 The other voices, in French, sang a secular text which had either a symbolic relationship to the sacred Latin text, or commented on it.Josquin's three known motet-chansons, "Que vous madame/In pace", "A la mort/Monstra te esse matrem", and "Fortune destrange plummaige/Pauper sum ego", are similar stylistically to those by the other composers of the Milan chapel, such as Loyset Compère and Alexander Agricola.Josquin's fame lasted throughout the 16th century, and indeed increased for several decades after his death.