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23  WEST  MAIN  STREET 

WEBSTEK.N.Y.  14580 

(716)  872-4503 


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CIHM/ICMH 

Microfiche 

Series. 


CIHM/ICMH 
Collection  de 
microfiches. 


Canadian  Institute  for  Historical  Microreproductions  /  Institut  Canadian  de  microreproductions  historiques 


Technical  and  Bibliographic  Notes/Notes  techniques  et  bibliographiq 


uas 


The  Institute  has  attempted  to  obtain  the  best 
original  copy  available  for  filming  Features  of  this 
copy  which  may  be  bibliographically  unique, 
which  may  alter  any  of  the  images  in  the 
reproduction,  or  which  may  significantly  change 
the  usual  method  of  filming,  are  checked  below. 


D 


Coloured  covers/ 
Couverturo  de  couleur 


□    Covers  damaged/ 
Couverture  endommagAe 

□    Covers  restored  and/or  laminated/ 
Couverture  restaurie  et/ou  pelliculAa 

□    Cover  title  missing/ 
Le  t'.tra  de  couverture  manque 

□    Coloured  maps/ 
Cartes  gtographiques  en  couleur 

□    Coloured  ink  (i.e.  other  than  blua  or  black)/ 
kncTtt  de  couleur  (i.e.  autre  cue  bleue  ou  no 


que  bleue  ou  noire) 

trations/ 
Planches  et/ou  illustrations  en  couleur 

Bound  with  other  material/ 
Rail*  avoc  d'autres  documents 


I      I    Coloured  plates  and/or  illustrations/ 
I      I    Bound  with  other  material/ 


D 


D 


Tight  binding  may  cause  shadows  or  distortion 
along  interior  margin/ 

La  re  Mure  serrie  peut  causer  de  I'ombre  ou  de  la 
distorsion  i«  long  de  la  marge  intAriaure 

Blank  leaves  added  dgring  restoration  may 
appear  within  the  text.  Whenever  possible,  these 
have  been  omi  .ed  from  filming/ 
II  se  peut  que  «.artaines  pages  blanches  ajout«es 
lors  dune  restauration  apparaissent  dans  le  texte. 
mats,  lorsque  cela  Atait  possible,  ces  pages  n'ont 
pas  «t«  fllm«es. 


L'Institut  a  microfilm*  le  meilleur  exemplaire 
qu'il  lui  a  it*  possible  de  se  procurer.  Las  details 
de  cet  exemplaire  qui  sont  peut-*tre  uniques  du 
point  de  vue  bibliographique,  qui  peuvent  modifier 
une  image  reproduite,  ou  qui  peuvent  exiger  una 
modification  dans  la  m*thode  normele  de  filmage 
sont  indiquis  ci-dessous. 


r^    Coloured  pages/ 


Pages  de  couleur 

Pages  damaged/ 
Pages  endommag*es 


n    Pages  restored  and/or  laminated/ 
Pages  restaur*es  et/cu  pellicul*es 

E    Pages  discoloured,  stained  or  foxed/ 
Pages  d*color*es,  tachat*es  ou  piqu*es 

□    Pages  detached/ 
Pages  d*tach*es 

HShowthrough/ 
Transparence 

□    Quality  of  print  varies/ 
Qualit*  indgale  de  I'impression 

□    Includes  supplemet!tary  materiji/ 
Comprend  du  mat*riel  suppl*mentaire 

□    Only  edition  available/ 
Seuie  Edition  disponible 


□    Pages  wholly  or  partially  obscured  by  errata 
slips,  tissues,  etc.,  have  been  refilmed  to 
ensure  the  best  possible  image/ 
Lea  pages  totalement  ou  partiellement 
obscurcies  par  un  feuillet  d'errata.  une  pelure. 
etc.,  ont  M  film*es  *  nouveau  de  facon  * 
obtenir  la  meilleure  image  possible. 


0 


Additional  comments:/ 
Commentaires  suppl*mentaires; 


[Printed  ephemera]  [3]  p. 


This  item  is  filmed  at  the  reduction  ratio  checked  below/ 

Ce  document  est  film*  au  taux  de  r*duction  indiqu*  ci-dessous. 


10X 

__ 

14X 

18X 

22X 

26X 

30X 

_ 

^^             1 

^■^" 

12X 

16X 

20X 

24X 

28X 

^~^ 

■»9V 

The  copy  filmed  hero  hat  boon  reproduced  thanks 
to  the  gonorotity  of: 


>  Library  of  the  Public 
Archives  of  Canada 


The  images  appearing  here  are  the  best  quality 
possible  considering  the  condition  and  legibility 
of  the  original  copy  and  in  keeping  with  the 
filming  contract  specifications. 


Original  copies  in  printed  paper  covers  are  filmed 
beginning  with  the  front  cover  and  ending  on 
the  last  page  with  a  printed  or  Illustrated  Impres- 
sion, or  the  back  cover  when  appropriate.  All 
other  original  copies  are  filmed  beginning  on  the 
first  page  with  a  printed  or  illustrated  Impres- 
sion, and  ending  on  the  last  page  with  a  printed 
or  illustrated  impression. 


