2.5- 588 Set of upright Landscapes (112 — 115), 

superb impressions, in the first states, and extremely rare 4 
589 Small Landscapes (1, 9, 11, 14); View of Rome (60); oblong 
Landscape (90), and an upright Landscape (115), 
first states, Sfc, very fine - 9 

— ^ „ 590 The Sarcophagus, the Fishermen (Ap. 1, 2), and a set of 

Landscapes after Swanevelt, very fine 1 4 



41 



FIFTH DAY'S SALE. 



( The Numbers in Parentheses, unless otherwise expressed, refer to 
Bartsch's Peintre-Graveur.') 



VAN DYCK. 

LOT 

591 Portraits of J. and P. Breugel, J. de Momper, and J. Sutter- 

mans, etchings, fine - 4 — - - 

592 Christ crowned with thorns, an etching, very fine 1 — / 3 

593 Titian and his Mistress, an etching, very fine 1 — d - 

594 Portraits of Livens, Franks, Palamedes, &c, by Vorsterman, 

Pontius, fyc, fine 

ENEAS VICO. 

595 The Entombment, after Raffaelle (7), very fine 1 — J2 - 

596 View of the Coliseum at Rome (419), &c, very fine and rare 2 — /. 

M. WOHLGEMUTH, &c. 

597 Schedel (Hartman) Chronicon Nubimbeegense, 

iabge Gothic eettee, with upwards of two thousand 
singularly curious woodcuts, by Wohigemuth, Peetden- 
wtjee, &c. They represent Emperors, Kings and Princes, 
Cities and Towns, Earthquakes, Wonders in the Air, and 
other subjects, some leaves in the middle of the volume 
damaged and mended ; in old oak covers 

imp. size. Nuremb. 1493 

With the five unnumbered leaves, but placed out of their usual 
situation, being in this copy between fol. XL VIII. and XLIX. / /_ 

WOLFGANGUS. 

598 The Virgin and Child (x. 16, 13), very fine and rare 1 , $~ 

G 



4'2 



WOODCUTS BY GERMAN ENGRAVERS. 

— / ■ — - 599 The Crucifixion, Descent from the Cross, St. Andrew, &c, 

fine and rare - 6 

— - / — — 600 Subjects from the New Testament, oblong woodcuts of an early 
date, very fine and rare - 7 

— - 2- ■ 601 Illustrations to the iEneid of Virgil, published at Strasburg by 

Gruningen, in 1502, very fine and rare 26 

. 2. — . 602 The Passion of our Lord, and other subjects, 

very fine and rare coloured woodcuts 23 

. 603 The Holy Family, after Brosamer, by P. S. ; Crucifixion, by 

Van Assen (10); St. John in a landscape, &c, 
fine and rare ■• 4 

/— 604 The Almighty on his Throne, by Springinhlee ; The Creation, 

Judith, &c, fine and rare - 5 

. 3 — 605 The Great Festival, The Planet Mars, &c, 

very fine and rare - 3 

„ y6 

— 606 Portraits of Martin Luther, Erasmus, &c, 

very fine and rare - 3 

•607 Portrait of Charles V, by C. S. (ix. 412, 1), 

very fine and rare - 1 

WOODCUTS BY ITALIAN ARTISTS. 



/. 608 The Death of Ananias, by TJgo da Carpi ; Christ and the little 

Children, in the style of Meldolla ; Venus, by Boldrini, &c, 
fine — - 6 

609 Triumphs of Julius Caesar, after Mantegna, by Andreani, 

very fine - 5 

610 Portrait of Julius III, probably after Tin tor et, &c, 

very fine and rare 
/J 611 Portrait of Philip II. of Spain, on horseback, Ji)e*-v~4 

very fine and rare - 1 

612 Portrait of Hercules, Duke of Ferrara, on horseback, 

very fine and rare - 1 

MARTIN ZAGEL. 
— . / b — 613 Solomon adoring the Idol (1), 

VERY PINE, AND EXTREMELY RARE - 1 

. /I 6H The Virgin and Child (2), .... , 

EXTSEMEI Y FINE AND RARE - 1 



43 



615 The Martyrdom of St. Sebastian (4), 

VERY FINE AND RARE - I /ft — 

616 St. Christopher (7), 

FINE AND RARE - 1 /• - — 

617 The Decollation of St. Catherine (8), 

fine and rare - - 1 ■ — v 

618 A naked Woman standing on a globe (17), 

"VERY FINE AND RARE • 1 ■ ^) 

619 Socrates and Xantippe (18), 

SUPERB IMPRESSION, AND EXTREMELY RARE; from Cardinal 

Fesch's collection - \ /* . £) — 

620 Light and Darkness (21), 

YERY FINE AND RARE - 1 

MARC ANTONIO RAIMONDI, AGOSTINO VENEZIANO, 
AND MARCO DA RAVENNA. 

f Continued from page 35.) 

621 Jupiter embracing Cupid, Mercury flying in search of Psyche, 

and Cupid with the Graces, after Raffaelle, by Marc 

Antonio (342 — 344), extremely rare 3 / ^ 

/.Q 622 Cupid and the Graces, after Raffaelle, by Marc 
/■> Antonio (344), 
i (_^, most brilliant impression, and excessively rare ; 

from Marietta's collection is^f /"jw^ f^*^^ • £ 

623 Mars, Venus, and Cupid, engraved by Marc Antonio, J 

PROBABLY AFTER MANTEGNA (345), 
FIRST STATE, BEFORE THE TORCH ; BEFORE THE HEAD OF 

Medusa, &c. on the shield ; the upper part of the trees 
in the centre unfinished, Sfc. 

EXTREMELY FINE, AND OF THE UTMOST RARITY ; from 

Cardinal Fesch's collection - L X §\ . 7 

2o 624 Mars, Venus, and Ccpid (345), 

SECOND STATE, EXTREMELY FINE AND RARE 1 /. /0 

y^^J^625 Hercules and Antaeus, after Raffaelle, by Marc Antonio (346), 

EXTREMELY RARE - 1 // 

626 Hercules and Antajus, after Raffaelle, by Agostjno Vene- 
ziano (347), 

/kfleWCUj VERY FINE AND RARE - 1 /. 



7f^ 



44 

//. /y 627 Apollo and Hyacinthus, after Francia, by Marc An- 
tokio(348), 

YERY FINE AND RARE &C*«f l**> Cg^**^^ ■ x 

^ , Jf 628 The Triumph oe Galatea, after Raffaelle, by Marc 
Antonio (350), 
yery eine, and extremely rare 1 
^7 < Iq 629 The Triumph op Galatea (350), 

YERY pine and rare ; from Cardinal FescKs collection 1 

/£. 630 Neptune appeasing the Storm, after Raffaelle, by Marc Antonio 

(352), fine and rare 1 P B 

Q * 0 631 An unknown subject of three Figures, among which is a Woman 
holding a crescent, after Francia, by Marc Antonio (354), 

' BEAUTIFUL IMPRESSION, AND EXTREMELY RARE ; from 

Jyjf^ Mariette's, Sir M. Sykes's, and Mr. Otllefs collections 1 

. /£ __632 An unknown subject of three Figures, &c (354), 0 

fine and rare ; from Cardinal FescKs collection 1 
J% , 633 Amadeus, with Austerity, Friendship, and Love, after Francia, 

by Marc Antonio (355), /6*~<~ . 

faj-c4>*4^ BRILLIANT IMPRESSION, AND EXTREMELY RARE ; from 

Cardinal Fesch's collection - 1 

t S. 634 The Dream, after Raffaelle, by Marc Antonio (359), 

very rare A&6C*-<~— _ 1 
/ , / Q 635 An unknown subject, in the centre of which is a Man holding a 
torch, after Francia, by Marc Antonio (360), 
YERY fine and rare ; from Sir Mark Sykes's collection 1 
^/ ■ / f) 636 The Emperor Trajan between Allegorical figures of Rome and 
Victory, engraved by Marc Antonio, after a drawing by 
(mM**' Raffaelle, from the antique (361), 

YERY PINE, AND EXTREMELY RARE 1 

/^_637 The Emperor Trajan between Allegorical figures of Rome and 

Victory (361), « 

PINE AND RARE ^tW-t-*"#-» . \ 

. £ — 638 Time (365), and an unknown subject (369), by Marc Antonio, 

very rare - - 2 

2) • £~ 639 Prudence, after Raffaelle, by Marc Antonio (371), 

fine, and extremely rare - I J. L> 

j • £~~ 640 Philosophy, by Agostino Veneziano (374), extremely rare I - 
O ^641 Temperance, after Mantegna, by Marc Antonio (376), 
^ ' beautiful impression, and excessively rare; from Cardinal j 

FescKs collection - 1 ^Octi^i 



45 



642 A naked Man chastising Fortune, after Francia, by Maec 
Antonio (378), 
sdperb impression, and extremely eaee; from Cardinal 
JFesch's collection - 1 

tf&j^ 643 Philosophy, after Rapfaellil by Maeo Antonio (381), 

fine, and extremely rare ^z, . ^ / , 

644 Philosophy (381), extremely rare - 1 -/%^ 

J r C 645 Poetet, after Raffaelle, by Maec Antonio (382), 

yeet fine and eaee ; from the Duke of Buckiriffham's 

collection -_ . \/0- /0 

2%. 646 Poetry, after Raffaelle, by Maec Antonio (382), 

FINE AND EAEE, with the copy ,2^^1/0 . 2 /$ /£L ' 

- /&- 647 The Virtues, after Rafeaeele, by Maec Antonio (386 — 

392), VERY FINE AND EAEE 7 , 

T64S Fortitude (389), Temperance (390), and Peace (393), 

very fine and rare - 3 - — i ffi — 

649 The Serpent speaking to a young Man, after Francia, by 

Maec Antonio (396), extremely rare K -/<$~~ 

^_(\ 650 The two Sieyls with the Signs of the Zodiac, after 
Raefaelle, by Maec Antonio (397), rH^tA-s&.&Cs 

f - vv EXTEEMELT FINE AND EAEE - 1 $ , ^ 

J'h*4* [ S5i The two Sibyls (397), extremely rare - 1 

7 d 652 Young Man playing the Violin (398), and the Female standing- 
between two Men (399), 

> very rare ; from Mr. Esclaile's collection - 2 

t- 653 The Pest, aftee Raffaelle, by Maec Antonio (417), 
fUA- magnificent impeession, and excessively eaee^^/ 1.22. /$ 
a4iZL/65A The Lion Hunt, after the Antique, by Maec Antonio (422), 

VERY FINE AND EAEE - 1 /y 

fva^Qbb Group from the Cartoon of Pisa, after Michaee Angelo, by 
Agostino Veneziano (423), 
„ very fine and exteemely eaee 1 5£ - 

656 Group from the Cartoon at Pisa (423), copy - 1 fj^ 

657 The Steegozzo, after Michael Angelo, by Agostino 

Veneziano (426), 
superb impeession, and exteemely eaee 1 , < 

658 The Stregozzo, after Michael Angelo, by Agostino 

Veneziano (426), 

(. yeey fine and rare - 1 ^ > m 
Jnafe 650 The Young Mother, by Marc Antonio (432), very rare 1 ^7 



46 

J t .//, 660 A Man kneeling, and another resting on his staff, after Francia, 
by Marc Antonio (434), 
vest tine AND rare; from Cardinal Fesch's Collection 
/ , //. 661 The Old and the Young Man, after Francia, by Marc 
Antonio (4.36), 
very fine and rare ; from Sir M. SyJces's collection 1 
_~ /^__662 The Old and the Young Man (436), 

very fine and rare ; from Cardinal Fesch's collection 1 
O ' ^T 1 663 A Young Man sleeping near the entrance of a Wood, &c, after 

Francia, by Marc Antonio (438), <$r/n*fh 
beautiful impression, and extremely rare; from Cardinal 
Fesch's collection - 1 



0 ' 664 An Emperor seated, after Raffaelle, by Marc Antonio (441 



very fine and rare ; from the same collection \J<0w 
j ' f fjj _ 665 An Emperor seated, after Raffaelle, by Marc Antonio (442), ^ 
very fine and rare ; from the same collection 1 /« 

/ -J§~~ 666 A Woman meditating, after Raffaelle, (415), eh*AJcA*4j 

fine and rare ; from M. Debois's collection - 1 

^ t 667 The monstrous figure of a Boy, brought from Spain to Rome, 

and exhibited to Leo X., designed and engraved by Marc 
Antonio (446), 

vert fine and excessively rare - 1 a<&~ 

668 An old Woman with two old Men, after Lionardoda Vinci, 

by Agostino Veneziano, 
a most curious print, undescribed by Bartsch, very pine, and 
oe the utmost rarity; from the Delbecq collection 1 ^° 

669 Two Figures from Michael Angelo's subject of the a /> 

Inebriety of Noah, engraved by Marc Antonio (464), u'U . 
superb impression, and excessively rare ; from the 
Hibbert and Durand collections C^ol- - \ 

670 A repetition of the preceding print (464), 

very fine and rare; from Cardinal Fesch's collection 1 7tj&*^ 
/(/ 't D 0 ' 671 A Man playing the Guitar, the Portrait of Achilleo 
Achillini, engraved by Marc Antonio, probably after 
Francia (469), 
brilliant impression, and extremely rare ; from the 

same collection ^rr^ *>^f~ /£*^~cs?n£f& . \ J^J^b^ 

t$Z 672 The two Figures (464), copy ; Woman carrying a Child (450), 

and a Figure, after Michael Angelo (472), rare ^ /^Jtiav 



47 



0M 673 A Man carrying the Base oe a Column, after Raffaelle, 
by Marc Antonio (476), 

_ BRILLIANT IMPRESSION AND EXTREMELY RARE 1 £ _ (? 

P o 674 A Man carrying the Base of a Column, after Kaffaelle, by 

A. Veneziano (477), fine and rare - I JT^ 

[m,. 675 Group op three Figures, prom Michael Angelo's Car- 
toon op Pisa, by Marc Antonio (487) ; the Landscape 
' coined from Lucas Van Leyderi's print of the Monk Sergius. 

,A MOST BRILLIANT IMPRESSION OF THIS EXCESSIVELY RARE 




print ; from Cardinal Jiesch's Collection. Lt is un- 
V M fortunately not in the finest condition, hut it is presumed that 
^ it might without much difficulty he put in order, as the 

damages it has sustained are not very material 
kn^flG Group of Figures fron the Cartoon of Pisa (487), "^t~^i^4^^^-j 
very rare, with the copy hy M. Lucchese - / 2 __ — 

ii.f/aJe.677 A Naked Man climbing up a bank, one op the figures 
in Michael Angelo's Cartoon oe Pisa, engraved by 
Marc Antonio (488), ir^f /^*- <t&^^- 
A MOST superb impression, and extremely RARE 1 /Cj , /Q 

678 Two Caryatides supporting a Cassolette, by Marc Antonio, ' 
J? . after a design by Rapfaelle, made for Francis I. (489), 

li/CMM SUPERB IMPRESSION, AND EXTREMELY RARE; from Baron 

Denons collection - I /f . /d 

ifitujf-QTQ Two Caryatides supporting a cassolette (489), 

very fine and rare ; from Cardinal FescKs collection 1 . ^7 

/jy/^680 Portrait of Aretin, after Titian, by Marc Antonio (513), 

very rare JL ir*>*j £-t*^£- - \ 

681 Portrait of Francis I. of France (519), 

a very curious copy hy P. S. not described hy Bartsch, 

EXTREMELY RARE - 1 *b / £) 

View of St. Peter's at Rome, by A. Veneziano (534), 

very rare - 1 . Q 

683 The Altar of Jupiter in the Capitol, by A. Veneziano (535), 

before the address, very fine and rare 1 / , /j/ 

A/ltAX f ^ ie P ass ' on °f our Lord, after Albert Durer, by Marc 

Antonio (584 — 620), wanting (585, 588), the numbers 
(586, 597, 598, 603, 611) are in the first states, 
very fine and rare - 36 /■ 

/l 685 The Life of the Virgin, after Albert Durer, by Marc 
Pf Antonio (621—637), wanting (622, 628), very rare 15 




48 



- — ' /3 686 Joachim's Offering rejected, after Albert Durer, by Marc 

Antonio (621), . 
extremely fine, and very rare - 
/. 2 , 687 The Flight into Egypt, after Albert Durer, by Marc 
Antonio (634), - 
first state, before the number ; extremely fine, and rare \A>v+-i 
^ , If. 688 Chr ist taking leave of his Mother, after Albert Durer, by 
Marc Antonio (636), ■>' 
first state before the number, brilliant impression, and extremely 
rare - - 1 

/ ' ($' The Adoration of the Kings, after Albert Durer, by Marc^, 

Antonio (638), very fine and rare - lAu^i 

— y 690 The Virgin and Child with Angels (639), St. Christopher (641), 

and St. Gregory (644), after Albert Durer, by Marc 
Antonio, very rare - 

i //), (^ 691 St. John and St. Jerome, after Albert Durer, by Marc Antonio 

(643), very fine and rare - l i 

/3- — '692 The Lady and Gentleman with Death behind a tree, after Albert 

Durer, by Marc Antonio (652), very fine and rare 

. 693 The Offers of Love (650), and Jealousy, after Albert Durer, by 

Marc Antonio, extremely rare, the latter not mentioned by A 
Bartsch - - 2W»«| 



ANONYMOUS MASTERS OF THE SCHOOL OF 
MARC ANTONIO. 

i KZ — 694 The Horatii and Curiatii, after Giulio Romano (29, 2), and 

Cupid, after Raffaelle, (39, 8), fine and rare 

JjT.tf. 695 The Sibyl reading, after Raffaelle (28, 7), 

brilliant impression of a beautiful print, probably by , 
Marc Antonio, and extremely rare 1 

2 <A '6 696 The Chal 'g e t0 St - Peter > after Raffaelle (17, 6), 

extremely eine and rare ; from the Hibbert and Esdaile 
collections - - 1^ 



<J? ■ 697 The Birth of the Virgin, after B. Bandinelli (13, 1), 

very fine and rare - 1 (/I- 

MARTIN SCHOENGAUER. 

f Continued from, page 38. J 

f,J 698 St. Peter (34); St. Andrew (35) ; St. Philip (38) ; St. James 

(40); St. Matthew (41) ; St. Simon (43), and St. Thomas 

(4 4), very fine and rare 



49 



699 St. Anthony (46), 

FINE AND RARE - 1 /ft — 

700 St. Anthony tormented in the air by Deyils (47), 

^ superb impression, and excessively rare \s~* • 

* m * " This piece is one of the most interesting of Schoengauer s 
productions, being the same which Michelangiolo copied 
with great diligence in colours, when a youth.'" — Ottley. 

701 St. Anthony tormented in the air by Devils (47), 

very pine and extremely rare - li?./^ — 

702 St. Anthony tormented in the air by Devils (47), 

an extremely curious early reversed copy - 1 3 ■ 

703 St. George and the Dragon (50), 

EXTREMELY FINE AND RARE 1 — - / & 

704 St. George and the Dragon (51), very fine and rare 1 — - / & 

705 St. James the Elder fighting against the Saracens (53), 

a most superb impression of one of Martin Schoen- 
gauer's principal works, in capital condition, and 
excessively rare ; from Mr. Brooke s collection \"^) O — 



706 St. John the Baptist (54), very fine and rare 1 2 . S — • 

707 St. John the Baptist (54), 

a very fine impression, but much cut - 1 ■ 3 — ■ 

708 St. John the Evangelist writing the Apocalypse in 

the Island of Patmos (55), 

SUPERB impression, and excessively rare ; from the 

Duke of Buckingham! s collection - 1 

709 St. John the Evangelist (55), fine and rare 1 — /ft — 
.710 St. Laurence (56), fine and rare - 1/. ■ 

711 St. Martin dividing his Cloak (57), 

brilliant impression, and extremely rare 1^. / O - 

712 St. Martin dividing hi9 Cloak (57), fine and rare 1 — $ - — 

713 St. Michael (58), fine and rare - l/. // — 

714 St. Sebastian (59), fine and rare - 1/. // — 

715 St. Sebastian (60), very fine, and extremely rare 1/. / U 

716 St. Agnes (62), fine and rare - 1 . — / (J 

717 St. Veronica (66), 

extremely fine and rare 1 ^ - 3 

718 The Saviour (68), 

fine, but injured, with a very curious early copy 2 / f 

H 



50 



^ . . 719 The Man of Sorrows (69), 

superb impression, in the FIRST state, with the monogram 

on the wall, beneath the subject, excessively rare ; from 

M. Debois's collection - 1 
— '/3— 720 The Man of Sorrows (69), 

second state, the monogram being within the subject, very 

rare - 1 
y^y^/ — -721 The Almighty sitting on his Throne (70), 

SUPERB IMPRESSION, AND EXTREMELY RARE ; from M. 

Debois's collection - 1 

£ . <5> ■ 722 The Almighty sitting on his Throne (70), 

pine and rare 1 

/p „ 723 The Almighty and the Virgin on a Throne (71), 

EXTREMELY FINE AND RARE . 1 

* # * "^4 very beautiful print." — Ottley. 
— 724 The Almighty crowning the Virgin (72), 

SUPERB IMPRESSION, AND EXTREMELY RARE ; from M. 

Robert-DumesniV s, and M. Debois's collections 1 

JI./2. — - 725 The Almighty crowning the Virgin (72), extremely rare 1 

. C; 726 Symbols of the Evangelists (73, 74, 76), fine and rare 3 

/J.S 727 The Fiye Wise Virgtns (77—81), 

MOST BRILLIANT IMPRESSIONS, AND EXTREMELY RARE ; 

from the Duke of Buckingham 's collection 5 

3-/0 728 Two of the set of the Wise Virgins (77, 79), 

very fine and rare - 2 

/J? 729 The Five Foolish .Virgins (82—86), 

MOST BRILLIANT IMPRESSIONS, AND EXTREMELY RARE ; 

from the Duke of Buckingham 's collection 5 

% . £~ . 730 Four of the set of the Foolish Virgins (82, 83, 85, 86), 

very fine and rare - 4 

4- f 731 The Peasant and his Family (88), rare 1 

. — - 732 The Elephant (92), very fine and rare 1 

£ — .733 The Elephant (92), fine and rare - 1 

2 ■ 734 The Dragon (93), 

brilliant impression, and extremely rare 1 
J . S . 735 The Pigs (95), 

MOST BRILLIANT IMPRESSION, AND EXTREMELY RARE ; from 

Mr. Beckford's collection - 1 

j 736 The Pigs (95), fine and rare 1 



51 



737 Seven of the 6et of Figures supporting Shields (96, 100, 101, 

102, 103, 104, 105), 
extremely fine and rare ; from Mr. Bedford's col- 
lection - 7 v ■ i> & 

738 Three of the set of Figures, supporting Shields (102, 103, 104), 

very fine and rare - 

739 A Design for a Crosier (106), 

VERT FINE AND RARE - \2- 4 

740 A Design for an Incensory (107), 

VERY FINE AND RARE 1 - /. 

741 An Ornamental Design of Foliage and Birds (108), 

SUPERB IMPRESSION, AND EXTREMELY RARE \ from the 

Praun, Fries, and Brooke collections I £~- $~ 

742 Design for an Ornament (115), very fine and rare 1 — /0 - 

743 Christ praying in the Garden, and the Betrayal of Christ, in the 

style of M. Schoengauer, circular plates, modern impres- 
sions - - 2 - A ~ 



THE END. 



CATALOGUE 

OP THE 

CELEBRATED COLLECTION 

OF 

VALUABLE ENGRAVINGS, 

FORMED DURING THE LAST CENTURY BY 

THE PRINCE DE PAAR OF VIENNA, 

An Account of which will be found in 
' DUCHESNE'S VOYAGE D'UN ICONOPHILE; 

THE WHOLE FORMING 

A VERY COMPLETE SERIES OF ENGRAVINGS 

BY 

THE MOST EMINENT MASTERS 

OF THE 

|tffimt, §mm% j$W&§, §xtt\} t Jfiwjr $ 

SCHOOLS, 

WHO FLOURISHED DURING 

THE XV th ., XVI th ., XVII th . and XVIII th . CENTURIES; 

TOGETHER WITH 

SOME IMPORTANT BOOKS OF PRINTS, 

AND 

VALUABLE WORKS IN CONNECTION WITH ART. 
WHICH WILL BE SOLD BY AUCTION, 

BY MESSRS. 

S. LEIGH SOTHEBY & JOHN WILKINSON, 

AUCTIONEERS OF LITERARY PROPERTY AND WORKS ILLUSTRATIVE OF THE FINE ARTS, 

AT THEIR HOUSE, 3, WELLINGTON STREET, STRAND, 
On THURSDAY, the 13th of JULY, and Thirteen following Days, 

AT ONE O'CLOCK PRECISELY. 

To be Viewed Three Days before the Sale, and Catalogues had at the Place of Sale : and, on the 
Continent: — at Amsterdam, of MM. Francois Buffa etFils, Kalverstraat ; Bonn, M. Webei., 
Sternenthor, No. 280 (-a) ; Hamburg, Coidieteeschee KtjnsthabtjLUng ; Leipsic, M. Rudoi/ph 
Weisel; Manheim, MM. Astasia et Fontaime ; Paris, M. Defeb, 21, Quai Voltaire; 
M. Gvichabdot, Rue de Gh-ammont, and Mr. E. Rutter, 10, Sue Louis Le Q-raiid ; Vienna, MM 
Aetaeia et Cie, Kohlmarkt. 



J. Davy & Sons, Printers, 137, Long Acre. 



CONDITIONS OF SALE. 



I. The highest bidder to be the buyer ; and if any dispute arise 
between bidders, the lot so disputed shall be immediately 
put up again, provided the seller cannot decide the said 
dispute. ' 
II. No person to advanceless than Is. ; above Five Pounds 2s. 6d.; 
and so on in proportion. 

III. The Purchasers to give in their names and places of abode, 
and to pay down 5s. in the Pound, if required, in part of pay- 
ment of the Purchase-money ; in default of which, the Lot or 
Lots purchased to be immediately put up again and re-sold. 

IV. The Sale of any lot is not to be set aside on account of any 
error in the enumeration of the numbers stated, or errors of 
description. 

V. The Lots to be taken away at the Buyer's Expense, imme- 
diately after the Conclusion of the Sale; in default of which, 
Messrs. S. Leigh Sotheby & John Wilkinson will not 
hold themselves responsible if lost, stolen, damaged or other- 
wise destroyed, but they will be left at the sole risk of the 
Purchaser. If at the expiration of Two Days after the 
conclusion of the Sale, the Lots are not cleared or paid for, 
they will then be catalogued for immediate sale, and the 
expense, the same as if re-sold, will be added to the amount 
at which they were bought. Messrs. S. Leigh Sotheby & 
John Wilkinson will have the option of re-selling the 
Lots uncleared either by public or private sale, without any 
notice being given to the defaulter. 

VI. Upon failure of complying with the above conditions, the 
money required or deposited in part of payment shall be for- 
feited; and if any loss is sustained in the re-selling of such lots 
as are not cleared or paid for, all charges on such re-sale shall 
be made good by the defaulter at this sale. 



Gentlemen who cannot attend the Sale, may have their Com- 
missions faithfully executed by their humble Servants, 

S, LEIGH SOTHEBY & JOHN WILKINSON, 

Wellington Street, Strand. 



CATALOGUE 



OF THE 



VERY IMPORTANT, VERY EXTENSIVE, VERY 
VALUABLE, AND CELEBRATED 

COLLECTION OF ENGRAVINGS, 

FORMED DURING THE LAST CENTURY BY THE 

PRINCE DE PAAR OF VIENNA. 



FIRST DAY'S SALE. 



PORTRAITS 

GERMAN, DUTCH, AND FLEMISH. 

LOT 

Qvt*^ I Emperor of Germany, &c, by Soutman, Wierx, Sadeler, &c. 18 ' /d 
<n*^m*^ 2 Royal German Personages, by Visscher, Suyderhoef, Balechou, 

&c 12 ' C 

3 Emperors of Germany, Archdukes of Austria, &e., by Sadeler, , ^ 
Suyderhoef, &c. . 26 

^Jii^v^ 4 Various Portraits of Maria Theresa, &c, by Schmuser ; Joseph . Jj_ 
II. with his Staff, &c. . 14 

o 5 Charles VI. and his Queen, w. I., by Muller ; The Elector , h 
of Bavaria, Prince Lichstenstein, w. I. ; and Count Roman- 
hoff, proof . 4 

-i^vGvuLj Q Frederic the Great, by Cunego and Bartolozzi ; and other Por- • $ 
traits of the Prussian Royal Family . 16 

Q)o 7 Joseph II., w. I., and modern Portraits of the House of Austria 10 • £" 
()2c*™^ 8 Peter the Great, of Russia, by Houbraken and Bause ; Empress , y 

Catherine, by Bartolozzi, &c . 9 

-^.^n^K^i 9 Princes and Princesses of Germany, various . 10 • / 

— ■ 10 Kings of Sweden and Denmark ; Princes of the House of Bruns- • 3 
wick and other Principalities, by Bause, Kohl, &c. 15 

B 



2 



9> "11 Princes and Princesses of the Houses of Orange and Nassau, Jli-r^^ 
after Vandyck, &c, by Baron, C. de Pass, Delft, Houbraken, 
&c. 10 
6' • 12 Dignified and other Clergy, by Delft, Matham, Pontius, &c. \Q 
3 - 13 Nobility, Literary, &c., by Muller, Fruytiers, &c. . 15 QcIytu^ 

if • 14 Nobility and Men of the Sword, Count Kaunitz, General Zieten, 

&c, by Schmuzer, Berger, Chereau, &c. . 19 ^ a 

3 15 Modern German Nobility — Kaunitz, Schwartzenberg, &c. 12 J<^*tt 
9 ' 16 General Van Saurau, w. I., by Pichler; Prince Lichstenstein 

and his Family, General Loudon, Count de Fries, &c, by^-> 
Rhein, Clerck, &c. . 18 

2 17 Princes Schwartzenberg, Lichstenstein, &c. 6 

3 ' 18 Due d'Aremberg on Horseback, after Vandyck, by Earlom ; 

Prince de Ligne, by Cardon, and the Pensioner De Witt 4 — - 
/ 19 Portraits of Clergy, Literary, &c, by Savory, Natales, Vaillant, 

&c. 18^ 
/3 20 The Dutch Admirals — Kortenaer and Stillingwerf, by Bloote- ^ 

ling . . lUtAsn^u/ 

(> ■ 21 Michael de Ruyter, after K. du Jardin, by Van Somer, 1671, and 

Admiral De Witt . 2 QlC^^ eu 

£ ■ 22 Literary and other Characters, by Suyderhoef, Matham, Bloote- 

ling, Houbraken, &c. . 15 JldvU/ 

lc • 23 Dutch, Flemish, and German Artists, principally after Vandyck 21 
jL/ j 24 Linnseus, and other learned Persons, by Facius, Preisler, &c. 21 
y > 25 Portraits, by Goltzius, De Gheyn, Wierx, &c. . 26 ^ 

) ^ ■ 26 Schiller, Mendolschon, A. Haller, Wieland, &c, mostly engraved 

byBause . . 27 ^° 

3 - 27 Small Portraits, after Vandyck, &c, engraved by De Jode 15 <3^ 
/j • 28 Admirals De Ruyter, De Witt, &c, by Blooteling, &c. 5 fU>*w* 

2_ - 29 Raphael Mengs, Winkelman, and other Portraits of Artists, by 

Cunego, Bause, &c. . 18 jdU~~~ 

3 ' 30 Jacobi, Kuperltzky, Holbein, &c. . 24 

' 31 Artists, principally Dutch and Flemish — Netcher, Teniers, 

Mieris, Hondius, Troost, &c. . 25 i-v° LAJJ > 

£ ■ 32 Ladies — Maria Schurman, Madame Lampi, Princess Paer, &c. IQ^^^ 
1 Z ' 33 Portraits of Rubens and his Family, by McArdell, Dickenson, 

Chambers, Saillear, &c. . g (fraud* 

llj. < 34 Rembrandt, by Townley, Van Bleek, &c. ; Vandyck, by Watson sn. 

and Dickenson . 5 ^"- tX 

2 ■ 35 Portraits of German Actresses, Remarkable Persons, &c. 6 hw® aJ 

j 3 . 36 Count Bruhl, and other Polish Portraits . 8 f^-*^ 

• 37 Ann Schurman, J. Hoornebeck, J. Revius, &c, by Suyderhoef 8 \ 



3 



/ & cx^s? 33 Dutch Divines, and others, Etchings by Fruytiers, Engravings by 

Matham, &c. . . . 13 ' /# 

- 39 German Ladies, various, modern . 9.2. 

ITALIAN PORTRAITS. 

40 Portraits of Popes— Alexander VIII. ; Clement IX. and XIV. ; 

Benedict XIV., &c, by Van Schuppen, Hall, &c. 15 • fS 

i /u+*~^ 41 Alexander, Duke of Parma, Gisbertus Vannes, fecit; Prince 

Eugene, by Gunst, &c. . 10 • /a> 

£j-&~j{Li 42 Count Durazzo ; the Cornaro Family, and other Italian Noblemen 

and Literary Persons . . 25 • / 

Dante, Petrarch, and Machiavelli, by R. Morghen . 3 !_ 

44 Boccaccio, by Cornelius Van Dalen, proof . 1 ~ 

tjMlt2as45 Metestatio, by Mansfelt ; Paolo Sarpi, by Dickenson, &c. 11 * * 
46 Ital ian Artists — L. da Vinci, Raffaelle, A. Caracci, R. Mor- 
ghen, C. Townley, &c. . 17/1. 
^ef° 47 Old Italian Artists, various 25 - ■? 
faAMjt^({~ 48> Portraits of Dutch and Flemish Painters, by and after Vandyck 17 - ^ 

SPANISH PORTRAITS. 

^,<=*~~^49 Charles III.; Don Philip, Infant of Spain, &c, by Balechou, Car- 

mona, &c. . . o 6~ 

50 The Count de Pombal, by Beauvarlet . 1 2. 

fjZi~~ 51 Philip II. by C. de Pass, and N. Nelli . 2 - S 
&<"*^r 52 Philip III., by Suyderhoef ; and various Portraits of Spanish and 

Italian Jesuits, &c, by Bolsvvert, &c. . ^ 

< 53 Charles III. of Spain on Horseback, &c. . 3 . ^ 

FRENCH SCHOOL, 

ARRANGED ACCORDING TO PAINTERS. 

<^2~— ^ 54 Mythological, Fancy, and Pastoral Subjects, after Aubrey, 
Alexander, Baudottin, &c, by Moreau, Mariette, and 
others 12 ■ /£, 

■ 55 Premiere Lecon d'Amitie, after Aubrey, by De Launay ; Les 

Horaces, after Le Barbier . 2 • 

J^*^s<^f57 Sacred and other Subjects, after Blanchard, Bertin, &c, by 

Daret, Gamier, &c. . 26 - ^ 



3 58 Historical and Mythological, after Bonniee, Boeel, &c, by 

Guttemberg, Laurent, &c. . • l^/^uZT 

4 ■ 59 The Canadiens, after Le Baebiee ; La douce Resistance, &c, 
after Boilly, by Mathias, Viel, &c. . 6 /WiK^f 



/ / ■ 60 Subjects, principally Mythological, after Bouchaedoit, by Fes. 

sard, &c. . .17 

' // ■ 61 Landscapes, Sporting and Pastoral Subjects, after Bouchee, by 

Beauvarlet, &c. . 12 fltto** 

■ 2 62 La Liberte du Braconnier, after Benazech, by Ingouf 1 

) ■ & ■ • 63 Mythological and other Subjects, after the same, by Daulle,&c. 12 ^/%^ 
• /(> ■ 64 A similar lot, engraved by Tardieu, Gaillard, &c. 20 
/ ■ 65 Pastoral and other Subjects, after Bouchee, by Aveline, Duflos, , 

&c. . . 22 m% 

• Jj ■ 66 Sacred and Mythological Subjects, after Boulogne, by Moy- 

reau, &c. . . 11 "" ' — 

' // ' 67 The Entombment, by Houlanger, proof ; Subjects of the Holy >> 

Family, by Natalis and Vallet, after S. Boxjedok Z^H^J 

> b • 68 Holy Family, by Van Schuppen, state ; The Virgin, by Hain- 

zelman, &c, after S. Bouedon" . 2^*w2^T~ 

> / • 69 Christ in the Garden, by Vandeebanc ; Holy Families, by , 

Rousselet, &c, all after Boitedon . 6 t7w 
, 2, ' 70 Sacred and other Subjects, by Bernard, &c, all after the same 15 



THE WORKS OF C. LE BRUN. 



