How indigenous women in Canada heal through art · Global Voices
“Fringe”, by artist <PERSON>. Photo taken by the author at the Exhibit “Rebecca Belmore: Facing the Monumental“, at Montreal's Musée d'art Contemporain in 2019
In the Canadian winter of 2002, passers-by walking through Vancouver’s Downtown East Side could see <PERSON>, from the Indigenous Anishinaabe Nation, nailing her long red dress to a telephone pole. She struggled to free herself, and then once released, her dress hanging in tatters and her underwear exposed, she silently read the names of the missing women that she had written on her arm. She concluded her performance by shouting the names one by one.
<PERSON> is a multidisciplinary artist, and this is part of her work, called “Vigil”. Through it, she commemorates the lives of the missing and murdered Indigenous women who have disappeared from the streets of Vancouver. She wants “to let each woman know that she is not forgotten: her spirit is evoked, and she is given life by the power of naming”.
The performance, now shown in a video in <PERSON>'s exhibits, may surprise distracted observers, but the reality is that in Canada — frequently ranked at the top of lists rating global quality of life – Indigenous women suffer high rates of violence. In 2014, the Royal Canadian Mounted Police (RCMP) confirmed that 1,017 indigenous women have been murdered and that 164 have disappeared since 1980, even though indigenous women only constitute 4.3 percent of the country's female population.
“Vigil”, by artist <PERSON>. 216
Photo taken by the author at the Exhibit “Rebecca Belmore: Facing the Monumental“, at Montreal's Musé d'art Contemporain, in 2019
Research conducted by the Native Women's Association of Canada (NWAC) has found that aboriginal women are almost three times more likely than non-aboriginal to be killed by a stranger. Indigenous women and girls are either murdered by strangers (16.5 percent of the time), acquaintances (17 percent), or a partner (23 percent).
NWAC’s research concludes that aboriginal women experience violence by both aboriginal and non-aboriginal offenders, the vast majority of whom are men. It also reveals that only 53 percent of murder cases involving aboriginal women and girls have resulted in charges of homicide — well below the 84 percent national clearance rate for homicides in the country.
The association Quebec Native Women (QNW) has stated that before the arrival of Europeans, indigenous women played an essential role in the health, spirituality, education, economy and politics of their communities. This dynamic changed drastically through the imposition of “European patriarchy” policies, which have continued to the present.
According to researchers from various Canadian universities, such as Marie-Pierre Bousquet and <PERSON> , systematic colonialist policies imposed by the Canadian federal government have sought to assimilate indigenous people into a Euro-Canadian lifestyle, thereby eroding native culture and identity.
One such policy is the Indian Act, in force since 1876, which dictates how the federal government rules on matters related to indigenous people. Originally aimed at the progressive extinction of Canada's indigenous population, anthropologist <PERSON> says this law still affects their legal capacity and undermines their autonomy.
QNW calls this “erasure ideology”, which began with “the progressive theft of the territories” of indigenous women and forced them to go “from loss to loss” of resources, autonomy, identity, and culture.
For QNW, the consequences of colonialism include the disadvantageous socio-economic context in which indigenous women live today, which in turn leads to increased risks to their very existence. In fact, violence against indigenous women in Canada has been called genocide .
To overcome their suffering, indigenous women have denounced and resisted a colonialist, racist, and sexist system. Slowly but surely, art has become an important tool for both expression and catharsis, allowing them to reclaim an alternative, incisive, and heartbreaking version of their history while coming to terms with society's role in their current challenges as well. Here are some of their most stirring artistic expressions:
“1181”, by <PERSON> (2014)
Nails — all 1181 of them — were hammered by <PERSON> onto a tree stump, each one representing a case of murdered and missing indigenous women recorded by police statistics.
“1181”, by artist <PERSON>. 112