 There she got involved in the revolutionary fervor emerging amongst young university students.After moving to Moscow, Shub became involved in the Soviet avant-garde world, specifically in constructivist theatre.In 1918, after working as Vsevolod Meyerhold’s private secretary in the Soviet administration at the head office of the TEO Theatre Department of the Narkompros (People’s Commissariat of Education), she began collaborating with the stage director Vsevolod Meyerhold and poet Vladimir Mayakovsky on several theatrical projects.