71 The Small Battles of Alexander, Designs for Ceilings, &c, by 

Le Clerc, Simonneau, &c. . \Q/u)£^y 

' 3 ■ 72 Mythological and Fancy Subjects, by Humblelot, Rousselet, 
Surugue, &c. . 28 

S ■ 73 Subjects from the Old Testament, by Picart, Surugue, &c. 11 ■d)* / ^y 
J • 74 Subjects from the New Testament, by Poilly, Audran, &c. 13 
, & ■ 75 Subjects of Saints, Martyrdoms, &c, by Audran, &c. 13 Ja*^ 

• & ' 76 Subjects of the Virgin and Holy Families, by Edelinck, Poilly, 

and Audran . 7(3)6 

2 -If ' 77 Battles of Alexander, by Audran, and the Tent of Darius, after 
Mignaed, by Edelinck and Drevet Q { 

/ • 78 Martyrdom of St. Cyprian, by Gantrel ; The Daughters of 

Jethro, by Audran . 2 

■ ^ • 79 Christ's Entry into Jerusalem, the Crucifixion, Moses at the Well, 

&c, by Audran, Simonneau, &c. ^Mf*^ 
■ J ' 80 The Fall of the Damned, by Loire l^h&O^f 



s 



-4 



rfi?<£rt^crf~%\ The Brazen Serpent, by Masson ; and the Murder of the Inno- 
cents, by Loire . 2 . 3 
The Fall of the Damned, by Loire ; and a Ceiling, by Audran, 

after Mignard . 6 < ,3 

84 Sacred and other subjects, after Coeneille, by Poilly, Dorigny, 

^ &c. . 19 • J 

( jfavfs-^y 85 Mythological and Fancy Subjects, after Le Cleec, by Basan, 

Moitte, &c. . 20 • £ 

^u^Ju^zr&S Laban, Woman taken in Adultery, Magdalen, &c, after Colom- 

bell, by Nattier, &c. . 4 $ 

(/La/ot^'Zl Fancy and Historical Subjects, after C. Coypel, by Lepicie 1 , 

Surugue, &c. . 24 / // 

■ 88 Finding of Moses, Iphigenia, Judgment of Solomon, &c, after 

C. Coypel, by Audran, Duchange, &c. 16 
89 Subjects, principally Mythological, after Ant. Coypel, by 
Duchange, Simonneau, &c. . 18 

jCo^jjajM: 90 A similar lot, by Dupuis, Audran, &c. 12 
£00,1^1 91 Sacred Subjects, by Drevet, Simonneau, &c. 7 
f2)cuJt^/92 Adam and Eve, Abraham's Sacrifice, and Rebecca, by Drevet ; 

Esther and Ahasuerus, by Audran, &c. 6 
Historical and Fancy Subjects, by Desplaces, Duchange, &c. 10 
Qyi 94 Jeanne d' Arc, after Delakoche, by Reynolds ; The Tournament, 
after Atjbey . 2 

Y)GL<£uy- 95 Our Saviour in the Synagogue, and other Sacred subjects, after 
Dietj, by Audran, &c. 

WENCESLAUS HOLLAR. 

£as**^i 96 His own Portrait, (two different), F. Vanden Wyngaerd, Arma 
frodito, St. Erpho, and John de Gavarelle 
Qyo 97 Richard II, with his Patron Saints 
<&o 98 Richard III, Dr. Diodati, Franquart, &c. 
^tw^ 99 Queen Ann of Cleves, and Hans Von Zurich 
&;ch^-A<)0 Female Circular Heads >c /zwe 
0-v 101 Creation Robes of the English Nobility, &c. 
Q5&> 102 Robebt Deyeeelx Eael of Essex, on hoeseback 

103 Antwerp Cathedral, the large and small plates 

4?&>c*~<> 104 Views of Windsor, Albany, on the Rhine, &c. 
& 0 105 Small Views in Germany, Tangiers, &c. 

106 Small Views on the Rhine, and the long View of Prague 
(£}<) 107 A Set of Roman Ruins, and Coast Scenery 
^dC^e-/^ 108 Aetjndel Casxle, fiest state, &c. 



3 
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■ $ . 

■ % - 

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6 

109 Views of Covent Garden, Lambeth House, St. Mary Overy, ^ 

and Whitehall . 4 -Jvaa^ 

110 View of London before and after the Fire, and the Town of 

Hull 

111 View of Deal, on two sheets 

112 The Set of Shipping . 6 Q o 

113 The Four Seasons, and two of the Months 6 

114 Vases, Cups, Sword Hilts, &c . 11 cP^ 
1(5 The Set of the Muffs . 6 

1 16 Holbein's Dance of Death . 30 

117 The Passion of Our Saviour . 16 

118 The Dead Christ, Judah and Thamar, &c. 5 ^2a-t/^j 

119 Female Costume of England . 90 -CotX^ 

120 The Proclamation of Peace at Brussels, &c. 3 dZi^-^o 

121 Subjects of Natural History . 12 

122 Animals, various, small Cat's Head, &c. 10 ^»OUa4> 

123 The Sacramental Cup, after Mantegna 1 Q\,feu dps 

124 Female Head, after Credi ; Laura, after Palma; Holy Family, 



after Parmigiano, &c. . 5 

125 The Royal Exchange, the Tower, Westminster Abbey and Hall, 

the two last uncut plates . 4 

126 Apotheosis of the Earl of Arundel, The Insects, The Dead 

Rabbit, &c. . 13 9i^> ^ 

127 Hans Sebald Beham, Charles Duke of Lorraine, Heads, after 

Holbein, &c. . 14 

128 Charles II, Thomas Earl of Arundel and his Son Lord Herbert, 

Sir George Crooke, Sir Richard Hatton, &c, small ovals %~Z*<*-*seJ 

129 Anne Boleyn, Jane Seymour, Princess Mary, Sir H. and Lady ^ 

Guilford, Lord Denny, circular prints, all after Holbein 9 tSj^***--/ 

130 Edward VI, with the Rattle, after Holbein, &c. 4 <J 

131 Henry Howard Earl of Surrey, after Holbein ; Lady Howard, 

&c. . 4 

132 Portrait of Aretino, The Four Seasons, and the Funeral Proces- 

sion of the Count De la Tour . 6 

133 Subjects of Animals, Dogs, &c. . 25 

134 The Magdalen in the Desart, Van Avonts' Boys, &c. 33 

135 The Set of Ship Building, Sea Views, and Landscapes 20 



7 



THE WORKS OF SIR JOSHUA REYNOLDS. 

^136 Lord Ligonier on horseback, by Fisher ; Lord Camden, whole- 
length, by Basire ; Admiral Boscawen, by McArdell ; Lord 
Granby with his horse, by Watson ; and Omai, whole-length, 
/7 ' ^ by Jacobi . . 5 /' 3 

' / - a f e y\.Zl Sir W. Hamilton, by Hudson; Duke of Orleans by Smith; 

The Prince of Wales, with his horse, by Howard ; General 
Tarleton, by Smith; and Lord Lifford, by Dunkarton, all 
,■7 whole-lengths 
"&o&~^> 138 LordThurlow; Lord Mansfield, proof; John Ash, Dr. Burney, 
and Lord Ashburton, by Bartolozzi ; Lord Macartney, by C. 
Watson; Lord Heathfield, by Earlom . 7 / ^ 

^^139 Sir Joshua's own Portrait, by Watson, Townley, Khkby, and 
Collyer ; Admiral Hood, by Jones ; Zachary Mudge, and 
Admiral Rodney by Watson . 7 ' // 

oajtu Archbishop Robinson, by Smith ; Garrick, by Corbutt ; Duke 
of Northumberland, by Fisher ; Sir W. Chambers, by Green, 
Marquis of Granby, by Purcell and Watson 6 / / 

141 John Hunter, by Sharpe, and Lord Amherst, by Watson, proof 2 / // - 
<&a 142 Admiral Keppel, by Doughty; John Lee, by Hodges; Sir J. 

Banks, and Admiral Rodney, by Dickenson ; Charles James 
Fox, by Jones ; and Lord Sackville, by McArdell 6 / V- 

L[&wt*3f\AZ Lord Anson, and John Lockhart, Esq., by McArdell ; Samuel 
Dyer, by Marchi ; Dr. Beattie, by Watson ; Earl Pembroke, 
by Dixon ; and Joshua Sharpe, by Hodges Q / 2 

'Jlci&nJ 144 Dr. Lucas, by McArdell ; George Colman, by Marchi ; Count 
Belgioso, by Jacobi ; Marquis of Granby, by Houston ; James 
Paine and his Son, by Watson ; and Admiral Keppel, by 
. Dickenson . . 6 ■ 

pfaiK.j 145 Miss Crewe, with her Brother, by McArdell ; Mrs. Siddons, by 
Haward; Lady Taylor, by Dickenson, private plates; Mrs. 
Crewe^ by Watson; Mrs. Bouverie and Mrs. Crewe, by 
Marchi . 5 3 3 

</i'>^146 Duchess of Cumberland, Mrs. Hale, and Lady Broughton, 

proofs, by Watson ; Lady Sarah Bunbury, by Fisher 4 / ~/ 

Q\<Oujh;\^7 The Countess of Albemarle, by Fisher, and the Duchess of 

Ancaster, by Dixon, proof . 2 ' 79 



8 



/ 3 
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/ 3 
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■ /2. 
/ / 

- 9 



48 Lady Derby, by Dickenson ; Duchess of Manchester, and Lady /? 

Melbourne, by Watson, whole-length ■ 3 

49 Lord Morpeth, by Trotter; Lady Clinton, Lady C. Montagu, by „ ^ 

Smith ; The Affectionate Brothers, by Bartolozzi, &c. 9 ^^<^0 

50 Master Herbert, by J. R. Smith, proof, and Lord Dalkeith, by 

V. Green . 2 

51 Miss Lesley, by Earlom, and Miss Wyndham by Finlayson, 

proofs . 2 OltvUiMb 

52 Mrs. Stanhope, by Smith ; Contemplation by C. Watson; Miss ^ 

Muse, by Faber ; Mrs. Cholmondeley, by Corbutt, &c. 9 

53 Lady Cockburn, by Wilkins ; Ladies Harrington and Smyth, 

by Bartolozzi ; Miss Kitty Fisher, by Houston . 1 

54 The Duchess of Albemarle, by Watson, fine -proof 1 

55 A Bacchante, by J. R. Smith ; Ariadne, by Doughty ; The 

Mask, by Bartolozzi ; Musucupula, by Jones ; The Calling of 
Samuel, by J. R. Smith . 3 fe&o-^ 

56 The Holy Family, by Sharpe ; The Fortune Teller, by Sherwin ; 



and St. Agnes, by Chambers 
57 Mrs. Sheridan, as St. Cecilia 



3- 



by Dickenson and Watson ; 
Death of Dido, by Grozer ; and Hope nursing Love, by 



Fisher . 4 

58 La Petite Rus^e, by Bause, proof . 1 

59 The Student, by Smith; Mercury, by Dean; Thais, and Venus / 

chiding Cupid, by Bartolozzi, &c. . 6 

60 The Oxford Window, engraved by Facius . 12^^*^ 

61 Lady Townshend, with Mesdame Beresford and Gordon / 

adorning the Statue of Hymen, by Watson 1 '■^ L *"£> 

162 Count Ugolino in Prison, by Dixon . 1 fyb 



di 



SECOND DAY'S SALE. 



ENGLISH SCHOOL. 

ANGELICA KAUFEMAN. 

LOT 

c/^t^' 163 Her Portrait, after Sir J. Reynolds, &c, by Bartolozzi, 
Morghen, and Volpato ; The Family of Holstein Beck, &c. 5 
^ 164 Garde a Vous, by Porporati ; Holy Families, &c, by Sherwin, 
Schultze, &c. . 5 

^4-^165 Fancy, Pastoral, and Poetical Subjects, by Marcuard, Barto- 
lozzi, &c. . 15 
(U 166 Subjects various, by Scorodomoff, Burke, &c. 20 
167 Subjects from English History, by Ogborn, Bartolozzi, &c. 20 
(jio 168 Poetical, and Subjects from Roman History, by Delanle, Kirk, 
/ Burke, &c. . 21 
169 Subjects from Roman and Greek History, Illustrations of 
Shakespere, &c, by Facius, Durmer, Bartolozzi, &c. 20 
(M 170 Poetical and Mythological subjects, by Ryland, Burke, Bar- 

tolozzi, &c. . 19 1 

CW i7i The Seasons and Subjects principally Mythological, by Ryland, 
Scorodomoff, &c. . 20 

MEZZOTINTO. 

-£a^ 172 The Loves of the Gods, after Titian, by Smith 10 
6Jfr.ylA.73 Specimens, by Smith, after Italian, Dutch, Flemish, and English 
Masters . 19 

tUvzJ 174 Pastoral Subjects, after Morland, by Ward 8 / 

^<aw 175 Domestic Subjects, after Morland, Garrard, and Page, by Ward 

and Hodges . 7 / 

176 Fancy Subjects, after J. R. Smith, Garrard, &c, by Pollard, 
Ward, Earlom, &c. • 7 ' 

^ 177 Subjects, after Morland, Northcote, and Beechey, by Ward, 

Smith, Green, &c. • 8 ■ 

178 Tigers and Lions, after Stubbs and Rubens, by Murphy, &c. 4 • 

C 



10 

• /// ■ 179 Historical and Domestic Subjects, after Northcote, Page, and 

Wheatley, by Murphy, Ward, &c. • 8 U.a^, 

Sacred and Historical Subjects, after pictures by Benjamin 
West, by Dickenson, Green, &c. . 8 

' j9 • 181 Mythological and Fancy Subjects, after Hoppner, Morland, 

Carter, &c, by Green, J. R. Smith, and Ward 12 4v 

' 10 ■ 182 Sacred and Historical Subjects, after West, Copley, &c. by 

Green, Houston, and Dickenson 12 ^ 0 

• ]J ' 183 Designs, after Fuseli, Maria Cosway, &c, by Laurie, J. R. 

Smith, &c. . 10 4q 

R. EARLOM. 

■ 184 Triumph of Mordecai, after Eckhout ; Galatea, after Giordano ; 

Porter and Hare, after Zoffani; David and Abishag, after 

Vanderwerff, &c. . 10 

'' jf ■ 185 Hippolytus, Mary Magdalen at the feet of our Saviour, the 

Holy Family, and Rubens' Wife, all after Rubens 4 4v 

■ $ ■ 186 Col. Mordaunt's Cock Match, and the Tenth of August, after 

Zoffany . ' 2 

• 9> - 187 Una, after West; Shepherd Boy, after Gainsborough; The 

Witch, after Teniers, &c. . 4 4*<»V 

• M ' 188 The Virgin, with the Hare, after Correggio, proof ; Sleeping 

Bacchus and Companion, Giordano ; Salvator Mundi, C. / 
Dolce . 4 

- /4 ■ 189 The Royal Academy of Arts, after Zoffany 1 
' /£ ■ 190 The Lion and Boar, after Snyders; Landscape, after Hobbima ; a 

and Meleager, after Wilson . 3 w«M4 

' ■ 191 The Miser, after Matsys ; Calisto, after Vandyck; Holy / 
Family, after Guercino ; and Rembrandt's Portrait 4^Wo 
■ ■ 192 Nymph and Satyrs, and Rubens' Son and Nurse, after Rubens 1 fid 
/ g- • 193 The Fish, Game, and Herb Markets, after Snyders, and Lang 

Jahn . 3^**^ 

/ / ' 194 Girl and Pigs, after Gainsborough, fine proof 1 bow 

' yy 7 ■ 195 The Shepherd Boy, after the same, proof 1 -/i^^ 

j f.Q 196 A pair, Fruit and Flower Pieces, after Van Huysum ; and a . 

Concert of Birds, after Maria di Fiori 3 &0 

'ft 197 The Fig, after Rubens . 1 ^c<*v 

W. PETHER. 

' 198 The Blacksmith's Shop ; The Academy ; Miss Kitty dressing ; 

The Orrery and Companion, &c. . 6 Ua^ 



11 

^^199 The Hermit, after Wright; Landscape, after Claude ; Demo- 
critus, after S. Rosa, &c. . 4 

As^200 The Jew Rabbi, and other Heads, after Rembrandt 4 



/-w 201 Faith, Hope, and Charity, after Nixon, by Keating ; Nathan 
and David, and the Writing on the Wall, after West, by 
Green . 3 

<*£o 202 Death of Capt. Hood, after Northcote, by Reynolds ; Virginia, 
after Dance, by Haid ; A Winter's Tale, after Opie, by Green ; 
The Oracle by Dixon, &c. . 5 . 

203 The History of Joseph, after Guercino, by Dunkarton 4 < 

^<^204 Mark Anthony, Raising of Lazarus, St. Stephen, &c, after 

West, by Green . 3 • 

MEZZOTINTOS. 

p 

Zv-a^-205 Fancy Subjects, after Wright, Netcher, &c, by Smith, Haid, / 
Watson, &c. 

/^j^-206 Heads, and Sacred subjects, after Rembrandt, by McArdell, ■ - 
„ Houston, Green^ &c. . 12 

%oc^ 207 Sacred Subjects, and Heads, after Caravaggio and Rembrandt, 

by Murphy, Phillips, &c. . 6 ■ 

208 Heads, and Subjects, after Titian, Giordano, &c, by Baillie, 
Watson, &c. . 14 ■ 

^ 209 St. John, after Raffaelle; and other Subjects, after Rubens, 
p II Prete, &c, by Spilsbury, Burke, &c. 8 / 

•^ve^lO Subjects, principally Sacred, after Vanderwerf, Vandyck, &c, 

by Laurie, Green, &c. . 10 J 

<2\) 211 Fancy Subjects, after Schalken, Vandyck, &c. by Mc'Ardell, 

Wilson, &c. . 12 / 

tuc^LYl Heads, and Subjects, after Rembrandt, by Boydell, Houston, 

&c. . 6 / 

^/^-^213 The Miraculous Conception, St. John, &c. after Murillio, by 

Green, McArdell, &c. . 6 / 

^a^,214 Heads, and Interiors, after Rembrandt, by Haid, Graham, &c. 6 / 
(2^-yJLi2\5 Sacred Subjects, after Rembrandt, by Watson, Dunkarton, &c. 6 - 

ENGRAVINGS IN THE LINE MANNER. 

^Ar^lXQ The Noli me Tangere, after Mengs, proof; Holy Families, 
after Poussin and Cortona, by Sherwin . 3 > 

217 Sacred, Mythological, and Fancy Subjects, after Cortona, 
Caravaggio, Castiglione, &c, by Walker, Boydell, &c. 16 ' 



12 



/ It 



■ ^ 218 Subjects, Various, after Rosa da Tivoli, Ribera, &c, by Ravenet, J 
Bannerman, &c. • ^ -^n^ 

' 3^ 119 Sacred and other Subjects, after Giordano, Poussin, &c. by 

Cook, Ravenet, Chambers, &c. • 16 ^ 

< 220 Fancy and other Subjects, after Italian and Flemish Masters, . 

by Canot, Ravenet, &c - 15 Cc n^ 

' M ' 221 Penn's Treaty with the Indians, after West, by Hall ; Humane 

Society, after Smirke, by Pollard ; and Death of Lord Robert y 
Manners, after Stothard, by Sherwin 4 ■Crv^J 

' 3 ■ 222 Historical Subjects, after West and Northcote, by Mechel, Hall, 

and Basire 4 file 

WILLIAM SHARP. 

' J" ' 223 Alfred Dividing his Loaf, after West ; and the Dead Soldier, 

after Wright, by Heath . 2 % 

f /3 '224 The Doctors of the Church, after Guido ; St. Cecelia, after , 

Domenichino ; the Witch of Endor, after West 3 yfifi-jj; 

*6 • 225 Children in the Wood, after Benwell ; Lucretia, after Domeni- 
chino ; Diogenes, after S. Rosa . 3 &Cq 
I *> ' 226 The Long Parliament and Restoration, after West 2 c4>^ 

SIR ROBERT STRANGE. 

/ b ■ 227 Abraham and Hagar, Esther and Ahasuerus, after Guercino ; 

Venus and Cupid, after Titian ; Joseph and Potiphar's Wife, , 
after Guido . 4 JXZ«y> 

228 Parce Somnum and Te Deum, after C. Maratti ; Magdalen and 
Cleopatra, after Guido . AJ-fi**- 1 

229 The Holy Family, with St. Jerome, after Correggio ; and the 
St. Cecilia, after Raffaelle . 2 fy*f*M 

k • 230 Finding of Romulus and companion, after Cortona ; Judgment 

of Hercules, after Poussin . 3/y^Ut^c 

/<£ ■ 231 Venus and Danse, after Titian . 2 ^ A 

/Jj 232 St. Agnes, after Domenichino; and Belisarius, after S. Rosa 2 J/sct^ujj 
• J' J ' 233 Dido, after Domenichino ; Apotheosis of Prince Octavius, and 
the Flemish Farm, engraved under the name of Metchel, but 

certainly by Strange . 3 • 

' ' 234 Sappho, after Raffaelle; Madonna and Angel, after Guido; 

Cupid, after Vanloo, &c. . 5 cf/f7u*y/ 

I % • 235 Mary Magdalen, after Guido ; Christ Appearing to his Mother, 

after Guercino . 2 =* — ■ 



13 

u 

'^ ^^236 Fortune, Liberality, and Modesty ; and Venus attired by the 
Graces, after Guido . 3 , 

®-i 237 Charles I in his Robes, and his Three Children, after Vandyck 2 / '/g 
238 Meekness and Justice, after Raflaelle ; Laomedon, after S. Rosa; 

and Apollo, after Sacchi . 4 / /// 

^ 239 Parmigiano's Mistress, after Parmigiano ; Offspring of Love, and 
/// Companion, after Guido ; Cupid, after Schidoni 4 ■ // 

7 240 Charles I with his horse, and Henrietta Maria, w. I. after 

Vandyck . % / 6' 

WILLIAM WOOLLETT AND HIS SCHOOL. 

/ &£k/ 241 Macbeth, after Zuccarelli ; and a Landscape, after Carracci 2 • % ■ 
^r„u 242 The Temple of Apollo, and Roman Edifices, after Claude 2 ' ■ 
95« 243 The Niobe and Phseton, after Wilson . 2 • 3 • 

®~o 244 Apollo and the Seasons, before the flourishes round the inscrip- 
tion; Meleager and Snowdon Hill, all after Wilson 3 < /J 
Bk> 245 Celadon and Amelia, and Ceyx and Alcyone, after Wilson 2 . 3 
$c 246 Cicero at his Villa, and Solitude, after the same 2 / /d> • 
■^^^247 Battles of La Hogue and Boyne, after West ; and a small copy 

of La Hogue . 3 / 

247*The Death of General Wolf, and a small copy 2 - M 

248 The Shooting Pieces, after Stubbs . 4 . // 

>J,r^ 249 The Jocund Peasants and Cottagers, after Dusart ; Rubens' 

Portrait ; and Diana and Acteon . 4 / % 

— 250 The Spanish Pointer, after Stubbs ; and Maid of the Mill, after 

Richards . 2 ' f 

251 Niobe, Meleager and Atalante, Phseton, the Temple of Apollo, 

after Wilson ; and Hunting the Boar, after Pillement 5 ' 7 



ti 



Vi^tf^ 252 Morning and Evening, after Swanevelt ; and Tobit and the 
Angel, after Glauber, &c. . 4 

— 253 The Haymakers, the Rural Cot, and Apple Gatherer, after 

Smith of Chichester ; and the Merry Villagers, after Jones 4 / ' 
ts6tPzA^254 The First and Second Premium Landscapes, after Smith of 

Chichester ; and the Fishery, after Wright of Derby 3 >/6 

255 Dido and Eneas, after Jones, &c. . 4 • / Q 

( JCi 256 Landscapes, after Domenichino, Zuccarelli, Panini, &c, by 

Byrne, Mason, Vivares, &c. . 11 ' 

~f v &x^t 257 Landscapes, &c, after Cuyp, Hobbina, Moucheron, &c, by 
n Baron, Mason, Lerpiniere, &c. . 10 ■ )i> 

/u^t*zQ58 Animals and Landscapes, after Berghem, Ruisdael, Potter, &c, 

by Boydell, Wood, Smith. &c. . 9 < ]0 



14 

/ : -$ • 259 The Watering Place, after Rubens ; Philip Baptizing the Eunuch, 
after Both ; St. John in the Wilderness, after S. Rosa ; Land- 
scapes, after Swanevelt ; all engraved by Browne 5 
* k • 260 Classical Landscapes, after Gaspar Poussin, engraved by Wood, 

Lowry, Chatelain, &c. . 8 Oi^o^^/ 

' ' 261 Landscapes after Claude Lorraine, by Vivares, Wood, &c. 6 ^<*-»w 
/ £_ ■ 262 Landscapes, after English Painters, by Middiman, Ellis, Picot, y 
&c. . 16 

' fc ' 263 Landscapes and Views, after Wilson, Smith, Hodges, &c, by 

Mason, Canot, Ellis, &c. . 10 A^4/> 

" fD " 263*Landscapes and Subjects, after Loutherbourg, by Romanet, Le ^ 

Veau, L'Empereur, &c. . 18 k r J><^ 

• J/ ' 264 Landscapes, by Vivares and Mason, after Claude Lorraine 4 ^ 
- j5 - 265 Various, after Loutherbourg, Cipriani, Zucchi, &c, by Prestel, . 

Vivares, &c. . 19 <*™~0 



' 266 The Horn Book, after Schidone ; and the Judgment of Hercu- ^Q^Q/f/h^ 
les, after Poussin ; both by Strange . 2 



ENGLISH PORTRAITS. 

/ 1 ' 267 Henry VIII, by C. Matsys and J. Isselberg 2 ^t^d^ 

i /3< 268 Mary Queen of Scots, by Bartolozzi; James I, by Smith; and 

his Apotheosis, after Rubens, by Gribelin 5iJ0^*^*^jf 
Jll > ■ 269 The High and Mightie and Most Virtuous Princesse 
Ann Queen oe Great Britaine, France and Ireland, 
anno 1616, Simon Passaeus eig. et sculpt., Londini, 
Compton Holland, ex. ibid., a View of Windsor in /? 
the back-ground, ivith four English mid four French lines I *p*-& v ^ 
1 II ' 270 Charles I and Henrietta Maria, aeter Vandyck, by n 

Voerst . 1 { ^#^ 

I I ' 271 Charles I and his Queen, by Massard ; Charles I, by De Jode 
and Vosterman ; all after Vandyck . 3 

J ■ 272 Charles I and his Queen, after Vandyck, by Baron ; Charles I, 
w. I. by Boydell ; his Children, by Purcell ; and Frederic of 
Bohemia, by Delft . 4 ^ 

/V < 273 Charles I and his Queen playing at Cards, by Voet 1 rfUf*^ 

/ , 274 William III and his Queen, William Duke of Gloucester, the 

Young and Old Pretenders, &c. . 9 (hm^r 

' Q i 275 Charles II, by Meurs ; Charles I, by Vosterman ; Sir T. More, p 



&c. . 8 t/otmvAr- 

f - 276 George III, George Prince of Wales, by M'Ardell, J. R. Smith, . 

Bartolozzi, &c. . 11 '"0° 



/ c 
> 4 



n 



15 

i/#~^> 277 George III Reviewing the Troops in Hyde Park, after Beechy, 

by Ward . 1 ' /' 

'phntJL&a.* 278 Fbancis Duke of Bedfobd, by Houbeakett, peoof 1 X -4 
^sL^^kp279 Various Portraits of Royalty, Nobility, and Gentry, by Hou- 

braken . 27 • L^- 

280 The Pembroke Family, Earl of Danby, Duke of Buckingham, 
Lord Stewart, Sir J. Wharton, &c, after Vandyck, by Baron, 
M'Ardell, Green, &c. . 6 < ) 

-z^o^-i 281 Duke of Norfolk, by Vosterman; Duke of Monmouth, Lords 
Nelson and Duncan, Gen. Conway, &c, by Turner, Barnard, 
Dupont, & . . 10 

^-o 282 Dr. Busby, by Watson; Dr. Seabury, by Sharpe ; and other 
English Clergy . 8 

6^^'^-283 Mr. Pitt, James Brindley, Milton, Beckford, &c. by Sherwin, 

Bartolozzi, &c. . 15 2. 

< y$v 284 M. Prior, Capt. Cook, Sir J. Banks, and other Literary Persons, 

by Vertue, Smith, &c. . 15 < ' 

285 Sir Thomas Webster, by Matham ; Tindal, by Picart, proof; 
/) Admiral Byng, &c. . 11 ' 

-^J^,«yfc 286 Henby Spelman, by Faithoene, peoof 1 / ' 

c ' Jlaji^/ 287 Portraits of Artists — West, Gainsborough, Woollett, Barto- 

r lozzi, V. Green, &c. . 15 / f> 

0 iy^^L^ - 288 Ladies, various, by Smith, Pollard, &c. 12 ■ J 

^/e^^>i 289 Lady Cowper, Miss Stewart, Mrs. Green, &c., by Bartolozzi, 

Green, &c. . ' 14 > M 

Oy?— 290 The Set of Ladies, after Vandyck, by Lombart 12 , 3 

§fv 291 Mrs. Fitzherbert, Mrs. Conway, Lady Huntington, Lady Hamil- 
~ ton, &c, by Dickenson, Bartolozzi, Knight, &c. 24 , 

w 292 Duchess of Newcastle, w. I. in a niche, &c, by Van Schuppen 2 ' ^° 
^/k^'<urfr<l§Z The Duchess of Mazarir. and Nell Gwynne, after Lely, by 

Valck . 2 ' 9 ■ 

ttnkt/aJ 294 Garrick in King Lear, Hamlet, &c, by McArdell, C. Watson, , , 
&c. ; Foote and Weston, Shuter and Beard, after Zoffany, 
by Finlayson, &c. . 5 * 

295 Leigh in the Spanish Friar, by Smith; Miss Nailor, Miss Brun- 

ton, Tenducci, Correlli, Handel, &c. 12 • o 

^ft 296 Mrs. Siddons in the Grecian Daughter, and Isabella, by Wat- 
son and Caldwell; Henderson as Macbeth, Mrs. Yates as 
Medea, Bannister in the Children in the Wood, Kemble as 
King Richard, &c. • 8 

2? John Smith the Engraver, Busts of Ancient Poets, &c. 10 , £ 
298 General Washington, by Savage, Lemire, Chevellet, &c. 5 / <^ 



16 

■ 

FRENCH SCHOOL— continued. 



2- ■ 299 Subjects of Sacred History, and Mythology, after P. J. Cazes, 
by Lempereur, &c. . 12 

3 ■ 300 Subjects and Vignettes, after Cochin, by Dupuis, &c. \%L&>~Uizt~ 
' i ' 301 Various Sacred and other Prints, after Colombel, Chaveau, /j 
Chaele, &c, by Dauzel . 9 



^ ' £302 The Last Judgment, after John Cousin, on four sheets 1 
(303 Sea Views, after De la Croix; Subjects after Chedel, 



Couktin, &c, by Aliamet, &c. . 18 

> J-j i 304 Sacred and Fancy Subjects, after Deshayes, Fbancois, 
Fouche, &c, by Desplaces, &c. . 17 

' ' 305 Mythological Pieces, after P. Laeosse, by Jeaurat, &c. 7 
' / ' 306 Fancy Subjects and Vignettes, after E. Eisen, by Gailliard, 

&o. 19 (fWtulk 

• $ • 307 Landscapes and Figures, after Fragonard, by Beauvarlet, 

Gerard, &c. . . 8 fl) 

' fjf ■ 308 Outline Engravings and Imitations of Drawings, Historical and 
other Subjects, after the Designs of Raymond La Fage 59 

THE WORKS OF J. B. GREUZE. 

' / 309 The Child with a Dog, by Porporati ; the Dead Bird, by Fli- £ 

part ; the Broken Jug, by Massard . 3 tf/ffi&y 

$^ ■ 310 Pastoral and other Subjects, by Moitte, Binet, Cars, Le Bas, „ 

&c. . . 16 jfaew 

y, i 311 La Femme Colere ; La Malediction Paternelle, by Massard ; Le 

Testament, by Le Vasseur . 4 

// ' 312 Fancy Subjects, various, by Beauvarlet, &c. . 12 

It ■ 313 Children, and other Subjects, by Ingouf, Boizot, &c. 12 ^-9 

/ 7- • 314 La Veuw et Son Cure, by Le Vasseur ; Le Fils Puni, by 

Gailliard ; La Demande Acceptee, by Bervic ; La Dame A, 

Bienfaisane, by Massard . 4 

fO • 315 Various Costumes of Italy, engraved by Moitte . 25 ^ft> 

/ 0 ■ 316 La Gateau des Rois, L'Accordee, Le Paraletique, by Flipart 3 <^ 
/ Jj • 317 Belisarius, after Gerard, by Desnoyers ; L'Eleve Interessante, 

after Mddle. Gerard, by Vidal, &c. . 7 

■ ^5 ' 318 Sacred, and Subjects various, after the Designs of Laurent de 

la Hyre . . 14 

J Jj • 319 Landscapes, Sporting and Fancy Subjects, after Halle, Houel, jz 

Huet, &c, by Chevillet, Dupin, &c. . 12 </* vv ^ 



to 



17 

320 Large Sacred Subjects, after Jouvenet, by Duchange, Des- 
places, &c. . . 

321 Subjects, principally from the Old and New Testament, after 
Jouvenet, by Dassier, Duchange, &c. . 15 • • 

322 Fancy and Mythological Subjects, after Jeaueat, &c, by Du- 
p flos, Le Vasseur, &c. . 18 • /£* ' 

fva^i 323 Pastoral Subjects, Scenes from Plays, &c, after Lanceet, by 

Schmidt, Cochin, Larmessin, &c. . 21 ' 

-324-Blind Man's Buff, by Cochin ; M. Granville, by Le Bas, &c, 
after the same Artist . . 11 

FRENCH MASTERS, 

AEEANGED ACCOEDING TO ENGEAYEES. 

-^^~325 Vignettes, Landscapes, Battles, Sacred Subjects, &c, drawn 

and engraved by Le Cleec . 166 ' 3 ' 

326 Mythological, Sacred, Emblematical, and Subjects various, by - / " 
the same . . 61 

LMsyt^fe'll Battles, Pieces, Fancy, &c, by N. Cochin . 33 ■ *2- ' 

dcfJr'yi'8 Etchings, by Cheeon, Dassonyille, Denon, &c. 25 ■ . 



JOHN DUVET. (Bartsch, Vol. 7.) 

329 Poison and Countee Poison (44) ; Henet II. (45) 2 2- /I 

330 Two Emblematical Subjects (41 and 42) . 2 / / '/ 
Jibi) 331 An Emblematical Subject (39) . 1 / b 
§fz' 332 Moses (2) . . \ 1_ I b 

. 2%) 333 The Vision oe the Apocalypse op St. John (12-35) 24 f_ £ 

/$L*^/"334 Costume and Single Figures, various, by Hueet . 37 / - // ♦ 

~2rz> 335 Subjects, principally relating to the Virgin, by the same 17 • ■ 6' 

336 Religious Subjects, various, similar to the former lot 20 ► § 

337 The Woeks op Stephani de Laulne, engeayed by him- 
0 ' selp, a yeey inteeesting and yaluable collection 97 

si/fa^ 338 Ceossing the Beook, etched by Claude Loeeaine, 

PEOOP BEFOEE ALL LETTEES . 1 

— — 339 Various Etchings, by Claude Lorraine, old impression 10 2- ^ 
Etchings of Sacred and other Subjects, by Lahiee and Loie 22 f £ 

341 Sacred Subjects, and Figures of Saints, by Mellan 29 , 

fltrhQas 342 The Head of our Saviour, drawn in a single spiral line, by 

Mellan . . 1 ' <7 

✓/Aw^£#343 Subjects, various, by the same Artist . 18 - ^ - 

D 




a ' 



18 



Z • 344 Etchings of Landscapes, by Montaigne . 15 [f&jtidj> 

2_ ■ 345 Etchings of Landscapes, by Matjpeeche • H » 



% ■ 346 A Dromedary, etched by Maeeiette ; and various Portraits, 
Figures, and Landscapes, by De Maecenay, Le Peince, 
&c. . 28 

o ' 347 Landscapes and Views, by Perelle . 114 



(Jo 



SPANISH SCHOOL. 



/ y i 348 Engravings, after Murillo ; and a Francescan Friar, after Gre- « 

gorio Ferro, all engraved by Carmona . 6 u/&"J 

J J • 349 The Magdalen at Prayers, after Murillo, by R. Morghen 1 
£ < 350 St. Joseph with the Infant Jesus ; Venus and the Graces, etched " 
by Garcia ; The Death Bed, with the three Fates, &c, etched / 
by Viera the Portuguese . 5 il/^ 1 

3 ' 351 Two of the Planets, after Maella, by Selma ; a Vignette Etching 
by Selma, after Ximenes ; The Old Lover, after Cordova, by 
Haid . . 4 00 

^~ I £ / 0 352 A Man playing on the Gttitae stjeeounded by seveeal 
Peesons in the Spanish Costume, a laege Etching by 
Goija •: . I &<> 

<3 1 ' 353 Equestrian and other Portraits, after Velasquez, etched by / 

Goija . . .8 fyi«*> 

ENGLISH AND FOREIGN HISTORICAL AND 
TOPOGRAPHICAL PIECES. 

' /' - 354 A curious Procession of a Pageant, etched by Julius Parigi 20 -rrp 
J > ■ 355 Old and Modern Historical and Satirical Pieces, curious 3l;'W /frUA ~ 
t / ' 356 Views in Dresden, by Bellotti ; and various Views in Vienna, ^ 

Russia, &c. . . \2J&ft~ 

' % ' 357 The Earthquake at Lisbon, and various Dutch and German si 

Topographical Pieces . 287' A / ttt ij 

t, ' 358 Ancient Buildings and Antiquities, Views in Italy and Rome, 

by Gmelin, &c. . . 16 

• J ' 359 Plans and Views of the Palace of Caserta %j&^> 

• I ■ 360 A Parcel of Maps, the large Map of France, &c. — 

. 2_ ' 361 Spirited Etchings, by Michau ; Views in the Environs of Rome 

and Naples . , 82 

" / 3 ' 362 The Description of the Palace of Caserta, and 40 of Piranesi's 

Views in Rome^we old impressions . 49 f&*°{$ 



19 



THIRD DAY'S SALE. 



MISCELLANEOUS PRINTS. 



