《太平广记·卷二百一十三·画四》
边鸾后来生活困顿穷苦，曾在潞水岸边的沼泽地带将五棵长在一起的人参画在画上，画得好极了。
后以困穷，于泽潞貌五参连根，精妙之极也。
Bian Luan lived in poverty later, and he painted five ginsengs that grew together in a marsh area by the Lu River on the painting, which was great.
<s>[INST] Provide a modern Chinese interpretation of the following Classical Chinese passage: 后以困穷，于泽潞貌五参连根，精妙之极也。 [/INST] 边鸾后来生活困顿穷苦，曾在潞水岸边的沼泽地带将五棵长在一起的人参画在画上，画得好极了。</s>
Provide a modern Chinese interpretation of the following Classical Chinese passage: 后以困穷，于泽潞貌五参连根，精妙之极也。
user
边鸾后来生活困顿穷苦，曾在潞水岸边的沼泽地带将五棵长在一起的人参画在画上，画得好极了。
assistant