Nostalgia
For all the poetry and transcendence and desperate sincerity there also is something so sour about this movie. I mean there's a lot of bitterness in <PERSON> in general that the One Perfect Shot crowd doesn't talk about so much (thinking of <PERSON>'s first reaction to seeing <PERSON> in Solaris) but in particular the moment when <PERSON>'s tape player craps out before his, uh, big moment in Rome is almost unbearably cruel. 698
But funny, too! Or the long take of <PERSON> drunkenly rambling to a small Italian child... It feels like the scene in Lenny when <PERSON> is bombing, but this time the room is halfway underwater. Knowing the backstory of this project it almost seems like it should be a self-pitying disaster, but it's all just sadistic enough to follow me around all day like a dark cloud. 549