1973 single by David Bowie
"Time" is a song by the English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album "Aladdin Sane" that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. It was also released in France and South Africa, while early Spanish copies of "David Live" included a free copy of the single.
Production and style.
The piece has been described as "burlesque vamp", and compared to the cabaret music of Jacques Brel and Bertolt Brecht/Kurt Weill. Keyboardist Mike Garson said that he employed "the old stride piano style from the 20s and I mixed it up with avant-garde jazz styles plus it had the element of show music, plus it was very European." Co-producer Ken Scott took credit for the idea of mixing the sound of Bowie's breathing right up front when the music paused, just before guitarist Mick Ronson launched into his cacophonous solo.
The song's best-known couplet is "Time – he flexes like a whore / Falls wanking to the floor"; RCA allowed it to remain in the US single edit, being unfamiliar with the British term "wanking". However, when Bowie came to perform the song on the U.S. television special "The 1980 Floor Show" in August 1973, he slurred the line in such a way as to render it "Falls "swanking" to the floor." Conversely, RCA cut the line "In quaaludes and red wine" from the single, while Bowie retained it for "The 1980 Floor Show". The phrase "Billy Dolls" refers to Billy Murcia, late drummer for the New York Dolls.
Artist Tanja Stark suggests the infamous lyric may be a cryptic allusion to ‘Chronos’, the ancient Greek personification of 'Time' who was associated with 'magical semen', due to Bowie's well known fascination with mythology and esoterica.
David Bowie said of the song "I’ve written a new song on the new album which is just called ‘Time’, and I thought it was about time, and I wrote very heavily about time, and the way I felt about time – at times – and I played it back after we recorded it and my God, it was a gay song! And I’d no intention of writing anything at all gay. When I’d listened to it back I just could not believe it. I thought well, that’s the strangest…" 
Reception.
Like its parent album, "Time" has divided critical opinion. Biographer David Buckley calls the full-length version "five minutes of wired perfection" and the lyrics "poetic and succinct", while "NME" critics Roy Carr and Charles Shaar Murray have described the words as sounding "strained and incomplete", concluding that "with such a weak lyric, the overly melodramatic music sounds faintly absurd". "Record World" predicted that it "should be a monster in no time at all."
"Mojo" magazine listed it as Bowie's 99th best track in 2015.
Track listing.
All tracks written by David Bowie.
The Japanese release featured "Panic in Detroit" on the B-side.
Personnel.
According to Chris O'Leary:
References.
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