United Kingdom legislation
The Criminal Justice and Public Order Act 1994 (c. 33) is an Act of the Parliament of the United Kingdom. It introduced a number of changes to the law, most notably in the restriction and reduction of existing rights, clamping down on unlicensed rave parties, and greater penalties for certain "anti-social" behaviours. The Bill was introduced by Michael Howard, Home Secretary of Prime Minister John Major's Conservative government, and attracted widespread opposition.
Background.
A primary motivation for the act was to curb illegal raves and free parties, especially the traveller festival circuit, which was steadily growing in the early 1990s, culminating in the 1992 Castlemorton Common Festival. Following debates in the House of Commons in its aftermath, Prime Minister John Major alluded to a future clampdown with then Home Secretary Ken Clarke at that year's Conservative Party conference. At the 1993 conference, Michael Howard, who had become Home Secretary, announced details of the new Criminal Justice Bill.
Despite protests and discord against the bill, the opposition Labour Party took an official line to abstain at the third reading, and the Act passed into law on 3 November 1994.
Key measures.
Key measures of the act that received public attention included:
Opposition and protest.
Whilst the legislation was still under debate, the groups Advance Party and Freedom Network coordinated a campaign of resistance. The group was composed of an alliance of sound systems and civil liberties groups. A movement against the bill grew across "the overlapping squatting, road protest and free party scenes".
Three demonstrations were organised in London throughout 1994. The first of these took place on 1 May (May Day), with an estimated 20,000 people taking part in a march starting at Hyde Park and finishing at Trafalgar Square. The second, on 24 July, followed the same route with numbers estimated between 20,000 and 50,000. The larger turnout was partly attributed to a mobilisation from the Socialist Workers Party and with them placards reading "Kill the Bill", but it also created a degree of "political tension" with the other founding groups.
The third demonstration was called on 9 October, with police estimating 20,000 to 30,000 people attending, while organisers put the figure at over 100,000. The day ended in a riot in Hyde Park that continued into the evening. Accounts stated that, around 5pm, a confrontation occurred between protesters and police when protesters attempted to bring two sound systems into the park. With such a large number of protesters, the police were overpowered and backed off. Riot and mounted police reinforcements arrived shortly afterwards, and reportedly charged at protesters in an attempt to disperse the estimated 1,500-person crowd.
The civil liberties group Liberty opposed many of the measures proposed by the act at the time, regarding them as "wrong in principle and likely to violate the European Convention on Human Rights".
Criticism.
Jon Savage, author of books on youth culture, said of the legislation in Bill form, "It's about politicians making laws on the basis of judging people's lifestyles, and that's no way to make laws". George Monbiot described it as "crude, ill-drafted and repressive". The Act was described by Professor of Cultural Studies Jeremy Gilbert as a "piece of legislation which was "explicitly aimed at suppressing the activities of certain strands of alternative culture", the main targets being squatting, direct action, football fan culture, hunt sabotage and the free party. 
The sections which specifically refer to parties or raves were, according to Professor of Sociology Nigel South, "badly defined and drafted" in an atmosphere of moral panic following the Castlemorton Common Festival. The law's attempt to define music in terms of "repetitive beats" was described as "bizarre" by Professor of Law Robert Lee. 
Reflecting on the time, the journalist Ally Fogg wrote in "The Guardian:"
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Response from musicians.
The British IDM duo Autechre released the three-track "Anti EP" in support of the advocacy group Liberty. The EP contained "Flutter", a song composed to contravene the definition of music in the Act as "repetitive beats" by using 65 distinctive drum patterns. The EP bore a warning advising DJs to "have a lawyer and a musicologist present at all times to confirm the non-repetitive nature of the music in the event of police harassment".
The fifth mix on the Internal version of Orbital's "Are We Here?" EP was titled "Criminal Justice Bill?". It consisted of approximately four minutes of silence. In their 1995 track "Sad But New", Orbital incorporated samples from John Major's 1992 conference speech.
"Their Law", a song by electronic dance acts the Prodigy and Pop Will Eat Itself, was written as a direct response to the bill. A quotation in the booklet of the Prodigy's 1994 album "Music for the Jilted Generation" read "How can the government stop young people having a good time? Fight this bollocks." The album featured a drawing commissioned by the band from Les Edwards depicting a young male rebel figure protecting a rave from an impending attack of riot police.
In 1993, the band Dreadzone released a single, "Fight the Power", in opposition to the proposed Criminal Justice Bill, featuring samples from Noam Chomsky discussing taking action and "taking control of your lives", advocating political resistance to the proposed bill. The track also features on a 1994 compilation "Taking Liberties," released to raise funds to fight the bill. The B-side to Zion Train's 1995 "Dance of Life" single included a track entitled "Resist the Criminal Justice Act".
The Six6 Records compilation album "NRB:58 No Repetitive Beats" (1994) was released in opposition to the proposed Bill. The album's liner notes said:
 ;templatestyles src="Template:Blockquote/styles.css" / ;For every copy of "No Repetitive Beats" sold Network will pay a royalty to D.I.Y. / All Systems No! (an advance payment of £3,000 was made before the release of the album). The monies will be used by D.I.Y. / All Systems No! towards the cost of a sound system which will be on hand to replace any sound equipment seized by the police using draconian powers granted to them by the Criminal Justice Bill to stop music "wholly or predominantly characterised by the emission of a succession of repetitive beats". The Bill is unjust and tramples across common sense and civil rights. If you want to help throw the CJB out contact the human rights organisation Liberty. Fight for your right to party.
References.
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