DWIGHT’S 


JOURNAL OF MUSIC. 





A. Paper of Art and Literature. 





JOHN S. DWIGHT, Error. 





VOLS. XXXIX AND XL. 


BOSTON: | | 
HOUGHTON, MIFFLIN & COMPANY. 
1880. 








Pa 


Lond. Times, 

. .xxxix, 116 
Adam, ‘Adolph. His Faust Ballet, ae xl, 106 
Adamowski, Timothée d’,. xxxix, 152, 182; xl, 94 
Adams, Charles Rese hy Be Gs ere ew .xi, 78, 192 
Additional Accompaniments to scores of Bach, 

Handel,ete. W.F.A., . xxxix, 173, 183, 190 
“ Esthetics of Musical Art, » Dr. Hand’s. Pall 
Mall Gaz, . . xl, 162 
“ Aida,” and its Author. " Dr. LE. Hanslick, xl, 201 
“A Rose by any other said ’ ete. Fanny Ray- 
mond Ritter, . . . “xxix, 18 
Astorga: His "Stabat Mater. (W. N. E. ) 
. . xxxix, 188; Do., 189 
Award. of the Thousand Dollar Prize, at Cin- 
cinnati, . . Sle Bc, o. Ma ee 
Art: PAINTING, Scutrroure, ETC. 


Acting, How the French learn it. 


Our Painters: The new Departure. T. G. A. 
«+ « Suaix, 5 
Life Schools, and More. x. xxxix, 13 


Wm. M. Hunt’s Talks on Art. Second Series. Re- 
ported by Miss H. M. Knowlton, . xxx 
52, 60, 69, 76, 84, 93, 101, 109, -_ 133, 141, 149, 157, 
164, 172, 181, 196, 205; ie ead 
Real and ‘Ideal i in French Art. W. PF. A, ye Be) 157 
Death of William M. Hunt. 7. G. A. Do., Miss 
Knowlton, . tebe we #6 ee, ee 
Letter from Florence. “ Odo,” . « » «+ Xxxix, 
ERRNO, 5s te 5 + 6 + 5 RE ey 


Bach-Biting. W.F. Apthorp,. . . . xxxix, 36 
Bach, J. S. His fl ate Suite in D, xxxix, 
15; Motet: “Sing to the Lord,” xxxix, 45; 
Concertos for three Pianos, Xxxix, 29, xl, 
206; Cantatas, xxxix, 30, 111, xl, 83, 96; 
St. Matthew Passion Music, entire in two 
performances on Good Friday, xxxix, 69, 
78; Chorals, xxxix, 94; Pianoforte Com- 
positions, xxxix, 137, 145; xl, 95; An al- 
leged unpublished MS. . . . . . Xxti, 
Bailey, Miss Lillian, . ote eee 174, 
Barker, C. S. Inventor of the ‘Pneumatic Lever, 


Barnett, J. F. His Cantata “The Building "ot 

the Ship,” . . . xi, 183 
Beethoven : his String Quartets, Xxxix, 22, 54, 

90 ; Piano Sonatas, xxxix, 54, 154, 182; xl, 

i; ‘Heroic Symphony, xxxix, 62 ; Ninth do. 

xl, 86; Seventh do. 197; Fifth do. 206 ; his 

arrangement of Scotch and Irish Songs, 

with trio accompaniment, xxxix, 190, 197; 

Missa Solemnis, xl, 95; Triple Concerto, 

. . xxxix, 205 
Beethoven, at the height of his Activity. From 

Thayer’s third volume, xxxix, 75, 90; his re- 

itr Concert (“ Akademie’ ) at Vien- 

na, 90; Thayer’s Biography, xl. 29; B. and 

Vienna (Hanslick), x1, 100; B. and ‘his Mu- 

sic, Lond. Mus. Standard, xl, 130; Wagner 

on, 140; his Violin (A. W. T.), - 166 
“ Beggar’ 8 Opera, the. Springfield Republican. 

A WV. 2), . .xxxix, 148, 186 
Benedict, Sir Julius. Grove’s Dictionary, . xi, 108 
Berlioz, H.: his “Flight into Egypt,” xxxix, 

37,197; Symphonie Fantastique, xxxix, 47, 

(Schumann xl, 21; “L’Enfance du Christ,” 

(W..F. A.) XXxix, 196; Do. (Ed), 205; 

Nadal “The Captive,” zxxix, 201; * Prise 

de Troie,” N. Y. Mus. Rev., xl, 11; “Dam- 

nation de Faust,” xl, 36, 38, 39, 49, 58, 87, 

es 121, 191, 207 
Berlioz: ‘Stephen Heller on, xxxix, 57; his Mus- 
ical Creed, 91; his Letters (Ed. Hanslick), 

Xxxix, 97; Do. xl, 149; B. on Beethoven’s 


5 


Fourth Symphony, ; z a | 
Bernhardt, Mlle. Sara, the French actress. 
Mrs. F. R. Ritter, . . . s:. wc pee 


Bizet, Georges: his “ Carmen,’ xxxix, 14; his 
life, by A. Marmontel, . xl, 146, 156 

Blind “the, in Music, xxxix, 110; xl, 110, 152, 

180, 189 


’ 


Boieldieu: “his “John of Paris,” “Hanslick, xl, 10 
Boito; his “ Mefistofele,” 


xl, 128, 138, 189, 204 


Un 2... 


