Masking Threshold is a 2021 English-language Austrian horror film directed by Johannes Grenzfurthner, and produced by art group monochrom.
Horror and sound play an essential role in the film. Grenzfurthner says that "Masking Threshold" forms a trilogy with "Razzennest" and his upcoming film "Solvent".
Plot.
A skeptic IT worker tries to cure his harrowing hearing impairment by conducting a series of experiments in his makeshift home lab.
The film combines the style of a chamber play, a scientific procedural and the aesthetic of unboxing or DIY YouTube videos, with body horror elements and techniques known from experimental film. Grenzfurthner sees the film in the tradition of "extreme cinema", but presents elements of psychological horror.
In an interview with Thomas Kaestle, Grenzfurthner talks about his motivation.
"Masking Threshold" is a film about a suffering but stubborn and willful person whose perspective of the world and whose beliefs are turned upside down, whose dogmas are turned against the world and against himself. My protagonist is queer, so you want to understand the societal pressures on him, you want to understand the trauma he's been through and the burden of his terrible illness. But there comes a point when sympathy for him turns to horror. [...] There have been a few excellent attempts to bring "Cosmicism" to the screen, but most of the time it seems cheap. The wonderful thing about weird fiction is that we can't really imagine the horror, that the transdimensional evil just isn't the tentacle monster that looks ridiculous as an FX puppet or as a rendered CGI representation. I've never wanted to show what my protagonist is actually talking about and what the danger looks like. But I did want to show what it drives him to do.
Cast.
All other cast members are but images on the protagonist's cellphone or on photographs and printouts.
Release.
"Masking Threshold" premiered at Fantastic Fest 2021 in Austin, Texas. Programming director Annick Mahnert published her decision:Once in a while as a programmer, you come across a movie that is so special and different from anything you've seen that it sticks with you. "Masking Threshold" has been haunting me since I saw it, and for a long time I wondered if you, dear Fantastic Fest audience, were ready for it. But isn't it the role of a programmer to take chances and be bold? You may want to burn me at the stake for programming "Masking Threshold", but I'll gladly hand you the gasoline and the matches to light the pyre.
Other festivals, including Molins Horror (2021), A Night of Horror (2021), Nightmares (2021), Feratum (2021), South African Horrorfest (2021), Cucalorus, Saskatoon, Slick 'n' Wrong, Shockfest, Sicilia Queer Film Fest , Film Maudit 2.0, Central Florida, Unnamed Footage in San Francisco, Offscreen in Brussels, Diagonale 2022 in Graz, Panic Fest 2022, and Fantaspoa 2002 screened the film.
Distribution.
Drafthouse Films is distributing the film in the United States. It had a limited theatrical release in October 2022, and was released digitally on 7 October 2022.
Reception.
Critical response.
Critical response has been positive. The film holds a 100% approval rating on the review aggregator website Rotten Tomatoes, with a weighted average of 8.2/10. Jen Yamato of the "Los Angeles Times" writes: "Utilizing macro photography and ASMR-esque sound design, the immersive, experimental horror Masking Threshold pulls you down a rabbit hole where Reddit theorizing meets Lovecraftian fixation, paranoia bubbling over into a disturbing sensory experience." Erik Piepenburg of "The New York Times" says: "2022 was a stellar year for experimental horror. I'm adding Johannes Grenzfurthner's brazen and deeply disturbing film to the year's best formbusters." "Horror Movies Uncut" (5/5) concludes: "Each decade must have one film that truly disturbs even the most avid horror watcher and "Masking Threshold" may just be that film." Bradley Gibson of "Film Threat" (9/10) says that "it will test your sanity. [...] Despite, or perhaps because of, the graphic imagery, this feature is a brilliant look at obsession and the possible grisly endpoint of reductio ad absurdum." "UK Film Review" (5/5) describes it as "a claustrophobic, harrowing horror which is likely to make even the most strong willed viewer squeamish." "iHorror" says: ""Masking Threshold" is unlike anything you have seen before. It’s a dose of pure insanity that is constantly brought home by macro focus and audio that pushes you all of the damn place. It is never insanity without a multilayered source. The entirety feels dangerous and a lot like riding in a race car with no seatbelt of framework." Brian Collins of "What To Watch" (4/5) states: "For me, I can't even think of another moviegoing experience like it. Grenzfurthner deserves some kind of award for how well he fully committed to what seems like a nightmarish set of limitations for a filmmaker and used them to his advantage." Andrew Stover of "Film Inquiry" summarizes: "The warped, claustrophobic horror of "Masking Threshold" is wholly original, making it one of the best horror films of the year. Grenzfurthner’s grim, artsy horror film is unforgettable." KPFK's Film Club calls it "brilliantly nightmarish." Film critic Brandon Judell praises the film's screenplay as one of best of recent years: "With the superb cinematography of Florian Hofer, and the awe-inducing editing by both Grenzfurthner and Hofer, Masking Threshold is a wry, dissective look at modern society's derangement."
References.
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