British new wave duo
Eurythmics were a British new wave duo formed in 1980, consisting of Scottish vocalist Annie Lennox and English musician and producer Dave Stewart. They were both previously in the Tourists, a band that broke up in 1980. They released their first studio album, "In the Garden", in 1981 to little success, but achieved global acclaim with their second album, "Sweet Dreams (Are Made of This)" (1983). The title track became a worldwide hit, reaching number two in the UK Singles Chart, and number one in Canada and the US "Billboard" Hot 100. Eurythmics went on to release a string of hit singles and albums, including "Love Is a Stranger", "There Must Be an Angel (Playing with My Heart)" and "Here Comes the Rain Again", before splitting in 1990.
Stewart became a sought-after record producer, while Lennox began a solo recording career in 1992 with her debut album "Diva". After almost a decade apart, Eurythmics reunited to record their ninth album, "Peace", released 1999. The album produced three singles – "I Saved the World Today", "17 Again" and "Peace Is Just a Word". The same year, they were awarded the Brit Award for Outstanding Contribution to Music. They reunited again in 2005 to release the single "I've Got a Life", which peaked within the top ten on the singles charts in Scotland, the top twenty in the United Kingdom and reaching number one on the US Dance Club Songs Charts, as part of a new compilation album, "Ultimate Collection".
Eurythmics have sold an estimated 75 million records worldwide. Their awards include the MTV Video Music Award for Best New Artist in 1984, the Grammy Award for Best Rock Performance by a Duo or Group with Vocal in 1987, and the Brit Award for Outstanding Contribution to Music in 1999. They were inducted into the UK Music Hall of Fame in 2005, the Songwriters Hall of Fame in 2020, and the Rock and Roll Hall of Fame in 2022.
History.
1976–1982: Formation and "In the Garden".
Lennox and Stewart met in 1975 in a restaurant in London, where Lennox worked at that time. They first played together in 1976 in the punk rock band the Catch. After releasing one single as the Catch in 1977, the band evolved into the Tourists. Stewart and Lennox were also romantically involved. The Tourists achieved some commercial success, but the experience was reportedly an unhappy one. Personal and musical tensions existed within the group, whose main songwriter was Peet Coombes, and legal wrangling happened with the band's management, publishers and record labels. Lennox and Stewart felt the fixed band line-up was an inadequate vehicle to explore their experimental creative leanings and decided their next project should be much more flexible and free from artistic compromise. They were interested in creating pop music, but wanted freedom to experiment with electronics and the avant-garde.
It was in a hotel in Wagga Wagga, Australia, while playing around with a portable mini-synthesizer that Lennox and Stewart decided to become a duo. Calling themselves Eurythmics (after the pedagogical exercise system that Lennox had encountered as a child), they decided to keep themselves as the only permanent members and songwriters, and involve others in the collaboration "on the basis of mutual compatibility and availability". The duo signed to RCA Records. At this time, Lennox and Stewart also split as a couple. During the period that Lennox and Stewart were in the Tourists, and later as Eurythmics, they were managed by Kenny Smith and Sandra Turnbull of Hyper Kinetics Ltd.
They recorded their first album, "In the Garden", in Cologne with Conny Plank (who had produced the later Tourists sessions). The album, released in October 1981, mixed psychedelic, krautrock and electropop influences, and featured contributions from Holger Czukay and Jaki Liebezeit (of Can), drummer Clem Burke (of Blondie), Robert Görl (of D.A.F.), and flautist Tim Wheater. A couple of the songs were co-written by guitarist Roger Pomphrey (later a TV director). The album was not a commercial success (though the debut single "Never Gonna Cry Again" made the UK charts at No. 63). Lennox and Stewart then activated their new Eurythmics mode of operation by touring the record as a duo, accompanied by backing tracks and electronics, carted around the country by themselves in a horse-box.
During 1982, the duo retreated to Chalk Farm in London and used a bank loan to establish a small eight-track studio above a picture framing factory, giving them freedom to record without having to pay expensive studio fees. They began to employ much more electronics in their music, collaborating with Raynard Faulkner and Adam Williams, recording many tracks in the studio and playing live using various line-up permutations. However, the three new singles they released that year ("This Is the House", "The Walk" and "Love Is a Stranger") all performed badly on initial release in the UK. Although their mode of operation had given them the creative freedom they desired, commercial success still eluded them and the responsibility of personally running so many of their affairs (down to transporting their own stage equipment) took its toll. Lennox apparently suffered at least one nervous breakdown during this period, while Stewart was hospitalised with a collapsed lung.
1983–1984: "Sweet Dreams (Are Made of This)" and "Touch".
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MTV has paved the way for a host of invaders from abroad: Def Leppard, Adam Ant, Madness, Eurythmics, the Fixx and Billy Idol, to name a few. In return, grateful Brits, even superstars like Pete Townshend and the Police, have mugged for MTV promo spots and made the phrase "I want my MTV" a household commonplace.
—Anglomania: The Second British Invasion, by Parke Puterbaugh for "Rolling Stone", November 1983.
