1993 song by Nirvana
"Rape Me" is a song by the American grunge band Nirvana, written by vocalist and guitarist Kurt Cobain. It is the fourth song on the band's fourth and final studio album, "In Utero", released in September 1993.
Often interpreted as a commentary on fame, "Rape Me" was written shortly before the release of the band's breakthrough album "Nevermind", and was intended to be a lyrically literal anti-rape song. However, the song's bridge was written several months later, and does contain lyrics that reference the struggles Cobain and his wife, Courtney Love, faced with the media following Nirvana's mainstream success. The song's title and lyrics led to MTV blocking Nirvana from performing it at the 1992 MTV Video Music Awards, before it had been released, and also contributed to "In Utero" initially not being sold by American big-box stores Walmart and K-Mart.
"Rape Me" was released as the album's second single in December 1993, packaged as a double A-side with "All Apologies". It reached number 32 on the UK Singles Chart, and was the band's final single before Cobain's suicide in April 1994.
Early history.
"Rape Me" was written by Cobain on an acoustic guitar in Los Angeles in May 1991, around the time the band's second album, "Nevermind", was being mixed. It was first performed live on June 18, 1991, at The Catalyst in Santa Cruz. The earliest live versions of the song featured a guitar solo instead of a bridge.
The song's lyrics led to controversy even before it had been officially released. The band had wanted to play it during their appearance at the 1992 MTV Video Music Awards, but according to Nirvana manager Danny Goldberg in his 2019 Cobain biography "Serving the Servant", MTV president Judy McGrath was worried that the song "would make it seem like MTV was normalizing rape." Goldberg recalled reminding McGrath on the phone of Cobain's "commitment to feminism" and assured her that "Rape Me" was an anti-rape song, like "Polly" on "Nevermind", but said McGrath "wasn't having it" and wanted the band to play their latest single, "Lithium," instead. The band eventually agreed, but Cobain still played a few seconds of "Rape Me" at the start of the performance, which resulted in the live broadcast almost going to commercial. In "Serving the Servant", Goldberg refuted common reports that the network threatened to fire Amy Finnerty, an MTV employee and friend of the band, or boycott other artists signed to Geffen Records, if Nirvana played "Rape Me", saying that "the MTV people were under a lot of pressure to get good ratings, but they weren't bullies, just noodges."
"Rape Me" was first recorded in the studio in October 1992, during a two-day demo session with Jack Endino at Word of Mouth in Seattle, Washington. Two takes of the song were recorded, one of which was instrumental, the other of which featured lead vocals by Cobain and backing vocals by drummer Dave Grohl. Cobain was holding his then-infant daughter Frances Bean Cobain on his lap when he recorded his vocals on the second take, and she can be heard crying on the recording. This version of the song was released on the Nirvana rarities box set, "With the Lights Out", in November 2004, and on the compilation album "" in November 2005.
"In Utero".
The final studio version of "Rape Me" was recorded in February 1993 by Steve Albini at Pachyderm Studio in Cannon Falls, Minnesota, for the band's third and final studio album, "In Utero". The instruments for the song were recorded on February 15. The following day, Cobain completed his vocals for the album during a reported six-hour session. 
According to Albini, Cobain's screaming during the song's ending was intentionally recorded so that it "just overwhelms the band and becomes this really uncomfortable presence." However, the album's more abrasive vocals in general were softened in the mastered version.
Post-"In Utero".
On September 25, 1993, the band performed the song, along with "Heart-Shaped Box," on "Saturday Night Live" at NBC Studios in New York City. It was the band's first show with second guitarist Pat Smear. The song was again performed on television on February 4, 1994 for the show "Nulle Part Ailleurs" in Paris, France.
The final live performance of "Rape Me" was at Nirvana's last concert, at Terminal 1 of Munich-Riem Airport in Munich, Germany on March 1, 1994.
Composition and lyrics.
Music.
The song's instrumental opening bars, which feature Cobain using pick scratching while playing the verse chord progression, has led to frequent comparisons to the guitar riff of the band's 1991 breakthrough single, "Smells Like Teen Spirit." Will Bryant of "Pitchfork" wrote that "the four-chord riff that drags the song through the motions is an almost direct inversion of the famous 'Smells Like Teen Spirit' riff," while Cobain biographer Charles R. Cross described the song as having "the same catchy soft/loud dynamic as "Teen Spirit," which "created a perfect Cobain aesthetic – beautiful, haunting and disturbing." "Rape Me" was written after "Smells Like Teen Spirit," but before "Nevermind" had been released.
Lyrics.
"Rape Me" is an anti-rape song, written from the point of view of the victim. As Cobain explained to "Spin's" Darcey Steinke in 1993, "It's like she's saying, 'Rape me, go ahead, rape me, beat me. You'll never kill me. I'll survive this and I'm gonna fucking rape you one of these days and you won't even know it.'" Gillian G. Garr described the song's lyrics as "part submissive invitation, part defiant taunt, a mix that confused and disturbed many listeners", and led to Cobain frequently having to explain the song's meaning.
In a 1993 "Rolling Stone" interview, Cobain addressed the song's controversy, saying that he had "gone back and forth between regretting it and trying to defend myself," and that he "was trying to write a song that supported women and dealt with the issue of rape." As he explained to interviewer David Fricke:
 ;templatestyles src="Template:Blockquote/styles.css" / ;"It’s not a pretty image. But a woman who is being raped, who is infuriated with the situation . . . it’s like 'Go ahead, rape me, just go for it, because you’re gonna get it.' I’m a firm believer in karma, and that motherfucker is going to get what he deserves, eventually. That man will be caught, he’ll go to jail, and he’ll be raped. 'So rape me, do it, get it over with. Because you’re gonna get it worse.'"
