The Astoria Theatre was a former cinema in Brighton, part of the English coastal city of Brighton and Hove. Built in 1933 in the Art Deco style for a local entertainment magnate who opened one of Brighton's first cinemas many years earlier, it was the first and most important expansion of the Astoria brand outside London. It initially struggled against the town's other "super-cinemas", but enjoyed a period of success in the 1950s and 1960s before rapid decline set in, culminating in its closure in 1977.
About 20 years of use as a bingo hall followed, but the building—whose clean lines gave "a sense of spacious grandeur" in a prominent city-centre site—stood empty from 2007 onward and passed through several owners. Permission was granted in 2012 for its demolition and replacement with an energy-efficient business centre designed by Conran and Partners, but several alternative plans were submitted subsequently and the building still stood until April 2018, when demolition work started. English Heritage listed the building at Grade II in 2000 for its architectural and historical importance.
History.
1933–1977: Cinema.
Brighton and neighbouring Hove hold an important place in the early history of British cinema. Pioneering cinematographers who lived and worked in the area in the late 19th and early 20th centuries included William Friese-Greene, George Albert Smith (who founded one of the world's first film studios at St Ann's Well Gardens in Hove) and Esmé Collings. Public performances of films were given at Hove Town Hall from 1895 and at a hall in Brighton from the following year. By 1910, two purpose-built cinemas existed; one, the Duke of York's Picture House, is still in use and is the oldest operational cinema in England. During the 1920s and 1930s, larger and larger cinemas were built as demand increased; an early "super cinema" was the Regent Cinema (1921), and the 2,500-seat Savoy followed in 1930.
The Astoria chain was well established in London by the early 1930s. Cinemas and theatres of that name were built in Brixton (now the Brixton Academy), Finsbury Park, Charing Cross Road, Old Kent Road and Streatham. All were designed by Edward Albert Stone. The brand was soon extended to seaside resorts across southeast England at the initiative of a group of businessmen led by E.E. Lyons. ("Teddy" Lyons had opened one of Brighton's earliest cinemas, the Academy, in 1911 and was well known in the town's entertainment scene.) The group, which also included "Sussex Daily News" proprietor J.H. Infield (who served as chairman of the Academy Cinema until 1926), had identified a site in 1932 when they planned to open a cinema under the Plaza brand. This did not happen, but in 1933 the consortium commissioned Edward Stone to build a "super cinema" under the Astoria name there. The site was on Gloucester Place, north of Old Steine, and a number of houses from the Georgian and Victorian eras were knocked down to make way. Work began on 17 July 1933 on the 1,823-seat building, which was designed as a combined theatre and cinema with a full stage and dressing rooms. Thursday 21 December 1933 was the opening night; Cooper Rawson mp and Margaret Hardy, respectively Brighton's Member of Parliament and Mayor, made the inaugural speeches. These were followed by a Movietone News newsreel, features by Pathé and Disney ("Santa's Workshop") and the main film—"The Private Life of Henry VIII" starring Charles Laughton.
Lyons died in August 1934, having overseen the openings of new Astorias at Cliftonville and Purley and an ultimately abortive scheme in Worthing, another seaside resort near Brighton. In February 1935 the Brighton Astoria passed from independent ownership into the portfolio of ABC Cinemas, who had operated the Savoy in East Street since 1930. Initially it was one of Brighton's three main cinemas: along with the Savoy and the Regent, it had access to the best films. In 1937, though, the Odeon opened on West Street and took the Astoria's place among the elite; thereafter it was relegated to "B-circuit" status in ABC's portfolio, meaning it missed out on the most attractive films and could only book those which were not popular enough for the "A-circuit". It began to struggle: by 1939, schemes such as large price cuts and appearances by film stars were used to try to boost attendances. In August of that year, for example, Gene Autry was brought down to Brighton on a train and made a personal appearance, and Tod Slaughter visited for every showing of "The Face at the Window", in which he starred. The following year, though, it secured the rights to "Gone with the Wind", "the most eagerly awaited film in a decade", and was able to charge higher prices. Because of conditions imposed by the film's distributor, the Astoria was one of the few cinemas outside London to show it on its first run.
Cinemas in Brighton and elsewhere faced various difficulties in the 1950s. Television became popular, many cinema managers faced pay cuts, greater restrictions were placed on children visiting cinemas, and government regulations forced cinema buildings to be adapted to incorporate separate film-rewinding rooms if they wanted to show films recorded on older nitrocellulose film stock, which was flammable. Specific local problems included a smallpox epidemic which forced public buildings to close for several months, and the opening in 1953 of a popular "public television theatre" near the West Pier, which opened daily and showed television broadcasts on a large screen. Many cinemas in Brighton were forced to close. The Astoria initially carved out a niche by becoming the local centre for 3D films during the "golden era" of that technology. A special screen was fitted, and films such as "House of Wax", "Sangaree", "The Maze" and "Kiss Me Kate" had successful runs. Then in 1958 a major renovation took place with the aim of establishing the cinema as "a roadshow house for [showing] extended runs outside London's West End". The little used theatre facility was removed completely and the building became a dedicated cinema. A new, larger screen was erected in front of the proscenium, the Compton organ was taken out, the balconies were altered and some space was used to house a new projector, and the auditorium was hidden behind curtains. The changes, which cost £20,000 (£ as of ) and reduced the capacity to 1,200, were completed during the summer, and on 2 August 1958 the Astoria reopened with a five-month run of "South Pacific". No film had ever had such a long run in Brighton, and the cinema had further success with "Gigi" (1959), "The Nun's Story" (1959–60), "Ben-Hur" (1961) and "Lawrence of Arabia" (1962). Also, for several years until 1962, no other cinema in Sussex was able to show films recorded on 70 mm stock, so the Astoria dominated this market locally.
