Swedish musician
Göran Bertil Lagerberg (; born 20 September 1947) is a Swedish musician and singer-songwriter, best known as the bass guitarist and co-lead vocalist in Swedish rock band Tages and later progressive rock act Kebnekajse. In the 1990s, he was a member of supergroup Grymlings together with Magnus Lindberg, Pugh Rogefeldt and Mikael Rickfors.
Lagerberg initially joined Tages in 1963 when they were named Alberts Skiffelgrupp and played washboard. The group quickly abandoned their skiffle roots in favour of beat music, with Lagerberg picking up bass guitar. Upon becoming a professional band in 1964, Lagerberg competed with lead singer Tommy Blom as the group's d"e facto" leader. Starting in 1966, he composed a huge output of the group's music, penning most original songs they recorded. Lagerberg was the group's only consistent member and stayed with them until 1970 when they had changed their name to Blond. The group has repeatedly been cited as one of the best Swedish groups of the 1960s due to their later work including the studio album "Studio" (1967).
After a brief stint as a session musician, Lagerberg joined progressive rock band Kebnekajse, playing on two of the group's studio albums, "Kebnekajse II" and "Kebnekajse III," but did not write songs for these. He left in 1975 for further studies. In 1990, Lagerberg co-founded Grymlings, who became both commercially and critically popular in Sweden. All three of their albums reached the top-twenty on Sverigetopplistan. He has also collaborated with several other Swedish artists, including Fläsket brinner, Egba, Feta Heta linjen and has participated in several re-unions of Tages.
Early life.
Göran Bertil Lagerberg was born on 20 September 1947 in the Swedish city of Gothenburg to parents Bertil Lagerberg Svensson (1916–1990) and Maud Lindell (1915–1998). As a kid, he was interested into music and started attending piano lessons at the age of six, attending the same school as Danne Larsson. He quickly took up playing guitar on the side, which he found much more interesting than the piano. During the late 1950s, the skiffle craze was storming through Europe, particularly Sweden, and affected many young people, including Lagerberg, who began playing the washboard". This eventually led him to get invited to his first band, Limmericks, where he assumed that role. Following his stint in that band, he began playing guitar with a group called the Sharks who quickly got noticed by future members of Tages. He did this while still in school, attending the Gothenburg Läroverk. His work with the group would be postponed until he graduated in June 1965.
Music career.
Tages.
Lagerberg was only invited to Tages, then named Albert's Skiffelgrupp, because according to Larsson "he was the only guy insane enough to play the washboard." The group then consisted of Larsson, Tommy Blom and Anders Töpel. He was invited during the summer of 1963 the year he would turn 16. His middle name, Bertil, was initially considered to becomes the band name, but this idea was ultimately rejected once Larsson's middle name Tage was chosen instead. Lagerberg would continue playing washboard with the group until his parents bought him a bass guitar as a Christmas present in December of that year. The other members followed suite, purchasing electric guitars. After recruiting drummer Freddie Skantze during that month, the group set out to become a beat group.
Unlike many other Swedish groups, who only had one lead singer, the members of Tages were each allowed to lead the vocals at least once per one show, often harmonizing. Lagerberg was often chosen as the lead singer on multiple songs as his voice was considered quite good. Much of Tages stage repertoire came from Lagerberg, who was passionate about both rhythm and blues and soul music, and as a result, he would scover records stores and find material by Muddy Waters, Wilson Pickett, John Lee Hooker and Otis Redding. During the Västkustens Beatles (West Coast Beatles) contest, Lagerberg sang most of the songs as Blom wasn't present. They won the contest and as a result became idols in Sweden overnight.
Lagerberg had also turned to songwriting at around this point as well. His first published song with Tages was "Tell Me You're Mine", co-written with Töpel. It was released as the B-side of their debut single "Sleep Little Girl" in October 1964 and was also the first time Lagerberg's voice was committed to tape. The group's two following singles "I Should Be Glad" and "Don't Turn Your Back" were also penned by Lagerberg, with Larsson and Töpel as co-writers respectively. Lagerberg also harmonized on both songs together with the respective co-writers, which at the time was his primary role in the group. His first solo vocal was a rendition of "Dimples" released on their debut album "Tages" in November 1965.
On 19 January 1966, Tages entered Europafilm Studios to record two Lagerberg compositions; "The Man You'll Be Looking For" and "So Many Girls". The first of which, a high tempo rock song, would eventually find its way to a flexi disc. This was in Lennart Wrigholm's eyes the first time a good composition could be used on a flexi disc, thanks to Lagerberg's talent. "So Many Girls" on the other hand a slower, ballad-like song which greatly contrasted from their previous material. It was released as a single in February and nonetheless received a respectable number five on Kvällstoppen and four on "Tio i Topp"."" This was the first time Blom's "de facto" leadership of the group was questioned and the first time the group actually tried branching away from contemporary rock and roll, thanks to Lagerberg.
Lagerberg also greatly contributed to the group's studio albums at the time. In August their second album "Tages 2" was released. It saw Lagerberg's role in the band further expand, as he sang lead or co-lead vocals on eight of the twelve tracks present. He also greatly contributed to the material found on the album. In November, Tages third studio album "Extra Extra" was released. This saw Lagerberg further expand his creative influence over the band, reflected with baroque pop on tracks such as "Gone Too Far", one of two of his compositions found on the album. His voice can further be heard on six different tracks on the album.