Boox Notices: 
— Blossoms : V ar of two Children, E. & D. 
Goodale. F.H.U. ..... . . xxxix, 4 
A Masque of Poets. FH. U. xxxix, 5 
Henry James’s “ * weal the Redeemed Form of 
Man,” .C. P..C. . xxxix, 44 
Mother-Play a and Nursery Songs. From — 
A 


O. W. Holmes’s Memoir of J. L. “Motley. F. wa v. 


xxxix, 68 
Pole’s “‘ The Philosophy of Music.” J. S. ‘ 
Xxxix, 141 


Thomas Hardy’s “ Return of the Native” F. H. U. 
xxxix, 68 

F. H. U. 
. xxxix, 76 
Borg, Miss Selma: her Orchestral Concert of 

Norse Music, . . . . xxxix, 95 
Boscovitz, the pianist, in Chicago, «we, ep Oe 
Brahms, Joh. : his Sestet, op. 18, xxxix, 37, 55; 

Choral Hymn, xxxix, 46: Second Sym- 

phony, xxxix, 46; Deutsches Requiem, 

(Hanslick), . . . . . xxxix, 201 
Brassin, Louis: his Piano Concerto i in F,xl, . 39 
Bronsart, H, von: his Trio in G-minor, xxxix, 

54; P. F. Concerto, . : . xl, 61 
Bruch, ‘Max: his “ Frithjof’s Saga,” xxxix, 39; 

x Odysseus,” xxxix, 39, 204, x1,6, 14; “ Lay 

of the Bell,” 155;. . Miah cag- <a 
Buck, Dudley: his Prize Cantata: “The Gold- 

en Legend,” xl, 28, 91, 96; his Comic Opera, 

“The Mormons, a ¢ 
Bull, Ole: his 70th Birthday at Cambridge, xl, 

32; his career and death, . 148, 159, 202 
Bilow, H. von: Beethoven Recitals in London, 

xxxix, 3: Concerts in Hanover, . xxxix, 104 


12 


* Zophiel,’’ by Maria del Occidente. 


Campbell, F. J., the blind Educator of the blind; 
his ascent of Mt. Blanc, . . . . xl, 180, 189 
Cecilia (Club): President’s Report, 1879. xxxix, 138 
—=190, 0800, 6.0 so0 « « « «0 Sade 
Chadwick, George W. His Overture “Rip van 
Winkle,” . . . . xxxix, 184, 205; xl, 
Chamber Music, Dr. F. L. Ritter’s Lectures on, 
OHO 6: haiag wy & are! wie at» eee 
Cherubini: his Overture to “Anacreon,” xxxix, 
29; Prelude to third act of “ Medea,” x], 30; 
String Quartets, 78, 178, 193; D-minor 
Mats...» 82 
Chopin, and George Sand: a Study ‘by Fanny 
. Ritter, xxxix, 2, 9, 25, 33, 41, 65, 73, 81; 
A Souvenir of, Tr. G. te 18; Anecdote of, 
104; his Compositions, 177 ; Liszt on C., re- 
viewed by Hanslick, xxxix, 185; An Even- 
ing with (Liszt), . . . 203 
Church Music, Reform in: Lecture of "Eugene 
Thayer, . . . . xi, 126, 182 
Cincinnati: College ‘of Music, xxxix, 23, 31, 32, 
71, 95, 103, 111, 127; x1, ’56, 144, 176; San. 
ger-Fest (June, 1876), XXxix, 124; Biennial 
Festival (May, 1 . xl, 80, 95, 192 
Cochrane, Miss Jessie, the Pianist, . xxxix, 54 
Cohen, Henry: his.“ Marguerite et Faust,” xl, 97 
College Festivals, Musicat, . . . . . xi, 117 
Concerts 1n Boston: 
Apollo Club, . . . xxxix, 45, 86; xl, 30, 62, 103, 207 
Borg, Miss Selma: ener Concert of Norse 
Music, . . ee - » xxxix, 
Boston Conservatory, . ee * xxxix, 190; xl, 23, 71, 191 
Boylston Club, . .» xxxix, 45, 102, 189; x1, 23, 62; 102 
Campanari, Sig., and Mme. Persis Bell C., *xxxix, 175 
Campbell, Mise Teresa nanan: a ce xl, 47 
Cappiani, Mm . _« SXZ xix, 46, 206; xl, 31 
Cecilia, The, auth, 30, 79, 85 (President’ 8 Report), 
133; xl, 6, 14, 47, 78, 103 
Corset Te 2 ste 6 we 8 
Douste Children, . . . < woke 
Dunham, Mr. H. M. Organ Recitals, o. + 6 wees 50 
Eddy, H. Clarence: Organ Recital, . . . xxxix, 30 
Eichberg, Julius : Violin Classes, *xxxix, 7 7,78; xl, 71 
Episcopal Parish Choirs: Fourth’ Festival, ‘xxxix, - 


Euterpe: Chamber Concerts, . . xxxix, 21, 37, ry 
71 ; Second Season, 206, =x 14, 39; 78, 207 
Foote, Arthur, “ Xxxix, 38; xl, 63 


i) 


xxxix, 95 
xxxix, 22 


ef & a, >, @ at a 


Concerts 1n Boston: 
Handel and Haydn Society: ‘‘ Messiah ’’ at Christ- 
mas, xxxix, 14; xl, 6; Miscellaneous Programme, 
37; Bach's Passion, 63, 69, 78; ‘‘ Judas Maccab- 
wus,’ 71; ‘ Elijah, *s (Zerrahn Testimonial), 78 ; 
Sullivan's “ Prodigal Son,” etc., 197; ‘‘ Israel in 
Egypt, xl, 61; Fifth Triennial Festival (May, 
- Xi, 70, 77, 85, 93 
Harvard Musical Association: ‘14th Season of Sym- 
phony Concerts, xxxix, 6, 1&, 29,38, 46, 63, 62; 15th 
— 110, 2055 xl, 13, ” 36, 38, 47, 54, 61; 16th Sea- 
vee ee ee 5 110, 199 
Hill, Junius W.. 102 
Josetfy, Raphael, xxxix, 182; xl, b4, 94; “(with wil. 
CEG. sc gs 4 ee a ee ee 


King, Oliver, nae xl, 174 
Lang, B. J., xxxix, BA; xi, 78; " Berlioz’s “ Faust, = 
87, 191, 207 


an» ee eee ee ee et ee xxxix, 61 
Locke, Warren A. (Cambridge), . . . xxxix, % 
Maurer, Miss Henrietta. . . . . xxxix, — xl, 47 
Mendelssohn Quintette Club, xxix, 166 
New Tremont Temple; Organ Exhibition, = 174; 
“Moriah,” 174: @isgah,”. . . . 2s 74 
Old Bay State Course, ae ea xl 191 
Orth, J0lim, . .. « « oy “xxxix, 61; xl, 71 
Osgood, George L.. . . « . . xxxix, 85 
Patti, Mme. Carlotta, . . eo « « meen, 376 
Perabo Ernst, . . . « « . © »s Shon, Ge, 12 
Perry, Mr. Edward B. . . + « Xxxix, 103, 190, 198 
Philharmonic Orchestra: xxxix, 110, 181, 190, 198, 
206; Second Season, xl, 190, 197 
Preston, John A., xxxix, 46; xl, 102; Organ Concerts, 
76, 18 
Redpath Boston on ‘ - xxxix, 166, 175 
Sherwood, Wm. H., Ten Piano Recitals, xxxix, 30, 
Concert with Mr. A. Deséve, . . * as xl, 190 
Simonds, Mrs. Anna Mayhew, ° e- xxxix, 111 
Sherwood, Allen and Fries,-. . . + « Xxxix, 79 
Sumner, G. W., Piano Concert,. . o « Sxxzix, 16 
Testimonial to J. S. Dwight,. . . - . xi, 198, 206 
Tucker, H. G. cs 0 0 oS, 
University Concerts, ‘Cambridge, xl, 6, 14, 22, 31, 47, 
53 


