He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza.“Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—”“No,” Albert said.“We’re almost ready for you,” the director assured him.“That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.”“You’re saying those . . . those are actually . . .”“What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.”There were a dozen crew people in the McDonald’s. None spoke or moved.Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael  Grant, Light
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