 Josquin frequently used imitation, especially paired imitation, in writing his motets, with sections akin to fugal expositions occurring on successive lines of the text he was setting.An example is his setting of "Dominus regnavit" (Psalm 93), for four voices; each of the lines of the psalm begins with a voice singing a new tune alone, quickly followed by entries of other three voices in imitation.In writing polyphonic settings of psalms, Josquin was a pioneer, and psalm settings form a large proportion of the motets of his later years.