American architect
Richard Howland Hunt (March 14, 1862 – July 12, 1931) was an American architect and member of the Hunt family of Vermont who worked with his brother Joseph Howland Hunt in New York City at Hunt &amp; Hunt.
The brothers were sons of Richard Morris Hunt, the first American Beaux-Arts architect. Richard practiced in his father's office until the elder Hunt died in 1895, then continued to carry out his father's designs for the central block of the Metropolitan Museum of Art, not without initial resistance by the museum's trustees. In 1901, the brothers formed a partnership that lasted until Joseph's death in 1924.
Early life.
Hunt was born on March 14, 1862, in Paris, where his father, Richard Morris Hunt (1827–1895), was completing his architectural studies. His mother, Catherine Clinton Howland (1841–1880), was the youngest daughter of the prominent merchant Samuel Shaw Howland of Howland &amp; Aspinwall. His siblings were Catharine Howland Hunt (wife of Rear Adm. Livingston Hunt, son of William H. Hunt), fellow architect Joseph Howland Hunt, Esther Morris Hunt (wife of George Muirson Woolsey), and oilman Herbert Leavitt Hunt (who married Evelyn Frances Bell).
Hunt studied architecture at the Massachusetts Institute of Technology and the École des Beaux-Arts, Paris, where his father had studied. His younger brother Joseph studied at Harvard College and the School of Architecture at Columbia University before following his brother to the École des Beaux-Arts, returning to New York in 1901.
Career.
In 1887, Richard Hunt joined his father's offices, first as a draftsman and later an associate. After his father's death, he attracted wealthy clients and built residences such as the Margaret Shepard house at 5 East 66th Street in 1900 (today home to the Lotos Club).
Urban residences by Hunt &amp; Hunt include the two Beaux-Arts houses designed for George W. Vanderbilt at 645 and 647 Fifth Avenue, known as The "Marble Twins". Only No. 647, a designated New York City Landmark, survives today.
The brothers were primarily known for their elegant residences in Long Island, Tuxedo Park, New York, and Newport, Rhode Island. Their armory building for the 69th Regiment, New York, was the first armory to abandon pseudo-medieval crenellations.
Collaborations with sculptors.
As did many of the architects of the time, Hunt &amp; Hunt designed bases and pedestals for sculptors. These include:
References.
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Bibliography