1888 baseball poem by Ernest Thayer
"Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" is a mock-heroic poem written in 1888 by Ernest Thayer. It was first published anonymously in "The San Francisco Examiner" (then called "The Daily Examiner") on June 3, 1888, under the pen name "Phin", based on Thayer's college nickname, "Phinney". Featuring a dramatic narrative about a baseball game, the poem was later popularized by DeWolf Hopper in many vaudeville performances. It has become one of the best-known poems in American literature.
Synopsis.
A baseball team from the fictional town of "Mudville" (the home team) is losing by two runs in its last inning. Both the team and its fans, a crowd of 5,000, believe that they can win if Casey, Mudville's star player, gets to bat. However, Casey is scheduled to be the fifth batter of the inning, and the first two batters (Cooney and Barrows) fail to get on base. The next two batters (Flynn and Jimmy Blake) are perceived to be weak hitters with little chance of reaching base to allow Casey a chance to bat.
Surprisingly, Flynn hits a single, and Blake follows with a double that allows Flynn to reach third base. Both runners are now in scoring position and Casey represents the potential winning run. Casey is so sure of his abilities that he does not swing at the first two pitches, both called strikes. On the last pitch, the overconfident Casey strikes out swinging, ending the game and sending the crowd home unhappy.
Text.
The text is filled with references to baseball as it was in 1888, which in many ways is not far removed from today's version. As a work, the poem encapsulates much of the appeal of baseball, including the involvement of the crowd. It also has a fair amount of baseball jargon that can pose challenges for the uninitiated.
This is the complete poem as it originally appeared in "The Daily Examiner". After publication, various versions with minor changes were produced.
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Inspiration.
Thayer said he chose the name "Casey" after a non-player of Irish ancestry he once knew named Daniel H. Casey; it is open to debate whom, if anyone, he modeled the character after. It has been reported that Thayer's best friend Samuel Winslow, who played baseball at Harvard, was the inspiration for Casey.
Another candidate is National League player Mike "King" Kelly, who became famous when Boston paid Chicago a record $10,000 for him. He had a personality that fans liked to cheer or jeer. After the 1887 season, Kelly went on a playing tour to San Francisco. Thayer, who wrote "Casey" in 1888, covered the San Francisco leg for the "San Francisco Examiner".
Thayer, in a letter he wrote in 1905, mentions Kelly as showing "impudence" in claiming to have written the poem. The author of the 2004 definitive biography of Kelly—which included a close tracking of his vaudeville career—did not find Kelly claiming to have been the author.
Composition and publication history.
"Casey at the Bat" was first published in "The Daily Examiner" on June 3, 1888.
A month after the poem was published, it was reprinted as "Kelly at the Bat" in the "New York Sporting Times".
Aside from omitting the first five verses, the only changes from the original are substitutions of Kelly for Casey, and Boston for Mudville. King Kelly, then of the Boston Beaneaters, was one of baseball's two biggest stars at the time (along with Cap Anson).9
In 1897, the magazine "Current Literature" noted the two versions and said, "The locality, as originally given, is Mudville, not Boston; the latter was substituted to give the poem local color."
Live performances.
DeWolf Hopper gave the poem's first stage recitation on August 14, 1888, at New York's Wallack Theatre as part of the comic opera "Prinz Methusalem" in the presence of the Chicago White Stockings and New York Giants baseball teams; August 14, 1888 was also Thayer's 25th birthday. Hopper became known as an orator of the poem, and recited it more than 10,000 times (by his count—some tabulations are as much as four times higher) before his death.
On stage in the early 1890s, baseball star Kelly recited the original "Casey" a few dozen times and not the parody. For example, in a review in 1893 of a variety show he was in, the "Indianapolis News" said, "Many who attended the performance had heard of Kelly's singing and his reciting, and many had heard De Wolf Hopper recite 'Casey at the Bat' in his inimitable way. Kelly recited this in a sing-song, school-boy fashion." Upon Kelly's death, a writer would say he gained "considerable notoriety by his ludicrous rendition of 'Casey at the Bat,' with which he concluded his 'turn' [act] at each performance."229
During the 1980s, the magic/comedy team Penn &amp; Teller performed a version of "Casey at the Bat" with Teller (the "silent" partner) struggling to escape a straitjacket while suspended upside-down over a platform of sharp steel spikes. The set-up was that Penn Jillette would leap off his chair upon finishing the poem, releasing the rope which supported Teller, and send Teller to a gruesome death if Teller had failed to free himself by that time. Jillette enhanced the drama of the performance by drastically accelerating the pace of his recital after the first few stanzas, greatly reducing the time that Teller had left to work free from his bonds.
