《晋书·志·第六章》
然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。
然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。
However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.
<s>[INST] 首先, 将文言文翻译成现代汉语, 然后再翻译成英语。文言文: 然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。 [/INST] 现代汉语: 然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。 英语: However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.</s>
首先, 将文言文翻译成现代汉语, 然后再翻译成英语。文言文: 然则宫商正也，余声皆倍也；是故从宫以下，孔转下转浊也。
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现代汉语: 然而宫商都是中音区的正声，其余各声为低音区的倍声；所以从宫孔以下孑位越来越向笛体下方，音也转入低音区。 英语: However, Palace and Shang are both positive pitches in the middle pitch area; the remaining pitches are multiple pitches in the low pitch area. Therefore, the positions below the Palace hole are increasingly lower down on the flute body, which also enters the low pitch area.
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