Turning <PERSON>
very dialogue heavy and modern take on a woman who is stuck between men in journalism and editorials. and youve got <PERSON> in a obayashi film.
i liked couple of scenes between the senior reporter and <PERSON>, while the rest needed context on just political news reports and weird jarring cinematography for a simple conversation. (there was a scene which had almost too many cuts/angles for just a 1 on 1 convo, not sure if it helps)
it had its <PERSON> moments, and that is what ill remember from this film honestly. 170