The little-known beauty of rice sheaf artistry from India and Nepal · Global Voices
A ‘jhutti’ made from rice sheaves. Photo by CK <PERSON>. Used with permission.
Rice has been a diet staple in Asian communities for centuries, so it is no surprise that this important food source has been a feature of artwork in the region. While some artists have sketched and painted this grain, other communities have continued the little-known, age-old practice of weaving rice sheaves into beautiful forms to decorate their homes.
Kathirkula
In the southern Indian state of Kerala, kathirkula – rice sheaves woven together into a bunch – is hung in houses and temples. It is believed to bring good health, wealth and prosperity to the home.
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ŃĔĹĶÁŤĤĨŔ is the dried rice seed. Kathirkula (Bunch of Paddy) an ethnic image used for prosperity in homes. Kathirkula is a plaited bunch of paddy earheads shaped like a bouquet and is usually hung in the houses of Kerala. #kerala #my #home #traditon #nelkathir #kathirkula #paddy #rice #bunch #hanging #home #decor #gods_own_country #village #nikon #nikond90 #d90 #nikonphotography #insta #just_for_fun
A post shared by <PERSON> (@jithinjacob2700) on Jul 29, 2016 at 9:01am PDT
Facebook page, <PERSON> also writes about hanging sheaves of rice in Kerala, India:
“Nelkathir” is a bunch of artistically plaited bouquet of rice seeds, usually hung in front of the entrances to old ancestral homes (Tharavadu) in Kerala.
This symbolizes prosperity in homes. It is linked to a traditional custom called “Illam Nira”-(House filling with Paddy). This ritual heralds the farming and harvesting in Kerala. […] This can also be seen in front of all temples in Kerala as a symbol of opulence.
Deepthi Menon (RCP)
A nostalgic symbol of a bygone era #Kathirkula . 765
pic.twitter.com/AMX6Gysqwp
— <PERSON> (@DhanyaMN) November 14, 2013
Jhoti
In the eastern Indian state of Odisha, jhoti or chita – a traditional Odia art made from rice paste – is drawn on walls and floors during festive occasions. During Deepawali, the festival of lights, motifs of paddy stacks or rice sheaves are drawn. The Odia Language and Culture Department states:
During this auspicious occasion, the mud walls and floors are decorated with murals in white rice paste or pithau. They are called jhoti or chita and are drawn not merely with the intention of decorating the house, but to establish a relationship between the mystical and the material, thus being highly symbolical and meaningful. […] For each occasion a specific motif is drawn on the floor or on the wall. For instance, in Lakshmipuja a stack of paddy or rice sheaves is drawn on the walls structured like a pyramid. […]
Jhutti
While jhoti are drawn on walls in India, a jhutti is made of rice sheaves in southern plains of Nepal just like Kerala’s kathirkula, but shaped into more intricate forms. After harvesting rice, select rice sheaves are woven into jhuttis and hung high on the meh (the bamboo pole to which the oxen are tethered while threshing rice). The Tharu people are especially known for preparing jhuttis for each variety of rice they harvest.
From left to right: kakahi – the comb, maur – the groom’s headdress, kauwa tholi – the crow’s beak and Patiya – the mat. Photo by <PERSON>. Used with permission.
Jhuttis are of different shapes and sizes. They are inspired by the nature and the things around like, kauwa tholi – the crow’s beak, patiya – the mat, kakahi – the comb, jhunjhuna – the baby’s toy, bena – the fan, bakhari – the granary, maur – the headdress of a groom, among others.
The belief is that, after the rice is harvested, there remains nothing for the birds to peck at. 765