 By the early 1950s, the song was reworked in contemporary musical styles, with an early rhythm and blues/jump blues version by Billy Wright (1951), a harmonized doo-wop version by the Orioles (a number eight R&B hit in 1952), and an Afro-Cuban-influenced rendition by Rose Mitchell (1954).Mose Allison recorded the tune in his jazz-blues piano style for the album "Transfiguration of Hiram Brown" (1960).In 1953, Muddy Waters recast the song as a Chicago-blues ensemble piece with Little Walter and Jimmy Rogers.