The  last  recorded  frame  on  each  microfiche 
shall  contain  the  symbol  — »>  (meaning  "CON- 
TINUED"), or  the  symbol  V  (meaning  "END"), 
whichever  applies. 

Maps,  plates,  charts,  etc.,  may  be  filmed  at 
different  reduction  ratios.  Those  too  large  to  be 
entirely  Included  in  one  exposure  are  filmed 
beginning  in  the  upper  left  hand  corner,  left  to 
right  and  top  to  bottom,  as  many  frames  as 
required.  The  following  diagrams  illustrate  the 
method: 


L'exemplaire  film*  fut  reproduit  grice  A  la 
g*n«rosltA  da: 

La  bibiiothique  des  Archives 
publlques  du  Canada 

Las  images  sulvantes  ont  6t«  reproduites  avec  le 
plus  grand  soln,  compte  tenu  de  la  condition  at 
de  la  nettet*  de  l'exemplaire  film«,  et  en 
conformity  avec  les  conditions  du  contrat  de 
filmage. 

Les  exemplalres  originaux  dont  la  couverture  en 
papier  est  imprim«e  soni  fllmte  en  commen^ant 
par  le  premier  plat  et  en  terminant  soit  par  la 
dernlAre  page  qui  comporte  une  empreinte 
d'impression  ou  d'lllustration.  solt  par  le  second 
plat,  salon  le  cas.  Tous  les  autres  exemplalres 
originaux  sont  filmte  en  commenpant  par  la 
premlArj  page  qui  comports  une  empreinte 
d'impression  ou  d'illustration  et  en  terminant  par 
la  dernlAre  page  qui  comporte  une  telle 
empreinte. 

Un  Jes  symboles  sulvants  apparattra  sur  la 
dernMre  image  de  cheque  microfiche,  selon  le 
cas:  le  symbole  — »•  signifle  "A  SUIVRE",  le 
symbole  V  signifle  "FIN". 

Les  cartes,  planches,  tableaux,  etc.,  peuvant  Atre 
flimte  A  des  taux  de  reduction  diffArents. 
Lorsque  le  document  est  trop  grand  pour  Atre 
reproduit  en  un  seul  clich«,  II  est  fllmA  A  partir 
de  I'angle  supArleur  gauche,  de  gauche  A  droite, 
et  de  haut  en  bas,  en  prenant  le  nombre 
d'images  nAcessaire.  Les  diagrnmmes  sulvants 
Sllustrent  la  mAthode. 


1 

2 

3 

1 


5 


6 


mtktsUt  ^imi  ^dhcdist  ^\muk 


«-4* 


SUNDAY  SCHOOL  CONCERT 

lf<   ^ID   OF  THE  ^CHOOI-    ]^UND, 


ON    THURSDAY    EVENING,   APRIL    26,    1877, 


Under  the  direction  of  MADAME  VINCENT. 


Pianist, 
Organist, 


Miss  Bryson. 
Cyrus  V.  Orb. 


CONCERT   AT  EIGHT    O'CLOCK. 


PART   FIRST. 


Prayer  hy  Rev,  E.  -d.  Stafford- 

1.  Chant—"  The  Lord's  Prayer." 

2.  Chorus—"  God  is  the  refuge  of  his  people." 


God  js  the  "refuge  cjf  his  people, 
Gvjd  is  the  refuge  of  his  pepple, 
A  very  present  help  in  trouble, 
A  very  present  help  in  trouble. 
'I'hereforc  will  we  never  fear. 
Therefore  will  we  never  fear 
Therefore  will  we  never  fear, 


r.od  is  the  refuge  of  his 'people. 
In  thee,  ()  Lord,  do  I  put  niy  trust  ; 
In  thee,  ()  Ix^rd,  do  I  put  my  trust, 
O  let  me  never  be  confounded, 

Let  me  never  be  confounded. 
Thou  art  the  refuge  of  thy  people, 

Therefore  will  we  never  fear. 


3.  Solo—"  Jesus  lover  of  my  solil." Miss  Allen. 

4.  Piano   Trio [ Misses  ^^  Master  Clerk. 

5.  DuF.TT  &  Chorus— "Waiting  and  watching,"  Miss  L.  Bryson  er-  Miss 

L.  Irwin. 


When  my  final  farcwdl  to  the  world  1  have  saidy  -^■ 

And  gladly  lie  down  to  my  rest ; 
When  softly  the  watchers  shall  say,    '  He  is  dead," 

And  fold  my  pale  hands  o'er  my  breast  ; 
Anu  when,  with  my  glorified  vision  at  last 

The  walls  of  "  That  City  '  I  see, 
Will  any  one  then  at  the  beautiful  gate. 

Be  waiting  and  watching  for  me  ? 
1  i  t  • 
There  are  little  ones  glancing  about  in  my  path. 

In  wajnt  of  a  friend  and  a  guide  ; 
There  are  dear  little  eyes  looking  up  into  mine, 

Who.^e  tears  might  be  easily  dried. 
But  Jesus  may  beckon  the  children  away 

In  the  midst  of  their  grief  and  their  glee — 
Will  any  of  them,  at  the  beautiful  gate, 

Be  waiting  and  watching  for  me  ? 

