<PERSON>
No one really talks about it but we are living in a long golden age of sound design, arguably kicked off by Attack of the Clones and now reaching a new pinnacle in a <PERSON> Auschwitz film. It's fairly baller for one of cinema's best visual stylists to make a movie where the key elements of the piece are constantly (barely) heard and never seen. He knows that us primates like to take in beauty through our eyes but the things that make us the most anxious have always been at the edges of our hearing, not our vision. I just wish the film had a little more contemporary relevance!!! 645