364 Old and Modern German and other Etchings, by Bartseh, &c. 40 ■ Z. 
y 365 Old Masters' Engravings, Etchings, &c, various 40 - ^ > 

~20&*^t3QQ Landscapes, various, by German and other Masters 35 ' y ' 

Modern Engravings of Landscapes, after Claude, Molitor, &c. 30 ■ 3 ' 

368 Dutch and German Etchings of Landscapes 50 < 2- ' 

— — 369 Etchings of Landscapes and Figures, by Weirotter, Bartseh, 

&c. . . 35 • 2_ - 

— 370 Mythological and other Subjects, after G. Lairesse ; Etchings of 

Landscapes, &c. . . 54 ■ / 

^371 Etchings of Figures and Landscapes, by Grimm 25 r ' 

372 Sacred Subjects, after Lairesse, by Glauber; Etchings of Figures, 

r) by Fuger ; Animals, by Klein . 31 

t//y*-^373 German and Flemish Masters, various ; Sacred and Mythologi- 
cal Subjects . . 24 

■ 374 Modern Engravings of Landscapes, Animals, &c, after Caso- 

nova, &c. . . 17 , 

• 375 Etchings, various, by German and other Masters 50 • Z_ 

^ &J ~f{~~?>7Q Engravings of Vignettes, Figures, Landscapes, &c. 66 > £, 

377 Old German Masters, various . 48 • £ 

Etchings of Landscapes and Historical Subjects, by Karl 

Russ . . 17 • u 

&&~i379 Ancient German and Dutch Masters . 82 > // 

~^/&ftf~380 Etchings of Landscapes, Animals, &c, by Klein, &c. 38 • / 

381 Old Dutch and Flemish Masters, Landscape, Figures, and 

Animals . . 87 

382 Etchings and Engravings of Figures, by Goltzius, and other 

Masters . . 100 

383 French and Flemish Masters, Vignettes, &c. 68 * 3 ' 

— - —384 The Battles of Alexander, after Le Brun ; Design for Tapestry, 

by Picart, and Testelin's Friezes of Children 23 ■ 2 

-385 French Masters : Animals, Landscapes, Figures, &c. 44 ' "2L ' 

■2W 386 A Book containing Female Heads, from Raffaelle, &c. 41 - . 

^£_iC7 t 387 A Cahier of Roman Antiquities ; another of Designs, by Le 

Pautre ; and another of the Life of the King of Bohemia 3 . ^ - 



S ■ 



20 

ENGLISH SCHOOL, Various. 

/ / ' 388 The Toper, after Cleyne, etched by English ; Tritons, by Fuller ; 

Esop, by Barton ; Sea Ports, by Place . 9 yfA*^ 
> 3 ' 389 Etchings of Heads, &c, by Worledge . jffi.u. : 
f_ • 390 Sacred, Historical, and other Subjects, etched by Goupy, Mor- 
timer, A. KaufFman, &c. . 18 

/ if ' 391 Horses and Sporting, after Seymour, by Burke, Houston, &c. 10^#*v 

/ 2. ■ 392 Animals, Horses, &.c, after Stubbs, &c, by Baillie, &c. 12 c: 4t> 
I ' ' 393 Sea Engagements, after Paton, Dodd, &c, by Gaugain, Jukes, 

Pollard, &c. . .- 6 isD 

/ / Z. ' 394 Margaret Nicholson's Attempt on George III., after Smirke ; 

and other English Historical Pieces, &c, engraved by Rider, 
&c. . . 15 2fe 

/ W ' 395 The Glorious First of June, after Brown, by Orme ; The Burial 
of General Fraser ; The Grosvenor East Indiaman, &c. 6 
/ y • 396 Historical Pieces, relating to Louis XVI. and his Family, after si 

Pellegrini, &c, by Schiavonetti, &c. . § }(oJzMt/ 

/ / • 397 English Prints, various ; Mezzotintos, &c. 17 
3 ' 398 The Finding of Moses, by Sherwin ; and The Glorious First of 
June, by Fittler, after Loutherbourg . 2 

' 399 The Finding of Moses, after Zuccarelli, by Smith ; and Apollo 

and the Sybil, after S. Rosa, by Browne . 2 

' fO • 400 "Maid Arise," after Tresham, by Schiavonetti; and West's q 

Family, by Facius . 2 

' J ' 401 The Apotheosis of Louis XVI., after Hamilton, by Bartolozzi ; 

' and other Subjects relating to the King, by Schiavonetti, after /j) u 

Pellegrini, &c. . 5 
/ ■ 402 Shipping, and English Prints, various . 5 - 

FRENCH PORTRAITS VARIOUS. 

2- ' 403 Early Kings of France, by De Bye ; Francis I. and II; Kathe- ,A 

rine de Medicis, and Charles IX, by Nelli 37 
2_ / ■ 404 Henby II, by N. Beateiceus . l^hf^ 4 

I j$ • 405 Heney IV, by C. de Pass ; Mary de Medicis ; Louis XIII, <£d 

&c. . . 4 

/ / ' 406 Heney IV. in a hat, by De Letj, and the Portrait of qJ^ 
Quesnel . 2 «f 

' 0 ' 407 Henry IV, by Fresius, and the Count de Buquoy, by Sadeler 2 VWAo*' 
f Y r 408 Henry IV, with Clement VIII ; Henry II. and Katherine de A/ I 
■ ' Medicis, by Hogenberg ; Louis XIII, by C. de Pass, &c. 6 



21 

Louis XIII, and his Queen, Ann of Austria, on horse- 
back, ivith a View of the Castle of St. Germain in the back- 
ground, by Daret, after C. Le Brun 1 
410 Subjects relating to Francis I, and Portraits various 14 , /O 

J&uJtifflAW Louis XIV, by Gunst, Thomassin and Masse; and Cardinal 
/) i t Mazarin, by Poilly . 5 " 2- ' 

Louis XIV, w. I., with his Family, Marriette ex. ; and others of 

Louis XIII, &c. . 9 / 3 ' 

^*413 Louis XIV, by Vermeulen, Poilly and Thomassin 4 ' $ ' 

/ 4 • 
6 i 



414 A Thesis, on two sheets, Louis XIV, by Poilly 1 • / 

{/l&faM&r 415 Louis XV, by Larmessin, Petit, Catelin, &c. ; and other 
/? Portraits of the Bourbon Family 1 1 

■iy/^ea 416 Marie Therese, Queen of Louis XIV; Marie Leczensky, Queen 

of Louis XV; Duchess de Montpensier, by Simon ; The / 
Princesses of France, by Balechou, &c. . 12 

_ 7 417 Louis XVI. in his robes, w. I., by Bervic 1 / 

flfjuiitC/ 418 Gaston Duke of Orleans, by Poilly ; The Regent, by Chereau ; 

and other Princes of the House of Bourbon, by Lemoine, 
Drevet, &c. . 10 

— ?sO<3^~-* \\Q The Children of France, by Beauvarlet and Melini 3 > /$ 

420 Napoleon Bonaparte, w. I., after Isabey ; at the Bridge of 
>j Arcole, by Longhi, and when first Consul, by Hodges 3 ' ^ 

yity*- — 421 The Marquis de Favarques, Comte de Vergennes, M. de 
l'Hopital, Prince de Vandemont, Due de Choiseul, M. de 
Praslin, &c, by Fessard, Petit, Larmessin, Tardieu, Van- 
gelisti, &c. . . 12 " 9 

faci^-i 422 M. de Vintimelle, Comte de St. Aignan, Marquis de Torcy, 
Marchal Luxembourg, Comte de Revel, M. de Gondrin, &c, 
n by Dassier, Vermeulen, &c. . 12 ' 

*K&tPx>0O 423 Louis Prince de Bourbon, w. I., Louis XV, Philip Due d'Orleans 

on horseback, by Edelinck, Drevet, &c. 3 ' / 



/^^T^424 Gaspar de Coligny, by Jost Ammon . 1 / / '^~ 

r M25 Cardinal de Caylus, M. de Malvin, Charles Rollin, M. de Long- 
combe, M. de la Tour, and other Clergy, by Daulle, Tour- 
neisen, Balechou, &c. . 15 . A> 

gV, 426 M. de Colbert, Cardinals de Bullion, Polignac, Richelieu, &c, 
_y by Chereau, Dumont, Preisler, &c. . 15 ' O 

f'frcoesffcL'l Cardinals de Rohan, De Fleury, Fenelon, De la Broue, De St. 

Simon, &c, by Daulle, Audran, Le Roy, &c. 19 
[,428 Pierre Corneille, M. Fremont, De Piles, Henault, &c, by 

Daulle, Vargelisty, Cochin, &c. . 22 ' /p 




/6- 



22 

429 M. Charles Coffin, Baron, M. Necker, J. J. Rousseau, by 

Daulle*, Masse, &c. . 16 //^^y 

430 M. Jean de Boullonge, M. du Tillet, M. de Reaumur, M. de 

Lalande, &c, by Wille, Petit, &c. . 18 ■^■■oa-^u/ 

431 M. Gendron, M. de la Peronie, M. Castanier, M. Louis Picon, , 

&c, by Vermeulen, Duflos, &c. . 1 ifaAMfjyfrf 

432 M. de Largilliere, Bertin, Gillot, De Launay, Rigaud, Coyzevoix, 

Bourdon, Daffincourt, Claude Lorraine, &c, by Chereau, 
Aubert, Daulte, &c. . 14 $-0 

433 De la Fosse, M. de Julienne, Joseph Vernet, Boucher, Picart, 

Vouet, Halle, Couston, &c, by Duchange, Larmessin, Sal- 
vador, &c. . . 12 

434 Eustache Le Sueur, Robert Le Lorraine, Chauveau, Boulonge, 

&c, by Cochin, Le Bas, Tardieu, &c. . 15 ~0c6U^</ 

435 Catherine Mignard, Mile. Pelissier, &c, by Daulle, Dassier, 

&c. ". . 12 7(4- 

436 Madam La Valliei'e, Madam de Montespan, Madam Le Brun, 

Madam Tilon, &c, by Gole, Desplaces, Picart, Muller, &c. 1 1 1 / 

437 Mile. Clairon as Medea, Mile. Desmarets Preville, &c, by A 

Beauvarlet, Desplaces, Rouillet, &c. \bQ'&p^- 

438 A Thesis, in two sheets, representing Louis XIII. seated on his 

throne; Another, two Saints adoring the Virgin, by Huret; ^^c^ % ._£Zi, 
an Almanack for the year 1674, Louis XIV. on horseback, in 
the back ground the City of Maestricht 3 

439 The Comte d'Estrees, Rousseau, Crebillon, Le Tellier, &c, by 

Nanteuil, Balechou, &c. . 12 C/( <\/ 

440 N. Poussin, by Pesne ; Mile. Le Clairon, by Beauvarlet, &c. 14 ^j^/^ 

ITALIAN SCHOOL. 

441 Albano, Francis ... Sacred and other Subjects, by Santo Bar- 

toli, Frey, Rousselet, &c. 15-z^^-ay 

442 — — — — — — Mythological and other Subjects, by Daulle, 

Engravings after Bernini, &c. 16 - 

443 Abbate, Nicola Sacred Subjects, by Villamena, &c. ; 

Specimens after De Angelis 16 

444 Abpino, Cav Perseus and Andromeda, by Pichler ; the 

same Subject, by an earlier Engraver, n 
kc. . 3 

445 ■ Various Subjects of Saints, kc, by Guidi, 

Sadler, &c. . 1,5 Q- d 




/ / 



23 

^tuS&-6f~~ Amiconi Pastoral and other Subjects, by Wagner, 

Brunet, &c. . 9 

'447 Boedone, Paris The Saviour, by Kilian, and Subjects 

after John Bellini, &c. 15 3 

ii^-ey 448 Baeoccio, F The Descent from the Cross, The En- 
tombment, Magdalen and the Saviour, 
zp &c, by Ciambellani, Sadler, &c. 13 

yfopibAvyj 449 The Annunciation and other Subjects of 

the Virgin, by C. Cort, &c. 16 

■ 450 ■ — Subjects of Saints, by Villamena; St. 

Francis kneeling, &c. 10 . ^ 

%oOu>---/ 451 Bassano, J. daPonte Sacred and other Subjects, by Visscher, 

Sadler, Monaco, &c. 30 ' °o 

• . 452 Pastoral, Mythology, Fancy and other Sub- 

jects, by Vander Hoy, Fessard, &c. 22 > 2- 

^ft^<) 453 Beonzino St. Catherine, by Janota. Baccio Ban- 

danelli — The Murder of the Inno- 
cents, by Cavaleriis, &c. 8 / 3 

^j^Ck^j-^454 Beccafume The Pavement at Sienna, and other Sacred 

Subjects, by Thomassin, Woeriot, &c; 
Specimens after Beandi, Beeottoni, 
&c. . 16 - J 

^( XA^t^-f 455 Balestea, Ant. . . . Sacred Subjects, by Frey ; and others, 

after Beizzio, Busca, &c. 18 ' / (f 

■ 456 Caeeacci, Ludovico Sacred, Mythological and Fancy Subjects, 

by Bonavera, Dupuis, Wagner, Dalton, 

&c. . 27 • 3 • 

— , 457 Coetona, Pietro da . Mythological and Fancy Subjects, by 

Aquila, Visscher, &c. 17 - 

458 Plafords, Ornamental Staircases, &c, by 

Spierre, De Rubeis, &c. 28 > 3 

pjjl^y 459 Cigoli, Ludovico... Subjects of Saints, Martyrdoms, &c, by 
- Gregorii, &c. . 18 - jJf . 

-i^^~cy-^' 460 Clovio, Julio Descent from the Cross, Subjects from the 

Old and New Testament, &c, by C. 
Cort, &c. ; The Tribute Money, after 
Campagnola, by Bertelli, &c. 15 • / / 
OL^JL-y 461 Conca, Sebastian .. . Subjects of Saints and Holy Families, 

by Frey; and specimens after Can- 

GIAGO . 20 I / 



24 





462 


Cbespi, Dan. ...... 




463 


Cagnacct, Guido... 


// > 


464 




2 • 


465 


Caepioni, Julio . . . 


/5 ■ 


,466 


Castiglione, B. ... 


/ 0 ' 


467 


Caeavaggio, M. A. 




468 

-. 


ClAMBEBlANO, L.,.. 




469 


Canaletti, Ant. ... 


/ . 


f m 








Fabinati, Paolo ... 


#> ■ 


472 


Feebi, Cirro... 



The Entombment, by Longhi ; Etchings 
after him, by Riedel; and specimens 
after Campi Cangiago, &c. 22 



by Beauvarlet, &c 20 9wJxe*^ 



ment, engraved by Frey, Zucchi, &c 18 
Sacred and other Subjects, principally his 

own Etchings 18 W^"y- 



by Castiglione, &c. 16 \\0^Uuy 

The Virgin surrounded by Saints, by 

Vosterman ; and other Subjects, by J J j 
Soutman, Bazan, &c. XZfflJtcajJU 
Our Saviour, The Virgin, and The Apos- 
tles, a set of large Heads, engraved in a , 
free and artist like style 15 V c<aM{<uj 

Etchings, Views in Venice 23 'i^/A^f 

Etchings, principally Mythological Sub- 
jects . 11 
Etchings by, and Engravings after, his 
Designs, specimens of Ltjca de Fee- 

EAEA, &C. . 57 

Subjects of the Old and New Testament, / 
by Blondeau, Westerhout, &c. 26 '0 A < 

ft • 473 Fetti, Domenico ... Sacred Subjects, by Ravenet, Dupuis, 

&c. . 10 8h> 

* ■ 473* — _____ — ______ — Pastoral and other Subjects, by Scotin, 

Sinzenich, &c. 12 • 

r ? , 474 Feeeaea, II Our Saviour going to be Crucified, by 

Agostino Parnino; and others after 
Ficini, &c. . 9 ; 

y , 475 Foeei, L. Sacred Subjects, various 19 rf)A-<~/<-' 

, I 2 > 476 Fbancia, Jacopo ... The Bucentaur, and Etchings of Sacred „ 

and other Subjects 14 2* /■ " I 

J i 477 — — — — — Plates to a Drawing Book of the Human a 

Figure . 25 /^J 1 ^ 

J?"' 478 Gioedano, Luca ... My thological Subjects, byCarmona, Clerck, 

Pichler, Ac. . 7 /V/w / 

0 ■ 479 Mythological Subjects, by Beauvarlet 5 



480 Sacred Subjects, various, by Selma, &c. 9 / //£ > 

481 Gattli, J. B Subjects various, by Le Vasseur, &c. 16 / 1/ , 

ff^rcvQgl Giokgione Our Saviour, by Morin ; and other Sub- 

r jects, by Aveline, Horthemels, &c. 14 / // 7 

^83 Laneeanco, Johann Mythological Subjects for Ceilings of 

Palaces, Staircases, &c, by Aquila, De 
. , Rubeis, &c. 20 - Z > 

c Jj°~"'Zf\M Full-lengths of the Apostles, by Louvre- 

mont ; and various by Baudet, &c. 26 / /& •> 

'/y;?^^.485 Leoni, Octavio Portraits of Italian Nobility, etched by 

himself . 13 / 21 / 

486 Ligozzi, J Sacred and other Subjects, and various 

Specimens after Liberi, Lolli, Lom- 

„ BAEDI, LtJCATELLI, &C. 20 ; J ^ • 

-2>^^487 Longhi, P The Seven Sacraments, and other Sacred 

Subjects, by Petteri ; and Specimens 
by Lazaeini, &c. 13 / / t 

488 Londonio, Fran. ... Etchings of Cattle and Figures, some 

printed on Hue paper 76 ' /2. / 

~ 489 Maeatti, Carlo Subjects from the Old and New Testa- 
ment, several etched by himself ; and 
others engraved by Dorigny, Auden 
, Aerd, &c. 

v 490 Holy Families and Subjects of the Vi 

9l-<rfQ 1 ^ ^ a ^ e ' ; ' P ar tolozzi, &c. 

491 Subjects of Saints, Martyrdoms, &c 

Daulle, Fantetti, &c. 

^ 492 Subjects, principally Mythological and 

Historical, by Desplaces, Frey, Brunet, 
, &c. . 23 ' 4 

^_4 ? jw < ^?93 Moeo, Marco del ... Sacred and other Subjects, by M. Rota; 

and Specimens after Mtjctano, &c. 13 , J-f 

494 Muciano, Hieron... The Hermits, represented in Classical 

Landscapes, engraved by Cort 7 • b 

495 Manfeedi, B Sacred and Fancy Subjects, by Haussart ; 

and Specimens after Mola, by Volpato 
Morghen, &c. . 12 



28 ■ 


3 / 


in, 




29 


/Z , 


by 




23 


' y ■ 



E 



26 

FRENCH PORTRAITS. 

ENGRAVINGS BY NANTEUIL 

/ J - 499 Louis XIV, Ann of Austria, Comte de Dunois, Christain of 

Sweden, and Queen of Poland . Q/ftcwr*. 

/ 2- ' 500 Le Tellier, Alex, de Seve, Comte de Briene, Turenne, Pom- 
ponne de Bellievre, Seguier, Charles de Lorrane, Francois de 
Crequi, M. de Barillat, &c. . 12 ^ 

P /3 * 501 De Barillon, M. Le Masle, Due de Beaufort, M. de Castelnau, 

Comte de Guebriant, Fouquet, &c. . 8 4v 

/ y , 502 Denis Talon, Simon Arnauld, Jean Le Camus, and Louis ~ 

Boucherat . . ^llojvjlu 

. , £ , 503 M. de Maupeon, M. de la Tour, F. Blanchart, M. de Neufville, 

M. d'Estrees, Henry de Savoye, Pierre Jeannin, M. Le n 
Tellier, &c. . YlfiMfK 

' // • 504 Cardinal Mazarin, M. de Perefixe, M. de Cambout, M. Le 
Bouthillier, &c. . 11 

/ Z ' 505 M. Sarrasin, Jacques Le Coigneux, M. Lamoignon, M. Courtin, 
Louis Hesselin, &c. . 20 

/ //p ' 506 Louis deBailleul, Jean Loret, Marin, Blondel, Menage, Scuderey, 

La Mothe Le Vager, Gassen de Guenault, &c. 16 ''ifUa^wu. 

>/ 1% i< 507 Due de Longueville, Cardinal Le Bouthillier, M. Le Tellier, ,i 

M. Guenegaud, M. de Bellievre, &c. 6 /ki)uMi 

ENGRAVINGS BY MASSON. 

r, " 508 Louis XIV, Mary Ann of Bavaria, Duke of Brunswick, Duchess 

de Guise, and M. Patin . 5Htfk£)u 

J /O " 509 Ann of Austria, the large Head . 1 ^ 

I 1^ r 510 Maria Theresa, Queen of France . 1 

'j J 511 Emanuel Theodore de la Tour d'Auvergne, proof 1 ftrd 

>i I » 512 M. de Taffoureau, M. de Janson, M. Louis Abelley, and M. de 

la Tour . . 4 ^ 

" >3 " 513 The Marechal d'Harcourt . 1 <2r* 

, £ , 514 The Due de Vandome and the Marquis St. Andre 2 ?M 

/ /o ' 515 M. Marin, P. Dupuis, Olivier Le Fevre, M. Charron, and the 
Engraver's Portrait . 5 



3t> 



^ r. 516 M. de Brisacier, M. C. de Housset, and M. de Lesseville 3. 



27 



ENGRAVINGS BY GERARD EDELINCK. 

Qr»^)LC~ 517 A Thesis, on two sheets, the Portrait of Louis XIV. in a car 1 • ^ 
J%'~»^s^5l8 Louis XIV, Madam Lamoignon, Madam Helyot, &c. 7 / / 

t£y^^i^f' 5^9 a Thesis, on two sheets, Louis XIV, in Roman costume, seated 

on the clouds . . 1 • /Z 

520 Due de Noailles, Due de Villeroy, Due d'Antin, M. de Luxem- 
bourg, M. Le Tellier, M. Brulart, M. de Lionne, &c. 12 / 2 
^X^*.^ 1-521 A Thesis, on two sheets, Louis XIV. on horseback 1 )j 

522 M. Le Tellier, M. P. d'Hozier, Mr. Charles Colbert, M. de 
a Seignelay, &c. . . 8 

^-^ 523 M. Des Jardins . 1 / Z. 

i-X^-^524 M. Le Brun, Tortebat, Mansart, Girardin Mouton, Rigaud, 

Meyercenon, &c. . 10 " ^ 

/ 7/ "^ 525 Philip de Champagne, Antoine Arnauld, &c. 6 / // 



ENGRAVINGS BY VAN SCHUPPEN. 

& 526 Louis XIV, The Dauphin, and Cardinal Mazarin 4 / 6 

79^.527 Cardinal de Bonsy, M. Talon, Archbishop of Cologne, M. 

Vandermeulen, &c. . 6 > -y 



28 



FOURTH DAY'S SALE. 



BARTOLOZZI AND HIS PUPILS. 

LINE ENGRAVINGS. 

LOT 

«J ' 528 Early Engravings, after Arniconi, Piazetta, Gabbiani, Balestra, 

and others, scarce . 16 ■ 

"4 ' 529 Landscapes and Figures, after Zucarelli . 

• 3 ■ 530 Engravings, after Carlo Maratti, Gabbiani, M. Angelo, Rigaud, ^ 
West, &c. . . 19 

' 1 ' 531 Clytie, Orlando and Olympia, Woman taken in Adultery, all 

after Carracci . . 3 — 

; ' 532 Madonna del Sacco, after A. del Sarto ; The Silence, after 

Carracci ; Circumcision, after Guercino ; and Dido, after si 
Cipriani . . 4 -feW/ 

' 4* ' 533 Abraham and Lot, the Rural Wedding and Companion, after ., 
Zucarelli; Nymph and Satyr, after Giordano, &c. 5 

' -4 - 534 Tickets, and Subjects various ; The Friezes, &c. 

, / 0 t 535 Adam and Eve, after Cipriani; Virgin, after C. Dolce, Sasso- -. 

ferrato, &c, proofs, &c. . 6 /? 

< g - 536 Tickets, after Cipriani ; Coats of Arms, Frontispieces, &c. 15 ■ 



"7 , 537 Various Tickets, Marlborough Gems, &c, after Cipriani, &c. 23 
// / 538 Alexander, King of Scotland and the Stag, after West, proof 1 ^f^of-, 

DOTTING. 

y • 539 Various Historical and Fancy Subjects, after Hamilton, &c. 22 AJC^' 
1 y , 540 Poetical and Fancy Subjects, after Cosway, Hamilton, &c. 20 ^PolJ-^-^ 

■ li > 541 Historical, Mythological, and Fancy Subjects, after Cipriani, V 

Kauffman, &o. . . 20 

■ /)<■ 542 Mythological and Fancy, after Guido, Cipriani, Gardner, &c. 21 ^' 
< 8 " 543 Historical, Fancy, and Pastoral Subjects, principally after 

Cipriani . . 24 ^ 

i (j „ 544 Subjects of Venus, Cupids, &c, mostly after Cipriani 30 g^ 1 ^^ 



29 



^^i/ci7£r~545 Heads, Fancy Subjects, History, &c, from Cipriani's Draw- 

ings i . . 30 / 

%«>5zSw 546 Miscellaneous Subjects from Shakespeare, &c, after Romney, , ^/ / 
Guido, &c. . . 20 

/ fVtf-a-^^ 547 Imitations from Cipriani's Designs; Subjects after Bunbury, , W , 
&c. . . 25 

■^/fa-^KL./ 548 Subjects from Shakespeare, after Fuseli ; Designs after Bun- / /J / 

n bury, &c. . t .23 

CfcL-t?-^ 549 Sacred, Fancy, and Pastoral Subjects, principally engraved by . y < 
Bartolozzi's pupils, Rider, Simon, Nutter, Godby, &c. 25 
^xd-?-Q«-550 Sacred and Poetical Subjects, after West, J. R. Smith, &c, en- • /^-f > 
graved by Nutter, Schiavonetti, &c. . 20 

i^4n-^> 551. Fancy and Domestic Subjects, after Ryley, Bigg, &c, engraved , <J > 
by Nutter, Schiavonetti, &c. . 24 

552 Subjects from English History, Shakespeare, &c, after Martin, , /(< , 
Cipriani, &c, by Bartolozzi . 20 

553 Subjects from English History, Mythology, &c, after Cipri- / h > 
ani . 19 7 

(2r0 554 English Historical Pieces, &c, after Westall, by Schiavonetti, , (j . 

Gaugain, &c. . . 16 

^-e 555 The Pious Family ; Three Holy Children, &c, principally after / J , 

the Rev. Mr. Peters, by Bartolozzi and Schiavonetti 10 
&d 556 Hebe, after Hamilton ; and Subjects from Shakespeare, by , ^ , 
Ogborn, Meadows, &c. . 12 

^ 557 Cupid making his Bow, and Jupiter and Io, after Correggio, by , %- , 
Bartolozzi 2 
N. B. — These two prints were the gift of Joseph II. to the late 
proprietor, Prince Paar. Vide note on Prints. 

558 Historical and Fancy Subjects, after Gavin Hamilton, by Legal, . '3 ' 
Cunego, &c. . - 12 

559 The large Plates to Boy dell's Shakespeare, fine impressions 3 2. 

PORTRAITS. 

JOHN GEORGE WILLE. 

560 The Young Pretender, Frederic the Great, Louis XV., The / J 
Dauphin and Dauphiness, M. Chicoyneau, and his own 
Portrait . • 8 

gh! 561 M. Foucquet de Belleisle, M. de St. Florentin, Marquis de . /b 
Marigny, Marechal de Saxe, M. de Lowendhal, Louis XV., 
&c. • 8 



Or 



30 



' ^3 • 562 M. Berrier, Francois Qaesnay, M. Briseux, Cardinal de Tencin, 
J. B. Massed &c. . . 7 

GEORGE FREDERIC SCHMIDT. 

' 5" ■ 563 Frederic the Great, Comte de la Marche, King and Queen of 
Poland, &c. . . . 5 

• /J i 564 Count Rasumowsky, Christian Duke of Saxony, Prince Ester- 
hazy, the Baron of Cacceii, Comte d'Evaux, and the Due 
de Villars . . 8 

' // ' 565 M. Law, Controller General, proof before all letters 1 
f /t • 566 P. Mignard, M. de Silva, M. Bernouelli, Blurae, Henry Voguell, 
Scarron, &c. . . 10 

' ; I ■ 567 P. Mignard, De la Tour, Pesne, Mddle. de Brandt, &c. 7 
i / ' 668 A Thesis, with the portrait of Charles III. of Spain 1 
' 3 ■ 569 The Empress Elizabeth of Russia, w. 1. . I 

PORTRAITS BY GOLTZIUS. 

/ / " 570 Johannes Bollius, William Prince of Orange and his Princess, 
Johanna Zurenus, &c. . 12 

' J " 571 The Standard Bearer, and the Man with the Halberd, w. I. 2 
, J ' 572 Theodore Cornhert . 1 

/ // - 573 Henry IV. King of France, wearing his Hat, small 
oval . . 1 

^ y ft 574 The Boy and Dog . I 

/r //^ ,/ 575 The Portrait of Goltzius, by Suyderhoef; and Copies of the Boy 
and Dog . . 3 

GERMAN SCHOOL. 

' i 576 Subjects from German History, after P. Candid, by Amling 23 
' f> i 577 Subjects from Sacred History, by the same . 23 

- V-->. 578 Mythological Subjects, &c, after Spranger, by Muller, &c. 24 
/ ri~ > 579 Landscapes, after Conixloen, by De Brye ; Sacred and other 
Subjects, after Spranger . 33 

/ Q " 580 Engravings of Sacred and other Subjects, by the Sadlers, &c. 34 
// " 581 The Virtues, and other Subjects, by C. de Pass 43 
j ■ 582 Engravings, by C. and W. Pass, of Historical, Fancy, Mytho- 

logical, and Sacred Subjects . 162 

, ■■ 583 Subjects from Sacred and Profane History, by N. de Bruyne 53 
/ ii 584 The Works of N. de Bruyne, consisting of Landscapes, Sacred, 
and other Subjects . . 44 



31 

585 The Works of De Gheyn, containing Subjects Sacred and / / 
. Historical . . 65 

«^~ J 586 The Last Judgment, Incantations, and other Fanciful Subjects, / // / 
after P. Breugel . . 20 

J^^tc^-^-, -j^g Virtues, and other curious Compositions, by the same 12 f / / 
j!Zi4 r 'b t 588 Peasant Fighting, &c, after the same, by Vosterman, Hollar, / 

<i &C - ■ ■ 7 ' ' 

^ 589 The School, Fat and Lean Cook, by Breugel . 8 , J / 

^^.0^590 Thirty-six Sheets, containing 72 Caricatures of Heads, after P. / , / 

Bruegel . . 36 

Wl - Mythological and other Subjects, by and after the Sadlers, 

&c. . . 29 

592 Fancy, Historical, and Sacred Subjects, after Sustris, &c, by > Jf . 

the Sadlers, &c. . 30 

MODERN GERMAN MEZZOTINTOS. 

593 The Murder of the Innocents, and Herculus with the Distaff, /-</""" 7 

after Dominichino, by Pichler . 2 

594 Adoration of the Shepherds, after Guido, by the same 6 ■ 6~ ' 

595 Philomen and Baucis, after Hoeck, by Wrenk ; The Tiger t ^ 

Hunt, after Casanova, by Jacobi . 2 

596 The Entombment, after Caravaggio, by Pichler, proof 1 • // ' 
2h) 597 Myrha, after N. Poussin, by Pichler . 1 , // , 
&v 598 Socrates, after Fuger, by Kenninger ; Death of Alcestes, after ( y 

Kauffman, by the same . 2 

599 Alexander and his Physician, Dido, &c, after Fuger, by , . 

Guger, Pichler, &c. . 8 

600 Bear and Stag Hunt, after Ruthardt, by Rhein, proofs 2 • 1 

601 The Boar Hunt, after the same . I ■ / ' 
7^ 602 Death of Virginia, after Fuger, by Pichler . 1,3' 
■^jH 603 Coriolanus, after Fuger, by Kinninger ; and Socrates, after , ^ , 

Caravaggio, by Pichler, proof . 2 

^ 604 The Magdalen, and St. John, after Battoni, by Pichler 2 / ty- ' 

„ 605 Silenus, and The Magdalen, after Cignani, &c, by Pichler 2 • ?9 • 

yittSh^ 606 Coriolanus, and the Death of Virginia, after Fuger, by Pichler 2 - Z • 

<£fo-ts 607 The Stag Hunt, and the Mad Bull, after Casanova, by Rhein 2 > A , 

9V> 608 Moses presented to Pharaoh, after Kauffman, by Clerck ; and , £~ / 

another Historical Subject, proof, after Ender, by Hafner 2 

d-i. 609 Maximilian and Mary of Burgundy, after Petter, by Kolb ; . /Z > 
Girl playing the Guitar, after Caravaggio, by Bernard, proof 2 

■J&^y- 610 The Academy, after Quadal, by Jacobi, proof 1 • 



32 



1 -611 Landscape and Views, after Poussin and Belanger, by Prestel Q / c ^~~ 
4 • 612 Baptism of Christ, after Guido, by Gledetsch . 1 0?°f>^y 

2 • 613 View of Rome by Hackaert ; Attack of Oczakow, after ^Z' cy 

Cassanova, by Bartsch . 2 

' 614 The Obsequies of a Roman General, after Rubens, by Bartsch, $-0 
&c. . 2 

615 The Emperor of Germany, Francis II., surrounded by his Staff, 

by Haefstangl . 1 



PETER PAUL RUBENS. 

' A' • 616 Holy Families and Subjects of the Virgin, by Vosterman, 
Pontius, &c. . 1 1 

' ' 617 Virgin and Child with St. Ann, by Bolswert, two different com- gA 

positions, Vanden Enden impressions ; and the woodcut of 
the Virgin in a Landscape, by Jegher . 4 

i /y ' 618 Flight into Egypt and Subjects of the Virgin, various, by $-j> 
Vosterman, &c. . 8 

. )Jj i 619 Virgin in the Clouds, surrounded by Angels, &c, by Visscher, 
&c. . 8 

I - / ' 620 Different Compositions of the Assumption of the Virgin, by ^y-d 
Bolswert, Vanden Enden impressions . 1 

621 The Conversion of Saul, by Bolswert . 1 §fp 

622 The Resurrection by Vosterman ; The Last Judgment, by C. 

Visscher, &c. . 10 

j , y „ 623 Subjects, various, from the New Testament, by Pontius, <od 

Bolswert, &c. . 10 

Jj . 12- >, 624 Crucifixion, by Bolswert, Pontius, &c. . 8 

/ • J ■■ 625 The Ecce Homo, Christ bearing his Cross, and other Sacred ^n) 

Subjects, by Pontius, Lauwers, &c. . 15 

_2. . /4 " 626 The Shepherds and Wisemens' Offerings, by Pontius, Vosterman, ^£<J 
Lauwers, Bolswert, &c. . 12 

y . c a " 627 Susannah and the Elders, by Vosterman and Pontius ; and fyjid)^ 

The Woodcut by Jegher . 6 

) , I ' 628 The Brazen Sepent, Daniel in the Lion's Den, Judith and f^r^i 
Holofernes, Sampson and Dalilah, &c, by Lauwers, Bolswert, 
&c. . . 10 

J ' (s '' 629 Fall of the Damned, Abraham and Isaac, &c, by Soutman, ^) 

Vosterman, &c. . 8.7 

/ ■I/, ■> 630 Portraits of the Duke of Olivarez, Archduke of Austria, &c, by $<fMiW' 
Pontius, Vosterman, &c. . 8 



33 

Qv**-3<*— '-GSl Archduke Ferdinand, Duke of Olivarez, M. de Longueval, &c., 3 ' 
by Vosterman, Pontius, &c. . 7 

£^<u~ix^yi Albert and Isabella, by Muller ; Philip IV., and his Queen, by , // 

Pontius, &c. . 8 

J^jc^i 633 Portrait of Rubens and his Family, by Pontius, Hollar, &c. 9 / & 
$ j~iJ2>aJy^>^ Mythological and Fancy Subjects, various . 25 ' /c- 

4yd 635 Drunken Silenus, and Hercules and the Hydra, Woodcuts, by - 



4- 



Jegher . 2 



Sc<ya 7636 Constantine, St. Ambrose, and Mutius Scaevola, by Schmuzer, y 

jn P r °°f s ■ 2 

VU-f^S37 Plates to the Entry of the Archduke Ferdinand into Antwerp, . J 
/7 /s Van Thulden, &c. . 15 

^^■638 Whole-length Figures of the Apostles, by Bolswert 25 - )Z 

Jtc^39 Heads of the Apostles, and various Subjects of Saints, &c, by . jT_ 

Vosterman, Neefs, &c. . 33 

^A~640 St. Roch, St. Denis, The Doctors of the Church, by Pontius, / AT 
Vosterman, Witdouc, &c. . 13 

641 St. Catherine, St. Francis, and Magdalen, etched by Rubens 3 / ■ %" 

642 Our Saviour with St. Thomas, St. Francis Xavier, &c, by , // 
Marinus, Pontius, Leuw, &c. . 3.3 

C^ff-~^y 643 Subjects from Sacred History, intended for ceilings, by / C 
Preisler . 20 

'd**-/ 644 Silenus with Satyrs, and other Mythological Subjects, by Sout- . V 

man, Bolswert, Van Orley, &c. . 15 

0h) 645 The Judgment of Paris, Achilles, Mars and Venus, The Graces, / / ' 
&c, by Lommelin, Galle, &c. . 12 

646 Representations of Gods, Goddesses, &c, by De Jode, &c. 17 , // ' 

647 The Garden of Love, by Clouet, L'Empereur, and Jegher 3 / /a 1 
r Jjk'^> ) 64S) The Productions of Nature, &c, by Van Dalen, Schmidt, &c. 4 • c 6 , 
}f^)a^t 649 The Triumph of Love and Charity, each on two sheets, by , > 

Lommelin , 2 

650 Old Woman and Boy, with a Candle, the Drinking Party, by / ^ ' 
n „ Wyngaerde, &c. . 8 

4^^651 Interior of a Barn, by Clouet ; The Lions, by Blooteling, &c. 9 , <£_ 
JCo^f 652 The Small Landscapes, by Bolswert , 27 / /% 

&-z) 653 The Great Classical Landscapes, by Bolswert 5 j J^/ 

$*~i> 654 Huntings of the Boar, Hippopotamus, and Lion, by Soutman, / ^ 
Leeuw, &c. . . 5 

655 Huntings of the Wolf, Lion, and Hippopotamus, by Soutman, y y 
Troyen, Leeuw, &c. . . 5 

k t) 656 The Lion Hunt, by Bolswert . I • ' ff 

F 



4. 



