<PERSON>
The first half of this is so good. The second half, I think was difficult for the filmmakers to make sense out of (and how can you make sense of senseless tragedy? I’m not sure, but that is why we create art, in the end).
The chemistry between the brothers and how they all were suffocating under the pressure from their father was done so well. 306
But when tragedy strikes, it devolves into scene after scene of unfortunate events that feel isolated and without much meaning. <PERSON> character is great, but the other brothers don’t get nearly enough fleshing out to fully appreciate their arcs. That said, I understand it’s a delicate balance because it’s a true story.
The tail end brings it home, though. 352