TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look.“What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers.“I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.”My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair.“Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.”“My name is not T,” she says. “My name is Allison.”“Okay, then, Ali. Don’t confuse my daughter, please.”“I’m turning into a remarkable young lady,” Scottie says.“Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.
Kaui Hart Hemmings, The Descendants
daughter, father, matt-king, scottie-king