English novelist (born 1934)
Alan Garner (born 17 October 1934) is an English novelist best known for his children's fantasy novels and his retellings of traditional British folk tales. Much of his work is rooted in the landscape, history and folklore of his native county of Cheshire, North West England, being set in the region and making use of the native Cheshire dialect.
Born in Congleton, Garner grew up in Alderley Edge, and spent much of his youth in the wooded area known locally as "The Edge", where he gained an early interest in the folklore of the region. Studying at Manchester Grammar School and then briefly at Oxford University, in 1957 he moved to the village of Blackden, where he bought and renovated an Early Modern Period (circa 1590) building known as Toad Hall. His first novel, "The Weirdstone of Brisingamen", was published in 1960. A children's fantasy novel set on the Edge, it incorporated elements of local folklore in its plot and characters. Garner wrote a sequel, "The Moon of Gomrath" (1963), and a third book, "Boneland" (2012). He wrote several fantasy novels, including "Elidor" (1965), "The Owl Service" (1967) and "Red Shift" (1973).
Turning away from fantasy as a genre, Garner produced "The Stone Book Quartet" (1979), a series of four short novellas detailing a day in the life of four generations of his family. He also published a series of British folk tales which he had rewritten in a series of books entitled "Alan Garner's Fairy Tales of Gold" (1979), "Alan Garner's Book of British Fairy Tales" (1984) and "A Bag of Moonshine" (1986). In his subsequent novels, "Strandloper" (1996) and "Thursbitch" (2003), he continued writing tales revolving around Cheshire, although without the fantasy elements which had characterised his earlier work.
Biography.
Early life: 1934–56.
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"I had to get aback [to familial ways of doing things], by using skills that had been denied to my ancestors; but I had nothing that they would have called worthwhile. My ability was in language and languages. I had to use that, somehow. And writing was a manual craft. But what did I know that I could write about? I knew the land."
Alan Garner, 2010
Garner was born in the front room of his grandmother's house in Congleton, Cheshire, on 17 October 1934. He was raised in Alderley Edge, a well-to-do village that had effectively become a suburb of Manchester. His "rural working-class family", had been connected to Alderley Edge since at least the sixteenth century and could be traced back to the death of William Garner in 1592. Garner has stated that his family had passed on "a genuine oral tradition" involving folk tales about The Edge, which included a description of a king and his army of knights who slept under it, guarded by a wizard. In the mid-nineteenth century Alan's great-great-grandfather Robert had carved the face of a bearded wizard onto the face of a cliff next to a well, known locally at that time as the Wizard's Well.
Robert Garner and his other relatives had all been craftsmen, and, according to Garner, each successive generation had tried to "improve on, or do something different from, the previous generation". Garner's grandfather, Joseph Garner, "could read, but didn't and so was virtually unlettered". Instead, he taught his grandson the folk tales he knew about The Edge. Garner later remarked that as a result, he was "aware of [the Edge's] magic" as a child, and he and his friends often played there. The story of the king and the wizard living under the hill played an important part in his life, becoming, he explained, "deeply embedded in my psyche" and heavily influencing his later novels.
Garner faced several life-threatening childhood illnesses, which left him bed ridden for much of the time. He attended a local village school, where he found that, despite being praised for his intelligence, he was punished for speaking in his native Cheshire dialect; for instance, when he was six his primary school teacher washed his mouth out with soapy water. Garner then won a place at Manchester Grammar School, where he received his secondary education; entry was means-tested, resulting in his school fees being waived. Rather than focusing his interest on creative writing, it was here that he excelled at sprinting. He used to go jogging along the highway, and later claimed that in doing so he was sometimes accompanied by the mathematician Alan Turing, who shared his fascination for the Disney film "Snow White and the Seven Dwarfs". Garner was then conscripted into national service, serving for a time with the Royal Artillery while posted to Woolwich in Southeast London.
At school, Garner had developed a keen interest in the work of Aeschylus and Homer, as well as the Ancient Greek language. Thus, he decided to pursue the study of Classics at Magdalen College, Oxford, passing his entrance exams in January 1953; at the time he had thoughts of becoming a professional academic. He was the first member of his family to receive anything more than a basic education, and he noted that this removed him from his "cultural background" and led to something of a schism with other members of his family, who "could not cope with me, and I could not cope with" them. Looking back, he remarked, "I soon learned that it was not a good idea to come home excited over irregular verbs". In 1955, he joined the university theatrical society, playing the role of Mark Antony in a performance of William Shakespeare's "Antony and Cleopatra" where he co-starred alongside Dudley Moore and where Kenneth Baker was the stage manager. In August 1956, he decided that he wished to devote himself to novel writing, and decided to abandon his university education without taking a degree; he left Oxford in late 1956. He nevertheless felt that the academic rigour which he learned during his university studies has remained "a permanent strength through all my life".
"The Weirdstone of Brisingamen" and "The Moon of Gomrath": 1957–64.
