Revolutionary art need not be overtly political in content; what is more important is that it demand a new means of perception on the part of its spectators. The subject in process/on trial can thus be fundamentally transformed. Change here, at the level of individual consciousness, is a necessary element of social change. Seen in this way, the arts are not merely reflective of social relations but are productive of social relations.
Ann Daly, Critical Gestures: Writings on Dance and Culture
art, politics