Ware, Miss Josephine E. . . . 2... xxxix, 62 


Whiting, Arthur B. . + «2 @ 6 pS 
Wilhelmi and Di Murska, 6 wlohe. Sa 2 
Conservatoire, the, in Paris, eae ee oe 
Corelli, Arcangelo, . . ... =... . Xi, 126 
CORRESPONDENCE : 
Aurora, N. Y. 10 ee. 00 Se, 82 
Baltimore, XXxix, 8, 16, 24, 39, 66, 71, 79, 95, 175, 199, 
207; xi, 15, 24, 4 10, 48, 55, 63, 79, 88, 103, 207 
Chicago, xxxix, 8, 3i, 39, 47, 56 , 64, 72, 80, 87, 96, 103, 
112, 119, 160, 178, 183, 191, ‘199, 207; ; xl, 7, 16, 24, 40, 
63, 80, 96, 167, 176, 188, 199, 208 


Cincinnati, . 
Defiance,O. . . . «+. «+ » . 
Florence, me - Bifano ae ale oe 
Leipzig,. . ay Nats 
Milwaukie, xxxix, 16, 31, 48, 56, 6 

151, —“ 192, 199, 306; ™ 2, 
Newport, R 


*e kxxix, 8; xl, 159 
New York, x xxxix, 7 ‘15, 23, 30, 


, 47, 63, 79, 198, 207; 


xl, meen , 32, 39, 48, 55, 63, 72, 191, 199 ; 204° 208 
Paris, . . ° Xxxix, 8, 47 
Philadelphia, ° Xxxix, 1, 24, 30, 39, 55, 87, 1435 xl, 63 
Princeton, Ind. .. . xxix, 136 
Providence, Meds 6 « xxxix, 50, 86; xl, 1, Od, 55, 71 
St. Louis,Mo. . .. . o 6 e « XEXix, 151 
Trieste, Austria, ee ee eee eee . xi, 198 
Tokio, Japan, . » + Se ‘135; 151 


Vassar College, Poughkeepsie, KN. Y., oe « «Xl, 103 
Wilkesbarre, Pa., . . . . « « + + xXxxix, 103 
Cramer, J. B. . stm Sule! eh gt tom SURREIRIND Omen 
Crazy Critics. Lond. Mus. Standard, . . xl, 107 
Culture and Music. Lond. Mus. Standard, xxxix, 122 
Days in Normandy. Julia Ward Howe, xxxix, 11 


Dictionary of Music and anton, edited by 
George Grove, . . a so te ae ees 
Display, Influence of in Music. C. H. Brittan. 
ae eer XXxix, 107 
Douste Children, The, 3 . xxxix, 22 
Drama, the Lyrical. G. dk. Macfarren, xl, 124, 
: ste 130, 139 
Dresden : Reminiscences of. a week there in 
io oe | re eS 
Dvorak, Anton. Dr. E. Hanslick, .. . xl, 2 
Dwight’s Journal of Music: Salutation, “ed 
1879), xxxix, 5; Plans for 1880, 173; 
other year; Testimonial Concert to * 
Pitor, |. 7 eee 








Frohock, Mrs. LS. . ces 6 & wt @ fe see ee 
Hanchett, H. G. o © 0 « © « © 6° + MERER, Se, 290 


Dyspepsia, Musical, ee ere a me 


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Veter a aS 





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DWIGHT’S JOURNAL OF MUSIC.— INDEX. iil 





Eisteddfod, a German. Tonic ~~ Fa + Reporter, si 

; | 
Emma of Nevada. A. W.T. . . xl, 198 
Euterpe, The: a new Musical Society i in Boston, 
xxxix, 21 
W. F. 


Expressive Power of “Music, “The. 
ee .xxxix, 77 


Apthorp, 


Fashion in Music. W. F. Apthorp, xxxix, 165 

Faust, Goethe’s: the Musical Versions of, 
Adolphe Jullien, x1, 89, 97, 105, 118, 121, 129; 
137, (See also Berlioz, Boito, and Liszt), 


Field, John : his Sonatas, etc. . . xxxix, 161 
Five Sonatas at a oe Lond. Mus. Standard, 

. xxxix, 3 
Flautist, a Lady : ” Maria Bianchini. Hanslick, 


xl, 

Foote, Arthur Ww. . ° xxxix, 38,—xl, 63 

Folk Songs, Russian. "Fanny R. Ritter, . xl, o4 

Form, Musical. Prof. Macfarren, . xxxix, 179 
Franz, Robert: his Songs, xxxix, 85; Is he a 
Failure (in his added accompaniments to 
Bach and Handel Scores) ? . fF. Apthorp, 

eee aera aaa xxxix, 173, 183, 190 


Gabrieli, Giovanni: his Benedictus in twelve 
real’ parts, - + xxxix, 85 
German Schools, Musical Instruction i in, xxxix, 131 
Gerster-Gardini, Mme. Etelka, xxxix, 13, 23; in 
Berlin (Die Gegenwurt), . . . xxxix, 17 
Gluck: his Operas (G. A. ‘Macfarren), xl, 139; 
with Wagner’s additions to the scores, 196; 
his Overtures, . . . 195 
Goetz, Hermann, and his Symphony inF. Xxxix, 
0, — xl, 22; Cantata, “ Neenia,” xxxix, 143; 
Opera é Taming of the Shrew, sy xl, 37; 
137th Psalm: “By the Waters ‘of t Baby- 


lon,” (W.N. E.), é A 51 
Gounod, Charles F. His “Faust, » xl, 129 
Gregoir, Joseph: his “Faust” music, . . xl, 97 


Grieg, Edward: his Quartet, Op. ‘7, xl, 7; 
piano Concerto in A-minor, xl, 1¢ 

Grove’s Dictionary of Music and Musicians, x], = 

Gueymard, Louis: his career and death, . xl, 


Hanchett, H.G. His unique Circular and Con- 
certs, . . , XXxix, 62, 190 

Handel: his “Messiah” in Ttaly, xxxix, 128; 
his will and other relics, 144; The Leipzig 
edition of his complete works (Part 27, 
Chamber oe xl, 2; his “Solomon” (J. 

