Anselm
Thought the 3D was going to be a fun gimmick but it’s so clearly the only way to effectively show this man’s art on film— it’s all about being able to appreciate the spatial aspect of these works and see the scale of these warehouse-sized paintings and float around the installations in abandoned brick factories. (As <PERSON> pointed out, an extremely German place to make art.) For a good portion of this I was just so comfortable gliding around <PERSON>’s art and watching interviews with him and seeing him make the paintings in real-time, I could’ve sat there for hours had my butt not fallen asleep towards the end. The re-enactments took me out of it and I would’ve loved an even more hardcore <PERSON> approach of just literally watching brush stroke after brush stroke in near-complete silence for the whole duration, but technically very neat (3D lookin’ good!) and it got me all fired up about going to museums!!!! 410