Italian composer
Cesare Antoniolli was an Italian composer, arranger and orchestral director of popular music active during the 1900-1960 period. He composed music alongside notable lyricists, arranged music for major publishers, and directed his own orchestra backing popular singing stars on their recordings. ;br ; The orchestra was variously nominated as Orchestra Antoniolli, Orchestra da Ballo Antoniolli, Orchestra Melodica Napoletana Antoniolli and Orchestra Tropical Antoniolli. He played an important creative part in the survival (during the Depression and war years) and subsequent post-war rebirth, of Italy's popular music scene.
Creative works.
Cesare Antoniolli composed music for popular songs of the era alongside noted lyricists Danpa (Dante Panzuti) and Renzo Dolci. In October 1945, just a few months following the end of the war, a public concert was held for the people of Milan in the large Teatro del Popolo inside the city's pride and joy, the Castello Sforzesco (AD1360) that had been severely damaged by an allied bombing campaign in 1943. The concert organized by the new government agency Ente Nazionale Assistenza Lavoratori (ENAL) (meaning National Entity of Assistance for Workers) included the announcement and performance by the winners of a popular songwriting competition, the first of its kind in post-war Italy to capture the hearts of the nation (until the outset of the Sanremo Festival in January 1951 and the Festival di Napoli in 1952). Cesare Antoniolli and Renzo Dolci won first prize in the second category (rhythmic songs) of the national song competition with their song "Dice Quella Lettera" ('the letter says'). One of Antoniolli and Danpa's songs "Il Paradiso Dei Baci" ('the paradise of kisses') was performed at the second Festival di Zurigo (Il Festivale Della Canzone Italiana in Svizzera) in September 1958. It was sung by singing star Fiorella Bini, accompanied by the orchestra of Eros Sciorilli and recorded on Cetra Records.
Film Score.
In 1955 Cesare Antoniolli collaborated with renowned animation artist Gino Gavioli (9 May 1923 - 19 November 2016) who had formed with his brother Roberto the Gamma Film company in (1953-1999) that produced animated films in Milan, most famously the Carosello series.
Cesare was asked to compose the soundtrack for a short animation film called "La Pentola Miracolosa" ('the miraculous pot') that presented a fable regarding the virtues of long hard work and worthy causes, as opposed to becoming rich overnight. Its synopsis describes: "the story of a carver who, saving as much as possible from the proceeds of the sale of his wooden toys, dreams of one day being able to buy a huge organ".
The 35mm color film of 13m:13s (364 metres in length) carries a beautifully orchestrated soundtrack (including a choir arrangement) evidence of Cesares musical abilities and experience gained not-least from the previous 10 years of popular music development post-war.
The film was registered for copyright on 7 December 1955 and an official document issued in Rome on 30 April 1960 now archived by the Italia Taglia Project. In 1956 it was presented at the 17th La Biennale Festival of Venice (International Cinematographic Arts Exhibition) in the Children's Section.
Publishing.
Cesare Antoniolli created both music and arrangements for popular songs with prominent publishers Edizioni Panagini (Novara), Edizioni Leonardi (Milan), Edizioni Musicali Chillin (Turin), Edizioni Musicali Menestrello (Milan), Redi Edizioni Musicali (Milano), VIS-Radio (Naples) and Edizioni Musicali Euterpe (Genoa). Apart from the small selection of arrangements of cover songs listed below, he created arrangements of his own compositions and a working library for his orchestra, from simple piano/vocal sheets to full popular orchestra scores.
On several occasions he worked alongside composer Gino Redi (of Redi Edizioni Musicali and Redi/Ponti/De Laurentis publishing) most notably scoring the arrangement for the Redi/Galdieri song "T'ho Voluto Bene" sung by Flo Sandon's in the 1951 film 'Anna'. The song was later translated into English and made a world-wide hit as "Non Dimenticar" by Nat King Cole in 1958.
Recordings.
Cesare Antoniolli's orchestral work includes accompaniment and direction of recordings with singers Teddy Reno, Lello Perrelli, Tati Casoni, Gigi Marra and Serafino Bimbo. These were produced by record companies Durium Records, Compagnia Generale del Disco (CGD) and Cetra Records. Research conducted on the internet has uncovered images of a total thirty-five record labels printed with Antoniolli's name between 1930 and 1952 in this capacity.
The instrumentation of popular music orchestras of the period included piano, double-bass, drum kit, a small brass and woodwind section, accordion, a small string section, percussion and acoustic guitar. And for larger live concert performances and recording sessions a female and/or male vocal duo or trio were added. In 1948, barely in singer Teddy Reno's first year in Milano (and having just founded the CGD record company at the tender age of 22), Cesare Antoniolli's dance orchestra accompanied him on a recording of the Frank Sinatra hit song "Day By Day" (Cahn/Stordahl/Weston). The song was translated into Italian as "Oggi O Mai" ('today or never') by renowned lyricist Ardo (Matteo Treppiedi), who also translated singer Serafino Bimbo's Italian version of "La Raspa" (Grant/Nisa) backed by Orchestra Antoniolli in 1949.
Cesare recorded eight songs in Latin-American/Cuban styles with singer Tati Casoni, the only time his name on record labels included his initial. Recorded on the Cetra label some of the songs were translated by prominent lyricists Giacomo Mario Gili (pseudo. Larici) (1906-1996), Enzo Luigi Poletto (1906-1983), Testoni and Panzeri. His ensemble was called Orchestra Tropical C. Antoniolli and the songs recorded in Torino in October 1950 and January 1951, immediately following the period when Tati Casoni had toured several times to South America. Neopolitan singing star Lello Perrelli recorded at least eighteen songs in his local dialect with the Orchestra Melodica Napoletana Antoniolli. They were all produced on the CGD Blue label and are by far the largest group of Cesare Antoniolli's work rediscovered in the course of this research.
Media coverage.
In the renowned Italian publication 'Musica, Rassegna Della Vita Musicale Italiana' (Review of Italian Musical Life) later called Musica e dischi, Cesare Antoniolli's work as composer and orchestral director was mentioned six times in articles and advertisements between 1945 and 1952. These mentions alone cover twenty-six songs produced in the period, beginning with an article describing the ;br ; Castello Sforzesco concert on the front page of its first edition published in October 1945.
Capri Island.
A 1952 song for which Cesare Antoniolli had written both words and music "Fa Molto Capri" ('its very Capri') was rediscovered in 2010, re-recorded and inducted into a historical archive of poetry and songs on the Italian island of Capri. Its lyrics suggest how visitors ;br ; should dress and behave while in Capri in order to be fashionable and trendy. The archive was produced in the form of a hard-cover book "Capri Dei Sognatori" ('the Capri of dreamers') by Neopolitan writer/musicians Vincenzo Faiella and Sergio Vellino 
References.
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