Recordings.
The first recorded version of "Casey at the Bat" was made by Russell Hunting, speaking in a broad Irish accent, in 1893; an 1898 cylinder recording of the text made for the Columbia Graphophone label by Hunting can be accessed from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
DeWolf Hopper's more famous recorded recitation was released in October 1906.
In 1946, Walt Disney released a recording of the narration of the poem by Jerry Colonna, which accompanied the studio's animated cartoon adaptation of the poem (see below).
In 1973, the Cincinnati Symphony Orchestra commissioned its former Composer-in-Residence, Frank Proto, to create a work to feature Baseball Hall-of-Famer Johnny Bench with the orchestra. The result "Casey At The Bat – an American Folk Tale for Narrator and Orchestra" was an immediate hit and recorded by Bench and the orchestra. It has since been performed more than 800 times by nearly every major and Metropolitan orchestra in the U.S. and Canada.
In 1980, baseball pitcher Tug McGraw recorded "Casey at The Bat—an American Folk Tale for Narrator and Orchestra" by Frank Proto with Peter Nero and the Philly Pops.
In 1996, actor James Earl Jones recorded the poem with arranger/composer Steven Reineke and the Cincinnati Pops Orchestra.
On a 1997 CD set with memorable moments and stories from the game of baseball titled "Take Me Out to the Ball Game" produced by Jerry Hoffman and Douglas Duer, a Vincent Price oration of the poem is a slightly altered version of the original.
In 1998, actor Sir Derek Jacobi recorded the poem with composer/arranger Randol Alan Bass and the National Symphony of London, with the composer conducting. This work, titled "Casey at the Bat", has been recorded by the Boston Pops Orchestra, Keith Lockhart conducting.
In 2013, Dave Jageler and Charlie Slowes, both radio announcers for the Washington Nationals, each made recordings of the poem for the Library of Congress to mark the 125th anniversary of its first publication.
Mudville.
A rivalry of sorts has developed between two cities claiming to be the Mudville described in the poem.
Residents of Holliston, Massachusetts, where there is a neighborhood called Mudville, claim it as the Mudville described in the poem. Thayer grew up in nearby Worcester, Massachusetts, where he wrote the poem in 1888; his family owned a wool mill less than from Mudville's baseball field.
However, residents of Stockton, California—which was known for a time as Mudville prior to incorporation in 1850—also lay claim to being the inspiration for the poem. In 1887, Thayer covered baseball for "The Daily Examiner"—owned by his Harvard classmate William Randolph Hearst—and is said to have covered the local California League team, the Stockton Ports. For the 1902 season, after the poem became popular, Stockton's team was renamed the Mudville Nine. The team reverted to the Mudville Nine moniker for the 2000 and 2001 seasons. The Visalia Rawhide, another California League team, currently keeps Mudville alive playing in Mudville jerseys on June 3 each year.
Despite the towns' rival claims, Thayer himself told the "Syracuse Post-Standard" that "the poem has no basis in fact."
Adaptations.
The poem has been adapted to diverse types of media:
Derivations.
For a relatively short poem apparently dashed off quickly (and denied by its author for years), "Casey at the Bat" had a profound effect on American popular culture. It has been recited, re-enacted, adapted, dissected, parodied, and subjected to just about every other treatment one could imagine.
Parodies.
Of the many parodies made of the poem, some of the notable ones include:
Translations.
There are three known translations of the poem into a foreign language, one in French, written in 2007 by French Canadian linguist Paul Laurendeau, with the title "Casey au bâton", and two in Hebrew. One by the sports journalist Menachem Less titled "התור של קייסי לחבוט" [Hator Shel Casey Lachbot], and the other more recent and more true to the original cadence and style by Jason H. Elbaum called קֵיסִי בַּמַּחְבֵּט [Casey BaMachbayt].
Names.
Casey Stengel describes in his autobiography how his original nickname "K.C." (for his hometown, Kansas City, Missouri) evolved into "Casey". It was influenced not just by the name of the poem, which was widely popular in the 1910s, but also because he tended to strike out frequently in his early career so fans and writers started calling him "strikeout Casey".
Contemporary culture.
Postage stamp.
On July 11, 1996, the United States Postal Service issued a commemorative stamp depicting "Mighty Casey." The stamp was part of a set commemorating American folk heroes. Other stamps in the set depicted Paul Bunyan, John Henry, and Pecos Bill.
References.
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