 Their partnership ended around 1586, but they continued to work together occasionally.After 1586, Amadino's mark was a woodcut of an organ, and he printed primarily music, with a few theoretical treatises, including the first edition of Ercole Bottrigari's "Il desiderio".He printed editions of such important composers as Luca Marenzio and Claudio Monteverdi, and in terms of sheer output was one of the foremost Italian music printers.