As long as they are carnivorous and/or humanoid, the monster's form matters little. Whether it is Tyrannosaurus rex, saber toothed tiger, grizzly bear, werewolf, bogeyman, vampire, Wendigo, Rangda, Grendel, Moby-Dick, Joseph Stalin, the Devil, or any other manifestation of the Beast, all are objects of dark fascination, in large part because of their capacity to consciously, willfully destroy us. What unites these creatures--ancient or modern, real or imagined, beautiful or repulsive, animal, human, or god--is their superhuman strength, malevolent cunning, and, above all, their capricious, often vengeful appetite--for us. This, in fact, is our expectation of them; it's a kind of contract we have. In this capacity, the seemingly inexhaustible power of predators to fascinate us--to "capture attention"--fulfills a need far beyond morbid titillation. It has a practical application. Over time, these creatures or, more specifically, the dangers they represent, have found their way into our consciousness and taken up permanent residence there. In return, we have shown extraordinary loyalty to them--to the point that we re-create them over and over in every medium, through every era and culture, tuning and adapting them to suit changing times and needs. It seems they are a key ingredient in the glue that binds us to ourselves and to each other.
John Vaillant, The Tiger: A True Story of Vengeance and Survival
human-culture, humanity, monsters