 He was also the choreographer and drummer in a 1936 stage success, Orson Welles's all-black "Macbeth" performed in Harlem, on Broadway and on national tour.With his collaborator, Abdul Assen, he helped create the unique sound and feel of the Haitian "voodoo" sections of the performance.He toured with his works "Awassa Astrige/Ostrich" (1932), "Zunguru" (1940) and "Batanga" (1941).