S. D.), 75, 94: “ Utrecht Jubilate” (J. S. 
D.), 83; Concertos for Organ and Orchestra, 
114; his Italian Operas, 132; “ Alessandro,” 197 

Handel and Haydn Society, of Boston: its in- 
fluence in other places, xxxix, 10; Annual 
Report of the President (June, 1879), 100; 
Annual Meeting (June, 1880), 95; We 
President’s Address. 

Hanslick, Dr. Eduard: his musical lectures in 
Pesth, xl, 8; from his critical writings: on 
the letters of Berlioz, xxxix, 97; on His- 
torical Ballets in Paris, 171; on Lavoix’s 
History of Instrumentation, 172 ; on Liszt’s 
“Chopin,” 185; on a Wagnerian attack on 
Schumann, 185; on “ Idomeneo ” in Vienna, 
193; on Music in Vienna (Brahm’s “ Deut- 
sches Requiem,” etc.), 201; on Boieldieu’s 
“John of Paris,” xl, 11; on Schubert’s 
“Des Teufels Lustschloss,” xl, 16; on the 
Mozart Week in Vienna, 42, 50; on Hiller 
and Zelter in Vienna, 74; on a Liszt-ian Pro- 
gramme, 82; on Beethoven and Vienna, 
100; on Jacques Offenbach, 187; on “ Aida” 
and its author, . . . 201 

Harvard University ; its Musical Clubs. ye 

D.), xxxix, 147; Do: Reminiscences of 
an ex-Pierian, 155, 163; music in its annual 
festivals, xl, 117; proposed eee of 
« (Edipus Tyrannus,” eats Ga, ira oy es 

Hauk, Miss Minnie, in “ Carmen,” . xxxix, 14 

Haydn: his Symphony in D (No, 14), xxxix, 
54; his Piano works, xxxix, 154: his “Sea- 
sons,” . : xl, 87 

Hearing Music on Compulsion. JS. D. xxxix, 126 

Hegel on the “Content” (Inhalt) of Music. 

W.S. B. Mathews, . . ~« & & 

Heller, Stephen: on Hector Berlioz, xxxix, 57 

Henschel, Georg, . . . . xl, 119, 191, 204, 207 

Hensel, S. His “Die Familie Mendelssohn,” 


. . xi, 17, 25, 29 
Hiller, Ferd. and Zelter in Vienna, xl, 74; his 
“Faust” Overture, . . . - 105 
H. M. S. Pinafore, : xxxix, 118 
Homer versus “ Pinafore.” BF fortnight 'y Review, 
xxxix, 115 
Household Music. Geo. T. Bulling, xl, 142 
How the French learn to act. London T, imes, 
: xxxix, 116 
Hummel: his Piano works, xxxix, 161 
Hunt, William Morris: Obituary notices. T. 
G. A. and Miss Knowlton, xxxix, 157 


99 Lyrical Drama, The. 





Influence of Display in Music. C. H. Brittan, 
Ae ae OO ene . -xxxix, 107 
Is Robert Franz a Failure? W. F. A. Xxxix, 
« « « 2B, 183, 100 
oa Italophobia.” W.F.A roe xxxix, 21 
Ivry, Marquis D’: his Opera “Les Amants de 


Verone.” Lond. Academy. xxxix, 104 
Japan: Mr. L. W. Mason’s Music-teaching in 
itsSchools, . xl, 95, 135, 151 
Joachim, Joseph. Pesther L loyd. xxxix, 59; 
and Clara nigra in Dresden, 1860 (J. 


i xl, 109, 145 
Joseffy, Raphael : in New York (7 ribune), 
am 172, x1, 40, 48, 55; in —— XXxXix, 

; 82, xl, 32, 79, 94 


60 Jullien, "Adolphe : | on the Musical Versions of 


Goethe’s “Faust,” xl, 89, 97, 105, 113, 121, 
/ grip Raa Rap ee 
Karasowski’s Life of Chopin, xxxix, 2,9, 25 
Kellogg, Miss Fanny, the Singer, . xxxix, 15, 16 
King, Mme. Julia Rivé, the Pianist, xxxix, 63, 71 
— peovene Pianist and Composer for Orches- 

é xl, 174, 181 
eae Carl: “Obituary, ee ue ~« « wee ele 
Kreissmann, August : Obituary notices and trib- 

utes, xxxix, 61,72; Address by F. H. Under- 
wood before the Orpheus Musical, Society, 123 
Kreutzer, Conradin: his “Faust” Music, . xl, 97 


Lassen, Eduard: his Musical Adaptation of 
Goethe's “ Faust,” =. g 
Leipzig Conservatorium, “The, described ‘by a 
young English Lady, ? . xi, 141 
Leipziger Strasse, No. 3. From “Die Familie 
Mendelssohn” by Hensel, . . . xl,17, 25 
— from an Island. Fanny Raymond Rit- 
. XXXiX, 92,117; xl, 18, 34, 44 
Liebling, S., the pianist, xxxix, 61 
Lindpaintner : his “ Faust ” music, a>» ae oo 
Lisztian Programme, A. Hanslick, . . . xl, 82 
Liszt, Franz: his Hungarian Fantasia, xxxix, 
62; xl, 190; “Benediction de Dieu dans 
le Solitude,” xxxix, 85; +" . Chopin ” 
(Hanslick), 185; his “Faust S ymphony,” 
206; xl, 67, 105; his Career (Grove’s Dic- 
tionary), xl, 20, 27, 35; Do. (Gartenlaube), 
161, 169; Catalogue of his Works, 35, 43; 


oa 


his Dante “ Inferno,” . 197 
Local Orchestras : Plan of. C. ‘Villiers ¢ Stanford. 

