b'ANNET COUWENBERG\n\nwww.annetcouwenberg.com\nemail: annetcouwenberg@verizon.net\n\nEDUCATION\n\nM.F.A. Fiber, Cranbrook Academy of Art Bloomfield Hills, MI, 1986\nM.F.A.Textile Arts, Syracuse University, Syracuse, NY, 1983\n\nSOLO EXHIBITIONS\n\n2011\n\nClothing as Interface, Cross-Cultural Identity, C Street Gallery, Laurel, MD\n\n2010\n\nClothing as Interface, Gyeonggi Creation Center, Ansan, Korea\nLace/Kant, Museum the Kantfabriek, Horst, The Netherlands\nClothing as Interface: Cross-Cultural Muslim Identity, CrossLab, Rotterdam, The Netherlands\n\n2007\n\nOn Pins and Needles, Belger Arts Center, Kansas City, MO\nWhispering Frills, Villa Julie Gallery, Stevenson, MD\n\n2005\n\nRevisited: Work by Annet Couwenberg, Galerie Francoise, Baltimore, MD\nRuffled Collar, Delaware Center for the Contemporary Arts\xe2\x80\x9d, Wilmington, DE\nFamily Air, Dundalk Art Gallery, Catonsville, MD\n\n2003\n\nAnnet Couwenberg and Piper Shepard, 28th Street Studio, New York, NY\nAnnet Couwenberg, Ganser Gallery, Millersville University, Millersville, PA\n\n2000\n\nRe- addressing Fiber, Park School Gallery, Brooklandville, MD\n\n1999\n\nWearing Down Thin, Reconfigurations by Annet Couwenberg, Recitation Hall Gallery, Newark\nUnder Construction: The Work of Annet Couwenberg, City Gallery, Atlanta, GA\n\n1995\n\nAnnet Couwenberg and David Page, Maryland Art Place, Baltimore, MD\n\n1994\n\nPublic Apparel / Private Structures, Gormley Gallery, Baltimore, MD\n\n1988\n\nSignalement, Nederlands Textielmuseum, Tilburg, The Netherlands\n\n1983\n\nAnnet Couwenberg: Recent Work, Arti Sera Gallery, Syracuse, NY\n\nSELECTED GROUP EXHIBITIONS\n\n2015\n\nPost-Textiles (working title), Michael Kohler Arts Center, Sheboygan, WI\n\n2014\n\nRipple: an exhibition of Cloth, Community and Connectivity, VisArts, Rockville, MD\nInterlacing Threads, Traditional Techniques/Contemporary Perspectives, Hokin Gallery,\nChicago, IL\n\n2013\n\nA Complex Weave: Women and Identity in Contemporary Art, Salina Art Center,\nSalina, KS\n\n2012\n\nCloth, Ewha Womans University Museum, Seoul, Korea\nA Complex Weave: Women and Identity in Contemporary Art, Fisher Museum,\nLos Angeles, CA, traveling and catalog\n\n1996\n\n\x0c1st International Istanbul Textile Art-Design Triennnale, Istanbul, Turkey.\nArt Questions Rage, Do\xc4\x9fus gallery, Istanbul, Turkey\nCurators Project Part 3,: Curator\xe2\x80\x99s Pick, Hongik Museum of Art , Seoul, Korea, catalog\nA Complex Weave, Carleton College, Northfield, MN\n2011\n\nCurators Project Art Fair, Hongik Museum of Art, Seoul, Korea, catalog\nA Complex Weave, Penn State University, University Park, PA, traveling and catalog\nCheongji International Craft Biennale, Cheongji, Korea, catalog\nBibim, Gallery 27 at Kaywon School of Art and Design, Seoul, Korea, catalog\n\n2010\n\nYeosu International Art Festival, Jinnam Art and Culture Center, Korea, catalog\nOpen House, Gyeonggi Creation Center Exhibition Hall, Korea\nA Complex Weave, Towson University, Baltimore, MD and Susquehanna University,\nSellingsgrove, PA\nElongating the Thread, XL Projects Gallery, Syracuse, NY\n\n2009\n\nFashion Ethics: Wear Good, Gyeonggi Museum of Modern Art, Korea, catalog\nFax, Contemporary Museum, Baltimore, MD, traveling in USA\nThreads: The Weaving of Stories, American Textile History Museum, Lowell, MA\nA