Japanese manga
 is a romantic, slice-of-life "shōjo" (targeted towards girls) manga by Clamp, an all-female, manga artist team consisting of Satsuki Igarashi, Mokona, Tsubaki Nekoi, and Nanase Ohkawa. Appearing as a monthly serial in the Japanese manga magazine "Monthly Young Rose" from December 1993 to June 1995, the twelve stories were collected into a bound volume by Kadokawa Shoten and published in July 1995. "The One I Love" contains twelve independent manga stories, each focusing on an aspect of love and accompanied by an essay. Ohkawa wrote the essays while Nekoi illustrated the manga; it was the first time she primarily illustrated a manga by Clamp. Some of the stories draw on the life experiences of the women while others take inspiration from conversations they had with friends.
In 2003, Tokyopop licensed "The One I Love" for an English-language translation in North America, and published it in October 2004. Viz Media republished the manga in February 2015. The manga has also been translated into other languages. Reviewers have identified a few themes in the collection. They had a range of reactions to "The One I Love": some considered it heartfelt entertainment, while others reviewed it less positively, as a badly done take on romance.
Plot.
Each story of "The One I Love" consists of seven pages of manga and an accompanying essay.
Development.
"The One I Love" was developed by Clamp—the all-female, manga artist team consisting of Satsuki Igarashi, Mokona, Tsubaki Nekoi, and Nanase Ohkawa. The group decided on the theme of romance after considering the target audience of the manga magazine "Monthly Young Rose", whose editors had asked them for a manga. For "The One I Love", Ohkawa wrote the essays, and Nekoi illustrated the manga, the first time she primarily illustrated a series for the group. For costumes, Ohkawa used "Anon non-no Olive" as a reference. Additionally, the preview panels of each story featured different visual motifs, primarily girls and animals. In retrospective, Nekoi self-deprecatingly thought that her illustrations of the female protagonists, including working women, made them resemble junior high students.
Some of the stories in "The One I Love" contain autobiographical elements. "Different" and "Cute" draw on Ohkawa's personal experiences, while "Together" draws on Mokona's. Additionally, "Suddenly" is based on her admiration of manga artist Hagiwara Kuzushi's dedication to his fans. "Normal", "Apart", and "Insecure" were inspired by Ohkawa's conversations with friends, and "I Miss You" has its origins in a conversation with manga artist Okazaki Takeshi, who rarely saw his girlfriend because of his work. "A Younger Man" stems from Ohkawa's conversation with actor Tonesaku Toshihide and his thoughts on men and age in a relationship. In contrast, "Courage" appeared as a Valentine's Day story in the February issue of "Young Rose"; Clamp rarely had opportunities to create seasonal stories, as the magazine that typically serialized their work did not run seasonal stories.
Release.
Written and illustrated by Clamp, the stories of "The One I Love" appeared as a monthly serial in "Monthly Young Rose" from December 1993 to June 1995. Kadokawa Shoten collected the stories into a bound volume, and published it on July 16, 1995.
In 2003, Tokyopop announced that it had licensed "The One I Love" for an English-language translation, along with four other manga by Clamp; it published "The One I Love" on October 12, 2004. However, on May 31, 2011, Tokyopop shut down its publishing branch in North America, with all of its Japanese manga licenses returned. Viz Media digitally republished the manga on February 10, 2015. "The One I Love" has also been translated into other languages, including French by Editions Tonkam, and German by Egmont Manga &amp; Anime.
Reception.
A reviewer for Anime News Network, Mikhail Koulikov wrote that readers would have various reactions to "The One I Love": he felt that some would regard it as "charming" and others would find it upsetting that the female protagonists were primarily defined by their worry over their relationships. While considering it one of Clamp's minor works, he stated that it was "unusual" for including some colored pages when the majority of manga is printed in black and white; being a slice-of-life manga; and featuring Tsubaki Nekoi's art, as prior to the time of his review, most of their works translated into English had been drawn by another member of Clamp. Koulikov wrote that "insecurity and self-doubt" served as the theme of the anthology. Johanna Draper Carlson, a reviewer for "Publishers Weekly", wrote that some of the stories were worrisome, particularly one that she felt "justifies having an interest in whatever your boyfriend likes," and contained stereotypes as a result of limited space. She also stated that the essays included generalizations about women and "quickly become redundant." In "", Mason Templar suggested a possible theme of being one's self in relationships, but felt that it appeared "almost anti-feminist in execution," as only the female characters underwent a change in behavior. Templar rated the series one-and-a-half out of four stars, and criticized it as a naïve take on romance; Templar suggested "Cardcaptor Sakura", "Chobits", or "Man of Many Faces" as better examples of Clamp's romantic manga. A reviewer of the French edition wrote that repetitive nature of the stories detracted from the manga's appeal, and made for a "laborious" reading experience, although the reviewer felt that a "romantic" reader would not mind this. Conversely, another reviewer for Anime News Network, Liann Cooper, wrote that the stories were "incredibly sweet and touching" and were best read a few stories at a time. According to Cooper, "The One I Love" would appeal to fans of Clamp or "shōjo", manga targeted towards girls.
References.
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