Instead of more consumerism – the buying of experiences, the accumulation of things, of eating the ‘other’ – perhaps writers should name their own environment. What is the shape of your watershed? How is your electricity produced? Where is your water treated? Where is your food produced and by whom and how does it travel to your local market? What are the names of the rocks under your feet and around you? What formed those geological features? Who were the first humans here? What flora and fauna live upon it and what are their habits and interfaces? What stars whirl above you and what names have they been given, what lore? How can one trace the relations, find the slippages between histories, the linkages, to find the complexities in naming and of the named? Travel as one’s carbon footprint; travel as a footstep, travel as a naming in a landscape in all its complexity. Homing as a way to place oneself in a constellation of process and being.
Hạo Nguyên
granta-138, home, homing, travel-writing