1947 play by Tennessee Williams
A Streetcar Named Desire is a play written by Tennessee Williams and first performed on Broadway on December 3, 1947. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister Stella and brother-in-law Stanley.
"A Streetcar Named Desire" is one of the most critically acclaimed plays of the 20th century and Williams's most popular work. It still ranks among his most performed plays, and has inspired many adaptations in other forms, notably a critically acclaimed film that was released in 1951.
Name.
Blanche is mentioned in the play as arriving at Stella's apartment by riding in a streetcar on the Desire streetcar line. Tennessee Williams was living in an apartment on Toulouse Street in New Orleans’ French Quarter when he wrote "A Streetcar Named Desire". The old Desire streetcar line ran only a half-block away.
In the 1951 film Blanche is shown riding the car. In the interim between writing the play and shooting the film, though, the line was converted into a bus service (1948), and the production team had to seek permission from the authorities to hire out a streetcar with the "Desire" name on it.
Plot.
After the loss of her family home to creditors, Blanche DuBois travels from Laurel, Mississippi, to the New Orleans French Quarter to live with her younger married sister, Stella, and Stella's husband, Stanley Kowalski. She is in her thirties and, with no money, has nowhere else to go.
Blanche tells Stella that she has taken a leave of absence from her English-teaching position because of her nerves (which is later revealed to be a lie). Blanche laments the shabbiness of her sister's two-room flat. She finds Stanley loud and rough, eventually referring to him as "common." Stanley, in return, is suspicious of Blanche, does not care for her manners and resents her presence which is already interfering with his regimented but hedonistic lifestyle.
From the first scene, Blanche is nervous and jittery. She is reluctant to be seen in the glare of light and seems to have a drinking problem. She is also deceptive and is critical of her sister and brother-in-law.
Stanley later questions Blanche about her earlier marriage. Blanche had married when she was very young, but her husband died by suicide. This memory causes her obvious distress. The reader later learns she suffers from guilt due to the way she had reacted to finding out her husband's homosexuality and his fatal reaction. Stanley, worried that he has been cheated out of an inheritance, demands to know what happened to Belle Reve, once a large plantation and the DuBois family home. He tells Stella about the Napoleonic Code, stating that with it a husband had control over his wife's financial affairs. Blanche hands over all the documents pertaining to Belle Reve. While looking at the papers, Stanley notices a bundle of letters that Blanche emotionally proclaims are personal love letters from her dead husband. For a moment, Stanley seems caught off guard over her proclaimed feelings. Afterwards, he informs Blanche that Stella is going to have a baby.
The night after Blanche's arrival, during one of Stanley's poker games, Blanche meets Mitch, one of Stanley's poker player buddies. His courteous manner sets him apart from the other men. Their chat becomes flirtatious and friendly, and Blanche easily charms him; they like each other. Suddenly becoming upset over multiple interruptions, Stanley explodes in a drunken rage and strikes Stella. Blanche and Stella take refuge with the upstairs neighbor, Eunice Hubbell. When Stanley recovers, he cries out from the courtyard below for Stella to come back by repeatedly calling her name until she comes down and allows herself to be carried off to bed. Blanche is shocked to see that her sister has returned to her husband right after he assaulted her. After Stella returns to Stanley, Blanche and Mitch sit at the bottom of the steps in the courtyard, where Mitch apologizes for Stanley's coarse behavior.
The next morning, Blanche rushes to Stella and describes Stanley as subhuman, though Stella assures Blanche that she and Stanley are fine. Stanley overhears the conversation but keeps silent. When Stanley comes in, Stella hugs and kisses him, letting Blanche know that her low opinion of Stanley does not matter.
As the weeks pass, the friction between Blanche and Stanley continues to grow. Blanche has hope in Mitch, and tells Stella that she wants to go away with him and not be anyone's problem. During a meeting between the two, Blanche confesses to Mitch that once she was married to a young man, Allan Grey, whom she later discovered in a sexual encounter with an older man. Grey later killed himself when Blanche told him she was disgusted with him. The story touches Mitch, who tells Blanche that they need each other. Mitch also has lost someone and seems to have empathy with Blanche's situation.
Later, Stanley repeats gossip to Stella from a seedy salesman with contacts in Laurel that Blanche was fired from her teaching job for involvement with an under-age student and that she lived at a hotel known for prostitution. Stella erupts in anger over Stanley's cruelty after he reveals he has already told Mitch. Later that evening, at Blanche's birthday party, there is an empty seat at the table for Mitch. Stanley gives Blanche a birthday "present", a one-way ticket back to Laurel by Greyhound bus. An argument ensues between Stella and Stanley, but is cut short as Stella goes into unexpected labor and is taken by her husband to the hospital.
As Blanche waits at home alone, Mitch arrives and confronts Blanche with the stories that Stanley has told him. She eventually confesses that the stories are true. She pleads for forgiveness. An angry and humiliated Mitch rejects her. Nevertheless, he demands sex from her, suggesting that it is his right since he has waited for so long for nothing. Blanche threatens to cry fire and tells him to get out.
Stanley returns home to find Blanche alone in the apartment. She has descended into another fantasy about an old suitor coming to provide financial support and take her away from New Orleans. She falsely claims that Mitch had asked for her forgiveness, but she had rejected him. Stanley goes along with the act before angrily scorning Blanche's lies, hypocrisy and behavior, and calling out her lie about Mitch. He advances toward her; in response, she threatens to attack him with a broken bottle, but is overpowered. Blanche collapses on the floor and Stanley is last seen taking her unconscious into his bed.
