1989 single by Janet Jackson
"Rhythm Nation" is a song by American singer Janet Jackson, released as the second single from her fourth studio album, "Janet Jackson's Rhythm Nation 1814" (1989). It was written and produced by Jackson, in collaboration with Jimmy Jam and Terry Lewis. Jackson developed the song's concept in response to various tragedies in the media, deciding to pursue a socially conscious theme by using a political standpoint within dance music. In the United States, it peaked at number two on the "Billboard" Hot 100 and topped the Hot Black Singles and Dance Club Songs charts. It also peaked within the top 40 of several singles charts worldwide. "Rhythm Nation" received several accolades, including BMI Pop Awards for "Most Played Song", the Billboard Award for "Top Dance/Club Play Single" and a Grammy nomination for Jackson as "Producer of the Year". It has been included in two of Jackson's greatest hits collections, "" (1995) and "Number Ones" (2009).
The music video for "Rhythm Nation" was directed by Dominic Sena and choreographed by Jackson and a then-unknown Anthony Thomas. It served as the final segment in Jackson's "Rhythm Nation 1814" film. It portrays rapid choreography within a "post-apocalyptic" warehouse setting, with Jackson and her dancers adorned in unisex military attire. It was filmed in black-and-white to portray the song's theme of racial harmony. Jackson's record label attempted to persuade her against filming the video, but upon her insistence it became "the most far-reaching single project the company has ever attempted." The video received two MTV Video Music Awards for "Best Choreography" and "Best Dance Video." Jackson also won the "Billboard" Award for "Best Female Video Artist" in addition to the "Director's Award" and "Music Video Award for Artistic Achievement." The "Rhythm Nation 1814" film won the Grammy Award for Best Long Form Music Video. The video's outfit was inducted into the National Museum of Women in the Arts and Rock &amp; Roll Hall of Fame, where its hand-written lyrics are also used in the museum's class on female songwriters.
Artists such as Sleigh Bells, Jamie Lidell, and Kylie Minogue have cited the song as an influence, while artists including Lady Gaga, Peter Andre, OK Go, Mickey Avalon, Usher, Keri Hilson, and Britney Spears have referenced its music video. Beyoncé, Cheryl Cole, Rihanna and Ciara have also paid homage to its outfit and choreography within live performances. It has inspired the careers of choreographers such as Darrin Henson and Travis Payne. Actors including Kate Hudson, Michael K. Williams, and Elizabeth Mathis have studied its music video, with its choreography also used in the film "". It has been covered by Pink, Crystal Kay, and Girls' Generation and has also been performed on "Glee", "The X Factor USA", and "Britain's Got Talent".
Background.
Upon recording her fourth studio album, Jackson was inspired to cover socially conscious issues as a response to various tragedies in the media. Producer Jimmy Jam stated, "Janet came up with the 'Rhythm Nation' concept. A lot of it had to do with watching TV. We're avid TV watchers, and we would watch MTV, then switch over to CNN, and there'd always be something messed-up happening. It was never good news, always bad news." She was particularly saddened by the Stockton playground murders, leading her to record "Livin' in a World (They Didn't Make)." She decided to pursue additional songs with a similar concept, focusing on a political standpoint within energetic dance music. The song's lyrics were written as a montage of racial unity with Jackson's passion for dance, envisioning a colorblind world sharing the same beliefs. Jam explained:
 ;templatestyles src="Template:Blockquote/styles.css" / ;We wanted something to do with rhythm, because that's what Janet's life is about: beat, rhythm. One night over dinner, Janet said, "rhythm nation." I told Terry, and he just sang the melody, "We are part of the rhythm nation." And then I hit, "The people of the world today, searching for a better way of life", and Janet sings, "Rhythm Nation." And it just all came together.
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We have so little time to solve these problems. I want people to realize the urgency. I want to grab their attention. Music is my way of doing that. It's okay to have fun — I want to be certain that point is clear. I have fun. Dancing is fun. Dancing is healthy. It pleases me when the kids say my stuff is kickin', but it pleases me even more when they listen to the lyrics. The lyrics mean so much to me.
— Jackson on the concept of "Rhythm Nation."
Jackson jokingly considered it a "national anthem for the Nineties", leading her to develop "Rhythm Nation 1814", titled after the year "The Star-Spangled Banner" was written. She derived its lyrical theme from the diversity amongst society, which she observed to be united by music. Jackson said, "I realized that among my friends, we actually had a distinct 'nation' of our own. We weren't interested in drugs or drinking but social change. We also loved music and loved to dance... that's how "Rhythm Nation 1814" was born." She also likened its concept to the various groups formed among youth, asserting a common identity and bond, saying, "I thought it would be great if we could create our own nation. One that would have a positive message and that everyone would be free to join." Jackson also commented, "I found it so intriguing that everyone united through whatever the link was. And I felt that with most of my friends. Most people think that my closest friends are in the [entertainment] business, and they're not. They're roller-skating rink guards, waitresses, one works for a messenger service. They have minimum-wage paying jobs. And the one thing that we all have in common is music. I know that within our little group, there is a rhythm nation that exists."