84 

■ J > 657 Plates to the Entry of the Archduke Ferdinand into Antwerp WWtf^fy 
' /<£ - 658 St. Ambrose and the Emperor Theodosius, by Schmuzer ; The ^j^^ 

History of Constantine, by Tardieu • 15 

' // ' 659 Historical Subjects, various — The Eoman Daughter, Scipio ^ 
Africanus, Thomyris, The Horrors of War, by Pontius, 
&c. . . 12 

' / J^' 660 The Fall of the Damned, by Suyderhoef, Van Orley, and fflndnU- 

Schmidt .. . 3 

' i 661 The Horrors of War, by Paul Pontius ; and Satyrs and Tigers, 

after Van Laer, by Suyderhoef . 2 

' ^ ' 662 The Wise Men's Offering, by Vosterman ; Meeting of Eliza- ^ y 
beth and Mary, by De Jode ; Christ bearing his Cross, by 
Voet . 3 * 

/ ■ /-'-J '• 663 The Raising of Lazarus, and the Last Supper, by Bolswert 2 iuo^ 

/ 7 • 664 The Raising of the Cross, by Witdouc, on three sheets 1 
/■ /I " gg 5 The Battle of the Amazons, by Vosterman . 1 *» 

' '■ 666 The Assumption of the Virgin, by Witdouc . \ third 

/ 'i 667 Neptune and Thetis, by Schmuzer ; Castor and Pollux, by vWo 1 
Green; a Battle Piece, by Muller ; Jupiter and Antiope, 
after Vandyck, by Green ; and F6te Flamande, by Fessard 5 
668 The Waggoner, by Browne ; Mutius Schevola, by Schmuzer ; t^^i ilf 
The Drinking Party, &c. . 4 

2 JL >■ 669 St. Ignatius, by Marinus ; The Decollation of St. John, by |(,a*j 

Bolswert, &c. . .6 

" // " 670 The Holy Family, by Morghen and Schmidt; The Saviour andj^/*' 
St. John, woodcut by Jegher &c. . 7 

^ " 671 Busts of Ancient Poets and Philosophers, by Pontius, Voster- , 
man, &c. . . 12 S** 7 



MISCELLANEOUS PRINTS. 

/«7 " 672 Engravings and Etchings, by Duflos and Henriquez, Robert de l^-i> 

Serg, after Vanloo ; Flowers, by Monoyer, &c. 15 
M • =#? E #~Subjects Sacred and others, after Monet, Wille, Duquesnoy, 
Julien, &c, by Pitau, &c. . .10 

■fy » 674 Mythological and Fancy Subjects, by Duflos, Picart, Janinet, 
&c. . . 43 

/3 » 675 The Death of Marc Anthony, by Wille ; Cleopatra, by Marcus, Ja-o^l 
both after P. Battoni . 2 

/ y " 676 Venus and Cupid, after Battoni, by Porporati ; Cupid and his $-i> 
Mother, after Madam Le Brun ; Vengeance, after Landon, by 
Simon . . 4 



35 

677 Venus and Cupid, after P. Battoni, by PoEPOEAxr, /c , 
proof . . j 

~ 678 Etchings of Sacred and Mythological Subjects, by Raymond y „ 
Lafage . . 26 

679 Ornamental Flowers, by John de Lein ; Prints, by Callot, and / _f 

yn others after Le Seur, &c. . . 24 

Qitkj^My 680 Interior of the Banqueting Room at Wurtemberg, and other old // ,J 

, German Masters . . 5^ 

^^^'-^•"681 Curious old German Masters, Mythological Subjects 7 >■ 3 

682 The Entombment, by A. Veneziano, &c. . 5 /, jj- 

pfa^'cZzCQ^ Engravings various, Landscapes, Figures . 34 /r a-, 

~fy<--/rfa 684 Drawings in Colours, Designs for Carriages . 6 * X 

f2)#7i«*/Uw 685 A very curious and extensive Collection of German and Italian 
Visiting Cards, containing many Autographs of interesting 
Personages . . 225 

^?i,^aZZCQ%Q A lot of German, Italian, and French Masters 58 « J/ * 

(687 The Inferno of Dante, on two sheets, after Carstens, by Rahl, v ^ r/ 
%MxoU) j & c . . . 5 

V688 Ancient Dutch and German Etchings, curious 18 

— 689 Old German, Dutch, &c., Masters' Etchings of Landscapes, „ / 1 '/ 

&c. . . 53 

690 "Oh che Boccone," &c, after Sicardi, by Burke, &c. 3 » / * 

^0^1 691 Curious Etchings of Birds, &c. . 4 - / " 

^^iflV<^692 Various German and Italian Masters . 13 » // " 

< ^n> 693 Masters various, Rembrandt, &c. . 8 // ^ '/ 

^£!l < y&'694 Ancient Woodcuts and Chiaoscuri, after Titian, Holbein, Parme- / 2_ " 
giano, &c. . . 15 

%nU^a^Q95 Lady Hamilton, after A. Kauffman ; and Poetry and Painting, , „ t/ 
after G. Hamilton, all by R. Morghen . / 3_ 



3(i 



FIFTH DAY'S SALE. 




STATUES, ANTIQUITIES AND MISCELLANEOUS. 

LOT 

Z. " 696 The Laocoon, The Farnesian Hercules, and others from Antique . 
Statues, engraved in the School of Marc Antonio 
'/ 2- " 697 Ancient Statues, Antiquities, Buildings, &c. 

- -698 Bas Reliefs, Antiquities, Statues, &c. 
/ /$ - 699 Designs for Cups, Vases, Sec, beautifully engraved 

/ " 700 Various Roman and other Antiquities, Ornaments, &c. 
- //> - 701 Theseus and the Minotaur, after Canova, by Morghen, proof 

/ „ 702 Portraits and Heads of Ancient Roman Ladies, &c. 
„ JL i, 703 Statues by Mellan, and Gems by Simonneau 
i, f) " 704 Peter denying Christ, after Rubens ; A School Room, after 
Opie ; Elijah, after West, &c, all by Green 6 
- 3 " 705 The Battle of Waterloo, after Atkinson, by Burnet 1 4-d 

" /'(s >■ 706 Sea Fights, Engravings after Landseer, &c. . 8 itf/to*** 

r. / 707 A set of Etchings of Birds, by Francis Barlow 

.. Jt ,. 708 Lady Hamilton's Attitudes . \^U*Jsfa 

„ X '■ 709 The Interior of St. Peter's, at Rome, and Views in Sicily, Rome, -^2^/ 
&.C., by Piranesi, &c. . 38 

ITALIAN MASTERS (continued). 

•1 X " 710 Mantua, Julio of... Martyrdom of St. Catherine, H. Cock ex./W 

Montoesoli — The Descent from the 7 
Cross, &c. . 4 

J-i „ 711 Manetti Death of the Magdalen, by Capitelli ; and 

Specimens after Magenza, Macchi, 
&c. . 25 

" 712 Maggiotto, F Pastoral and other Subjects, engraved by - 

Volpato, &c. . 12 

■■ J? " 713 Mantegna, Andrea. Triumphs and other Subjects, by Hop- /j^ 

fer, &c. 13 

1. b 1, 714 Palma Sacred and other Subjects, engraved by 

Sadler, Goltzius, &c. 30 



37 



^-^flS, Mythological Subjects, by Vosterman, - 3 - 

sn &c. . 15 

Ue-JM^- HQ Pomeeancio Sacred and other Subjects, by Greuter ; - S~ 

Master of the Die, Stc. ; and Specimens 
after Pino, Poedenone, Paxmeeius, 

^ -J 717 Po, Pietro del Judith, and other Sacred Subjects; and _ /& 

j . , Specimens after Paggi, &c. 20 

<^4 / H 718 Peocaccini, Camillo Holy Family, by Longhi ; St. Anthony, — 6 
y by Blooteling, &c. 10 

" '(k^ 7 19 p ASSAEI; p Sacred and other Subjects, by Thomassin, - // 

Troyen, &c. . 13 

720 Pietei, Pietro di ... Subjects of Saints, &c, by Frezza, &c. ; _ J 

Abraham and Rebecca, after B. Pe- 
^7 euzzi, by G. de Veneus, &c. 13 

^vcu^i Polidoeo, da Carav. Subjects, principally Mythological, by C. - 

Alberti, &c. ; Holy Families, and Sacred 
Subjects . 31 

*^ 722 — — The Gods in niches, by Goltzius ; and — 2. 

various Friezes, Roman Triumphs, &c , 
-~ by Sancto Bartoli, &c. 29 

c//yo~— 723 Paemegiano A large Female Head, boldly engraved, - / 

F. B. ex. ; Etching, Head of a young 
Man, &c. 7 

724 Piazzetxa Large Heads of the Apostles, and others, — /£■ 

engraved by Pitteri J 2 

2ta; 725 Romano, Julio Creation of Eve, and other Sacred Sub- A 

jects, engraved by Corneille, Lepicee, 
&c. . 15 

$h> 726 Cupid and Psyche, Mars and Venus, and — 2. 

Mythological Subjects various 11 

£h> 727 — Mythological and Historical Subjects, - - J 

various, by Desplaces, Tardieu, &c. 25 

^ 728 Subjects various, by Poilly, &c. 18 

729 Reggio, Raffaelle Sacred and other Subjects, by Diana 

Ghisi, &c. RoMANEiii — Subjects 
various . 28 

730 Ricci, Marco Landscapes various, by Bartolozzi ; and - £_ 

Specimens of Santo Baetoli 26 

%YUuch^73\ Rosalba Musarion, by Haid ; and Sacred Subjects, ^ 

after M. Ricci 6 



38 



'/ £ " 732 Rib era Prometheus chained, by C. Clarot; and - 

various Sacred and other Subjects 14 

-2. - 733 Rosa, Salvator Subjects and Landscapes various, by Che- 

reau, &c. 15 

' £ " 734 Solabio, Ant The Saviour and Virgin, by Houlanger ; „ 

and various after Sermonetta, Sasso^>(2^_^ 
Feebato, Spada, &c. 20 

^ ' 735 Salviati Subjects of Saints, by Sadeler; and others fe*H%- 

after Spada, Saeeacino, &c. 16 

-4 ' 736 Salviati Sacred and Subjects various, by Salembeni, &44ri 

Zucchi, &c. ; others, after B. de 
Sienna, &c. 18 

■ Z ■ 737 Scolaei, Joseph ... The Kitchen, and other Subjects, after ^hjZtofcv 

Schiavoni, &c. 14 

' y ' 738 Schidone, B Disciples at Emaus, by Leicher ; and 

others, after Solimeni, by Berardi,&c. 14 
y - 739 Saeto, Andrea del . Abraham's Sacrifice, by Surugue, &c. 15 dx> 

■ / 0 4 740 Holy Families, and Subjects of the Virgin, j 

by Brebiette, Coelmans, Morghen, 0 
&c. . 11 

< *f • 741 Dead Christ, by Hofel, india proof before <^ 6 

letters . 1 

• /% 1 742 Life of the Virgin, from the Frescoes at ffl 

Florence, &c, by Cruger, &c. 17 /■ h/ll y 

743 Sciaminossi, Raff. The Apostles' Heads, life size 16 ^o^£d^ 

' 1 744 Salviati Our Saviour with St. Thomas, by Hollar; /? 

and others, engraved by Thomassin, isgCi^c 

&c. . 4 
• £f 745 Sacchi, Andrea . . . Sacred and Mythological Subjects, by 

Edelinck, Frey, &c. 15 

■ J <x> • 746 Tintoeetto, Jacopo Sacred Subjects, by Sadler, Volpato, 

&c. . 21 

• /b ■ 747 Subjects of Saints, Martyrdoms, &c, by ^ 

Visscher, Sadler, Mellan, &c. 20 

, ^ . 748 — Mythological, Fancy Subjects, and Por- gfn 

traits, by A. Carracci, &c. 22 
/ • C.. ' 749 Tempesta, Ant. ... Sporting, Historical, Mythological, and^o^jL 

Fancy Subjects 154 ^ 

• t • 750 Testa, Pietro Etchings of Sacred and other Subjects 40 tyb/du, 

. jCj • 751 Tiepolo, J. B Etchings, principally Sacred Subjects 28 .^tfZyfa' 



39 



4^ 



/r 
y • 



752 Tiaetni, Alex Sacred and other Subjects, and varum? 

after Trevisani, Torelli, Tartjffi, 
* fcc. . 37 

-c^ 753 Voltekra, Dan. ... The Descent from the Cross, and various 

after Vasaki, Venttsti, &c. 19 

Quotas 753# The Descent from the Cross, by Dorigny, 

. and Guido's Aurora, by Frey 2 

-f/^ 754 Vannt, F St. Francis, St. Jerome, &c, by A. Car- 

racci, &c. . 13 

^^'^755 Sacred and other Subjects 19 • i" • 

^/C4iy3 756 Villamena, Francis His own Portrait, by J. B. Costantini ; / 

and various Sacred and other Sub- 
XT' y, jects . 28 
IJ^fiMf 75? y AGAj Pen„o del ... Mythological and other Subjects, one - ^ 

from the Crozat, proof; Ornaments by 
, G. da Udine, &c. 17 

17^ Ca/c ^758 Viani Subjects various, and Specimens after - A 

q Zellotti, Ztjmbo, &c. 1 1 

£/£W 759 Zuccako, Tadeo ... The Nativity, The Assumption of the , , 

Virgin, and other Sacred Subjects, by 
Matbam, C. Cort, &c. 16 

760 Subjects from the Old and New Testa- / 2_ 

ment, by C. Cort, &c. 34 

&n> 761 Historical, F ancy, and other Subjects, by . /£ 

Thomassin, &c. 29 

" 762 Zucchi, G The Month, Pastoral, and other Subjects, , "gr 

engraved by Wagner ; and Specimens 
by various Italian Masters 52 

MODERN ITALIAN ENGRAVINGS. 



763 Judith with the Head of Holofernes, after Benvenuti, by - - 
Ricciani . 1 

w 764 Madona del Sacco, after A. del Sarlo ; and Apollo and the , V' , 
Muses, after Mengs, both by Morghen . 2 

'<?M^765 The Fresco Paintings from the Villa Negrone, engraved by ( 3 , 
Campanelli . 8 

— 766 Monuments to Maria Christina and Pope Rezzonico, by Morghen _ ^ 

and Bonato, after Canova . 2 

- 767 The Monument of Pope Rezzonico, after Canova, by Morghen I ■ / > 
Ju^ckx,- 768 Triumph of Scipio, after Buonocorsi, by Longhi 1 - / ' 



4 
4 



40 

FRENCH SCHOOL (continued.) 

/ 2. • 769 Landscapes, after Claude Loeraine; Morning and Evening, 
by Peake and Byrne ; Port of Messina, by Le Bas, &c. 6 
' Q / 770 Mercury and Battus, the Landing of Eneas, Cephalus and /gc^/h 
Procris, by Mason, Browne, &c. . 6 

^7 ' 771 Landscape after the same Master, by English and Foreign ^ 
Engravers, Vivares, Mason, Canot, &c . 14 

» 1 0 • 772 Specimens from the Paintings of Lepicie, L'Espinasse, Leny^^j/^, 
tara, &c, by Audran, Beauvarlet, &c. . 15 

> ■ 773 Representations of the Virgin and Holy Families, &c, after ^ 
N. Loib, by Houlanger, Bazin, Sec. . 12 

' b ' 774 Vignettes, after Moeeau, Maeit-liee, &c, Architectural, after /^ru,-^^ 
Maeot, &c, engraved by Le Veau, Longeuil, &c. 17 

' y 7 ' 775 Sacred Mythological and other Subjects, after Mettay, Le - ■ 

Moine, &c, by Le Vasseur, Bazan, Cochin, &c. 14 . 

^ ' 776 Death of Leonardo da Vinci, and other Fancy and Historical fiv r h^/i' 
Subjects, after Menageot, Lemoyne, &c. by Le Vasseur, 
Cars, &c. . 14 

777 The Plague, and various Sacred, &c, after Mignaed, by 
Audran, &c. . 12 

778 The Plague after Mignaed, by Audran, &c. /tfeJidfy 
J ' Ji ' 779 Holy Families and Sacred Subjects, various, after Mignaed, 

by Roullet, Marriette, Basan, &c. . 12 '^f 1 ^ 

■ J/ • 780 The Seasons, after Mignaed, by Poilly . 4 tyadty 

• l/j • 781 Mythological and other Subjects, after Natoiee, Oudey, &c, 



by Aveline, Beauvais, &c. . ^ij^ 1 ^^ 1 ^ 

/I > 782 Mythological, Fancy and Rural Subjects, after Natoiee and {jf^/Z^s-fty 
Le Nain, by Pelletier, Duflos, Desplaces, &c. . 13 

ENGRAVINGS AFTER NICHOLAS POUSSIN. 

J ' 783 History of Constantine, and Historical Subjects, various, by (~)g> 

Picart, Bloemart, &c. . VI , 

/ b < 784 Time Discovering Truth, by Audran, first state, and various 



Historical Subjects, by Chasteau, Pesne, &c. 12 

/ 2. > 785 Mythological Subjects, by Beauvais, Loir, &c. 12 "0" 

) 3 ■ 786 Familiar Subjects, by Audran, Pesne, &c. 11 gSj, 

/ -if • 787 Subjects from the New Testament, by Pesne, Audran, &c. 14 -'2h 

, / - 788 The small set of the Sacraments, and other Sacred subjects, by ^fcJ^Ms 

Picart, Lombart, Audran, &c. . 12 

// ' 789 The Seven Sacraments, by Poilly . 7 



41 



"y^A-A^790 Subjects from the Old and New Testament, by Poilly, Pesne, 

A &c. . : i3 ' 

A^-^791 Holy Families and Subjects relating to the Virgin, by Pesne, / . j 
Poilly, Baudet, &c. . 15 

792 Portraits of the Painter, by Pesne and Ferdinand, and various . yj 

Scripture Subjects, by Mariette, Stella, Pesne, 8cc. 11 

793 The Classical Landscapes, engraved by Baudet 8 - // 
g^-t> 794 The Sacraments, by Pesne . 7 , y 
■j-v 795 Pyrrhus, Moses and Pharoah, The Golden Calf, Moses striking f/ y 

the Rock, and the Passage of the Red Sea, by Audran, 
Poilly, &c. . 5 

— 796 The Flight into Egypt, and the Hours Dancing, by R. > 
7 Morghen . . 2 

^&>™^r 797 St. John Baptizing, and Coriolanus, both by Audran 2 >■ jT 

798 The same prints, and Moses striking the Rock, and St. Peter 
and St. John healing the Sick, by Stella . 4 » 

C/L^J^. 799 The C rucifixion, Holy Families, Moses before Pharoah, Noah's 
Sacrifice, Will of Endamidas, Adoration of the Shepherds, 
and the Golden Calf, by Poilly, Pesne, Stella, &c. 8 



GASPAR POUSSIN. 

/> 

ykcit^/jl%00 Landscapes, engraved by Moucheron and Cunego, after Gaspar 
Poussin . 12 

801 Landscapes, after Gaspar Poussin, &c. by Vi^ares, Mathieu, 
Chatelain, &c. . 7 

-■A^ -7*^802 Mythological, Rural and Fancy Subjects, after J. M. Pieebe, 

by Fessard, Lempereur, Presler, &c. . 23 J^- 

^Jo^tztr^Z F anC y and other Subjects, after Le Pbince, Paillet, &c, by , 
Picart, Gailliard, &c. . 12 

804 Landscapes and Subjects, after Pileement, Peeeiee, &c, by Y 
Bourlier, Fessard, Godefroy, &c. . 1 L 

0-o 805 Sacred Subjects, by Coovay, Baudan, &c. after Peeeiee 13 ~ e; 

806 Fancy Subjects, Interiors, Battles, &c, after Pateb and /, 
Pareocel, by Tardieu, Voyez, &c. . 14 

; ,/.:. ^«i)7 Landscapes and Figures, after Robert, by Le Veatj, &c. 14 ' J 
~&o^ 808 Historical, Mythological and Fancy Subjects, after Raotjx, by"/- '■ 
Beauvarlet, Moyreau, &c. . 12 

— 809 Sacred and Historical Subjects, after Restout, by Chenu, &c. 

<&>(a^-o%\§ Holy Families and Subjects of the Virgin, after Stella, by f ,. // 
Falck, Houlanger, &c. . 14 

G 



42 

■' /O '■ 811 Landscape and Rural Subjects, after Stella, by Roasselet and $aMy 

others . 23 

- Jl - 812 Fancy Subjects and Landscapes, after Schall, Signt, &c, by (fL^fa, 
Gailliard, &c. . 11 

" 813 Sacred, Mythological and Fancy Subjects, after SanterRE, &c, fyggefa, 
by Desplaces, Thomassin, &c. . 14 

-844- Entombment of our Saviour, and other Sacred Subjects, after ty^d^ 
Le Sueur, by Picart, &c, . 14 

" /o '■ 815 The Life of St. Bruno, and other Sacred Subjects 
" /c " 816 Various, after Le Sueur, by Audran, Chauveau, Dorigny,&c. 40 tjl<- 
" " 817 Fancy Subjects, after Schenau, by Wille, Duflos, Audran, 

&c. . . 12 X)£> 

" ^ " 818 The Martyrdom of St. Protais, after Le Sueur, by Audran ; ^ 

The Plague of Marcelles, after De Troy 2 
/ - L f - 819 Subjects, principally Mythological, after De Troy, by Surugue, <Qy 

Le Vasseur, Fessard, &c. . 24 

- Ml v 820 History of Esther and Ahasuerus, after De Troy, by Beau- Jkzfe^ 
varlet 

/> 2. " 821 Subjects, and Landscapes, after Testelin, Thomon, Tremo-^^ /(J ^- 

liers, &c, by Fessard, &c. . 20 

9 3 822 Sacred and Mythological Subjects, after Verdier, by Audran, //^y -^M, 

Poilly, &c. . 51 

» » " 823 Historical Subjects, &c. after Vermont, &c. by lie Vasseur, jfij /uf ,a4^ 
&e. . 8 

6> " 824 Sacred and Fancy Subjects, after Valentin, by Boulanger, &c. 7 I**?****' 
v JT ; 825 Single F igures, Sacred Subjects,, after Couvay, Rousselet, &c. 34 ■]«£*i*&<j 
» i •> 826 Subjects of the Holy and New Testament, after Vouet, by^z^s^ 

Dorigny, Daret, &c. . 20 

9 3 * 827 Mythological ?nd Fancy Subjects, after Vouet, by Mellan, ^^^f- 

Boulanger, Sandrart, &c. . 35 

" Ju " 828 Fancy Subjects, after Wille, by Ingouf, Romanet, &c. l^fy 
u /O " 829 Sacred, Historical and other Subjects, after Vanloo, by Car*^-^ 

mona, Lorraine, &c. . 16 

» £ " 830 Rinaldo and Armida, with its Companion, after Vanloo, ^>Y < ^yn J /a- 
Porporati, proofs . 2 

/ ■ / " 831 St. Genevevie, by Ba'echou ; Conversation and Lecture Espag- C^t> 

nole, by Beauvarlet, all after Vanloo 3 
" jL o 832 Mythological, Historical, and other Subjects, after Vanloo, by UCajoUj, 
Martinet, Daull6, Chereau, &c. . 22 

/ 2, 833 Subjects various, after Boucher, and Le Prince ; Sea Piece, Cf^ 
after Vernet ; Funeral Pomps, by Slodtz, &c. 6 



43 



^fytiuA^y 834 The Presentation in the Temple, after Boullougn, by Drevet ; /, /o " 
Tlie Crucifixion, painted and engraved by Poilly ; Rebecca at 
the Well, after Bourdon, by Fransieres 5 
yfcOsfaS 835 L'Observateur Distrait, by WiUe . Y » # * 

■^tisi^y- 836 Military Trophies, Processions, and History of Latona, by „ // „ 

S. de Laulnc . 18 

Jv^-uv 837 Moses, after P. de Champagne, by Edelinck; The Dead Saviour, „ <j . ^ 
by Montague ; St. Peter and St. Paul, by Morris, &c. 6 
'• f] o 838 Sacred Subjects, various, engraved by Edelinck, Jeaurot, &c. 16 " /3 '' 
(^?*L^u&>y 839 Le Jardine de la Noblesse Francaise, Costume of the Nobility, /, £ /, 
time of Louis XIII., etched by M. de St. Igny 4 
/k*r»(^ 840 Landscapes, after Poussin, by Moucherou ; engraving and " -2. 

etchings various , 48 

fce/a*ut 841 Portraits of Saints, by Edelinck, Pitau, Bazan, &c. 14 " c/ " 



WATTEAU. 

icf-a 842 Single Figures, Pastoral, Theatrical, and other Subjects, by # ' ^ ^ 
Audran, Dupuis, Scotin, &c. . 17 x 

843 Pastoral and Theatrical Subjects, by Tardieu, Liotard, Le Bas, ^ , ^ 
Larmessin, &c. . 21 

$ft) 814 L'Accordee de Village, Le Marriage, Le Contrat, by Larmessin, y /j? /• 
Cochin, and Cardon . 3 

{fttifiMey 845 Les Plaisir de Bal, L'Embarquement de Cythere, L'Enseigne, j? ,, 

by Scotin, Aveline, and Tardieu . 3 

(krfHtaJ 846 Le Coucher, after Vanloo, by Porporati, and others after Vien, 

by Flipart, Beauvarlet, &c. . 1 0 " 7 °, 

A^a^ 847 Mythological, Sacred Subjects, and Costumes, after Vleughels, _g , o 
by Larmessin, &cc. 

WORKS OF JOSEPH VERNET. 

<far4s/^848 Landscapes, Shipping, Sea Views, &c, by De Marcenay, Le Bas, / J- „ 

Cathelin, &c. . 20 

^J/^,^8i9 Storm, Views in Italy, Sea Ports, Cascades, 8tc. by Le Vean, / \, >, 
Lempereur, Sec. 20 

^^,^ 850 The Storm and Calm, by Balechou, before the lines 2 % " I /f 

£ 851 The Storm, and the Bathers, by Balechou 2 " 

9l^?a- 852 Representation of Storms, Calms, Sea Views, &c, by Tardieu, . ^ 

Charpentier, &c. • 18 '' 

853 The Sea Ports of France, by Cochin, Le Bas, Martini, &c. „ Q 



" /o ■■ 

, J/, , 



44 

RUBENS' SCHOLARS. 

JORDAENS. 



9 -ffOt*j 



854 Sacred and other Subjects, by De Jode, &c. 
" 855 Mythological Subjects, by Neefs, &c. . 12 $e 

? 3 '■ 856 Twelfth Night, and Fancy Subjects, by P. Pontius, &c. 10 /Jwpv 

ROMBOUTS. 

/-2 " 857 The Card Players, by Meyssens, and others, various 4 jbrti/as 

C. SCHUT. 

J/ * 858 Subjects of the Virgin, and other Sacred Subjects, his owir"^ fajhp 

etchings . . 46 

J"" 859 Fancy and other subjects, etched by the same 54 '■//aJ 
* 860 Various after him, and others of Rubens' pupils, Quellinus * 

Vander Hoecke, &c. 24 

A. VANDYCK. 

/?- " 861 Portraits of Royal Personages, Men of the Sword, Artists, &c, /cfeh/O 
by Bolswert, Pontius, &c. . 19 

862 Marshall Moncada on horseback, by R. Morghen \ 

863 Portraits of Royalty, Nobility, &c, by Vosterman, De Jode, 
&c. , , 54 ^ 

/ /- " 864 Portraits of Painters, by Hollar, Vosterman, See. 45 ^z> 

// ,. 865 Titian and his Mistress, etched by Vandyck, first 

STATE . . I 

,{/' 866 Portraits of Ladies, by Hollar, De Jode, &c. 16 

/If i, 867 Holy Family, in mezzotinto ; The Continence of Scipio, Sampson/ 71*^$/ 
and Dalilah, &c. , 10 

a $~ i, 868 Christ Crowned, by Bolswert , 1 j£-i> 

j /) 869 Crucifixion, by Bolswert, &c. . 5 -i<ja-^J 

/ / " 870 Crucifixion, The Dead Christ, by Caucercken, Bolswert, &c. 5 ^t-itiLiQd- 
j /°L " 871 Descent from the Cross, Dead Christ, &c., by Pontius, Vos- -f 

terman, &c. . 4 

" /&' " 872 Dance of Cupids, and Holy Families, by Bolswert, &c. 6 -U^^f 

■> /) • 873 The Apostles, by Caucercken . 1 4 JpoS^ 

2. } >• 874 Holy Families and Sacred Subjects, various, by Pontius, &c. 20 J^cCOo^ 
% " 875 Mythological and other Subjects, by De Jode, &c. 22 *3^p 



45 



G. SEGERS. 

876 Subjects of Sacred History, &c, by Bolswert, &c. 10 ^ " 

Sh 877 The Apostles and Subjects of Saints, various, by Pontius, &c. 24 / » /$ " 

878 Sacred Subjects, various, by Galle, Pontius, &c. 13 / ■■ / " 



RUBENS' SCHOLARS, VARIOUS. 

879 Sacred and other Subjects, after Diepenbeke, by Galle, 
Natalis, &c. . .19 

&arks 880 Holy Families, Subjects of the Virgin and Saints, after 
Diepenbeke, by Bolswert, De Jode, Galle, &c. 26 
^ 88 1 Sacred and other Subjects, after Suttermans, S. de Vos, &c, 



/ ■ /6 
" /o 



' 0 
/t 



by Couchet, Neefs, &c. . 24 

FLEMISH AND DUTCH SCHOOLS. 

382 Sacred Subjects, by the Wiehx Family 16 X- /° 
S<s 883 Small Subjects, from the Old and New Testament, 

Visscher ex. . 356 

-t^yt^ 884 Mythological and other Subjects, by C. Van Bronckorst 19 - £~ 

^J^f>-Ul^f 885 Statues, Interiors, Sacred Subjects, engraved by Muller 57 

886 Stradanus' Hunting, Fishing, Silk Worms, &c. 165 /, /y 

< &~° 887 Sacred and Historical Subjects, by Stradanus 101 /., 

jZ&Ls-*~>8%% Mythological and Fancy Subjects, by the Sadlers 100 / 

r^c^^-889 Hermit, Anchorites, &c, by Sadler . 126 / • / 

f/'-^ 890 Subjects from the Old and New Testament, by the same 97 / 

vt^^-891 Biblical, Historical, and Fancy Subjects, by the same 61 „ / 

892 Engravings of Sacred and Subjects various, by Collaert, &c. 100 „ g,- 

^'J^f 893 Mythological and Fancy Subjects, after Floris, &c. 40 
<z^ 894 Various Mythological Compositions, after Lombardo, Lombardus, 

&c. . . 68 

^^^.895 Birds, Fish and Flowers, by Collaert . 65 ■■ // 

-£L/4^< 896 Sacred, Mythological and Fancy Subjects, by Collaert, &c. 67 2. ■ 5 
Jf-ttf^897 Singular Compositions, The Last Judgement, &c, after P. 

Breugel . . 7 

^/tz*.^ 898 Various Subjects of Children, after Holstein 19 ,. % 

^/c^^^,99 Rural Subjects, Animals and Figures, after C. Bloemart 98 

<l?o 900 Mythological and Sacred Subjects, after Bloemart 60 j ■ )h- 

^fitf 901 Fancy and other Subjects, by the same 28 It 
-fa^ 902 Subjects, principally Mythological, by Goltzius, Matham, &c. 22 • 

j?^r^903 Life of St. Thomas Aquinas, after Otto Venius 31 r -j 



to 



46 



904 Various Scripture and other Subjects, after Galle, &c, by 

Collaert, &c. . . 75 

905 Portraits and Lives of the Saints, painted and engraved by 

S. Bolswert . . 66 

906 Historical and other Subjects, after De Jode, &c. 47 

907 Adam and Eve, and Sacred various, by Dolendo, &c. 18 
-9W*Pastoral Subjects, &c, after Vinckboom, &c, by Bolswert, 



4# 



&c. 



908 Landscapes, &c, after De Vos, Savery, &c, by Muller, &c 
908*Costume of the Infantry and Cavalry, by De Gheyn 

909 Costume and Subjects, after Sebastian Vranck, &c. 

910 Historical, Sacred and Fancy, after De Jode, &c. 

911 Academy and other Figures, after P. de Jode 

912 Sacred Subjects, by the Wieex Family 

913 Ornaments and Animals, by Marc Gerrard 

914 Subjects various, by Sadler, Muller, Wierx, &c. 

915 Landscapes, after Savery, by De Bruyne ; Subjeets after Van 

Hecke . . 30 

916 Landscapes and Shipping, after J. Breugel, by Hollar, &c 

917 Landscapes various, after J. Breugel, Cock ex. 

918 Engravings after Blackland, Bernard, &c, by Galle, &c. 

919 Sacred Subjects, Sec., after Geldorp, Van Oert, &c. 

MODERN GERMAN SCHOOL. 



26 
6 
136 
39 
58 
42 
43 
37 
34 



15 
26 
34 
24 



920 Etchings of Animals and Figures, by Klengel and other German 

Etchers, some private plates . 232 

921 Etchings of Landscapes, Cattle and Figures, by Villenhorf, 

Klengel, &c. . 85 

922 Sacred, Mythological and other Subjects, after Fuger, Unter- 



berger, Caucig, &c, by Schmuzer 



19 



923 Modern German Landscapes and Animals, by and after Kolbe, 

Hamilton, &c. . .10 

924 Views in Switzerland, and Landscapes, after Biermann, by 

Haldenwang, &c. . 5 

925 Views in Switzerland, and Animals, after Poos, by Prestel 7 

926 Landscapes, after Salvator Rosa, Everdingen, Ruisdael, &c, by yf#£JW 

Prestel . . 8 

927 Our Saviour preaching, after Fuger, by Fischer ; a similar 

Subject, after Dietricy, by Flipart, &c. 5 

928 Illustrations to Klopstock's Messiah, after Fuger, by Leybold 1 1 f^&^i>Cy 



929 The Lovers, after Amineling, by Bruckl 



1 



47 



PORTRAITS BY THE BREVETS. 

£^^-=^930 Louis XIV, w. I, after Rigaud . ' 1 " L 

ouis XV, w. I., after Rigaud . I / ' 

932 Due de Lesdiguere, Louis de Bourbon, Duchesse de Nemours, 

The Dauphin, and Philip V. . 6 " % 

& e 933 The Comte cle Toulouse, Marquis de Dangeau, Due de Villars, 

M. d'Herbault, Count Senzendorf, &c. 9 " ' y 

25rp 934 m. Delamet, M. de Noailles, Mi Gaston de Rohan, M. Pucelle, 

M. de Fourcy, &c. . 12 " /{ 

935 Cardinals Dubois, De Fleury, De Beauveau, and De Vinti- „ ^ 

/97 meIIe ' ' 4 

(■4^+,-. •■^7936 Cardinal Bossuet, w. L, lefore the dots . I / ■ // 

■■JL^ 2^92,7 M. Ant. Portal, J. Cousin, Rigaud, Lambert, S. Bernard, Titon, 

Keller, R. de Cotte, Nic. Boileau, &c. II „ // 

938 Madam Lambert, A. Le Couvreur, L'Abbesse cle Chelles, 
Madame Keller, Marie Serre, &c. . 9 



/6 



PORTRAITS BY MELLAN AND MORIN. 

-tf^L- ^§9 Ann D'Autreche, Louis XIV, Cardinal Richelieu, &c. 
<^£/-^-940 M. de Mesmes, M. Habert, Due cle Lesdeguere, Gassend 



n, 

&c. . . 20 

'*z r ~2> 94i Antoine Le Mastre, Marquis de Villeroy, Due d'Angoulemes, 
&c., by Morin • 5 



DAVID TENIERS. 



to 

u 



«^942 Temptation of St. Anthony, Flemish Feasts, &c., by Le Bas, / 3 
Major, &c. . 17 

- 943 The Alchemist, Flemish Feasts, &c., by Le Bas, Daulle, &c. 20 " " 

— 944 Flemish Amusements, Smokers, The Knife Grinder, &c, prin- /) " 
cipally engraved by Le Bas . 29 

945 The Four Seasons, The AVitch, The Surgeon, &c., by Martinet, „ /O - 
Le Bas, &c. . . 30 



IdtlU*/ 946 The Doctor, The Monkey, by Chenu, Le Bas, &c. 20 / O 

/?fi&?^947 Small Subjects of Flemish Feasts, by Godefroy, Le Bas, &c. 20 „ g 
^^£^.948 Etchings after Teniers, by Coryn Boel ; The Card Player, 
4 etched by Teniers . 25 

949 Flemish Feasts, and other Subjects, mostly engraved by Le 
Bas . 10 



7 



48 



CORNELIUS VISSCHER. 

- /Jf •< 950* The Smokers, The Cat, &c. . 4 

., /Jj „ 951 Robert Junius, and John Wachkelaer , 2 <f*f>Jfy 

Jf i, 952 Archbishop Philip Rovinus, before engraver's name 1 

? it 953 Gellius de Bouma, and Wm. de Ryck . 2 

jjf >, 954 Alexander VII, Petrus Scriverius, Boisot, James Dousa, Valdez, f/^jtf 

&c. . 1 

" j" " 955 Shoenbroeck, Engelsh Peter, &c. . 7 $Lj 

f " " 956 The Pancake Woman . 1 ajfcfc 

" l\ " 957 The Evangelists . . 4 

* f o 958 The Coronation of Charles Gustavus, The Rat Catcher, and the /7 

Gypsy ... 3 

" -4 * 959 The Holy Family, after J. Vanderhorst I -^H-f 

„ q " 960 The Whole-length Figures of Saints 18 



SIXTH DAY'S SALE, 



DUTCH AND FLEMISH MASTERS VARIOUS. 

