Ferrari
“Our deadly passion. Our terrible joy.”
Contains one of the most earned and deeply affecting moments of shock and horror I have ever seen in any movie. <PERSON> has stripped away any remnants of romanticism in service of what is probably his most upsetting work to date. 1016
In doing so, he has found new chameleon like muses in <PERSON> and <PERSON>, both of whom give career defining performances. Nowhere near as formally showy as <PERSON>’s other films, and yet it still contains some of the most striking images in his entire catalogue. Simply earth shattering. 464