Eurythmics' commercial breakthrough came with their second album, "Sweet Dreams (Are Made of This)", released in January 1983. The successful title track featured a dark and powerful sequenced synth bass line and a dramatic video that introduced the now orange crew-cut Lennox to audiences. The song reached No. 2 on the UK Singles Chart, becoming one of the year's biggest sellers, No. 6 in Australia, and later topped the Canadian chart and US "Billboard" Hot 100. The band's fortunes changed immensely from this moment on, and Lennox quickly became a pop icon, gracing the covers of numerous magazines including "Rolling Stone". Their previous single, "Love Is a Stranger", was also re-released and became another chart success. The video for the song saw Lennox in many different character guises, a concept she would employ in various subsequent videos. The album's working title was "Invisible Hands" (as was a track left off the album), inspiring the name of the British independent company Invisible Hands known for releasing music by Hugh Cornwell, Mick Karn and Hazel O'Connor. The album also featured a cover of the 1968 Sam &amp; Dave hit "Wrap It Up", performed as a duet between Lennox and Green Gartside of Scritti Politti.
The duo quickly recorded a follow-up album, "Touch", which was released in November 1983. It became the duo's first No. 1 album in the UK, and also spawned three major hit singles. "Who's That Girl?" was a top 3 hit in the UK, the video depicting Lennox as both a blonde chanteuse and as an Elvis Presley clone. It also featured cameo appearances by Hazel O'Connor, Bananarama (including Stewart's future wife, Siobhan Fahey), Kate Garner of Haysi Fantayzee, Thereza Bazar of Dollar, Jay Aston and Cheryl Baker of Bucks Fizz, Kiki Dee, Jacquie O'Sullivan and the gender-bending pop singer Marilyn, who would go on to musical success of his own that same year. The upbeat, calypso-flavoured "Right by Your Side" made the Top 10, and "Here Comes the Rain Again" (No. 8 in the UK, No. 4 in the US) was an orchestral/synth ballad (with orchestrations by Michael Kamen).
In 1984, RCA released "Touch Dance", an EP of remixes of four of the tracks from "Touch", aimed at the club market. The remixes were by prominent New York City producers Francois Kevorkian and John "Jellybean" Benitez. Also released in 1984 was Eurythmics' soundtrack album "1984 (For the Love of Big Brother)". Virgin Films had contracted the band to provide a soundtrack for Michael Radford's modern film adaptation of George Orwell's "Nineteen Eighty-Four". However, Radford later said that the music had been "foisted" on his film against his wishes, and that Virgin had replaced most of Dominic Muldowney's original orchestral score with the Eurythmics soundtrack (including the song "Julia", which was heard during the end credits). Nevertheless, the record was presented as "music derived from the original score of Eurythmics for the Michael Radford film version of Orwell's "1984"". Eurythmics charged that they had been misled by the film's producers as well, and the album was withdrawn from the market for a period while matters were litigated. The album's first single, "Sexcrime (Nineteen Eighty-Four)", was a top 5 hit in the UK, Australia and across Europe, and a major dance success in the United States.
1985–1986: "Be Yourself Tonight" and new musical direction.
The duo's next album, "Be Yourself Tonight", was produced in a week in Paris and spent 4 weeks at No. 1 in Australia. It showcased much more of a "band style" and a centred sound (with an R&amp;B influence), with real drums, brass, and much more guitar from Stewart. Almost a dozen other musicians were enlisted, including members of Tom Petty's Heartbreakers, guest harmonica from Stevie Wonder, bass guitar from Dean Garcia, string arrangements by Michael Kamen, and Lennox singing duets with Aretha Franklin and Elvis Costello. It continued the duo's transatlantic chart domination in 1985, and contained four hit singles: "Would I Lie to You?" was a US Billboard top five hit and Australian No. 1, while "There Must Be an Angel (Playing with My Heart)" (featuring Wonder's harmonica contribution) became their first and only UK No. 1 single. The feminist anthem "Sisters Are Doin' It for Themselves" (a duet with Aretha Franklin, though originally intended for Tina Turner), and "It's Alright (Baby's Coming Back)" also rode high in the charts. In September 1985, Eurythmics performed "Would I Lie to You?" at the 1985 MTV Video Music Awards at the Radio City Music Hall in New York.
It was a major commercial success for Eurythmics on international albums charts, reaching the top five in regions including Australia (where it reached number one), New Zealand, Norway, Sweden, Canada, Finland and the United Kingdom. Elsewhere, it reached the top ten in the United States, Switzerland and Germany. 
It was nominated for the Billboard Music Award for Top Billboard 200 Album and Top Compact Disk Award at the 1985 Billboard Music Awards and the Brit Award for British Album of the Year at the 1986 Brit Awards. Two of the albums singles – "Sisters Are Doin' It for Themselves" and "Would I Lie to You?" were nominated for two awards at the 28th Annual Grammy Awards in 1986 for Best R&amp;B Performance by a Duo or Group with Vocals and Best Rock Performance by a Duo or Group with Vocal respectively.
1986–1990: "Revenge", "Savage" and "We Too Are One".
Eurythmics released their next album, "Revenge", in 1986. The album continued their move towards a band sound, verging on an AOR-pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the US, though "Missionary Man" reached No. 14 on the US Hot 100 chart and went all the way to No. 1 on the US Album Oriented Rock chart (AOR). "Revenge" would eventually certify double Platinum in the UK and Gold in the US, and spend 40 weeks in the Australian top 10 where it reached No. 2. The band went on a massive worldwide tour in support of the album, and a live concert video from the Australian leg of the tour was released.
In 1987, Lennox and Stewart released the album "Savage". This saw a fairly radical change within the group's sound, being based mainly around programmed samples and drum loops (Lennox would later say that where "Revenge" was more of a Stewart album in sound, "Savage" was more of a Lennox one). Lyrically the songs showed an even darker, more obsessive side to Lennox's writing. A video album was also made, directed by Sophie Muller, with a video for each song. This was largely a concept piece, following characters portrayed by Lennox, specifically one of a frustrated housewife-turned-vamp