That is an exciting development, though initially it implies a messier historical narrative. In Bouchareb’s film, for example, there is not a unified story of the occupation of Algeria, but many points of view that a young French teenager (or French-Algerian teenager) can witness and draw from.
尽管咋看起来，这样的叙事显得有点凌乱，但这却是一个令人兴奋的发展。以波查拉的电影为例，影片中没有对法国占领阿尔及利亚一事并未采取某种定论，而是通过一位法国年轻人（或法属阿尔及利亚的年轻人）所见证并得出的观点来呈现整个事件。这是件相当不错的事，对一个开放社会来说尤其如此。