1962 film
Samson and the Slave Queen () is a 1963 Italian "peplum" directed by Umberto Lenzi. It was originally made as a Maciste film in Italy, in which the fabled strongman meets Zorro. It was redubbed into a "Samson" movie for distribution in the U.S. and "Samson" meets "El Toro" (instead of "El Zorro".)
Plot.
The king of Nogara dies, leaving behind a will naming one of his nieces as his successor. Will it be blonde and virtuous Isabella or evil, dark-haired Malva? Each woman relies on a hero to locate the will. Malva hires the bare-chested strongman Samson while Isabella relies on the masked El Toro (a.k.a. Zorro) even though her heart belongs to the mild-mannered poet, Ramon. Malva's ruthless desire for the throne soon alienates Samson and he and El Toro then team up to bring about a proper resolution to the Nogara succession. Meanwhile, Isabella learns El Toto's true identity, an identity which both surprises and pleases her.
Release.
"Zorro contro Maciste" was released in Italy on 23 August 1963. It was released in the United States as "Samson and the Slave Queen" as a double feature with "Goliath and the Sins of Babylon" on December 13, 1963. It opened in New York on 4 March 1964.
The Italian version's music is composed by Angelo Francesco Lavagnino while the American version of the film has a score by Les Baxter.
Reception.
From contemporary reviews, Howard Thompson of "The New York Times" reviewed the film under the title of "Samson and the Slave Queen", describing the film as an "old-fashioned, prettily colored and costumed and pleasingly mounted dud". Thompson noted that there was no slave queen promised by the American title of the film. "Robe." of "Variety" declared the film to have "enough vim and vigor, thanks to a spirited performance by Pierre Brice as Zorro, to please the less-demanding beefcake-and-biceps aficionados." The rest of the review found that Lenzi focused on keeping the cast moving with emphasis on the fighting, and that the rest of the cast outside Brice was "only adequate".
References.
Footnotes.
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