 To a lesser degree, the Figaro plays are semi-autobiographical.Don Guzman Brid'oison ("Le Mariage") and Bégearss ("La Mère") were caricatures of two of Beaumarchais's real-life adversaries, Goezman and Bergasse.The page Chérubin ("Le Mariage") resembled the youthful Beaumarchais, who did contemplate suicide when his love was to marry another.