《晋书·志·第六章》
然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。
然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。
However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.
<s>[INST] Translate the given Classical Chinese text into modern Chinese, then provide an English translation that captures the nuances of both versions. Classical Chinese: 然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。 [/INST] Modern Chinese: 然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。 English Translation: However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.</s>
Translate the given Classical Chinese text into modern Chinese, then provide an English translation that captures the nuances of both versions. Classical Chinese: 然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。
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Modern Chinese: 然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。 English Translation: However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.
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