In 1967, following signing to Parlophone records, the group was allotted more studio time and as a results their music became more lax. Together with Blom, Lagerberg composed "Every Raindrop Means Alot", which he also sang the chorus of. Following "Every Raindrop Means Alot", no more singles would be sung by Blom, instead that role was substituted by Lagerberg. He led the group into psychedelia for their next album "Contrast" in April 1967. Following that release, Lagerberg became obsessed with Swedish folk music and as such, adapted elements into their fifth album, simply titled "Studio". According to Wrigholm, "Studio" is an early "Swedish masterpiece" and the closest thing Sweden got to "Sgt. Pepper's Lonely Hearts Club Band". However, not everybody was keen on these ideas. Blom, who was disillusioned by his reducing popularity and place in the group owing to Lagerberg left in August 1968, reducing them to a quartet.
Blond.
The quartet (consisting of Lagerberg, Larsson, Töpel and drummer Lasse Svensson) nonetheless carried on without Tommy Blom, performing as Tages for the remainder of 1968. With Blom out of the band, they decided to attempt reaching commercial success abroad, with Lagerberg in the lead. For this, the group developed a much more vocal stage-set, similar to that of the Move. This diminished Lagerberg's role as a singer substantially, as all three final Tages singles had been sung by him solo. Nonetheless, the group carried on as Tages, allowing their contract with Parlophone to expire, upon which they signed with manager Richard Reese-Edwards, who had previously worked with the Hep Stars. He managed to get them a contract with Fontana Records.
The $50,000 advance (equivalent to $372,707 in 2021) by Fontana only had three requirements; one album, two singles and a name change which would work internationally. In May 1969, the name Blond was suggested, due to the association of the hair colour with the country of Sweden. The band had already previously in March of that year went to London to record their sixth album. Together with Anders Henriksson, who had recorded with Tages since 1965, the group recorded twelve songs during their visit to London. Nine out of these tracks were co-written by Lagerberg, who also assumed lead vocal duty on every track recorded during these sessions. The album was issued during the autumn of 1969 as "The Lilac Years," and could be considered to be Lagerberg's magnum opus.
Shortly before the release of the album however, both Larsson and Töpel left the group, due to the conscription the country had. The group nonetheless carried on without the members, instead substituting them with rhythm guitarist Anders Nordh and lead guitarist Björn Lindér. These two were featured on the album cover once "The Lilac Years" was issued in the US in November 1969, under the name "Blond." That same month however, Nordh left and was replaced by Anders Töpel's brother Björn along with keyboardist Mats Landahl. The following month the group debuted on scene as a quintet but these performances led to nowhere, and the group toured West Germany the following year. After this went nowhere however, the group members called it quits, and in August 1970, they played their final gig together.
1970s and 1980s.
Lagerberg was the only former member of Tages to continue working as a musician, as the other quit in favor for blue- or white-collar jobs. Following the dissolution of Blond, Lagerberg suffered from writer's block for a while after the Blond single "I Wake Up And Call" got negative reviews in the press. Instead, he became a session bassist. During his tenure as one, he played on several recordings, including Claes af Geijerstam's "Out of My Hair" and Lalla Hansson's "Upp Till Ragvaldsträsk", which became critically acclaimed in the Swedish media. He also worked with a studio group called Jason's Fleece together with ABBA session musicians Janne Schaffer and Ola Brunkert. This produced an LP along with two singles.
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I wanted to develop my bass playing, and in Heta Linjen I got the chance to do something new. It was so fucking fun and it was new all the time.
— Göran Lagerberg, 2008
Following the recording of Doris Svensson's "Did You Give The World Some Love Today Baby," in 1971 Berndt Egerbladh invited Lagerberg to jam with the backing group, consisting of Egerbladh, Janne Carlsson, Bengt Karlsson, Berndt Egerbladh, Ulf Andersson and Olle Holmquist. Lagerberg accepted, as he wanted to further develop his bass playing. This group became known as Feta Heta Linjen, alternatively Feta Heta Linjens Supershow. The group put out one album in 1971, "Med Kisa, Brass &amp; Brudar" which features one composition by Lagerberg, titled "Mama".
Shortly thereafter, Lagerberg turned back to Swedish folk rock, and joined Kebnekajse 
as a bassist. The group came out of the Mecki Mark Men and initially had a progressive rock sound. However, leader Kenny Håkansson called and asked him to join, upon which Lagerberg soon showed his influence on the band by incorporating more Swedish themes into the music, and made his record debut with the group on "Kebnekajse II". In 2013, Sonic Magazine voted the album to be 74th best Swedish album of all time. Unlike his previous groups, Lagerberg did not write songs while in Kebnekajse. He stayed for one more album, "Kebnekajse III" and left shortly thereafter, but did find his time with the group to be extremely interesting.
According to Lagerberg, he left Kebnekajse to join Egba (short for Electronic Groove and Beat Academy), who were relatively big on the Swedish progressive rock scene. Led by Ulf Adåker, Lagerberg made his studio debut with the group on the album "Jungle Jam" and with this his bass playing became fundamental for the group's sound. Egba became the only group (excluding Tages) that Lagerberg became a permanent member for more than four years, playing on their albums "Amigos Latinos" (1978), "Bryter Upp!" (1979) but did not write for these albums. Fed up with the constant touring for the past 17 years, Lagerberg decided to quit Egba in 1981, playing on roughly half of their album "Omen" (1984) He was replaced by Bruno Råberg. He settled down and