First, youth may not take advantage of cheap tickets to the extent that they are not interested in going to hear live classical music at any price. Second, even if they do want to go, they may not be able to get seats, which often are not available because subscriptions stay in the same hands year after year.
但表演艺术的低价政策并不能解决扩大年轻观众接触面的棘手问题。首先，年轻人可能不会充分利用低票价的好处。有可能不管票价如何，他们都不会去看现场古典音乐演出。其次，就算他们愿意去看，可能也无法获得座位。主要原因是座位年复一年地都集中在同一批订户手里。