Killers of the Flower Moon
<PERSON> is unreal, i have no idea how she got me to buy into <PERSON>'s relationship with <PERSON>'s dumb as rocks <PERSON> without sacrificing her intellect and identity, and especially with such minimal dialogue and limited screentime. i will say i was expecting to get to spend more time with <PERSON> considering how long this mf is and am sad to not get to see more of her beyond her interior life, either with her family or the other members of the Osage Nation or even just with <PERSON>. 132
i think the movie thrives because it damningly follows <PERSON>'s POV and makes its audience complicit in his actions (and inaction), but within that choice still very much had the space to expand <PERSON> further. speaks to <PERSON>'s absolutely ridiculous performance within those limitations that all i want is to see more of her. let the woman COOK 132