°f " 961 Mezzotintos by and after W. Vailliant . Qz/o^t^tC 

J? 'i 962 Sacred and Mythological Subjects, after Hemskerk 61 

/ i, 963 Landscapes, &c, after Paul Brill, by Neulant, &c. 24 

y >, 964 Subjects of Peasants, Interiors after Tilborgh, Bega, &c, by ^^9<a^ 
Surugue, &c. . . 25 a 

ftj „ 965 The Months, after Sandrart, by Falck, and various by C. (J^^^yt 
Visscher, &c. . 2\ 

966 Venus and Adonis, after Vanderwerf ; Lot and his Daughters, ^ Jly^» ^ 
after Honthorst, by Muller, &c. . 7 

J" „ 967 Hunting Scenes, after Van Falens, by Le Bas 3 C ^^T 
6 968 Old Mezzotintos, by W. Vailliant . 5 ,fyt^ 

& 969 Boar Hunting, after Snyders ; and various of Rubens' School 6 

/6" " 970 Etchings of Landscapes, by Van Uden ; Animals by De Bye, 

&c. . . 20 



y 



49 



— 971 Etchings of Landscapes, Figures and Animals, by Burgas, &c. 42 * M 

£j972 The Deadly Sins, by Wierx 7 * .A 

— — 973 John Lutma the Goldsmith, by J. Lutma jun. 1 - ? 

Jj&^.r/-Qfl 4 The E ntr y 0 f Mary de Medicis into Amsterdam, by P. Nolpe, . 

on Jive sheets, joined . 1 

975 St. John in the Wilderness, Hercules, and Abraham and Hagar, 

etched by De Bray . 3 " 

-^976 Vondel, Lutma and Tacitus, &c, by Lutma 4 / 

ebrft—977 The set of the Wrestlers, by Romeyn de Hooghe 71 ,, 2 

— 978 Susannah and the Elders, Silenus, &c, etched by Daniel Van- / y 
dyek . . 4 

979 Mythological and other Subjects, after Rubens, etched by ^ t, 
Panneels and Quellinus . 1 4 

^Ja^y- 980 Representation of Dutch Boors, by Quast, Waes, &c. 43 « /' " 

cp-j 981 Whole Length Figures of Costume, by Savery; and Dutch n g 
Boors, by Sachleven . 36 

. — r— 982 Engravings after Bega, Boonen, Beekmans, Bol, kc, by ,, y <, 

_ Vailliant, Gullenberg, &c. . 18 

.^a^f g83 Subjects various, after Bloemaet, Beetjgel, Beembeegh, &c, „ ^ 
by Bolswert, &c. . 21 

Sh 984 Figures and Landscapes, after Beeghem, by Prestel, Le Bas, / - 
Ac. . . 25 

-— 985 The Golden Age, by P. Nolpe; The Shepherd with his Flock, „ / '■ 

by Suyclerhoef, after Berghem, &c. . 4 

/^^j^r ggQ Subjects of Cattle and Figures, engraved by John Visscher, '■ S*~ 
after Berghem . 13 

- 987 Various by the same . 43 >. "3 " 

. — - — - 988 Berghem' s Ball, by John Visscher . 1 „ / >■ 4 

989 The Death of St. John, by Longhi; and other Subjects, after ,, ^ „ 
G. Douw, by Moitte, Beauvarlet, &c. 9 
&-o 990 The Portrait of Geeaed Dotjw, by Ingouf; Tatele de Gerard * /6 » 
Douw, and the Menagere, by Wille 3 
991 La Devideuse, and La Liseuse, after G. Douw, by Wille 2 " // " 
//^u.^<r, i "99 c l The Vegetable Woman, mezz. bySarrabat; and Le Fleuriste, „ J,/ 

by Marcenay, after G. Douav . 2 

s£4fr 993 Subjects after Eckhout and Flinck, by Schmidt, Muller, „ * 
Ac. . • 11 

994 The Holy Family, Venus and Cupid, The Negress, after ~ M * 
Funk, by C. Van Dalen . 3 

%tHH^ 995 Various Conversational Pieces, &c, after Geeaez, Geaad, &c, %~ '< 
by Vailliant, &c. • 7 

H 



50 



~4 " 996 Etchings of Landscapes and Shipping, by and after Van 

GOYEN . . 17 s 

■ • 5~ » 997 Subjects after Holstein, Honthorst, Hondekoetee, Y.'^u^ei^ r 
Hals, &c, by Danckerts, C. de Pass, &c. 14 

* 3 » 998 The Bourgomaster, after Keyseb, by Suyderhoef ; The Drinking 

Party, after Kullinsten, &c. . 3 ^ 

* X " 999 Figures and Animals, after Kabl Dujaedin, by Chedel,^^^^ 

Basan, David, &c. . 9 

/, ^ ■ 6 1000 Subjects and Animals, after P. de Laee, Liendee, Laenen,/^^^, 

Livens, &c., by Visscher, Kruger, &c. 15 
j / „ 1001 Familiar Subjects, &c, after F, Miekis, by Blot, Haid, £tz^- 

Daulle, &c. . . 16 
. / » 1002 L' Observateur Distrait, Tricoteuse Hollandoise, La Cusinie 

Hollandoise, by Wille, after Mieeis and Metzu 3 
/ » 1003 Silenus, and other Subjects of Dutch Feasts, &c. after Mom- fe^f 

pee, &c. . 6 * 

11'/ 1004 Conversations and Familar Subjects, after Mieeis, by Wille,*^^^ 

Kruger, Lepicie, kc. . 10 

' / i 1005 Landscapes and Subjects, after A. Van Newlandt, by De 

Jode, P. Nolpe, &c. . 18 

I, X " 1006 Etchings of Figures and Landscapes, by P. Nolpe; The-^(«^p^ 

Bursting of the Dykes, &c. . 11 

// /U " 1007 Moonlight Scenes, after Vandeeneee, by Aliamet, Mason, 

Wood, &c. . 7 

1008 Interiors, Conversations, &c, after A. Ostade, by Longeuil, 2b 
Beauvarlet, Aveline, &c, . 31 y 

1009 Les Bons Amis, by Wille; The Topers, by Schmidt, after 
A. Ostade . ■ 2 

1010 Subjects, various, engraved by the Visschers, after A. Ostade^^^J),^ 
i% 1011 The Musician, by A. Visscher; The Ale House Door, by ^ 

Suyderhoef, after A. Ostade . 2 

/J " 1012 The Skaiters, by C. Visscher ; The Quarrel and the Dance, by ^y.g)^ 
Suyderhoef, after A. Ostade . 3 

1013 The Crucifixion, after C. Poelemberg, by John Gasper / 
Blecker . 1 

1014 Landscapes and Subjects, after Poelemberg; Cattle, after ^ t/r 
Potter and Ptnaker, by Morin, Schenck, Le Vasseur, 
&c. . 13 

/ » 1015 Sacred Subjects, after Paul Potter and Panderen, engra- 
ved by Matham, &c. . 9 



51 



&<ua^t 1016 Landscapes and Sea Pieces, after Ruisdael, by Le Bas, / — <f 



a 



Duret, &c. . 8 

-^fJ-^f 1017 Views in Holland, after Ruisdael, by Blooteling, &c. 11 
<r(^-)1018 Engravings after the Pictures of John Stein, by Schenck, 
Thelot, &c. . 11 

^U*-*£019 Le Co ncert de Famille, by Wille ; and different effects of 
Candlelight Scenes, after Schalcken, by Haid, Valck, &c. 8 
-j'aJtt — 1020 Different Representations of Hunts, after Snydees, by Zaal ; / 
an Etching, by P. Boel, &c. . 6 

1D21 Interiors, with Military and other Figures, after Teoost, by >- 31 ' 
Houbraken, Tonge, &c. . 13 

1022 Engravings of Landscapes and Views in Holland, by John >, J^- 

Vandevelde . 99 

<j£a^-'«-^tl023 Sacred, Historical, and other Subjects, after Vinkbooms, by '. ^ 

Bolswert, N. de Bruyn, &c. . 14 

-^^d-^-y 1024 Conversation Pieces, Peasants' Broils, &c, after Teeburg, by / - 

Bary, Suyderhoef, Verelst, &c. . 9 

^^30^1025 Landscapes, Figures and Animals, after A. Vandevelde, >, ^ , 

Weenix, Wick, &c, by Weesbrod, Pelletier, &c. 12 
-^ia^ 1026 Landscapes, after Willaerts, Wildens, &c, by Hondius, ' > - 

Stockius, &c. . 15 

^,>^iU^1027 Adam and Eve lamenting over the Body of Abel, Abraham and , /o 
Hagar, after Vanderwerf, by Porporati . 2 

■ 1028 Subjects engraved in mezzotinto, after Vanderwerf, by Por- - jS? 

porati, Haid, &c. . 4 

fyt<CJ&~- 1 029 La Jolie Penitente and other Subjects, by Legrand, Rousseau, ^ 
&c, after Vanderweee . 5 

1030 Subjects engraved in mezzotinto, affer Verkolie, &c. 7 " % 

— - — 1031 The Pancake Woman, by C. Visschee I — 

C$as&j 1032 Another of the same . 1 „ y 

Q>-o 1033 Landscapes, by John Vandevelde 23 ,. ^ 

— 1034 The Four Times of the Day, represented in Landscapes ; 

Another set, with Dutch Pastimes introduced, and The Four $ 
Seasons, by John Vandevelde 12 

1035 The Months, by John Vandevelde 12" <^ 

1036 Subjects various, Sacred and Fancy, by John Vandevelde 9 i< / 2, 

~ ■ 1037 The Works of Philip Wouvermans, with his Portrait, en- 
graved by Moyreau, Visscher, &c. 48 



£ZS3i*dy 1038 Entry of Alexander into Babylon, after Gerard Lairesse, by f j 
Polanzani, Rossetti, Pazzi, &c. 12 
O/a-^^.1039 Mythological and Historical Subjects, after Gerard Lairesse 32 >, £ 



52 



FRENCH SCHOOL. 

/O — 1040 Mythological, Fancy, and other Subjects, etched by P. Bre- 

BIETTE . 60 

j£ ~ 1041 Sacred, Fancy, Single Figures, &c, painted and engraved by ^ 

Bellange . 13 (llxfijibs 

/ — 1042 Emblematical and other Subjects, composed and engraved by ^ 

BoiSSIARD . 52 /(/Ufasi**- 

2 ~ 1043 Etchings of Battles, &c, by Borgognone 11 

THE WORKS OF BOSSIEUX, 

ALE FINE AND FIRST STATES. 

* g — 1044 The Artist's own Portrait, Pius VII, and Heads, after Vandyck /fo 

and Teniers . \uh~^<f 

' - /U " 1045 Landscapes and Views, principally in the Lyonese, after his 

own designs . 9 # 

/ ~ l? /> 1046 Views in Italy and the Lyonese, &c. 9 $ 

/ / ,, 1047 Interior of a Wine Cellar, The Public Writer, Boissieux in , 

his Study, and The Piper . 4 ^ 

/ %, <• 1048 Studies of Heads, principally after his own designs 11 "0-0 

/J/ « 1049 The Schoolmaster, The Small Wine Cellar, &c. 6 £/<sw 

' / " 1050 Large Landscapes, after Wynants, Ruisdael, &c. 3 Qz> 

/i h 1051 The Mill, after Ruisdael; and other Landscapes, after Claude, *p 
Poussin, &c. . 6 
< 1052 The Corn Field, after Ruisdael, &c. 5 

J 3 " 1053 Subjects and Cattle, after Vandevelde, C. du Jardin, &c. 4 &o 

- £? 1 054 Landscapes, various, after Claude, &c. 22 0z) 



A — 1055 The Works of A. Bosse, very fine impressions and rare, a valu- 
able and curious collection of Costume of the period of Louis 



■ % 
■s v 

XIII. . . 66 



y% 1056 Curious Historical Pieces relating to the period of Louis q£ 

XIII. . 8 * 



J 1057 Holy Families and Subjects of the Virgin, painted and engra-^ 

ved by S. Bourdon . 11 

/"A 1058 The Acts of Mercy, by the same . 7 ^aJ^-'-f 

j j> ,, 1059 Curious Woodcuts, by Businck ; Chioscuri, byL'ALLEMAND; « 

and Nymphs at the Bath, by Boissard 8 (jjjiU+jfj— 

' t J ^_ 1060 The Works of Caliot, containing nearly the whole a , 

of his Works, many curious variations, &c. &c. 874 ^^/^ 



53 

'_«7^~T061 The History of the Medicis Family, by Callot, proofs 16 / — " 

1062 The Apotheosis of the Duke of Lorraine, and The Large 

Temptation of St. Anthony . 2 » & 

WORKS OF B. PICART. 

■£sc^ 1063 Historical Subjects, Death of Charles I, &c. 14 >. 

(jL$L-j£j r \QQ\ Costume, Fancy Subjects, Various Studies of Animals, &c. 72 /) 

^ho 1065 Book Plates, Vignettes, &c. . 53 - 6 " 

S>-v 1066 Frontispieces, Book Plates, &c. 56 >, / f 



^/)c*-dLy\QQ7 Illustrations to the Bible, etched by Paerocel 42 /, 

trfafiJ&f 1068 Engravings of Costume, by Rabee ; Etchings of Birds, by 
Roberts . 44 

1069 The Royal and other Castles of France, drawn and engraved / / a 

by Rigattd . 79 

1070 Etchings, by Sylvestee, Spieeees, &c. 11 J' 
J7-4.071 Etchings, by J. Veenet, Vien, &c. 5 /. 

^l^f 1072 Etchings of Sacred Subjects, by Vignon 16 ,, £ 

<^ (i ^_,1073 Musiciens AmbulanSj^ns^ state ; and Les Offres Reciproques, , 

after Dietricy, by Wille . 2 ^ ' 

Cj^-^^lQl i Les Delices Maternelle, proof; and various Subjects, engraved ^ „ 
by Wiele, after the Designs of his Son 6 



ITALIAN SCHOOL. 

annibale carracci. 

1075 Susannah and the Elders, Dead Christ, Assumption of the „ V_ 
Virgin, and other Sacred Subjects, by Aquila, F. Rosa, &c. 12 
^£c/ffli 1076 Subjects of the Virgin, Holy Families, many of them etched " — 
by Carracci himself . 30 

1077 Subjects of Saints, principally his own etchings 20 " — 

1078 Holy Families, and Subjects of Saints various, by Morghen, 

Audran, &c. . 15 — /J" — 

jr^x— 1079 Repose in Egypt, Holy Families, &c, by Pesne, Poilly, 

Frey, &c. . . 12 " ' % 

1080 St. Joseph at work with the Saviour, by Pesne ; Christ Cruci- 

fied, the Dead Christ, &c, by Del Po, Vallet, Bailliu, &c. 16 / — 
y ^ l /ck—,\Q'&\ Subjects from the Old and New Testament, by Poilly, . 

Mattioli, Vosterman, &c. . 14 - 



54 

— 1082 Mythological and Fancy Subjects, by Cesio, &c. 20 _ 

J 1_ - 1083 "L'Enea Vagante," by Mitelle 21 

3' 1084 Historical, Mythological, and Fancy Subjects, by Fantetti,- . 

Audran, &c. . 20 

b 1085 Venus and the Graces, Landscapes, by Prou, and other 



Fancy Subjects . 10 ' 

2 » 1086 The Farnese Gallery, by Aquila . 12 

y , 1087 Subjects from the Old and New Testament, Virgin and Child, / 

by Aquila, Moitte, Billi, &c. . 26/z***^v2T~" 

1087*Subjects of Saints, Martyrdom, &c. by Bonacina, Spierre, 

Frey, &c. ' . 25 

FRANCESCO PARMIGIANO. 

" y '■ 1088 Holy Families and Subjects of the Virgin, by Taischer-_y _ 
Bloemart, &c. . 14 V^^^~ 

" 1089 Subjects from the Old and New Testament, by Desplaces, 

Cunego, &c. . 9 — 

'/ ^ ■' 1090 Imitations of Drawings, by Bartsch, Zanetti, &c. 54~&haQ^ 



ANTONIO CORREGGIO. 



1091 Christ in the Garden, Marriage of the Virgin, The Ecce C/)^ 
Homo, &c. by Agostino Carracci, Volpato, Moitte, &c. 6 
/- J ^ i, 1092 Virgin and Child, by Drevet, Bazan, and Gregory; The /? 

Notte, by Vincenti . 4 W**"**' 

i „ 1093 The Virgin in the Clouds, surrounded by Saints, by Bertelli ; /7 

The St. Jerome, by Villamena and Agostino Carracci ; The^^^y,^- 
" Scodella," by Briccio ; Holy Family, in Chiaoscuro 5 
r/ / A" „ 1094 Holy Families and Subjects of the Virgin, by Bettelini, (L/ , 
Cunego, &c. . 7 

/ ,, '' 1095 Holy Families, Marriage of St. Catherine, and Subjects of . 

Saints, by Gregori, Picart, Capellan, &c. . 12 

„ Jt 1096 The Cupola in the Cathedral at Parma, by Buonaveri IQ&^-^y 

„ >, 1097 The same Cupola, etched by Vanni . 14 

„ J , / 1098 Mythological and Fancy Subjects, by Gregorii, &c. 7 fyj&tdas 

/ I ,, 1099 Cupid making his Bow; Ganymede, Jupiter, and Io, by ^^j^^, 
Vanden Hoiy, the latter a proof . 3 

„ / y 1100 The Education of Cupid, Danae, &c, by Surugue, &c. 6 W 12 ^ 
j , 2- " H01 Charity, by Morghen ; Venus, Disarmed, by Guerins, &c. 4 yUrf-t^^- 
2 „ 1102 The Magdalen, by Longhi, &c. . 1 £oO"S 



55 



PAOLO VERONESE. 
1103 The Virgin and Child, surrounded by Saints, by Agostino 



Carracci, Jackson, &c. ■ . 6 

-1104 Subjects from the Old Testament, and the Virgin and Child, t/ , ^ 

, by Schiaminossi, Lefevre, &c. . 17 

J ^^^105 Subjects from the New Testament, the Marriage of Cana, &c, y 
by Audran, Visscher, Cochin, &c. . 20 

Z^ a ^A\06 Sacred Subjects, Adoration of the Shepherds, The Nativity, 

Marriage of Cana, 8cc. by Vanni, &c. . 20 — ~ 
&° 1107 Mythological, Historical, and Fancy Subjects, by Mitelli, 
^ Lefevre, Boel, &c. . 26—3 
^/ja-h^diL^ 108 Our Saviour at the Banquet of Simon, by Saenredam 

FRA BARTOLOMEO DI ST. MARCO. 

^•1109 Virgin and Child, by Volpato ; Adoration of the Saviour, by 

Cecchi ; and other Sacred Subjects . 7 

LEONARDO DA VINCI. 

1110 The Last Supper, by Soutman, &c, Modesty and Vanity, by / — /O 
Cunego, &c. • 7 

§h> 1111 Fighting for the Standard, by Edelinck . 1 ^ - / 

1112 Another impression . 1 _g — 

^^^1113 La Vierge aux Rochers, by Desnoyers . 1 / — 

GUIDO RENI. 

^^^—^1114 Les Cosseuses, by Beauvarlet . 1 — 

C^2)a^/^L\\\5 The Assumption of the Virgin, and other Sacred Subjects, by — ^ 
J Bruni, &c. . 8 

_^a*~^\\\Q Subjects from the Old and New Testament, by Volpato, Poilly, . 

Frey, &c. . 15 

1117 Holy Families, and other Sacred Subjects, by Joannis Vail- / — / 
liant, &c. . 16 

^*o~7lll8 Subjects of Saints, Holy Families, &c, by Bloemart, Picart, (3 

&c. . 12 / 

1119 Different representations of the Holy Family, by Vallet, ^ 

Boullanger, Poilly, &c. . 8 

^2t^J)^1120 The Rape of Dejanira, by Bervic . 1 / J 

^1121 Hymen Burning Cupid's Bow, &c, by Longhi 4 £ 

lli2 The Aurora, and Bacchus and Ariadne, by Frey 2 — J? 

~^ a-JLy- 1123 Subjects of Saints, Martyrdoms, &c, by Bloemart, &c. 17 — 3 — 



56 



/ - J, — H24 St. Laurence, by Gregorii, proof ; St. John, by Morghen ; ^cl^/ 
Mary Magdalen, by Audran, &c. . 5 

— 1123 Historical and Mythological Subjects, by Cunego, Blooteling, * 

&c. ' . , .. . . l6 m^ 

GUERCINO DA CENTO. 

3 1126 Holy Families, and Subjects of the Virgin, by Pasquilino,^// * 
&c. . 19 

- / , £ 1 127 Mythological and Fancy Subjects, by the same 10 

— / — 1128 Subjects of Saints, by Audran, Bonis, &c. 10 — • 

— <^ — 1129 Sacred, and various other Subjects, by Cunego, Keyl, &c. 8<4^~^ 

- /a — H30 The Sybila Persica, by Bettelini ; and Lucifer and Nox, by 

Volpato . 3 

» ^ - 1131 Imitations of Drawings, by Bartsch and Bartolozzi ^l^Sm^Dtu. 
/- J%- — 1132 Lot and his Daughters, by Morghen ; and other Sacred Subjects, 

by Aquila, &c. . 14 W 
J? — 1133 Etchings of Sacred and other Subjects, by Pasqualino ; Imita- 
.tions of Drawings, by Bartsch, &c. . 15 



SEVENTH DAY'S SALE. 



OLD ITALIAN SCHOOL, 
VARIOUS. 

LOT 

* 3. — 1134 Sacred and other Subjects, Engravings, Etchings, &c, after S.t^^Hj 



Rosa, &c. . . 11 

* & ~ 1135 Old Etchings, Figures various . 30 

* 2- 1136 Sacred Subjects, Virgin, &c, after Lutti and others 30^^ 
% — 1137 Ornaments, Friezes, &c. . 42.f3^v- 
5 - 1138 Etchings and Engravings, after P. Veronese, Testa, &c. 25 — 

' A - 1139 A Procession, in three sheets, by Odouardo Fialetti iGl^yX' 

'' /O - 1140 The Inferno, in two sheets, by Pocetti, and Design from an 

Altar, by C. Alberti . 2 fyrfrt 

>/ 3 - 1141 Etchings and Engravings of Sacred Subjects . 25^cJJ^ 



57 



\Lj 1 
^ 1 



&o 1 

C^— 1 

£i. , c*^~* 1 
St, 1 

$w£)** i 
i 



1 



.56 
.57 
.58 
L59 
160 

^^'1161 
8-0 1162 



1 

■«<— 1 



42 
43 

44 
45 

46 

47 

48 

49 

50 

51 

52 

53 
54 
55 



Various, appertaining to the 15th vol. of Bartsch 10 
The three Cupids, &c, after Parmegiano ; Etchings, by Schia- 

voni . . 7 

Sextus V, praying, by Prosper Scavezzi . 1 

Subjects various, by anonymous Engravers, mentioned in the 

15th vol. of Bartsch . 13 

Christ on the Sea, by Reverdinus ; and various, by E. Vicus, 

&c. . . 4 

Sacred Subjects, &c, after Raffaelle, kc, by anonymous En- 
gravers . . 6 
Dead Christ, after A. Del Sarto, by Hofel ; Holy Families, 

after Guido and Sassoferrato, by Gleditsch and Steinmuller 3 
Giberti's Doors of the Baptistry at Florence, by Gregorii ; !3 

Ornaments, &e. . . 36 

Engravings of Sacred aud Mythological Subjects, by Dorigny, — J? 

Frey, &c. . . 11 

After Guido, &c, by Frey, &c. . 4 — y 

The Magdalen reading, after P. Battoni, by Peckwill, Came- ~ 

■ — C/ 



Z2, 

J 

// 



;/ 



rata, and Bause . . 3 

The Virgin, after A. Del Sarto and Dolce, by Longhi and 
Gleditsch . . 3 

Head of the Saviour, by Steinmuller, proof ; Holy Family, /_ 2 

Sassoferrata, &c. . . 4 

The Saviour, after S. del Piombo ; and the Virgin, after C. — /ff 

Dolce, by Gleditsch . 2 

Female reading, and the Virgin, after C. Dolce, by Gleditsch 2 — 
Landscapes and Decorations of Theatres, by Cantagallina 39 
Mantegna's Triumph of Julius Ca3sar, by Audenarde, &c. 10 
Old Italian Etchings, Satirical Subjects, curious 
Various, after Raffaelle, Julio Romano, &c. • . 
Curious Prints of the Early Italian School 
Prints, various, of the School of Marc Antonio 
Various Sacred and other Subjects 



- /■ 

- / - 
4 -/ - 

13 - // - 
6/- 3 
12/- 5 



30- £- 



DOMENICHINO. 



jzfv a^, 1164 Subjects from the New Testament, by Audran, Cunego, &c. 9 — ^ 

<~ja^l*~j 1165 Subjects, various, from the Old and New Testament, by Poilly, y 

Frey, Cunego, &c. . .14 

i/jyT- ^ 1 166 The Cumaen Sybil, by Fontana ; Annunciation, by Duflos ; St. — ^ 

Francis, by Hainzelman, proof, &c. . 5 

I 



58 



» 7 - 


- 1167 


// 3 - 


6 1168 


" 7 - 


- 1169 




L 1170 




^ 1171 


II LO 


- 1172 


n ,2 


- 1173 


» /c 


- 1174 


rl .2 


- 1175 




- 1176 




- 1177 


<2 


" 1178 


2 


-1179 




- 1180 


* /J' 


1181 




- 1182 


/- /» 


— 1183 


/■ /& 


— 1184 


- J 


/ 1 1 85 


- // - 


- 1186 




- 1187 


/i 


'-1188 


<> /J 


- 1189 




. 1190 



Holy Families, Martyrdoms, Subjects of Saints, &c, bjr/gk ^ 
Audrain, &c. . . 18 

The Three Graces, and other Subjects, by Frey, &c. \l a L^e^r 

TIZIANO VECELLI. 

The Annunciation, and other Sacred Subjects, by Caraglio, C, 
Cort, &c. . . 12 

The Ecce Homo, by Hollar . 1 g?« 

Subjects from the Old and New Testament, by De Jode, Van- 
derborcht, &c. . . 12 

Representations of Holy Families and Saints, by Cunego, ^ 

Zucchi, &c. • . 15 

The Holy Family in a Landscape, by P. del Moro 3 Sfc 

Virgin and Child, various, by Morin,Visscher, Bloemart, &c. 14 
The Magdalen, St. Jerome, St. Lawrence, by C. Cort, &c. 7 
The Peter Martyr, by Bertelli, Van Campen, and Jackson 3 
The Triumph of Christ, by Pomarede ; and other Sacred Sub- 
jects, by Van Kessel, &c. . 10 
Diana and Calista, by C. Cort ; and different Representations 
of the Venus and Adonis, by M. Rota, Sadler, &c. 5 
Venus and Dana?, by Lefevre, Punt, &c. 

The Death of Lucretia, The Cyclops, &c, by C. Cort, &c. 10 
A Bacchanalian Scene, and other Mythological Subjects 12 
Portraits of Ariosto, Boccaccio, Barbara, by Hollar, Caracci, 

&c. - . . .15 

Portraits of Charles V., and other Personages, by De Jode^/^^.^' 

Vosterman, &c. . . 12 

Marquis del Guasto, by Natales, Georgione, S. del Piombo 

and Aretino, by C. Van Dalen . 4 

The Roman Emperors and Empresses, by Sadler 24 
Historical Landscapes, by C. Cort, Levebre, &c. 12 &° 

RAFFAELE SANZIO. 

His own Portrait, by Bonasoni, Frey, Hollar, Strange, Barmes-,/^^,^/ 

sin ; La Fornarina, by Cunego, &c. . 11 

Julius II., by Agostino Veneziano . 1 Tr u 

Cardinal Pole, by Larmessin ; Castigliano, by Edelinck, &c. ; Q 

Carondalet, and Jean d'Arragon . 6 '^/^^ 

Sacred Subjects, various : Baptism of our Saviour, by Bonnart \Aj 

Transfiguration, by Marelli ; Jacob and Rebecca, by Tinti, ^fayM. 

&c. . . 19 



6 a, 

2>V 



59 



/3 



& — 



/^!^v 1 1 9 1 Vision of Ezechiel, The Lord appearing to Mary, by Audran, ^ _ ^ 
proofs ; Judith, by Blooteling ; St. Michael, by Larmessin, 
&c. . . 18 

1 192 St. Cecilia, by Massard . 1-/3 

^•7-^1193 Subjects of Saints, by Hollar, Blooteling, Surugue, Sec. 12 - 
(fau*^ 194 The Entombment, by Volpato, proof . 1 Z - 

/^T^^^'1195 Subjects from the New Testament, by Eneas Vicus, Duflos, //- 
&c. . . 13 

0^ 1196 Designs for the celebrated Tapestries of Arazzi, by Sommerau 21 - /3 
JZ'C^i 1197 The Transfiguration, The Last Supper, The Spasimo, and 
other Subjects from the New Testament, by Audran, DreYet, 

/f^ 1198 Christ's Charge to Peter, by various Engravers ; The Evange- £> - 

lists, by A. Veneziano, &c. . 10 

(flcO^/tj. H99 Raffaelle's Bible in the Vatican, by Badalochio 51 — /o 

Wf*™- 1200 Another Set, before the numbers . 51 - J' 

7^1201 The Set engraved by Chaperon, fine old impressions 52 J_ - 3 

1202 Subjects from the New Testament, by Santo Bartoli, &c. 36 - 

1203 Adam and Eve in Paradise, with a Tablet, on which is in- _ /£ _ 

scribed Michael Angelo, from M. Antonio's Engraving the 
Murder of the Inn ocents . 5 

1204 The Murder of the Innocents, on three sheets joined. Vide / 
Bartsch, vol. 9, p. 171 . 1 

•^£»y^i'1205 Subjects of the Holy Family, engraved by Corneille, Agricola, /o - 
Frey, Coelmans, &c. • 16 

1206 Similar Subjects, engraved by Poilly, Rousselet, &c. 11 / — ^ 

^J6(k 1207 La Belle Jardiniere, by Desnoyers . 1 / -/J 

^f-7'2-1208 La Vierge aux Anges, by Edelinck ; La Vierge au Berceau, / 

by Poilly . 2 

-2^^> 1209 Holy Families, various, by Poilly, Frey, Pitau, &c. 12 / ' / 

/•f^ 1210 Holy Families, by Simoneau, Larmessin, &c. 11 2~ ~ 

& o 1211 The Marriage of St. Catherine, by Bloemart, proof 1 / — 

$#b&*s 1212 The Nativity and Adoration of the Shepherds, by Natalis, _ g 

&c. • 6 

-^f^as^j 1213 Different Representations of the History of Cupid and Pysche, — /2. 

by Ricciani; Subjects from the Vatican, &c. 13 
{l/&^fYl\\ The Battle of Constantine, by Bosquet, J. B. de Cavellris, 
Marco Ravenna, &c. • 5 

?0 1215 Fancy and Mythological Subjects, The Galetia, by Cunego, — & 
Ravenna, Goltzius, &c. . 10 

/^C^. 1216 Single Allegorical Figures, by Audran 13— ' 



f~ 



60 

- /2 - 1217 The Flaying of Marsyas, and other Mythological and Fancy- 

Subjects, by Bosquet, Procacino, &c. 16 

- q ~ 1218 The Planets, by Dorigny . 9 



/ _ - 1219 Poetry, Philosophy, Theology, and Justice, by Morghen 4-/^^/^ 

- j L — 1220 Philosophy, Theology, and Poetry, by the same 3 
/ - / (o - 1221 Subjects from Ancient History, by Santo Bartoli 57 

■g — 1222 The History of Cupid and Pysche from Frescoes in the Fame- n 
sina, by Audran . 24 

- - 1223 History of Cupid and Pysche, by Dorigny 11 /hos*^ 
y —■ 1224 The Arabesques, Stucco and Bible of the Vatican, engraved by £ octiC ^ f 

Ottoviani, &c. . 43 

- <S —1225 The Transfiguration, by Dorigny \ fy^fa 

1226 Peter Delivered from Prison, by Volpato 1 

— /3 - 1227 The Bible in the Vatican by Fantetti, 52 plates 52 ijfM^y 
2 ~ y — 1228 Another Set, engraved by Cunego, Mochetti, &c. 52 

/c o — 1229 Tne Deposition, by Volpato; and other Subject, by Surugue, 
&c. . . 18 

— /6 — 1230 Imitation of Drawing, Sacred and other Subjects 20 'h* 7 ^ 

- - 1231 The Planets, the Statues, by Dorigny and Audran 25 i/^'y 

- <g — 1232 The Queen of Sheba, by M. Antonio; and others, by Vene-^// ^y 

ziano, The Master of the Die, &c. 10 ? 

MICHAEL ANGELO BUONAROTTI. 

2. - -1233 The Crucifixion, The Dead Christ, and Holy Families, by A. 

Ghisi, and anonymous early Engravers, Ac. 10 

— /'/ - 1234 St. Andrew, a full length figure; Two Figures from the Last 

Judgment, by C. Alberto ; Christ with his Cross, by ^ 

Matham . 4 

/ - / — 1235 The Sybils and Prophets, by Volpato . 4 

.2-3 -- 1236 Various Subjects from the Old and New Testament, by ^ 

Cunego, Boivin, Matham, &c. . 9 

/-/£.- 1237 Figures taken from the Sistine Chapel, by Luchesi, and anony- / 

mous old Italian Engravers . 12 

— I C — 1238 The Last Judgments and Fragments from the same, by anony- A/ * . 

mous Engravers . 3 ' 

I _ — 1239 Mythological and Fancy Subjects, by anonymous Engravers 8 -to fr^ 
/<? o _ 1240 The Fall of Phaeton, Leda, &c. . 6 2fe 

g _ 1241 The Castle of St. Angelo, and Studies, various, by Bischop, ^ 
Ac. . 15 



61 

4^-7^1242 The Last Judgment, by George Ghisi Mantuano 

$h 1243 The same Subject, by Beatricius . 1 3 — 

/h*T*n~l24i The Prophets, &c, by Volpato and Cunego 4 - // 

^^^fj245 Our Saviour on the Cross, Mary and St. John on each side of 
him, and Christ on the Lap of the Virgin 2 

246 The Prophets, Last Judgment, A Naked Figure seated, by q 

Biard, &c. . 15 

1247 The Brazen Serpent, and other Subjects, engraved by C. //, 



\ ~ /3 - 



/ 



Alberti, Cort, &c. . 9 



GERMAN SCHOOL. 



1248 The Works of F. Brandt, in Landscapes and Figures 44 — /<? 
+249 Specimens" of the Works of A. de Bruyn, Aug. Brum, Isaak 
Brum, &c. &c. . -36- 

1250 Etchings, Sacred and other Subjects, by J. Bottschied 22 — / — 
'^1251 Etchings, by W. Baue; Battles, &c. 32 — /J - 

— - — "C"252 Etchings of Landscapes, by Bemmel 8— -2 — 

^p' JT253 Upright Etchings of Landscapes, by Beisch 10 - / /' — 

/1254 Frederick the Great visiting General Ziethen, The Review of — /£ 
Frederick, The Calas Family, &c, by Chodowiecki 27 

1255 Vignettes, various, by the same . 45 

1256 A very interesting Collection of the Works of Dieteicy, ^ '» 

etched by Himself, containing many rare and valuable un- 
finished Proofs and Variations . 185 
o 2 ^ c/ 1257 The Portrait of Dietricy, and Various Subjects, after his De- — 
signs, by Zingg, Gunther, &c. . 12 
4^1258 Large Landscapes, after Dietricy, by Benazeck, &c. 6 — 

J259 Landscapes, engraved by Nee, Guttemberg, &c. 14 — ^ _ 

1260 Proof Etchings, by Weirotter, after Dietricy, scarce 7 £ 

< ^^ , cMX2Q\ The Musiciens Ambulans, and Offres Reciproques, by Wille 2 /- S- — 

1262 Holy Family, and Abraham and Hagar, by Wille 2 — — 

/flLzgjLIQS Etchings of Landscapes, by Dietsch; and others, by Kobell, — %- — 

Rebel), &c. . 28 

-!g2&~4264 Mythological and other Subjects, after Erlinger, Elsheimee, — /£ 
Flemals, Sfc. 

C^-^*265 The Evangelists, after Gundelach; and various, Geetjtee, . — 6' ~ 
Geeicke, &c. . . 15 
^1266 Etchings of Figures and Landscapes, by T. Gesner 27 — ^ ~ ^ 
Jh&^YlQl Etchings by and Engravings after Maetin J. Schmidt 32 — 4 



62 



■2- - 1268 Specimens from the Works of Schonfelt, Steen, Sfc. 29 f^<c*c 

— Y •••• 1269 Engravings after Schwartz ; Historical, Mythological Sub- 
jects, &c. . • ^ , 

- 3 ^ 1270 Sacred and other Subjects, after Steer, Slenheim, &c. 24 

— / — 1271 Engravings by the Sadlers, &c. • 24 (l£&~Jy 
-- & ~ ■ 1272 The Months, and various Landscapes, by Stephani 39 3^/^, 

— 1273 The Holy Breviary, in 12 plates, by R. Sadler 72 
^" —1274 The Virgin presented to the High Priest, proof, by G. P-A^^ 

Schmidt . • 1 

— //- 1275 Etchings of Portraits and Heads, by G. F. Schmidt; his 

own Portrait, &c. . 12 

— // 1276 Russian Costume, Vignettes, &c, by G. F. Schmidt 28 ■ftsO*^ 

— / — 1277 Etchings of Interiors, with Figures, by Scheitts 10 "2?v 
~ 1278 Engravings after Tieschbean, Van Thulden, &c. 15 3t 
- 1279 The Passion of Our Saviour, by Nichel of Basle \2^g^/y 

— £ — 1280 The Holy Family, by Boece, from the picture in the Dresden 

Gallery, etching and print; The Triumph of Poverty; and thei^^A? 
Cook . . 4 

J2 - M — 1281 The Dance of Death, beautiful woodcuts, very scarce ^Z-c^^ 

/ - & 1282 Another set of the Dance of Death, in woodcuts, published at d^y^^ 

Cologne, 1555, &c. . 35 

- / — 1283 Specimens by Hoffman, Heinzelman, Sfc. 13^*4%, 

- h — 1284 Landscapes and Views, after P. Hackeart 16/£few£ 

- - 1 1285 Views in the Environs of Naples and Rome, by the same 23 

- J~ - 1286 Etchings of Landscapes, by Hagedorn 24 

- jy — 1287 Ornaments for Goldsmiths, by Christopher Janniberg of 

Nuremburgh . 65 

- fr - 1288 Engravings after Kraus, by Basan, &c. 8 (?<sC&~>fy 
- 1289 Specimens, by Kilian ; Flowers, by Kempere ; Mezzotintos, ^ 

after Kupertzy, &c. . 22 

- J" - 1290 The Old Coquette, and other specimens of John Lts, 

proofs . . 8 

— - % - d 1291 Sacred and other Subjects, after Lairesse, Linden, &c. ; . 

