《元史·列传·卷六十一》
姚燧的学问造诣，得助于许衡的教诲。他从追求天理，认识世界，到最后身体力行，故成为一代名儒。其文内容丰富，文笔流畅，恰到好处，气势豪迈而不放纵，刚健而不严厉，声调宏大响亮，有西汉文风，宋末之弊习为之一变。
彼复有班孟坚者出，表古今人物，九品中必以一等置欧阳子，则为去圣贤也有级而不远，其文虽无谢、尹之知，不害于行后。岂有一言几乎古，而不闻之将来乎！ 
The academic attainment of Yao Sui was assisted by the teachings of Xu Heng. He went from pursuing the principles of nature, recognising the world, to finally practicing them, which is why he became a famous Confucian scholar of his time. The content of his works is rich, his writing is fluent and on point, his momentum is unrestrained but not excessive, and his vigour is not harsh but sonorous. His style has the elegance of the Western Han, unlike the vulgar habits of the end of the Song. 
<s>[INST] I need this in both modern chinese phrasing and English - could you help? 彼复有班孟坚者出，表古今人物，九品中必以一等置欧阳子，则为去圣贤也有级而不远，其文虽无谢、尹之知，不害于行后。岂有一言几乎古，而不闻之将来乎！  [/INST] Contemporary: 姚燧的学问造诣，得助于许衡的教诲。他从追求天理，认识世界，到最后身体力行，故成为一代名儒。其文内容丰富，文笔流畅，恰到好处，气势豪迈而不放纵，刚健而不严厉，声调宏大响亮，有西汉文风，宋末之弊习为之一变。 English version: The academic attainment of Yao Sui was assisted by the teachings of Xu Heng. He went from pursuing the principles of nature, recognising the world, to finally practicing them, which is why he became a famous Confucian scholar of his time. The content of his works is rich, his writing is fluent and on point, his momentum is unrestrained but not excessive, and his vigour is not harsh but sonorous. His style has the elegance of the Western Han, unlike the vulgar habits of the end of the Song. </s>
I need this in both modern chinese phrasing and English - could you help? 彼复有班孟坚者出，表古今人物，九品中必以一等置欧阳子，则为去圣贤也有级而不远，其文虽无谢、尹之知，不害于行后。岂有一言几乎古，而不闻之将来乎！
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Contemporary: 姚燧的学问造诣，得助于许衡的教诲。他从追求天理，认识世界，到最后身体力行，故成为一代名儒。其文内容丰富，文笔流畅，恰到好处，气势豪迈而不放纵，刚健而不严厉，声调宏大响亮，有西汉文风，宋末之弊习为之一变。 English version: The academic attainment of Yao Sui was assisted by the teachings of Xu Heng. He went from pursuing the principles of nature, recognising the world, to finally practicing them, which is why he became a famous Confucian scholar of his time. The content of his works is rich, his writing is fluent and on point, his momentum is unrestrained but not excessive, and his vigour is not harsh but sonorous. His style has the elegance of the Western Han, unlike the vulgar habits of the end of the Song.
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