Complex Weave: Women and Identity in Contemporary Art, Stedman Gallery, Camden, NJ\n\n2008\n\nDurer Was Also Here, Pan Kunstforum Museum, Emmerich, Germany, catalog\nHaus im Park, Kunstverien, Emmerich, Germany\nPricked: Extreme Embroidery, Scottsdale Museum of Contemporary Art, Scottsdale,\nAZ: Indiana Museum of Art, Indianapolis, IN, (traveling USA)\n\n2007\n\nPricked: Extreme Embroidery, Museum of Arts & Design, New York, NY, catalog\nRadical Lace and Subversive Knitting, Museum of Arts & Design, New York, NY, catalog\nHot House: Expanding the Field of Fiber at Cranbrook, 1970 \xe2\x80\x93 2007, traveling, catalog\n\n2005\n\nStitched: Craft/Design/Art, Gspot Gallery, Baltimore, MD\nState of The Art, Arlington Art Center, Arlington, VA\n\n2004\n\nThe Trawick Prize: Bethesda Contemporary Art Awards, Bethesda, MD\nExplorations, Maryland State Arts Council, Baltimore, MD\n\n2003\n\nWrestling, Rosenberg Gallery, Goucher College, Baltimore, MD\nCommon Thread, Memphis College of Art, Memphis, The Netherlands\n\n2002\n\nBizarre Beelden Bos, Nederland\xe2\x80\x99s Textiel Museum, Tilburg, The Netherlands.\nLes Fables de La Fontaine, Centre pour l\xe2\x80\x99Art et la Culture, Aix en Provence,\nFrance (traveling Italy, USA)\n\n2001\n\nInvented Objects/Imagined Spaces, Maryland Art Place, Baltimore, MD\n\n2000\n\nSnapshot, Contemporary Museum, Baltimore, MD\nObsession, Rosenberg Gallery, Goucher College, Baltimore, MD.\nTrunk Show, Zoller Gallery, University Park, PA\nHaystack Faculty, Blue Heron Gallery, Deer Isle, ME\n\n\x0cBOOKS\n\n2009\n\nFuture Textiles, book by Quinn Bradley, publ. by Berg, London, UK\n\n2008\n\nContemporary Textiles, book edited by Janis Jefferies and Bradley Quinn, publ. by Black\nDog, London, UK\n\n2003\n\nAnnet Couwenberg, monograph, Telos Art Publishing, Winchester, UK\n\nSELECTED BIBLIOGRAPHY AND REVIEWS\n\n2013\n\nSurface Design , Winter 2013 Annet Couwenberg: Clothing as Interface, by Elissa Auther,\npage 6-11, cover photograph\n\n2012\n\nTextile: The Journal of Cloth and Culture, The Secret and the Stitch: Annet Couwenberg\nInside and Out by Kathy O\xe2\x80\x99Dell, page 28 -43\nDaily Trojan 09.12.2012, A Complex Weave debuts at Fisher, by Eva Recinos\n\n2011\n\nThe Korean Herald, 12.18.2011 , Curators Gather for Show at Top-Rated Art University,\nby Park Min-young\n\n2010\n\nGyeonggi Creation Center Residency, 2010.3-2011.2, Korea, catalog\nLimburger Newspaper, Saturday, April 24, Zwart Kant, by Vikkie Bartholomeus\nRotterdam/Istanbul Bruggen & Breuken tussen twee Metropolen, Netherlands\nUrban Civilization and Humanity, Jinman Art and Culture Center, Yeosu, Korea\nThe Shape of Time: From Micropolis to Metropolis, Yeosu, Korea\n\n2009\n\nFashion Ethics: Wear Good, Gyeonggi Museum of Modern Art, catalog\nFuture Textiles, book by Bradley Quinn, publ. by Berg, London\nKorea Times, July 26, Focus on Ethical Fashion, by Kathy Rose Garcia\nKorea Herald Review, July 28, Museum Presents Ethical Clothes by Park Min-Young\nA Complex Weave: Women and Identity in Contemporary Art, Stedman gallery, catalog\n\n2008\n\nContemporary Textiles, book edited by Janis Jefferies and Bradley Quinn, publ. by Black Dog,\nLondon\nDurer Was Also Here, forward by Ray Allen, publ. PAN Kunstforum Niederrhein,\nEmmerich on the Rhine, catalo\nRheinische Post, Saturday, April 