When asked by MUCH's Erica Ehm in an August 1993 interview how the band was helping to raise awareness about sexism, Cobain replied, "By writing songs as blunt as 'Rape Me.'" He stated that the lyrics were meant to be so direct that no one could misinterpret the song's meaning.
American musician Tori Amos commented on the song in a 1994 interview with the "NME", saying that she "thought it was very clear what it was about...It's a defiant song. But the scariest thing to a rape victim are the words 'rape me'. When I first heard it I broke out in a cold sweat, but when you get over that you realize he's turning it back on people." In 1996, Jim Dillon, reverend of the hoaxical Church of Kurt Cobain, stated that "in essence, the real message [of "Rape Me"] is one of a Christian theme – treat me the way you want me to treat you".
The song has also been interpreted as an attack on the press for its perceived mistreatment of Courtney Love. While most of the song was written before "Nevermind" was released, the bridge, which was written later, contains lyrics that address his occasionally contentious relationship with the press. As Cobain explained to Nirvana biographer Michael Azerrad, "It was actually about rape ... but now I could definitely use it as an example of my life for the past six months or year, easily." In line with this interpretation, Azerrad suggested that the chorus lyric "I'm not the only one" was Cobain's way of saying that Love and their infant daughter, Frances Bean Cobain, were being hurt along with him by the press and public attention. According to Azerrad, the bridge lyric "My favorite inside source" was a reference to the manager of an unnamed Seattle band Cobain and Love suspected of being anonymously interviewed for a controversial "Vanity Fair" profile of the couple published in September 1992.
Release.
"Rape Me" was released as a double A-side single with "All Apologies" on December 6, 1993 on CD, cassette, and 7" and 12" vinyl record formats. The single was not released commercially in the United States.
The song was relabeled "Waif Me" on the censored Walmart and Kmart version of "In Utero", released in March 1994. The chain stores had originally refused to carry the album because of the song's title, as well as the fetus collage on the back cover, which was also edited. Cobain had originally wanted to retitle the song "Sexually Assault Me," but decided on the meaningless title "Waif Me," knowing that another four-letter word was required in order to make a quick graphic change. The song's uncensored title was listed in the booklet, and the recording remained the same. Cobain defended the band's decision to release a censored version of the album by explaining, "One of the main reasons I signed to a major label was so people would be able to buy our records at Kmart. In some towns, that's the only place kids can buy records."
In November 1993, "Rape Me" was voted the third "Most Wanted to be Heard" song by listeners of the Hawaii Free Radio. In Israel, it was voted in at number 15 on the IBA's "Voice of Israel" singles chart.
Critical reception.
In his "Rolling Stone" review of "In Utero", Fricke wrote that "'Rape Me' opens as a disquieting whisper, Cobain intoning the title verse in a battered croon, which sets you up beautifully to get blind-sided by the explosive hook line." Phil Alexander of "Kerrang!" noted that "Kurt kickstarts Rape Me with a familiar and doubtlessly intended …Teen Spirit shuffle...[and] ripple[s] with Kurt's poignant observations, allowing fleeting glimpses at his anger and frustration without ever resorting to the trite and obvious." David Browne of "Entertainment Weekly" wrote that "the gripping 'Rape Me' opens with the chords of "Teen Spirit"...and builds into a furious rant with lyrics as dumb as anything on a death-metal anthem ("My favorite inside source/I’ll kiss your open sores"). All of this is more articulate than any Soundgarden lyric, but too often, Cobain just comes off sounding petulant."
Criticism.
"Rape Me" has occasionally received criticism for its intentionally blunt handling of sensitive subject matter. John Mulvey of the "NME" wrote that "while you can't doubt Cobain's personal political correctness, there's a distinct moral dubiousness about welding the words 'RAPE ME!' to "In Utero"'s best sing-along chorus." "Pitchfork's" Will Bryant wrote that the song, despite its victim-empowering intent, "comes off as a shallow and transparent attempt to court controversy."
In 2019, Jenna Bush Hager revealed that her father, George W. Bush, prior to becoming U.S. President, broke one of her Nirvana CDs due to the lyrics of "a really bad song" implied to be "Rape Me."
Legacy.
In 1999, "Rape Me" was voted number 90 in "Kerrang!"'s "100 Greatest Rock Tracks Ever!". In 2015, "Rolling Stone" placed it at number 31 on their ranking of 102 Nirvana songs, with Julianne Escobedo Shepherd calling it "the closest to an actual Bikini Kill song that [Cobain] would ever write, using the lyrics as a woman-empowering taunt to show would-be rapists that their victims' spirits would not be tamped." In 2019, "The Guardian" ranked it at number 17 on their list of 'Nirvana's 20 greatest songs'.
"Rape Me" was re-released on both of Nirvana's greatest hits albums, "Nirvana" (2002) and "Icon" (2010).
Music video.
According to a 1993 "Chicago Sun-Times" article by Jim DeRogatis, Cobain was told that MTV were "squeamish" about a potential "Rape Me" music video, which played a role in the band's decision to release "Heart-Shaped Box" as "In Utero's" lead single instead. As DeRogatis wrote, "Rape Me" was "the catchiest [song] on the album; it isn't hard to imagine it becoming a hit - and a Madonna-size scandal." 
Ultimately no music video was made for the song, although two treatments were published posthumously in Cobain's "Journals" in 2002. They included scenes set in a prison, footage of flowers and seahorses as well as a man being