 Several works by Josquin fall loosely into this category, including the "Missa Fortuna desperata", based on the three-voice song "Fortuna desperata" (possibly by Antoine Busnois); the "Missa Malheur me bat" (based on a chanson variously ascribed to Obrecht, Ockeghem, or, most likely, Abertijne Malcourt); and the "Missa Mater Patris", based on a three-voice motet by Antoine Brumel.The "Missa Mater Patris" is probably the first true parody mass to be composed, for it no longer contains any hint of a cantus firmus.Parody technique was to become the most usual means of mass composition for the remainder of the 16th century, although the mass gradually fell out of favor as the motet grew in esteem.