Wallace Thurman novel
The Blacker the Berry: A Novel of Negro Life (1929) is a novel by American author Wallace Thurman, associated with the Harlem Renaissance. The novel tells the story of Emma Lou Morgan, a young black woman with dark skin. It begins in Boise, Idaho and follows Emma Lou in her journey to college at USC and a move to Harlem, New York City for work. Set during the Harlem Renaissance, the novel explores Emma Lou's experiences with colorism, discrimination by lighter-skinned African Americans due to her dark skin. She learns to come to terms with her skin color in order to find satisfaction in her life.
Plot summary.
Born in Boise, Idaho, Emma Lou Morgan is an African-American girl who has extremely dark skin. Her mother's family has lighter skin that shows European ancestry; the "blue-black" hue came from her father, who left her and her mother soon after her birth. Believing that her color will reduce her marriageability, her mother's people try to help her lighten her skin with bleaching and commercially available creams, but nothing works. When her mother says "a black boy could get along but a black girl would never know anything but sorrow and disappointment," Emma Lou wishes she had been a boy. The only "Negro pupil in the entire school," she feels extra conspicuous at graduation among the white faces and white robes.
Emma Lou's Uncle Joe encourages her to go to the University of Southern California (USC), where she'll be among black students, and he encourages her to study education and move South to teach. He believes that smaller towns like Boise "encouraged stupid color prejudice such as she encountered among the blue vein circle in her home town." Emma Lou's maternal grandmother was closely associated with the "blue veins", black people whose skin was light enough to show veins. Uncle Joe thought life would be better for Emma Lou in Los Angeles, where people had more to think about.
At USC, Emma Lou intends to meet the "right" crowd among other Negro students. On registration day she meets a black girl named Hazel Mason; unfortunately, when she speaks Emma Lou decides that she is the "wrong" sort, definitely lower-class. Other girls, though pleasant, never invite her into their circles or sorority, especially when they recognize that they've seen her with Hazel, whose "minstrel" demeanor is not good for the black image. When Hazel drops out of school, Grace Giles become Emma Lou's friend but informs her that the sorority only accepts dark-skinned girls only if they are wealthy. Emma Lou begins to notice that black leaders tend to have light skin or light-skinned wives. By summer vacation, she feels more trapped by her skin.
Back in Boise, Emma Lou meets Weldon Taylor at a picnic. Although darker than her ideal, he attracts her, and she ends up going too far with him that night, thinking she is in love. Over the next two weeks, she is thrilled to be with Taylor, for "his presence and his love making". He had been to college but temporarily dropped out to build up his tuition fund, traveling from town to town, finding work and a new girl each time. When he announces that he is leaving Boise to become a Pullman porter, Emma Lou mistakenly blames her color. She puts in the rest of her college time, then moves to New York City to find work—and hopefully, a better life.
In Harlem, Emma Lou meets a young man named John whom she decides is "too dark". She heads to an employment agency seeking work as a stenographer; lacking experience, she pads her account of her skills. She is sent to a real-estate office for an interview, only to be told that they have someone else in mind. She returns to the agency and the manager, Mrs. Blake, invites her to lunch, and Emma Lou is "warmed toward any suggestion of friendliness" and glad to have "a chance to make a welcome contact".
Mrs. Blake tells her about work prospects, saying that "lots of our Negro businessmen have a definite type of girl in mind and will not hire any other"; she advises Emma Lou to go to Columbia Teachers' College and train for a job in the public school system. After lunch, Emma is walking on Seventh Avenue and while stopping to check her reflection, she notices a few young black men nearby and hears one comment, "There’s a girl for you 'Fats'", to which the reply is: "Man, you know I don’t haul no coal."
Determined to stay in New York, Emma Lou finds a job as a maid to Arline Strange, an actress "in an alleged melodrama of Negro life in Harlem." "It all seemed to her like a mad caricature". Arline and her brother from Chicago take Emma Lou to her first cabaret one night, where he makes her a drink from his hip flask. Emma Lou, entranced by the dancing, gets to be part of it when a man from another table, Alva, invites her. When the lights go up, he returns her to sit with Arline and her brother. The next morning, Alva and his roommate Braxton discuss the previous evening, agreeing that Alva did Emma Lou a favor in dancing with her.
Intrigued by the cabaret, Emma Lou talks to the stage director about being in the dance chorus. He tells her plainly the girls are chosen in part for appearance and that they all have lighter skin than she does. She decides to look for a new place to live, hoping to meet "the right sort of people".
