American comedian and actor (1927–2021)
Morton Lyon Sahl (May 11, 1927 – October 26, 2021) was a Canadian-born Jewish American comedian, actor, and social satirist, considered the first modern comedian. He pioneered a style of social satire that pokes fun at political and current event topics using improvised monologues and only a newspaper as a prop.
Sahl spent his early years in Los Angeles and moved to the San Francisco Bay Area where he made his professional stage debut at the hungry i nightclub in 1953. His popularity grew quickly, and after a year at the club, he traveled the country doing shows at established nightclubs, theaters, and college campuses. In 1960 he became the first comedian to be featured in a "Time" cover story. He appeared on various television shows, played a number of film roles, and performed a one-man show on Broadway.
Television host Steve Allen said that Sahl was "the only real political philosopher we have in modern comedy". His social satire performances broke new ground in live entertainment, as a stand-up comic talking about the real world of politics at that time was considered "revolutionary". It inspired many later comics to become stage comedians, including Lenny Bruce, Jonathan Winters, George Carlin, Richard Pryor, Lewis Black and Woody Allen. Allen credits Sahl's new style of humor with "opening up vistas for people like me".
Numerous politicians became his fans, with John F. Kennedy asking him to write his jokes for campaign speeches, though Sahl later turned his barbs at the president. After Kennedy's assassination in 1963, Sahl focused on what he said were the Warren Report's inaccuracies and conclusions and spoke about it often during his shows. This alienated much of his audience and led to a decline in his popularity for the remainder of the 1960s. By the 1970s, his shows and popularity staged a partial comeback that continued over the ensuing decades. A biography of Sahl, "Last Man Standing", by James Curtis, was released in 2017.
Early life and education.
Sahl was born on May 11, 1927, in Montreal, Quebec, Canada, the only child of Jewish parents. His father, Harry Sahl, came from an immigrant family on New York City's Lower East Side, and hoped to become a Broadway playwright. Harry had met his wife, Dorothy (Schwartz), when she responded to an advertisement he placed in a poetry magazine. Unable to break into the writing field, they moved to Canada where he owned a tobacco store in Montreal.
Sahl's family later relocated to Los Angeles, where his father, unable to become a Hollywood writer, worked as a clerk and court reporter for the FBI. Sahl notes, "My dad was disappointed in his dreams and he distrusted that world for me." Sahl went to Belmont High School in Los Angeles, where he wrote for the school's newspaper. Actor Richard Crenna was a classmate.
When the U.S. entered World War II after the Japanese attack on Pearl Harbor, Sahl, then aged 14, joined the school's Reserve Officers' Training Corps (ROTC). He won a medal for marksmanship and an American Legion "Americanism award". Wanting to express his patriotism, he wore his ROTC uniform to school and in public and, when he turned fifteen, he dropped out of high school to join the United States Army by lying about his age. His mother tracked him down and brought him back home two weeks later after she had revealed his true age.
After Sahl graduated from high school, his father tried to get him into West Point and had received his Congressman's help, but Sahl had by then already enlisted in the United States Army Air Forces. He was later stationed in Alaska with the 93rd Air Depot Group. In the military, however, he resisted the discipline and authoritarian control it exerted over his life. He expressed his nonconformity by growing a beard and refusing to wear a cap as required. He also wrote articles for a small newspaper criticizing the military that resulted in his being penalized with three months of KP duty. In an interview, Sahl stated he found his military experience a good one, that he described as "spiritual".
Sahl was discharged in 1947 and enrolled in Compton College, followed by the University of Southern California. He received a B.S. degree in 1950 with majors in traffic engineering and city management. He continued with a masters program, but dropped out to become an actor and playwright.
Career.
Breaking into comedy.
Between 1950 and 1953 Sahl attempted to get jobs as a stand-up comedian in about 30 nightclubs in Los Angeles, but with no success. NBC, where he auditioned, told him he would never succeed as a comedian. He offered to perform free during intermissions for the chance to show his talent. He recalled of that period: "Despite all the folklore about the faith of friends in the struggling young artist, my friends constantly discouraged me." He and a friend then rented an old theater, which they called Theater X, for "experimental," and he began writing and staging one-act plays. One of his plays was titled "Nobody Trusted the Truth". Unable to attract a large enough audience, they eventually closed the theater.
For income, Sahl began doing odd jobs and writing. He worked as a used car salesman and a messenger, and wrote a novel, which went unpublished, and short stories. He went to New York hoping to sell his plays, but only managed to earn about eighteen dollars a week. He recalled ... "I couldn't get a thing going. I was working on a novel, I was out of work, and I was out of gas." As a result, he decided to try something different, by performing his plays as monologues. He felt it would be easier to do his monologue on stage instead of trying to sell it to others. "I knew that if I was going to get anything done, I'd have to do it myself," he says. He returned to Los Angeles, where he appeared at some clubs, but his new style of monologue comedy received little attention.