‘ ee xi, 1 142 

Locke, ‘Warren A. xxix, 93 


London “Monday Popular Concerts”: “e 
Rise and Progress. Mus. Standard. xl, 
. . 148, 154, 165 
Luther, Martin, as a Musician, xxxix, 164 
Lyceum Bureau Concerts, . . . xxxix, 159, 166 
G&A. t. Macfarren, xl 124, 
; 130, 139 


Malibran, Maria Felicita (Grove’s Dict.), xxxix, 180 
Marsick, M., the Belgian Violinist (Aanslick), 


eS Tr See ae ae xxxix, 202 
Mason, William, Mus. Doc. His “ Pianoforte 
Technics. C. B. Cady, . . . xxxix, 28, 35 
Mason, Lowell, Mus. Doc. A. W. Thayer 
XXxXix 86, 195 
Massenet, M. His ‘Opera “Tl Re di Lahore.” 
XXxix, 128 


Mendelssohn, ‘Die Familie, by Hensel, XXXix, 
4, 40; xl, 17, 25, 29; his many pursuits 
( Grove’s Dict.), xl, 49, 57, 65; his desire to 


compose “ Faust,” . 137 
Mendelssohn : his Beat Quintet, Xxxix, 37; his 
Octet, xl, 26, 46, “St. Paul,’ xl, 77; 
= Psalm, 84; Groban a Mecresstille,’ 
, 206 
Mephistophelian Mummery. " Lond. Mus. Stand. : 
ard, . : xl, 138 


Moscheles, Ignaz, as a piano composer, xxxix, 169 
Mozart, as a dramatic composer (F’.. L. Ritter), 
Xxxix, 49; a Portrait of, 152; Mozart 

Week in Vienna, x], 50; his Skull, . . . 9 
Mozart: his Piano Concerto in A-major, xxxix, 
15; Cone. for two pianos, 140; “ Magic 
Flute,” xxxix, 23 ; Leporello’s“ Catalogue ” 
a, xxxix, 49; Quintet in G-minor, XXxix, 
; Quartets, xl, 14; his “Idomeneo” in 

Viena (Hanslick), x xxxix, 193; iets 


xl, 13 
Senta "Mile. Di, , - see, 7 
Music ABROAD. [See also ConnzsroxpExce. ] 
Aix-la-Chapelle, . . . 2. + + «+ «© « « xxix, 128 
Baden-Baden, .....- xxxix, 40; a 104, 119 
Daa ee ee ee es xl, 1 
Berlin, . . xxxix, 104; xl, 29, 69, 119, 128, 160, 184, 200 
Birmingham, Eng. bee, eee eS xxxix, 126, 158, = 
OS Ps re ae eee ee =" 
See se lene 8 & 6 Ce em oe xl, 
Brussels, . 6 es tw we ow ow ow , 38, "198° 138 
Cologne,. . . xxxix, 136; xl, 60, 77, ios, 112} 173, = 
Copenhagen, bce Ss & my eele, aeemeene xl, 
| ee ee x1, 29, 103, 112} 136 
pS ee ae ae ae ee ee ee x]; 160 





Music. 

Us ae a 4.6 60 6 ee a xl, 64, 77 
Frankfort-on-Main,. ......... xl, 8, 176 
GIGMIONESE, BR, 6 ce we ee et ow xl, 160 
POEs ¥ « « 6 & Oy eyenel eine vee xl, 38 
| aaa ee xxxix, 104, 168 ; xl, 8 
be | a ea xxxix, 136 
Leipzig, x: 40, 48, 80, 136, 144, 192, 200, 208; x1, 

i, 38, 46, 69, 77, "103, 119, 128, "160, ‘184, 205 
Leeds, E: on Cb eee Fk le a a ge xl, 168, 183 
Liverpool, Ure aa ee ee ee xl, 76 


London, Xxxix, 40, 48, 64, 88, 104, 112, 120, _ 144, 
165, 168, 176, 192, 200, 268 ; xl, 8, 37, 45, 5, 76, 82 
104, 111, 118, 122, 128, 135, 148, 152, 168, 184, "0° 200 


Manchester, Mi «st «es 2. eS Xxxix, 208 
SE 6. ae cw em eos ot @ ee eee xl, 184 
SNOMED) of a ae 8 ee ole “eo ee ae xl, 70 
MMAR Ch. 2k 319" 5) ek sas xxxix, 208 
Oxford U  ohingoocs, f A MO et ee ee xl, 111 

Paris, a 40, 64, 80, 96, 104, 136, 144, 168, 176, 200 
208 xl, 3, 8, 12, 29, 46, 77, 112, 136, 144, 184, 200 

Wns © & 6 6 & 6 te wala a eteca xl, 8, 
GS 6 ce ceo Se S Sirk de xxxix, 144 
ee a xxxix, 128 ; * 8, 93, 184 
ROMO 6s ee 6 eee ee wea xxix, 40 
St. Petersburg, + xxxix, 104; xl, 69, 119, 136, 168 
Tess 6 8 ee ee % ara be a a xl, 198 
OO so 8. oe 6 te oh el tea x1, 119 


Vienna, : Xxxix, 88, 152; x1, 8, 10, 16, 29, 38, 42, 50, 8: 

93, ‘ne, 128, 152, tr 200 

WEG se Ke so Ot ee 4 ee xl, 17 
Musical Colleges, Academies, Conservatories : 
at Cincinnati, xxxix, 32, 103, 127, 200; xl, 
56, 72, 176; Philadelphia, xxxix, 18; Vas- 
sar, xl, 103; Paris, xl, 3, 144; Boston, xl, 
23, 71, 191; Normal Mus. Institute, at Can- 
andaigua, N. Y., xl, 135; Leipzig Conserva- 

torium, . 141 
Musical Festivals: of “Episcopal ‘Parish Choirs 
in Boston, xxxix, 85, 94; Leeds, Engl. x1, 
168, 183; Saengerfest at Cincinnati, XXxxix, 
111, 112, 124; Cincinnati (fourth Biennial), 
xl, 80, 91, 95; Rhenish at Aix-la-Chapelle 
(1879) xxxix, 128; Cologne, xl, 77, 104, 112, 
173; at Salzburg, xxxix, 159; Birmingham 
(Engl.), xxxix, 155, 158, 162; Handel Fest. 
London, xl, 92, 118; Worcester, Mass., 
xxxix, 166, xl, 144; Fifth Triennial of Bos- 
ton Handel and Haydn sania xl, 70, 77, 