The 1960s was "the Astoria's finest decade". The succession of long runs of popular films continued with an eight-month showing of "The Sound of Music" (1965), an 11-month run of "Doctor Zhivago" (this opened on 23 June 1966, making it the first cinema outside London's West End to show the film) and a very early screening of "" (1968). During this period the Astoria was the main rival to the Regent in terms of prestige and popularity. Decline quickly set in during the 1970s, though. ABC focused its attention on the larger Savoy, which it rebranded with the ABC name in 1961. It received all the best films at the expense of the Astoria, and also supported longer runs. Nevertheless, its 2,500 capacity was excessive at a time when audiences were falling rapidly, and in 1975 it was closed for a year to be converted into four separate cinemas. During this time, the Astoria briefly regained its position of importance, and ABC's "A-circuit" films were shown. Another innovation was the use of Sensurround for the three-month screening of "Earthquake" in summer 1975. When the former Savoy reopened in 1976, though, the Astoria "was relegated to a small afterthought in joint press advertising". The last film, "A Star is Born", ran from 31 March to 7 May 1977.
1977–2007: Bingo, closure and dereliction.
Entertainment company EMI bought the Astoria in 1976 and were granted a bingo licence. They carried out extensive works at a cost of £150,000 (£ as of )) to convert the building into a 1,000-capacity bingo hall: the stepped interior was flattened, the screen and projection equipment were removed and new furniture was put in. Less than two months after it closed as a cinema, the Astoria reopened in its new guise. By the 1980s it operated under the Coral Bingo brand, which changed to Gala Bingo in the 1990s. In 1997, Gala Coral Group built a new bingo hall at Eastern Road in the Kemptown area of Brighton, and the Astoria closed again.
In 1998, Bass Leisure Group submitted a plan to convert the building into a horror-themed nightclub; although planning permission was granted, the proposal foundered because a drinks licence was refused. Three years later, three members of Stomp, a Brighton-based percussion group, bought the Astoria for £1.1 million. They planned to spend up to £6 million renovating it and turning it into a concert and cabaret venue, but no work was carried out. Local businessman Mike Holland then bought the building for £2.2m in 2007. He owned several heritage buildings in the city, such as the Grade II*-listed British Engineerium in Hove—an 1860s water pumping station which had been turned into an industrial museum but which was threatened with demolition until he bought it for £1.25m in 2006 and restored it. The Astoria remained disused since he purchased it; it was put back on sale in March 2008 and remained empty thereafter. As part of a council-sponsored scheme to improve the visual appeal of empty buildings in the city, a local artist was commissioned in June 2010 to paint Art Deco-style murals on the Astoria's façade. Sussex landmarks such as Embassy Court, Shoreham Airport and the Seven Sisters cliffs, as well as the Astoria itself, were painted on the walls in a "1930s poster" style.
The building was listed at Grade II by English Heritage on 22 November 2000. This defined it as a "nationally important" building of "special interest". As of February 2001[ [update]], it was one of 1,124 Grade II-listed buildings and structures, and 1,218 listed buildings of all grades, in the city of Brighton and Hove.
Demolition and planned redevelopment.
An initial threat to demolish the Astoria and redevelop the site for housing was averted when the building was listed in 2000, prior to its purchase by members of Stomp. New proposals to demolish the building first came to light in August 2010, when developers Conran and Partners (acting as agents for Holland) organised a meeting with Brighton and Hove City Council to discuss a planning application they intended to submit. They proposed to replace the Astoria with a six-storey business centre. The planning application was lodged in December 2010. To justify the demolition of the Grade II-listed building (a status defined by English Heritage as having "national importance" and "special interest"), H3O Media Ltd—the company who would occupy and run the business centre—commissioned a surveyor to prepare a heritage report. This stated that the granting of listed status by English Heritage was "questionable" because the building was not unique to the area, and noted that many 1930s features had deteriorated or been removed—especially since 2000, when Grade II status was granted. Holland stated that the building had "had its day" and had declined to an irreparable state.
Although a decision on the planning application was originally expected in March 2011, it was not until September that year that the city council's planning committee authorised the Astoria's demolition. Furthermore, approval had to be given by Eric Pickles mp: as the Government's Communities Secretary, he made the final decision on all requests to demolish listed buildings. He gave consent in January 2012. The report considered by the council committee stated that at least £3.5 million would have to be spent on refurbishment, no suitable plans or schemes had been submitted by any person or organisation, and the building was "genuinely redundant".
The proposed development was described as a business centre and "media hub" with offices, community meeting facilities, a café, roof terrace and gardens. The developers stated that it would support about 170 jobs, encourage