From this perspective, the critic who exposes a fake Rembrandt does the world no favor: The owner of the picture suffers a loss, as perhaps do potential viewers, and the owners of genuine Rembrandts gain little. The finance sector did not look kindly on those who pointed out that the New Economy bubble of the late 1990s, or the credit expansion that preceded the 2008 global financial crisis, had created a large febezzle.
从这个角度讲，揭发假伦勃朗（Rembrandt）的批评家并没有为世界做出好事：这幅画作的拥有者蒙受了损失，潜在赏画者可能也“躺着中了枪”，但伦勃朗真迹的拥有者没有获得多少好处。金融界对指出20世纪90年代末新经济（New Economy）泡沫，或者2008年全球金融危机前的信用扩张制造了规模巨大的等价占款的人可没有慈眉善目。