6.  Solo  Bass— "  Children's  hour," Mr.  Wyard. 

7.  Solo— "Now  I  lay  me  down  to  sleep." Miss  Hope  Scott. 

8.  CoriietoOiOj  v.itii  introduction,     owect  by  an^a  oy,   JMr.  j.  .  rr .  l^OitOnu. 


There  are  old  and  forsaken  who  linger  a  while 

1  n  homes  which  their  dearest  have  left  ; 
And  a  few  gentle  words  or  an  action  of  love 

May  cheer  tlieir  sad  spirits  bereft. 
But  the  Reaper  is  near  to  the  l,)ng  standing  corn, 

The  weary  will  soon  be  set  free — 
Will  any  of  them,  at  the  beautiful  gate. 

Be  waiting  and  watching  fir   me  ? 

Oh,  should  I  be  brought  there  by  the  bountiful  grace 

Of  Him  who  delights  to  forgive. 
Though  I  bless  not  the  weary  about  in  my   path, 

Pray  only  for  self  while  I  live, — ■ 
Metliinks  I  should  mourn  o'er  my  sinful  neglect, 

If  sorrow  in  heaven  can  be, 
Should  no  one  I  love,  at  the  beautiful  gate. 

Be  waiting  and  watching  for  me  ! 


PART  SECOND. 


I.  Chorus—"  Are  your  windows  open." 


'erk. 
Miss 

lile 
corn, 

111  grace 

path, 

fleet, 

mrd. 

)COtf. 


1/1  ft /I 

tt-ff-:c  1 


Do  you  see  the  Hebrew  ciptivc  kneeling, 
At  mornln<j,  noon  and  night  t>  pray  .' 

In  his  cham'x;r  he  remamljer.s  Zion, 
Tho'  in  exile  far  away. 

CHORUS. 

Are  your  windows  open  toward  Jerusalem, 

Tho'  gs  captives  here  a  "  little  while"  we  stay  V 

For  the  coming  of  the  King;  in  His  glory. 
Are  you  watching  day  by  day. 


Do  not  fear  to  troad  the  'icry  furnace, 
Nor  shrink  the  lion's  don  to  .shire  V 

For  the  God  of  Daniel  will  deliver, 
He  will  sand  his  an^el  tht.-rc.  CHi)Rt;s.— 

Children  of  the  living  God.  take  courage  ; 

Your  great  deliverance  sweetly  sing. 
Set  your  face  toward  the  hill  f)f  Zion, 

Thence  to  hail  our  coming  King.  Chokus. 


3- 

4- 


Solo— "  The  Three  Calls," Miss  L.  Inviu. 

Piano  Solo Miss  Bryson. 

Duett  &  Chorus—"  Kedron," Miss  Tal)l)  and  Mr.. 


Thou  sweet  gliding  Kedrjn  by  thy  silver  streim. 
The  Saviour  at  midni.ght  when  Cyntiiias  ptle  b^am 
Shone  bright  uu  the  waters  would  frequently  stray 
And  lose  in  thy  murmurs  the  toils  of  the  day, 

How  damp  were  the  vap :)rs  that  fell  on  his  head. 
How  hard  was  his  pillow,  how  hn;ii'jle  h's  bjd. 
The  angels,  astonished,  grew  sad  at  the  sight. 
And  ro!lo.ve:l  their  Master  with  s  )lemn  delig'it. 


CHOXl'S. 

Come  saints  and  a.l(jre  Him,  come  bow  at  his  feet, 

O  give  Him  the  glory,  the  praise  that  is  meet, 

I^et  joyful  hosannas  unceasing  arise, 

And  join  the  full  chorus  that  gladdens  the  skies. 

Let  joyfid  h  )sannas  iniceasin  '  arise. 

And  join  t!ie  full  choru.;  that  ^,!addens  the  skies. 


5 .  Solo—"  If  papa  were  only  ready," Master  Allen. 

5    Solo—  "  Show  me  thy  ways,  O  Lord," Madame  Vincent. 

7.  Chorus—"  Every  day  and  every  hour." 


Saviour,  more  than  life  to  me, 
I  am  clinging,  clinging  close  to  Thee  ; 
Let  thy  precious  blood  applied. 
Keep  me  ever,  ever  near  Thy  side. 

CHORUS. 

Every  day,  every  hour, 

Let  me  feel  Thy  cleansing  power  ; 

May  Thy  tender  love  to  mc 

Bind  me  closer,  closer,  Lord,  to  Thee. 


Thro'  this  changing  ■     rlcl  below, 
Lead  me  gently,  gentl .  as  I  go  ; 
Trusting  Thee,  I  cannot  stiay, 
I  can  never,  never  lose  my  way. 

Let  me  love  Thee  more  and  more, 
Till  this  fleeting,  fleeting  life  is  o'er  ; 
Till  my  soul  is  lost  in  love. 
In  a  brighter,  brighter  world  above. 


God  Save  the  Queen. 


