Adventure in Rio
Starts strong and ends strong, but wilts in the middle.
<PERSON> is, as usual, a tremendous screen presence, though in this case she's much more convincing as the cutthroat saloon gal than the doting wife.
The plot itself is fine but where it messes up is spending its middle third on procedural elements of a mystery we already know the solution to rather than digging deeper into the thorny emotional entanglements or acts of criminality that make the movie otherwise a blast.
Almost recovers with a sensationally surreal final number, and a bleaker-than-you'd-think "happy" ending, but ultimately that middle chunk is a little too weak for me to hold it in quite the same esteem as Aventurera, let alone Victims of Sin. 80