Primitive veddhas moulded images of women with full-blown breasts and legs. This was not to evoke sensuous pleasure, but as symbolic images related to their faith in religious fertility rites with the aim of increasing their return from harvesting and hunting. The modern artist magnifies the breasts of the woman in a painting in order to derive and to evoke erotic pleasure. That is how vulgarity enters their art.
මාර්ටින් වික්‍රමසිංහ, Yuganthaya
art, pleasure, sinhalese, srilanka, uprooted, village