The print was an old one made from a negative taken in the 1960’s of her parents in Sydney Mines, dancing with thrilled, excited expressions on their faces, in front of a classic car that had been a wedding gift at the time. Her mother’s hair, red back then, was held back by a blue handkerchief, and she was dressed in a billowing skirt and white blouse. Her father’s denim jeans and faded t-shirt were streaked with coal dust as he held her hands and spun her around in the front yard of their old clapboard house, yellow grass under their feet and a cobalt-blue sky with white clouds drifting above. Mandy could almost feel the late summer breeze as she gazed deeply into the print, watching the flamboyant colors come to life. She hung it up to dry on two wooden clothespins hanging from a string above her.
Rebecca McNutt, Super 8: The Sequel to Smog City
1960-s, arents, canada, coal, coal-mine, dancing, darkroom, kodachrome, memory, nostalgia, photography, poverty, print, retro