 A centerpiece of the second set was an eight-minute reworking of one of "The River"'s casual rockers, "You Can Look (But You Better Not Touch)".Now it was recast into rockabilly mode, with a half-spoken, half-sung introduction detailing a youth's frustrations up to the iconic car parked with a girlfriend on a lovers' lane.Out come the horn section, sans horns, to do synchronized dancing and sing call-and-response.