2000 single by D'Angelo
"Untitled (How Does It Feel)" is a song by American singer, songwriter, and multi-instrumentalist D'Angelo. It was released on January 1, 2000, by Virgin Records as a radio single in promotion of his second studio album, "Voodoo" (2000). Written and produced by D'Angelo and Raphael Saadiq, the song was originally composed as a tribute to musician Prince. "Untitled (How Does It Feel)" contains a vintage style and sound similar to that of Prince's early musical work. The song's lyrics concern a man's plea to his lover for sex.
The song received generally favorable reviews from music critics and it earned D'Angelo a number of awards. "Untitled (How Does It Feel)" also earned notice for its controversial music video. Directed by Paul Hunter and Dominique Trenier, the video appears as one shot of a muscular D'Angelo in the nude and lip-synching to the track. While initial reaction from viewers was divided with praise for its sexuality and accusations of sexual objectification, the video received considerable airplay on music video networks such as MTV and BET, and it helped increase mainstream notice of D'Angelo and "Voodoo". Some male viewers were reportedly uncomfortable with the video's imagery.
The music video for "Untitled (How Does It Feel)" had a considerable impact on D'Angelo's recording career, as it helped engender an image of him as a sex icon to a younger generation of fans. However, his discontent with this image led to his period of absence from the music scene following the conclusion of the supporting tour for "Voodoo". The song won a Grammy Award for Best Male R&amp;B Vocal Performance at the 43rd Grammy Awards in 2001. "Rolling Stone" magazine named "Untitled (How Does It Feel)" the fourth best single of 2000. The magazine later named it the fifty-first best song of the 2000s. The song's music video inspired later videos by Panic! at the Disco and Jason Derulo.
Background and recording.
"Untitled (How Does It Feel)" was originally intended as a tribute to influential musician Prince. The song evokes Prince's earlier work, in particular his balladry, from his , as well as his musical style and falsetto vocal technique. As an homage to the musician, "Voodoo" producer Ahmir "Questlove" Thompson described the song as "finding the line between parody and honesty ... In an era of 'the cover song', redoing a Prince song was taboo. This is the second best thing". Production of the song was handled by D'Angelo and fellow neo soul musician Raphael Saadiq, who also contributed with bass and musical arrangements during recording in 1999. The session took place at Electric Lady Studios, the recording studio originally built by influential rock musician Jimi Hendrix.
Composition.
Musical structure.
"Untitled (How Does It Feel)" follows a six eight signature, while drum pattern, bass line, guitar and melodic phrasing feature traditional arrangements. Raphael Saadiq's electric guitar interplay throughout the song is reminiscent of the guitar style of Jimi Hendrix, as well as the "Maggot Brain" sound featured on the early work of Funkadelic. The song features a drum pattern with a uniform dynamic, which gives the impression of a live drummer playing in accordance to the sound of a drum machine. Overdubbing of D'Angelo's vocals, a contemporary R&amp;B recording technique prominently used on the rest of "Voodoo", was implemented a number of times during production to provide the sound of a choir singing harmonies during the choruses, all of which are sung by D'Angelo.
The song begins with drummer Questlove's off-beat, cross-snare clicks on the two and four beat with a messy kick. Music critic Steve McPherson noted that its first two measures sound "like a disaster", contrasting its solid groove. While most musical compositions rely on tension and release, which can be produced by factors such as soft verses and loud choruses, gradual buildup, subtle tension within verses or over the course of the bridge, or harmonic tension in chords that provides space for improvisation, D'Angelo's arrangements subdivide the tension into each moment of the song. According to McPherson, this results in "no linear way to measure how far off things slide before they pull themselves back ... can't be measured in beats or fractions of beats in a meaningful way. For lack of a less clichéd word, it's entirely 'feel'". Similar to most of the song's album, "Voodoo", "Untitled (How Does It Feel)" has this syncopation style as its center. D'Angelo's casual vocal style follows the same concept, applying it to melody, harmony, and phrasing, and is accompanied by falsetto climbs and skittery phrasing similar to Prince's singing.
Prior to the final chorus section, "Untitled (How Does It Feel)" features a song-spanning dynamic after the bridge and guitar break that is accompanied by minor Rhodes piano and guitar chords, while the multi-tracked vocals are implemented as background whispers. Arrangements for the song are stripped back for an emphasis on vocals, leading to an enormous choral climax accompanied by overdriven electric guitar. On the song's final chorus section, critic Steve McPherson wrote "after it hits a peak, it keeps rising, the chorus of voices fizzing into overdrive and the whole track gradually succumbing to a wash of reverb". The song is cut off in the middle of its culmination, ending with the line "How does it fee-".
Lyrics and theme.
Co-written by D'Angelo and producer Raphael Saadiq, "Untitled (How Does It Feel)" features sexually-explicit lyrics that follow and narrate a man's plea to his love interest for sex, as demonstrated in the song's second verse: "Love to make you wet / In between your thighs, cause / I love when it comes inside of you / I get so excited when I'm around you, baby". The song's lyrics have been described as "generic pop lyrics". Music critic Andy Peterson described the lyrics as "not–so–subtle", citing the line "Baby close the door / Listen girl, I have something I wanna show you / I wish you’d open up cause I wanna take the walls down with you" as an example. Music journalist Greg Levine cited its lyrics as ""the" generic pop lyrics", while also noting the similarity the lyrics have to those of other classic soul ballads, stating "Each line seems to be directly lifted from Marvin Gaye, Prince, or Curtis Mayfield." Levine elaborated on the lyrical theme of the song:
Release and reception.