84, 85, 93,99; Utrecht, . . 119 

. Musically Mad.” Lond. Times. , “xl, 125 
Musical Education, Thoughts on (W. F. A) 
xxxix, 93, 101; in German Schools (Dr. 
W. Langhaus), 131; Form Pays ee 
xxxix, 179; Prejudice (W. F. A.), xl, 6; 
Commentators (W. F. A.), 30; Notation, 
(C. B. Cady), 66; “ Dyspepsia” (J. S. D.), 
F. A.), 150; Chats 


134; Advertising (W.F 

(G. T. Bulling), . . 164, 171 
Music Hall, Boston : in danger of Vandal “Im- 

provement,” xxxix, 77, 150 


Music : in the West (C. H. Brittan), xxxix, 10; 
its Expressive Power (W. F. Apthor. ); 77; 
with the Blind, 110, x1, 110, 132, 180, 18% 

M. and Culture (Lond. Mus. joa Toe 
xxxix, 122; ey? on compulsion, 126; 
Fashion i in ( W. F.A.), 165; “ M. and Musi- 
cians,” Schumann’s oF. L. Ritter), 178, 187, 
194, 202 ; “Content” of, Hegel on ( W. S. B. 
Mathews), x1, 33; a Practical View of (N. 
Lincoln), 41; “ Scientific,” (W.F.A.), 101; 
at College Festivals (J. S. D.), xl, 117; at 
English Universities, 170; in the Low Coun- 
tries, 170; Prof. Macfarren’s Lecture on, 179 
MusicaL INTELLIGENCE, AMERICAN. (See 


Notes AND GLEANINGS.) 
Musicians in Motley. Lond. Mus. World, . xl, 101 
“ Musiker ” and “ Musikant” (J. S. D.), xl, 117 


Nohl, Ludwig: his Life of Beethoven (Prof. 
Franz Gehring), ? . xxxix, 114 

Normandy, Days in. Julia W Tard Howe, xxxiy, ‘TI 

Norman-Neruda, Mme. Wilma. //. Von Buelow, xl, 60 


Notation, Musical. C.D. Cady ae x xl, 66 
Nores AND GLEANINGS: Loca. INTELLIGENCE :— 
Albany, N 45 ee ey ee a ae Xxxix, 168, 200 
Auburn, N. aes eles a wt we ae xxxix, 120 
‘Aurora, N. y.” 6. 0 in SG a 6 mena aie xl, 192 


Boston, xxxix, ’ 55, 72, 120, 127, 128, te 168, 176, 184° 


192, 199, 208 ; xl, 16, 24, 32, *40, 5 56, 80, 95, 110, 119, 
143, 151, ‘160, 167, 176, 192 
Buffalo, N. ¥.. s0 + sc cee emcee xl, 120 
Cambridge, Mies. 5 * xxxix, 48, 55, 199; x1, 32, 40, 176 
Chicago, . . . « « « « xxxix, 4 40, 112, 135 ; xl, 160 
Cincinnati, xxxix, 32, 48, 88, 103, 112, 160, 184, 200 ; 
xl, 56, 72, 80, 144, 176, 192 
Canandaigua, N. Y., . . - . «+ «© « « « xxxix, 88 
Shon) Ee ee oe ee xl 104 
Ds 6 et 6 8 we xix, 120; xi, 7 
New York and age xxxix, é0, DT, 136, i51, 
152, 160, 168, 184, 192, 200; xl, 16, 56, 72) 104; 120, » 199 
160, 1 
Philadelphia,. .... xxxix, 135, 200; xl, 14 32 
Pittsburgh, Pa... ... pa. «6 Be ’ xxxix, 88 
Pittsfield, Mass. . . . . «+ «© ee «© « xxxix, 32 
Salem, Mass., 66 6. 9 ae wee re! a ae xl, 16 
Gam rama, 2 wc ttt tte xxxix, 32 
Stoneham, Mags., . - . «© « «ee eee xl, 
Syracuse, N. » ara e ee ee — 128 
inchester, Maes. eee ae ae ee ee xxix, 199 
Wellesley, Mass. . xxxix, 40, 96, 120; xl, 22, 120, 196 
Worcester, M e . xxxix, 160; x1, 120; 144; 168 


his death and his career. 


ass., 
Offenbach, Jacques: 
xl, 171; (Hanslick), 187 


(Chicago Tribune), . 








lv 


i : DWIGHT’S JOURNAL OF MUSIC.—INDEX. 





Onslow, George, A Marmontel. xl, 106 


Opera, Shortcomings of (Walter B. Lawson), 
xxxix, 19, 27, 36; po, me of, 148; 
French, archives of, ; xi. 

oo Abroad: in Berlin, xxxix, 1, 104; xl, 

. . 29, 69, 128, "160, 184, 

in London, xxxix, 104, 128, ‘208 ; xl, 8, 28, 
7: Oe 98, 118, 128, 135 

in ‘Paris, xxxix, 144; xl, 8, 29, 46, 112, 144, 200 


36 
00 


te 


in Vienna, eecaes 193; xl, 8, 10, 16, 29, 42, 
* 50, 184, 200 
in ‘Dresden, fhe oe a 29, 103, 136 
in Hamburgh, xl, 38; "Frankfort, «sen 2 a 
in Leipzig, + LB, 7, 103, 119, 128 
in St. he aia ‘ Ae xl, 69, 119, 136 
in Brussels, 128, 136 
xl, 198 


in Trieste, : ‘ 
Opera: in Boston (Her Majesty’ 8 Theatre, Lon- 
don), xxxix, 13, 23; its Prospects, xxxix, 


152; xl, 151; “ Tdeal” Company, xxxix, 176 
in Chicago, med 31, 56, 135, 183, 199 ; xl, 

