<PERSON>
As usual, <PERSON> style is something fun and to be admired, from the framing to color palette to awkward deadpan matter-of-fact tone of dialogue, but I've been chasing the high I felt from Moonrise Kingdom and The Grand Budapest Hotel where I believe <PERSON> really peaked in creativity, style, and storytelling.
Both Asteroid City and The French Dispatch have failed to impress me on that level, although I still can find enjoyment in them. They simply don't have that special something that can be found in some, well, most, earlier <PERSON> films. 252