 His architectural designs include the Film Guild Cinema (1929) in New York City and, with Armand Phillip Bartos, the Shrine of the Book (1965) in Jerusalem, Israel.From 1937 to 1943, Kiesler was the director of the Laboratory for Design Correlation within the Department of Architecture at Columbia University, where the study program was more pragmatic and commercially oriented than his deep, theoretical concepts and ideas, such as those about "correalism" or "continuity," which concern the relationship among space, people, objects and concepts.For his object designs, such as the biomorphic furniture in his Abstract Gallery room of Peggy Guggenheim’s "The Art of This Century Gallery" art salon (1942), for example.