. 24, 60, 208 
in Philadelphia, — 39, 143 
in Milwaukie, xix, 64 


: 67, 204 

in ‘Baltimore, “xxix, 176; ‘xl, 24° 48 

in New Orleans, ees . xi, 120 
— Societies in Boston, xxxix, 110; xl, 
0; Question, the,. . . xl, 6, 142, "150, 
oumutians Theatrical (Philadelphia Bulletin), 
xxxix, 144; Local (C. Villiers Stanford), x1, 
Organ, The: Wanted a Composer for (J/. B. 
eern xl, 9; at the New Tremont Tem- 


in New York, xxxin, 127, 184, 192, 200; xl, 
: 1 


ple x ? 175 
Originality ‘in Music, False notions of, fe. A. 
acfarren, xix, 179 
Otis, Philo A. His 121st Psalm ‘(Chicago Trt 
une), . 1, 1338 


Overture, The, its origin ‘and Midas 
( Grove’s Dictionary), . xl, 195, 204 


Paine, Brof. J. K. His “Spring” ene, 
<A, 


Palestrina : ‘Republication of his works, Xxxix, 
61; his life and music (W. N. Ea, yrs), : 


we its Conservatoire and Classical Concerts. 
Corr. Chicago Tribune), . . x 6S 
Parker, J. C. D. His “ Redemption Hymn,” 
: Xxxix, 37 
Pathetic Fallacy, The. TT. G. “a: XXxXix, 43 


m. Mason’s Technics, (C. B. 


Pianoforte : 
Cady), xxxix, 28, 35; Playing, the Brain 
in (W. S. B. Mathews.) 139; Music, devel- 


opment of from Bach to Schumann (C. 
an Bruyck),. 130, 187, 145, 154, 161, 169, 177 
Pierian eases the, of Harvard College, 
xxxix, 147, 155, 163 

Pierson, Hugh. His Music to Goethe’s “ Faust.” 


. Jullien. suits xl, 97 
* Pinafore,” Homer versus. xxxix, 115; . S. 
as 5 teh us oa eS ay yo 
Poetry :— ‘ 
To Thaliarchus. Transl. from Horace. C. P. 
OG b= 0. se 6 Lk we eo at — 1 


+ Apollo. Transl. from Horace. C. P. Cranch, 9 
Afghan pone ee, Fre gue Ritter, . 
To Publius Virgilius Maro. Transl. from Horace. 





Purcell, as an Opera Composer, xl, 


Radziwill, Prince: his “ Faust” Music, xl, 
Raff, Joachim: his Symphonies, xxxix, 38, 190, 
203; xl, 180, 190; his Suite in C. op. 101, 
xxxix, 54; String Quartet “Die Schéne 


13 


97 


Miillerin,” 96; xl, 79; his Career,. . xl, 68 

Rasoumowsky Quartet, the. A. W. Thayer, 
xix, 90 
Reform in Church Music Mr. Eugene Thayer’ 

Lecture, 126, 132 

Reeves, Herbert, son of Sims Reeves, the Gane 
‘ xl, 111 
Reissiger, C.G. His Quartet, op. ‘W 1k. ‘Schu. 

mann), . . « xl, 178 
Remenyi, the Hungarian Violinist, xxxix, 8 
Richter, Ernst Friedrich: Obituary, Xxxix, 82 
Richter, the Conductor, in London, xl, 119, 123 
Rietz, Julius: his “ Faust” Music, . . . xl, 97 
Ritter, Dr. F. L. His Lecture on Chamber- 

Music. (N. Y. Mus. Rev.), xl, 116, 125 

Rive-King, Mme., the Pianist, XXxix, 71, xl, 46 
Roda, Ferdinand de: his “ Faust” Drama, xl, 98 
Rossini: his Stabat Mater, xxxix, 72; his “Le 

Comte Ory,” xl, 200; how he wrote “ Otel- 

lo” (Alex. Dumas), xxxix, 170; his pro- 

posed “ Faust ” Opera (A. Jullien), xl, 137 
Rubinstein, Auton: his Piano Concerto in G, 

No. 3, xxxix, 54; “Ocean” Symphony, xl, 

13; his Songs, oe XXxiX, 85, 94 
Rummel, Franz, the Pianist, . xxxix, 38, 198 
Russian Folk- Songs. Fanny y ae Ritter. 

xl, 34, 44 
“Ruth Burrage “Room, "The: Letter from B. 

J. Lang. : xxxix, 127 
Saint-Saéns, Camille: his “ Phaéton,” xxxix, 

29; “The Lyre and the Harp” xxxix, 

162; Rouet d’ Omphale,” xxxix, 190; 

* Deluge,” : <i patenso ot xl, 84 
Salvi, Lorenzo: Obituary, xxxix, 60 
Sand, George, and Chopin. Fanny Raymond 

Ritter, xxxix, 2, 9, 25, 33, 41, 65, 73, 81 
Schapler, Julius : his Prize Quartet (Schumann), 

1, 193 


a eS Oe a et re aera aes |. 
Schindler-Beethoven Papers, The. A. W. 
SU ee aR rt erry te | 
Schubert, Franz: his Unfinished Symphony, 
xxxix, 15; Symphony in C, xl, 37; his 
Piano Music, xxxix, 161; “Des Teufels 
Lustschloss,” xl, 16; his Overtures, xl, 22; 
Chamber-Music, xl, 55; Fis “ Faust ” Songs, 
RO ME ea xl, 
his “Faust” Overture, xl, 
Schumann, Clara and Joachim: Dresden in 
1860 (J. S. D.), aA xl, 109, 
Schumann: his Symphony in C, xxxix, 29; 
his “ Manfred” music, x], 73, 78, 81; String 
Quartets, xl, 7; his Song Series : “ Frauen- 
Liebe und Leben,” xxxix, 85; Piano Works, 
xxxax,. 177, 102; Overture to “Julius 
Cesar.” xl, 197; his “ Music and Musi- 
cians” (F’. L. Ritter), xxxix, 178, 187, 194, 
202; (J. S. D.), xl, 182; a Wagnerian at- 
tack on (Hanslick), xxxix, 185; on String 


Schulz, Chretien : 


193 


‘ C. P. Cranch, WS pee ee 33 Quartets, . Soaeges xl, 177, 185, 
onnet. Stwart Sterne, . . . 1... «. - 41) “Scier ntifically, Ke W. Fz xl, 101 
Found. From Goethe. M. E. Harmon, 49 : 