5, 2008. Visa, Nahkurse, Kohlestaub by Von Volke\nHimmelberg\nAm Rhein und Issel, Saturday, April 5, 2008. Visual Tagebucher by Gisela Behrent\nNeue Rhein Zeitung, Sunday, March 30, 2008. Article by Jorg Terbruggen\n\n2007\n\nHot House, Expanding the Field of Field of Fiber at Cranbrook, 1970-2007, published by\nCranbrook Art Museum, catalog\nAmerican Craft magazine, October/November 2007, Hothouse: Expanding the Field of\nFiber, 1970-2007, by Natalie Haddad. p. 73-78, photograph\nThe Secret and the Stitch: Annet Couwenberg\xe2\x80\x99s Whispering Frills, by Kathy O\xe2\x80\x99Dell,\n\n\x0cbrochure, published by Villa Julie College\nLos Angeles Times, Sunday, February 4, More Than Just Dyed in the Wool, by David Ng\nNew York Times, Saturday, January 27, Radical Lace & Subversive Knitting, Flair Flash,\nNot Frumpiness, by Martha Schwendener\nVogue Nippon, April 2007, Artactuel, numero 50, Quand La dentelle se fait radicale et\nque le tricot devient subversif by Giannina Mura\nTextileforum, December 2007, Pricked: Extreme Embroidery, by Beatrijs Sterk\n2006\n\nLe Monde, Friday September 8, My God, Les Fable de la Fontaine in English\nFables of La Fontaine, book edited by Koren Christofides, p. 1, published by\nUniversity of Washington Press\n\n2005\n\nSurface Design, Summer 2005, Annet Couwenberg: Ruffled Collar, Delaware Center for\nContemporary Arts, by Christine Tate, photograph\n\n2004\n\nThe News Journal, Friday, September 10, 2004, Annet Couwenberg\xe2\x80\x99s Ruffled Collar is\nPart of Art on the Town Loop, by Ryan Cormier, photograph.\nThe Philadelphia Inquirer, Friday, August 13, 2004, Ruffled Collar-Deconstructed,\nphotograph\nArt Matters, June 2004, Delaware Roundup, by R.B. Strauss\n\n2003\n\nWashington Post, Thursday, August 28, 2003, Calling the Honor Roll from MICA\xe2\x80\x99S\nSummer School, by Jessica Dawson\nThe Sun, Tuesday, September 2, 2003, by Sarah Schaffer\nRadar, Issue 4, February 2003, Wrestling, by Cindy Chiao\nTelos Art Publishing, monograph, Annet Couwenberg, England\n\n2002\n\nLa Provence, April 13, 2002, Ces gens de la Fontaine, by Samir Hedder Aix en Dialogue,\nMarch 2002, Les Fables de la Fontaine, by Jean Francois.\nEmbroidery, Volume 53, July 2002, Techno Textiles: Artists Using Their Digits\xe2\x80\x9d by\nVerna Suit, p. 26-30\n\n2001\n\nSurface Design, Fall 2001, Feminism and Fiber: A History of Art Critisim, by Jean\nRobertson\n\np.39-46\n\nSurface Design, Fall 2001, Crosscurrent 2000, Handle with Care, Loose Threads, review\n\nby\n\nBonnie Holland, p. 54-55\nCity Paper, October 3, 2001, Master Class, Those that Teach Do, by Mike Guiliano\n2000\n\nCatalog, Handle With Care, Loose Threads In Fiber, curatorial statement by Annet\nCouwenberg\nSurface Design, Fall 2000 Annet Couwenberg: Emblems of Containment, by Susan\np.29-35\nBrochure, Obsession, by Laura Burns, Rosenberg Gallery, Goucher College\nBrochure, Re-Addressing Fiber, New Works by Annet Couwenberg, by Peter Bruun, Park\nSchool Gallery\nSurface Design, Jan/Feb 2000, Review, Annet Couwenberg\xe2\x80\x99s Art Reconfigured\xe2\x80\x9d p. 56\n\nIsaacs\n\n\x0c1999\n\nEmbodiment: Fiber Sculpture, The Arkansas Arts Center Decorative Arts Museum, Little\nRock, AK\n\n1997\n\nA Permeable Edge: Reference B/fiIO/guID/reIY, Emerson Gallery, McLean, VA\nThe Delaplaine Visual Arts