Haircut is the ninth studio album by American blues rock band George Thorogood and the Destroyers. It was released on July 27, 1993 by the label EMI America Records. The first single from the album was "Get a Haircut", which charted in multiple countries. The album peaked at No. 120 on the "Billboard" 200. The band supported the album with a North American, and Canadian tour. 
Recording.
Recording of the album took place at the Sounds Unreel Studios in Memphis, Tennessee, and the Compass Point Studios in Nassau, The Bahamas. The album was produced by Terry Manning, who also worked with American rock band ZZ Top, and the Delaware Destroyers.
Content.
The album contains almost all cover material, except one song written by Thorogood. "Want Ad Blues" is a cover of the John Lee Hooker song. "Gone Dead Train" was written by Jack Nitzsche. Thorogood wrote "Baby Don't Go". "Howlin' for My Baby" was written by Willie Dixon and Howlin' Wolf. The album cover art was made by Peter Bagge.
Release.
EMI America released "Haircut" on July 27, 1993. The album debuted at No. 133, and peaked at No. 120 on the "Billboard" 200 chart. The album was certified gold by Music Canada, where it sold more than 40,000 units.
"Get A Haircut" was the lead single from the album. The song peaked at No. 2 on the Album Rock Tracks chart, and was the No. 1 most played song in Canada on FM radio.
Critical reception.
"Haircut" received mixed reviews from critics.
Ron Wynn of AllMusic wrote that "Thorogood's work has never lost its edge because he avoids becoming indulgent or a parody, and continues to sound genuinely interested in and a fan of the tunes he's doing." The "Windsor Star" wrote that "the guitar-slinging motor mouth offers another round of stinging and rocking blues, featuring that consistently fat sound with which his band has made its trademark style." The "Calgary Herald" deemed "Haircut" "boogie blues and rock 'n' roll ... And, yep, he hasn't changed a thing." The "Colorado Springs Gazette-Telegraph" opined that "since shtick is exactly what Thorogood's become reduced to, the only phrase that comes to mind listening to this is, 'get a real job'." Michael Kramer of Music Connection called "Get A Haircut", "an instant Thorogood standard, right up there with “Bad To The Bone” and “I Drink Alone.", but considered the rest of the album "a letdown", adding "Although his vocals and guitar are as good as ever, none of the other songs are particularly exciting or even catchy."
The Canadian Press called it "another slice of devil-may-care, comically anti-authoritarian riff rock". "The Boston Globe" concluded that "Thorogood doesn't gain any dramatic ground, but his loyalty to his favorite idioms remains genuine." "The Indianapolis Star" praised the "stark, deliberative" "Killer's Bluze".
Personnel.
The following personnel are credited on the album:
References.
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