Epic poem by James Merrill
The Changing Light at Sandover is a 560-page epic poem by James Merrill (1926–1995). Sometimes described as a postmodern apocalyptic epic, the poem was published in three volumes from 1976 to 1980, and as one volume "with a new coda" by Atheneum (Charles Scribner's Sons) in 1982 ().
Merrill made a surprising detour by incorporating extensive occult messages into his work (although a poem from the 1950s, "Voices from the Other World", was the first of his works to quote such "otherworldly" voices). With his partner David Jackson, Merrill spent more than 20 years transcribing purportedly supernatural communications during séances using a ouija board.
Merrill published his first ouija board narrative cycle in 1976, with a poem for each of the letters A through Z, calling it "The Book of Ephraim". It appeared in the collection "Divine Comedies" (Atheneum), which won the Pulitzer Prize for Poetry in 1977.
At the time he believed he had exhausted the inspiration provided by the ouija board. The "spirits", he believed, thought otherwise, however, "ordering" Merrill to write and publish further installments, "" in 1978 (which won the National Book Award for Poetry)
and "Scripts for the Pageant" in 1980. The complete three-volume work, with a brief additional coda, appeared in one book titled "The Changing Light at Sandover" in 1982. "Sandover" received the National Book Critics Circle Award in 1983.
In live readings, Merrill was able to impersonate the narrating voices of (deceased) poet W. H. Auden and late friends Maya Deren and Maria Mitsotáki. He also claimed to give voice to otherworldly spirits including a first-century Jew named Ephraim, and Mirabell (a ouija board guide).
Merrill and his last partner, actor Peter Hooten, adapted the poem for a live ensemble reading at the Agassiz Theatre at Radcliffe College in 1990, a performance filmed and released as "Voices from Sandover". Acclaimed Polish actress Elżbieta Czyżewska played the role of Greek socialite Maria Mitsotáki.
Writer Alison Lurie, a longtime friend of Merrill and Jackson, described her feelings about the creative genesis of the poem in her memoir "Familiar Spirits" (2001).
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