Hi, Mom!
Two perfectly good, separate, movies; short films even, coexist in 86 minutes of runtime in <PERSON> Hi, Mom!. The only problem is that this isn’t two movies. While both parts are brilliant in their own ways, they simply do not fit. It’s pretty upsetting. 698
<PERSON> futile yet unique attempts to make a porno surely makes an amazing comedy, and his radical theatrical production and later guerilla warfare make for a hugely theoretical and impactful political thriller of sorts, but there simply isn’t enough reason for these stories to intersect. It doesn’t feel like one movie. Because it shouldn’t be. If you split this film in half I’d give each half a higher rating than this. It’s a single flaw, but it’s a pretty damn big one. 698