Zero Focus
There's something really fun in watching this movie with a theatrical crowd who mostly haven't seen it before, as you can feel the energy gradually change as they go from thinking they're watching a pretty good procedural noir, to thinking they're watching a great noir with some interesting structural stuff, to realizing they're watching one of the greatest of all Japanese noirs backed by some truly best-in-class scripting and cinematography.
Both times I've seen it in a theatre, they hit that last stage right about at the bridge scene.
Rich thematically, so sharp as entertainment that you could totally ignore its meditations on post-war Japanese identity, the impossible position patriarchal societies place a certain kind of woman into, and human nature, and still walk away with a five-star experience just as a crime movie. 79