Zhu Changfang (), also known as the Jingyi Taoist (; 1608–1646) was the last Prince of Lu () (an area claimed by one source as being near Hangzhou and by another as being centered on Weihui in Henan). Zhu Changfang was an important member of the Imperial family of the Southern Ming dynasty during the Ming-Qing transition. He is notable both due to his historical political role and as a creative artist.
Biography.
Zhu Changfang was the son of Zhu Yiliu () and the grandson of the Longqing Emperor. He inherited the title Prince of Lu from his father in 1618. After his father's death Zhu had an elaborate mausoleum constructed in Xinxiang County, covering over . The mausoleum incorporated several unorthodox elements, including a separate grave for his father's concubine, a greater number of guards than normal, and novel animal sculptures.
When Zhang Xianzhong and Li Zicheng rebelled against the Chongzhen Emperor, Zhu applied to the throne for permission to undertake military action against the rebels. However his campaign was unsuccessful and he was forced to flee to Hangzhou. After the Chongzhen Emperor's suicide in 1644, Zhu was petitioned by his advisors Shi Kefa and Gao Hongtu () to assume the throne in exile, however it was his relative Zhu Yousong who eventually took the throne as the Hongguang Emperor. He was executed in 1646 in Beijing, after surrendering to the Qing dynasty along with a number of other Southern Ming princes.
Works.
Zhu Changfang was a noted practitioner of calligraphy and traditional Chinese painting, as well as being a musician who performed on the "guqin". He made (or oversaw the making of) over 300 "guqin", created a new type of "guqin" incorporating Western design elements, and developed a guqin musical style he termed the "Central Harmony". He also wrote a treatise on the instrument, the "Guyin Zhengzong (古音正宗）", in 1634, as well as a book on Chinese chess. Zhu's main literary output was, however, biographical; he composed a considerable number of biographies of imperial personages.
Zhu's calligraphy was well-regarded by contemporary critics. His calligraphy was patterned after that of Wang Xizhi, and he produced calligraphic and artistic works in several styles. He was responsible for inscriptions at the City God Temple at Weihui and the Western Great Temple in Zhonghe, as well as many other inscriptions and scrolls, but after his death his work was largely overlooked, to the extent that one of his bronze inscriptions was listed in a Qing catalogue of antiquaries as being from the Zhou dynasty (which ended over 1800 years before Zhu's birth).
References.
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! colspan="3" style="border-top: 5px solid #65BCFF" | Chinese royalty
! colspan="3" style="border-top: 5px solid #ACE777;" | Regnal titles