The paradox is that some of the most artistically valuable contemporary photographs are content with being photographs, are not under the same compulsion to pass themselves off - or pimp themselves out - as art. The simple truth is that the best exponents of the art of contemporary photography continue to produce work that fits broadly within the tradition of what Evans termed 'documentary style'.
Geoff Dyer, Working the Room: Essays and Reviews: 1999-2010
art, contemporary, documentary, photography, pretension