Jackson desired the song's theme to capture the attention of her teenage audience, who were potentially unaware of socially conscious themes. She commented, "I wanted to take our message directly to the kids, and the way to do that is by making music you can really dance to. That was our whole goal: How can I get through to the kids with this?" She became encouraged by artists such as Marvin Gaye, Bob Dylan, and Joni Mitchell, feeling as if their demographics were already familiar with social themes. Jackson said, "These were people who woke me up to the responsibility of music. They were beautiful singers and writers who felt for others. They understood suffering." Upon questioning, Jackson said, "I know I can't change the world single-handedly, but for those who are on the fence, maybe I can lead them in a positive direction... If I just touched one person, just to make that difference, make them change for the better, that's an accomplishment." Jackson also responded to potential ridicule, stating, "a lot of people have said, "She's not being realistic with this "Rhythm Nation." It's like 'Oh, she thinks the world is going to come together through her dance music,' and that's not the case at all. I know a song or an album can't change the world. But there's nothing wrong with doing what we're doing to help spread the message." Jackson added, "If personal freedom has political implications and if pleasure must be part of any meaningful solution—and it really must—there's nothing wrong with it at all."
Composition.
The distinctive guitar riff was based on "Thank You (Falettinme Be Mice Elf Again)" by Sly and the Family Stone. Its socially conscious lyrics preach racial harmony and leadership through dance, anti-fascism, protesting bigotry, and geographic boundaries with "compassionate, dedicated people power." It uses a moderate funk tempo composed in the key of E minor. Jackson's vocals range from C4 to A5, climaxing during the song's middle eight. It opens with prelude "Pledge", in which Jackson describes "a world rid of color-lines" over apocalyptic bells and ambient noise. According to "The New York Times"' writer Stephen Holden, the song is an "utopian dance-floor exhortation" whose lyrics "[call] for racial harmony and cooperative struggle to create a better, stronger world". Its chorus is supported by male voices, with Jackson addressing her audience in a similar vein to a politician, "abandoning the narrow I for the universal we and inviting us to do the same." Its final chorus closes with multiple ad-libs as Jackson encourages listeners to sing with her, spreading the song's message of multicultural solidarity in a "grand pop statement."
Critical reception.
"Rhythm Nation" received positive reviews from critics, garnering praise for its lyrical theme. "Rolling Stone" declared it the album's "essential moment", describing the song as "a headbanging good time." Stephen Holden of "The New York Times" called it a "militantly utopian dance-floor exhortation." Michael Saunders of "The Sun Sentinel" declared it "upbeat funk-pop" which showcased Jackson's "light, breathy voice."
Sputnik Music applauded its "extraordinary" production and chorus, thought to result in "a catchy, smart single which would appease the Jackson haters and delight the fans." "People" specified its "burnin' hunk o' funk guitar riff". "Entertainment Weekly" declared it a "paean to the human spirit", likened to "a chorus line of stormtroopers." Vince Aletti of "Rolling Stone" described the song as a "densely textured, agitated track" propelled by "syncopated yelps" of unity.
Theme reception.
Vince Aletti considered its message "dedicated" and "compassionate", praising its concept of a "multiracial, multinational network." He added, "Jackson addresses her constituency the way a politician might, abandoning the narrow I for the universal we and inviting us to do the same." Sal Cinquemani of "Slant Magazine" described it as a "socially charged calls to arms", promoting a "Zen-like transcendence of self." Its lyrics were regarded to call for "social justice" rather than personal freedom, focusing on "strength in numbers" and "unity through mandatory multiculturalism." In May 2016, "Entertainment Weekly" ranked "Rhythm Nation" as the best Janet Jackson song of all time, commenting, "it rode to the new jack swing of its era, but this industrial-edged anthem ... is one of the most radical hits ever by a pop diva. It broke all of the lines, color and otherwise, high-stepping all the way. Richard Croft called it "a protest song with a twist", commending its description of how change can be made rather than questioning why it hasn't occurred. "Women, Politics, and Popular Culture" author Lilly Goren considered it to reflect "politically driven feminist messages." Chris Willman of "Los Angeles Times" proposed its theme "big on community, stressing social consciousness for a young target audience and proposing a prejudice-free" nation. An additional review stated, "[Janet] wanted social justice and voiced it in one of the most fabulous, bad ass ways possible."
Jon Pareles of "The New York Times" praised its "earnest concern", also noting its "call for unity and good intentions." Its preach of racial unity was applauded, thought to unite "Ms. Jackson's opposition to racism with an image of a mass audience." The publication also observed Jackson to eagerly "rail against societal ills like racism and domestic abuse." Additionally, it was used as an example of a socially conscious song having influence over the public, thought to effectively call for "racial harmony and cooperative struggle to create a better, stronger world." Pareles added Jackson "kept the propulsive funk and added worthy, generalized social messages". An anecdote likened its theme of peace to the teachings of social activist Mahatma Gandhi, saying, ""Rhythm Nation" sheds light on the problem of apathy, which is common among young people today." Jackson's conscious lyrics and desire to "not only entertain, but to educate" was praised, concluding, "["Rhythm Nation"] speaks particularly to young people and encourages them to be the leaders of tomorrow."
Commercial performance.
"Rhythm Nation" debuted at number 49 on the "Billboard" Hot 100 for the week of November 11, 1989. It was the week's highest new entry, breaking Madonna's consecutive streak of Hot Shot Debuts on the chart. The song peaked at number two on the "Billboard" Hot 100 on January 6, 1990, for two consecutive weeks. It also reached number two on the Mainstream Top 40 chart and reached number one on the ATV Top 40 in addition to the Hot Black Singles and Hot Dance Club Play charts, topping the former chart for a single week (January 13, 1990), and the latter chart for three weeks. "Rhythm Nation" was