 Szathmari did not write abundantly, but he, despite his stylistic deficiencies (which some have emphasized), managed to push himself forward as one of the most serious contributors to Esperanto proze, perhaps the only prose writer in the International Language with a creative format worthy of attention outside the Esperanto movement.Regularly dealing with an imaginary not too distant future of humanity, Szathmári's works flail human society, without idiological reserve and without any perceptible specificity as to time and place.In 1924, in his new lodgings he met a youth, with whom he became friends and later enemies.