2011 book by Charles Jencks
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture, published in 2011, was the last book by Charles Jencks. Jencks discusses the history of Post-modernism, especially in the fields of art and architecture during the last five decades (since 1960). Jencks argues that since the beginning of the millennium, post-modernism has experienced a deep rebirth which should be studied.
The Story of Post-Modernism has divided its narration into seven parts which are both in order of time and lap-jointed. It illustrate the way post-modern movement has gone up and down passing through different train of thoughts. Using many pictures and diagrams, Jencks in each chapter focuses on the main works of a given period and offers a deep analysis of them.
Jencks in the book explains on why he is using the term Post-Modernism and not postmodernism as this:
 ;templatestyles src="Template:Blockquote/styles.css" / ;As an unfinished movement of five decades, Post-Modernism is still contentious, and critics disagree over its meaning. The different spellings reflect this, including the streamlined version of a single word, Postmodernism. Yet, since critics agree that the designation refers to the era of pluralism after Modernism, I prefer the hyphenated version a spelling that underscores its double-coding. It is of course tiresome to reread the same phrase again and again, so I will refer to pm, lower case, when it is a general social phenomenon, PM when it is the artistic or cultural movement, and PoMo when it is the mass-cultural genre, or even kitsch. Need it be said that the era of post-modernity only refers to a minority of culture where Modernism, modernisation and modernity are still the desired states of much of the globe?
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