Fictional schoolboy created by Frank Richards
William George Bunter is a fictional schoolboy created by Charles Hamilton using the pen name Frank Richards. He features in stories set at Greyfriars School, a fictional English public school in Kent, originally published in the boys' weekly story paper "The Magnet" from 1908 to 1940. The character has appeared in novels, on television, in stage plays and in comic strips.
He is in the Lower Fourth form of Greyfriars School, known as the Remove, whose members are 14–15 years of age. Time is frozen in the Greyfriars stories; although the reader sees the passing of the seasons, the characters' ages do not change and they remain in the same year groups. Originally a minor character, Bunter's role was expanded over the years with his antics being heavily used in the stories for comic relief and to advance the plots.
Bunter's defining characteristics are his naive greed, self-indulgence, and overweight appearance. He is in many respects an obnoxious anti-hero. Besides his gluttony, he is obtuse, lazy, racist, nosy, deceitful, pompous, and conceited, but he is blissfully unaware of his defects. In his own mind, he is a handsome, talented, and naturally aristocratic young man surrounded by uncouth "beasts". His vices are offset by several redeeming features, including a sporadic but genuine courage in aid of others; his ability to be generous during his rare occasions of prosperity; and above all his very real love and concern for his mother. All these, along with Bunter's irrepressible optimism, and his comically transparent untruthfulness and inept attempts to conceal his antics from his schoolmasters and schoolfellows, combine to make the character highly entertaining, though hardly sympathetic.
Origins.
Charles Hamilton invented the character for an unpublished story in the late 1890s. He claimed Bunter was derived from three persons: a corpulent editor, a short-sighted relative, and another relative who was perpetually trying to raise a loan.
The identity of the fat editor is unclear: various sources suggest either Lewis Ross Higgins, editor of a number of comic papers and who is described as resembling the author G. K. Chesterton; or Percy Griffith, the original editor of "The Magnet". The short-sighted relative was Hamilton's younger sister Una, who had suffered poor sight since childhood, and who had been wont to "peer at him somewhat like an Owl"; while the other relative was his older brother Alex, who was described as "generally anxious to borrow a pound or two" on the strength of the anticipated arrival of a cheque that never materialised.
"Magnet" stories.
Billy Bunter featured in 1,670 of the 1,683 issues of "The Magnet" published during the 32-year period from 1908 to 1940. He was introduced in Magnet No. 1 "The Making of Harry Wharton" (1908) as a minor character, but developed into one of the principal characters of the stories as author Charles Hamilton realised his comic potential.
George Orwell described him as "a real creation. His tight trousers against which boots and canes are constantly thudding, his astuteness in search of food, his postal order which never turns up, have made him famous wherever the Union Jack waves." 
In addition to stories set at Greyfriars School, he featured in many travel series, with trips to China, India, Egypt, Brazil, Hollywood and the South Seas.
Appearance.
In his first appearance, Billy Bunter was introduced thus:
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Bunter's big round spectacles and rolling gait earned him the nickname the "Owl of the Remove".
In the early stories, both Bunter and classmate Johnny Bull were described as "stout" in appearance; and it was Magnet illustrator C. H. Chapman who first put Bunter into checked-pattern trousers to distinguish the two characters. With the passage of time, the illustrations showed Bunter's circumference ever more pronounced, while Johnny Bull became indistinguishable from the other schoolboys.
A list of the members of the Remove (Lower Fourth) form was published in Magnet No. 1659 "Billy Bunter's Bargain" (1939), and provided the boys' ages, heights, and weights. Billy Bunter's age is given as 15 years 1 month; his height as ; and his weight as .
Character.
On many levels, Bunter is deeply unattractive, amply displaying most of the seven deadly sins: pride, wrath, envy, sloth and, most especially, greed and gluttony (though sexual lust is absent in the innocent world of the stories). Bunter is also nosy, deceitful and obtuse. However these traits are softened by his cheery optimism, his comically transparent untruthfulness and his reliable ineptitude when attempting to conceal his antics from his schoolfellows and schoolmasters.
From the very first "Magnet" story, Bunter suffers an ongoing shortage of cash and is forever attempting to borrow money from his schoolfellows, explaining that he is imminently expecting a postal money order from one of his "titled relations". Over the course of stories spanning several decades, Bunter's celebrated postal order almost never materialises; and the subject becomes a long-running cause of railery in the Greyfriars Remove. Even so, Bunter is a skilful and persistent sponger and succeeds in extracting countless loans from his schoolfellows. Wealthier schoolboys such as Lord Mauleverer frequently part with a few shillings to be rid of Bunter; but even the notoriously tight-fisted American junior Fisher T. Fish is once persuaded to loan him cash.
Bunter's morals are peculiarly his own. He has every intention of repaying his debts, but they end up lingering for months or years. He is obsessed with food – the sweeter and stickier, the better – and is compulsively helps himself to his schoolfellows' sweets, cakes and hampers, for which he earns countless kickings. But despite his complete lack of scruples in such matters, Bunter is otherwise as honest as any other Greyfriars schoolboy. He would never dream of stealing money or valuables.
In the early stories, Bunter was associated with his stammering stock phrase: "I'm s-sincerely sorry". As his character developed, the stammer disappeared, and his stock phrases became his greeting "I say, you fellows!", the reproachful "Oh really, Wharton!" (or whichever character he is addressing), the anguished exclamation "Yaroooh!" and the distinctive giggle "He, he, he!"