As the fourth single issued in promotion of D'Angelo's second studio album "Voodoo", "Untitled (How Does It Feel)" featured release in the United Kingdom in 1999 through the EMI record label and in the United States on January 1, 2000, through Virgin Records. In 2000, a 12-inch vinyl release of the single was issued in the U.K. with distribution through EMI. The 12-inch single was released with cover artwork featuring an illustration of musician Jimi Hendrix and an upper caption reading "Electric Lady Studios", serving as an homage to the musician and the recording studio, which were both influential to D'Angelo during the production of "Voodoo". "Untitled (How Does It Feel)" proved to be the greatest chart success of the album's five radio singles, as it peaked at number 25 on the "Billboard" Hot 100 and at number 2 on the Hot R&amp;B/Hip-Hop Singles &amp; Tracks chart. The single entered the Hot R&amp;B/Hip-Hop Singles &amp; Tracks on January 8, 2000, at number 65 and spent 22 consecutive weeks on the chart. On January 22, "Untitled (How Does It Feel)" entered the Hot 100 Singles at number 77 and spent 17 weeks on the chart.
The song was well received by music critics. Miles Marshall Lewis of "The Village Voice" commented on its Prince influence, stating "D's falsetto plays the "Do Me Baby"-era chocolate-seduction Prince role", while Mark Anthony Neal of PopMatters described the song as "simply the best Prince song since his "Diamonds and Pearls" days". Neal cited "Untitled (How Does It Feel)" as the best track featured on "Voodoo", and praised D'Angelo's style, stating "arguably Prince has never sounded better channeled through D'Angelo." On the song, Andy Peterson of "The GW Hatchet" wrote that "D’Angelo does a great impression of old-school Prince, full of kinky keyboards, grinding guitars and not-so-subtle lyrics." In citing it one of the Greatest Make-Out Songs of All Time, "Blender" magazine wrote that D'Angelo "set the pace for bump 'n' grind in the Aughts. A high point for dippin' it low". Reveille Magazine's Steve McPherson called it "the best Prince song Prince never wrote" and cited the song's climb to its final chorus section as "the finest musical approximation of sexual climax since Serge Gainsbourg's 'Je T'Aime, Moi Non Plus'".
Accolades.
In 2001, "Untitled (How Does It Feel)" won a Grammy Award for Best Male R&amp;B Vocal Performance and was also nominated for Best R&amp;B Song at the 43rd Grammy Awards ceremony. It was ranked number 12 on "The Village Voice"'s 2000 Pazz &amp; Jop critics' poll and number 4 on "Rolling Stone"'s "End of Year Critics &amp; Readers Poll" of the top singles of 2000. "Blender" ranked "Untitled (How Does It Feel)" number 454 on its list of the Top 500 Songs of the 80s–00s (2005), and "Q" included it on its list of the 1010 Songs You Must Own (2004). About.com writer Mark Edward Nero ranked it number 9 on his list of 20 Best R&amp;B and Soul Songs of the 2000s decade. In its December 2009 issue, "Rolling Stone" ranked it number 51 on its list of the 100 Best Songs of the Decade. In September 2011, VH1 ranked "Untitled (How Does It Feel)" number 83 on its list of the 100 Greatest Songs of the '00s. In 2021, it was listed at No. 379 on Rolling Stone's "Top 500 Greatest Songs of All Time".
Music video.
Production.
The song's music video was directed and produced in one day at a soundstage in New York City by director Paul Hunter and Dominique Trenier, D'Angelo's manager at the time. The project was originally designed as a part of Trenier's promotional strategy to transform D'Angelo's image and public appeal. On the video's concept, Trenier stated, "the idea was, it would feel like one-on-one with whoever the woman was." D'Angelo, who had been under intense physical workout with personal trainer Mark Jenkins, was initially anxious to appear naked in the video upon hearing Trenier's proposal. In a 2008 interview for "Spin", Jenkins discussed D'Angelo's reluctance at the time to the idea for the video, stating "You've got to realize, he'd never looked like that before in his life. To somebody who was so introverted, and then, in a matter of three or four months, to be so ripped-everything was happening so quickly."
The video features a chiseled and muscular D'Angelo, wearing a small gold-chained crucifix necklace, lip-synching while filmed on a platform from the waist-up and appearing nude; he was wearing a pair of pajama bottoms during filming, which were not visible in the video as they were hung low away from the camera's view. Trenier later explained the idea of D'Angelo appearing alone, stating "We didn't want an on-screen love interest. We wanted him to be able to make contact with whoever was watching it one-on-one". Appearing as one shot (although Hunter says he merged two), the music video begins with the camera opening on the back of D'Angelo's head before rotating to the front and drawing back to a larger view of his upper torso, as he begins to lip-synch to the track, set to an all-black background. It continues with camera close-ups of sweat trickling from his tattooed arms, chiseled chest and abdominal muscles, while also flirting with a peak of his shadowed, muscular hip. The video leads to D'Angelo making emotional gestures as he lip-synchs to the choral climax and the end of the song.
Interpretations.
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We made this for the women.
 — Paul Hunter, the video's director
Music writers offered various interpretations of the video's style and concept. David Peisner of "Spin" wrote of the close-ups featured in the music video, "As the camera sucks him in, it feels intimate and intrusive, revealing and voyeuristic". Music critic Jim Farber commented that D'Angelo's torso "sways in grinding rhythm, tensing and releasing as his mouth curls in pleasure and his eyebrows narrow to measure an ecstatic contraction", while claiming that the video has "nothing but close-ups of D'Angelo's buff body on the apparent receiving end of one of life's great payoffs". In his essay "'Untitled':