 This version did not reach the "Billboard" Race Records chart, but represents a move toward a more urban blues treatment of the song.Big Joe Williams' various recordings inspired other blues musicians to record their interpretations of the song and it became a blues standard.Early examples include Papa Charlie McCoy as "Tampa Kid" (1936), Leonard "Baby Doo" Caston (1939), Lightnin' Hopkins (1947), John Lee Hooker (1949), and Big Bill Broonzy (1952).