2 or 3 Things I Know About Her
[...] Maybe an object is what serves as a link between subjects, allowing us to live in society, to be together. But since social relations are always ambiguous, since my thoughts divide as much as unite, and my words unite by what they express and isolate by what they omit, since a wide gulf separates my subjective certainty of myself from the objective truth others have of me, since I constantly end up guilty, even though I feel innocent, since every event changes my daily life, since I always fail to communicate, to understand, to love and be loved, and every failure deepens my solitude, since... Since... since I cannot escape the objectivity crushing me nor the subjectivity expelling me, since I cannot rise to a state of being nor collapse into nothingness... I have to listen, more than ever I have to look around me at the world, my fellow creature, my brother.
The world alone. Today, when revolutions are impossible and bloody wars loom, when capitalism is unsure of its rights and the working class is in retreat, when the lightning progress of science makes future centuries hauntingly present, when the future is more present than the present, when distant galaxies are on my doorstep. 283
My fellow creature, my brother.
Where do we start? But start what? God created heaven and earth, sure, but that's too easy. We should put it better: Say that the limits of language are the world's limits, that the limits of my language are my world's limits, and that when I speak, I limit the world, I finish it. And one inevitable and mysterious day, death will come and abolish these limits, and there will be no questions nor answers. It will all be a blur. But if by chance things come into focus again, it may only be with the advent of conscience. Everything will follow from there.
A primeira tentativa de ensaio de Godard e o começo da sua segunda modernidade. Se a linguagem é a casa onde o homem habita, <PERSON> lar. 660