In 1953 he began dating Sue Babior. When she moved to Berkeley to study at the University of California, Sahl hitchhiked there to be with her. He spent his time auditing classes and hanging out at local coffee houses. For income, he wrote for a few "avant-garde" publications. He slept in the back seat of a friend's car; Babior was living with roommates. "Things were simple then," he said. "... All we had to worry about was the destiny of man." He felt at home in the San Francisco Bay Area, commenting, "I was 'born' in San Francisco." He stated that the three years he lived in Berkeley were a valuable experience.
Sahl sought clubs where he could perform stand-up, and Babior suggested he audition for the hungry i, a nightclub in San Francisco. Its owner, Enrico Banducci, took an immediate liking to Sahl's comedy style and offered him a job at $75 a week (about $720 in 2020 money), which became his first steady job as a stand-up comedian.
Word about Sahl's satirical comedy act spread quickly. He received good reviews from influential newspaper columnist Herb Caen. The reviews gave Sahl instant credibility: "I don't know where Mr. Sahl came from, but I'm glad he's here," Caen wrote after watching the show. Caen began inviting his own friends, such as film comedians Danny Kaye and Eddie Cantor, to watch Sahl's performances. Cantor took him "under his wing" and gave him suggestions.By the end of Sahl's first year at the hungry i, he was earning $3,000 a week (about $29,000 a week in 2020 money) and performing to full houses. Later in his career, he said, "I'd be washing cars if it weren't for Enrico."
Nightclub shows and national acclaim.
After a year at the hungry i, Sahl began appearing at other clubs, including the Black Orchid and Mister Kelly's in Chicago, the Crescendo in Los Angeles, and the Village Vanguard and The Blue Angel nightclub in New York City. Some of the clubs had never had a stand-up comedian; Sahl had to break in as a new kind of act. "I had to build up my own network of places to play," he said.
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He was the best thing I ever saw. There was a need for revolution, everybody was ready for revolution, but some guy had to come along who could perform the revolution and be great. Mort was the one. He was the tip of the iceberg. Underneath were all the other people who came along: Lenny Bruce, Nichols &amp; May, all the Second City. Mort was the vanguard of the group.
— Woody Allen
Celebrities saw his shows after they heard about the "new phenomenon," referring to Sahl's unique style of comedy. Woody Allen, who saw his show at the Blue Angel in 1954, commented that "he was suddenly this great genius that appeared who revolutionized the medium." British comedy actor John Cleese became immediately interested in Sahl's radical style of humor and accorded to Sahl the same level of respect that The Beatles reserved for Elvis Presley.
Television host Steve Allen, who originated the "Tonight Show", said he was "struck by how amateur he seemed," but added that the observation was not meant as a criticism, but as a "compliment". He noted that all the previous successful comics dressed formally, were glib and well-rehearsed, and were always in control of their audiences. Allen said that Sahl's "very un-show business manner was one of the things I liked when I first saw him work."
Sahl dressed casually, with no tie and usually wearing his trademark V-neck campus-style sweater. His stage presence was seen as being "candid and cool, the antithesis of the slick comic," stated theater critic Gerald Nachman. And although Sahl acquired a reputation for being an intellectual comedian, it was an image he disliked and disagreed with: "It was absurd. I was barely a C student," he said. His naturalness on stage was partly due to his preferring improvisation over carefully rehearsed monologues. Sahl explained:
 ;templatestyles src="Template:Blockquote/styles.css" / ;I never found you could write the act. You can't rehearse the audience's responses. You adjust to them every night. I come in with only an outline. You've got to have a spirit of adventure. I follow my instincts and the audience is my jury.
His casual style of stand-up, where he seemed to be one-on-one with his audience, influenced new comedians, including Lenny Bruce and Dick Gregory. Sahl was the least controversial, however, because he dressed and looked "collegiate" and focused on politics, while Bruce confronted sexual and language conventions and Gregory focused on the civil rights movement. After seeing Mort Sahl on stage, Woody Allen, whose writings were often about his personal life, decided to give it a try: "I'd never had the nerve to talk about it before. Then Mort Sahl came along with a whole new style of humor, opening up vistas for people like me."
Commenting on Sahl's monologues, Nachman described him as a "gifted narrator, so good at taking you along on his travels that you didn't quite realize until the show was over that you had been on a labyrinthine journey." The speed with which Sahl gave his monologues was also notable. British film critic Penelope Gilliatt recalled how Sahl's improvisation "goes on a breakneck stammering loop and you think it will never make the circle. It always does." For her it was like watching a circus act: "He freewheels a bike on a high wire tightrope with his brain racing and his hands off the handlebars."
Sahl's popularity "mushroomed like an Atomic cloud during the 50s," says filmmaker Robert B. Weide, adding, "Simply put, Mort Sahl reinvented stand-up comedy." "Time" magazine in 1960 published a cover story about him and his rise to fame, in which they described him as "the best of the New Comedians [and] the first notable American political satirist since Will Rogers." Along with his nightclub performances, he appeared in some films and on television shows, including his network debut on "The NBC Comedy Hour" in May 1956. He was one of the interim hosts on "The Tonight Show" following Jack Paar's departure as the network waited for Johnny Carson to become available.
His audience had also widened to include not only students and a "hip" public, but now even noted politicians sought out his