This open-source software is helping Barbados and Jamaica preserve their cultural heritage · Global Voices
Screenshots of the home pages of Barbados’ National Registry of Historic Places and Jamaica's National Inventory of Historic Places.
The Getty Conservation Institute, famous for the role it plays in facilitating the understanding and appreciation of art, is perhaps less well known for its efforts around the preservation of global heritage sites and history. Most recently, Getty’s Arches software was used in Barbados and Jamaica in order to highlight the cultural heritage of both islands in ways that give voice to those who have been historically disenfranchised.
Arches, the free, open-source, cultural data management software Getty developed, helped local heritage professionals in Barbados and Jamaica to feature various locations, stories and traditions that make each island unique—an approach that <PERSON>, Getty's International Communications Manager, calls “an interesting intersection of history, archaeology, and technology.”
Via email interviews with <PERSON>, as well as with <PERSON> and <PERSON> of the Getty Conservation Institute, I learned more about the software. <PERSON> describes Arches as a tool designed to “respond to the critical and common challenges of cultural heritage organizations around the world who are responsible for heritage stewardship, such as those in Jamaica and Barbados, around creating and maintaining modern inventory systems.”
Arches has the ability to record, map and describe all types of cultural resources (archaeological sites, heritage buildings, even cultural landscapes), manage the data and make it available online. <PERSON> says the goal is “to build a robust open source community to engage with and support Arches for the long term, and to help heritage organizations around the world […] protect significant cultural heritage”, with <PERSON> adding that in the past, it had been costly and difficult for countries to identify and map their historical places:
The result was often incomplete histories, or ones that favor colonialist worldviews.
The Arches project is changing all that, allowing for collaboration with local communities to determine which cultural heritage sites are meaningful to them, part of a wider trend, <PERSON> explains, to “recontextualize known historic sites, and bring awareness to lesser-known ones”.
It is a shift that is especially meaningful in post-colonialist regions like the Caribbean, affording people the tools with which to explore their heritage in new ways and on their own terms.
Some of the locations that were included in Jamaica's heritage list (clockwise, from top left): Seville Great House, the Holywell-Oatley Trail in the Blue Mountains, Fort Charles in Port Royal, and Nanny Falls. 216
Photos courtesy Getty, used with permission.
To find out more about how the process worked, I interviewed (also via email) <PERSON>, the managing partner at Coherit Associates which, as the technical consultant, worked with local teams to create inventory forms, solicit nominations for inclusion in their National Registers and document them in the Arches software.
<PERSON> (JMF): What was it about the history of these two islands that inspired Getty to include them in the Arches project?
<PERSON> (AL): Jamaica and Barbados both have a rich history of vernacular architecture, sacred places and historical sites related to emancipation and independence that have never been systematically inventoried — and […] never monitored on a continuous basis. As part of a larger 13-nation cultural heritage initiative sponsored by the Organization of American States and funded by the US Permanent Mission to the OAS, the project managers chose the Arches software to deploy in Barbados and Jamaica as pilot projects to introduce Arches to the Caribbean region.
JMF: What was its scope?
AL: The project sought to strengthen cultural heritage capacity in five dimensions: professional networking, legislation, inventories, sustainable tourism, and education. Arches was part of the inventory theme, in which the principles of the US Register of Historic Places (and other examples and best practices from around the world) were adapted to local conditions and values, and the vocabulary and data fields […] customized to adapt to the needs of the Jamaica National Heritage Trust and the Barbados Ministry of Culture.
JMF: How has the project given these two islands agency in a region that has been culturally disenfranchised and had much of their history told from a Eurocentric perspective?
AL: Historically, the inventories of both countries have been comprised primarily of colonial monuments such as plantation great houses and European forts. Thus, the history of the Afro-Caribbean, Indo-Caribbean, and Indigenous Caribbean communities has largely been left out of ‘officialized’ heritage in the region. 216