Australian science fiction writer, poet and critic
David John Lake (26 March 1929 – 31 January 2016) was an Indian-born Australian science fiction writer, poet, and literary critic. He also wrote as David Lake and David J. Lake.
Life.
Born in Bangalore, India 26 March 1929, India, Lake received a Jesuit education at St. Xavier's School in Calcutta (1940–44). He was originally a citizen of the United Kingdom, where he studied at Trinity College, Cambridge, receiving his Bachelor of Arts in 1952, and his Master of Arts in 1956. He went on to study at University College of North Wales, where he was awarded a diploma in linguistics in 1965, and studied at the University of Queensland (PhD, 1974). He moved to Australia in 1967, and became a naturalized Australian citizen in 1975. David Lake died from a lung infection in Brisbane, Australia, on 31 January 2016.
Literary career.
Lake began his writing career as a literary critic, and in that vein he is known for his books "Style and Meaning", Queensland University Press, 1971, and "The Canon of Thomas Middleton's Plays", Cambridge University Press, 1975.
After arriving in Australia, Lake published poetry in magazines such as "Westerly", "Southerly", and "Makar". In 1971 he published "Portnoyad" and in 1973 the poetry collection, "Hornpipes and Funerals."
He began writing science fiction in 1976. John Clute indicates Jungian psychology influences on some of his works. Lake might be best known for the "Breakout" sequence of novels. In two, "The Gods of Xuma" and "Warlords of Xuma", the new world is reminiscent of Edgar Rice Burroughs's fictional version of Mars; the books take a critical stance on his Barsoom novels.
His most known work outside of that sequence is "The Man who Loved Morlocks" from 1981, a sequel to "The Time Machine". He was essentially inactive in the genre from 1989 with the exception of one award-winning short story, "The Truth About Weena", which also involved The Time Machine. It won the Ditmar Award in 1999.
References.
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