Sanzio. Stuart Sterne, 81, 105, 113, 121, 129, "137, 145, 153 Seiler, Mme. Emma: hese ‘School of Vocal Art B 
Songs, translated from Mirza-Schaffy. Fanny Yy ‘Ray y- in P a : xix, 135 
DREN. Gs ss wo os 6 «wos 1, 19] Sherwood, Wim. XXxix, 96; xl, 2: his 
Russian Folk-Songs. Fanny Raymond Ritter,. - 34 Normal «ell xl, 95 
“aaa, : a — voy 4 | Singing Clubs: Report of the President of the 
Dialogue between an inquiring young Musician Cecilia, xxxix, 133 
ee pero of the “Advanced” School. mae Smart, Henry: Obituary, : xxxix, 136 
Mus i + hie & + ao» « s 6 xl, 129 " “ ‘ 
Sonnets: To an Artist. Stuart Sterne. |. Sonatas: 7 Sei vege Sitting, . : i —, 3 
A Finnish Rune. ‘Transl. by Fanny Raymond onata, The, as an art form, XXXIX, 138, 146, 
SOS. 8-20, ous pe 0 wt 6 4 . 169 161; the physical basis of unity between its 
Prejudice in Music. W.F.A.. . . xl, 6 different movements (W.S. B. Mathews), 
Preston, John A., ‘the de XXxix, 46; his ee ee eee ee ee oe 
Organ Recitals, . xl, 177, 182) Spohr: his “ Last Judgment, ” (J.S.D.), x1, 65; 
Programme Music. A. W. Thayer, xxxix, 75 his Opera “ Faust,” xl, 118 
Prout, Ebenezer: his Cantata “ AB the Sternberg, Constantin, the Russian Pianist, (G. 
Wake.” Lond. Mus. Standard, xxxix, 107 T. Bulling), . . a, xl, 158 
Public, the, and the Virtuoso. W. F. Apthorp, Strauss, Joseph: his “ Faust” opera, xl, 89 
aed. ARS AES ke RET ety 8 ah a xxxix, 11! Suite, The, as an art form, xxxix, 138 


Sullivan, Arthur: his Career, xxxix, 146; his 
Prodigal Son,” 198; in Victoria Street, xl, 
12; his “ Martyr of Antioch,” . 186 
Svendsen, Johann: his Symphony i in D, xxxix, 104° 


Thayer, A. W. His life of Beethoven, Vol. III, 

xxxix, 24; xl, 29; Translations from, 75, 

90; Nohl’s Criticisms on,. . . xxxix, 114 
Theatrical “Tremolo” Fiend, The, . xxxix, 134 
Theatrical Orchestras (Phila. Bulletin), xxxix, 144 
Thomas, Theodore, in Cincinnati, xxxix, 31, 

111, 160; his retirement from the College 

of Music, xl, 72; Conducts the Cincinnati 

Festival, 

Thursby, Miss Emma, in Paris and ‘London, 


XXxix, 80 
"Geo. T. ‘Bulling, xxxix, 106 


Tone-Quality. 
Toujours Perdrix: Nohl vs. 'T Face on Beetho- 
ven. Prof: Franz Gehring, . xxxix, 114 
Tremont Temple, oan the New -— and 
its Organ, 174, 175 
Tchaikowsky : his Piano Concerto in Beflat 
minor, xxxix, 198; his Miniature March, xl, 197 


University Music in letactuieds xl, 170; at Har- 
vard, 176,. . 3 mb 27 

Vandal “ nigella Boston Music Hall in 
Dange xxxix, 77, 150,°184 


Vassar College, FRR. xxxix, 92,117; (A. Zz.) 


xl, 103 
Veit, W. H. His Second Quartet reviewed by 
Schumann, 


xl, 185 

Verdi: his Manzoni Requiem, “xl, 85, 86, 112; 

125; his “ Aida” and its Author (E. Hans- 

lick), 201; his sss Quartet in E-minor, 

5, an leoee xxxix, 

Vienna and Beethoven. E. Hanslick, xl, 

Violin Classes, Julius Eichberg’s, xxxix, 7,— 

xl, 23; Collectors, xxxix, 64; Violin and 

bow Piano: a California Invention, 174; 

“ Violin Fairy,” the: Mme. Neruda, xl, 59; 

V., Beethoven’s, 166; V. apd in five acts 

(C. H. Brittan), Ne Er Ba 
Virtuoso, The, and Public. |W. F. Apthorp, 

a a 1 


Virtuosity. ‘Some peculiar phases ‘of. W.F.A 
; Xxxix, 53 
Vocal Clubs: their ‘rapid spread in England, 
xxxix, 188; the orchestra question in, xl, 


111 
100 


52 


Wagner, Richard: his relations with Berlioz, 
xxxix, 99; his “Work and Mission,” ad- 
dressed to the New World, 171; from his 
book on Beethoven, xl, 140; his Theories 

(W. S. Rockstro, in Grove 's Dictionary), 153, 

161; a French View of (Henri Blaze de 
Bury), 172; Compared with Gluck or 
lick 

Wagner, Richard : “ Siegfried Tayl, » xxxix, ‘Ls, 
54; “ Gotter dammerung” at Vienna (Han - 
slick), xxxix, 67; his “ Faust Overture,” xl, 106 

Wagnerian Attack on Schumann (Hanslick), 
xxxix, 185; Appeal to American atta 


von Wolzogen), . + 4 
Wanted — a Composer for the Organ. H. iv 
Statham, . a tare xl, 9 
Ware, Miss Josephine, the Pianist, xxxix, 62 
Warning : Perils of Young American Girls in 
European Cities, . . xxxix, 141 
Weber, Albert, the Piano Maker: Obituary, 
. Xxxix, 136 


‘his “ Oberon ” 


Weber, Cc. M. von : revived in 
London, 


- «= ae’ 2 
Wenzel, Ernst Ferdinand : Obituary, xl, 164, 178 
West, John A. His cantata “ Dornréschen.” 
Chicago Tribune, . xl, 
What lack we yet? W. F. A.on the need of a 
Permanent Orchestra, xl, 150; (J. S. D.), 158 
Wilhelmi, A., in Boston, ; XXxXix, 2 
s Wunderkinder ” : the Douste Children, xxxix, 22 


Zelter and Ferdinand Hiller in Vienna (Han- 


slick), vox 





ee" Carl: "Testimonial ‘Concert to, xxxix, 