Etchings of Figures, Leitenstoffer ; and others, by Mau- /•U'^-' 
perch, &c. . 14 

— // — 1293 Etchings of Heads, &c, in the style of Rembrandt, by Nath--'J^^— - 

NAGEE . . 54 

^~ S" - 1294 Engravings of Sacred and other Subjects, after R. Mengs, by 4-i> 

Carmona, &c. . 13 

_ 1295 Landscapes and Figures, by M. Mersan 125 

^/ — 1296 Specimens of Muller, Conrard Meyer, &c. 20 



63 



%-o 1298 
1299 
1 300 
<$*^1301 



Sacred Subjects and Landscapes, after Prestel, Peeislee, 
Poohx, &c. . 7 

Neptune on the Sea, an Etching by G. Peham ; and other 
Etchings of Sacred, &c. Subjects, by M. Peeleman, &c. 16 

Landscapes, Figures, and Animals, after Roos, by Kilian, 
Duncker, &c. . . 48 

Mythological and other Subjects, after Rottenhamee, Ram- 
beeg, &c, by Kilian, &c. . 21 

The Works of John P. Rugendas, consisting of Portraits, 
Battles, Huntings, The Manege, &c, principally engraved in 
mezzotinto . 78 

THE WORKS OF F. E. RIDINGER. 



/ — 



3L 



3 



— 9 — 



- /2- — 



/(^/M302 


The History of Adam and Eve, and the Artist's Portrait 


13 - 


9 — 


^«=rr303 


The two oblong Hunting Pieces, and the upright set of Wild 


/z - 


So V1304 


Animals 


18 




The large Manege 


18 - 


// — 


^^yl305 


The small Manege 


62- 


/o — 


.^_^/-1306 


The Wild Animals of the Chase 


41 - 




1307 


The Wild Animals various 


66/- 


■/? - 


4° 1308 


The Animals of the Chase 


24- 


/o — 


^ 1309 


The Elephants, and Academy Figures 


20- 


X — 


®v 1310 


The Artist's Portrait, Horses, Animals, &c. 


19 — 


/3 — 


1311 


V arious odd Plates of Animals, &c. 


27 — 


/ — 



1312 

1313 

1314 

1315 
1316 
1317 

1318 
1319 
1320 



VARIOUS. 

The Works of C. B. Rode, consisting of Sacred, Historical, ^ — 2. 
Mythological, Fancy, Ornamental, and other Subjects, prin- 
cipally etched by himself . 296 
The Works of K. Russ, consisting of Etchings of Sacred,^/""/" 
Mythological and other Subjects, Landscapes, &c. 80 
The Works of Weirotter, consisting of Proofs and fine Impres- Jl^ — 
sions, a most perfect and interesting collection, in number 367 
Specimens after Wolf, Weyer, Sec. . 22 ~ & ■ 
Landscapes, and specimens by Zach, Zungler, &c. 32 — 3 - 
The Works of John Umbach, consisting of Landscapes, /-— / - 

Fancy Subjects, &c. . 88 

Etchings, principally Mythological Subjects 32 — <$ 

Miscellaneous Etchings, curious • 7- 2. 

Etchings of full-length Figures in Armour, each bearing their j ^ 
shields . • 75 



64 



EIGHTH DAY'S SALE. 



FLEMISH AND DUTCH SCHOOLS. 

(According to BartscKs Peintre Graveur.J 
AKEN, JOHN VAN. 

XOT 

1321 The set of four Landscapes (18 — 21), with the address of , / 
Clement de Jonghe . 4 

^ - 1322 Another set, with Visscher's address ; The small Landscapes //* 
(8, &c), and the small Horses (1 to 6) . iy 



— , /& — 



ALMELOVEN, JOHN. 
1323 Small Views on the Rhine . 8 Q v 

DE BYE, MARC. 



~ /2 - 1324 Etchings of Animals and Cattle . 34 ( 2k 1 ^£~ f 



1325 Etchings of Wild Animals, Lions, Bears, &c. 38 $c 



BERGHEM, NICHOLAS. 

- /S - 1326 The set of four Animals (13—16), The set of Sheep (41-^Uw 

to 47) . . 11 

-/5 - 1327 The Man's Book (35—40), The Woman's Book, &c. 12 <&o 

/ - J -- 1328 The set of five Upright Subjects of Animals (8—13), &c. 7 - — ■ 

BEG A, CORNELIUS. 

^ — 1329 Subjects of Peasants, Interiors, &c. . 22^t«*«^ 

BOTH, JOHN. 

- / 9 - 1330 Upright and Oblong Etchings of Landscapes (1 — 10) \\~£a**4 

BOTH, ANDREW. 

- //- 1331 The Senses (11—15) . 
/ - / - 1332 The Debauchees (9), The Drunkards (10) 1&At« 



9 



65 



BOUT, PETER. 

— 1 333 The Fish Salesman (1) . 1~ 

BORSOM, A. VAN. 
-1334 Two Cows (2) . 1 - 

BREEMBERG, BARTHOLOMEW. 

-1335 Small upright Landscape (14), and the Martyrdom of St. — 

Laurence . . 4 

BLEKER, G. 

<^C^,^1336 Abraham with the Angel (1), Jacob and Rachel (2), Lazarus — 
(4), Paul and Barnabas (5), The Cowherd (6), The Flock (8), 
The Milkmaid (9), The Four-wheeled Cart (10), The Two- 
wheeled Cart (11), The Chaise Cart (12) 10 

CABEL, ADRIEN VANDER. 
1337 St. Francis (50), St. Jerome (51), &c. . 5 - 

DEYSTER, LOUIS. 
£2/!^yI338 The Angel and Hagar (2), The Magdalen (3), &c. 3 _ 

EVERDINGEN, ALBERT. 

:(jL$»^<»y 1339 His Works, consisting of Views in Norway, &c, old impres- / 
sions . . 94 

FYT, JOHN. 

1340 The set of small Animals (1 — 8), these plates are printed within 

ornamental borders . 8 

. 1341 The set of Dogs (9—16) . 8 — 

FLAMEN, ALBERT VAN. 

c ^'^Vl342 Different Species of Sea Fish, 1, 2 and 3 parts (1—36) 36 — 

fro 1343 Different Species of Fresh Water Fish (37— 66) 30 / 

^~-~^T344 A set of Birds (68—80), another set (81—92) / 

/y^^/-lM5 Views of Castles, &c. in France — . 

GLAUBER, J. G. 

-2)0 i346 Landscapes with Figures (7, 11), and Specimens by Genoels,- — - 
Milet, and Meyeringh 18 

K 



66 



GOLTZIUS AND HIS SCHOOL. 

~)3 — 1347 Engravings various, Mythological Pieces, by and after Goltzius, // 
Muller, &c. . l 9 ^' 

/° 1548 Fancy and Mythological, after Saenredam, &c, by Swanenberg, 
&c. . . 22 

/3 — 1349 The Planets, Andromeda, &c, by Goltzius, &c. 15 ^u^ltiy 

/ - X — 1350 The Gods and Goddesses, by Goltzius 23 ^a^<, 

— yj~ — 1351 Various after Goltzius, engraved by Saenredam 16 4-> 

J - 1352 The iaege Chef d'CEuvees, by Goltzius 16 in 

j - 3 — 1353 The Last Supper, Murder of the Innocents, unfinished plates, 

scarce, Sfc, by Goltzius .. 19 ^> 

- />-.. 1354 The Apostles, by the same . 17 

~ 2/ — 1355 The Roman Soldiers . 16 Dv 

- /a - 1356 The Assembly of Ladies and Gentlemen,, and various 17 fro 
-Jo —1357 Mars and Venus, and other Subjects . 18 

— <3 - 1358 Hercules, called " L'Homme au Pomme de Terre " 1 ^ 

~ 10 - 1359 The Statues and the Virtues . 12 

- y - 1.360 Historical, Mythological and Fancy Subjects 38_^v<i^r 

- /j"- 1361 Ovid's Metamorphoses, and other Fancy Subjects 45 r i>c^£ c ^ 

- JZ- 1362 Military Costume . . 12 £^,^, 
~~ f> - 1363 Diana and Acteon, by Matham, Woodcuts, &c. 8 <£> o 

" 6~ - 1364 Woodcuts and Chiaoscuri . 15,^^^?! 

- /§ - 1365 Fancy and Sacred Subjects, by Matham, &c. 23 i^ru^, 
I - 2. - 1366 Portrait of Matham, and Subjects various, of the School of 

Goltzius .. . 20 Ho 

/ - 2. 1367 Statues in niches, various . 52 &v 

- /Ji - 1368 Loves of the Gods, and miscellaneous Subjects 20 'A^^*- 

HUCHTENBERG, JOHN. 

b - 1369 Landscape with Figures (26), Military Scenes (8-13), A Battle 
Piece, in mezzotinto . § 

HACKAERT, JOHN. 

■i - 1370 A set of various Landscapes (1 — 6} . 6 iu 



j 



HAEFTEN, NICHOLAS VAN. 

- / S - 1371 The Little Smoker (5), The Great Smoker (7), The Female 
Smoker, The Breakfast, the two last not described in Bartsch 4 



67 



DU JARDIN, KARLE. 

^t^^etr ] 372 His Works, consisting of Animals, Landscapes and Figures 52 — 
• ■ — ■ 1373 Various Etchings from the above Work 40 — / ° 

JONKHEER. 

=7^1374 The set of Animals (1—8) . % ~ /& - 

DE LAER, PETER. 
j£*^<^fc r 1375 The set of small Horses, and the Boar Hunt, by Ossenbeck 15 — S3 - 

MILET, FRANCOIS. 

/fiPr*z*rt-< 1376 Etchings of Landscapes, &c. . 17 — ^~ 

GSSENBECK, J. VAN. 
C/lrt^i^ 1377 Christ in the Storm (30), The Fountain (26), The Dancing — /U 
Party (25), and various other Etchings 

, OSTADE, ADRIAN. 

His Work, good impressions, some duplicates 58 <p - 6 

POTTER, PAUL. 
1379 The Shepherd, and various of Cows . 12 — /£ 

RUISDAEL, J. 

-1380 The Cottage (I), The Clump of Trees (2), Cottage on a - J - 
Hill (3) . . 3 

ROGMAN, ROLAND. 
1381 Set of Landscapes, Views in Holland (9 — 16) 8 " ' 

J. H. ROOS. 

-'^-^1382 The Shefhekd with his Flock (38) . 1 - v — 

i^l383 The set of eight Sheep and Goats (10—17) 8 / - C - 

^ 1384 The set of thirteen various Animals, with the title, &c. 13 2. -//- 

STOOP, THIERRY. 
fiw-uvA-t 1385 The set of Horses (1—12) . 12 /— /- 



68 



DU SART, CORNELIUS. 

//— 1386 The Topers (1), The Gazette (3), The Woman being cupped 

(12), The Doctor (13), The Shoemaker (14), Violin Player L_ 
(15), Village Feast (16), The Smoker, in mezzotinto 9 

SWANEVELT, HERMAN. 

~ 1387 Various Landscapes, Plates of incomplete sets, &c. 46 

Z— 1388 The small oblong circular set, Views in the Environs of Rome /fy ' 

(1—24) . . 24^"^^ 

/3 T - 1389 The set of Satyrs (49—52), The Hermits (107, 10), with the 

"excudit" . . Q^C^y 

~~ S*— 1390 History of Venus and Adonis (101, 6), Jirst states 6 J^/a^'A 

'1391 Oblong Views in Rome (83, 88, 89, 91, 97), View of St. 

Peters (76), first states . 6 
1392 The Animals, and various by and after his designs 26 — 

DE VLIEGER, SIMON. 

- 1393 A Forest Scene (3), Dutch Fishermen (5), The Borders of a 

Canal (6), A Ruined Castle with a ferry Boat (8), Fisli ^ 
Market (10) . . 5 1 

- 4 - 1394 Grey Hounds (11 and 12), Pigs (16), Birds (17 and 18) 5 "i O 

VELDE, ADRIAN VANDER. 

- 1395 The Shepherd and Shepherdess "with their Flock (17), 

first state . . 1 *fi** r 

- J 3 - 1396 Animals various (1, 4, 7, 8, 9, 10, 11) . 8 — 

WAEL, JOHN BAPTIST DE. 

y ~ 1397 Set of Animals and Figures, (1 — 14). Vadder: The Land- (] 

scape with a Shower of Rain (11). Van Uden : Landscape, Hirl/d 
after Titian . . 18 

WYCK, THOMAS. 
/ ~ 1398 Etchings of Figures, various, (2, 3, 4, 6, 8, 13, &c.) 9 — — 

WATERLOO, ANTHONY. 
/ ~ C - 1399 Etchings of Landscapes, various '$n»o-/XT 

WTENBROECK, MOSES. 
- /% - 1400 His Works, consisting of Sacred Subjects 19 



09 



ZEEMAN, RENOLD. 

HOI Shipping and Sea Fights, various . f 

^~~^\Am, Views in Paris, (55—62) • 8— ^ — 

1403 Views in Amsterdam, (47 — 54) . 8 — 9 — 

^^*"^ 1404 Views in Amsterdam, and Shipping, various 8 — r c — 



-1405 Miscellaneous Etchings 9 — 2. - 

PRIVATE ETCHINGS BY AMATEURS. 

^S^p^ H06 A Russian Peasant, and a Man seated on a Tuh, drawn and r4 
engraved by Charlotte de Lorraine, Aechdtjchess of 
Austria, 1766 . 2 

d o 1407 A Female Peasant carrying a Child, drawn and engraved by — J 
Eliz. Aechdtjchess of Austria, 1766 2 

^ ^ 1408 An Ancient Castle, with a Bridge, by Isabella Duchess of / 

Paema . 1 

ETCHINGS BY REMBRANDT. 

f Bartsch, Catalogue Raisonne.J 

1409 Portraits of Rembrandt (1, 2, 3, 4, 5, 6, 10, 13, 14, 15) 12 2 - Z 
^r^^lAlO Portraits of Rembrandt (17, 18, 19) 9 / - 

p^? 1411 Portraits of Rembrandt 20, 21) . 4 — 

fa/a~^r 1412 Portraits of Rembrandt (3 of 22), (23 second and third states), „ i— 
(24) (26) . . 9 

1413 Adam and Eve in Paradise (28), a copy 3 — ^ 

jfj£^*^AA\k Abraham and the Angels (29), Abraham and Hagar (30), /— /§ 
Abraham and Isaac (33), Abraham's Sacrifice (34) 6 
1415 Abraham and Isaac (35), one of the subjects for the Spanish / — — . 
Book (36), Joseph telling his Dream (37), Jacob weeping 
, j (38), Joseph and Potiphar (39) . 8 

„ "7 1416 The Triumph of Mordecai, two impressions (40) 2 — '3 

P<w 1417 D av ;d praying (41), Tobit blind (42), Tobit and the , y 

y Angel (43) . h 7 / / 

2^^7 141 g The A^ n g e i appearing to the Shepherds (44) 2 / ~~ *> 

VA^T 1 419 The Adoration of the Shepherds (40) . 2 - 7 2 

1420 The Nativity (45), The Circumcision (47, 48) 6 — 7 / 

1421 The Presentation to the Temple (49) . 2 — - // — 

1422 The Presentation (51), Flight into Egypt (52) 3 — ^ ~ 

1423 Flight into Egypt (53), The cut plate of 54 and 55 T.~ /lf 



c— 




70 

S ~ y - 1424 The Repose in Egypt (57 and 58), Return from Egypt (60) 4 

- / & - 1425 The Virgin in the" Clouds (61), Holy Family (62 and 63) 6^*>/^ 

~ / — 1426 Our Saviour disputing with the Doctors (64, 65, 66) 7 ~ 

— 4? — 1427 The Little La Tombe (67), two impressions l7l*rt^et^ 
/- <? - - 1428 The Tribute Money (68), Christ driving the Money Changers ^ 

from the Temple (69) . 4 

— /Z — 1429 Our Saviour with the Samaritan Woman (70 and 71), The JS/ 

Small Resurrection of Lazarus (72) . 7 

— / "7 — 1430 The Great Resurrection of Lazarus (73) .'. 3 — 

J~/4 - 1431 The Hundred Guilder (74) . 1 

— J y — 1432 Another impression and the copy 

— <a _ 1433 Christ in the Garden of Olives (75) 

/%- — - 1434 The Saviour presented to ihe People (76) second state 
2L — 1435 The same print, fourth state 
Jf -C - 1436 The Great Ecce Homo (77) 
J - / u —1437 Another impression of the same, with the copy 
■A -4 - 1438 The Three Crosses (78), third state 
X - 2. — 1439 Another impression of the same state 

- y — 1440 Our Saviour between the two Thieves, in an oval (79), Christ- - _ 

on the Cross (80) , . 4 

- / o —1441 The Large Descent from the Cross (81) and copy 3 

3- - H — 1442 Descent from the Cross (82), two impressions; The same subjectyj^, LiH 

(83), three impressions . 5 

— /y — 1443 Carrying the Saviour to the Tomb (84), Disciples at Emaus <~lti7ta^L^ 

(87) two impressions of each . 4 

J 1444 Disciples at Emaus (88), two impressions ; The Saviour with ( /^£ M-(1 ^~ 

his Disciples (89) . -3 ~ 

/-/I- 1445 The Good Samaritan (90) . \Msu*yw 

- — 1446 The same, two impresions, and a copy . 3 — 

- // — 1447 The Prodigal Son (91), two impressions; The Beheading ^d^^^^ 

St. John (92), three impressions . 5 

■/'/ ~~ 1448 The Beheading of St. John (93), second state 1 
/ ~~ A ' 1449 St. Peter and John at the Gate of the Temple (94) 2 & v 

- J - 1450 St. Peter (96) . 1 

~ J h -1451 The Stoning of St. Stephen (97), three impressions; -P m ''P<2^^j^ 
baptizing the Eunuch (98) two impressions 5 

- $ - 1452 The Death of the Virgin (99) . 1 ^ 

- - 1453 Two other impressions of the same subject 2 &&~*zzf— 

/- t> - 1454 St. Jerome reading (100), three itnpressions ; St. Jerome 

Praying (101 — 2), two impressions of each ; St. Jerome reading 3r0 
(103) . . .8 



71 



'.>•"•••>"- Moo St. Jerome reading, seated at the foot of a Rock (104) 1 *- ^ — 

&sc^, 1456 Another impression -of the same suhject I / - 

"=1457 St. Jerome in a Room, seated at a Table (105) 3 — 6 — 

458 St. Francis kneeling (107) . 1 £ - 

#>*-***<-1459 The Hour of Death (208), Youth surprised by Death (109), - % — 
Misfortune (HI), three impressions . 5 

Jfh~>"^ 1460 Jason and Medea (112) . 2 — // ~~ 

,/?W^H461 The Star of the Kings (113), two impressions ; The Hunting -/ - 
Pieces (114, 115, hvo impressions 116) 6 
&v 1462 The Battle Piece (117), Three Oriental Figures (118), two — /x - 
impressions; The Travelling Musicians (119), three impres- 
sions . . 6 
Vjo*-^ 1463 The Rat Killer (121), The Goldsmith (123), three impressions ;— '4- 
The Pancake Woman (124), two impressions; The Golf 
/ Player (125), two impressions . 8 
<^ /a "'^"1464 The Jews' Synagogue (126), two impressions; The Corn/— — 
Cutter (127) ; The School Mistress (128), two impressions; 
The Quack Doctor (129), two impressions ; The Draughtsman 

(130) , two impressions; The Peasant, his Wife and Child 

(131) , two impressions . 11 
0^<-w-I465 Cupid on a Couch (132), and copy . 2 4 - 

1466 A Jew with a high cap (133), two impressions ; A Peasant — /<=? - 
(135), three impressions ; The Card Player (136), two impres- 
sions ; Blind Man led by a Dog (138) ; Man on Horseback 
(139), three impressions . 11 

&° 1467 A Polish Figure (140), Another (141), Peasant With his hands — //— 
joined (143), two impressions ; The Peasant and his Wife 
(144) . . 5 

1468 The Philosopher (146), A Philosopher in meditation / — 

(147) . 2 

1469 Man meditating (148), hvo impressions . 2 — J — 
1470 Old Man without a beard (150), Old Man with a short beard, _ /£ - 

(151), two impressions ; The Persian (152), two impressions 5 

1471 The Pig (157) . . \~ ^ ~ 

1472 The Sleeping Dog (158) . 1 —: '4 - 

%<rt^»^l473 Another impression, not so fine . 1 — /-a 

$L*~7 t 1474 A Beggar standing (162 and 163), two impressions of each ; 

A Male and Female Beggar (164), two impressions ; Male — -/y — 
and Female (165) ; Beggar in the style of Callot (166) ; 
Beggar in a Mantle (167); A Female (168), two impres- 
sions . .11 



72 

— > ~ 1475 Old Woman Begging (170) two impressions; A Peasant (1 72), ^--^ 

Beggar seated (173 and 174), three impressions of each 8 
/J~ - 1476 Beggars at a House Door (176), Two Beggars (177, WfycfytaSi^ 
two impressions of each ; A Lame Beggar (179), two impres- 
sions . . 7 ^7 
/t> - U77 The Flute pi ayer (188), The Old Man asleep 2m~Z^ 
j£ _ —1478 The Man and Woman (190 and 191), The Draughtsman from 

the Model (192) . 2,(2$^^ 

- S- - 1479 The Flute Player (188), The Draughtsman (192) and copy, 

&c. . 4 ^ 



— 6 — 1480 Academy Figures, (193 and 194), two impressions of each 4<^HCi7^ 
— J - — 1481 The Bathers (195), tioo impressions; An Academy Figure 

(196), three impressions . 5 ~~ 

S ~ 1482 A Female before the Stove (197), on India paper, third state, ,n 
and with the fourth . 
" 1483 A naked Woman seated (198), three impressions 3 £o(u^ 

/ ~" — 1484 A naked Woman, her feet in the water (200), three impres-^^^^. 
sions, one on India paper . 3 

— J ' 1485 Venus in the Bath (201), three impressions 3 ' 

— 1486 Female with at* Arrow (202) . l^t*-**-* 
/ - // ~ 1487 Jupiter and Antiope (203), Female Sleeping, (204), Sleeping / 
Negress (205) . 3 



NINTH DAY'S SALE. 



COPIES AND ENGRAVINGS AFTER REMBRANDT. 

LOT 

1488 Heads, by Schmidt ; Subjects various, Imitations of Drawings / 

&c. - . 5Q M^^ 

/ -J"- 1489 Portraits and Heads, by Schmidt, Longhi, &c. 20 <^V 

/ - J/ 1490 Portraits and Heads, by De Marcenay, &c. 24 &v 

S ' 1491 Sacred Subjects, Imitations of Drawings, Mezzotintos, Jupiter 

and Ganymede, &c. . 21 - 

// — 1492 Imitations of Drawings, David and Bathsheba, &c. XzJiU^e^ 



73 



* 1493 Our Saviour in the Storm, Portraits and Subjects various 11 
1494 Copies of Subjects, various Academys, &c. 17 — 



/v 



■t - 



r _Jk*s*^ f \4Q5 Yarious copies of the Burgomaster Six ; and others of Rem- 
brandt's Portraits . 61 
1496 Copies of Sacred Subjects, various . 49 
— " 1497 Copies of Landscapes, &c. . 35 & 

&a^r 1498 c 0 p ies 0 f Rembrandt's Portraits, &c. . 45 — / — 

fat/J*; 1499 The Ecce Homo, and others, after Rembrandt 4 — - 4 - 



REMBRANDT'S WORKS (continued). 

-£cio^t 1500 View of Amival, near Amsterdam (209) \ /4 

^g*-^x^/I501 View of Amsterdam (210), and Copies 3 /2 

^*-^fl502 The Landscape with the Three Trees (212) 1. 6' - d 

S^^^^-1503 The Landscape with the Draughtsman (219) / — / 

•^"7*^4504 The Shepherd and his Family (220), The Cottage with ,/— / 

the Barn (225), much reduced in size 2 
ffaJZc*,^ 1505 The Cottage with the Barn (225), The Cottage with 2-/4 

a Large Tree (226) . 2 

^o^<i 1506 The Landscape with the Obelisk (227) 1 A 

&&*j-o{-v\507 Another impression . \— Jo ~ 

r ^ c ' 1508 The Landscape with the Sailing Boat (228), Landscape with _ « 

the Grotto and Pond (231), two impressions 3 
ft*^^' "71509 Rembrandt's Mill (233),/row the Mariette collection X — £r 

1510 The Gold Weigher's Field (234) /& 
/^U~c^ft5 1 1 The Canal with the Swans, and its companion (235-6) 3 / — // - 
^/^^rfjryj.512 The Drinking Cow (237) three impressions 3 — y ^ 

z ^^?'1513 Man in an Arbour (257) . 1 / - — 

Jfyf-"^ 1514 Man with his hand on his cap (259), and the finished plate 2 — / 2. - 

1515 Man with a Beard (260), Man with a Chain and Cross — /g - 

(261), two impressions of each . 4 

1516 Old Man with a large Beard (262), tivo impressions 2 — 
d?d*~^^t5\7 Man with a short Beard (263), second state 1 — 
^•^^1518 John Vanden Linden (264), two impressions I 
-/'a— 1519 Man with a square Beard (265), two impressions 2 /*- 2- 
if-ff*^ 1520 James Sylvius (266), two impressions . 2 

4fae^^jjL52\ Young Man seated (268), Menasse Ben Israel, (269), two im- 

impressions of each . 4 

^.iJy '1522 Dr. Faustus (270), three impressions . o 7 ~ y 

M-^l§23 Renier Ansloo (271) . 2 X - 2_ 

L 



/ - 



9 



// 



74 

/ _ 3 — 1524 Clement de Jonge (272), fiest state \fiklf^i^ 

- />— 1525 Two other impressions . IMnLf 

- /<? - 1526 Abraham Francz (273), Young Haaring, (275) 3 T>» 

& ~ £-~ 1527 John Lutma (276), from the Mariette collection, &c. 3 $^*y 

/ - 3 - 1528 John Asselin (277), second state, on india paper, &c. ZM^f 
/U - fo - 1529 Ephraim Bonus (278) . 

- ,0 - 1530 Wtembogardus (279) . 2^^ 
2 - / 1531 John Sylvius (280) . 2/&*rf- 

1 - - 1532 The Gold Weigher (281) . Utt**^ 

~~ 9 1533 Copponol (283), and two impressions of the cut plate 3iLrf+*^ 
X - 3 - 1534 The Gbeat Copponol (283) . 1 Mnfy 

- /// - 1535 Oriental Head (286), Man with a Cap (289), two impressions 3 

- - J - 1536 Old Man with a large Beard (290), three impressions 

- JX - 1537 Heads of Old Men (291, 2, 4, 5, 6) 
~ / to - 1538 Heads of Old Men (298, 99, 300, 2, 4, 5, 6, 7) 
~- /<£ - 1539 Male Heads, various, (310, 11, 12, 13, 15, 19, 20, 21) 

- J - 1540 Heads, Males (325, 26, 27) 
• - I L - 1541 The Great Jewish Beide (340) 

- g - 1542 The Little Jewish Beide (342) 
/ - / — 1543 Study eoe the Geeat Jewish Beide (341) ? 

- J- 1544 Old Woman seated (343-4) 
A-(> 1545 Lady with her hair dressed (347), Old Woman (348), Rem- ^6z*6y 

brandt's Mother (349), two impressions 4 , 

- /L - 1546 Rembrandt's Mother (358-9) . 6.^^- 
- <a - 1547 Young Girl with Basket (356), Moorish Woman (357), Female 

Heads (358-9) . 5 



1.3 1548 Sketches on the same plate (360, 65, 67) 5 

/- / - 1549 Sketches on the same plate (368 and 369) 3/^^ 

■ 

REMBRANDT'S SCHOLARS. 
F. BOL. 

— 1550 Philip baptizing the Eunuch, by F. Bol, original and copy 2 d"* 1 ^*/ 

- /o - 1551 The Sacrifice of Abraham . 1 #,;/./'-*•' 

JL - 3 - 1552 Etchings of Male and Female Heads . 8 < Zf euiu9 

JOHN LIVENS. 

~ // - 1553 The Virgin and Child, The Resurrection of Lazarus 2 

/- 2- - 1554 St. Francis, St. Jerome, &c. 3 

6 - 1555 St. Jerome, St. Francis, and An Anchorite 3^LM^ eC/ 




1556 The Five Senses 5- /S 

;^VZl557 Male and Female Heads 9 — 

CZ^ 1558 Old Woman Reading and The Card Players 2 - /J" — 

*#£n£y 1559 j 0 hn Gouter, &c. . 2 — 2 - 

1560 Heads of Men . 6 — /"Z- — 

1561 Etchings, various . 4 — / 

JO HN GEORGE VAN VLIET. 

1562 Lot and his Daughters 1 / - 2 — 

1563 Isaac and Esau . 1 / _ _ 
^-^r 1564 The Set of Beggars . 10^ // - 

S)o 1565 The Trades . 12 _ / j 



ANCIENT GERMAN SCHOOL. 

(Bartsch, Peintre Graveur, vols. 6 to 9). 
ALTDORFER, ALBERT. 

ENGRAVINGS. 

fi* 1566 Man playing on the Violoncello, Mutius Scaevola, Judith, / — -- 

Lucretia, &c. . 6 

c#>. y 2tl567 Foetune (59), Peide (60) . 2 /- /3 

WOODCUTS. 

tU/&*~ 1568 The Passion of Our Saviour . 40 / - /J 

#0<&«i569 The Resurrection of Our Lord, St. Christopher, Vases, &c 17 / -/3- 

ANONYMOUS. 
(Bartsch, vol. 6 J. 

^z~^>&1570 The Saviour Tempted (361) a very fine impression of a curious 3 - 
print, but in bad condition . 1 

1571 A Lady and Gentleman kneeling before a Crucifix (67), A — / 3 
Dancing Peasant (71), Mutius Scsevola (24), The Clown (26),- 
Female seated (27), George Duke of Saxony (39), all mono- 
.p gramists in vol 9 of Bartsch . 8 

^^^71572 The Surprise (p. 76), Love Vanquished (p. 84) 2 /- 

1573 The Bal of the Emperor Maximilian (vol. 9, 481), with the 
companion print . 2 2- 

1574 Various, Adam and Eve, Temptation of St. Anthony, by ano- 
nymous Engravers and Monogramists 15 




76 

3£ 

^ — 1575 Gattameeata of Varna, The Venetian General, eying 

Dead, surrounded by naked figures, after a Design , o 
ofMantegna {B. v. 9, p. 130) . 1 

ALDEGREVER HENRY, 

{Bartsch, Vol. 8, page 362 to 455.) 

- % - 1577 The Artist's Portrait, Albert Von Helle, The Duke of Cleves, 

and copies of John Leyden and Knipperdolen 6 ' 

' '~ / J - 1578 Subjects from the Old and New Testament, Adam and Eve^2<^~ 
variously treated, &c, fine . 15 . 

/- ^ — 1579 Various subjects from the Old and New Testament 18 Ot^«^j 

/ ~ — 1580 The Evangelists, The Prodigal Son, and other subjects fromtgC^^ 

the New Testament . 20 

— /6 — 1581 Historical and Mythological Subjects, various, fine, &c. \9^^<^~ 
J U- - 1582 The Labours of Hercules, &c. . W2h^^ 

f z " 1583 The Sciences, The Virtues, &c. . 19 

/ - f> - 1584 The Dance of Death, Adam and Eve, The Vices, &c. 15 J^/«^> 

£ - X ~ 1585 A Female seated, with a Man playing on the Guitar, The Ana^^?.^'^ 
baptists, &c. &c. . 16 ~ 

y ^ "1586 Daggers, Sword Handles, and Ornaments, various 30 z^**-" 



JOSSE, AMMON. 

& ~ 1587 Single Fi gures, Set of the Months, Warriors, and Friezes 20/^^**^"-' 
/(> - 1588 An Emperor of Germany surrounded by Kings and Councillors 



in an oval, The Rejoicing with Fireworks, &c. 2 P**^*^ 

/ - b 1589 The Portrait of Henry Sachs the famous Poet 1 — — 

BINK, JAMES. 
{Bartsch, Vol. 8, page 249 to 298.) 

— /If - 1590 Roman Battles, Children at Play, Fancy and other Subjects 
- / 4 - 1591 The Engraver's own Portrzit, Children at Play, Martin Luther, /-> 

&c. . . 15 L*"*^-* 

BOEHOLT, FRANCIS VAN. 

FLOURISHED ABOUT 1480. 

{Bartsch, Vol. 6, page 77 to 90.) 
] Z- - /S* — 1592 St. Andrew (7), Virgin and Child (4) 2 ^bo 



77 



BYE, J. DE. 

/^^-'•^ c ~1593 Processions, Portraits in circles surrounded by many figures, — 

&c. . 13 

^*^^1594 The Village Feast, Christus Triumphans, Processions, &c. 8 — <^ — 

- z ^^<-_5/l595 Emblems, &c, surrounded by ornamental Borders 23 — — 

ff^^f 1596 Plates to the Works of Mercy . 8 - ^ - 

JrfLy*.^ 1597 Friezes, Ornaments, &c. . 14 — - 



B X S. 

1598 The Entombment (10) . 1 -/^ — 
BALDUNG, HANS. ' 

WOODCUTS. 

1599 The Horses (17), Drunken Silenus (45), St. Sebastian (37), _ /o ~ 

St. Jerome (34 and 35), Descent from the Cross (5) 9 
£aJ£*~-> 1600 The Witches (No. 58) on two Mocks, very rare, and a curious / — // — 
/7 , engraved Italian Copy . 2 

1601 The Apostles (7, 8, 9, 10, 11, 12, 13, 15 and 18), Our Saviour / j- _ 

(6), &c. . . 12 ' 

BEHAM, HANS SEBALD. 
{Bartsch, Vol. 8, page 112 to 249.) 

1602 Adam and Eve, differently represented, Judgment of Paris, / — & ~ 

Leda, Female bathing, &c, very fine . 8 

2*><*w 1603 The Roman Daughter, Female and Death, Cleopatra, &c, very 

fine . , 8 

/^i*— '-/T604 Mythological and other Subjects, very fine 8 — / & 

fra^? 1605 Male and Female seated on a Bank, The Bagpiper with a ^ ■ — 

Female, both etched on iron, fine and rare . 2 

/ftb'Fl- 1606 Judith with the Head of Holofernes, The Prodigal Son, Virgin / — 

and Child with a Parrot, &c. . 8 

v^<w*^ 1607 Ornaments, Architectural Capitals, &c, fine 11 /—J" 

ffi'tz**-/ 1608 The Labours of Hercules, fine . 10 — /& - 

dlJk— 1609 The Dancing Peasants, fine . 10— — 

<fc/C 1610 The Apostles, very fine . 12 /— ^ — 

c7 ii^-»H611 The Engraver's Portrait, and various Historical and other Sub- 

jects . 18 

p*-~^> 1612 Full-length Figures of the Planets, &c. . 8 / - 



78 



WOODCUTS. 



/ -J - 1613 Females bathing, a circular print (167), Holy Families (121-3), 
The Passion of our Saviour (84 — 91) . H 

BURGMAIR, JOHN. 

(Bartsch, Vol. 7, page 197, 242 to 301.) 

- — 1614 Roman Soldiers (66 and 68), Saints Bridget, Helen, and 
Elizabeth (65) . . 4 

Wtfr A Savage Man and his Wife (75) . 1 @~p 

~~ 'o~ 1616 A Young Female flying from Death (40), on two 

a BLOCKS . . 1 

— 1617 St. George and the Dragon (23), on two blocks 1 
16+8- Venus and Mercury, an etching (1), The Head of our Saviour 
(22), The King of Gutzron, on four sheets . 3 



CRANACH, LUCAS. 

(Bartsch, Vol. 7, page 273 to 301.) 

1619 The Penance of St. Chrysostom (1), The two Dukes of Saxony J 
(2) .2 

WOODCUTS. 

- /4 -1620 The Passion of Christ (6, &c.) . 10 

I - fi, - 1621 The Apostles (23 to 36) . 14 f«e~~r 

~ 13- 1622 The Apostles in small (97, &c.) . 25-^^ 

- / 7 - 1623 The Evangelists (49 to 55, &c.) . 12 [fv<*~~, 
-/i.- 1624 The Virgin and Elizabeth (68), St. Michael (75), St. Jerome / 

(63), St. George (67), Temptation of St. Anthony (56), &c. 8 ^ 
" tb - 1625 St. John in the Wilderness, two impressions, one 
printed on two blocks . . 2 

f - 3 - 1626 St. Christopher (58) TWO IMPRESSIONS, ONE PRINTED ON -£i/&-^-r 
TWO BLOCKS . . 2 

JT— 1627 Venus and Cupid (113), Angels dancing round the Holy Family 0-p 
(4),&c. 

