James Kenneth Wright (1959 -) is a Canadian composer, pianist, and musicologist. His notable compositions include works such as "Letters to the Immortal Beloved", and his award-winning books include "Schoenberg, Wittgenstein and the Vienna Circle", "They Shot, He Scored: the Life and Music of Eldon Rathburn", and "Monstrosity, Identity and Music: Mediating Uncanny Creatures from Frankenstein to Videogames".
Education.
Wright completed a Bachelor of Music degree at Wilfrid Laurier University in 1981, followed by a Master of Arts in Music Theory at McGill University in 1987. In 2002, he earned a Ph.D. in Music Theory from McGill University, where he received a Governor General's gold medal for his research and scholarly record.
Career.
Wright is a professor in the School for Studies in Art &amp; Culture and the College of the Humanities at Carleton University. He served as Supervisor of Performance Studies from 2007 to 2018 and subsequently as Supervisor of Graduate Studies from 2020 to 2023. Additionally, he held a visiting appointment as Louis Applebaum Distinguished Visiting professor of composition at the University of Toronto in 2020.
Compositions and books.
Wright's music has been published by Warner-Chappell Music in Miami, Leslie Music in Oakville, Cypress Music in Vancouver, Rhythmic Trident Music in Vancouver, Fairbank Music in Victoria, Frederick Harris Music in Toronto, Counterpoint Music in Toronto, and Da Capo Music in Manchester, UK.
Wright's nine-movement choral cycle, "A Gallery of Song: Spirit of the Land", features settings of youth poetry inspired by the works of artists from Canada's "Group of Seven". The piece premiered in 2003 at the McMichael Canadian Art Gallery in Kleinburg, Ontario.
Wright's 2012 composition, "Letters to the Immortal Beloved", is a chamber art song cycle inspired by love letters penned by Ludwig van Beethoven to his mysterious "Immortal Beloved", whose identity remains a topic of debate among musicologists. Written during a composer residency at the Banff Centre for the Arts, the work was premiered by Canadian mezzo-soprano Julie Nesrallah and the Gryphon Trio at the Ottawa International Chamber Music Festival on July 27, 2012. Reviewing a March 30, 2024 performance by Luxembourg baritone, David John Pike, Edinburgh critic Bryan Bannatyne-Scott wrote, "We are indebted to James Wright for giving musical life to the sentiments expressed in Beethoven's letters, and his three-song cycle was a revelation. In a modern idiom but grounded in harmony, and very well set for the baritone voice, the songs, with important parts for all three instruments in the trio, took us into the heart of Beethoven’s essentially hopeless longing".
In 2013, Wright's choral work "To Young Canadians", featured words excerpted from a letter titled Letter to Canadians, written by Canadian politician Jack Layton on his deathbed. It was premiered at the presentation of the Ottawa Peace Award to Layton's widow, Olivia Chow.
In 2022, Wright's String Quartet No. 1, a four-movement work inspired by the beauty of Lake Scattergood in the Outaouais region of southwestern Québec, was recorded by the Andara String Quartet of Montreal. About the quartet, CBC Music wrote "James K. Wright's lush, tuneful String Quartet No. 1, titled 'Ellen at Scattergood,' is one of the year's best discoveries".
Wright is also the author or editor of numerous scholarly books. His 2006 "Schoenberg, Wittgenstein and the Vienna Circle" examines parallels between Arnold Schoenberg's harmonic and aesthetic theories and Ludwig Wittgenstein's early philosophical ideas, particularly from the "Tractatus Logico-Philosophicus", suggesting shared epistemological foundations. His 2009 book "Schoenberg's Chamber Music, Schoenberg's World", co-edited by Alan Gillmor, presents a scholarly collection of essays commemorating Schoenberg's landmark Second String Quartet, exploring its historical, theoretical, and biographical contexts, alongside its influence on subsequent composers internationally. In 2019, he authored "They Shot, He Scored: The Life and Music of Eldon Rathburn", a biography and critical analysis of the work of Canadian composer Eldon Rathburn. The book highlights Rathburn's career as a composer for the National Film Board, his IMAX film scores, and his orchestral and chamber compositions. Reviewing the book, Michael Brendan Baker wrote that "the central argument of the monograph, that Rathburn is perhaps the most important composer in the history of the NFB and Canadian film at large, is presented with nuance and insight and thus represents a critical addition to our understanding of film music in Canada." In 2022, his book "Monstrosity, Identity and Music: Mediating Uncanny Creatures from Frankenstein to Videogames", co-edited by Alexis Luko, presented essays examining depictions of the monstrous in music, film, television, and videogames, through a variety of contemporary analytical lenses.
References.
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