Center, Frederick, MD\nHidden Realities, Secret Visions, Pascal Center for Performing Arts Gallery,\nAnne Arundel Community College, Arnold, MD\nTransformation: Fiber Orientations, Dowd Fine Arts Gallery, Cortland, NY\n\n1995\n\nMaterial Poetry, Katherine Nash Gallery, Minneapolis, MN\n\n1994\n\nMaryland Institute: Then and Now, organized by the Barry Nemett and Anita Shapolsky\nGallery, NY\n\n1992\n\nNatural Forces / Human Observations, Charlotte Crosby Kemper Gallery, Kansas City,\nMO\n\n1991\n\nDe Verzameling in Beeld, Textielmuseum, Tilburg, The Netherlands\n\n1990\n\nDesign in Sculptural Fiber, curated by Sherri Smith, Craft Alliance Gallery, St. Louis, MO\n\n1989\n\nContemporary Fibers, Moreau Gallery, St.Mary\xe2\x80\x99s College, Notre Dame, IN\nConstructed Form: Six Views of Fiber, Brooks Hall Gallery, North Carolina State\nUniversity, Raleigh, NC\n\n1987\n\nFiber \xe2\x80\x9887/Northeast Ohio, Great Northern Corporate Center, North Olmsted, OH\nKent-Blossom/Art, visiting and resident faculty exhibit, School of Art Gallery, Kent\nState Univ. Kent, OH\nAn Urban Matrix, Churchman Fehsenfeld Gallery, Indianapolis, IN\nManifestations, Salem College Fine Arts Center, Winston-Salem, NC\n\n1986\n\nJuried group show, The Detroit Institute of Art, Detroit, Ml\n\n1985\n\nConstructions, Detroit Focus Gallery, juried by Sam Gilliam, Detroit, MI\n\n1982\n\nSpring Fashion Show, Ronald Kolodzie, New York, NY\n\n1981\n\nResort Fashion Show, Brooke Alexander Gallery, Ronald Kolodzie, New York, NY\n\nGRANTS/FELLOWSHIPS/RESEARCH\n\n2014\n\nSmithsonian Artist and Research Fellowship, Washington, DC\n\n2012\n\nNational Science Foundation Grant EFRI-ODESSEI: Control of buckling\nfolding and shape transformations in spontaneously forming and active films at\nfluid surfaces. Lead Institution: The University of Pennsylvania\nLucas Grant\n\n2011\n\nNational Science Foundation Grant EFRI-ODISSEI proposal: From DNA to Denim : How Biological\nSelf-assembly and Smart Textiles Motifs can Inform Robotic Design and Manufacturing. Lead\nInstitution JHU Mechanical Engineering\n\n\x0c2009\n\nMaryland State Arts Council Individual Artist Award\n\n2008\n\nMICA traveling grant\n\n2008- present\n\nSmart Textiles and Wearable Technology Research\n\n2007\n\nEducator of the Year nominee American Craft, Niche Awards\n\n2005\n\nMaryland State Arts Council Individual Artist Award\nFaculty Enrichment Grant, MICA\n\n2004\n\nWho\xe2\x80\x98s Who Among America\xe2\x80\x99s Teachers\n\n2003\n\nMaryland State Arts Council Individual Artist Award\n\n2002\n\nFaculty Enrichment Grant, MICA\n\n2001\n\nLucas Grant, MICA faculty Development Grant\n\n2000\n\nMaryland State Arts Council Individual Artist Award\nMICA Lucas Grant, Faculty Development Grant\n\nARTIST RESIDENCIES\n\n2011\n\nKaywon School of Art & Design, Seoul, Korea\n\n2010\n\nCrossLab at Willem de Kooning Academie, Rotterdam, The Netherlands\nKant fabriek Museum, Horst, The Netherlands\nGyeonggi Creation Center, Ansan, Korea\n\n2008\n\nPan Museum, Emmerich, Germany\n\nCOLLECTIONS\n\nNederlands Textielmuseum, Tilburg, The Netherlands\nMuseum de Kantfabriek, Horst, The Netherlands\nGyeonggi Museum of Modern Art, Ansan, Korea\nGyeonggi Creation Center, Ansan, Korea\nJinnam Art and Culture Center, City of Yeosu, Korea\nand numerous national and international individuals'