《梁书·本纪·卷六》
然而文风华艳，可用者少，文章华而不实，文体穷尽淫靡华丽之能事，文义罕有畅通之处，哀损思念的靡靡之音，于是变移了风俗，用这种做法正万国，与周诵、漠庄相比是不同的了。
然文艳用寡，华而不实，体穷淫丽，义罕疏通，哀思之音，遂移风俗，以此而贞万国，异乎周诵、汉庄矣。
However, his literary style was flowery and ornate, with little that could be used; his articles were flowery but lacked substance, his writing style exhausted the powers of licentiousness, luxury and ornateness, there was rarely a flowing and smooth passage in his writing, the tune of moaning and missing and thinking too much weakened the morale, thus changing customs, using this method to rule all nations, it was different when compared with Zhou Song and Mo Zhuang.
<s>[INST] First, translate the Classical Chinese text into modern Chinese and then into English. Classical Chinese: 然文艳用寡，华而不实，体穷淫丽，义罕疏通，哀思之音，遂移风俗，以此而贞万国，异乎周诵、汉庄矣。 [/INST] 然而文风华艳，可用者少，文章华而不实，文体穷尽淫靡华丽之能事，文义罕有畅通之处，哀损思念的靡靡之音，于是变移了风俗，用这种做法正万国，与周诵、漠庄相比是不同的了。 Then, However, his literary style was flowery and ornate, with little that could be used; his articles were flowery but lacked substance, his writing style exhausted the powers of licentiousness, luxury and ornateness, there was rarely a flowing and smooth passage in his writing, the tune of moaning and missing and thinking too much weakened the morale, thus changing customs, using this method to rule all nations, it was different when compared with Zhou Song and Mo Zhuang.</s>
First, translate the Classical Chinese text into modern Chinese and then into English. Classical Chinese: 然文艳用寡，华而不实，体穷淫丽，义罕疏通，哀思之音，遂移风俗，以此而贞万国，异乎周诵、汉庄矣。
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然而文风华艳，可用者少，文章华而不实，文体穷尽淫靡华丽之能事，文义罕有畅通之处，哀损思念的靡靡之音，于是变移了风俗，用这种做法正万国，与周诵、漠庄相比是不同的了。 Then, However, his literary style was flowery and ornate, with little that could be used; his articles were flowery but lacked substance, his writing style exhausted the powers of licentiousness, luxury and ornateness, there was rarely a flowing and smooth passage in his writing, the tune of moaning and missing and thinking too much weakened the morale, thus changing customs, using this method to rule all nations, it was different when compared with Zhou Song and Mo Zhuang.
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