Babylonian creation myth
 (Akkadian Cuneiform: 𒂊𒉡𒈠𒂊𒇺, also spelled "Enuma Elish"), meaning "When on High", is a Babylonian creation myth (named after its opening words) from the late 2nd millennium BCE and the only complete surviving account of ancient near eastern cosmology. It was recovered by English archaeologist Austen Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq). A form of the myth was first published by English Assyriologist George Smith in 1876; active research and further excavations led to near completion of the texts and improved translation.
"Enūma Eliš" has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of Sumero-Akkadian cuneiform script. Most of Tablet V has never been recovered, but, aside from this lacuna, the text is almost complete.
Over the seven tablets, it describes the creation of the world, a battle between gods focused on the offering to Marduk, the creation of man destined for the service of the Mesopotamian deities, and it ends with a long passage praising Marduk. The rise of Marduk is generally viewed to have started from the Second Dynasty of Isin, triggered by the return of the statue of Marduk from Elam by Nebuchadnezzar I, although a late Kassite date is also sometimes proposed. It may have been recited during the Akitu festival.
Some late Assyrian versions replace Marduk with Ashur.
Background and discovery.
Before the tablets were discovered, substantial elements of the myth had survived via the writings of Berossus, primarily his Babyloniaca, a 3rd-century BCE Babylonian writer and priest of Bel (Marduk). These were preserved in Alexander Polyhistor's book on Chaldean History, which was reproduced by Eusebius in Book 1 of his "Chronicon". In it are described the primeval state of an abyssal darkness and water, the two primeval beings existing therein, said to be of a twofold principle. The description then relates the creation of further beings, partly human but with variants of wings, animal heads and bodies, and some with both sex organs. (Berossus states images of these are to be found at the temple of Bel in Babylon.) The text also describes a female being leading over them, named as Omoroca, called Thalatth in Babylonian (derived from Greek), and her slaying by Bel, who cut her in half, forming Heaven of one part and Earth of the other. This Berossus claims to have been an allegory. The text also describes the beheading of a god, and the mixing of the god's blood with the Earth's soil, leading to the creation of men (people). Finally, there is also reference to Bel's creation of the stars, Sun, Moon, and planets. Berossus also gave an account of the sage Oannes, a sort of fish-man hybrid, who appeared from the sea and taught people all manner of knowledge, including writing, lawmaking, construction, mathematics, and agriculture; Berossus presented the account of creation in the form of a speech given by the Oannes. The neo-Platonist Damascius also gave a short version of the Babylonian cosmological view, which closely matches .
Clay tablets containing inscriptions relating to analogues of biblical stories were discovered by A. H. Layard, Hormuzd Rassam, and George Smith in the ruins of the Palace and Library of Ashurbanipal (668–626 BCE) during excavations at the mound of Kuyunjik, Nineveh (near Mosul) between 1848 and 1876. Smith worked through Rassam's find of around 20,000 fragments from 1852, and identified references to the kings Shalmaneser II, Tiglath-Pileser III, Sargon II, Sennacherib, Esarhaddon, and other rulers mentioned in the Bible. Furthermore, he discovered versions of a Babylonian deluge myth (see Gilgamesh flood myth), as well as creation myths.
On examination it became clear that the Assyrian myths were drawn from or similar to the Babylonian ones. Additionally Sir Henry Rawlinson had noted similarities between Biblical accounts of creation and the geography of Babylonia. He suggested that biblical creation stories might have their origin in that area. A link was found on a tablet labelled K 63 at the British Museum's collection by Smith, as well as similar text on other tablets. Smith then began searching the collection for textual similarities between the two myths, and found several references to a deluge myth with an 'Izdubar' (literal translation of cuneiform for Gilgamesh). Smith's publication of his work led to an expedition to Assyria funded by "The Daily Telegraph". There he found further tablets describing the deluge as well as fragmentary accounts of creation, a text on a war between good and evil 'gods', and a fall of man myth. A second expedition by Smith brought back further creation legend fragments. By 1875 he had returned and began publishing accounts of these discoveries in the "Daily Telegraph" from 4 March 1875.
Smith speculated that the creation myth, including a part describing the fall of man, might originally have spanned at least nine or ten tablets. He also identified tablets the themes of which were, in part, closer to the account given by Berossus. Some of Smith's early correspondences, such as references to the stories of the temptation of Eve, to the Tower of Babel, and to instructions given from God (Yahweh) to Adam and Eve, were later held to be erroneous.
The connection with the Bible stories brought a great deal of additional attention to the tablets, in addition to Smith's early scholarship on the tablets, early translation work included that done by E. Schrader, A. H. Sayce, and Jules Oppert. In 1890 P. Jensen published a translation and commentary , followed by an updated translation in his 1900 ; in 1895 Prof. Zimmern of Leipzig gave a translation of all known fragments, , shortly followed by a translation by Friedrich Delitzsch, as well as contributions by several other authors.
In 1898, the trustees of the British Museum ordered publication of a collection of all the Assyrian and Babylonian creation texts held by them, a work which was undertaken by L. W. King. King concluded that the creation myth as known in Nineveh was originally contained on seven tablets. This collection was published 1901 as Part XIII of "Cuneiform Texts from Babylonian Tablets in the British Museum" . King published his own translations and notes in two volumes with additional material 1902 as "The Seven Tablets of Creation, or the Babylonian and Assyrian Legends concerning the creation of the world and of mankind" . By then additional fragments of tablet six had been found, concerning the creation of man; here Marduk was found to have made man from his blood combined with bone, which brought comparison with Genesis 2:23 ("This is now bone of my bones and flesh of my flesh; she shall be called 'woman', for she was taken out of man") where the creation of woman required the use of a man's bone.