~ 1 j- 1628 The Tournament (126) 

/ - — 1629 Different Portraits of Martin Luther (150), &c. 

/ O — 1630 The Stag Hunt, on three sheets ; A Festival, on two sheets 

ALBERT DURER. 

$ — 1631 Adam and Eve in Paradise (1) 1 ^Jj^^ 

— </j 1632 Copies of the above by Wierx, &c. ; and a Portrait of the n 
Artist, by M. Lorch . . 3 




79 



^^m^^>1633 The Nativity (2), a very fine impression of this rare print 1 ^ 
/^5Cy^-i634 The Passion of Christ (3 to 18), a fine set 16 if 

/^-~^1635 Our Saviour in the Garden (19), The Man of Sorrow (20, 21- /3 
and 22), scarce . . 4 

l^-o^i I63g The Crucifixion, in outline before the monogram, and a small x - 2. 
Crucifixion, by Hollar . . 2 

637 The Pommel of the Swoed (23), Bartsch describes this as $ — — 



the original print ; a Copy by Wierx . 2 

1637_The Crucifixion (24) . . 1 

1638 St. Veronica (25), The same subject, from the iron plate (26), - // 
Our Saviour in the lap of his Father (27) . 3 

^,^1639 The Peodigal Son (28), fine . 1 -2 - 

Various Subjects of the Virgin (29, 30, 32, 33, 34, 35, 36, 37, ^ - — 
38),fine . . 9 

1641 The Viegin and Child (40), very fine . 1 ~~ 

7^^4642 The Virgin and Child with a Pear (41) . 1 / - 4 ~~ 

A-t^t 1643 The Virgin and Child with the Monkey (42) 1 — /<? - 

^---^tJl644 The Holt Family, etched on iron (43), a very fine impression ^ _ 
of this rare print . 1 

1645 The Virgin crowned with Stars (31), The Virgin crowned by_ (k 

Angels (39), St. Christopher (51) . 3 

y^^^yWJ.646 Virgin with the Butterfly, and a curious old Copy 2~~ / 7 

tfbp^c^ 1647 Five of the Apostles (46 to 51) . 5 - - /S 

,J,/a«2«Z*_1648 St. Christopher (51), same subject differently treated (52), St. /— /2. — 

George on Horseback (54), St. Sebastian (55), Another (56) 8 
^Ln-^A649 St. Hubert (57) . . 1 / - /3 

<^*£US50 St. Anthony (58), St. Jerome (59) . 2 / 



2s:o - /J 



80 



TENTH DAY'S SALE, 



ENGRAVINGS AFTER A. DURER'S DESIGNS. 



LOT 



— 1651 A. Durer, Portrait, by Hollar, Kilian, and Drevet ; Female y^v^--o^> L 
Heads, by Sadler, &c. . 13 

/6 ~ 1652 The Passion of Our Saviour, and Sacred subjects, various 60 
" 3 - £l653 The Crucifixion, by Matham ; The Saviour bearing the Cross, (fiL^^ 
by Sadler; Ecce Homo, by Hollar, and other Sacred sub- 
jects . . 14 
/> -1654 St. Hubert, The Knight and Death, Animals by Hollar, &c. 10 fa^e^tr 
■— 3 — 1655 Imitations of A. Durer's Drawings . 7 $vc*^* 
~ 3 ~ 1656 Copies of A. Durer and Little Masters, various 33 ^tk^/tift 



-■4-6 1657 
3-1) 1658 
- % -1659 
Z~l6 ~ 1660 



- A~ - 1661 

- S - 1662 

- 7 - 1663 
/ - /3 -1664 

- /J - 1665 

- 6 - 1666 
JL-/v -1667 
3. 1668 

/ ~/3 - 1669 

2- /o - 1670 



) - 3 - 1671 



ALBERT DURER (continued). 

St. Jeeome in his Cell (60), very fine, with the copy 
St. Jeeome in Penance (61), very fine 
St. Genevieye (63), fine '. 
The Three Genii (66); The Witch (67); Apollo 

Diana (68), very fine; The Satyk's Family (69), 

fine 

Studies of five Figures (70), etched on iron 
The Rape of Amymone (71) 
The Rape of a young Female (72), etched on iron 
The Effects of Jealousy (73) 
Melancholy (74), and copies 
A Group of four Naked Females (75), and copy 
Laziness (76), very fine 
The Great Fortune (77) 
The Little Fortune (78), Justice (79), The Little Courier 

The Lady on Horseback (82) 
The Peasant and his Wife (83), The Host and Cook 

The Oriental and his Wife (85), The Theee Peasants 

very fine ; The Standard Bearer (87) . 
The Assembly op Waeeioes (88), fine ; The Peasant 

keting (89), The Dance (90) 



2 &i*i*t*it 

1 tfl,J-££*>£oLS 



AND 




31 



/JU~ 1672 The Bagpiper (91), The Choleric Man (92), The Affectionate — /6 — 

Offer (93) . . 3 

( ^ A -^1673 The Ladi and Gentleman (94), The Monstrous Hog & - 3 — 
« (95), 5o<« very _/me . . .2 

. / ^>-Am674 The Horses (96, 97), very >ie . 2 3-/ — 

ha^ 1675 The Knight and Death (98), fine . \ J-J ~ Z — 

%J&c~~h\676 The Cannon (99), etched on iron . \ — 7 ~ 

jstifam 1677 The Coat of Arms with the Cock (100), yme 1 J - A5 

3)° 1678 The Coat or Arms with the Death's Head (101), __ 

very y?we . . 1 

S>-*> 1679 Archduke Albert (102), very fine ; The same Personage ^ _ ^ _ 
J (103) . .2 

y*"^ 3 1680 Frederick Duke of Saxony (104), two impressions, one extra / - / — 

5w£ cw< ^/«e lettering • 2 

U/£Ua^i\Q%\ Melancthon(105), BilibaldiPekheimer (106), loth fine 2 3.-4 - 
1682 Desiderius Erasmus (107), very /we . 1 <5 



WOODCUTS. 

,4^^1683 Samson and the Lion (2), The Three Kings (3), The Last 
Supper (53) 

x7 |u^#T684 The Passion of Our Saviour (4 to 15) 
^3/ o 1685 Sacred subjects, various 
tfv*^, 1686 The small Passion of Christ (17 to 52) 
1687 The Apocalypse (60 to 75) 
Qo 1688 The Life of the Virgin (76 to 95) 
-J^tzttr ]6 8 9 The Virgin and Child (99), The Virgin and Child with an 
apple (101), St. Christopher (103), St. John the Evangelist 
(112), Martyrdom of St. Catherine (120), The Holy Trinity 
(122), Herodias (126) . 8 

/ZL^l690 The Holy Family (102), St. Coloman (106), St. Jerome (1 13), 
St, Jerome (114), Eight Saints (116) . 5 

^da 1691 The Ten Thousand Martyrs (117), The Last Judgment (124), 
a Man on horseback (131) 

1692 The Rhinoceros (136), printed in two colours . 1 

1693 The Triumphal Car oe the Emperor Maximilian 




- It — 
15 - 

4 — 3 - 
36 — /fr — 

17 /- 3 

18 / - - 

- 9- 

_ /o - 
. /J • 
- 

1 / - /3 - 



1694 The Holy Family (96), another Holy Family (97), &c. 8 % 



3 - S 



- 1695 Designs for Embroidery (140, &c) 

^«2w 1696 Subjects of the Virgin, various ^ — » 

_^Ja^j**Jt\Q91 Sacred subjects, various 

^f^-^r 1698 The Tournament, curious Armorial Bearing, &c. 



11 - // 
7 / - / 



M 



82 

"~ 7 ~ 1699 Poeteatt of Vaenbuleb, and Albekt Dueeb, in two 

states . > , i j 

J ~~ /J~-~ 1 700 The Duke oe Saxony, in chiaroscuro, 8fc. . 2 tf^*^ 1 



Vtrt4 



CULMBACH, JOHN. 
( Bartsch, vol. 6, page 382 to 3%Q.) 
// — 1701 The Passion of Our Saviour, two plates of . 2 

GLOCKENTH ON, ALBERT. 

(Bartsch, vol. 6, page 344 to 354. J 

/ ~ /I -1702 The Passion of Our Saviour (2, 3, 4, 5), one of the Foolish ^ 

Virgins (22) . . 5 

/ - /jf — 1703 The Crucifixion (14), the artist's finest piece . 1 ^ 

— // — 1704 The Passion of Our Saviour, and the copy from M. Schon- * 

gauer of Christ bearing his Cross . 13 

HAMEEL, ALART DU. 

(Bartsch, vol. 6, page 354 to 360.) 
1705 The Last Judgment (2) . 3 

LUCAS KRUG. 
(v. 6, p. 535.) 

— 3-d 170 6 The Nativity (1), The Wise King's Offering (2) . 2 fate 



HOPFERS, THE. 



(Bartsch, vol. 8, page 471 to 533. J 

/ / — 1707 Adam and Eve, David aud Goliah, The Crucifixion, and other ^^c. 

Sacred subjects . 10 ? 

/ "/ — • 1708 Holy Families, and subjects from the New Testament 12 ^/a^^t 

— /6 —1709 The Flight into Egypt, Holy Families, subjects of Saints, &c. 20c^3*^ 

- /7 - 1710 The Passion of Our Saviour, &c. . 17 

— $~ — 1711 St. Hubert, and various subjects of Saints . Yd^d^je^t: 
— g> - 1712 Mythological and other subjects . 

— J*~— 1713 Rural subjects, Costumes of Soldiers, &c. 

-~ / 0 — 1714 Mythological and Fancy subjects, various . 17 Jbfm**-' 

- / y — 1715 Various Portraits of Popes, &c. . 19 4w 

- // - 1716 Various Ornaments, &c. . 22 



83 



The following are Old Impressions before the numbers. 

1717 Leo X. and Julio de Medicis, Pope Adrian, and Charles V. and / — /& 
Jerome Baptst . . 4 

1718 The Holy Family, The Crucifixion, and St. Jerome 3 — 
fo-z»^f 1719 Interior of a Church, and two subjects from the Proverbs of — — 

Solomon . . 3 

AUGUSTIN HORSCHVOGEL. 

^rasis-c-<i j 720 Engravings, consisting of Sacred, Fancy, Huntings, Land- _5> — <y 
scapes, Costumes, Designs for Vases, &c. . 36 
1721 Subjects principally from the Bible . 82 — 



F. G. 

^^1722 The Two Genii and the Lioness, after Raffaelle . 



LUCAS VAN LEYDEN. 
[Bartsch, Peintre-Graveur, vol. 7.) 
$£/e~c 1723 The History of the Creation, and The Fall of Man (1 to 6) 6 /-/ — 

1724 Adam and Eve Fugitives (11), Abraham sending away Hagar — /7 
# (10) . . 2 

J*?^ 1725 Cain and Lamech (14), Abraham and the Angels (15) 2 5-2- 
LM&*<- 1726 Lot and his Daughters (16) . I /- / — 

r S o 1727 The History of Joseph (19—23) - 5 /- /O - 

J%<Th*/»r*.l728 Dalilah cutting Sampson's Hair (25), David and Saul (27) 2 / -/ — 
<^s*«f^~1729 David returning Victorious (26), David praying (28) 2 — //^^ 

1730 David at prayer, the etched plate (29) . 1 - -J? _ 

d»~f.^rn, 1731 Susannah and the Elders (33) . 1 _ <g- — 

^C-Wl732 St. Joachim and St. Ann (34), The Visitation (36) 2 --// - 
^^^1733 The Adoration of the Magi (37) . 1 f -SO ~ 

CtMt^\12,\ The Baptism of Our Saviour (40), Our Saviour tempted (41) 2 - ~ 
jffifi^t*?*-\l?>5 The Resurrection of Lazarus (42) . 1 / — /~ 

ftM— 1736 The set op the Passion op Christ (43 — 56), with two y _ J? 

copies . .16 

1737 The Passion op Our Lord, a set of nine circular prints, J ) " 
three only have the borders . 9 

jlrfP^ ay \7Z% Christ presented to the People (71), very fine, but much dimi- _^ - 
nished in size ; an indifferent impression of the same ; and 
Mount Calvary (74) . 3 

frU*~*~?Yi2& Crowning with Thorns (68 and 69), Christ presented to the 3 — ~ 
People (70), Soldiers offering drink to the Saviour (73), 
Christ bearing his Cross (72) . 5 



84 

- .A- & 1740 The Man of Sorrow (76), Virgin and St. Ann (79) 2 
/-2~$-- 1741 The Prodigal's Return (78) ■ 1 

— /o — 1742 The Virgin surrounded by a Glory, standing on a crescent (82), <~f ^ 

Virgin and Child (83), Virgin and Child in a landscape 
(85) . 3 

/~G> 1743 The whole length figures of the Apostles (86 — 99) loanting 
plate 87 . . 13 

— J/ - 1744 The Evangelists (100— 104), wanting 104 . 4 — 

_ 4 ^ 1745 The Conversion of Saul (107) . 3 ^£ 

— 2 - 1746 St. Jerome (113) . 1 — 

~ /£- 174 ? St. Christopher (109), St. John in the Desert (110), St.-^^**^ 
Jerome (112), St. Sebastian (115), St. Anthony (116), St. 
Dominic (118), St. Gerard (119), St. Francis of Assissi 
(120) . . 8 

— 0 ~ 1748 Mary Magdalen enjoying the pleasure of the World (122), and — - 

the retouched plate . . 2 

- J - 1749 Mary Magdalen in the Desert (123), The Magdalen standings 

on the Clouds (124) . . 2 

~ 3 - 1750 The Monk Sergius killed by Mahomet (126) . 

~ JT ~ 1751 Another impression . . 1 ^j/Z**?/7- 

2 1752 The Virtues (127— 133) . . 1^*^T 

~ J 9 - 1753 Pyramus and Thisbe (135), The Pilgrims (149) . 2 

- -2 - 1754 The Beggars (143), Male and Female seated in a * an dscape^^^£_ 

J ~ S~ — 1755 The Promenade (144), Man with a torch (147), The 
Musicians (153), The Surgeon (157) . 4 

— jL . - 1756 The Young Warriors (165), an Escutcheon supported by tsvo / ^-^'<^^ r 

children (167) . . 2 

— /f - 1757 An Ornamental Panel (164) . L rfc*^^ 
~ J - 1758 The Arms of Leyden (168), Ornaments (169), two Circles 

with cupids (170) . . 3 

J - — 1759 Portrait oe the Emperor Maximilian (172) 

- J" - 1760 Portrait of Lucas Van Leyden (174), his Portrait by Stokius, 

Sec. . . 3 ; 

~ o - 1761 Subjects various, originals and copies . 18 />^^^ 

~ y - 1762 Sacred and other subjects . 32 

~ /& — 1763 Engravings after his Designs . 14 

WOODCUTS. 

— 1764 Sampson and Dalilah, Herodias, &c. 3 4** 



85 



MELCHIOR, LORCH. 

au ^' 1765 Portrait of the Emperor Suleyman (13), Ferdinand of Austria / - 
(11), Persian Ambassador (16), Emperor of Persia (15), The 
Deluge, a woodcut (1), &c. 

ISRAEL VAN MECK. 

( Bartsch, Peintre Graveur, vol. 6 J. 
^ 1766 Judith and Holofernes (4) 1 - /< 

$° 1767 The Dance of Herodias (4) • i 4* i 

2)0 1768 The Passion of Our Saviour (10-21),/™* states 12 6" - 6 

$o 1769 Our Saviour bearing the Cross (23) 12-4 
1770 The Crucifixion, The Virgin and St. John on each side of the 
Cross (27) . 1 

J 4 ^ 1771 The High Priest refusing Joachim's Offer (30) 1 ^ ~' 
jfe*-** 1772 The Annunciation (34) 1 U - ■' 

<r£& 1773 The Immaculate Virgin (48) . \ lo - 

^> 0 1774 The Death of the Virgin (50) l % - J 

1775 St. Anthony (86), St. Dominic (92), St. Stephen (93), St. / _/ 

Querin(llO) . 4 

1776 The Saints Gregory, Jerome, Ambrose, and Augustin, 1/ _ 

all four on the same plate (113) 1 
■&t> 1777 St. Hubert and St. Cornelius, cut plates (114), St. Clara (126), 3 -6 

St. Ursula (132), Two of the Apostles (81) 5 
s-£o 1778 Saint Odelia (131), The Man of Sorrow (138-9), The Saviour - % 
in a Pulpit (144) . 4 

0 0 1779 St. Mary the Egyptian and St. Mary Magdalen (130), and the 6'- 7 

Holy Family (148) . 2 

3>» 1780 The Lovers (181), The Officer and his Mistress (182), and the /- /& 

Female spinning (183) . 3 

-25^1781 The Lady and Gentleman (184) . 1 ~~ 1 0 

1782 The Griffin (193), Two Ornaments on the same plate (199) 2 / ' 1 



^kxt'?<*'17%3 The Tree of Jesse (202), Two Figures seated, one playing 

the Guitar, the other the Harp, in a circular ornamental bor- 3 
der (203) . 2 

^i/&*t-f 1 7g4 A Sheet of Ornaments surrounding a Man and Women seated, 

the female with a dog in her lap (205) . 1 J 

HANS SEBALD LAUTENSACH. 

(Bartsch, v. 9, p. 207 a). 

1785 Portrait of a Man, 1554 (9), Jerome Schurstab (7) 2 - 



86 

/ - -7 - 1786 Portrait of Leonard cl' Eck (11), Portrait of his Wife (12) 2 9l*i+M~ 

y -/O - 1787 The Emperor Ferdinand, a most brilliant impression (15) 1 Z^^^ 
fi-/Z-£\l%% Veet cubious bepeesentations of a Touenament, in 

theee plates, not mentioned in Bartsch 4 Q)o 

- Ji - 1789 Maximilian King of Bohemia (14), and a Sheet of Arms (22) 7 
/ - // - 1790 Large Landscape (36 and 42) . 7 

- // — 1791 A Landscape, on two sheets joined (34 and 35), and an un- 

described Landscape . 2 

/ -11-1791 Small Landscapes (24 to 32) . 8 ^ 

I - I - 1793 Landscapes with Sacred Subjects introduced (54 to 57) 4 9^° 

- 1 6 ~ 1794 Woman taken in Adultery (48), Baptism of Our Saviour (46), 

David and Goliah (51), &c. . 5 ^ 

MAIR. 

(Bartsch, vol. 6, p. 362 to 370 J. 

y lo - 1795 Holy Family (4) . 1 ^ 

,y~y ^ 1796 Sampson with the Gates op Gaza (2) 1 

MASTER OF THE CADUCEUS. 
( Bartsch, vol. 7, p. 516 to 527 J. 

J-/<f- 1797 VlBGIN SUCKLING THE SaVIOUB (6) l/'jCytU' 

1798 The Guaedian Angel (9) 1 

MASTER OF 1466. 
(Bartsch, vol. 6, p. 1 to 52). 

//- 10 - 1799 Solomon adoeing Idols (8) . 1 fva^o 

- II - 1799*The Ceowning with Thoens (19) . 1 Qo 

MATSYS, CORNELIUS. 
- / 3 - 1800 Sacred and other Subjects, B. v. 9 . 21 

N. N. W. (vol. 8,p. 544). 

% - 1801 Victory and Renown, two naked female figures 1 

D' OLMUTZ, WENCESLAUS. 
(Bartsch, vol. 6, p. 317 to 343). 

/ -4. - 1802 The Passion of Our Saviour (4, 9, 11, 12, 13, 15) 6 

- )h - 1803 The Last Supper (16) . 2 



87 



<3K-&»- 1804 St. Sebastian (29-30), St. Christopher (26), St. (24) 4 / ~4 - 
"~ 1805 Laziness (49), The Group of Four Females (51) 2 — . 

P. M. 

£>*~* 1806 The Labours of Hercules . 4 " /z 

FENCZ, GEORGE. 
{Bartsch, v. 8, £ 319 to 362.) 
(/^>«~ 1807 Tobit and the Angel, and various Sacred subjects . 22 — /// ~ 

-£^t> 1808 Small Bible subjects . 31 — 

-&"*~~rl809 Small circular Bible and other subjects . 16 - ^ — 

0 Historical and Mythological subjects . 12— 

1811 Mythological and Fancy subjects . 12-/3 — 

^/«^1812 The Sciences, and the Senses . 12 £r — — 

^ia^~, 1813 John Fbedekick Duke of Saxony . 1 '3 — — 

/^#814 The Siege, after Julio Romano, &c. . . 2 — & ~ 

— 293-3 



ELEVENTH DAY'S SALE. 



WOODCUTS VARIOUS. 

EOT 

1815 A curious Almanack, apparently about the middle of the fifteenth / ~/ ~ 
century . . 1 
<£l^i*~1816 Adam and Eve between the Tree of Knowledge, with the — iO - 
Serpent, and a Skull in the centre of the Tree, not mentioned 
by Bartsch . . L 
1817 The Adoration of the Shepherds, and the Nymph and Satyr 2 — 
1818 Various Subjects of Saints, &c. . 24 ~ o 

1819 The Portrait in profile of an Emperor of Persia, in a species of — // 
jewelled tiara, surmounted by an ostrich feather, on 3 sheets 1 

1820 Woodcuts various, Sacred and other subjects . 35 — 
^^Y^^v-yA. 821 A large Woodcut, on two sheets, Moses passing the Red Sea, . 

Another, of the Marriage in Cana, and Last Supper. The 
Punishment of Deadly Sins, an Italian icoodcut 3 

MARTIN SCHONGAUER. 
-^^—'1822 The Angel of the Annunciation (1) . 1 5 - 6~~ 

^^^^1823 The Annunciation (2), The same Subject (3), very fine 2 / — <J 




88 

/ - ^~ -1824 The Nativity (4), very fine . 

/ - a - 1825 The Nativity (5), The Adoration of the Kings (6) 2 ( ^£ > ^/~ 

y <y - 1826 Adoration of the Kings (6), Flight into Egypt (7) 7 J^Mi 

j J -/J-- 1827 The Passion of oue Saviotje, a i>ery /we awe? eywaZ set a* 

(9 to 20) . . 

/7 ~3~ ~ 1828 Christ beabing his Ceoss (21), in the finest state l^^a^r 
-J?) " -1829 Cheist on the Ceoss subeounded by Angels, attended 

by Maey and John (25), very fine . 1 "JU^i^ 

3-1 - 1830 Virgin with the Child, standing on a Globe (28), The Virgin 

and our Saviour with a Bird (29) . 2-£*"*~^ 

=4 1831 The Virgin in the Clouds, crowned by Angels (31), The Virgin q^, 

and Child seated, an architectural back-ground (32) 2 ^ 

J - J3 - 1832 The set of the Apostles (39 to 45), St. Anthony (46), fine 13V 
J"- 1833 The Temptation of St. Anthony (47), a very fine im-^?,^ 
pression . . 1 

/-/->■ 1834 St. Cheistophee (48), St. Stephen (49), very fine 2 

- /L — 1835 St. George and the Dragon (50), The same subject in a circk 

(51) ^ . 2' 

S — — 1836 St. James fighting against the Infidels (53), in fine-^)^ 
condition . . 1 

- - 1837 St. John the Baptist with the Lamb (54), St. John in the^L 

Island of Patmos (55) . 2 * 

- /Jj - 1838 St. Martin dividing his Cloak (57), St. Lawrence (56) 2 
- jy - 1839 St. Michael and the Dragon (58), St. Sebastian (59) 2 ^r^4t^ 

/- / Jj - 1840 St. Catherine (64,) The same subject, but a larger print (65), jf 
St. Veronica (66), The Man of Sorrow (69) . 4 ^ 

//"-/<? - 1841 The Almighty on his Throne (70), The Virgin on a Throne <J 
(71) . . 2 ^ 

/ - /j ~ 1842 The Coronation of the Virgin (72), The Attributes of the 
Evangelists (73 to (76) . . 5 

- 10 - 1843 Going to Market (88), The Miller (89) . 2 
/ _ - 1844 The Elephant (92), The Pigs (95) . 2 
f-% - 1845 Different Armorial Bearings (96, 97, 98, 100, 101, 103, 

104, 105) . . 8 . 

/ ~I0~ 1846 The Crozier (106) . . \0&~-<^' 

I -/h'~ 1847 The Censer (107) . . 1 0i-in^/> 

J? - /- 1848 A sheet of Ornaments with the Owl (108), Another (115) 2 ^oO^f 

DOUBTFUL. 

1849 The Nativity (2) . . \ ; .c^<- 




89 



HANS SCHAUFFLEIN. 

/ 2^~ 1850 The Musical Paett (96), a Battle Piece, on two sheets 

. (102), Lot and his Daughter (4), &c. . 4 / - — 

1851 An Allegory on the Delivery of Man from original Sin (54), — // — 

Descent of the Holy Ghost (50), and Subjects various (52-3), 
✓7 &c- . 7 

1852 The Set of the Dancers (108), wanting two plates 18 /-£ - 



1853 Woodcuts, various . . 7 



HANS SPRINGINKLE. 

1854 St. Thomas (21), a King kneeling before St. George — - /? — 
y (58) . . 2 

^^Tl855 The Saints of the Family of Maximilian I. (52) 80 — ~ 

URSE, GRAF. 

&*^r 1856 A curious Representation of the Passion of our 

Saviour, on two sheets . 1 3 ~ /£ 

JAHN, ULRIC PILGRIM. 
1857 Death's Head (6) . 1 J2 -/t" 

^^v!858 ACTEON IN THE ISLE OF CRETE (9) . 1 /O 

VIRGIL, SOLIS. 

Sacred, Historical, and Fancy Subjects . 34 — ^ 

jfeftO-. 1860 Different Architectural Subjects, a set of twelve 12 ~ % ~~ 

fll^f 1861 The History of the Old and New Testaments, with ornamental 

~ border . . 57 ~ ^ ~ 

(iM-- 1862 Ovid's Metamorphosis (7) . 88 - % ~ 

V. C. 

(Bartsch, Vol. 6, page 390.) 

— 1863 One of the Foolish Virgins (1) . 
-Jva^t 1854 Christ on the Cross, surrounded by the Maries, &c. \ - /9~ — 

W. H. 

/7 (Bartsch, Vol. 6, page 400 to 405.) 

^^■"^\%65 The Entombment (10) . 1 9 ~ 

W. $. 

£(Bartsch, Vol. 6, page 56 to 66.) 
» 1866 The Aposlle St. Peter (1), The Apostle St. Bartholo- 
mew (6) . . 2 — 73 ~ " 

N 



90 

ZATZINGER, MARTIN. 

(Bartsch, Vol. 6, page 371 to 381.) 

-/f - 1867 The Vibgin and Child (1) . 1 <24&~ 

f-4f~ 1868 Decollation of St. John (3), Maetyedom oe Sebastian gfc 
(4) • • 2^ 

- j<? - 1869 St.Uesdla(IO), St. Catherine (11), St. Maegabet (12) 3 

/ ~~ - 1870 The Decollation oe St. Catheeine (8) . Y$cn^2u*<- 

Jj 1871 The Geeat Ball (13) . 1 4*<*~^ 

2- J>- -1872 The Geeat Toue NAMENT (14) . V&SX-)*,^ 

/ -J 1 - - 1873 The Embeace (15), The Two Lovers (16) 2 Qi^ua^- 

- /& - 1874 The Cavalier and Lady (13), The Soldiers (20), Light and /7y^ 

Obscurity (21) . S^T^ 

S * 6 — 1875 Different representations of a dying Christian 12 -^W**^ 

ZWOOL. 

3 -S'~ 1876 The Satiode between the two Thieyes 1 

— -/ & - 1877 Specimens by Stimmee, Josse Ammon, G. Scovel ; Tbe'^ 
Portrait of the Emperor Charles V., by C. S. 

GOUDT, HENRY COUNT, 

BOEN AT TJTEECHT 1585. 

/ ~~ - 1878 The Set of Engravings, after Elsheimer, ./me, with two copies 9 2)° 

SIEGEN COL. 

ELOTJEISHED ABOUT THE XEAE 1645. 

f - y - 1879 Amelia Elizabeth Landgeaye oe Hesse ^A^y^ 

A FINE IMPEESSION OF THIS EAELY SPECIMEN OF MeZZO- 
TINTO ENGEAYING . 1 

1880 Augusta Maeia Daughteb oe Chaeles I. 

a Peint of the geeatest eaeity and inteeest 1 ° / ^*' 
1881 The Holy Family, aftee Cabeacci, with the follow- 
ing Dedication : Serenissimo Principi Leopoldo Archiduchi 
Austria, novce Sculp. Artis, Inventor Ludo. a Siegen, nuo 
offert. Annibal Carracci pinzit, Ludovicus a S. novo slice modo / 
lusit . . 1 ™ 



91 



ITALIAN SCHOOL. 



4- 



(Bartsch, Peintre Qraveur, Vol. 12). 



1882 



^^s^^'1884 



r J)o 

■7)9 



885 



ja- 



zz 



/6- 



887 



890 
891 

892 



893 

894 

895 
896 



Abraham's Sacrifice, after Parmegiano (3) ; Jacob's Dream, 
after Rafaelle, by H. da Carpi (5) ; The Birth of Adam, after 
H. da Grandi, by Gasper Rinna, on wood, rare; Two Wood- 
cuts of the Deluge ; The Young Tobit (9) ; David and 
Goliah, by H. da Carpi (8), first state 7 

The Wismen's Offering, after Luini and Parmegiano (2 and 4); 
Presentation, after Salviati; Our Saviour curing the Paralytic 
and the Leper, after Parmegiano (14 and 15) ; Pilate, after J. 
of Bologna (19); Descent from the Cross, after Pino of 
Sienna (23) ; The Entombment, after Del Reggio (24), &c, 
by Andriani, &c. . 10 

Murder of the Innocents, tiuo states (7), The Virgin and Mar- / 
tha (12), Miraculous Draught (13), The Saviour and Magda- 
len (17), St. John (18), Descent from the Cross (22), all after 
Rafaelle, by Andrea Andreani, &c. . 8 

The Murder of the Innocents, after Titian, by Rhodius ; The — 
Last Judgment, &c, engraved on wood, scarce 4 

Subjects of the Virgin and Holy Families (6, 12, 13, 18, 24, / - 
and 25), after Parmegiano, Dosso, &c, by A. Andreani, H. da 
Carpi, &c; Two woodcuts of the Holy Families, after Titian 8 

Historical and Fancy Subjects (10, 17,26, 29, 30, 35, 37, &c), 
after Parmegiano, by Andreani, &c. 10 

Various Subjects after John of Bologna, Matturino, &c, by / 
Hugo da Carpi, &c. (2, 3, 7, 9) . 11 

The Triumph of Julius Caesar, after Andrea Mantegna, by _ 
Andrea Andreani (2), wanted the front and tail pieces 9 

The Battle of the Titans, after Guido, by Coriolanus 1 - 

Mythological and Fancy Subjects, after Titian, Parmegiano, 
by Andreani &c. (2, 3, 8, 12, 27, 29) 10 ~ 

Fancy Subjects, Single Figures, &c, after Guido, Peruzzi, 
Parmegiano, &c, by A. Andreani, H. da Carpi, &c. (14, 18, 
19, 25, 35), &c. . 19 

Mythological and Fancy Subjects, after Rafaelle, by A. Andre- / 
ani, &c. ; Eve, after Beccafumi, &c. 9 

Woodcuts of Landscapes, and the Caricature of the Laocoon, — 
after Titian . 7 

Woodcuts after Rafaelle, &c. . 7 — / z 7 — 

Chiaroscuri, by Andreani, &c. . 8 - S — 



// 



/ - 



/o 



/ - /J- 



4 - 



73 - 



92 



EARLY ITALIAN SCHOOL. 



- /3 
2. - /(■> 



1897 
1898 



- - 1899 



/ 



7 
J 



J. 3 - / o ' 
Jo 

- 13 

- so 



- /t, 

/ - - 

- s 

- lo 

- 6 

- & 



1900 
1901 
1902 
1903 
•1904 
1905 
1906 



-1907 
-1908 

- 1909 
-1910 

-1911 
-1912 

- 1913 
-1914 

- 1915 



/ ~/3 - 

37 - - 

~ /o - 

- M - 

- /5- 

n - - 

- a - 

6-2-6 



1916 
1917 

1918 
1919 
1920 
1921 
1922 
1923 



{Bartsch, Peintre Graveur, Vol. 13). 

The Playing Cards (Guoco di Tarocco), 22, 23, 24, 48 - 4 / 3^^"- 
Anonymous The Adoration of the Magi (p. 73,-^~^, 

No. 1) . 1 
— — Friezes of Tritons and Sea Gods wft**" 

(p. 102, 7 & 8) 2 

Roman Triumph (104, 1) 

Folly Enthroned (11 3, 10) Y^^^u^ 

Mozzetto, Jerome Judith (216, 1) \0cc^^. 

Virgin and Child enthroned (4) 1 

Mantegna, Andrea The Flagellation (227, 1) 1 0o 

The Entombment (3) 1 

Our Saviour after his resurrec- 

tion, with Sts. Andrew and 

Longinus (6) . 1 
The Virgin and Child, second state, $ n 

(8) * 1 M 
The Roman Triumphs, (11, 12, 13, 

14) . 4 

Hercules and Anteus (16) lQe^ £ u>u^ 

— Combats of Sea Gods and Tritons,^/^,^ 

(17 and 18) . 2 

Bacchanalian Subject (19) 1 — - — 

Silenus (20) . 20 flfc<,<t1- 

Descent into Limbo, and copy (2) 1 — ■ 

Zoan, Andrea Four Women Dancing 1 %cntsLau 

Bresse, Jean A. de . The Entombment, after Mantegna^^ 

( 2 ) • 1 

— Holt Family, second state, (5) 1 

Hercules with the Numedian Lion 



Pollajuolo, Ant. 



(11) 

Hercules with the Bull (10) 
Laocoon (15) 
Children Dancing (19) 
Hercules and Anteus (13) 
Another impression 
Hercules with the Giants 



r 




. 93 

OW~?^~ t92 4 Montagna, B The Virgin and Child seated m g 

a Landscape (6) 1 
tZ^b- 1925 ■ Christ in the Garden oe Olives/ - — 

i j Si yl ~'^r 1926 Saint Benedict instructing the - / o 

Monks -z-e45n*^^>~^J~^J^<6£- \ 

1927 ■ St. Jerome seated 1 — i~ 

1928 Nadat The Virgin and St. Elizabeth, g - — 

enthroned (1) v 1 

/g*^ 1929 Campagnoa, D. ... The Assumption (4) fC-^ xtf- 1 ?' 
* 1930 The Beheading of a Saint \ 3- -3 

1931 The BattIiE ( 19 ) i 2 -// 

& " J v 1932 The Descent of the Holy Ghost, ^ -/ v 

^ ° 1933 Campagnoa, Julio .. St. John the Baptist (3) 1 /" 

ft-j-<^-t 1934 Robetta Adam and Eve wtth their Chil- ^- - 

• dren (4) . 1 

ofyfr*" 1935 The 

Adoration of the Kings (6) 1 I ~ ' 

^L^A~ 1936 The Man tied to a Tree by Cu- ) — 6~ - 

pid (25) . 1 

(Bartsch, Vol. 14). 

MARC ANTONIO AND HIS SCHOOL. 

1937 Subjects from the Old Testament (4, 6, 10)^/^, O^j^i^J} " ^ ~ 

t2&*~~ 1938 Adam and Eve driven out of Paradise (2) 1 / - i/ - 

-£,^^1939 Abraham's Sacrifice (5), before the letters A. V.^l~*^> 1— 7 ~~ 

1940 The Almighty appearing to Noah (3), copies 2 — — 

1941 David cutting off the Head of Goliah (10) n_/£- 
before the tablet Zrc^y^ruL? . 1 
r^^^L- 1942 The Massacre of the Innocents, with the " Chicot" 1 / -/& - 

Q° 1943 Copies of the above (20, 24, &c.) . 3- 

£2/^<~ 1944 The Adoration of the Shepherds (17), by A. Vene- ^ ^ 
ziano . 1 

~ 1945 The Massacre of the Innocents, after Bandinelli, by Ravenna, y-- 
the original and 2 copies (21) . 3 

it^^ 1946 Copies of the same print . 2 - -2 

The Flight into Egypt, and the Transfiguration (6), by Ra- _ /o 
venna . 2 0 

^»**^1948 The Last Supper, after Rafaelle (26) q 0 _/ a 

from Sir. P. Lehfs collection . 1 




94 

j£— 1949 The Last Supper (26) ; The Spasimo, by A. Veneziano (28) ;<^^?«^_ 
Descent from the Cross (37), and Entombment (39) 4 , 

/ ""^2- 1950 The Vierge au Bras nud., fine but damaged (34) and a reversed <&t&? -y<4. 
copy, not described 

JL — — 1951 La Vierge au Bras Couvert (35) . 1. 

— S — 1952 Various copies of Holy Families, after Rafaelle 4 
J - / - 1953 La Vieege a L' Escalier (45) . 

- 1954 Tne Virgin with the Fish (54), with the copy 2 . 

— 1955 The Virgin seated in the Clouds (53), with Carraci's retouch,^ 

and a copy . . 3 

1956 La Vierge a ia longue Ctjisse (57) t**^/ ^-**-*~> \£. ' 
J2~S~- 1957 The Holt Family (60), first state . 1 

-1958 The Holt Family with two Angels (51), by A. Veneziano, 



in the first state, with the date 1516 c^-a 

J$ 1959 The Viegin with the Cradle (63), after Rafaelle^*** 7 ! 