Some time in the near future, during a poker game at the Kowalski apartment, Stella and Eunice are seen packing Blanche's meager belongings while Blanche takes a bath in a catatonic state, having suffered a mental breakdown. Although Blanche has told Stella about Stanley raping her (which he denies), Stella cannot bring herself to believe her sister's story. When a doctor and a matron arrive to take Blanche to the hospital, she initially resists them and the nurse painfully restrains her. Mitch, present at the poker game, breaks down in tears. The doctor is far more gentle and she goes willingly with him, saying, "Whoever you are – I have always depended on the kindness of strangers." The poker game continues, uninterrupted.
Stage productions.
Original Broadway production.
The original Broadway production was produced by Irene Mayer Selznick and directed by Elia Kazan. It opened at the Shubert Theatre in New Haven, Connecticut in early November 1947, then played the Walnut Street Theatre in Philadelphia before moving to the Ethel Barrymore Theatre on December 3, 1947. Selznick originally wanted to cast Margaret Sullavan and John Garfield, but settled on the less well-known Jessica Tandy and a virtual unknown at the time, Marlon Brando. The opening night cast also included Kim Hunter as Stella and Karl Malden as Mitch. Tandy was cast after Williams saw her performance in a West Coast production of his one-act play "Portrait of a Madonna". Williams believed that casting Brando, who was young for the part as it was originally conceived, would evolve Kowalski from being a vicious older man to someone whose unintentional cruelty can be attributed to youthful ignorance. Despite its shocking scenes and gritty dialogue, the audience applauded the debut performance. Brooks Atkinson, reviewing the opening in "The New York Times", described Tandy's "superb performance" as "almost incredibly true", concluding that Williams "has spun a poignant and luminous story".
Later in the run, Uta Hagen succeeded Tandy, Carmelita Pope succeeded Hunter, and Anthony Quinn succeeded Brando. Hagen and Quinn took the show on a national tour directed by Harold Clurman, and then returned to Broadway for additional performances. Ralph Meeker also took on the part of Stanley both in the Broadway and touring companies. Tandy received a Tony Award for Best Actress in a Play in 1948, sharing the honor with Judith Anderson and Katharine Cornell. The original Broadway production closed, after 855 performances, in 1949.
Other early productions.
The first adaptation of "Streetcar" in Greece was performed in 1948 by Koun's Art Theater, two years before its film adaptation and one year before its London premiere, directed by Karolos Koun starring Melina Mercouri as Blanche and Vasilis Diamantopoulos as Stanley, with original music by Manos Hadjidakis.
The London production, directed by Laurence Olivier, opened at the Aldwych Theatre on October 12, 1949. It starred Bonar Colleano as Stanley, Vivien Leigh as Blanche, Renée Asherson as Stella and Bernard Braden as Mitch.
An Australian production with Viola Keats as Blanche and Arthur Franz as Stanley opened at the Comedy Theatre in Melbourne in February 1950.
Revivals.
The first all-black production of "Streetcar" was likely performed by the Summer Theatre Company at Lincoln University in Jefferson City, Missouri, in August 1953 and directed by one of Williams's former classmates at Iowa, Thomas D. Pawley, as noted in the "Streetcar" edition of the "Plays in Production" series published by Cambridge University Press. The black and cross-gendered productions of "Streetcar" since the mid-1950s are too numerous to list here.
Tallulah Bankhead, for whom Williams originally had written the role of Blanche, starred in a 1956 New York City Center Company production directed by Herbert Machiz.
In 1972, American composer Frances Ziffer set "A Streetcar Named Desire" to music.
The first Broadway revival of the play was in 1973. It was produced by the Lincoln Center, at the Vivian Beaumont Theater, and starred Rosemary Harris as Blanche, James Farentino as Stanley and Patricia Conolly as Stella.
in 1976, Rip Torn enlisted director Jack Gelber to helm a revival at the once celebrated Academy Festival Theatre in Lake Forest, Illinois starring himself as Stanley and his wife Geraldine Page as Blanche. The production was threateningly realistic, projecting a
brightly lit, garbage-filled stage reflecting a hostile, predatory world and immersing the audience in a total
theatre experience. Gelber's Streetcar was troubling for the critics because it was raw, even
dangerous. It pushed the Streetcar script to the farthest reaches of
urban violence and unabated naturalism. One review said "This is not the Blanche of butterfly wings. This is gossamer with guts." Page's performance was described as displaying little of Leigh's hysteria or Tandy's forlorn helplessness.
The spring 1988 revival at the Circle in the Square Theatre starred Aidan Quinn opposite Blythe Danner as Blanche and Frances McDormand as Stella.
A highly publicized and acclaimed revival in 1992 starred Alec Baldwin as Stanley and Jessica Lange as Blanche. It was staged at the Ethel Barrymore Theatre, where the original production was staged. This production proved so successful that it was filmed for television. It featured Timothy Carhart as Mitch and Amy Madigan as Stella, as well as future "Sopranos" stars James Gandolfini and Aida Turturro. Gandolfini was Carhart's understudy.
In 1997, Le Petit Theatre du Vieux Carré in New Orleans mounted a 50th Anniversary production, with music by the Marsalis family, starring Michael Arata and Shelly Poncy. In 2009, the Walnut Street Theatre in Philadelphia, where the original pre-Broadway tryout was held, staged a production of the play.
In 1997, at Steppenwolf Theatre, Chicago IL, Gary Sinise as Stanley, John C Reilly as Mitch, Kathryn Erbe as Stella, and Laila Robins as Blanche.
Glenn Close starred in Trevor Nunn's 2002 production for the National Theatre at the Lyttleton Theatre, London.
The 2005 Broadway