Although Bunter has a keen sense of his own importance, this is rarely shared by anyone else. A notable exception occurs in a 1932 story, during an election for a new Remove Form Captain. The support of the form divides equally between two candidates, leaving Bunter with the casting vote, which is keenly solicited by both camps. Bunter becomes the centre of attention, which he exploits to the full. His view of the two candidates illustrates his priorities:
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In the classroom, Bunter's erudition is slight to non-existent. His extreme laziness and ineptitude is the despair of his Form master, Mr Quelch.
Bunter's personal habits are lazy and slovenly. He is always the last to rise in the morning and always chooses to remain in bed a few extra minutes instead of washing. His handkerchief is permanently filthy, and his waistcoat usually displays remains of his breakfast.
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Bunter was blinking now behind his big spectacles, and his spectacles were damp as he blinked.
In Bunter's fat circumference, under his many layers of fat, there was a heart, and in Bunter's heart at the present moment there was a horrible quake. His mother was ill! Bunter, for once, was thinking of someone other than himself. He was thinking of his mother. The mater was ill, and she wanted him! The poor old mater!
"Oh!" gasped Bunter. "Oh!"
"The Magnet" (1931)
A running theme at the beginning of each holiday season is Bunter's persistent attempts to avoid going home and instead to gatecrash the holidays of his schoolfellows, and their generally unsuccessful attempts to avoid Bunter's company.
He has two talents: for cooking, and an uncanny ability to imitate voices (usually called ventriloquism in the stories). This talent was developed in the early Magnet stories, commencing with Magnet No. 32 "The Greyfriars Ventriloquist" (1908). In a series of stories in which Bunter unsuccessfully attempts, in turn, a physical exercise regime, hypnotism, and mind reading, a visiting ventriloquism show inspires him to believe himself a born ventriloquist. "More like a born idiot", comments Bob Cherry – but Bunter perseveres and eventually masters the art. It is a talent unappreciated by his schoolfellows, since he generally uses it for mischief, or to get himself out of trouble.
Among Bunter's few virtues is an occasional tendency to display courage for the sake of others, despite his extreme terror on such occasions. This characteristic was first seen in Magnet No. 364 "Surprising the School" (1915) when he saved his schoolmaster's niece, Cora Quelch, from an angry bull, and was afterwards repeated many times. Unfortunately, Bunter's vanity frequently leads him to spoil matters by boasting and exaggerating afterwards. Oddly enough, he also displays generosity on the rare occasions when he is in possession of food or cash.
Billy Bunter's main redeeming feature is his very genuine love and concern for his mother. This is seen in several stories, usually involving his mother falling ill, which draws out Bunter's unselfish side ("Magnet" Nos. 1016, 1206 and 1532).
Bunter as a plot driver.
For the first fifteen years of the "Magnet" stories, Bunter was one of the crowd. From the mid-1920s, as Hamilton increasingly developed Bunter's comic potential, he also began to use his antics to initiate and drive forward the plots.
Conspiratorial conversations or gossip would be overheard by Bunter through a keyhole, or from under the seat in a rail compartment while hiding from the ticket inspector, or under a table hiding from some outraged fellow whose food he had purloined. He would invariably gossip about such knowledge. Letters would be purloined by Bunter and not reach the intended recipient. Bunter's ventriloquism skills would provoke conflicts between other characters. Whilst he was usually not the main protagonist, his influence as a comic interlude and a plot driver was felt at every turn.
In "The Secret Seven" series of 1934, the entire plotline is initiated by Bunter's stupidity, which causes a road accident that sends a number of leading characters to the hospital.
Bunter as a principal character.
During "The Magnet" era, Billy Bunter is not yet the permanent principal character he would become in the post-war era. Each principal character would take a leading role in turn. Stronger characters such as Remove Captain Harry Wharton, the hard and rebellious Herbert Vernon-Smith, and Fifth form duffer Horace Coker are frequently given leading roles in their own series; and even lesser characters such as American junior Fisher T. Fish and aspiring actor William Wibley would occasionally be brought to the fore in their own series.
Eventually, Bunter took his turn with the rest, in a number of stories that placed him as the lead protagonist. Some notable examples include:
In 1929, the editors of "The Magnet" persuaded Charles Hamilton to drop the character of Billy Bunter altogether for several editions and attempt a storyline in the style of an action thriller, resulting in the "Ravenspur Grange" series ("Magnet" Nos. 1122 to 1125). This provoked a strong outcry from "Magnet" readers dismayed at Bunter's disappearance, and Billy Bunter would never be absent from the stories again.
Racism and chauvinism.
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Being a freeborn republican and democrat, and a firm believer in liberty, equality, and fraternity, Fishy might have been expected to extend the hand of friendship to the black man from Africa.
But Fishy didn't. The rights of man, as Fishy often told the other fellows, were embodied in the American "Constitootion." But the rights of man, it appeared, were limited to the smaller section of mankind whose skins were white. The majority of the human race, being coloured, were altogether excluded from the rights of man, and, indeed, from all rights whatsoever, according to the democratic beliefs of Fisher T. Fish.
The news that a black man was actually sheltered under the ancient roof of Greyfriars moved Fishy to burning indignation.
"The Magnet" No.774 (1922)
Charles Hamilton's writings displayed a pronounced prejudice against Americans. His American characters were either comical or had unsavoury tendencies such as racism or usury. A notable example is Billy Bunter's fellow form member Fisher T. Fish, the son of a New York businessman, whose moneylending frequently brings him into conflict with the school authorities and who, on occasion, displays racist behaviour.
In comparison with contemporary literature, the Greyfriars stories are unusually firm in rejecting racism. Hamilton uses