Ice Kacang Puppy Love () is a 2010 Chinese-Malaysian romantic comedy film directed by and starring Ah Niu and co-written by Lai Chaing Ming. The film tells the story of a young man, portrayed by Ah Niu, trying to convey his love to his long-time crush.
Plot.
The story is set in the 1980s in Tronoh, a small town in Perak. Twenty-year-old-plus Botak (Ah Niu) is the younger of a Chinese coffeeshop owner's two sons. A reserved, quiet young lad with prickly hair, having been shaved during childhood (thus gaining his nickname "Botak", which means baldy in Malay), he harbours a secret admiration towards Chew Anqi (周安琪), or Fighting-Fish (Angelica Lee), daughter of a "char kuey teow" seller, Yue Feng (月凤) (Angela Chan), who rents a stall in the same coffeeshop. However, he was never bold enough to confess his love towards her and only conveyed it through drawing portraits of her.
Anqi entered Botak's life when he was a young boy, when Yue Feng sought refuge with Botak's mother after she could no longer stand physical abuse by her husband. This resulted in Anqi (named after 'Angel') often being teased as being fatherless by another childhood friend, a bully yet coward to stronger forces, Ma Linfan (马麟帆) (Gary Chaw), son of parents who ran an illegal betting syndicate. As children, Anqi, Ma Linfan and 'African' (later called Prince Charming in adulthood) (Victor Wong), often competed playing marbles (bakuli/"buah guli") or fighting fish with each other. Anqi always won these games. After losing a game, Ma Linfan teased Anqi. She became angry and beat Ma Linfan, thus giving her a strong, fierce personality. Because of this, Anqi was given the nickname "Fighting-Fish". Whenever she was upset, she would eat "ais kacang" (spelt as Ice Kacang for the movie) together with Botak, or idle away by the river chatting with him. She would always say that when she grew up, she would return to Penang to look for her father and move to a faraway place, which Botak desired not to realise. As a 20-year-old something adult, she was in a cold relationship with her mother, blaming her being estranged from her father.
Ma Linfan, frustrated at losing to Fighting-Fish each time in fighting fish duels, decided to steal hers, but was caught red-handed and escaped. The second time, which could have been a success, he ended up in a tussle with Fighting-Fish, which had her brushing against him on the lower bodies, causing him to have an erection. Because of this, he believed that he fell in love with Fighting-Fish and went to great lengths to win her love.
Ma Libing (马丽冰) (Fish Leong), the younger sister of Ma Linfan, was secretly in love with Botak. Throughout the story, Ma Libing was a quiet girl and was often seen holding a packet of iced barley drink (thus the nickname "Barley-Bing") wherever she went. She chanced upon Botak's love letter to Fighting-Fish in her brother's room. She became upset after reading the letter and sought to win his love with even more determination. The letter somehow ended up with Yue Feng, who then knew of Botak's secret admiration of her daughter and later discovered Botak's portraits of Fighting-Fish in his room.
After a heated quarrel with her mother over her disapproval of her wanting to marry another man, Fighting-Fish travelled to Penang to look for her father with Botak. They arrived at her old home at Chew Jetty (姓周桥), a neighbourhood of wooden houses on water, occupied by Chinese families with the surname Chew (周 zhōu), only to discover that her father (Eric Moo) now operates an illegal gambling den and had remarried with a 5-year-old son and an unborn child. The reunion was disrupted with a raid by the police. Botak, Fighting-Fish and her father managed to escape, but she realised the predicament that her mother was in 10 years ago. She sought to mend ties with her and expressed her desire to further her studies in Singapore.
Botak went after her on the day of her departure, bringing a packet of ais kacang and the unread love letter. During the journey, he was met with two accidents but was only bruised from head to toe. He handed the packet to Fighting-Fish, moving her to tears (she had also discovered Botak's portraits of her during the night before). In the haste, Botak also forgot to hand the letter to her and left the scene drenched from rain. Botak's younger sister submitted one of Botak's portraits to a drawing competition, which won the first prize, even appearing in newspapers. When Botak found out, he ran away in tears, unwilling to embrace the fact that he had hesitated to confess his love to Fighting-Fish.
Towards the end of the scene, all of the young characters had left the town, each on their own career paths. The final scene showed Botak, now older and with a girlfriend, at a pedestrian crossing in Kuala Lumpur, not knowing that Fighting-Fish was also nearby. They both walk away in different directions.
Reception.
On reviewer said, "the overall tone is idealised, the nostalgia is neither the main event nor trowelled on with period references: the ending is both simple and very moving, with a neat coda."
References.
 ;templatestyles src="Reflist/styles.css" / ;