Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn’t say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure.
Tobias Wade, The First Man: An Enlightened Journey
music, song