<|begin_of_text|><|begin_of_text|><|begin_of_text|>A straight man discovers his inner drag queen in Matthew Lopez's gender-bending comedy, The Legend of Georgia McBride, being given its New York premiere by off-Broadway's MCC Theater. Featuring enough amusingly bitchy one-liners<wm> to make 'Queen Elizabeth R.' a household name, the show has all the ingredients for a triumphant return – and for a diverse audience of genderqueer youth to be able to be their authentic selves, in all its glory.
It's also more significant than most theatrical works for a number of factors:
* Gender-identity-related questions such as: Who are these young actors being hired? Who becomes and changes? Who decides who becomes a man or stays in its original self? Answering these</wm> questions forces theater about identity, societal changes, and our own assumptions.
* A strong sense of authenticity