New material contributing to the fourth and sixth tablets also further corroborated other elements of Berossus' account. The seventh tablet added by King was a praise of Marduk, using around fifty titles over more than one hundred lines of cuneiform. Thus King's composition of consisted of five parts: the birth of gods, legend of Ea and Apsu, Tiamat primeval serpent myth, account of creation, and finally a hymn to Marduk using his many titles. Importantly, tablets, both Assyrian and Babylonian, when possessing colophons had the number of the tablet inscribed.
Further expeditions by German researchers uncovered further tablet fragments (specifically tablet 1, 6, and 7) during the period 1902–1914. These works replaced Marduk with the Assyrian god Ashur; additional important sources for tablets 1 and 6, and tablet 7 were discovered by expeditions in 1924–25 and 1928–29 respectively. The Ashur texts uncovered by the Germans necessitated some corrections: it was Kingu, not Marduk, who was killed and whose blood made men. These discoveries were further supplemented by purchases from antiquity dealers. As a result, by the mid 20th century most of the text of the work was known, with the exception of tablet 5. These further discoveries were complemented by a stream of publications and translations in the early 20th century.
In the 21st century, the text remains a subject of active research, analysis, and discussion. Significant publications include: "The Standard Babylonian Creation Myth " ; ; "Babylonian Creation Myths" ; ": " ; and other works still.
Date.
The earliest manuscript of the myth was excavated from Assur and dated to the 9th century BCE. 
While it used to be viewed that Enuma Elish was composed in the reign of Hammurabi, most scholars now believe it is unlikely and accept a dating to the Second Dynasty of Isin. During the Old Babylonian period, Marduk was not the pantheon head, appearing instead as the mediator between the great gods and Hammurabi, and there is no evidence that Hammurabi or his successors promoted Marduk at the expense of the other gods. It was during the Second Dynasty of Isin that Marduk started to be referred to as the king of the gods, with the return of the statue of Marduk from Elam by Nebuchadnezzar I. Sommerfield's suggestion that Enuma Elish should be dated instead to the Kassite period, was countered by Lambert, but the god list An = Anum does give the number 50, which traditionally belongs to Enlil, to Marduk. Dalley still proposes that Enuma Elish was written during the Old Babylonian Period, but other scholars find her proposal unlikely.
Variants.
Numerous copies of the tablets exist. Even by 1902 fragments of four copies of the first tablet were known, as well as extracts, possibly examples of 'handwriting practice'. Tablets from the library of Ashur-bani-pal tended to be well written on fine clay, whereas the Neo-Babylonian tablets were often less well written and made, though fine examples existed. All tablets, both Assyrian and Babylonian had the text in lines, not columns, and the form of the text was generally identical between both.
A tablet at the British Museum (No 93014), known as the "bilingual" version of the creation legend, describes the creation of man and animals (by Marduk with the aid of Aruru), as well as the creation of the rivers Tigris and Euphrates, of land and plants, as well as the first houses and cities.
Other variants of the creation myth can be found described in and .
Text.
The epic itself does not rhyme, and has no meter; it is composed of couplets, usually written on the same line, occasionally forming quatrains. The title , meaning "when on high", is the incipit.
The following per-tablet summary is based on the translation in "Akkadian Myths and Epics" (E. A. Speiser), in "Ancient Near Eastern Texts Relating to the Old Testament" .
Tablet 1.
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 ;poem ;When on high the heaven had not been named,
Firm ground below had not been called by name,
Naught but primordial Apsu, their begetter,
(And) Mummu*–Tiamat, she who bore them all, Their waters commingling as a single body;
No reed hut had been matted, no marsh land had appeared,
When no gods whatever had been brought into being,
Uncalled by name, their destinies undetermined—
Then it was that the gods were formed within them. ;/poem ;
 First eight lines of Enuma Elis. * Here Mummu is not an epithet, same as the god Mummu.
The tale begins before creation, when only the primordial entities Apsu and Tiamat existed, co-mingled together. There were no other things or gods, nor had any destinies been foretold. Then from the mixture of Apsu and Tiamat two gods issued – Lahmu and Lahamu; next Anshar and Kishar were created. From Anshar came firstly the god Anu, and from Anu, came Nudimmud (also known as Ea).
The commotion of these new gods disturbed and disgusted Apsu, and Apsu could not calm them. Apsu called Mummu to speak with Tiamat, and he proposed to destroy the new gods, but Tiamat was reluctant to destroy what they had made. Mummu advised Apsu to destroy them, and he embraced Mummu. The new gods heard of this and were worried; Ea, however, crafted a spell to lull Apsu to sleep.
Mummu sought to wake Apsu but could not. Ea took Apsu's halo and wore it himself, slew Apsu, and chained Mummu. Apsu became the dwelling place of Ea, together with his wife Damkina. Within the heart of Apsu, Ea and Damkina created Marduk. The splendor of Marduk exceeded Ea and the other gods, and Ea called him "My son, the Sun!" Anu created the four