One evening she goes to a casino, where she recognizes Alva. When she approaches him and asks if he remembers her, he politely acts like he does; he talks to her, dances with her, and even gives her his phone number. She calls him a couple of times before they make plans. Braxton is critical of Alva's seeing her, but he thinks, "She's just as good as the rest, and you know what they say, 'The Blacker the berry, the sweeter the juice.'"
After avoiding taking Emma Lou to parties or dances, not wanting his friends to meet her (preferring to be seen with light-skinned Geraldine), Alva finally takes her to a "rent party". Used to manipulating young women for money, Alva liked Geraldine for herself. Emma Lou was very excited about the party, and worried that she would encounter more discrimination. Once there, they happened on to a conversation revolving around race: the differences between being a mulatto and a Negro, and individuals who are prejudiced or "color struck."
At the rent party, Emma had consumed more alcohol than usual, and the next morning her landlady demands that she find somewhere else to stay. As the woman speaks, Emma Lou remembers a little more about Alva bringing her home after the party and realizes that the woman might be right that her behavior hadn't met the boardinghouse's respectable standards. Emma Lou thought more about Alva, who seemed kinder than others in her life, but she was aware of his manipulation.
Alva has his own trouble with Braxton: he has no job and pays no rent. When Braxton finally moves out, Alva doesn't want Emma Lou to move in. One night the couple goes to a theatre, but Emma Lou doesn't have a good time: "You’re always taking me some place, or placing me in some position where I’ll be insulted." She means insulted because of her dark skin, and Alva replies that she is "a trifle too color-conscious". Later, Emma Lou "wondered if Alva had been right", but then she decided that the color discrimination she had faced was real. One night, after this argument with Emma Lou, Alva returns to his room to find Geraldine sleeping in his bed; when she wakens, she announces that she's pregnant by him.
Two years later, Emma Lou works as a personal maid/companion to Clere Sloane, a retired actress married to Campbell Kitchen, a white writer very interested in Harlem. He encouraged Emma Lou to seek more education in order to achieve economic independence. She has few friends and still feels very out-of-place. When she tries to see Alva after they had stopped seeing each other for a time, Geraldine answers the door and Emma Lou leaves without comment.
Geraldine and Alva's son has been born disfigured and possibly intellectually disabled, and seems to bring them endless trouble; they often wish he would die. Geraldine blames Alva—another man would have made a better baby—and her mother blames both of them for not bothering to marry before his birth (or conception). Alva has become a money-wasting alcoholic; Geraldine works hard, trying to build up an escape fund.
Having moved to the Y.W.C.A., Emma Lou has found some new friends and is studying teaching. She continues to work hard but to feel no better about her appearance, although her friend Gwendolyn Johnson tries to help her. She starts seeing Benson Brown, a light-skinned man described as a "yaller nigger." His appearance seems reason enough to see him. But when she learns that Geraldine had abandoned Alva and their son, she goes to check on them and he soon has her taking care of little Alva Jr. After 6 months, she begins teaching at a Harlem public school, wearing much dark-skin-concealing makeup but being teased for it by colleagues. She nurtures the child better than his parents ever did, but she and Alva have a rocky relationship.
As Emma Lou gains more economic independence, she discovers that it isn't everything; she's still not happy. She decides to leave Alva and his son. When she returns to the Y.W.C.A. she contacts Benson, who announces that he and Gwendolyn have decided to marry. They even invite her to the wedding.
Emma Lou realizes she has spent her life running: she ran from Boise's color prejudice; she left Los Angeles for similar reasons. But she decides never to run again. She knows there are many people like her and that she has to accept herself.
Influence.
Thurman's novel has been widely discussed. Through Emma Lou Morgan, he expressed the idea that dark skin presented more problems for a woman than a man. The young woman struggles with people's reactions to her.
In 2004 Daniel Scott III published an article noting that Thurman was interested in Harlem in the 1920s as a place for personal transformation. He was aware that people were attracted there from all over the United States and brought expectations with them. The experience of living there opened them to new possibilities, which he expressed in his first novel. People were stimulated by meeting many strangers and by opportunities afforded by clubs, cabarets, concert halls, theatres, and other venues.
The novel's line "the blacker the berry, the sweeter the juice" has been used by several rappers, such as Tupac Shakur's 1993 song "Keep Ya Head Up", Pharoahe Monch's 2007 song "Let's Go", Dave's 2020 songs "Black" and "Run and Tell That" from the musical "Hairspray", and more explicitly, Kendrick Lamar's 2015 song "The Blacker the Berry".
References.
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