JL - fe— 1960 The Death oe Ananias (42), by A. Veneziano " \ &a_*^ 

/3 1961 Paul Preaching at Athens (44) 1 <^f**~ 

/ - - 1962 Elymas the Sorcerer (43), by A. Veneziano \eCnt*%~?£J 

- /o - 1963 The Apostles (64, 66, 68, 69, 70, 71, 73, 74, 75, 76) 10 ^X^7 

- 1 - b 1964 Small copies of the above . 14 

% - — 1965 The set of the Apostles, by Marco Ravenna 13 ^ 

~ 9 -1966 St. Jerome reading (102), &c. . 4 

- i' ~ 1967 Martyrdom of St. Felicite (117), and copies 4 ^ 1 

J. 3.- 1968 The three Maries going to the Sepulchre, after M. 
Angelo, by A. Veneziano (33) zr^y ^c^t^ 
d- - C ~ 1969 The Five Saints, (113) 

- /S- 1970 The Martyrdom of St. Lawrence, after B. Bandinelli 
/-/^ - 1971 The Sybil of Cumsea, by A. Veneziano (123) with the 

touched impression 

— /%- 1972 Tarpeia and the Sabines (185), by A. Veneziano 
J -5 - 1973 Lucretia (192), with 2 copies, and Dido (187) 

— /o - 1974 Entellus and Darius (195), by M. Ravenna 




95 



TWELFTH DAY'S SALE. 



THE WORKS OF MARC ANTONIO AND HIS SCHOOL 

CONTINUED. 

LOT 

1975 The Emperor meeting the Warrior (196), Camillus (201), both - - 2 — 
by A. Veneziano . . 2 

^^—^1976 Alexander with the Books of Homee (207), P.Mariette, / - 9 — 
1670, with the copy . . 2 

1977 Tarquin and Lucretia (208), by A. Veneziano, second state, 

and the plate restored by Eneas Vico, &c. 3 
1978 Cleopatra (199), and two copies . Z—2-4 

1979 The Cavaliers, with the Address of Salamanca (188, 190, 191) 4 — 2. — 

<Z3y~-~-\980 Two Fauns carrying a Child (230), Cupid on the Sea (234), — /4 - 
by A. Veneziano ; ancient Bas Reliefs, by Marco Ravenna 8 
1981 Silenus (240), Lycaon (244), by A. Veneziano ; The Laocoon, — 
by M. Ravenna (241), &c. . 5 

" 1982 The Judgment of Paris (245), and three copies 4— £ — 

<£«u~, 1983 The Battle (211), by A. Veneziano . I- / — 

<^^- 7 '? < J984 Dance of Cupids, Rape of Helen, Triumph of Titus, &c, by /-^ — 

Ravenna, &c. . ^^^^W^/ 7 

do 11.985 LedaJt>y~M. Ravenna (283), Satyr and Cupid^281) 2 f.Gz-fe 

_y/^L986 The Parnassus (247) fine but damaged, and three copies 4 — /4 — 
- — - 1987 The Loves of Jupitee and Semele, by M. Ravenna 1 — ^ ~ 
t/4*~<t*\§%% Hercules and the Lion (237), Minerva, Venus, and Cupid — 3 - & 
(236), Dance of Fauns (250), &c, by A. Veneziano 6 

1989 A Naiad caeeied by a Teiton (228) 1 — 7 " ^ 

-pz^> 1990 Venus and Cupid (297), with the copy . 2 ^-/O — 

1990*The Thermes (301 to 304), Ornaments, &c, by A. Vene- - Z -6 

ziano . . 8 

1991 The Vintage (306) . . . iJL-ti 

^ o 1992 Vends, Cupid, and Pallas (310) ^>^S> . i^/o — 

1993 Venus rising from the Sea (312) damaged, The crouching 

Venus (313) /^O. . <l~ i ~ I '~ 

— 1994 The Fawn and Tiger (307), The young Olympus, by Marco — J2. — 

Ravenna (309) ; Hercules and Anteus, by A, Veneziano 
(316), Daphne and Chloe (317) . 4 




96 

— / - 1995 Cupid (219), Venus and Cupid on Dolphins (324), Female 
taking a Thorn from her Foot (321), all after Rafaelle, by M. 
Ravenna . . 3 ' 

/ " / — 1996 Cupid with ihkee Children (320) . 1 

- - 1997 The " Quos Ego" (264) . 1. 
/ 2 ~ 1998 Hercules and Anteus (316) . 1- 

~ % — 1999 Offering of a Child io Priaptjs, by Agostino Veneziano 
(336) . . 

- Z - 2000 The Loves of Jupiter and Semele, by M. Ravenna (33) 1 <~io 

• ;3 -2001 The Three Graces, from the Antique (340), The Repe-^^,^ 

tition, by M. Ravenna (311), and a small copy 3 
Jo - - 2002 The Three Graces, from the Picture by Rafaelle in 
the Ghi6i Palace (344) 1 
'4 - 2003 The Laocoon, by M. Ravenna (353) ; and Mercury and -p^^f 
Jupiter, from the Ghizi Palace (342 and 343) 3 - 

- J - 2004 Venus and Vulcan, after Rafaelle, by A. Veneziano Zco^^r 

(349) . . 1 

■-/Jj - 2005 The Galatea (350), with the copy . 2 $c 

_ j - 2006 Trajan between Rome and Victory (361), with the re- 
touched plate, and a small copy . 3 

-J/ - 2007 Philosophy, after Rafaelle (381), and copy, by Eneas 

Vico . 2 

/ ~ M - 2008 Prudence, after Rafaelle (371) ^^y^C 

~ 7 - 2009 Temperance and Purity (379), by A. Veneziano, and two of 

the Muses (276, 277) . . 4 , 

- J~ - 2010 Peace (393), with the copy . 2 ^^-^ 
J~/£ -/2011 The Seven Virtues, after Rafaelle (386, 392), with a ^ 
7 copy of (391) . 8 V 

— JZ — 2012 Force represented as a Female with a Lion, after Rafaelle, by L— 

M. Ravenna (395) . 1 

2 - - 2013 The two Women, with the Zodiac (397) 1 JW*^^f 

- /i> — 2014 A Bacchanalian piece, from the antique (248) 1- 
_ _2 — 2015 A repetition of the same subject (249) . 1 0: 

J - 2016 Copies of the above, by Eneas Vico, &c. . 3 



g 2017 The Plague, after Rafaelle (417) . \f^ff^ 

- 1 - 2018 The Child on a Sea Monster (413), The Battle, both after 

Rafaelle, by M. Ravenna . 2 

— /O — 2019 The piece called "The Bathers," after M. Angelo, by A. fuu^ 

Veneziano (413) second state, and the copy 2 
J - Jo ~ 2020 Part of the same Subject, engraved by M. Antonio fi^/ <? ' 

(487), and the copy, by M. Luchese . 2 ' 



97 

4$&-<^ 2021 Allegorical piece, called " The Stregozzo," after Rafaelle, by g 
Agostino Veneziano {AW), first state before the letters A. V. 1 
'^^2022 The same print, with the letters A. V. ' . 1 — //f - 

- //— 



~£o/i^-<* 2023 The Skeletons, after Baccio Bandinelli, by A. Vene- 



ziano (424) . 1 

«^2024 Two naked Men in conversation (464) 1 - £~ — 

^■*^tT 2025 Venus on the Sea (323), Juno, Ceres, and Psyche (327), both —/g 

after Rafaelle, by M. Ravenna . 2 

2026 Two Men, one in a kneeling posture (434) . 1 / 

, 2027 The Old Woman going to the Pit (457), by A. Veneziano 1 — 2. — 

2028 The Warrior, after Rafaelle, by A. Veneziano (461) 1 _ / 

fa^a^ 2029 A Group, taken from the School of Athens, after Rafaelle, by _ <^ 

A. Veneziano (492) . . 1 

2030 The Cassolette (489), with two copies . 3 — 3 

-^a-^<^-2031 Soliman Emperor of the Turks, by A. Veneziano . 

(518) . . 1 

//^.*^2032 Francis I, King of France, by the same (519) 1 -2.—^ 

^Jyyr^- 2033 Baebarossa, by the same (520) . ^^j^ 

//5.2034 Pope Paul III., by the same (522) ^r^- . 1 Z, C 

/^C^t/2035 The Altar of Jupiter in the Capitol, after Rafaelle, by A. / 

Veneziano (535) . 1 

— — 2036 Capitals of Columns, Ornaments, &c, by A. Veneziano 14 — 3 

— 2037 Pannels, Ornaments various, by the same . 16 — - — 

. 2037*A similar lot . . 12 — 

2038 The Life of the Virgin, after A. Durer . 15 — V — 



*-o2039 Modern impressions, copies various . 19 — J — £ 

(Bartsch, Peintre Graveur, Vol. \5J. 
ANONYMOUS MASTERS. 
//ru)a- 2040 The Creation (1), Cain and Abel (4), Joseph and his Brethren 

(6), The Cup in Benjamin's Sack (1), all after Rafaelle 4 — 2 — 
^^|i>2041 Christ's Charge to Peter (6), and various Mythological, all after 



Rafaelle ; The Holy Family, after Parmegiano (12) 5 



'2042 Various Sacred, Historical, and Mythological subjects, by 



anonymous engravers 



io — 3 



JACOBO CARAGLIO. 

~^*~£y 2043 The Labours of Hercules . 6 — £ 

fyrtZZ*^ 2044 Historical, Sacred, and other subjects, after Rafaelle, Parmegi- 

ano, &c. . . 7 — / 

a/«L^»2045 The Gods and Goddesses in niches . 39- 3 

O 



2- - 



98 

2046 The Assembly of the Gods, after Rafaelle (54), with the copy ^/jLh^ 
Jr - 2047 Loves of the Gods, and other curious Mythological subjects 11 Jrfs^j?- 
3 2048 The Battle, after Rafaelle, Alexander, Roxana, &c. 4 gt/<a^ 

JULIO BONASONE. 
— // — 2049 Adam and Eve (3) ; Judith, after M. Angelo (9) ; Noah's 
Ark, after Rafaelle (4); Moses striking the Rock, after Par- 
megiano (7) . 4 

/ —/ ~ 2050 Judith with the Head of Holofeenes, after Rafaelle ,^z£y /gj 

(8), MOST RARE . 1 

J L — 2051 Oirii Saviour on the Ceoss, after M. Angelo (43) 1 $o 
— - ^ — 2052 The Entombment, after Titian (44) ; The Resurrection 
(45) . . 2 

b — — 2053 The Resurrection, in the first state, before the / j 

Plate was worked on with the graver, the back-^ 4 *^/^* 
ground being nearlt white (45), undescribed 
/ — J 2- ~~ 2054 The Virgin mourning over the Body of our Saviour, after, 
Rafaelle (60) . 

— ^ — 2055 The Saviour in the Lap of the Virgin, after M. Angelo (64) j-^L^i^, 

Shepherd's Offering (39), &c. . 3 v 

— /% — 2056 The Passion of our Saviour, from the engraver's own design 

(10 to 37) . 28^^^^ 

J' 2057 Holy Family, after M. Angelo (66); Virgin, and Child in the^^^^^^ 

Clouds, after Parmegiano (62) ; Adoration of the Shepherds 
(38) ; Holy Family (51) . 4 

/ - Jb — 2058 The Three Maries (50), Holy Family (68), after Rafaelle ; tffa/ 
Holy Family in a Landscape, after Titian (69) 3 

— (, — 2058*The Last Judgment of M. Angelo (80) 1 ^L^. 
_ J - 2059 The Birth of St. John, after J. Fiorentino (76), St. Roch, after f^J^. 

Parmegiano (70) . 2 

j — — 2060 Figure from Last Judgment (79), and Jesse, David, and Solo- /? 

mon (78), after M. Angelo . 2 

— Ji — 2061 Scipio wounded (81), Hector and Achilles (82), Clelia crossing 

the Tiber (83), Battle of Constantine (84), Siege of Troy (85), 
after Rafaelle, &c. . 5 

J — 2062 Europa(109), Hercules with Gerion's Flock (110), The ^^E-%yiXddy 
ment of Paris (112) . 3 

-~ / — 2063 Men and Women bathing (112) . 3 

-J{ - 2064 The Triumph of Cupid (105), The Empire of Flora (111) 2 f)/^^ 
- a —-2065 Venus attended by the Graces (167), Saturn (172), Nymphs ./ 

and Satyrs (170), Nymph and Triton (173) 5 JAa^y 



99 

2066 Alexander and Roxana (100), Cupid tied to a Tree (101) 2 — ^ 
^*«~~,2067 Mercury with the Daughters of Aglaurus (102), The Triumph — /J- 

of Love (106) . 2 

^//^-i^/5068 Various Mythological Subjects, by and after Bonasone 13 — d~ 

£>* 2069 The Loves of the Gods (149 to 163) 20 - Z - 

2070 The History of Juno (113, 134) . 22 — / - 

2071 Jupiter and Juno with the Cestus op Venus (92), ^ _■? . 

rare . 1 
fea^ 2072 Jason and Medea (89), The Rising of the Sun (99) 2 — 

2073 The Portrait oe Michael Angeeo (345) 1 J— J~ 

$fi, yfc '207 4 Friezes, Ornaments, Emblems, &c. . 21 — ^ 

&-v 2075 Holy Families, and other Sacred Subjects 8 — 1/ 

MASTER OF THE DIE. 

2076 The Marriage of Cupid and Pysche, after Rafaelle (39 to 70), J~ 

with the address of Salamaneco . 33 
&~r 2077 Venus and Psyche (71), proof . 1^ — / 
~77^ 2078 Mythological Subjects, various . II— J? 
JSa^<y 2079 Battle Pieces, after Julio Romano, &c. 4 — ^ 
■fio.^ 2080 Two Friezes, Children in Procession, after Rafaelle (37, 38) 2 jz -J— 
2081 Designs for Tapestry, after Rafaelle (32) 5 - 2- _ 

NICHOLAS BEATRICIUS. 

Jfrt^-? 2082 St. Peter on the Water, after Giotto (16) 1 3 - "3 

^#^1^2083 The Annunciation after M. Angelo (12) 1 /— // 

^.^^2084 Wisemen's Offering (13), Holy Family (24), Our Saviour— ^- 
raising the Daughter of Jairus (15), St. Elizabeth of Hun- 
gary (31), Virgin and Child surrounded by Saints (29) 5 
-^*^V-2085 A Roman Battle from the Antique (94), River Gods (95, 96) 4 — 2- 
<^?>° 2086 Subjects after M. Angelo, Christ with his Cross, (23), &c. 4 / — — 
—= — 2087 Battle of the Amazons, on two sheets . 1 — 2- 



ENEAS VICUS. 



4 
2- 



2088 Judith and Holofernes, after M. Angelo (1), Holy Family (5), 

St. George and the Dragon (12), St. Jerome (20) 4 

2089 Mythological Subjects— Leda (26), Lucretia (17), Mars and 

Venus (21), &c. . 6 

C7^fc^~ 2090 The Cyclops (31), Venus and Cupid (19), after Rafaelle 2 - 
^c^C-^2091 Mercury and Pysche (50), The Assembly of the Gods, (38), 



after Rafaelle, &c, 



/O 



100 

~ -2 — 2092 Various Fancy Subjects, after Parmegiano, &c. 20 
3 ~ ~ 2093 The Army of Charles V. crossing the Elbe (18), Portraits of 
Charles V. (255), John of Medicis (254) 3; 
/ ~/<? ~ 2094 Portraits of Cardinal Bembo, Ariosto, Henry II, &c. 8 
— Jl — 2095 The Geneaology of the Medici, and various Italian Costume 20 

— JL — 2096 Small Emblematical Subjects, after Saltiati 24 

— JL — 2097 Engravings of Medals in ornamental borders 55 

— / - 6 2098 Cups, Vases, Candelabra, &c, he/ore the address of Sala- n 

manca . IB 

J- ~ & 2099 A similar lot . 18 

JOHN BAPTIST GHISI. 

— 2100 Mythological and Historical Subjects . 7 A*"^" 

— / — 2101 A Naval Combat (20) . 1 /^^_ 

ADAM GHISI. 

_ ^J~— 2102 Miraculous Conception (4), Venus and Mars (7), Jupiter 
changed to a Serpent_(9) <x^f - 3 

— JL — 2103 Cupid in a Car (12) Cupids on a Dolphin (13), after Rafaelle 1jkt^y<^ 
— JL - & 2104 Various Sacred, Mythological and Fancy Subjects 24/^^-t, 

GEORGE GHISI. 

— "2105 Holy Family, after Julius Campus (4); Adoration of the-^^^ 

Shepherds, after Bronzino, original and copy (3) ; Marriage 
of St. Catharine (12) . 4 

J — J V - 2106 Adoration of the Shepherds (2), Our Saviour in Heaven (14),-^li^u-^ 

and other Sacred Subjects . 6 

/ - (0 - 2107 Calumny, Venus and Vulcan, &c. 3^5ui>-t^ 
Jf, — — 2108 The Figures in the Angles of the Sistine Chapel, after M.^^^^ 
Angelo, (1 to 72), and a Portrait of the Painter 73 
3 - ^ - 2109 The Prophets and Sybils (17—22) . 6*2^ 

J -(, 2110 The Dream, after Rafaelle (67), &c. ^hrust*- 

— 3 —2111 Mythological and Fancy Subjects, Angelica and Medora (42), # 

&c. . q/^tt^^. 

— JL - 2112 The Statue of Hercules (41), Hercules and the Lion (21)*^ 

Battle on the Bridge (34), &c. . 5 

" —2113 Venus and Adonis . 1 

— Jf —2114 The Upright Ceilings, after Primaticcio (36—39) 4 tj&^r/fi 
— - </f —2115 The Oval Ceilings, after the same (48— 51) 4 < 7)<* 

— V -2116 Cupid and Psyche (45) . 1 

- / - -2117 Hercules reposing (56), The Birth of Memnon (57), A Roman n 
Triumph (68) . 3 



101 

J^i-v 2118 The Judgment of Paris, after Bertano (60) 1— - ^ 

<2>a 21 19 Skeletons rising from the Tomb, after Bertano (69) 1 — - 

/IfjlvA. 2120 Silenus (55), Lucretia (27), Female in a Boat (65), Penelope / 

(2) . 4 

DIANA GHISI. 

^^^2121 The Birth of Apollo and Diana, after Giulio Romano (39) \ — /c 

2122 Sacred and other Subjects, various . 9—3 

^^fe-j^/2123 Preparation for the Marriage of Psyche (40), after Giulio Ro- — £ — 
mano . 2 

•fttsfr^, 2124 The Annunciation, after Signoretti, &c. 2 /— 

-^/a^. 2125 Christ's Charge to Peter (5), Holy Family (14), &c. 
^^^,2126 Martyrdom of St. Catharine, after Giulio Romano (27) 

I. F. 

-^^i^ 2 127 A Female Saint holding the representation of the 

Virgin and Child surrounded by four Saints (1) \ *o ? 

2 1 28 Christian Charity, second state (3) 1 6~~ — - 

2129 The Holy Family (2) . 1 — £ 

2130 Another Impression . 1 / 



6 - /Z- 
1 



H. E. 



;<2l^- ^ 2131 Adoration op the Shepherds (1), Our Sayiour with — 

the Doctors (2) . 2 

y^I>z~^2132 Parnassus Prophaned (3), second state 1 — // 

^^^-2133 The Vineyard (5) . 1 - 4 



102 



THIRTEENTH DAY'S SALE. 



GASPER REVERDINUS. 

LOT 

_ n — 2134 The Virgin surrounded by five Saints (9), The Last Judgment 

(15), The Cyclops (20) . 3< 

- y - 2135 Cimon and Piro (2), Clelia (16) . ^ f!h*fi?^ 

— 2136 The Planets (3—9) . 7 

JULIO SANUTI. 

- — y — 2137 The Marriage of' the Virgin, after a drawing by Raffaelle (1) 1^L^_ 

— 2138 A Bacchanalian Dance (5) . 1 J^J%^^r*K 

MARTINUS KARTARUS. 

/ — 2139 The Virgin mourning over the Body of our Saviour, after M./C/// , 

Angelo(9) . 

— //f- —2140 The Last Judgment, after M. Angelo (18) 1 

M. Z. C. 

— — 2141 The Unicorn, engraved in the style of A. Veneziano 1 -fya-^-*-? 



- /# — 2142 Various, after Raffaelle, M. Angelo, &c, by the Master of the 

Die, and others belonging to the 15th vol. of Bartsch 9 

- § — 4143 A similar lot . . 11 

- — 2144 Engravings attributed to Bonasone, &c. 6 

16afA Vol. 
MARTIN ROTA. 

/ - '• • 2145 Last Judgment, after M. Angelo, second state (28), and two 

copies ; The same Subject, after his own design (59) ; and a /st/fc^-l 
copy by Jacobo Franco . 5 - 

- — 2146 Portraits of the Emperors Maximilian and Ferdinand (8, 68, yfc*-v^—j 
and 81) . . 3 

Jf~ — -2147 Ernest of Austria (84), Rudolph (96), Antonius Veranius W - 

(101), The Medici (105) . 5 

2148 Portraits of the Emperor Rudolph (94 and 97) 1^0 

~ f Y -2149 Holy Family in a Landscape, after Titian (2), Peter Martyr J 

/ (23), &c. . . 8 Yliri<^)^ 



^^153 Death, represented as a Skeleton with Wings (109) 1 
? 2154 After Titian, &c, various . 4 



103 

-fyio'lXm The Emperor Charles V. (61), Maria of Austria (80), &c. 4 / 
^<^ t 2151 The Battle of Lepanto (114) . 1/ 

/^f^t'2152 Aldus and Paulus Manutius, John de la Vallette Grand - 
. Master of Malta, &c. . 5 

JOHN BAPTIST FRANCO. 

2155 Subjects from the Old Testament : Gathering Manna (4), 
Melchisedech and Abraham (5), &c. 6 
/Uc^J+ c l\56 The Prophet Ezekiel (1), Horse of Troy (53), Heraclitus and - 
Democrites (51) . . 3 

2157 Subjects from the New Testament: Christ entombed (22) 

&c. . . 8 

2158 Christ bearing his Cross (11), St. John Baptist (34), &c. 7 
— t--:— ~2159 Circular Allegorical pieces (56, 57, 58), Two Angels flying 

(66) . .8 

~~ '" *2160 Historical and other subjects from ancient sculpture 22 

S/a^. >e^zz2\Q\ A similar lot . . 38 — 

2162 Various Animals and subjects from ancient sculpture 37 — 

£2-££e-^ 2163 Preparations for the Mai ■riage of Psyche, after Julio Romano 

(47) . " .• • 1 — 
■ 2164 The Entombment of our Saviour, &c. . 4 — 

PAOLO FARINATI. 



2165 Etchings of Holy Families and Saints, &c. (2, 4, 8, &c.) 7 ~" " 

2166 Subjects, principally Sacred (1, 6, 9, 10, &c. 9 

JACOPO TINTORETTO, 

ko^i 2167 Pasquel Cicogna . 1 / 

JULIUS FONTANA. 

2168 An Allegory on the War of the Venetians against the Impe- — 

rialists, after Titian (214) ; a Landscape, with the Blind 

leading the Blind (4) ; Subjects from Profane History 5 

^<w<v 2169 The Flagellation (11) . 1 / 

^Jo^e^xt 2170 The Resurrection (15), The Last Judgment (19), &c. 3 - 

BAPTISTA DEL MORO. 

^Uby'^i' 2171 Heney II. King of Feance . 1 

-2172 The Vestal Tucia (30), St. John baptising our Saviour (4), St. • — 

Rock (14), &c. . 4 



104 



3 — 2173 Historical and Fancy subjects (17, 18, 21, 31, &c.) 8 
/ — 2174 Landscapes with Animals, after Titian (25 and 26) 2 
<X. — 2175 The Finding of Moses (1), a Bishop's Tomb (13) 2 



MARCO D'ANGELI DEL MORO. 

— S - 2176 The Sybil, with the Emperor Augustus (3), Mars and Venus 

(5), The Garden of Love, &c. (8) 3 

FRANCESCO PARMEGIANO. 

— £ - 2177 Judith (1), Annunciation (2), Nativity (3), St. Thais (10), St^^^ 

James (8), The Resurrection (6) . 7 

-// — 2178 St. Peter and St. Paul healing the Sick at the Beautiful Gate, 
after Raffaelle, second state . 1 

2179 Etchings after Parmegiano, by the Master F. P.,&c. 9 

ANDREA MELDOLLA. 

Jl - ^2180 Our Saviour curing the Lepers (16) . 1 

/ -2 - 2181 God appearing to Moses (3), The Holy Family (61) 6 $%u*/ 

— 7 — 2182 The Saviour and St. John embracing surrounded by Saints s> /fj 
7 (63) . . 1^ 

J-) - 2183 St. John adoring the Saviour, surrounded by Saints 1 
J — 3 ~ 2184 The Entombment of otjk Saviotje (17), the same subject A 

differently treated (18) . ^/ft*^ 

— // - 2185 St. Peter (39), copies of two other Apostles, Bellona (76, 77) 5 ^tb 

ANDREA SCHIAVONI. 

3 —2186 The Roman Emperors (1 to 12), Counterproof of (13, 20, 24), 
and a very fine impression of No. (18) . 16 

17 th Vol. 
HORATIO DE SANTIS. 

- B ~ 2187 The Nativity (3), Holy Family (4), the same subject differently 
treated (5), Descent from the Cross (8), &c. 6 

— J/ — 2188 Two Angels holding a Cartouch (17), with copy, &c. 3 



CHERUBINO ALBERTI. 



7 J 



2189 Adoration of the Shepherds (11), Entombment, after M. An-Q . / 4 
gelo (23), Dead Christ supported by an Angel in the Clouds 
(26), Holy Family (30), St. Christina (41), &c. 6 
- 2190 A Figure holding a Cross, from the Last Judgment, and copy, 
(69), Satan, from the same picture (71), The Prophets and 
Sybils (72, 77), all after M. Angelo . 9 



105 



}hl&2 2191 Angles of Ceilings, after Polidoro (9 1 ) ; The Seasons (101, - 
104); Marriage of Cupid and Psyche, after Raffaelle (106, 
&c. . . 13 

Another set of the Seasons, and various . 8 

Various, after Polidoro . 19 



fl£&"> 2192 
$af*f 2192 



OA* 



2194 



ft*"" 2195 



SEBASTIAN D'UL. 
Pbometheus chained 

SCHOOL OF FONTAINBLEAU. 

F. PRIMATACIO. 
The two Roman Women (1) 

L. DA VENT. 



/2- 
/X 

/I - 



1 / 



'2196 The Apostles adoring the Saviour, and the Virgin, on four 
sheets intended to oe joined together (6, 7, 8, 9) 4 

2197 Holy Family (1), Alexander and Bucephalus (12), Camillus 

(13), The dead Body of Patroculus, after Giulio Romano (15), 
Jupiter enthroned (33), &c. . 9 

2198 The Cultivators (43), Battle of the Amazons (51), Cadmus and 
the Dragon (42), Two Satyrs conducting Cupid, mounted on 
an Ass (45), Hercules and Omphale (50), &c. 8 

"2199 Amazons defending themselves (51), Hercules and Omphale 
(55), Cupid and Apollo (57), The Fishermen (65), Dance of 
Fauns (68), a Grotto (69) . 9 

ANTONIO FANTUZZI. 

2200 Landscapes surrounded by ornamental borders (29, 30), Single 
Figures (2, 23) 5 

DOMENICO DEL BARBIERE. 

'fatfj 2201 A Group, from M. Angelo's Last Judgment (2), The Assem- . 

bly of Men and Women (6) . 2 

HEUY. 

2202 An Etching of a Geoup oe Children 1 

ANONYMOUS MASTERS. 

2203 Abraham's Sacrifice (4), The Birth of the Virgin (5, 6), our 
Saviour washing the Feet of the Apostles (22), Holy Family 
(32) . . 5 

P 



- u - 



/0 



7 (pfJ<y 



106 



2204 Birth of St. John the Baptist (35), a Roman Emperor V/ 
haranguing his Soldiers (39), Scipio, after Giulio Romano / 7 
(48), Hector at the Siege of Troy (50), and the dead Body of 
Patroculus (50 and 51), Venus at the Bath (60) 6 
" 9 2205 Cupids at play (70), The Espousal of a young Greek (84), a U/hutf- 
young Man drinking (81), Gladiators fighting (98) - 

— 9? — 2206 Mythological subjects, by Leo Davent, &c. \vl(a^hl^ 

— 8 — 2207 Similar subjects, by various artists of the school V&^BPcUaitf- 

— J-l — 2208 The Siege of Troy, and other Historical and Fancy subjects \2>^j(b^u/i^ 

— % — 2209 Clelia crossing the Tiber, The Parnassus, principally by anony- 

mous engravers . 14'^^ 

— JO "'2210 Mythological, Historical, and Single figures . 19 
Q- — 2211 Fancy and Allegorical subjects . 12 i^2l? 

— /lj - 2212 Subjects relating to Adam and Eve, and other Biblical prints, 

by L. Davent, &c. . 12^0 

— /3 — 2213 Small circular prints of Fables . 29' w5o 

~~ / 6 ~ 2214 The History of Jason in ornamental borders 20 

THEODORE PHILIP LIANA. 

^ - 2215 St. John Preaching in the Wilderness (1) 1 '^e^ 

~ /O 2216 Representations of Soldiers (2, &c), Nymph surprised (29), 
Nymph and Satyr (30) . \H 

ANTONIO TEMPESTA. 

"4-6 2217 Our Sav iour and the Virgin, with the Twelve Apostles (344, 

357) . 14' 

RAFFAELLE, SCHIAMINOSSI. 

-tf - 2218 Creation of the First Man (1), Whole-length Figures of the^C 
Prophets (3—15) . 15 

- // - 2219 The Visitation (28), Our Saviour and the Virgin in the Clouds, 

circular prints (33, 34), Virgin and Child (35), Assumption 
(36), Stoning St. Stephen (57), &c. . \^~lo 

- 2220 Whole Figures of the Virtues (116, 126), Rudolph Capo ferro 

(137), with plates to his Treatise on Fencing 56 

OCTAVIO LEONI. 

— J> — 2221 Various Portraits painted and etched by this Artist, some of Dj 7 , 

ihemproofs . x^JM^f^ 



107 



EDUARDO FIALETTI. 

2222 Virgin in the Clouds (1), The Marriage of Cana, after Tinto- 
retto (5) ; St. Sebastian (3) . 3 — /— 

— 2223 The Games of Cupid (6, 7, 8, 9, 10, 14, 15, 16, 18), and the 

copies ; The Four Divinities, after Pordenone, second states, — 3 — 
(20, 23), &c. . 19 

Vol. 18. 

DOMENICO PASSAROTTI. 

7^^2224 Holy Family (4), The Sacrifice (15). D. Tibaldi : Repre- _ y 
sentation of Peace (6) . 6 ' 

CAMILLO PROCACCINI. 



2225 Holy Family reposing in Egypt (1, 2, 3), The Transfiguration /j? _ 

(4) . 4 

LUDOVICO CARRACCI. 

2226 Virgin and Child (1), Holy Family (4), and copy, &c. 8 —J/ — 

AGOSTINO CARRACCI. 



2227 The Crucifixion (22), The Transfiguration (25), Holy Family _ 2 _ 

( 43 ) • 4 

&Jkj 2228 Sacred Subjects, various, Our Saviour at the Well (26), &c. \§— &— 

2229 The Apostles (48, 62), and other Subjects of Saints, &c. ; St. 

Sebastian (88), &c. . 20 — /<2 ~ 

>A,*y?w 2230 Free, and other Mythological Subjects 17 — // — 
'jia****, 2231 Reciprocal Love (119), The Fruits of Love (120), Two Thea- 
trical Scenes, .&c. (121, 122), &c. Q2. - 6~~— 
^&^y^-2232 The Fan Mount, Portraits, &c. . 9 - — 

@a->6^-<> 2233 The Pokteait oe Titian (154), second state 1 / -J2 

^L^ e i^-2234 The Martyrdom of St. Justine, after P. Veronese (71) 1 — /-— 

ANNIBALE CARRACCI. 

-= — ■ 2235 Sacred and other Subjects, various ■ 16 — 3 

B. SCHIDONE, 

2236 Holy Family (4) and copy, by Badalochio. I. L. Valesco : — 

Virgin and Child (1), Venus and Cupid (5), Sketches of Heads 
in an oval (7) . 7 



108 

FRANCESCO BRIZZIO. 

2237 St. Rock, after Parmegiano (9). P. Facini : St. Francis 

Assissi (1) . 3 fa 

GUIDO RENI. 



2238 Holy Families and other Subjects, various 16 

'h — 2239 Angels sporting in the Clouds, after a picture of Cam- ^7^^^^ 



biaso (45) 

2240 Our Saviour with the Apostles, small ovals (9, 23) \<(~6t~<JL 



7 



3 - 2241 Sacred and other Subjects, by and after Guido 20 

F. ALBANO. 

— 2242 Death of Dido (1), A Roman General addressing Soldiers,c^^/^, 
by Lanfeanco (30) . 2 

Vol. 19. 

Ui - (o 2243 Etchings various, by Giovanini, Viani, &c. 1 1 

/ — 2244 Sacred and other Subjects, by Cayedone, Dondini, Metelli, 

&c. . 6 

3 - 2245 Mythological and Fancy Subjects, by Eliz. Sikani, Fla-£^V^^ 

MINIO ToERE, ROSSI, &C . 10 

- 6 2246 Sacred Subjects, by Mola, F. Torre, &c. \Q$o-Ji^j 

- 3 ~ 2247 Etchings, Subjects various, by L. Lolli, Bolognini, &c. 16 

- J£ - & 2248 Holy Families, Subjects of Cupids, &c, by Eliz. Sirani 15 

- 3 - 2249 Miscellaneous Subjects, by Sikani, Fontana, &c. 20 

- o - 2250 Mythological and Sacred Subjects, by Simon Cantaeeni, 

&c. . I3^<*y«f»- 

" 6 — 2251 Different Subjects of the Virgin, &c, by the same Y^Tjsdvy- 

- % — 2252 Classical Landscapes, by J. F. Geimaldi 8 r fao 

- J, - 2253 The Roman Daughter, &c, by Cozza, &c. 10 

- 8 - 2254 Portraits of Annibale, LuB-ovicoand Agostino Caeeacci, J J 

etched by Domenico Saint . 3 

Vol. 20. 
GUISEPPE ribera. 

' /I - 2255 The Flaying of St. Bartholomew (6), original and copies, St. 

Jerome (4, 5), &c. . 7 ' 

- 3 - 2256 Dead Christ (1), Pensive Figure (10), The Martyrdom of a 

Bishop, after Ribera, by Marcatxi . 8 ' 



109 



2257 Drunken Silenus, original and copy, &c. . 7 & * 

$.2 . 2258 Don John or Austria on Horseback (14) 1 otu 



FRANCESCO BURANI. 

2259 The Silenus, after Ribera, rare . \~-J?-<o 

A. FALCONE. 

^"2260 Sacred and other Subjects. The Aldobrandini Marriage, by— ff~ ^~ 

Capitelli . 8 

J. A. PODESTA. 

2261 Fancy Subjects of Children, after Titian 10 2 — 

SALVATOR ROSA. 

Qa+J^y 2262 Single Figures and Subjects of Banditti 68 — 

2263 The Battle of the Titans, Regulus, &c. . 3— -2 - 

— 2264 Historical, Mythological and Fancy Subjects, various 15 — & — 

Vol. 21. 

BENEDETTO CASTIGLIONE. 

2265 Sacred, Fancy, and Mythological Subjects, various 25— — 

2266 Studies of Male and Female Heads . 23 — — 

J. BISCAINO. 

2267 Adoration op the Kings (8), first state, before the 

name of Damon, and the counterproof 2 — ^ 

2268 Finding of Moses (2), Holy Families, &c. 5 — / — 

7MJ^ 2269 Various representations of the Holy Family 8 — ^- 

djaJ^if^- 2270 Saints, Mythological, and other Subjects 11— 4— ^ 

2271 The Woman taken in Adultery (13), hefore the name of ^ 

Damon ■ 1 

VARIOUS. 

2272 Sacred Subjects, &c, by Ghitti, &c. . 6 2 — 

2273 Holy Family, byL. Giordano (2), St. Christopher, by Amato, 
&c. • 8 — "~ 

2274 Subjects, various, by Lucca Giordako, &c. 8 — — J2 — 



Yyk?t& 2275 Subjects of Ornaments, after Polidoro, by Galestruzzi 15 — /- ^ 



110 



-2 — ■ 2276 Etchings of Italian Landscapes, by Marco Ricci 13 

y — 2277 Various Etchings, Sacred and other Subjects, by C. Maratti, 

&c. . 23 

— ^2. — 2278 Etchings and Engravings, by Baptista Franco, Cherubino, 

Alberti, &c. . 10 Dia^oJ?- 

— ■ 3 ~ C 2279 An interesting lot of Etchings, Mythological and other sub- 

jects, by A. Del Moro, Diamantino, &c. 22 yo 

— 2L 2280 The Apostles, by Passarotti, Last Judgment, &c. \2>^(r^>e*M^ 

/ o 2281 The Resurrection, Rebecca at the Well, &c, by Meldolla, . • 

&c. . 6 -U^^ 



— 2282 Italian Etchings, various 



13 -fcu^cJfc~ 



PORTFOLIOS. 



--4 2283 
3 2284 

-J?- 6> 2285 
=2 - - 2286 
-f- - 2287 

J 2288 

-2 -6 2289 
3 - £ 2290 

-3 ~ & 2291 
3-6 2292 
-3 - £ 2293 
3 6 2294 



Six Portfolios, various sizes 
Six others 
Six others 
Six others 
Six others 
Six others 
Six others 
Six others 
Various Portfolios 
Others 
Others 
Others 




it 



63,. 19, 



o 