Aged 22, Garner was out cycling when he came across a hand-painted sign announcing that an agricultural cottage in Toad Hall – a late medieval building situated in Blackden, seven miles from Alderley Edge – was on sale for £510. Although he personally could not afford it, he was lent the money by the local Oddfellow lodge, enabling him to purchase and move into the cottage in June 1957. In the late nineteenth century the Hall had been divided into two agricultural labourers' cottages, but Garner was able to purchase the second for £150 about a year later; he proceeded to knock down the dividing walls and convert both halves back into a single home.
Garner had begun writing his first novel, "The Weirdstone of Brisingamen: A Tale of Alderley", in September 1956. However it was while at Toad Hall that he finished the book. Set in Alderley Edge, it revolves around two children, Susan and Colin, who are sent to live in the area with their mother's old nursemaid, Bess, and her husband, Gowther Mossock. While exploring the Edge, they encounter a race of malevolent creatures, the "svart alfar", who dwell in the Edge's abandoned mines and who seem intent on capturing them. They are rescued by the wizard Cadellin, who reveals that the forces of darkness are massing at the Edge in search of a powerful magical talisman, the eponymous "weirdstone of Brisingamen".
Whilst writing in his spare time Garner attempted to gain employment as a teacher, but soon gave that up, believing that "I couldn't write and teach; the energies were too similar." Instead, he worked off and on as a general labourer for four years, remaining unemployed for much of that time.
Garner sent his debut novel to the publishing company Collins, where it was picked up by the company's head, Sir William Collins, who was on the lookout for new fantasy novels following the recent commercial and critical success of J. R. R. Tolkien's "The Lord of the Rings" (1954–55). Garner, who went on to become a personal friend of Collins, would later relate that "Billy Collins saw a title with funny-looking words in it on the stockpile, and he decided to publish it." On its release in 1960, "The Weirdstone of Brisingamen" proved to be a critical and commercial success, later being described as "a tour de force of the imagination, a novel that showed almost every writer who came afterwards what it was possible to achieve in novels ostensibly published for children." Garner himself however would later denounce his first novel as "a fairly bad book" in 1968.
With his first book published, Garner abandoned his work as a labourer and gained a job as a freelance television reporter, living a "hand to mouth" lifestyle on a "shoestring" budget. He also began a sequel to "The Weirdstone of Brisingamen", which would be known as "The Moon of Gomrath". "The Moon of Gomrath" also revolves around the adventures of Colin and Susan, with the latter being possessed by a malevolent creature called the Brollachan who has recently re-entered the world, having been freed from its underground prison by workmen. With the help of the wizard Cadellin, the Brollachan is exorcised, but Susan's soul also leaves her body, being sent to another dimension, leaving Colin to find a way to bring it back. Critic Neil Philip characterised it as "an artistic advance" but "a less satisfying story". In a 1989 interview, Garner stated that he had left scope for a third book following the adventures of Colin and Susan, envisioning a trilogy, but that he had intentionally decided not to write it, instead moving on to write something different. However "Boneland", the conclusion to the sequence, was belatedly published in August 2012.
"Elidor", "The Owl Service" and "Red Shift": 1964–73.
In 1962, Garner began work on a radio play entitled "Elidor", which eventually became a novel of the same name. Set in contemporary Manchester, "Elidor" tells the story of four children who enter a derelict Victorian church and find a portal to the magical realm of Elidor. In Elidor, they are entrusted by King Malebron to help rescue four treasures which have been stolen by the forces of evil, who are attempting to take control of the kingdom. The children succeed and return to Manchester with the treasures, but are pursued by the malevolent forces who need the items to seal their victory.
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"As I turned toward writing, which is partially intellectual in its function, but is primarily intuitive and emotional in its execution, I turned towards that which was numinous and emotional in me, and that was the legend of King Arthur Asleep Under the Hill. It stood for all that I'd had to give up in order to understand what I'd had to give up. And so my first two books, which are very poor on characterization because I was somehow numbed in that area, are very strong on imagery and landscape, because the landscape I had inherited along with the legend."
Alan Garner, 1989
Before writing "Elidor", Garner had seen a dinner service set which could be arranged to make pictures of either flowers or owls. Inspired by this design, he produced his fourth novel, "The Owl Service". The story, which was heavily influenced by the Medieval Welsh tale of Math fab Mathonwy from the "Mabinogion", was critically acclaimed, winning both the Carnegie Medal and Guardian Children's Fiction Prize. It also sparked discussions among critics as to whether Garner should properly be considered a children's writer, given that this book in particular was deemed equally suitable for an adult readership.
It took Garner six years to write his next novel, "Red Shift". The book centres on three intertwined love stories, one set in the present, another during the English Civil War, and the third in the second century CE. Philip referred to it as "a complex book but not a complicated one: the bare lines of story and emotion stand clear".
Academic specialist in children's literature Maria Nikolajeva characterised "Red Shift" as "a difficult book" for an unprepared reader, identifying its main themes as those of "loneliness and failure to communicate". Ultimately, she thought that repeated re-readings of the novel bring about the realisation that "it is a perfectly realistic story with much more depth and psychologically more credible than the