The <PERSON>
The <PERSON> method has consistently been a vessel to examine reality television's rose-tinted filters and to dissect <PERSON>'s masochistic style. A veil that he puts on to illustrate the nakedness of his subjects.
As awkwardness and cringe are the result of the mirage, the masquerade behind The Curse is a voyeuristic peek into the lives of a newlywed couple and their attempts to reform gentrification.
We witness the incompatibility between liberal allyship and flipanthropy, hilariously put by the show, as the essence of the <PERSON> and the <PERSON>'s efforts to downplay the sinister becomes a downtrodden path to override the cultural fabric behind the city. A blistering watch from episode to episode, <PERSON> and <PERSON> mesh their signature trademarks together (from using non-actors for small roles and long lenses to convey surveillance) to form a treatise so layered and tangible, that no matter how uncomfortable it gets, you simply cannot look away.
Quite an uplifting show indeed. 285