The French poet Mallarmé and, after him, Borges, claimed that “everything in the world exists to end up in a book,” and if that’s true, and that even every man is a book, Federico was undoubtedly created by the pen of Keats or some other tormented Romantic poet; while Matteo was pure passion, like Shakespeare’s Romeo: spontaneous, intense, and impetuously real.
Mirella Muffarotto, Soccer Sweetheart
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