 "The New York Times" wrote, "Charles Laughton and Alexander Korda have produced a great, and rich, and glowing motion picture in "Rembrandt," which opened yesterday at the Rivoli, a picture signed all over with distinction, like one of the master's own canvases"; while more recently, "Time Out" wrote that the film was "Less successful at the time than the earlier "Private Life of Henry VIII", but a far better film, thanks to a subtle, touching performance from Laughton as the ageing painter...Surprisingly sombre, it lacks a tight plot, but appeals through its vivid characterisation, superb Vincent Korda sets, and Georges Périnal's lovely camerawork.